DOCSLIB.ORG

Music and Depth Psychology: a Theoretical Analysis of Tool

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Music and Depth Psychology: a Theoretical Analysis of Tool Music and Depth Psychology: A Theoretical Analysis of Tool by Bridgette Pagano A Culminating Thesis Submitted to Sonoma State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS in Psychology Mary Gomes, Ph.D., Chair C. Shoshana Fershtman, Ph.D. Monte Cimino, MSW Date: May 24, 2021 Copyright 2021 By Bridgette Pagano ii Authorization for Reproduction of Master’s Thesis I grant permission for the print or digital reproduction of this thesis in its entirety, without further authorization from me, on the condition that the person or agency requesting reproduction absorb the cost and provide proper acknowledgement of authorship. DATE:____May 24, 2021______ NAME: ___Bridgette Pagano___ iii Music and Depth Psychology: A Theoretical Analysis of Tool Thesis by Bridgette Pagano ABSTRACT Purpose of the Study: The purpose of this thesis is to explore the lyrics of the rock band Tool, and interpret themes found in their lyrics through the lens of Jungian psychology. I look at whole songs as well as sections of songs, and relate them to specific Jungian themes. These themes include individuation, ego, the Self, shadow, persona, and alchemy (Hopcke, 1995). Through interpretation, I not only explore themes that fit specific songs, but I also speak to each topic’s relationship with individuation. Music can be a vehicle to facilitate an individual’s healing (Nelson & Weathers, 1998). Tool’s lyrics are rich in references to Jungian psychological themes, which is the reason I focus exclusive on Tool’s music. In exploring the relationship between Tool and Jungian psychology, I hope to be able to see the music from a new perspective, and to deepen my understanding of Tool, depth psychological themes, and myself. Procedure: To explore the relationship between Tool’s lyrical content and Jungian psychological themes, I used a theoretical analysis as my approach. I extensively researched relevant Jungian themes, and extensively analyzed Tool’s song catalog to find applicable lyrics. Findings: There is an abundance of Jungian psychological themes found in Tool’s lyrics. Jungian themes, such as shadow, alchemy, and ego, are not only referenced, but thoroughly explored throughout certain Tool songs. Conclusion: Tool’s lyrical content often directly reflects Jungian psychological themes. Because of the depth and consistency, Jungian themes are clearly intentionally interwoven into Tool’s lyrics, allowing Jungian theory a broader audience than it would otherwise have. MA Program: Psychology Sonoma State University Date:_May 24, 2021__ iv Acknowledgements This work is dedicated to my amazing husband, without whom I never would have had the drive to finish, and to my two daughters, Adeline and Rose. I would also like to thank my family for their unfailing support and encouragement. It has been a long ride, but we finally made it to the finish line. Lastly, I would like to thank Tool for inspiring me to undertake this project. Spiral out, keep going. v Table of Contents Chapter Page I. Introduction……………………………………………………....……………...1 Tool…...………...……………………………………………………………….3 Depth Psychology…..…………………………………………………….……..5 Organization of Thesis…………………………………………………………..6 II. Individuation………………………………………………………………....….8 Individuation…………………………………………………………………….8 Music and Individuation.……………………………………………………….10 III. Ego/Self………………………………………………………………………....11 Ego………………………………………………………………………………11 Self………………………………………………………………………………11 Ego/Self Relationship…………………………………………………………...12 Lyrics……………………………………………………………………………14 Interpretation………………………………………………………………….…15 IV. Shadow………………………………………………………………………..…17 Shadow…………………………………………………………………………..17 Lyrics……………………………………… ……………………………………19 Interpretation………………………………………….……………….…………20 V. Persona…………………………………….……………….……………………..26 Persona……………………………………………………………………………26 Lyrics………………………………………….……………………………..…...27 vi Interpretation……………………….…………………………………………...…..29 VI. Alchemy………………………………………………………………………….....32 Alchemy……………………………………………………………………………..32 Prima Materia………………………………………………………………..……..34 Solutio………………………………………………………………………………35 Nigredo……………………………………………………………………………..36 Albedo………………………………………………………………………………37 Rubedo………………………………………………………………………...……38 Philosophical Gold…………………………………………………………………38 Lyrics…………………………………………………………………………...…..39 Interpretation………………………………………………………………………..40 VII. Conclusion…………………………………………………………………….…….43 References…………………………………………………………………..………45 vii Chapter I. Introduction Driving down a long, winding road, musing to myself about situations that might happen, situations that will never happen, and situations that are wildly far-fetched, I can’t remember how I even got here. I’m tracing back through my seemingly random thoughts, finding that thread which somehow connects them, when suddenly, I hear it. A tune too familiar to be called so; it is more like a part of my soul than anything separate or apart from me. The second note hits, and I am immediately brought back to a specific time and place. Memories flood my thoughts as I effortlessly sing along with a song I have not heard in months. I don’t miss a beat. Not with this extension of myself. It does not matter that I had nothing to do with the creation of this song, and yet I have adopted it as nothing less than a vital part of my being. Whether a person listens to rock, country, jazz, hip-hop, classical, or any other genre, music is something that has its place in every culture. For some fans, it is more meaningful than any other modality of art or communication. Music has the power to impact; the power to bring people together or tear them apart. Music transcends cultural bounds and can reach a global audience, to such a degree that every culture discovered has been found to have music involved to at least some extent (Storr, 1992). Artists tour the entire world, and even in countries that do not speak the same language, the crowds passionately sing along to every word. Music has been used to manipulate emotions and cause the listener to experience different feelings throughout history, such as in advertisements, movies, and even mothers singing softly to their baby to stop them crying (Levitin, 2006). With that being said, it is important to remember that just as every human is unique, every person’s 2 MUSIC AND DEPTH PSYCHOLOGY: A THEORETICAL ANALYSIS OF TOOL response to any given piece of music will be unique to that individual. Even the same piece of music that evoked such a strong response at a certain critical moment in time may lose its potency over time and slide back into the realm of memories and past meaningful relationships. Conversely, certain pieces of music may steadily build meaning over time, increasing in importance, impacting that person in new and powerful ways. Those who love music know the great importance of it in their life, and it is so much more than simply a leisurely pleasure or background noise (Storr, 1992). Music can stay with a person for their whole life, and because of this, music can be used as a tool of change (Reddick & Beresin, 2002). That was the case for me with the rock band Tool. I had heard their songs regularly over my life and liked them but was not particularly moved when I heard them. As it happened, I simply wasn’t equipped to receive the message they were sending. Yet. Then one day, suddenly, that shifted. I was studying Psychology in my undergraduate years and had a class on personality, in which I was introduced to Carl Jung and his theories. Later that day, I happened across the Tool song, “Forty Six & 2” (Tool, 1996, track 5), which spoke of shadow, changing, and the effort it takes to be strong enough and brave enough to search for personal evolution. If one is willing to do the dirty work with the shadow, true change is possible. With this new understand of the song I was impacted in a huge way, and felt everything in my life quickly shifting, making space for Tool to have the seat of honor in my curiosity and imagination. The synchronicity of this series of events was nothing short of a life changing epiphany, and immediately after that I was seemingly possessed in my pursuit of obtaining all of Tool’s music and learning every intricacy and subtle implication held within it. Tool’s music became a rabbit hole 3 MUSIC AND DEPTH PSYCHOLOGY: A THEORETICAL ANALYSIS OF TOOL that I enthusiastically flung myself down. I have not resurfaced since that first profound experience. Tool Tool is a rock band, formed in Los Angeles in 1990, comprised of four members: Danny Carey on drums, Adam Jones on guitar, and Maynard James Keenan on vocals. Since 1995 Justin Chancellor has been Tool’s bassist, taking over for Paul D’Amour, who was active from 1990-1995. Tool’s music is characterized by heavy guitar riffs, intricate drumbeats, solid bass lines, and vocals ranging from soft and beautiful to whole- hearted screaming. Darkly comedic elements are sprinkled throughout Tool’s albums, such as the song “Disgustipated,” which opens with Keenan preaching to a gathering of farm animals comparing harvesting crops to committing genocide (Tool, 1992, track 10). “Rosetta Stoned” (Tool, 2006, track 8) tells an epic adventure of a man who was visited by aliens and entrusted to spread their message across the human race, but is not believed because he was high on psychedelic drugs. There is even a hidden song called “Maynard’s Dick,” at the end of the song “LAMC” (Tool, 2000, track 8) which is about exactly what one might think. While Tool has a wonderfully comedic side, reflective and
Load more

Recommended publications
  • THE SWGRL SPOTLIGHT VOLUME 6, ISSUE 1 Page 6
    Southwest Georgia Regional Library System Presents: The SWGRL SPOTLIGHT VOLUME 6, ISSUE 1 INSIDE THIS ISSUE: Southwest Georgia 1 Regional Library to Offer A monthly E-News and Information Publication of the Southwest Georgia Regional Library System August, 2013 Downloadable Music from their Website Deposit Collections 2 Available SOUTHWEST GEORGIA REGIONAL LIBRARY TO OFFER Back to School 2 Bookmobile Schedule 3 DOWNLOADABLE MUSIC FROM THEIR WEBSITE Discuss Interesting Reads 3 The Southwest Georgia available in the Apple® App providing digital content to all Autism Spectrum Parent 4 Regional Library has joined Store and Google Play®. kinds of libraries, and is located Meeting Library Ideas™ network of in Fairfax, Virginia. The “We are very excited to offer 4 Public Library websites that Company offers music, eBook Learn to Use a Computer offer access to over 7 million a service like this that delivers and language learning solutions Toddler Time! 5 songs including Sony Music’s great music, compatibility to libraries as part of its with lots of devices and 5 developing product suite. Learn Microsoft Excel catalog of legendary artists. simplicity of use. We think 2010 Library Ideas was named “One The Freegal™ Music Service this will be incredibly popular 6 of the Top 100 Companies in Legos and Games will allow the Southwest with our patrons and will help the Digital Content Industry for Georgia Regional Library to the library in marketing all its iPads and iPhones 6 increase the size and diversity services to the community,” 2011-12” by EContent Magazine. School Craft 7 of its collection by offering said Catherine Vanstone, About Sony Music access to over 28,000 music Assistant Director.
    [Show full text]
  • Universidad Autónoma Del Estado De México Facultad De Arquitectura Y
    Universidad Autónoma del Estado de México Facultad de Arquitectura y Diseño Análisis de la producción simbólica de Tool (banda norteamericana de metal alternativo) Tesis que para obtener el título de Licenciado en Diseño Gráfico presenta: Eduardo Sánchez Azamar Director: Dr. Miguel Ángel Rubio Toledo Toluca, Estado de México, Agosto de 2014 Índice Introducción -- 3 Capítulo I 6 1.1- Contexto temporal y cultural de los miembros de Tool -- 6 1.2- Información contextual adicional -- 8 1.3- Esquema general de la producción discográfica de Tool -- 12 1.4- Referentes visuales contemporáneos-- 13 Capítulo II 23 2.1. Conceptos básicos -- 24 2.2. Iconología aplicada -- 30 Capítulo III 35 3.1 Definición del contexto político, social y cultural -- 36 3.2 Análisis de la producción simbólica de Tool -- 38 3.3 Contextualización de motivos visuales en el Rock y el Metal -- 126 3.4 Contenidos Adicionales -- 130 Conclusiones - 134 Bibliografia - 137 Fuentes electrónicas - 137 Referencias a pie de página - 138 Fuentes de imágenes - 138 Índice Introducción. La formación profesional está llena de obstáculos, de dificultades, pero además de un sentimiento casi inevitable de incertidumbre, todo el conocimiento absorbido durante nues- tra estancia en la universidad ayuda a mitigar en cierta medida la incertidumbre o por lo menos la sensación de la misma, es acertado el decir que “el conocimiento es poder1” sin embargo, este poder, el poder del conocimiento debe tener una dirección definida. El conocimiento ya está ahí, ya ha sido asimilado, pero la confusión aún no se aleja del todo, ya sabemos qué actividades desarrollaremos cuando egresemos de nuestras res- pectivas instituciones para sumergirnos en la vida profesional, pero sin duda hay algunos cabos sueltos.
    [Show full text]
  • TOOL Announces Spring Tour Dates Following Sold out Australasian Tour
    FOR IMMEDIATE RELEASE TOOL announces spring tour dates following sold out Australasian Tour Coming to The Broadmoor World Arena on Friday, June 19 with opener The Acid Helps Tickets on sale this Friday, Feb. 28 at 10 a.m. Photo credit: Travis Shinn COLORADO SPRINGS (February 25, 2020) -- TOOL, who recently took home the GRAMMY Award® for Best Metal Performance for the song “7empest,” has added an extensive spring tour for North America that includes a stop at The Broadmoor World Arena on Friday, June 19. The show will begin at 7 p.m. Doors will open at 6 p.m. Opening for Tool will be The Acid Helps. Tickets, which can be purchased for $99.95 and $150 plus applicable fees, will go on sale on Friday, February 28 at 10 a.m. They can be purchased at The Broadmoor World Arena and Pikes Peak Center box offices or online at BroadmoorWorldArena.com, PikesPeakCenter.com, or AXS.com. The Los Angeles-based band recently wrapped up a sold-out Australasian tour, with the final two shows of the trek, back-to-back, sold-out performances at Auckland’s Spark Arena, happening later this week. The Sydney Morning Herald described the live offering as “an immersive art-rock experience that forced you to feel a little of everything. It was an intricate collage of light, sound and imagery.” The Fear Inoculum tour, which has seen the band performing in some cities for the first time in more than a decade, has received widespread accolades with the Los Angeles Times calling it “impeccable;” the Chicago Tribune describing the performances as a “twisting multi-media rollercoaster of a concert;” and The Arizona Republic describing the shows as “a visually breathtaking night of dystopian art-rock spectacle.” The Fear Inoculum album arrived on Aug.
    [Show full text]
  • Tool Catalog Now Available Via Digital Service Providers
    TOOL CATALOG NOW AVAILABLE VIA DIGITAL SERVICE PROVIDERS https://smartURL.it/TOOLCatalog NEWS OF OPIATE, UNDERTOW, ÆNIMA, LATERALUS AND 10,000 DAYS’ ONLINE DEBUT COMES AS ANTICIPATION FOR BAND’S NEW ALBUM, FEAR INOCULUM (AUG. 30, RCA RECORDS), BUILDS (Aug. 2, 2019) – TOOL released Opiate, Undertow, Ænima, Lateralus and 10,000 Days overnight on the various digital service providers (https://smartURL.it/TOOLCatalog). “Our obsession with, and dream of, a world where BetaMax and Laser Disc rule has ended,” says Maynard James Keenan. “Time for us to move on. But never fear. There’s a brand new thing we think you’re really gonna dig. It’s called Digital Downloads and Streaming. Get ready for the future, folks!” Streaming links for the releases: 10,000 Days: https://smartURL.it/TOOL10000Days Lateralus: https://smartURL.it/TOOLLateralus Ænima: https://smartURL.it/TOOLAEnima Undertow: https://smartURL.it/TOOLUndertow Opiate: https://smartURL.it/TOOLOpiate The digital debut comes as anticipation for TOOL’s fifth album, Fear Inoculum (RCA Records), builds. On the outfit’s recent North American and European tours, the Los Angeles-based band projected the album’s release date, Aug. 30, from the stage, while playing two new songs from the forthcoming collection: “Invincible” and “Descending.” TOOL formed in 1990, releasing four multi-platinum studio albums: Undertow (1993), Ænima (1996), Lateralus (2001) and 10,000 Days (2006); two EPs: 72826 (1991) and Opiate (1992) and the limited- edition boxset Salival (2000). The band has won three GRAMMY Awards®: Best Metal Performance (1998, “Ænima”), Best Metal Performance (2002, “Schism”) and Best Recording Package (2007, 10,000 Days).
    [Show full text]
  • Annual Report 2003 Annual Report 2003 Bertelsmann Bertelsmann Financial Highlights in € Millions
    Bertelsmann Annual Report 2003 Annual Report2003 Bertelsmann Financial Highlights in € millions IFRS IFRS IFRS IFRS IFRS Pro forma 7/1/2001 2000/ 2003 2002 2001 –12/31/2001 2001 Business Development Revenues 16,801 18,312 18,979 9,685 16,748 Operating EBITA 1,123 936 573 164 826 Net income before minority interests 208 968 1,378 931 987 Cash Flow 1,373 1,115 294 127 160 Investments 761 5,263 2,639 1,067 2,744 Total assets 20,164 22,188 23,734 23,734 17,245 Personnel costs 4,151 4,554 4,812 2,343 4,319 Employees (in absolute numbers) Germany 27,064 31,712 31,870 31,870 30,732 Other countries 46,157 48,920 48,426 48,426 43,816 Total 73,221 80,632 80,296 80,296 74,548 Equity Subscribed capital 1) 606 606 606 606 463 Retained earnings 6,060 6,079 5,697 5,697 3,222 Minority interests 965 1,059 2,081 2,081 792 Equity 7,631 7,744 8,384 8,384 4,477 As percentage of total assets 38 35 35 35 26 Net financial debt 820 2,741 859 859 2,298 Debt payback factor 2) 0.6 2.5 2.9 n/m n/m Net Income Net income before minority interests 208 968 1,378 931 987 Minority interests 54 40 (143) (18) 246 Dividend 220 240 n/a 300 50 Profit participation payments 3) 76 77 77 39 95 Employee profit sharing 3) 29 34 n/a 19 44 1) 57.6 percent Bertelsmann Foundation, 17.3 percent Mohn family, 25.1 percent Groupe Bruxelles Lambert (GBL) (as of 12/31/2003) 2) Net financial debt/Cash Flow 3) Offset in net income Bertelsmann Annual Report 2003 Contents | 1 Letter from the Chairman 2 Executive Board 6 Management Report 10 Supervisory Board Report 48 Corporate Governance at Bertelsmann 50 Contents Annual Report January 1 through December 31, 2003 Consolidated Financial Statements as of December 31, 2003 Consolidated Income Statement 54 Consolidated Balance Sheet 55 Consolidated Cash Flow Statement 56 Consolidated Statement of Changes in Shareholders’ Equity 57 Segment Reporting 58 Notes 60 Boards/Mandates 104 Auditor’s Report 107 Select Terms at a Glance 108 2 | Letter from the Chairman Bertelsmann Annual Report 2003 Dear Friends of Bertelsmann, Berlin is a fascinating city.
    [Show full text]
  • Jon Theodore
    12 Modern Drummer June 2014 Booth #1219 Always on the go, Daru Jones desired a highly portable cymbal set for hip-hop sessions, DJ Jams, and other sit-ins that spontaneously present themselves, enabling him to preserve his personal sound in modern urban mobility. The concept was developed in the PST X series, which provides a suitable basis for the type of fast and dry sounds that perfectly fit the world of Hip-hop & Electronica percussion. It is executed with the DJs 45 set consisting of a 12" Crash, 12" Ride and 12" Hats. INTRODUCING ?MbcRaf^aYbE^]WPERZRPcEVRZZDRPW_Rb͜ŬeRQWbcW]PcZh d]W`dRS^a\dZMb͜QRbWU]RQ͜PaRMcRQM]QcRbcRQc^_RaS^a\ ^_cW\MZZhW]cVRR]eWa^]\R]ccVMcORMabWcb]M\R͙ studio heritage modern dry stadium urban ?MbcRaf^aYbGaOM]bVRZZbSRMcdaRMa^d]QRQ ʎORMaW]URQUR P^\OW]RQfWcV^da6eR]BZh͹EWgOZR]Q^S3WaPVΧ8d\Χ3WaPVfWcV?M_ZR aRW]S^aPR\R]caW]Ubc^_a^\^cR_a^]^d]PRQZ^fR]QMccMPYfWcV b\^^cV͜ReR]QRPMh͙Ada\W]W\MZP^]cMPcEF>bfWeRZZdUb͜P^\OW]RQ fWcV^da ͙ \\Ed_Ra:^^_ZZhoops increase projection without W\_RQW]U_RaS^a\M]PRMPa^bbcVRcd]W]Ub_RPcad\͙ FVWbWbcVRWQRMZb^d]QS^aB^_͜D̿3^a8^b_RZ͙ ?MbcRaf^aYbGaOM]bV^f]W]ORMdcWSdZ3ZMPY lacquer fWcV:^Z^UaM_VWPůMYRb͙>WbcR]c^cVR GaOM]aRPW_R_ZMhRQOh3aWM]7aMbWRa?^^aR Mc_RMaZQad\͙P^\ CONTENTS Volume 41 • Number 12 CONTENTS Cover and Contents photos by Andreas Neumann FEATURES 28 MODERN DRUMMER 2018 56 ELI KESZLER READERS POLL The multidisciplinary artist has Make your voice heard in the most dedicated much of his career important poll in the drumming to exploring the solo drumset’s world! expressionistic capabilities, leading to new creative and career 30 THE PSYCHEDELIC FURS’ opportunities.
    [Show full text]
  • To the Fedexforum; Hurry! Tickets Now on Sale
    December 6-13, 2019 The Mid-South Tribune Page 5 Sports Sports & Entertainment Wanda Sykes hosts 28th A nnual Trumpet Awards Jan. 12 on Bounce Martin Lawrence, Cedric the black-tie honors will take place Iconic comedian and actor Mar - tremendous career successes in Entertainer, Marsai Martin, Dec. 4 at Dolby Theatre in Hol - tin Lawrence will be given the film, live performance, and tele - Ambassador Andrew Young, lywood and will world premiere Luminary Award, which honors vision have solidified his stand - Hydeia Broadbent and Phylicia on Bounce on Sunday, January an individual who has risen to the ing as one of the top entertainers Fant Named Recipients of 12 at 8:00 p.m. CT. Bounce, the top of their field and has illumi - in the world. Bounce Trumpet Awards fastest-growing African Ameri - nated and inspired others along can network on television, exclu - the way. Lawrence became a 15-year old actress Marsai Mar - ATLANTA, Dec. 2, 2019 sively owns, produces and household name with the success tin, currently starring on the hit /PRNewswire/ -- Martin telecasts the star-studded event. of his hugely-popular self-titled ABC series Black-ish, will re - Lawrence, Cedric the Enter - Visit www.trumpetawards.com television series, Martin, while ceive the Rising Star Award pre - tainer, Marsai Martin, Ambassa - for more information. going onto star in an impressive sented by McDonald's, which dor Andrew Young, Hydeia Among the artists scheduled to list of blockbuster movies includ - recognizes a young person who Broadbent and Phylicia Fant appear, perform or present: An - ing Bad Boys, Blue Streak, Big is quickly establishing them - have been named as honorees thony Anderson, Niecy Nash, Momma's House and Life.
    [Show full text]
  • Case 1:21-Cv-22825-WPD Document 1 Entered on FLSD Docket 08/03/2021 Page 1 of 25
    Case 1:21-cv-22825-WPD Document 1 Entered on FLSD Docket 08/03/2021 Page 1 of 25 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF FLORIDA CASE NO.: 1:21-cv-22825 SONY MUSIC ENTERTAINMENT; SONY MUSIC ENTERTAINMENT US LATIN LLC; ZOMBA RECORDING LLC; ARISTA MUSIC; ARISTA RECORDS LLC; LAFACE RECORDS LLC; RECORDS LABEL, LLC; VOLCANO ENTERTAINMENT III LLC, Plaintiffs, v. VITAL PHARMACEUTICALS, INC. d/b/a BANG ENERGY AND JACK OWOC, AN INDIVIDUAL, Defendants. _________________________________________/ COMPLAINT AND DEMAND FOR JURY TRIAL Plaintiffs, Sony Music Entertainment; Sony Music Entertainment US Latin LLC; Zomba Recording LLC; Arista Music; Arista Records LLC; LaFace Records LLC; Records Label, LLC; and Volcano Entertainment III LLC (collectively, “Sony Music”), hereby collectively file this Complaint and Demand for Jury Trial against the defendant Vital Pharmaceuticals, Inc. d/b/a Bang Energy (“Bang”) and Bang’s Chief Executive Officer, Jack Owoc (“Owoc”) (together, the “Bang Defendants”). INTRODUCTION 1. Sony Music has been at the forefront of recorded music for nearly a century. Sony Music produces, manufactures, distributes, sells, and licenses some of the most iconic and popular sound recordings of all time, from Michael Jackson’s “Thriller”, AC/DC’s “Thunderstruck”, Bruce Springsteen’s “Born in the U.S.A.” to recent hits such as Doja Cat’s “Say So”, Lil Nas X’s “Old Town Road” and 24kGoldn’s “Mood”, to countless hits in between. Case 1:21-cv-22825-WPD Document 1 Entered on FLSD Docket 08/03/2021 Page 2 of 25 2. Bang is a brand of energy drinks and sports nutrition supplements.
    [Show full text]
  • Tool Lateralus Album Download Mp3 Music Downloads
    tool lateralus album download mp3 Music Downloads. Search and download from over 6 million songs, music videos and lyrics. Largest collection of free music. All songs are in the MP3 format and can be played on any computer or on any MP3 Player including the iPhone. Live concert albums of your favorite band. Learn how to download music and how to burn music. EMD offers a premium experience that includes unlimited access to CD quality music and advanced discovery features in an advertising free environment. Members also enjoy unlimited free mp3 music downloads without registration. Tool lateralus album download mp3. Tool - Discography (1993-2019) Country: USA Genre: Progressive Metal Quality: Mp3, CBR 320 kbps (СD-Rip+Scans) Tracklist: Albums 1993 - Undertow (320 kbps) 1996 - Aenima (320 kbps) 2001 - Lateralus (320 kbps) 2006 - 10000 Days (320 kbps) 2019 - Fear Inoculum (CD+Digital Version) Eps, Singles, Compilations. A Perfect Circle - Stone And Echo: Live at Red Rocks Amphitheater (2013) [DVDRip] Artist: A Perfect Circle Country: USA Album: Stone And Echo: Live at Red Rocks Amphitheater Genre: Alternative Rock Year Of Release: 2013 Quality: .m4v Video: MPEG4 Video (H264) 720x480 (16:9) 29.97fps 1396kbps Audio: Dolby AC3 48000Hz 6ch 448kbps Size: 1.41 GB. Tracklist: 01. Annihilation 02. Imagine 03. Weak and Powerless 04. The Hollow 05. Rose 06. Blue 07. What's Going On 08. People Are People 09. The Outsider 10. Peace Love and Understanding 11. When the Levee Breaks 12. The Noose 13. 3 Libras (All Main Courses Mix) 14. The Package 15. Gimme Gimme Gimme 16. Orestes 17.
    [Show full text]
  • Fear Inoculum
    Tool – Fear Inoculum (86:00, CD, Digital, Tool Dissectional, 2019) Mainstream. Das Wort taucht oft auf, wenn Musik sich gut verkauft und in den Medien vertreten ist. Viele reden darüber und ganz besonders dann, wenn es um Musik geht, die eigentlich in eine Nische gehört, generiert das Wort Aussagen wie: „Das ist Mainstream, das höre ich nicht!“. Völlig unabhängig von der Qualität. So einen ungefilterten Quark hört man mittlerweile auch, wenn Herr Wilson ein neues Album veröffentlicht. Wieso freut man sich nicht stattdessen, dass „unsere Nischenmusik“ sich zunehmender Beliebtheit erfreut? Entweder ist es gute Musik oder eben schlechte Musik. Die gibt es im Mainstream und die gibt es auch in der „Szene“. Freuen wir uns also, dass gute Musik immer noch beliebt ist. Ebenso Zeitverschwendung sind diese unendlichen „Ist das noch Prog?“-Eskalationen von „Das Bild hängt schief!“-Leuten, die meinen, alles müsste nach „ihren Regeln“ funktionieren. Wieso muss alles in irgendwelche Schubladen passen? Immer, wenn Tool sich nach gefühlten 30 Jahren Pause dazu bequemen, ein neues Album auf die Fans los zu lassen, kochen die Gemüter mit den oben genannten Fragen hoch. Tool sind eine der größten und bekanntesten Rockbands der Neuzeit. Zu Recht! Und das, obwohl die Band nichts und garnichts auf den sog. Mainstream gibt. „Fear Inoculum“ erscheint zum Beispiel (zur Zeit) ausschließlich in einer dicken 80 Euro teuren Special Edition. Wie ist das in den Mainstream einzuordnen? Machen Tool Prog? Wen interessiert das und wieso? Tool klingen nach Tool. Nicht nach Dream Theater, Genesis, Yes, Pink Floyd oder Porcupine Tree, wie jede dritte „neue“ Band, deren Promos auf den redaktionsinternen Schreibtischen landen.
    [Show full text]
  • PPCA Licensors Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights
    PPCA Licensors Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights 88dB Bowles Production *ABC Music Brian Lord Entertainment ACMEC Bridge, Billy Adams, Clelia Broad Music AGR Television Records Buckley, Russell Aitken, Gregory A. Budimir, Mary Michelle AITP Records Bullbar P/L aJaymusic Bulletproof Records t/a Fighterpilot AJO Services Bulmer, Grant Matthew Allan, Jane Bunza Entertainment International Pty Ltd Aloha Management Pty Ltd Butler Brown P/L t/a The John Butler Trio Alter Ego Promotions Byrne, Craig Alston, Chris Byrne, Janine Alston, Mark *CAAMA Music Amber Records Aust. Pty Ltd. Cameron Bracken Concepts Amphibian *Care Factor Zero Recordz Anamoe Productions Celtic Records Anderson, James Gordon SA 5006 Angelik Central Station Pty Ltd Angell, Matt Charlie Chan Music Pty Ltd Anthem Pty Ltd Chart Records and Publishing Anvil Records Chase Corporation P/L Anvil Lane Records Chatterbox Records P/L Appleseed Cheshire, Kim Armchair Circus Music Chester, John Armchair Productions t/a Artworks Recorded Circle Records Music CJJM Australian Music Promotions Artistocrat P/L Clarke, Denise Pamela Arvidson, Daniel Clifton, Jane Ascension World Music Productions House Coggan, Darren Attar, Lior Col Millington Prodcutions *Australian Music Centre Collins, Andrew James B.E. Cooper Pty Ltd *Colossal Records of Australia Pty Ltd B(if)tek Conlaw (No. 16) Pty Ltd t/a Sundown Records Backtrack Music Coo-ee Music Band Camp Cooper, Jacki Bellbird Music Pty Ltd Coulson, Greg Below Par Records
    [Show full text]
  • Gaikai - Wikipedia Case 3:19-Cv-07027-WHA Document 28-2 Filed 10/14/19 Page 2 of 8 Not Logged in Talk Contributions Create Account Log In
    Case 3:19-cv-07027-WHA Document 28-2 Filed 10/14/19 Page 1 of 8 EXHIBIT B Gaikai - Wikipedia Case 3:19-cv-07027-WHA Document 28-2 Filed 10/14/19 Page 2 of 8 Not logged in Talk Contributions Create account Log in Article Talk Read Edit View history Gaikai From Wikipedia, the free encyclopedia Main page Gaikai (外海, lit. "open sea", i.e. an expansive outdoor space) is an American company which provides technology for the streaming of high- Contents Gaikai Featured content end video games.[1] Founded in 2008, it was acquired by Sony Interactive Entertainment in 2012. Its technology has multiple applications, Current events including in-home streaming over a local wired or wireless network (as in Remote Play between the PlayStation 4 and PlayStation Vita), as Random article well as cloud-based gaming where video games are rendered on remote servers and delivered to end users via internet streaming (such as Donate to Wikipedia the PlayStation Now game streaming service.[2]) As a startup, before its acquisition by Sony, the company announced many partners using Wikipedia store [3] the technology from 2010 through 2012 including game publishers, web portals, retailers and consumer electronics manufacturers. On July Founded November 2008 Interaction 2, 2012, Sony announced that a formal agreement had been reached to acquire the company for $380 million USD with plans of establishing Headquarters Aliso Viejo, California, U.S. [4] Help their own new cloud-based gaming service, as well as integrating streaming technology built by Gaikai into PlayStation products, resulting Owner Sony [5] [6] About Wikipedia in PlayStation Now and Remote Play.
    [Show full text]