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Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
The London School of Economics and Political Science
The London School of Economics and Political Science “And they say there aren’t any gay Arabs…”: Ambiguity and Uncertainty in Cairo’s Underground Gay Scenes Mohamed Abbas Zaki A thesis submitted to the Department of Anthropology of the London School of Economics for the degree of Doctor of Philosophy, London, October 2013 1 DECLARATION I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 85,522 words. 2 ABSTRACT This thesis explores issues of subjectivity, collective identity, relatedness and class among young men on Cairo’s underground gay scenes. My thesis, based on 18 months of ethnographic research (November 2009-March 2011) among in Cairo, focuses on the diversity of ways in which ‘gay’ identities are embraced, questioned, and critiqued through the day to day activities of life in the city, and the construction of spaces in which the men move. The thesis analyzes various forms of instability and ambiguity relating to men’s sexuality both on the individual and scene levels. -
TOOL Announces Spring Tour Dates Following Sold out Australasian Tour
FOR IMMEDIATE RELEASE TOOL announces spring tour dates following sold out Australasian Tour Coming to The Broadmoor World Arena on Friday, June 19 with opener The Acid Helps Tickets on sale this Friday, Feb. 28 at 10 a.m. Photo credit: Travis Shinn COLORADO SPRINGS (February 25, 2020) -- TOOL, who recently took home the GRAMMY Award® for Best Metal Performance for the song “7empest,” has added an extensive spring tour for North America that includes a stop at The Broadmoor World Arena on Friday, June 19. The show will begin at 7 p.m. Doors will open at 6 p.m. Opening for Tool will be The Acid Helps. Tickets, which can be purchased for $99.95 and $150 plus applicable fees, will go on sale on Friday, February 28 at 10 a.m. They can be purchased at The Broadmoor World Arena and Pikes Peak Center box offices or online at BroadmoorWorldArena.com, PikesPeakCenter.com, or AXS.com. The Los Angeles-based band recently wrapped up a sold-out Australasian tour, with the final two shows of the trek, back-to-back, sold-out performances at Auckland’s Spark Arena, happening later this week. The Sydney Morning Herald described the live offering as “an immersive art-rock experience that forced you to feel a little of everything. It was an intricate collage of light, sound and imagery.” The Fear Inoculum tour, which has seen the band performing in some cities for the first time in more than a decade, has received widespread accolades with the Los Angeles Times calling it “impeccable;” the Chicago Tribune describing the performances as a “twisting multi-media rollercoaster of a concert;” and The Arizona Republic describing the shows as “a visually breathtaking night of dystopian art-rock spectacle.” The Fear Inoculum album arrived on Aug. -
Tool Catalog Now Available Via Digital Service Providers
TOOL CATALOG NOW AVAILABLE VIA DIGITAL SERVICE PROVIDERS https://smartURL.it/TOOLCatalog NEWS OF OPIATE, UNDERTOW, ÆNIMA, LATERALUS AND 10,000 DAYS’ ONLINE DEBUT COMES AS ANTICIPATION FOR BAND’S NEW ALBUM, FEAR INOCULUM (AUG. 30, RCA RECORDS), BUILDS (Aug. 2, 2019) – TOOL released Opiate, Undertow, Ænima, Lateralus and 10,000 Days overnight on the various digital service providers (https://smartURL.it/TOOLCatalog). “Our obsession with, and dream of, a world where BetaMax and Laser Disc rule has ended,” says Maynard James Keenan. “Time for us to move on. But never fear. There’s a brand new thing we think you’re really gonna dig. It’s called Digital Downloads and Streaming. Get ready for the future, folks!” Streaming links for the releases: 10,000 Days: https://smartURL.it/TOOL10000Days Lateralus: https://smartURL.it/TOOLLateralus Ænima: https://smartURL.it/TOOLAEnima Undertow: https://smartURL.it/TOOLUndertow Opiate: https://smartURL.it/TOOLOpiate The digital debut comes as anticipation for TOOL’s fifth album, Fear Inoculum (RCA Records), builds. On the outfit’s recent North American and European tours, the Los Angeles-based band projected the album’s release date, Aug. 30, from the stage, while playing two new songs from the forthcoming collection: “Invincible” and “Descending.” TOOL formed in 1990, releasing four multi-platinum studio albums: Undertow (1993), Ænima (1996), Lateralus (2001) and 10,000 Days (2006); two EPs: 72826 (1991) and Opiate (1992) and the limited- edition boxset Salival (2000). The band has won three GRAMMY Awards®: Best Metal Performance (1998, “Ænima”), Best Metal Performance (2002, “Schism”) and Best Recording Package (2007, 10,000 Days). -
Jon Theodore
12 Modern Drummer June 2014 Booth #1219 Always on the go, Daru Jones desired a highly portable cymbal set for hip-hop sessions, DJ Jams, and other sit-ins that spontaneously present themselves, enabling him to preserve his personal sound in modern urban mobility. The concept was developed in the PST X series, which provides a suitable basis for the type of fast and dry sounds that perfectly fit the world of Hip-hop & Electronica percussion. It is executed with the DJs 45 set consisting of a 12" Crash, 12" Ride and 12" Hats. INTRODUCING ?MbcRaf^aYbE^]WPERZRPcEVRZZDRPW_Rb͜ŬeRQWbcW]PcZh d]W`dRS^a\dZMb͜QRbWU]RQ͜PaRMcRQM]QcRbcRQc^_RaS^a\ ^_cW\MZZhW]cVRR]eWa^]\R]ccVMcORMabWcb]M\R͙ studio heritage modern dry stadium urban ?MbcRaf^aYbGaOM]bVRZZbSRMcdaRMa^d]QRQ ʎORMaW]URQUR P^\OW]RQfWcV^da6eR]BZhEWgOZR]Q^S3WaPVΧ8d\Χ3WaPVfWcV?M_ZR aRW]S^aPR\R]caW]Ubc^_a^\^cR_a^]^d]PRQZ^fR]QMccMPYfWcV b\^^cV͜ReR]QRPMh͙Ada\W]W\MZP^]cMPcEF>bfWeRZZdUb͜P^\OW]RQ fWcV^da ͙ \\Ed_Ra:^^_ZZhoops increase projection without W\_RQW]U_RaS^a\M]PRMPa^bbcVRcd]W]Ub_RPcad\͙ FVWbWbcVRWQRMZb^d]QS^aB^_͜D̿3^a8^b_RZ͙ ?MbcRaf^aYbGaOM]bV^f]W]ORMdcWSdZ3ZMPY lacquer fWcV:^Z^UaM_VWPůMYRb͙>WbcR]c^cVR GaOM]aRPW_R_ZMhRQOh3aWM]7aMbWRa?^^aR Mc_RMaZQad\͙P^\ CONTENTS Volume 41 • Number 12 CONTENTS Cover and Contents photos by Andreas Neumann FEATURES 28 MODERN DRUMMER 2018 56 ELI KESZLER READERS POLL The multidisciplinary artist has Make your voice heard in the most dedicated much of his career important poll in the drumming to exploring the solo drumset’s world! expressionistic capabilities, leading to new creative and career 30 THE PSYCHEDELIC FURS’ opportunities. -
Fear Inoculum
Tool – Fear Inoculum (86:00, CD, Digital, Tool Dissectional, 2019) Mainstream. Das Wort taucht oft auf, wenn Musik sich gut verkauft und in den Medien vertreten ist. Viele reden darüber und ganz besonders dann, wenn es um Musik geht, die eigentlich in eine Nische gehört, generiert das Wort Aussagen wie: „Das ist Mainstream, das höre ich nicht!“. Völlig unabhängig von der Qualität. So einen ungefilterten Quark hört man mittlerweile auch, wenn Herr Wilson ein neues Album veröffentlicht. Wieso freut man sich nicht stattdessen, dass „unsere Nischenmusik“ sich zunehmender Beliebtheit erfreut? Entweder ist es gute Musik oder eben schlechte Musik. Die gibt es im Mainstream und die gibt es auch in der „Szene“. Freuen wir uns also, dass gute Musik immer noch beliebt ist. Ebenso Zeitverschwendung sind diese unendlichen „Ist das noch Prog?“-Eskalationen von „Das Bild hängt schief!“-Leuten, die meinen, alles müsste nach „ihren Regeln“ funktionieren. Wieso muss alles in irgendwelche Schubladen passen? Immer, wenn Tool sich nach gefühlten 30 Jahren Pause dazu bequemen, ein neues Album auf die Fans los zu lassen, kochen die Gemüter mit den oben genannten Fragen hoch. Tool sind eine der größten und bekanntesten Rockbands der Neuzeit. Zu Recht! Und das, obwohl die Band nichts und garnichts auf den sog. Mainstream gibt. „Fear Inoculum“ erscheint zum Beispiel (zur Zeit) ausschließlich in einer dicken 80 Euro teuren Special Edition. Wie ist das in den Mainstream einzuordnen? Machen Tool Prog? Wen interessiert das und wieso? Tool klingen nach Tool. Nicht nach Dream Theater, Genesis, Yes, Pink Floyd oder Porcupine Tree, wie jede dritte „neue“ Band, deren Promos auf den redaktionsinternen Schreibtischen landen. -
Countercultures and Popular Music
COUNTERCULTURES AND POPULAR MUSIC A translated and edited edition of a special issue of Volume! The French Journal of Popular Music Studies (Éditions Mélanie Seteun). Additional articles published in both ‘countercultures’ issues of Volume! can be found at: http://www.cairn.info/revue-volume.htm and http://volume.revues.org. Volume! is the only French peer-reviewed popular music studies journal. Created in 2002 by Marie-Pierre Bonniol, Samuel Étienne and Gérôme Guibert, it is published independently by the Éditions Mélanie Seteun, a publishing association specialising since 1998 in the cultural sociology of popular music. Biannual special issues deal with various topics in popular music studies, in a multidisciplinary perspective. It is also included on the online international academic portals Cairn.info and Revues.org. Volume! is classified by the French AERES and abstracted/indexed on the International Index to Music Periodicals, the Répertoire International de Littérature Musicale and the Music Index. This page has been left blank intentionally Countercultures and Popular Music Edited by SHEILA WHITELEY University of Salford, UK JEDEDIAH SKLOWER Université Sorbonne Nouvelle, Paris 3, France © Sheila Whiteley and Jedediah Sklower and the contributors 2014 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Sheila Whiteley and Jedediah Sklower have asserted their rights under the Copyright, Designs and Patents Act, 1988, to be identified as the editors of this work. Published by Ashgate Publishing Limited Ashgate Publishing Company Wey Court East 110 Cherry Street Union Road Suite 3-1 Farnham Burlington, VT 05401-3818 Surrey, GU9 7PT USA England www.ashgate.com British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. -
Simon Estes Hits Charitable Notes Foundation Will Use Proceeds from Concert to Help Fight Malaria
Iowa State Daily, December 2013 Iowa State Daily, 2013 12-12-2013 Iowa State Daily (December 12, 2013) Iowa State Daily Follow this and additional works at: http://lib.dr.iastate.edu/iowastatedaily_2013-12 Part of the Higher Education Commons, and the Journalism Studies Commons Recommended Citation Iowa State Daily, "Iowa State Daily (December 12, 2013)" (2013). Iowa State Daily, December 2013. 9. http://lib.dr.iastate.edu/iowastatedaily_2013-12/9 This Book is brought to you for free and open access by the Iowa State Daily, 2013 at Iowa State University Digital Repository. It has been accepted for inclusion in Iowa State Daily, December 2013 by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Thursday, Dec. 12, 2013 | Volume 209 | Number 73 | 40 cents | iowastatedaily.com | An independent student newspaper serving Iowa State since 1890. ‘Anchorman’’s David Koechner to perform during Veishea By Dominic.Spizzirri film “Anchorman” and opportunity for a larger staring in other television “He’s a very recogniz- @iowastatedaily.com the television show “The name comedian to come, shows like “The Naked able name to students,” Office,” Koechner hasespecially when his movie Trucker and T-Bones O’Brien said. Comedian David toured his stand-up com- [“Anchorman 2”] will be Show.” Now, Koechner is Koechner will be perform- edy routines throughout out.” The highly awaited Since then, Koechner returning to his former ing during Veishea 2014 the country. Anchorman 2 comes out has landed roles in films roles in “Anchorman 2” on on April 12 at Stephens “He’s a great comedi- Dec. -
A Perfect Circle Eat the Elephant Mp3, Flac, Wma
A Perfect Circle Eat The Elephant mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Eat The Elephant Country: USA & Europe Released: 2018 Style: Alternative Rock, Prog Rock MP3 version RAR size: 1364 mb FLAC version RAR size: 1827 mb WMA version RAR size: 1881 mb Rating: 4.5 Votes: 509 Other Formats: VOC MP2 AC3 WMA FLAC MIDI WAV Tracklist A1 Eat The Elephant 5:14 A2 Disillusioned 5:51 A3 Contrarian 3:59 B1 The Doomed 4:42 B2 So Long, and Thanks for All the Fish 4:26 B3 TalkTalk 4:16 C1 By And Down The River 5:05 C2 Delicious 3:50 C3 DLB 2:07 D1 Hourglass 5:14 D2 Feathers 5:48 D3 Get The Lead Out 6:41 CD-1 Eat The Elephant 5:14 CD-2 Disillusioned 5:51 CD-3 The Contrarian 3:59 CD-4 The Doomed 4:42 CD-5 So Long, And Thanks For All The Fish 4:26 CD-6 TalkTalk 4:16 CD-7 By And Down The River 5:05 CD-8 Delicious 3:50 CD-9 DBL 2:07 CD-10 Hourglass 5:14 CD-11 Feathers 5:48 CD-12 Get The Lead Out 6:41 Credits Bass – Matt Mcjunkins Drums – Jeff Friedl Film Director – Steven Sebring Lead Guitar, Songwriter – Billy Howerdel Lead Vocals, Songwriter – Maynard James Keenan Rhythm Guitar – James Iha Notes The Deluxe box set of Eat The Elephant. Contains 2 180 Gram Vinyls, CD, Digital Download, Card Deck, and Custom Prism with access password to holographic experience (by placing holographic prism on a smartphone),that plays out over the disc's 12 songs. -
![Read My Ph.D. Dissertation on the E-Drumset [.Pdf]](https://docslib.b-cdn.net/cover/1198/read-my-ph-d-dissertation-on-the-e-drumset-pdf-3901198.webp)
Read My Ph.D. Dissertation on the E-Drumset [.Pdf]
Advancing the Art of Electronic Percussion by Adam Tindale B.Mus., Queen’s University, 2001 M.A., McGill University, 2004 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in Interdisciplinary Studies (Music, Computer Science, and Electrical Engineering) © Adam Tindale, 2009 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photocopying or other means, without the permission of the author. ii Advancing the Art of Electronic Percussion by Adam Tindale B.Mus., Queen’s University, 2001 M.A., McGill University, 2004 Supervisory Committee Dr. George Tzanetakis, Co-Supervisor (Department of Computer Science, Music, and Electrical Engineering) Dr. Peter F. Driessen, Co-Supervisor (Department of Electrical Engineering and Music) Dr. W. Andrew Schloss, Co-Supervisor (Department of Music and Computer Science) Dr. Steve Gibson, Outside Member (Department of Visual Arts) iii Abstract The goal of this project is to create a new instrument: the E-Drumset. This new interface addresses the lack of expressivity in current electronic percussion devices. The project combines Electrical Engineering for implementing hardware and digital signal processing, Computer Science for implementing musical and mapping soft- ware, and Music to devise new playing techniques and ways to combine them into a pedagogy and language of transmission. Like an acoustic drumset, the E-Drumset consists of different components that can be arranged together as a whole. An acoustic drumset can be thought of as a collection of pedals, drums and cymbals. The E-Drumset consists of the E-Pedal, E-Drum and E-Cymbal. -
KA HA NFIRE D UPF Oroißy Sellsvi Records! New Research Proves It!
ICD08120 01066048024BE MAR86 10 MONTY GREENLY 03 USA For Africa album 3740 ELM UCY LONG BEACH CA 90807 debuts at No. 9; single holds at No. i See pages 70, 74 Black up, metal down in RIAA certifications See page 4 "Gone With The Wind" tops Video Sales chart See page 32 APRIL 20, 1985/$3.50 (U.S.) VOLUME 97 NO. 16 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT Despite Some Complaints About Fill Top RCA/Columbia Videos DEALERS CHEER `WORLD' ALBUM Return at $29.95 list This story prepared by Earl Paige even know the songs or the artists At CBS, sources verify the rush in Los Angeles and Kip Kirby in [on 'We Are The World']." for product, reporting that both the "Stripes" and "Kramer" for $89.95 Nashville. Sam Ginsburg, City One -Stop Carrollton, Ga. and Pitman, N.J. BY TONY SEIDEMAN each. LOS ANGELES USA For Africa's manager in Los Angeles, says inde- manufacturing plants are working NEW YORK RCA /Columbia Pic- The RCA /Columbia move comes "We Are The World" album has pendent stores of all types are sell- overtime to press and duplicate LPs tures Home Video is going to re -re- at a time when some studies con- generated dramatic consumer de- ing the album in Southern Califor- and cassettes. The company is said lease some of its top titles at $29.95, clude that sell- through efforts have mand since its release at the begin- nia: "They're r &b stores, heavy to have shipped approximately 2.7 in a promotion that will see list been less effective than had been ning of the month, report retailers metal, all kinds." As for supply, million units of the album on re- prices on some features drop by as believed in getting consumers into and wholesalers nationwide. -
Modelling Music: a Theoretical Approach to the Classification of Notated Western Art Music
Modelling music: a theoretical approach to the classification of notated Western art music Deborah Theresa Lee Doctor of Philosophy City, University of London Department of Library and Information Science May 2017 1 2 Table of Contents Table of figures .................................................................................................................. 14 Acknowledgements ........................................................................................................... 16 Declaration ........................................................................................................................ 19 Abstract ............................................................................................................................. 19 List of classification schemes and other abbreviations and initialisms ............................ 20 Chapter 1. Introduction 1. Introduction to Chapter 1 ......................................................................................... 22 2. The “music” in “music classification” ........................................................................ 23 2.1. The various types of music information............................................................ 23 2.2. Music as sound and notation ............................................................................ 24 2.3. The musical work .............................................................................................. 25 2.4. Types of music ..................................................................................................