THE SWGRL SPOTLIGHT VOLUME 6, ISSUE 1 Page 6
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Countrybreakout Chart Covering Secondary Radio Since 2002
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, October 26, 2017 NEWS CHART ACTION Kid Rock Announces November Album Release, New On The Chart —Debuting This Week Artist/song/label—chart pos. Tour Set For 2018 Ross Clayton/Turn Up Again/Big Palm Entertainment — 71 Brad Paisley/Heaven South/Arista Nashville — 73 Smith & Wesley/Superman For A Day/Dream Walkin' Records — 77 Greatest Spin Increase Artist/song/label—Spin Increase Midland/Make A Little/Big Machine — 253 Brett Young/Like I Loved You/BMLG — 208 Tim McGraw & Faith Hill/The Rest Of Our Life/Arista Nashville — 201 Russell Dickerson/Yours/Triple Tigers Records — 189 LANCO/Greatest Love Story/Arista Nashville — 178 Jon Pardi/She Ain't In It/Capitol Nashville — 171 Chris Young/Losing Sleep/Sony Music — 168 Blake Shelton/I'll Name The Dogs/Warner Bros. — 160 Most Added Artist/song/label—No. of Adds Jon Pardi/She Ain't In It/Capitol Nashville — 16 Tim McGraw & Faith Hill/The Rest Of Our Life/Arista Nashville — 12 Chris Lane feat. Tori Kelly/Take Back Home Girl/Big Loud — 12 Brad Paisley/Heaven South/Arista Nashville — 10 Kid Rock will release his debut album for BBR Music Group, titled Sweet Dustin Lynch/I’d Be Jealous Too/Broken Bow Records — 7 Southern Sugar, on Nov. 3. The eclectic album marks the irst Kid Rock has Russell Dickerson/Yours/Triple Tigers Records — 5 recorded in Nashville, and includes his recent single “Tennessee Mountain Shenandoah/Noise — 5 Top.” To read the full article, click here. Lady Antebellum/Heart Break/Capitol — 5 Brett Eldredge/The Long Way/Atlantic/Warner Music Nashville/WEA Kelsea Ballerini, Reba, Maren Morris, Naill Horan Radio & Streaming — 5 Set For CMA Awards Collaborations Maren Morris feat. -
Solid-State Memory Camcorder
4-588-305-13(2) Solid-State Memory Camcorder PMW-F55 PMW-F5 Operating Instructions Software Version 9.0 Before operating the unit, please read this manual thoroughly and retain it for future reference. © 2013 Sony Corporation Table of Contents Overview Features ...................................................................................... 6 System Configuration ............................................................... 9 Location and Function of Parts ............................................. 11 On-Screen Indications ............................................................ 17 Sub Display Screen ...................................................... 17 Viewfinder Screen ........................................................ 20 Preparations Power Supply ........................................................................... 23 Using a Battery Pack .................................................... 23 Using AC Power (DC IN Power) ................................. 24 Setting the Clock ..................................................................... 24 Attaching Optional Devices .................................................... 25 Attaching a Lens .......................................................... 25 Attaching a Viewfinder ................................................ 26 Setting the Basic Action .......................................................... 27 System Frequency ........................................................ 27 Shooting Mode ............................................................ -
AWARDS 3X PLATINUM ALBUM February // 2/1/17 - 2/28/17
RIAA GOLD & PLATINUM HAMILTON//BROADWAY CAST AWARDS 3X PLATINUM ALBUM February // 2/1/17 - 2/28/17 BRUNO MARS//24K MAGIC PLATINUM ALBUM In February 2017, RIAA certified 70 Digital Single Awards and 22 Album Awards. All RIAA DIERKS BENTLEY//BLACK GOLD ALBUM Awards dating back to 1958, plus #RIAATopCertified tallies for your favorite artists, are available at DAVID BOWIE//BLACKSTAR GOLD ALBUM riaa.com/gold-platinum! KENNY CHESNEY//THE BIG REVIVAL SONGS GOLD ALBUM www.riaa.com //// //// GOLD & PLATINUM AWARDS FEBRUARY // 2/1/17 - 2/28/17 MULTI PLATINUM SINGLE // 13 Cert Date// Title// Artist// Genre// Label// Plat Level// Rel. Date// X 21 Savage & Metro R&B/ 2/22/2017 Slaughter Gang, LLC 7/15/2016 (Feat. Future) Boomin Hip Hop R&B/ Waverecordings/Empire/ 2/3/2017 Broccoli D.R.A.M. 4/6/2016 Hip Hop Atlantic R&B/ Waverecordings/Empire/ 2/3/2017 Broccoli D.R.A.M. 4/6/2016 Hip Hop Atlantic 2/22/2017 This Is How We Roll Florida Georgia Line Country BMLG Records 12/4/2012 Jidenna Feat. Ro- R&B/ 2/2/2017 Classic Man Epic 2/3/2015 man Gianarthur Hip Hop Last Friday Night 2/10/2017 Katy Perry Pop Capitol Records 8/24/2010 (T.G.I.F) 2/3/2017 I Don’t Dance Lee Brice Country Curb Records 2/25/2014 Lil Wayne, Wiz Khal- ifa & Imagine Drag- R&B/ 2/1/2017 Sucker For Pain ons With Logic And Atlantic Records 6/24/2016 Hip Hop Ty Dolla $Ign (Feat. X Ambassadors) My Chemical 2/15/2017 Teenagers Alternative Reprise 10/20/2006 Romance 2/21/2017 Bad Blood Taylor Swift Pop Big Machine Records 10/27/2014 2/21/2017 Die A Happy Man Thomas Rhett Country Valory Music Group 9/18/2015 2/17/2017 Heathens Twenty One Pilots Alternative Atlantic Records 6/17/2016 Or Nah R&B/ 2/1/2017 (Feat. -
July 23, 2021 the Musicrow Weekly Friday, July 23, 2021
July 23, 2021 The MusicRow Weekly Friday, July 23, 2021 Taylor Swift’s Fearless (Taylor’s Version) SIGN UP HERE (FREE!) Will Not Be Submitted For Grammy, CMA Award Consideration If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES Fearless (Taylor’s Version) Will Not Be Submitted For Grammy, CMA Awards NSAI Sets Nashville Songwriter Awards For September Big Loud Records Ups 5, Adds 2 To Promotion Team Dylan Schneider Signs With BBR Music Group Taylor Swift will not be submitting Fearless (Taylor’s Version), the re- recorded version of her 2008 studio album that released earlier this year, Dan + Shay Have Good for Grammy or CMA Awards consideration. Things In Store For August “After careful consideration, Taylor Swift will not be submitting Fearless (Taylor’s Version) in any category at this year’s upcoming Grammy and Scotty McCreery Shares CMA Awards,” says a statement provided to MusicRow from a Republic Details Of New Album Records spokesperson. “Fearless has already won four Grammys including album of the year, as well as the CMA Award for album of the Chris DeStefano Renews year in 2009/2010 and remains the most awarded country album of all With Sony Music Publishing time.” Natalie Hemby Announces The statement goes on to share that Swift’s ninth studio album, Evermore, New Album released in December of 2020, will be submitted to the Grammys for consideration in all eligible categories. Niko Moon’s Good Time Slated For August Release Evermore arrived only five months after the surprise release of Folklore, Swift’s groundbreaking eighth studio album. -
Mikey Minden Concerts/Tours/Events
Mikey Minden Concerts/Tours/Events: Pitbull Choreographer Planet Hollywood/ Las Vegas Residency Pussycat Dolls Live at Choreographer Interscope Records Wembley / London Carmen Electra Promo Tour Choreographer Citrusonic Records GRL Promo Tour Choreographer Kemosabe Records / RCA Porcelain Black Tour Choreographer Choreographer Havana Brown World Tour Choreographer Universal Republic Records Amber Rose Promo Tour Choreographer Paris Hilton Promo Tour Co-Choreographer WB Records Keyshia Cole Promo Tour Choreographer A&M Records Tynisha Keli World Tours Choreographer Warner Brothers Records Paradiso Girls Promo Tour Choreographer Interscope Records Nikki Flores Promo Tour Choreographer Sony Records Jessi Malay Promo Tour Choreographer Reprise Records Jo De La Rosa Promo Tour Choreographer Grayson Entertainment Nick Lachey Promo Tour Choreographer Universal Records Clay Aiken "Jukebox" Tour Choreographer Usher Promo Tour Asst. Choreographer Erika Jayne World Tour Choreographer Girlicious / Opening for Britney Choreographer Geffen Records Spears Tour & Backstreet Boys Tour The Pussycat Dolls 2005- Artistic Interscope Records 2009 World Tours Director/Choreographer The Pussycat Dolls Lounge at Choreographer Planet Hollywood / Las Vegas Caesar's Palace & Planet Hollywood The Pussycat Dolls Live Choreographer No Doubt Tour Assoc. Choreographer Bathwater Sting "Sacred Love" Tour Assoc. Choreographer 101 Dalmations Live Event Choreographer Disney Productions Nickelodeon's Big Help-A- Nickelodeon Thon / Opening Number Television: The Real Housewives -
Billboard-1997-08-30
$6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) $5.95 (U.S.), IN MUSIC NEWS BBXHCCVR *****xX 3 -DIGIT 908 ;90807GEE374EM0021 BLBD 595 001 032898 2 126 1212 MONTY GREENLY 3740 ELM AVE APT A LONG BEACH CA 90807 Hall & Oates Return With New Push Records Set PAGE 1 2 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT AUGUST 30, 1997 ADVERTISEMENTS 4th -Qtr. Prospects Bright, WMG Assesses Its Future Though Challenges Remain Despite Setbacks, Daly Sees Turnaround BY CRAIG ROSEN be an up year, and I think we are on Retail, Labels Hopeful Indies See Better Sales, the right roll," he says. LOS ANGELES -Warner Music That sense of guarded optimism About New Releases But Returns Still High Group (WMG) co- chairman Bob Daly was reflected at the annual WEA NOT YOUR BY DON JEFFREY BY CHRIS MORRIS looks at 1997 as a transitional year for marketing managers meeting in late and DOUG REECE the company, July. When WEA TYPICAL LOS ANGELES -The consensus which has endured chairman /CEO NEW YORK- Record labels and among independent labels and distribu- a spate of negative m David Mount retailers are looking forward to this tors is that the worst is over as they look press in the last addressed atten- OPEN AND year's all- important fourth quarter forward to a good holiday season. But few years. Despite WARNER MUSI C GROUP INC. dees, the mood with reactions rang- some express con- a disappointing was not one of SHUT CASE. ing from excited to NEWS ANALYSIS cern about contin- second quarter that saw Warner panic or defeat, but clear -eyed vision cautiously opti- ued high returns Music's earnings drop 24% from last mixed with some frustration. -
Riaa Gold & Platinum Awards
7/1/2015 — 7/31/2015 In July 2015, RIAA certified 118 Digital Single Awards and 9 Album Awards. Complete lists of all album, single and video awards dating all the way back to 1958 can be accessed at riaa.com. RIAA GOLD & JULY 2015 PLATINUM AWARDS DIGITAL MULTI-PLATINUM SINGLE (44) Cert Date Title Artist Label Plat Level Rel. Date 7/27/2015 SHE LOOKS SO PERFECT 5 SECONDS OF CAPITOL RECORDS 2 2/14/2014 SUMMER 7/27/2015 POMPEII BASTILLE VIRGIN RECORDS 5 5/28/2013 7/27/2015 POMPEII BASTILLE VIRGIN RECORDS 4 5/28/2013 7/8/2015 SHOWER BECKY G KEMOSABE RECORDS 2 9/2/2014 7/27/2015 MY SONGS KNOW WHAT YOU DID IN FALL OUT BOY ISLAND RECORDS 4 4/16/2013 THE DARK (LIGHT EM UP) 7/27/2015 MY SONGS KNOW WHAT YOU DID IN FALL OUT BOY ISLAND RECORDS 5 4/16/2013 THE DARK (LIGHT EM UP) 7/1/2015 RIGHT ROUND FLO RIDA POE BOY/ATLANTIC 6 2/15/2009 7/13/2015 LIGHTS GOULDING, ELLIE INTERSCOPE/GEFFEN/A&M 5 3/8/2011 7/15/2015 HONEY, I’M GOOD GRAMMER, ANDY S-CURVE RECORDS 2 8/5/2014 7/27/2015 BAILANDO IGLESIAS, ENRIQUE REPUBLIC RECORDS 2 3/18/2014 7/27/2015 BAILANDO IGLESIAS, ENRIQUE REPUBLIC RECORDS 3 3/18/2014 7/6/2015 RADIOACTIVE IMAGINE DRAGONS KIDINAKORNER/INTERSCOPE 10 3/6/2012 RECORDS 7/27/2015 JEALOUS JONAS, NICK ISLAND RECORDS/ 3 9/8/2014 SAFE HOUSE RECORDS 7/16/2015 THEN PAISLEY, BRAD ARISTA NASHVILLE 2 3/17/2009 7/16/2015 SHE’S EVERYTHING PAISLEY, BRAD ARISTA NASHVILLE 2 8/16/2005 7/16/2015 WHISKEY LULLABY PAISLEY, BRAD ARISTA NASHVILLE 2 7/1/2003 FEATURING ALISON KRAUSS www.riaa.com GoldandPlatinum @RIAA @riaa_awards JULY 2015 DIGITAL MULTI-PLATINUM SINGLE (44) continued.. -
DENNIS KOOKER President, Global Digital Business and U.S
Before the UNITED STATES COPYRIGHT ROYALTY JUDGES Library of Congress Washington, D.C. ) In re ) ) DETERMINATION OF ROYALTY ) DOCKET NO. 14-CRB-0001-WR RATES AND TERMS FOR ) (2016-2020) EPHEMERAL RECORDING AND ) DIGITAL PERFORMANCE OF SOUND ) RECORDINGS (WEB IV) ) ) TESTIMONY OF DENNIS KOOKER President, Global Digital Business and U.S. Sales, Sony Music Entertainment PUBLIC VERSION Witness for SoundExchange, Inc. PUBLIC VERSION TESTIMONY OF DENNIS KOOKER BACKGROUND My name is Dennis Kooker. I have been employed in the recorded music business for approximately 20 years. Since 2012, I have served as President, Global Digital Business and U.S. Sales, for Sony Music Entertainment (“Sony Music”), a wholly owned subsidiary of Sony Corporation, and currently the second largest record company in the United States. In this capacity, I am responsible for overseeing all aspects of the Global Digital Business Group and the U.S. Sales Group. The Global Digital Business Group handles business and partner development and strategy for the digital business around the world. The U.S. Sales Group oversees sales initiatives on behalf of each of Sony Music’s various label groups in the United States. The areas within the organization that report to me include Business Development & Strategy, Partner Development, Digital Finance, Digital Business & Legal Affairs, U.S. Sales, and Sony Music’s distribution service company, RED Distribution. From 2007-2012, I held two different positions at Sony Music. First, I was Executive Vice President, Operations, for the Global Digital Business and U.S. Sales, and oversaw physical sales, aspects of marketing and finance for the division, new product development, and customer relationship management activities in relation to Sony Music’s artist websites. -
The Voice As Trauma Recovery: Vocal Timbre in Kesha's “Praying” I
The Voice as Trauma Recovery: Vocal Timbre in Kesha’s “Praying” I vividly remember the first time I heard the stunning, emotional power ballad that is “Praying.” Like many of us, I assumed Ke$ha—previously stylized with a dollar sign— only performed auto-tuned party anthems like “Tik Tok.” In 2017, Kesha, sans dollar sign, shocked listeners with her first single in 5 years—and her first ballad ever—“Praying.” In it, she reacts to the abuse she suffered from her former producer, Dr. Luke. In my presentation today, I will show how Kesha utilizes various registers, laryngeal positions, timbral effects, and places within the track’s sonic environment to portray symptoms of trauma and recovery—including improving thought patterns, an increasing ability to connect with others, and a growing sense of emotional strength and control. [s] In October 2014, after rehabilitation surrounding her abuse, Kesha sued Dr. Luke for sexual assault and battery, sexual and civil harassment, gender violence…and intentional infliction of emotional distress.1 She also sued multiple companies founded by Dr. Luke for negligence, including Kemosabe Records. The body of the lawsuit explains: [s] “For the past ten years, Dr. Luke has sexually, physically, verbally, and emotionally abused Ms. Sebert to the point where Ms. Sebert nearly lost her life.” 2 [s] Kesha filed a court injunction in attempts to record elsewhere, but it was denied in February 2015.3 [s] Lacking evidence, Kesha’s lawsuits ended in Dr. Luke’s favor, making her bound to her six album contract with Kemosabe Records. Though devastated, she continued to make music, releasing the album Rainbow in August 2017, saying: [s] 1 Kesha Rose Sebert v. -
Futurehit.DNA How the Digital Revolution Is Changing Top 10 Songs by Jay Frank Published by Futurehit, Inc
page 1 Friday, October 30, 2009 Book Review by David M. Ross Futurehit.DNA How The Digital Revolution Is Changing Top 10 Songs by Jay Frank Published by Futurehit, Inc. ©2009 Jay Frank, currently SVP of Music Strategy for CMT has sat in a number of musical gatekeeper chairs and always been somewhat outspoken, especially about the interaction between music and technology. So industry observers should not feign shock to see him don the scribe cap and set about inking his thoughts. Jay Frank Considering the author's digital expertise, it is not surprising that the book has its own website with complete details about where to purchase, social networking accounts and even a free first chapter. http://www.futurehitdna.com. The premise of Futurehit.dna is that by carefully monitoring consumer behavior and the technology surrounding the music, one can improve the odds that new music will be discovered and be successful. "Musicians are generally looking for a balance between art and commerce," Frank writes, "and for that this book becomes an important guide." However, he wisely warns, "Implementing these points will do you no good unless the underlying talent and quality is already there." Those looking for a quick, easy read and a fast solution are likely to be disappointed. The author's zeal for thorough explanations creates an ambitious study rich in historical details. Frank's intro begins with songs sung around a ©2009, MusicRow Communications, LLC—ALL RIGHTS RESERVED [email protected] page 2 Friday, October 30, 2009 campfire (no technology) and works his way through a Versions Of Hit Songs." "Most people care more about the century of innovation and the changes it imposed upon song than who is doing the singing," Frank writes. -
June 28, 2021
MMI PROFILE RON FAIR JUNE 28, 2021 JUNE 28, 2021 Tab le o f Contents 5 #1 Songs This Week 6 powers 8 action/ recurrents 9 hotzone / developing 10 pro-file 1 2 video streaming 14 country callout 16 future tracks 18 intelescope 19 intelevision 20 methodolgy 21 the back page Songs this week #1 BY MMI COMPOSITE CATEGORIES 6.28.21 ai r p lay DIERKS BENTLEY “Gone” retenTion MIRANDA LAMBERT “Settling Down” callout LUKE COMBS “Forever After All” audio LUKE COMBS “Forever After All” VIDEO LUKE COMBS “Forever After All” SALES NELLY & FLORIDA GEORGIA LINE “Lil’ Bit” COMPOSITE LUKE COMBS “Forever After All” MondayMorningIntel.com CLICK HERE to E-MAIL Monday Morning Intel with your thoughts, suggestions, or ideas. mmi-powers 6.28.21 Weighted Airplay, Retention Scores, Streaming Scores, and Sales Scores this week combined and equally weighted deviser Powers Rankers. TW RK TW RK TW RK TW RK TW RK TW RK TW COMP AIRPLAY RETENTION CALLOUT AUDIO VIDEO SALES RANK ARTIST TITLE LABEL 2 8 1 1 1 2 1 LUKE COMBS Forever After All River House/Columbia Nash 3 4 3 3 5 3 2 CHRIS YOUNG & KANE BROWN Famous Friends RCA Nashville 4 2 7 18 16 10 3 COLE SWINDELL Single Saturday Night Warner/WMN 5 6 8 6 14 18 4 JASON ALDEAN Blame It On You Macon Music/Broken Bow 7 1 17 7 13 15 5 MIRANDA LAMBERT Settling Down RCA Nashville 1 3 9 5 30 23 6 DIERKS BENTLEY Gone Capitol Nashville 8 5 13 13 21 11 7 BLAKE SHELTON Minimum Wage Warner/WMN 12 10 14 12 11 14 8 LAINEY WILSON Things A Man Oughta Know Broken Bow 10 13 5 4 22 16 9 DAN + SHAY Glad You Exist Warner/WAR 14 15 22 11 9 9 10 KEITH URBAN WITH P!NK One Too Many RCA/Capitol Nashville 48 x x 2 2 1 11 NELLY & FLORIDA GEORGIA LINE Lil Bit BMLGR/RECORDS/Columbia 18 12 10 30 7 13 12 ELVIE SHANE My Boy Wheelhouse 6 7 24 8 24 31 13 JORDAN DAVIS Almost Maybes MCA Nashville 45 x x 10 3 4 14 ELLE KING & MIRANDA LAMBERT Drunk (And I Don’t Wanna Go..) RCA/Columbia Nashville 9 16 2 16 32 22 15 CHASE RICE F/F.G.L. -
The Power of Music
Resilience operation and I was summarily fi red. They just above embody the necessary didn’t want any risk even if this was totally unjust ingredients of successful music, to me. It took a year and a half investigation to of hit songs. It’s the combina- exonerate Columbia and me. It was traumatic tion of great melody and strong and painful, but I knew of my innocence. I lyrics that create the timeless wrote a book, kept silent and felt some sat- copyrights that we call “stan- isfaction when the documentary showed the dards.” Just think of all the great The Power of Music check I received from CBS for $1,000,000 for songs you know and have been “mail order record club rights to the record- affected by and you’ll instantly ings from the brand new record company I had hum the melody and know most just founded, Arista Records.” But starting from of the words. scratch, showing I could successfully lead a Has your work changed as brand new record company, took resilience. It a result of COVID-19 and the took belief in oneself. I knew that at Columbia anti-racist movement across An Interview with Clive Davis, Chief Creative Offi cer, Sony Music I had never outbid anyone for the artists I the U.S. and the world? signed and those artists were all rock artists. I You ask whether my EDITORS’ NOTE In the fi rst phase of from the American Foundation for a surprise, but I could, and would, discover had to hire many new executives who under- approach to my music has his career, Clive Davis was General AIDS Research.