Copyrighted Material

Total Page:16

File Type:pdf, Size:1020Kb

Copyrighted Material Index Bold page numbers indicate main topics; italic numbers refer to illustrations. Literary works are listed under authors’ names. Abel, Richard, 143–6, 148–9, 151, 208, 475 Aldrich, Robert, 33 Abigail’s Party, 32 Alexander, Peter, 480 Abismos de pasión, 18, 192, 216, 290, 295 298 Alfonso X’s Cantigas, 371–2, 372 À bout de souffle, 405 Allégret, Yves, 326, 329, 335 Acevedo-Muñoz, Ernesto, 5, 10, 15, 227–9, Allen, Woody, 35, 590 235, 242, 245–6, 249–50, 252, 307, 350, All That Heaven Allows, 558 384, 578 Almodóvar, Pedro, 22 Acín, Ramón, 13, 195 Alonso, Ernesto, 213, 307, 313 Adamowicz, Elza, 415, 417, 539–40, 543, Álvarez Bravo, Manuel, 47, 206–11, 219 545, 548, 578 Amants, Les, 327, 408 Adua and Her Friends see Adua e le Amores perros, 22, 261, 267 campagne Andalusian Dog, An see chien andalou, Un Adua e le campagne, 330 Anderson, Lindsay, 35, 298 Adventure of Gil Blas, An see aventure de Gil Andrew, J. Dudley, 143–4 Blas, Une Ángeles Ortiz, Manuel, 109, 173 Adventures of Robinson Crusoe, The see ángel exterminador, El, 18, 23, 30, 32, 34–6, Robinson Crusoe 54, 72, 122, 124, 159, 161, 163–4, 167, Aguilar, Gonzalo, 260 169, 280, 350, 361, 431–4, 438, 440–1, Aguirre Carballeira, Arantxa, 381 445, 450, 470–1, 525, 590–607, 605 Ahtila, Eija-Liisa,COPYRIGHTED 117–21, 123–4, 128, 133, Annie MATERIAL Hall, 35 118 Ansell Roll, Philip see Butler, Hugo Alatriste, Gustavo, 87, 316, 361, 446, 74, Antonioni, Michelangelo, 5, 578 117, 388 Apian, Pieter, 190, 191 Alberich, Ferrán, 294 Apollinaire, Guillaume, 215 Alcoriza, Luis, 309, 319, 328, 349, 355 Aragon, Louis, 416–17 A Companion to Luis Buñuel, First Edition. Edited by Rob Stone and Julián Daniel Gutiérrez-Albilla. © 2013 Blackwell Publishing Ltd. Published 2013 by Blackwell Publishing Ltd. 0001796901.INDD 624 1/31/2013 2:27:53 PM Index 625 Aranda, Francisco, 82, 98, 103, 163, 333 Bécquer, Gustavo Adolfo, 447, 526 Armendáriz, Pedro, 280, 307, 318 Before Sunrise, 34 Armstrong, Carol, 4 Before Sunset, 34 Aron, Robert, 151 Begin, Paul, 541, 545 Arout, Gabriel, 328, 349 Belle de jour, 25, 33, 52–3, 91, 125, 158, 169, Arp, Jean, 174 248, 328, 335, 349, 357, 408, 431, 440, Artaud, Antonin, 215, 416 441–60, 479–91, 500, 546–7, 554–70, Ascent to Heaven see Subida al cielo 596, 27, 28, 90, 483, 484, 557, 560 Ashton, Dore, 574, 581–4 Belle équipe, La, 326 Asquith, Anthony, 281 Beller, Jonathan, 316 At Land, 590–1, 594 Bellmer, Hans, 207, 216 Aub, Max, 88, 93, 99, 100, 102, 215–17 Bello, Pepín, 82, 96 Audran, Stéphane, 38 Benjamin, Walter, 52–3, 55, 464, 472, 474, Augé, Marc, 263–4 509–10, 515, 595, 604–6 Autant-Lara, Claude, 101 Berceo, Gonzalo de, 381, 383 avant-garde, 3–4, 14, 25, 45, 51, 54, 142–3, Bergman, Ingmar, 5 152, 166, 173, 175, 182, 186, 206–12, Bergson, Henri, 39, 122, 315, 459–62, 474–5 221, 384, 435–9, 459, 461, 490, 573, Bestiaire d’amour, 408 575, 581–4, 587, 590, 595 Best, Steven, 519 aventure de Gil Blas, Une, 326, 337 Bête andalouse, La, 105, 172 Azorín, 81 Bettelheim, Bruno, 141–2 Bienvenido, Mister Marshall, 87 Babel, 257 Bigas Luna, Juan José, 22 Babenco, Héctor, 260–1 Big City, The, 281 Babinski, Joseph, 148 Birri, Fernando, 255 Bad Woman see Mala hembra Black Chronicle see Crónica negra Baker, Josephine, 11, 259 Black God, White Devil see Deus e o Diabo na Bakery Girl of Monceau, The see Boulangère Terra do Sol de Monceau, La Blackledge, Catherine, 369 Bakhtin, Mikhail, 17–18, 231, 384, 437, 448 Black Narcissus, 31 Balázs, Béla, 46, 142 Blanchot, Maurice, 188–9 Ballesteros, Antonio, 481, 484–5 Blistène, Marcel, 329 Bal, Mieke, 41, 45 Blood of the Condor see Yawar Mallku Bardem, Juan Antonio, 70, 87–8, 91, 393 Bloom, Harold, 51, 400, 411 Barros, José Luis, 75 Blow Up, 587 Barry, Iris, 86 Bogue, Ronald, 462 Barthes, Roland, 46, 158, 452, 471 Bolivia, 257 Bass, Saul, 33 Bonjour cinema, 144 Bataille, Georges, 4, 11–12, 23, 168, 542, Bonnet, Jean-Claude, 38 576, 577 Bonnie and Clyde, 549 Battleship Potemkin, 186 Borau, José Luis, 91 Battling Butler, 539 Borges, Jorge Luis, 525 Baudelaire, Charles, 169 Borowczyk, Walerian, 30 Bazin, André, 89, 163, 314, 434, 579 Borzage, Frank, 281 Beast With Five Fingers, The, 15 Bosch, Hieronymous, 67 Becker, Jacques, 326 Bosè, Lucía, 342, 345, 360 0001796901.INDD 625 1/31/2013 2:27:53 PM 626 Index Böse Zellen, 521 Camus, Mario, 279, 383, 393 Boulangère de Monceau, La, 327 Cannes, 16, 19, 23, 72–3, 81, 86, 88–9, 161, Bouquet, Carole, 38, 156, 169, 451, 495, 504 281, 284, 326, 393, 439, 445–6, 74 Bourgeaud, Nelli, 343, 344 Canterbury Tale, A, 31 Bracho, Julio, 309 Canudo, Ricciotto, 143, 145 Braidotti, Rosi, 47, 227–30, 238 Carnage, 30 Brando, Marlon, 297 Carné, Marcel, 330 Brauner, Victor, 207 Carne trémula, 22 Brazil, 32 Carne y demonio see Susana Breathless see À bout de souffle Carpentier, Alejo, 576–8 Bresson, Robert, 5 Carrière, Jean Claude, 29, 39, 76, 91, 93–5, Breton, André, 3–4, 11, 36, 46, 80 105, 148, 341, 349, 402, 407–8, 465, 489–91, 501, 163–9, 174–5, 181, 185–6, 207, 210, 506, 523 217, 399, 407, 481, 541, 545, 548, Carrington, Leonora, 210 574–83, 586 Carroll, Lewis, 42, 52, 480–91 First and Second Manifesto of Surrealism, Alice’s Adventures in Wonderland, 52, 480, 4, 148, 165, 168, 577, 581 487, 490 Britton, Andrew, 548 Through the Looking-glass, 52, 480, Brooks, Peter, 243, 448 487–90 Browning Version, The, 281 Carroll, Nöel, 540 Brunhes, Jean, 192 Cartmell, Deborah, 384 Brunius, Jacques, 163, 165, 173 casa chica, La, 309 Brute, The see bruto, El casa de Bernarda Alba, La, 14 bruto, El, 18, 47–8, 195, 212, 220, 279–80, Casals, Pablo, 87 302–20, 346–7, 357, 392, 319 Casque d’or, 326, 329–30 Buache, Freddy, 286, 333–4 Castellanos, Julio, 47, 215, 217–18 Buñuel, a novel, 93 Cavell, Stanley, 242–4, 245 Buñuel, Juan Luis, 12, 44, 61–78, 62, 72, 77 Cela s’appelle l’aurore, 18, 49, 173, 298–9, Buñuel, Rafael, 62 324, 334, 340–61, 344, 345, 360 Butler, Hugo, 195, 279, 280–8, 292, 297, Celestina, La, 363 304–5 ¡Centinela! ¡Alerta!, 14 Butler, Judith, 304 Central do Brasil, 260 Butterfly Effect, The see efecto mariposa, El Central Station see Central do Brasil Cerchio, Fernando, 326 Cabinet of Dr. Caligari, The see Kabinett des Certeau, Michel de, 47, 227–30, 237 Dr. Caligari, Das Cervantes, Miguel de, 184, 362–5, 368–9, Caché, 34 371, 373 Cadillac, 282–3 Cet obscur objet du désir, 10, 32–4, 39, 49, 50, Caetano, Israel Adrián, 257–60, 267 52, 95–6, 125, 128, 156, 158, 161, Cahier d’arts, 80 167–9, 248, 328, 340–2, 347–9, 351, Cahiers du cinéma, 88, 91, 418 356–7, 362–7, 370–3, 411, 431, 435, Caine Mutiny, The, 297 446–52, 458, 460, 472, 479, 485, Calanda, 6, 63, 174, 181, 407, 443, 445, 479, 494–505, 510–14, 520, 573, 366, 495 7, 8 Chacel, Rosa, 81 Calvino, Italo, 525 Champagne, John, 558–9 Camada negra, 502 Chanady, Amaryll, 577 Campanella, Juan José, 257 Chaplin, Charles, 143, 184, 409, 539 0001796901.INDD 626 1/31/2013 2:27:54 PM Index 627 Charme discret de la bourgeoisie, Le, 18, 32, Criminal Life of Archibaldo de la Cruz, The 36, 38, 51–2, 92, 96, 120, 166, 180, 297, see Ensayo de un crimen 328, 337, 349, 400, 406–8, 431–2, 448, Crónica negra, 393 457–74, 479–82, 510–27, 573, 433 Crosby, Bing, 297 Char, René, 188–9 Crucible, The see Sorcières de Salem, Les Chaspoul, Cécile, 325, 327 cucaracha, La, 86 chien andalou, Un, 5, 9–12, 30, 33, 45–6, Cukor, George, 32, 92 49, 53–4, 61, 79–98, 102–7, 141–53, Cumbres borrascosas see Abismos de pasión 156–8, 162, 164–9, 172–5, 177, 179–80, Curée, La, 408 182, 185–93, 198, 205–6, 215, 218–19, Custodio, Álvaro, 85 248, 316, 328, 342, 346, 351, 363, 367, 417, 422, 435, 439, 450, 467, 490, 500, Daguerre, Jacques-Mandé, 416 514–15, 538–50, 574, 590–2, 596–7, Dalí, Salvador, 5, 9, 11–12, 14, 30, 35, 45–6, 599, 600, 12, 151, 152, 157, 538, 540 65–6, 76, 80–108, 141, 148–9, 152–8, Chinatown, 30 163, 172–88, 207, 210, 314, 348, 394, Chirico, Georgio de, 207, 210, 575 407, 417, 435, 539–50, 591, 600 Christie, Ian, 144, 424, 428, 460, 463, 466 Secret Life of Salvador Dalí, The, 14, 83, Chute de la maison Usher, La, 11, 290 95, 184–5 Cidade de Deus, 257 Dancigers, Óscar, 15, 85, 279–82, 294, 328, Ciel est à vous, Le, 326 349, 355, 293 cine de arrabal, 308 Darton, Harvey, 481 Cinema Novo, 22, 255 Daughter of Deceit see hija del engaño, La Cinémathèque Française, 86, 89, 255, 443 da Vinci, Leonardo, 2, 89, 132–3, 185, 218, Citizen Kane, 161 394, 420, 432, 132 City of God see Cidade de Deus Dawn Devils see Démons de l’aube, Les Clair, René, 159 Day and the Hour, The see Jour et l’heure, Le Clarens, Carlos, 522 Days of Eclipse see Dni zatmeniya Clément, René, 330 Dazed and Confused, 34 Clouzot, Henri-Georges, 325–6, 330, 349 Dean, Carolyn, 1 Clover, Carol, 537, 546, 551 Death in the Garden see Mort en ce jardin, La Cocteau, Jean, 19 Dédée d’Anvers, 326, 329 Cole, Thomas, 426 Dédée see Dédée d’Anvers Colina, José de la see Pérez Turrent, Tomás Deep End, 30 Collins, Anthony, 292 Defoe, Daniel, 48, 195–7, 200, 279–86, 288, Comolli, Jean-Louis, 584, 587 293–9, 349 Conley, Tom, 457 Adventures of Robinson Crusoe, The, 198, Conrad, Joseph, 285 279, 284 Contemporáneos, 206 Journal of the Plague Year, 279–80 Coquille et le clergyman, La, 143, 581 Deleuze, Gilles, 2–3, 10, 38–42, 49–56, Córdova, Arturo de, 92, 217, 363 129–30, 158–68, 188, 245, 306, Corkin, Stanley, 416 311, 318–19, 435–6, 452, 457–75, Cossío, Pablo, 173 523, 526, 532, 554, 556, 569, 585, Costa, Olga, 47, 208 596 Country Girl, The, 297 movement-image, 51–2, 130, 158–60, Crane World see Mundo grúa 166–7, 457–67, 472–5 Creed, Barbara, 33 time-image, 39, 42, 46, 51–2, 158–68, Cresswell, Tim, 230 457–75, 596, 599 0001796901.INDD 627 1/31/2013
Recommended publications
  • Series 29:6) Luis Buñuel, VIRIDIANA (1961, 90 Min)
    September 30, 2014 (Series 29:6) Luis Buñuel, VIRIDIANA (1961, 90 min) Directed by Luis Buñuel Written by Julio Alejandro, Luis Buñuel, and Benito Pérez Galdós (novel “Halma”) Cinematography by José F. Aguayo Produced by Gustavo Alatriste Music by Gustavo Pittaluga Film Editing by Pedro del Rey Set Decoration by Francisco Canet Silvia Pinal ... Viridiana Francisco Rabal ... Jorge Fernando Rey ... Don Jaime José Calvo ... Don Amalio Margarita Lozano ... Ramona José Manuel Martín ... El Cojo Victoria Zinny ... Lucia Luis Heredia ... Manuel 'El Poca' Joaquín Roa ... Señor Zequiel Lola Gaos ... Enedina María Isbert ... Beggar Teresa Rabal ... Rita Julio Alejandro (writer) (b. 1906 in Huesca, Arágon, Spain—d. 1995 (age 89) in Javea, Valencia, Spain) wrote 84 films and television shows, among them 1984 “Tú eres mi destino” (TV Luis Buñuel (director) Series), 1976 Man on the Bridge, 1974 Bárbara, 1971 Yesenia, (b. Luis Buñuel Portolés, February 22, 1900 in Calanda, Aragon, 1971 El ídolo, 1970 Tristana, 1969 Memories of the Future, Spain—d. July 29, 1983 (age 83) in Mexico City, Distrito 1965 Simon of the Desert, 1962 A Mother's Sin, 1961 Viridiana, Federal, Mexico) directed 34 films, which are 1977 That 1959 Nazarin, 1955 After the Storm, and 1951 Mujeres sin Obscure Object of Desire, 1974 The Phantom of Liberty, 1972 mañana. The Discreet Charm of the Bourgeoisie, 1970 Tristana, 1969 The Milky Way, 1967 Belle de Jour, 1965 Simon of the Desert, 1964 José F. Aguayo (cinematographer) (b. José Fernández Aguayo, Diary of a Chambermaid, 1962 The Exterminating
    [Show full text]
  • Arturo Ripstein: TIME to DIE (1966, 90 Min.)
    March 26, 2019 (XXXVIII:8) Arturo Ripstein: TIME TO DIE (1966, 90 min.) DIRECTOR Arturo Ripstein WRITING Gabriel García Márquez and Carlos Fuentes wrote dialogue for their adaptation of Márquez’s story PRODUCERS Alfredo Ripstein and César Santos Galindo MUSIC Carlos Jiménez Mabarak CINEMATOGRAPHY Alex Phillips EDITING Carlos Savage CAST Marga López...Mariana Sampedro Jorge Martínez de Hoyos...Juan Sayago Enrique Rocha...Pedro Trueba Alfredo Leal...Julián Trueba Blanca Sánchez...Sonia The Far Side of Paradise (1976), The Black Widow (1977), Hell Tito Junco...Comisario Without Limits (1978), Life Sentence (1979), La tía Alejandra Quintín Bulnes...Diego Martín Ibáñez (1979), Seduction (1981), Rastro de muerte (1981), Sweet Miguel Macía...Druggist Challenge (1988 TV Series), Woman of the Port (1991), Carlos Jordán...Casildo Triángulo (1992 TV Series), La sonrisa del diablo (1992 TV Arturo Martínez...Cantinero Series), Principio y fin (1993), La reina de la noche (1994), Deep Hortensia Santoveña...Rosita Crimson (1996), No One Writes to the Colonel (1999), Such Is Carolina Barret...Mamá de Sonia Life (2000), The Ruination of Men (2000), The Virgin of Lust Manuel Dondé...Barber (2002), The Reasons of the Heart (2011), Bleak Street (2015), Claudio Isaac...Claudio Sampedro and Maestros Olvidados, oficios que sobreviven (2016-2018 TV Leonardo Castro Series documentary). Cecilia Leger...Housekeeper Luz María Velázquez...Nana GABRIEL GARCÍA MÁRQUEZ (b. March 6, 1927 in Adolfo Lara Aracataca, Magdalena, Colombia—d. April 17, 2014 (age 87) in Alfredo Chavira Mexico City, Distrito Federal, Mexico) was a Colombian novelist, short-story writer, screenwriter and journalist. He is ARTURO RIPSTEIN Y ROSEN (b. December 13, 1943 in most famous for his novels One Hundred Years of Solitude Mexico City, Distrito Federal, Mexico) is a Mexican director (59 (1967) and Love in the Time of Cholera (1985).
    [Show full text]
  • Feature Films
    Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243
    [Show full text]
  • Spain, Spanish Architecture Has Received Many Different Influences and Has Had Many Different Expressions
    RCHI ATECTURE IN C EMA O C MIC A D NCE ITER LATURE U M SIC AI PNTING HOT POGRAPHY CU S LPTURE PERMANENT UNIVERSITY UNIVERSITY OF ALICANTE RCHI ATECTURE IN Due to the temporal and geographic amplitude of the history of C EMA Spain, Spanish architecture has received many different influences and has had many different expressions. O C MIC The real development came with the Romans who left behind in A Hispania some of their most amazing monuments. The Muslim D NCE invasion in 711 meant a radical change during the eight ITER centuries that followed and produced great step forwards in the LATURE culture and the architecture. Córdoba, the capital of the U Umayyad dynasty and Granada, capital of the Nasrid dynasty, M SIC became cultural centers of great importance. AI Many Spanish architectural structures, even big parts of the NTING P cities, have been given the status of World Heritage Site given HOT their artistic relevance. Spain is the second country with more POGRAPHY places with the status of World Heritage Site granted by the CU UNESCO, the first one is Italy. S LPTURE PERMANENT UNIVERSITY UNIVERSITY OF ALICANTE RCHI MEGALITHIC ARCHITECTURE IBERIAN AND CELTIC ARCHITECTURE TECTURE During the Stone Age the Castro de Baroña The Castro culture, A Galicia most widespread megalith that arose in the north and in the IN Cueva de Menga in the Iberian Peninsula was C EMA Antequera the dolmen. The plans of center of the these funerary chambers used to be pseudocircles or Peninsula and that O trapezoids, formed by huge stones stuck on the ground was directly or indirectly related to C MIC and with others above them as a roof.
    [Show full text]
  • Buñuel by Dali
    Luis Buñuel (Luis Buñuel Portolés, 22 February 1900, Calanda, Spain—29 July 1983, Mexico City, Mexico,cirrhosis of the liver) became a controversial and internationally-known filmmaker with his first film, the 17-minute Un Chien andalou 1929 (An Andalousian Dog), which he made with Salvador Dali. He wrote and directed 33 other films, most of them interesting, many of them considered masterpieces by critics and by fellow filmmakers. Some of them are : Cet obscur objet du désir 1977 (That Obscure Object of Desire), Le Charme discret de la bourgeoisie 1972 (The Discreet Charm of the Bourgeoisie), Tristana 1970, La Voie lactée 1969 (The Milky Way), Belle de Jour 1967, Simón del desierto 1965 (Simon of the Desert), El Ángel Exterminador/Exterminating Angel 1962, 25 October 2005 XI:9 Viridiana 1961, Nazarín 1958, Subida al cielo DIARY OF A CHAMBERMAID/LE JOURNAL 1952 (Ascent to Heaven, Mexican Bus Ride), D'UNE FEMME DE CHAMBRE. (1964) 101 Los Olvidados 1950 (The Young and the minutes Damned), Las Hurdes 1932 (Land Without Bread ), and L’Âge d'or 1930 (Age of Gold). His Jeanne Moreau...Céléstine autobiography, My Last Sigh (Vintage, New Georges Géret...Joseph York) was published the year after his death. Daniel Ivernel...Captain Mauger Some critics say much of it is apocryphal, the Françoise Lugagne...Madame Monteil screenwriter Jean-Claude Carrière (who Muni...Marianne collaborated with Buñuel on six scripts), claims Jean Ozenne...Monsieur Rabour he wrote it based on things Buñel said. Michel Piccoli...Monsieur Monteil Whatever: it’s a terrific
    [Show full text]
  • Exterminating Angel
    6 FEBRUARY 2001 (III:4) LUIS BUÑUEL (Luis Buñuel Portolés, 22 February 1900, Calanda, Spain—29 July 1983, Mexico City, Mexico,cirrhosis of the liver) became a controversial and internationally-known filmmaker with his first film, the 17-minute Un Chien andalou 1929 (An Andalousian Dog), which he made with Salvador Dali. He wrote and directed 33 other films, most of them interesting, man y of them considered master pieces by critics and by fellow filmmaker s. Some of them are : Cet obscur objet du désir 1977 (That Obscure Object of Desire), Le Charme discret de la bourgeoisie 1972 (The Discreet Charm of the Bourgeoisie), Tristana 1970, La Voie lactée 1969 (The Milky Way), Belle de jour 1967, Simón del desierto 1965 (Simon of the Desert), Viridiana 1961, Nazarín 1958, Subida al cielo 1952 (Ascent to Heaven, Mexican Bus Ride), Los Olvidados 1950 (The Young and the Damned), Las Hurdes 1932 (Land Without Bread ), and L’Âge d'or 1930 (Age of Gold). His autobiography, My Last Sigh (Vintage, New York) was published the year after his death. Some critics say much of it is apocryphal, the screenwriter Jean-Claude Carrière (who collaborated with Buñuel on six scripts), claims he wrote it based on things Buñel said. Whatever: it’s a terrific book. Leonard Maltin wrote this biographical note on Buñuel in his Movie Encyclopedia (1994): “One of the screen's greatest artists, a director whose unerring society-with remarkable energy and little mercy: The instincts and assured grasp of cinematic technique enabled Exterminating Angel (1962), a savage him to create some of film's most memorable images....After assault on the bourgeois mentality, with guests trapped at a the sardoni c docum entary Las Hurdes in 1932, Buñuel took a dinner party; Diary of a Chambermaid (1964), a costume 15-year layoff from directing.
    [Show full text]
  • Avant-Garde Sinema Üzerine
    SİNEMA KİTAPLIĞI AVANT-GARDE SİNEMA ÜZERİNE Bu eser http://genclikcephesi.blogspot.com tarafından yayınlanmaktadır. http://genclikcephesi.blogspot.com 1 İÇİNDEKİLER: Önsöz Jonas Mekas’ın Manifestosu Avant Garde Sinema İçin Bir Genelleme Çalışması Avant Garde Üzerine Önsözümsel Bir Deneme Sanat Sineması ve Avangarda Genel Bakış Avant Garde Sinemada Kübik Açı Avant Garde Sinemada Soyut Film Çalışmaları Avant Garde Sinemada Gerçeküstücü Göz Luis Bunuel ve Gerçeküstücü Sinema Düşler ve Sinema Bunuel Düşler ve Sinema 1929-1933 Arasında Luis Bunuel ve Gerçeküstücülük Un Chıen Andalou-Endülüs Köpeği Gerçeküstücülük ve Gerçeküstücüler L’Age D’or-Altın Çağ 1930’larda Avant Garde Sinemanın Durumu Avangard’da Yeni Dalga Avangard’da Psikodrama “Yeraltı” Üzerine Andy Warhol Sinemasına Kısa Bir Değini Avangard’ın Klasikleşmiş Yönetmenleri İçin Düşümler A.B.D Avant Garde Sineması Amerika’da Yeraltı ‘Öncü’leri ve ‘Canyon’ Grubu Son Değini Babında Ek I: Bazin'in Kurgunun Tarihsel Gelişimine Yönelik Görüleri ve Eisenstein'ın Kurgusuna Minimal bir değini http://genclikcephesi.blogspot.com 2 I. BÖLÜM AVANT-GARDE SİNEMA ÜZERİNE GENELLEME ÖNSÖZ DİYELİM Kİ SADECE GERÇEKLİĞİN SINIRLARINI DENİYORDUM. NELER OLACAĞINI MERAK ETTİM. HEPSİ BU: SADECE MERAK. JIM DOUGLAS MORRISON, 1969. Bir şekilde ‘sinema’ adını almış olan yaşam-tarzı [evet, bir sanatın çokça ötesinde] benim için hep ‘avant garde’ ön takısıyla beraberleşip; ‘avant garde sinema’ adına bürünmüştür, ya da ters bir anlamla ben, her sinema dediğimde ve ya ondan bahsettiğimde muhakkakki avant garde olandan yani -dahası- tek olan, aslolan sinemadan bahsetmişimdir. Deneysellik sadece sinema sanatının temel taşlarının mekanik sürecinde ve sonrasında; film çekimlerinde varolan -yaşayan- bir şey miydi, elbette ki değildi, varoluş; başladığı andan itibaren, öncesi ve ölümün getireceği sonralıkla ve yaşam sürüldüğü zaman dilimi boyunca, tamamı ile ve tüm anlamıyla bir deneysellik idi zaten.
    [Show full text]
  • Buñuel and Mexico: the Crisis of National Cinema
    UC_Acevedo-Muæoz (D).qxd 8/25/2003 1:12 PM Page i Buñuel and Mexico This page intentionally left blank UC_Acevedo-Muæoz (D).qxd 8/25/2003 1:12 PM Page iii Buñuel and Mexico The Crisis of National Cinema Ernesto R. Acevedo-Muñoz University of California Press Berkeley Los Angeles London UC_Acevedo-Muæoz (D).qxd 8/25/2003 1:12 PM Page iv University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2003 by the Regents of the University of California Library of Congress Cataloging-in-Publication Data Acevedo-Muñoz, Ernesto R., 1968–. Buñuel and Mexico : the crisis of national cinema / by Ernesto R. Acevedo-Muñoz. p. cm. Includes bibliographical references and index. ISBN 0–520-23952-0 (alk. paper) 1. Buñuel, Luis, 1900– .—Criticism and interpretation. 2. Motion pictures—Mexico. I. Title. PN1998.3.B86A64 2003 791.43'0233'092—dc21 2003044766 Manufactured in the United States of America 1211 10 09 08 07 06 05 04 03 10987654321 The paper used in this publication is both acid-free and totally chlorine- free (TCF). It meets the minimum requirements of ANSI/NISO Z39.48– 1992 (R 1997) (Permanence of Paper). 8 UC_Acevedo-Muæoz (D).qxd 8/25/2003 1:12 PM Page v A Mamá, Papá, y Carlos R. Por quererme y apoyarme sin pedir nada a cambio, y por siempre ir conmigo al cine And in loving memory of Stan Brakhage (1933–2003) This page intentionally left blank UC_Acevedo-Muæoz (D).qxd 8/25/2003 1:12 PM Page vii Contents List of Figures ix Acknowledgments xi Introduction 1 1.
    [Show full text]
  • GOYA+BUÑUEL. Los Sueños De La Razón
    LOS SUEÑOS DE LA RAZÓN Colaboran Organizan GOYA+BUÑUEL. Los sueños de la razón CATÁLOGO EXPOSICIÓN Edita La Fundación Ibercaja y El Gobierno de Aragón desean expresar su Gobierno de Aragón Gobierno de Aragón agradecimiento a las siguientes entidades prestadoras Javier Lambán Montañés Presidente Fundación Bancaria Ibercaja Biblioteca Nacional de España, Madrid María Teresa Pérez Esteban Consejera de Educación, Cultura y Deporte Colección Félix Palacios Remondo, Zaragoza Coordinación Colección Padres Escolapios, Madrid Fundación Bancaria Ibercaja Aixa Álvarez Almazán Colección Real Sociedad Económica Aragonesa de Amigos del País, Zaragoza Honorio Romero Herrero Presidente Diputación de Zaragoza José Luis Rodrigo Escrig Director General Textos Filmoteca Española, Madrid Juan Carlos Sánchez Bielsa Director Obra Social Gonzalo M. Borrás Gualis, José Ignacio Calvo Ruata, Jean-Claude Carrière, Museo de Zaragoza Francisco Javier Lázaro Sebastián, Juan Carlos Lozano, Amparo Martínez Museo Goya. Colección Ibercaja-Museo Camón Aznar, Zaragoza Comisariado Herranz, Jesús Rubio Jiménez, Agustín Sánchez Vidal, Fernando Sanz Museo Lázaro Galdiano, Madrid Ferreruela, Carlos Saura. José Ignacio Calvo Ruata Museo Nacional Centro de Arte Reina Sofía, Madrid © de los textos, sus autores Amparo Martínez Herranz Museo Nacional del Prado, Madrid © de las fotografías, sus autores Museo Thyssen-Bornemisza, Madrid Comité organizador Residencia de Estudiantes, Madrid Traducción Gobierno de Aragón Universidad de Zaragoza, Archivo Histórico Universitario Cillero &
    [Show full text]
  • Sight & Sound Annual Index 2017
    THE INTERNATIONAL FILM MAGAZINE Index to Volume 27 January to December 2017 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 6:52(r) Amour (2012) 5:17; 6:17 Armano Iannucci Shows, The 11:42 Ask the Dust 2:5 Bakewell, Sarah 9:32 Film review titles are also interview with Koreeda Amours de minuit, Les 9:14 Armisen, Fred 8:38 Asmara, Abigail 11:22 Balaban, Bob 5:54 included and are indicated by Hirokazu 7:8-9 Ampolsk, Alan G. 6:40 Armstrong, Jesse 11:41 Asquith, Anthony 2:9; 5:41, Balasz, Béla 8:40 (r) after the reference; age and cinema Amy 11:38 Army 2:24 46; 10:10, 18, 44 Balch, Antony 2:10 (b) after reference indicates Hotel Salvation 9:8-9, 66(r) An Seohyun 7:32 Army of Shadows, The Assange, Julian Balcon, Michael 2:10; 5:42 a book review Age of Innocence, The (1993) 2:18 Anchors Aweigh 1:25 key sequence showing Risk 8:50-1, 56(r) Balfour, Betty use of abstraction 2:34 Anderson, Adisa 6:42 Melville’s iconicism 9:32, 38 Assassin, The (1961) 3:58 survey of her career A Age of Shadows, The 4:72(r) Anderson, Gillian 3:15 Arnold, Andrea 1:42; 6:8; Assassin, The (2015) 1:44 and films 11:21 Abacus Small Enough to Jail 8:60(r) Agony of Love (1966) 11:19 Anderson, Joseph 11:46 7:51; 9:9; 11:11 Assassination (1964) 2:18 Balin, Mireille 4:52 Abandon Normal Devices Agosto (2014) 5:59 Anderson, Judith 3:35 Arnold, David 1:8 Assassination of the Duke Ball, Wes 3:19 Festival 2017, Castleton 9:7 Ahlberg, Marc 11:19 Anderson, Paul Thomas Aronofsky, Darren 4:57 of Guise, The 7:95 Ballad of Narayama, The Abdi, Barkhad 12:24 Ahmed, Riz 1:53 1:11; 2:30; 4:15 mother! 11:5, 14, 76(r) Assassination of Trotsky, The 1:39 (1958) 11:47 Abel, Tom 12:9 Ahwesh, Peggy 12:19 Anderson, Paul W.S.
    [Show full text]
  • Ebousurrealism and Violence
    “Surrealism and Violence. Luis Buñuel’s Los olvidados (The Forgotten Ones)”, Hispanic Horizons. Journal of the Centre of Spanish, Portuguese, Italian & Latin Amerian Studies. Jawaharlal Nehru University New Delhi, 2010: 33-44. ISSN: 0970-7522 SURREALISM AND VIOLENCE, LUIS BUÑUEL'S THE LOS OLVIDADOS (THE FORGOTTEN ONES) Enric Bou Brown University Buñuel, surrealist director In January of 1950 Luis Buñuel writes to his friend José Rubia Barcia about his latest film project. It is a project which he considers to be fundamental for the future of his film career (and his personal destiny) in Mexico, where he arrived in 1947 from Hollywood. The new film will be a "mixture of Tierra sin pan (Land Without Bread) and L’âge d’or (The Golden Age), with the addition of elements from the last fifteen years"1. A few months earlier he had divulged his general idea for the project: "I hope that [Los Olvidados] will be something extraordinary in the current panorama of international cinema. It is harsh and rough and does not spare the audience. Realist, but with a subtle vigorous poetic vein, and at times erotic"2. Los Olvidadosis the third film which Buñuel, after various failures, makes in Mexico. He had gone there to make a cinematic version of Garcia Lorca's play, The House of Bernarda Alba, but the project was never realized. In Mexico he meets the producer Oscar Dancigers and he is commissioned to do a series of jobs. The first is Gran Casino (1947), which is followed by El gran calavera (The Great Madcap, 1949) and, finally, Los Olvidados.
    [Show full text]
  • Acevedo-Muñoz 1 ERNESTO R. ACEVEDO-MUÑOZ Cinema Studies & Moving Image Arts 710 36Th St. University of Colorado-Boulder Bo
    Acevedo-Muñoz 1 ERNESTO R. ACEVEDO-MUÑOZ Cinema Studies & Moving Image Arts 710 36th St. University of Colorado-Boulder Boulder, Colorado 80303 316 UCB, ATLAS 327 Phone: (303) 374-4690 Boulder, CO 80309-0316 Fax: (303) 492-1362 Phone: (303) 735-2322 [email protected] DOB: 19 July 1968: Aguada, Puerto Rico Nationality: Puerto Rico (USA) Education: Ph.D. University of Iowa, Iowa City (Cinema Studies/Communication Studies), 1998 Dissertation: “Deconstructing nationalism: Luis Buñuel and the crisis of classical Mexican cinema, 1946-1955.” Thesis supervisor: Dr. Lauren Rabinovitz. M.A. University of Iowa, Iowa City (Cinema Studies/Communication Studies), 1994 B.A. University of Puerto Rico, Río Piedras (History of the Americas) magna cum laude, 1991 Certificate in Film Production. New York University: School of Continuing Education, 1990 Academic appointments: University of Colorado, Boulder Professor of Cinema Studies: promotion awarded May 2014. Associate Professor of Film Studies: promotion and tenure awarded June 2005. Assistant Professor of Film Studies: August 1998-June 2005. Joint member of the Comparative Literature Graduate Program, 2003-2018. Affiliate faculty: Center of the American West; Latin American Studies Center. Administrative: University of Colorado, Boulder Chair, Department of Cinema Studies & Moving Image Arts (formerly Film Studies Program) since July 1st, 2009 (as “Director”); third term began July 1st, 2017. Responsibilities include oversight of recruiting, hiring, supporting, and promoting all faculty and staff in the department, overseeing the undergraduate and graduate degree programs, promoting and supporting all research programs, overseeing all aspects of the department’s general fund, auxiliary, gift and research budgets, interaction with the Associate Dean, Dean and Provost, as well as chairs, directors, deans, vice chancellors, and the Chancellor on academic and budgetary matters, alumnae relations, and promotion of the Department with campus strategic media relations officials and the press.
    [Show full text]