Talking Pictures TV Highlights for Week Beginning SKY 328 | FREEVIEW 81 Monday 2Nd September 2019 FREESAT 306 | VIRGIN 445

Total Page:16

File Type:pdf, Size:1020Kb

Talking Pictures TV Highlights for Week Beginning SKY 328 | FREEVIEW 81 Monday 2Nd September 2019 FREESAT 306 | VIRGIN 445 Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Monday 2nd September 2019 FREESAT 306 | VIRGIN 445 THIS SPORTING LIFE on Talking Pictures TV Richard Harris gave one of the-best performances of his career in this bleak, yet beautiful film as a brutally competitive rugby player, strongly supported by Rachel Roberts as his bitter, recently bereaved landlady. Both received Oscar nominations, with Roberts winning the BAFTA for Best British Actress. The compelling script by David Storey was also BAFTA nominated, while director Lindsay Anderson was nominated for the Golden Palm for his unflinching look at working-class life set in the harsh landscape of northern England. Among the supporting cast is William Hartnell, who shortly afterwards began his role as The Doctor, having been spotted by Doctor Who producer Verity Lambert in This Sporting Life. The film also features Arthur Lowe, later to star in Dad’s Army as Captain Mainwaring, who worked on a further four films with Anderson. Lindsay Anderson said at the time the film should not be seen as “a North Country working class story”, although class frustrations do underlie how the characters behave. Rather it is about the impossibility of happiness and the inability of people to communicate with each other. Mon 2nd Sept 19 11:40 Wed 4th Sept 19 06:00 Oliver Twist (1948) The Loves of Joanna Godden Drama, directed by David Lean. (1947) Stars: John Howard Davies, Drama, directed by Charles Frend Alec Guinness, Robert Newton & & Robert Hamer. Stars: Googie Kay Walsh. An orphaned boy Withers, Jean Kent, John McCallum joins a London household of boys & Derek Bond. When her father dies trained to steal for their master. Joanna Godden decides to run his farm herself. Mon 2nd Sept 19 22:00 Terror of the Tongs (1961) Wed 4th Sept 19 22:00 Drama, directed by Anthony Bushell. Floods of Fear (1958) Stars: Geoffrey Toone, Christopher Lee Thriller, directed by Charles & Yvonne Monlaur. A British merchant Crichton. Stars Howard Keel, Anne sea captain sets out to crush the Red Heywood, Cyril Cusack & Harry H Dragon Tong; a society terrorizing Corbett. A man framed for murder Hong Kong. escapes from prison during a flood. Thurs 5th Sept 19 10.25 Tues 3rd Sept 19 12:00 Talking Pictures with Get Cracking (1943) Craig Douglas Comedy, directed by Marcel Varnel. Craig starred in the 1962 film Stars: George Formby, Dinah It’s Trad, Dad! and enjoyed chart Sheridan & Ronald Shiner. Formby success with many hits including joins the Home Guard and launches “Only Sixteen”, which outsold his own style of commando raid to Sam Cooke’s original, reaching steal a machine gun. Number 1 in 1959. In this exclusive interview, he shares memories of the Tues 3rd Sept 19 14:35 1960s music scene. The Woman in Question (1950) Thurs 5th Sept 19 14:30 Mystery, directed by Anthony Asquith. The Constant Husband (1955) Stars: Dirk Bogarde and Jean Kent. Comedy, directed by Sidney Gilliat Police interview the five principle Stars: Rex Harrison, Kay Kendall, suspects in the murder of Astra, (Jean Cecil Parker. A man wakes up on Kent), an enigmatic fortune teller. the Welsh coast with no memory, only to find he has several lovely homes and wives, who all want him back! Talking Pictures TV Highlights for week beginning www.talkingpicturestv.co.uk SKY 328 | FREEVIEW 81 Monday 2nd September 2019 FREESAT 306 | VIRGIN 445 continued Thurs 5th Sept 19 22:00 Sat 6th Sept 19 12:30 The Killing of Sister George (1968) Konga(1961) Drama, directed by Robert Aldrich Horror, directed by: John Lemont. Stars: Beryl Reid, Susannah York, Stars: Michael Gough, Margo Coral Browne, Patricia Medina, Johns, Jess Conrad. A scientist Ronald Fraser. An aging actress experiments with a growth serum faces the loss of her popular tele- and creates Konga, a chimpanzee vision role. A much loved soap opera who grows to giant size and stalks star, she has to juggle a career crisis through a London, threatening Big with a complex lesbian relationship. Ben and the Houses of Parliament. Fri 6th Sept 19 12:00 Sat 6th Sept 19 16:20 Passage Home (1955) Father’s Doing Fine (1952) Drama, directed by Roy Ward Comedy, directed by: Henry Cass. Baker. Stars: Peter Finch, Diane Cilento Stars: Heather Thatcher, Diane Hart, and Anthony Steel. A young woman Virginia McKenna, Richard Atten- comes to regret her rescue from a borough. An impoverished difficult situation in South America. upper-class widowed mother and her four daughters contend with Fri 6th Sept 19 14:30 love affairs, a thieving butler, the The Dancing Years (1950) unpaid rent, and imminent motherhood in a single day! Musical drama, directed by Harold French. Stars: Dennis Price, Sat 6th Sept 19 22:05 Gisèle Préville, Patricia Dainton. Film This Sporting Life (1963) adaptation of Ivor Novello’s musical Drama, directed by: Lindsay romance set in Vienna in 1910 and a Anderson. Stars: Richard Harris, popular West End show during the Rachel Roberts, Alan Badel. A rising war. A band of army officers bid for rugby star senses the emptiness of a poor composer’s opera, but his life as his inner angst begins to a woman outbids them all... materialize through aggression and brutality, so he attempts to woo Fri 6th Sept 19 19:15 his bereaved landlady in hopes of Nothing Barred (1961) finding a meaning in life. Comedy, directed by: Darcy Conyers. Stars: Brian Rix, Sun 7th Sept 19 16:10 Leo Franklyn, Naunton Wayne. April Love (1957) Lord Whitebait and his servant Drama, directed by Henry Levin. Spankforth hatch a plan to save Stars: Pat Boone, Shirley Jones, his sinking fortunes. when his Dolores Michaels and Arthur daughter’s fiancé demands an O’Connell. A city boy moves to a expensive wedding. (AKA The Night We Sprang a Leak) Kentucky horse farm where he courts a neighbour and takes part Fri 6th Sept 19 22:00 in a special race day. Dracula Prince of Darkness (1966) Four English tourists holidaying in Sun 7th Sept 19 19:00 the Carpathians find themselves Fiddlers Three (1944) stranded in the mountains. When a Comedy, directed by Harry driverless carriage arrives they board Watt. Stars: Tommy Trinder, it, intending to travel to the nearest Frances Day, Sonnie Hale. village. However, the carriage instead A couple of sailors on shore takes them to a castle where they are leave decide to visit Stone- welcomed by the sinister manservant henge. Whilst there they meet a of Count Dracula... a young Wren. Lightning strikes and all three are transported back in time to ancient Rome..
Recommended publications
  • WALLACE, (Richard Horatio) Edgar Geboren: Greenwich, Londen, 1 April 1875
    WALLACE, (Richard Horatio) Edgar Geboren: Greenwich, Londen, 1 april 1875. Overleden: Hollywood, USA, 10 februari 1932 Opleiding: St. Peter's School, Londen; kostschool, Camberwell, Londen, tot 12 jarige leeftijd. Carrière: Wallace was de onwettige zoon van een acteur, werd geadopteerd door een viskruier en ging op 12-jarige leeftijd van huis weg; werkte bij een drukkerij, in een schoen- winkel, rubberfabriek, als zeeman, stukadoor, melkbezorger, in Londen, 1886-1891; corres- pondent, Reuter's, Zuid Afrika, 1899-1902; correspondent, Zuid Afrika, London Daily Mail, 1900-1902 redacteur, Rand Daily News, Johannesburg, 1902-1903; keerde naar Londen terug: journalist, Daily Mail, 1903-1907 en Standard, 1910; redacteur paardenraces en later redacteur The Week-End, The Week-End Racing Supplement, 1910-1912; redacteur paardenraces en speciaal journalist, Evening News, 1910-1912; oprichter van de bladen voor paardenraces Bibury's Weekly en R.E. Walton's Weekly, redacteur, Ideas en The Story Journal, 1913; schrijver en later redacteur, Town Topics, 1913-1916; schreef regelmatig bijdragen voor de Birmingham Post, Thomson's Weekly News, Dundee; paardenraces columnist, The Star, 1927-1932, Daily Mail, 1930-1932; toneelcriticus, Morning Post, 1928; oprichter, The Bucks Mail, 1930; redacteur, Sunday News, 1931; voorzitter van de raad van directeuren en filmschrijver/regisseur, British Lion Film Corporation. Militaire dienst: Royal West Regiment, Engeland, 1893-1896; Medical Staff Corps, Zuid Afrika, 1896-1899; kocht zijn ontslag af in 1899; diende bij de Lincoln's Inn afdeling van de Special Constabulary en als speciaal ondervrager voor het War Office, gedurende de Eerste Wereldoorlog. Lid van: Press Club, Londen (voorzitter, 1923-1924). Familie: getrouwd met 1.
    [Show full text]
  • Andrew Martin Is an Author, Journalist and Broadcaster. His Previous Books with Profile Are Underground, Overground and Belles and Whistles
    ANDREW MARTIN is an author, journalist and broadcaster. His previous books with Profile are Underground, Overground and Belles and Whistles. He has written for the Guardian, Evening Standard, Independent on Sunday, Daily Telegraph and New Statesman, amongst many others. His ‘Jim Stringer’ series of novels based around railways is published by Faber. His latest novel, Soot, is set in late eighteenth-century York. Praise for Night Trains ‘You do not have to be a trainspotter to enjoy this book. It is social history, a kind of epitaph to a way of travel that seems to be lost, at least in Europe.’ Spectator ‘A delightful book … charmingly combines Martin’s own travels, as he recreates journeys on famous trains such as the Orient Express, with a serious, occasionally geeky, history of those elegant wagons lits of the past … Even if you’re not into the detail of rail gauges, this book is the perfect companion as you wait for the 8.10 from Hove.’ Observer ‘Excellent … Mr Martin paints a vivid picture of this world on rails … he proves a witty companion who wears his knowledge lightly’ Country Life ‘Andrew Martin has cornered the train market. He is the Bard of the Buffer, the Balladeer of the Blue Train, the Laureate of Lost Property … I picked up Night Trains knowing that I would be entertained, but also in the hope that his many years of experience would teach me how to sleep on a sleeper … Andrew Martin is the best sort of travel writer: inquisitive, knowledgeable, lively, congenial. He is also very funny, while never letting the humour drive reality, rather than vice versa.
    [Show full text]
  • Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
    InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive
    [Show full text]
  • Sydney Program Guide
    Page 1 of 28 Sydney Program Guide Sun Apr 5, 2015 06:00 TV SHOP - HOME SHOPPING WS G Home shopping programme. 06:30 TASTY CONVERSATIONS Captioned Repeat HD WS G Apple Cake & Walnut Praline Audra deems this her “healthy indulgence”, a beautiful apple cake with a walnut praline to die for. 06:40 TWICE ROUND THE DAFFODILS 1962 Captioned Repeat WS PG Twice Round The Daffodils A patient's final trial of strength before being discharged is the long, lonely walk twice around the daffodils, as love helps the recovery process and comedy runs riot in the hospital corridors. Starring: Donald Sinden, Juliet Mills, Kenneth Williams, Donald Houston, Ronald Lewis Cons.Advice: Adult Themes 08:30 DANOZ WS G Home shopping programme. 10:00 WENT THE DAY WELL 1942 Captioned Repeat PG Went The Day Well The residents of a British village during WWII welcome a platoon of soldiers who are to be billeted with them. The trusting residents then discover that the soldiers are Germans who proceed to hold the village captive. Starring: Oliver Wilsford, Valerie Taylor Cons.Advice: Mild Violence 12:00 SUBURU NATIONAL ROAD SERIES WS NA Woodside Tour de Perth Highlights of the Woodside Tour de Perth in it's third year, and marks the beginning of the men's Subaru National Road Series. 12:30 THE GARDEN GURUS Captioned Repeat HD WS G Do you know where the best place in the garden is to grow vegetables? Have you ever wondered what fruit leather is and how to make it? Or are you looking for a great place for your child’s next birthday party? The Garden Gurus tackles all these questions and more.
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • Simply-Hitchcock-1587911892. Print
    Simply Hitchcock Simply Hitchcock DAVID STERRITT SIMPLY CHARLY NEW YORK Copyright © 2017 by David Sterritt Cover Illustration by Vladymyr Lukash Cover Design by Scarlett Rugers All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher at the address below. [email protected] ISBN: 978-1-943657-17-9 Brought to you by http://simplycharly.com Dedicated to Mikita, Jeremy and Tanya, Craig and Kim, and Oliver, of course Contents Praise for Simply Hitchcock ix Other Great Lives xiii Series Editor's Foreword xiv Preface xv Acknowledgements xix 1. Hitch 1 2. Silents Are Golden 21 3. Talkies, Theatricality, and the Low Ebb 37 4. The Classic Thriller Sextet 49 5. Hollywood 61 6. The Fabulous 1950s 96 7. From Psycho to Family Plot 123 8. Epilogue 145 End Notes 147 Suggested Reading 164 About the Author 167 A Word from the Publisher 168 Praise for Simply Hitchcock “With his customary style and brilliance, David Sterritt neatly unpacks Hitchcock’s long career with a sympathetic but sharply observant eye. As one of the cinema’s most perceptive critics, Sterritt is uniquely qualified to write this concise and compact volume, which is the best quick overview of Hitchcock’s work to date—written with both the cineaste and the general reader in mind.
    [Show full text]
  • TPTV Schedule September 24Th - 30Th 2018
    TPTV Schedule September 24th - 30th 2018 DATE TIME PROGRAMME SYNOPSIS Mon 24 6:00 Piccadilly Incident 1946. War. Director: Herbert Wilcox. Stars Anna Neagle, Michael Wilding, Sep 18 Coral Browne & Edward Rigby. A missing Wren returns from a desert isle and finds her husband has a new wife and son. Mon 24 8:00 Hawkeye & the Way Station. 1957. Directed by Sam Newfield. Stars John Hart, Lon Sep 18 Last of the Chaney Jr & James Doohan. The daughter of Mingo Chief Nocona is Mohicans desired by two warring tribesmen. ​(Subtitles Available) Mon 24 8:30 Convict 99 1938. Comedy. Directed by Marcel Varnel. Stars Will Hay, Moore Marriott, Sep 18 Graham Moffat & Googie Withers. A school master is mistaken for a prison governor and assigned the charge of a prison. Mon 24 10:15 Glimpses of Glimpses: Made as an educational film showing our crops of hops & fruit. Sep 18 Southern England The film provides a startling glimpses of bygone days of all of the in 1968 Southern area of the UK including great aerial shots. Mon 24 10:35 The Lost Moment 1947. Drama. A publisher insinuates himself into the mansion of the Sep 18 centenarian lover of a renowned but long-dead poet in order to find his lost love letters. Starring Robert Cummings & Susan Hayward. Mon 24 12:20 Waterloo Road 1944. Drama. Director: Sidney Gilliat. Stars Stewart Granger, John Mills, Sep 18 Alastair Sim & Joy Shelton. After Jim reports for military duty, he suspects that his bride has been seeing another man. Mon 24 13:55 The Old Dark 1963.
    [Show full text]
  • British Film Institute Report & Financial Statements 2006
    British Film Institute Report & Financial Statements 2006 BECAUSE FILMS INSPIRE... WONDER There’s more to discover about film and television British Film Institute through the BFI. Our world-renowned archive, cinemas, festivals, films, publications and learning Report & Financial resources are here to inspire you. Statements 2006 Contents The mission about the BFI 3 Great expectations Governors’ report 5 Out of the past Archive strategy 7 Walkabout Cultural programme 9 Modern times Director’s report 17 The commitments key aims for 2005/06 19 Performance Financial report 23 Guys and dolls how the BFI is governed 29 Last orders Auditors’ report 37 The full monty appendices 57 The mission ABOUT THE BFI The BFI (British Film Institute) was established in 1933 to promote greater understanding, appreciation and access to fi lm and television culture in Britain. In 1983 The Institute was incorporated by Royal Charter, a copy of which is available on request. Our mission is ‘to champion moving image culture in all its richness and diversity, across the UK, for the benefi t of as wide an audience as possible, to create and encourage debate.’ SUMMARY OF ROYAL CHARTER OBJECTIVES: > To establish, care for and develop collections refl ecting the moving image history and heritage of the United Kingdom; > To encourage the development of the art of fi lm, television and the moving image throughout the United Kingdom; > To promote the use of fi lm and television culture as a record of contemporary life and manners; > To promote access to and appreciation of the widest possible range of British and world cinema; and > To promote education about fi lm, television and the moving image generally, and their impact on society.
    [Show full text]
  • Constanthuband-Dp.Pdf
    Studiocanal et Tamasa présentent [THE CONSTANT HUSBAND] VERSION RESTAURÉE un film de SIDNEY GILLIAT UK - 1955 - 1H44 SORTIE LE 14 DÉCEMBRE 2016 DISTRIBUTION Tamasa PRESSE 5 rue de Charonne 75011 Paris Frédérique Giezendanner Tel : 01 43 59 01 01 Tel : 06 10 37 16 00 [email protected] [email protected] Dans une chambre, un homme reprend conscience. Frappé d’amnésie, il entreprend, avec l’aide d’un spécialiste, d’exhumer son passé. Mais ce qu’il découvre n’est pas vraiment agréable. Marié à une ravissante et tendre femme, il comprend avec effroi que ce passé est bien trouble et que marié maintes fois, on le recherche activement... pour polygamie ! LE REGARD DE CHARLOTTE GARSON Le miroir brisé de la masculinité Alors que l’Amérique a tricoté pendant les années 1930 et 40 les comédies « de remariage », resserrant les liens d’une institution discréditée à coup de brillantes scènes de ménage où époux et épouses s’éduquent mutuellement, le cinéma britannique d’après-guerre conclut film après film qu’il y aura toujours quelque chose de pourri au royaume matrimonial. Plaçant un amnésique face à ses mariages successifs, Un mari presque fidèle met en scène un Candide qui découvre différents ménages – l’un bourgeois et moderne, le suivant populaire et sentimental – sans y trouver la moindre promesse de bonheur. Le contraste entre les deux côtés de l’Atlantique est frappant : dans La Huitième Femme de Barbe Bleue d’Ernst Lubitsch (1938), Claudette Colbert donne du fil à retordre à Gary Cooper dont la fortune lui a permis d’enchaîner sept mariages avant de lui demander sa main, mais les Anglaises de cette comédie de Sidney Gilliat sortie en 1955 sont toutes prêtes à rempiler avec l’homme qui leur cachait sa sextuple vie.
    [Show full text]
  • THE EALING STUDIOS RARITIES COLLECTION VOLUME 7 (Cert TBC)
    THE EALING STUDIOS RARITIES COLLECTION VOLUME 7 (Cert TBC) Part of “The British Film” Collection Network Distributing is delighted to announce the release of the seventh volume of THE EALING STUDIOS RARITIES COLLECTION (cert TBC). Featuring 4 films from the vaults of Ealing Studios and Associated Talking Pictures, this double-disc set is available to own on 14 October 2013, RRP £14.99. Presented as new transfers in their original aspect ratios, THE EALING STUDIOS RARITIES COLLECTION VOLUME 7 is an essential addition to anyone interested in classic British films as well as those interested in re-discovering long-forgotten gems from one of the UK’s most iconic production houses. EUREKA STOCKADE (1949) Directed by Harry Watt, written by Walter Greenword, Ralph Smart and Harry Watt. 1853: men from all over the world flock to Victoria, Australia, to dig for gold. The miners bitterly resent the fact that they are treated as intruders and constantly harried by the police; they riot, and four of them band together to protect themselves with a Reform League. But the struggle to gain their rights is to prove a long and bitter one... Starring Chips Rafferty, Jane Barrett, Gordon Jackson, Jack Lambert, Peter Illing, Ralph Truman and Peter Finch. TAKE A CHANCE (1937) Directed by Sinclair Hill, written by G.H Moresby-White and D.B Wyndham-Lewis. Irritated by her husband’s seeming indifference, the wife of a racehorse trainer flirts with a young man whose real object is to learn the secrets of her husband’s stables. Starring Claude Hulbert, Binnie Hale, Henry Kendall, Guy Middleton, Enid Stamp-Taylor.
    [Show full text]
  • O Elo Perdido Da Fotografia
    “CONSCIÊNCIA DAS CORES”: NATALIE KALMUS E O TECHNICOLOR NA GRÃ-BRETANHA Sarah Street Quando o Technicolor foi visto pela primeira vez nos cinemas da Grã-Bretanha, ele foi recebido por uma onda de opiniões contraditórias, desde a queixa perplexa de que “com a tela em um ardente motim de cores é impossível se concentrar totalmente em qualquer indivíduo em particular” até a alegação de que “filmes em preto e branco em breve serão uma coisa do passado.”1 Os modos do discurso contemporâneo a respeito da cor frequentemente abordavam o impacto das cores no público que, temia-se, poderia ser distraído por sua aparência espetacular no contexto do cinema narrativo. Para muitos diretores, diretores de fotografia e diretores de arte, contudo, a escolha da cor demonstrava o seu fascínio como registro simbólico, como uma ferramenta para apoiar a narrativa e como técnica expressiva. Este ensaio discute a chegada do Technicolor na Grã-Bretanha e o impacto que teve sobre as práticas vigentes, bem como sobre os regimes estéticos. Filmes que demonstram notáveis, variados e por vezes extraordinários usos do Technicolor – Idílio cigano (Wings of the Morning, Harold D. Schuster, 1937), O ladrão de Bagdá (The Thief of Bagdad, Ludwig Berger et al., 1940) e Narciso negro (Black Narcissus, Michael Powell e Emeric Pressburger, 1947) – servirão como estudos de caso para demonstrar como concentrar-se na cor convida a uma combinação de perspectivas analíticas e teóricas que revelam os complexos desafios colocados por ela para os estudos de cinema. Apesar de a cor ter recebido certa atenção nos comentários contemporâneos, nas histórias da tecnologia do cinema, na teoria do cinema e na crítica, isso de maneira alguma formou um corpus extenso; este ensaio tem a intenção de contribuir para o renovado interesse na cor ao 1 SIMPSON, Shirley R.
    [Show full text]
  • File Stardom in the Following Decade
    Margaret Rutherford, Alastair Sim, eccentricity and the British character actor WILSON, Chris Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/17393/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/17393/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus 2S>22 Sheffield S1 1WB 101 826 201 6 Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE Margaret Rutherford, Alastair Sim, Eccentricity and the British Character Actor by Chris Wilson A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy September 2005 I should like to dedicate this thesis to my mother who died peacefully on July 1st, 2005. She loved the work of both actors, and I like to think she would have approved. Abstract The thesis is in the form of four sections, with an introduction and conclusion. The text should be used in conjunction with the annotated filmography. The introduction includes my initial impressions of Margaret Rutherford and Alastair Sim's work, and its significance for British cinema as a whole.
    [Show full text]