2018 Schedule of Entertainment and Special Events at Clear Water Harbor, Waupaca

Total Page:16

File Type:pdf, Size:1020Kb

2018 Schedule of Entertainment and Special Events at Clear Water Harbor, Waupaca 2018 Schedule of Entertainment and Special Events At Clear Water Harbor, Waupaca. WI Join us most Fridays and Saturdays with live bands playing from 9:30pm-1:30am and select Tuesdays and Wednesdays for our sunset show on the deck. Enjoy your favorite live entertainment on the raised stage and dance floor! Also, don’t miss the fun on Sunday afternoons with bands playing on our floating stage off the waterfront deck starting at 3:00pm. Come by land or sea and get full menu service from our waterfront docks. “THE HARBOR” charges NO COVER for live entertainment!!! Reservations are required for our concert cruises aboard the Chief Waupaca. Call (715)258-2866 for more information. Check our website for updates at www.clearwaterharbor.com. April Thursday, April 19 Clear Water Harbor opens for the 2018 season @ 10:00am. Saturday April 21 Cool Waters Band Unplugged – There’re BACK!!! That’s right Greg has the band back together. Get ready for a packed house with great award-winning music. 9:30pm Saturday, May 26 The Presidents – The founding fathers started back in 2006 and became an instant hit. A perfect mix of song selection and persona. Their stimulus package actually delivers 9:30 pm Sunday, May 27- MEMORIAL DAY WEEKEND DOUBLEHEADER Sideshow – The members of Sonic Circus put on a show with all the hits. 3pm AND Hyde - Playing a variety of classic to modern rock hits. These talented local musicians are taking the Valley by storm! 9:30pm JUNE Saturday, June 2 One Hot Mess – Playing a variety of classic to modern rock hits. These talented local musicians are taking the Valley by storm! 9:30pm Sunday, June 3 Bazooka Joe – A Harbor favorite!!! Playing all your favorite rock hits 3pm Saturday, June 9 Bad Habitz – This Rock cover band will blow you away with an electrifying song set from the 70’s through today. 9:30pm Sunday, June 10 Desperate Ottos – From Honky Tonk to Classic Country to Rockabilly get ready for some great music. 3-7pm Saturday, June 16 Boombox – Six-piece rock cover band playing the hits of the 70’s, 80’s through today. 9:30pm Sunday, June 17 The Scottie Meyer Trio - Playing a wide variety of hits with awesome guitar play and super vocals! 3 pm. Friday, June 22 The Fabulous Rugburns - The band members of RPM play a variety of rock-pop and country. 9:30 Blues Cruise with Mo Joe & Flipside – book online at www.clearwaterharbor.com or Call to RSVP (715)258-2866 Boarding @ 6:30pm Cruise from 7pm-10pm Saturday, June 23 Sonic Circus – They’re Back! You better be here for one heck of a rock party! When you wake up Sunday morning remember that you asked for ‘em. 9:30pm Sunday, June 24- TBA Tuesday, June 26 Shane Hardwicke – Back for the summer, this Waupaca native is a crowd favorite. 6pm Wednesday, June 27th Scottie Meyer Solo - Scottie spent last winter rockin the Florida Keys. Catch his impressive solo act featuring rock and modern country favorites. 6pm Friday June 29 – Dustin Lee – Singer songwriter from Minneapolis makes an exclusive appearance. 9:30pm New Glarus Brewery Beer Tasting Cruise -$30 per ticket Reserve your ticket online at www.clearwaterharbor.com or call (715)258-2866 Beer, soda and snacks included. Boarding @ 6:30pm Cruise 7-9pm Saturday, June 30 Kyle Menga Duo – 3pm Adam’s Way – This Rock cover band will blow you away with an electrifying 50 song set from the 70’s through today. 9:30pm Sunday, July 1 -TBA Tuesday July 3 Mark Croft – Excellent guitar play and vocals with a wide playlist. 3-7 AND The Presidents – The founding fathers started back in 2006 and became an instant hit. A perfect mix of song selection and persona. Their stimulus package actually delivers! - 9:30pm Wednesday, July 4 The Fabulous Rugburns Unplugged - The band members of RPM play a variety of rock-pop and country. 6pm Friday, July 6 Derek Byrne and Patty Grass – Bluegrass 9:30pm Saturday, July 7 DOUBLE HEADER Mark Croft Band – 3-7 pm AND Pretty Naughty – Packing a punch with all the hits. 9:30pm Sunday, July 8 Hank’s Caboose – 3-7pm Tuesday, July 10 Brad Emanual- With a repertoire of over 200 songs and growing, ranging in style from country to rock, and spanning over 5 decades, Brad can entertain any crowd, anytime! 6 pm Wednesday, July 11 Shane Hardwicke – Back for the summer, this Waupaca native is a crowd favorite. 6pm Friday, July 13 DJ Rick Styles – 9:30pm Central Waters Beer Tasting Cruise-– $30 per ticket Reserve your ticket online at www.clearwaterharbor.com or call (715)258-2866 Beer, soda and snacks included. Boarding @ 6:30pm Cruise 7-9pm Saturday, July 14 Panic Station – One of the hottest bands to hit Central Wisconsin in some time, this band packs a punch! 9:30pm Sunday, July 15 Conscious Pilot – They will have the crowd fired up and asking for more. 3:00pm Tuesday, July 17 Brad Emanual- With a repertoire of over 200 songs and growing, ranging in style from country to rock, and spanning over 5 decades, Brad can entertain any crowd, anytime! 6pm Wednesday, July 18 Scottie Meyer Solo - Scottie spent last winter rockin the Florida Keys. Catch his impressive solo act featuring rock and modern country favorites. 6pm Friday, July 20 Atown Unplugged – 9:30pm Saturday, July 21 Ask Your Mother – If their show is anything like last year, you’ll need to stake out your spot on the dance floor and hold on for the ride. 9:30pm Sunday, July 22 Copper Box – This band needs no introduction. A Harbor hit!!! 3-7 pm Tuesday, July 24 Brad Emanual- With a repertoire of over 200 songs and growing, ranging in style from country to rock, and spanning over 5 decades, Brad can entertain any crowd, anytime! 6 pm Wednesday, July 25 Shane Hardwicke – Back for the summer, this Waupaca native is a crowd favorite. 6pm . Friday, July 27th Mark Croft – Excellent guitar play and vocals with a wide playlist. 9:30pm Lakefront Brewery Beer Tasting Cruise- – $30 per ticket reserve your tickets online at www.clearwaterharbor.com or call (715)258-2866 Beer, soda and snacks included. Boarding @ 6:30pm Cruise 7-9pm Saturday, July 28 Mistrial – Playing all your sing along hits from the 80’s through today. 9:30pm Sunday, July 29 The Scottie Meyer Band - Playing a wide variety of hits with awesome guitar play and super vocals! 3 pm. Tuesday, July 31 Rob Anthony – 6pm Wednesday, August 1 Mark Croft – Excellent guitar play and vocals with a wide playlist. 6 pm Friday, August 3 Brad Emanual- With a repertoire of over 200 songs and growing, ranging in style from country to rock, and spanning over 5 decades, Brad can entertain any crowd, anytime! 9:30 pm Cajun Cruise with Copper Box – Reserve your tickets now at www.clearwaterharbor.com or Call to RSVP (715)258-2866 Boarding @ 6:30pm Cruise from 7pm-10pm Saturday, August 4 The Hookup - – One of the hottest bands to hit Central Wisconsin in some time, this band packs a punch! 9:30pm Sunday, August 5 RPM – 3pm Tuesday, August 7 Brad Emanual- With a repertoire of over 200 songs and growing, ranging in style from country to rock, and spanning over 5 decades, Brad can entertain any crowd, anytime! 6 pm Wednesday, August 8 Scottie Meyer Solo - Scottie spent last winter rockin the Florida Keys. Catch his impressive solo act featuring rock and modern country favorites. 6pm Friday, August 10 Kyle Megna Band – 9:30pm Saturday, August 11 Eminence – Comprised of 5 talented female musicians who perform 8o’s through current rock. 9:30pm Sunday, August 12 Greg Waters and the Broad Boogie - Feel good music at it’s best. A Harbor Staff favorite 3pm Saturday, August 18 Verona Grove – One of the hottest bands in the Valley. 9:30 pm Sunday, August 19 Bad Habbitz – One of the hottest bands in the Valley, pounding out rock and blues from the late 60’s- today. 9:30 pm Saturday, August 25 Hyde - Playing a variety of classic to modern rock hits. These talented local musicians are taking the Valley by storm! 9:30pm Sunday, August 26 The Scottie Meyer Band - Playing a wide variety of hits with awesome guitar play and super vocals! 3 pm. Saturday, September 1 Sonic Circus – They’re Back! You better be here for one heck of a rock party! When you wake up Sunday morning remember that you asked for ‘em. 9:30pm Sunday, September 2 LABOR DAY WEEKEND DOUBLEHEADER! Face For Radio– 3pm-7pm AND Boxkar – They truly are a “Harbor” favorite, their songs have the appeal and realness of Matchbox Twenty, with the swagger of Aerosmith. This group will have you on the dance floor early and often! 9:30pm Sunday, September 30 Closing Party with The Scottie Meyer Band on the deck starting at 3 pm. Enjoy the last day of our 2018 season listening to some amazing artists!.
Recommended publications
  • Adult Contemporary Radio at the End of the Twentieth Century
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Broadcasting Regulatory Policy 2010-819
    Broadcasting Regulatory Policy 2010-819 PDF version Ottawa, 5 November 2010 Revised content categories and subcategories for radio This regulatory policy revises the list of content categories and subcategories for radio by adding a new subcategory 36 (Experimental Music), as announced in Broadcasting Regulatory Policy 2010-499 which sets out the new policy for campus and community radio. This regulatory policy will take effect only when the Radio Regulations, 1986 are amended to make reference to it. 1. In Broadcasting Regulatory Policy 2010-499, which sets out the new policy for campus and community radio, the Commission announced its intention to revise the content categories and subcategories for radio by adding a new subcategory 36 (Experimental Music). The Commission indicated that, in interpreting the new definition of Experimental Music, it would rely on the definitions of musique actuelle, electro acoustic and sound ecology set out in the appendix to Broadcasting Notice of Consultation 2009- 418, as well as the Turntablism and Audio Art Study 2009, which was prepared to assist parties in preparing their comments for the review of campus and community radio. The Commission also provided clarification as to how it would measure the Canadian content of musical selections falling into this new subcategory at paragraphs 77 and 78 of Broadcasting Regulatory Policy 2010-499. 2. In order to implement this determination, the content categories and subcategories contained in the appendix to this regulatory policy, including the new definition of Experimental Music, will replace the content categories set out in the appendix to Public Notice 2000-14. The Commission will propose amendments to the Radio Regulations, 1986 for the purpose of removing all references to the appendix to Public Notice 2000-14 and replacing them with references to the appendix to this regulatory policy.
    [Show full text]
  • Music History Lecture Notes Modern Rock 1960 - Today
    Music History Lecture Notes Modern Rock 1960 - Today This presentation is intended for the use of current students in Mr. Duckworth’s Music History course as a study aid. Any other use is strictly forbidden. Copyright, Ryan Duckworth 2010 Images used for educational purposes under the TEACH Act (Technology, Education and Copyright Harmonization Act of 2002). All copyrights belong to their respective copyright holders, • Rock’s classic act The Beatles • 1957 John Lennon meets Paul McCartney, asks Paul to join his band - The Quarry Men • George Harrison joins at end of year - Johnny and the Moondogs The Beatles • New drummer Pete Best - The Silver Beetles • Ringo Star joins - The Beatles • June 6, 1962 - audition for producer George Martin • April 10, 1970 - McCartney announces the group has disbanded Beatles, Popularity and Drugs • Crowds would drown of the band at concerts • Dylan turned the Beatles on to marijuana • Lennon “discovers” acid when a friend spikes his drink • Drugs actively shaped their music – alcohol & speed - 1964 – marijuana - 1966 – acid - Sgt. Pepper and Magical Mystery tour – heroin in last years Beatles and the Recording Process • First studio band – used cutting-edge technology – recordings difficult or impossible to reproduce live • Use of over-dubbing • Gave credibility to rock albums (v. singles) • Incredible musical evolution – “no group changed so much in so short a time” - Campbell Four Phases of the Beatles • Beatlemania - 1962-1964 • Dylan inspired seriousness - 1965-1966 • Psychedelia - 1966-1967 • Return to roots - 1968-1970 Beatlemania • September 1962 – “Love me Do” • 1964 - “Ticket to Ride” • October 1963 – I Want To Hold your Hand • Best example • “Yesterday” written Jan.
    [Show full text]
  • Keir Nuttall Thesis
    I’m With Muriel: Applying a Persona- Centred Songwriting Technique to the Creation of a New Australian Musical Keir Nuttall BMus Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Creative Practice Faculty of Creative Industries, Education and Social Justice QUT 2021 Table of Contents Table of Figures ......................................................................................................................... 5 Abstract ..................................................................................................................................... 6 Statement of Original Authorship .............................................................................................. 8 Acknowledgements ................................................................................................................... 9 Chapter 1: Introduction............................................................................................................ 11 Situating the Researcher ............................................................................................................................. 16 Chapter 2: Literature and Contextual Review ........................................................................... 24 Part One: Authenticity and the Music Business ........................................................................ 24 The Artist vs Culture and Society ................................................................................................................ 25
    [Show full text]
  • Everett Rock Band/Musician List "T" Last Update: 6/28/2020
    Everett Rock Band/Musician List "T" Last Update: 6/28/2020 "T" List for Bands/Musicians Genre* From & Genre 311 R Los Angeles, CA Rock 322 J Seattle Jazz 322 J Seattle Jazz 10 Cent Monkey Pk R Clinton Punk / Rock / Alternative 10 Killing Hands E P R Bellingham's Electro / Pop / Rock 12 Gauge Pump H Everett Hip Hop 12 Stones R Al Mandeville, LA Rock / Alternative 12th Fret Band CR Snohomish Classic Rock 13 MAG M R Spokane Metal / Hard Rock 13 Scars R Pk Tacoma Rock / Punk 13th & Nowhere R Everett Rock 2 Big 2 Spank CR Carnation Classic Rock / Rock / Rockabilly 2 Guys And A Broad B R C Everett Blues / Rock / Country 2 Libras E R Seattle Electronic Rock 20 Riverside H J Fk Everett Jazz / Hip Hop / Funk 20 Sting Band F Bellingham's Folk / Bluegrass / Roots Music 20/20 A Cappella Ac Ellensburg A Cappella 206 A$$A$$IN H Rp Seattle Hip Hop / Rap 20sicem H Seattle Hip Hop 21 Guns: Seattle's Tribute to Green Day Al R Seattle Alternative Rock 2112 (Rush Tribute) Pr CR R Lakewood Progressive / Classic Rock / Rock 21feet R Seattle Rock 21st & Broadway R Pk Sk Ra Everett/Seattle Rock / Punk / Ska / Reggae 22 Kings Am F R San Diego, CA Americana / Folk-Rock 24 Madison Fk B RB Local Rock, Funk, Blues, Motown, Jazz, Soul, RnB, Folk 25th & State R Everett Rock 29A R Seattle Rock 2KLIX Hc South Seattle Hardcore 3 Doors Down R Escatawpa, Mississippi Rock 3 INCH MAX Al R Pk Seattle's Alternative / Rock / Punk 3 Miles High R P CR Everett Rock / Pop / Classic Rock 3 Play Ricochet BG B C J Seattle bluegrass, ragtime, old-time, blues, country, jazz 3 PM TRIO
    [Show full text]
  • Pop and Rock
    Week 9: Pop and rock 200512 Recap: use of blues scale and 3-chord progression in pop and rock , Beatles’ British invasion expanded content and harmonies for development of pop/rock music The majority of pop and rock musicians have no formal academic music education, so can’t read music/write down the notes à why improv plays such a big part in jazz and blues. Ear, skills and practical knowledge is the highest authority in the realm of popular music. Features of popular music • In pop music, all types of chord changes are allowed (unlike in strict classical music). However, stereotypical chordal progressions are often used o E.g. C, G, Am, F; or variant Am, F, C, G • Structure of AABAB or AABABCB (or variations of verse-chorus-verse-chorus) o E.g. track HELP! Using AABAB structure • Harmony in pop music is often based on triads and 7th chords o Triad à chord consisting of 3 notes o 7th chords à chord consisting of 4 notes; trial + 7th interval o Jazz also uses 9th, 11th, 13th chords • Use of drone (e.g. track Say Something having rhythmic drone all throughout song) • Ostinato is present everywhere à repetition of short phrases provides catchiness Connection between pop/rock and traditional music • Pop/rock groups often create songs themselves, unlike classical genre in an orchestral setting where the composer has created the music o Therefore pop/rock tend to have less specialization à the musician writes, entertains, arranges, etc. o Classical music: composer writes, conductor leads, each part in orchestra plays a different part that has already been dictated • Pop/rock is similar to traditional where there is a collaborative sense in writing music together o There is no barrier between performer and audience in traditional music; participation is encouraged o Similar to pop/rock music, where bands during the concert actively encourage audience to dance or sing along to the performance; not strictly divided compared to classical à only can clap during very specific times § E.g.
    [Show full text]
  • Playnetwork Business Mixes
    PlayNetwork Business Mixes 50s to Early 60s Marketing Strategy: Period themes, burgers and brews and pizza, bars, happy hour Era: Classic Compatible Music Styles: Fun-Time Oldies, Classic Description: All tempos and styles that had hits Rock, 70s Mix during the heyday of the 50s and into the early 60s, including some country as well Representative Artists: Elvis, Fats Domino, Steve 70s Mix Lawrence, Brenda Lee, Dinah Washington, Frankie Era: 70s Valli and the Four Seasons, Chubby Checker, The Impressions Description: An 8-track flashback of great music Appeal: People who can remember and appreciate from the 70s designed to inspire memories for the major musical moments from this era everyone. Featuring hits and historically significant album cuts from the “Far Out!,” Bob Newhart, Sanford Feel: All tempos and Son era Marketing Strategy: Hamburger/soda fountain– Representative Artists: The Eagles, Elton John, themed cafes, period-themed establishments, bars, Stevie Wonder, Jackson Brown, Gerry Rafferty, pizza establishments and clothing stores Chicago, Doobie Brothers, Brothers Johnson, Alan Parsons Project, Jim Croce, Joni Mitchell, Sugarloaf, Compatible Music Styles: Jukebox classics, Donut Steely Dan, Earth Wind & Fire, Paul Simon, Crosby, House Jukebox, Fun-Time Oldies, Innocent 40s, 50s, Stills, and Nash, Creedence Clearwater Revival, 60s Average White Band, Bachman-Turner Overdrive, Electric Light Orchestra, Fleetwood Mac, Guess Who, 60s to Early 70s Billy Joel, Jefferson Starship, Steve Miller Band, Carly Simon, KC & the Sunshine Band, Van Morrison Era: Classic Feel: A warm blanket of familiar music that helped Description: Good-time pop and rock legends from define the analog sound of the 70s—including the the mid-60s through the early-to-mid-70s that marked one-hit wonders and the best known singer- the end of an era.
    [Show full text]
  • The Origins of Rock Music
    Dreamreader.net History – Higher Intermediate Level The origins of rock music Few people might consider how today's modern rock music evolved and where it began. By tracing rock music to its historical roots, we can discover that rock music evolved from an African American art form known as blues music. Early blues music developed in the 19th century. It was very much an expression of sadness which had evolved from the songs sung by African slaves as a way of coping with the harsh working conditions in the cotton fields of the American Deep South. These songs in turn have their roots in traditional African music. The calls and responses that workers used to communicate with each other in the fields also formed a fundamental structure of early gospel music which also had a lyrical call and response structure. Originally the music was purely vocal, but it evolved as time went by. After the abolition of slavery, guitars and other instruments were incorporated into the ensemble. Eventually, other forms of music began to diversify from the blues roots, such as gospel, ragtime, jazz and eventually rock and roll. Many early rock and roll songs such as those by Elvis Presley relied heavily on the traditional “12 bar blues” chord structure. This musical form merged with European influences during the 1960s and 1970s to become modern rock music. Nowadays, rock music is constantly evolving and branching out into new genres. This text is licensed under the Creative Commons Attribution-NonCommercial 4.0 International License. You may copy, share or adapt this material so long as it is not used for commercial purposes.
    [Show full text]
  • Women in Rockabilly Music: Lavern Baker and Janis Martin Stephanie P
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2012 Sweet Nothings: Women in Rockabilly Music: LaVern Baker and Janis Martin Stephanie P. Lewin-Lane University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the African American Studies Commons, Music Commons, and the Women's Studies Commons Recommended Citation Lewin-Lane, Stephanie P., "Sweet Nothings: Women in Rockabilly Music: LaVern Baker and Janis Martin" (2012). Theses and Dissertations. 11. https://dc.uwm.edu/etd/11 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. SWEET NOTHINGS: WOMEN IN ROCKABILLY MUSIC LAVERN BAKER AND JANIS MARTIN by Stephanie Lewin-Lane A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music at The University of Wisconsin—Milwaukee August 2012 ABSTRACT SWEET NOTHINGS: WOMEN IN ROCKABILLY MUSIC LAVERN BAKER AND JANIS MARTIN by Stephanie Lewin-Lane The University of Wisconsin-Milwaukee, 2012 Under the Supervision of Dr. Gillian Rodger Rockabilly music is an exciting and vibrant style of early Rock and Roll that originated in the 1950s. With its aggressive beat and anti-establishment connotations, rockabilly is considered a widely male-dominated genre, a point supported by the majority of scholarship and literature on the subject. However, a review of available contemporary recordings, television shows, advertisements and interviews show that women were an integral part of the history of rockabilly music.
    [Show full text]
  • Leila El Bashir Serious Listeners of Music Often Talk About Their Favorite Songs and Bands in Terms of Their Favorite Genres, Ho
    THE DEATH OF PUNK: REINCARNATION OF A “DEAD” GENRE Leila El Bashir Serious listeners of music often talk about their favorite songs and bands in terms of their favorite genres, however, most listeners do not have a clear conception of what it means for a piece of music to be categorized in a specific genre. Genre is a form of classification that most people correlate strictly with “musical style,” that is, the way a song sounds. People do not realize that genres today are becoming more like artificial categories defined by the music industry and popular culture to commodify and commercialize music. This popular culture can be summed up to what Theodor Adorno and Max Horkheimer, in “The Culture Industry: Enlightenment as Mass Deception,” terms the “culture industry.” They suggest that culture and its “products,” such as music, are being commodified and that “culture as a common denominator already contains in its embryo that schematisation and process of cataloguing and classification which bring culture within the sphere of administration” (7). In this way, genres can be viewed as a branch of the culture industry, being a form of classification that can be managed by culture “administration.” Therefore, one can see how culture and genre interact. Furthermore, David Brackett in his article, “Musical meaning: genres, categories, and crossover,” suggests how genres are more than musical style: “Genres bring with them connotations about music and identity which may encode specific affective qualities such as ‘conformity’, ‘rebelliousness’, ‘commercialism’, ‘selling out’, ‘art for art’s sake’; and may encode a whole variety of social characteristics” (66).
    [Show full text]
  • 2019 Schedule of Entertainment and Special Events at Clear Water Harbor, Waupaca
    2019 Schedule of Entertainment and Special Events At Clear Water Harbor, Waupaca. WI Join us Saturdays with live bands playing from 9:30pm-1:30am and select Tuesdays and Wednesdays for our sunset show on the deck. Enjoy your favorite live entertainment on the raised stage and dance floor! Also, don’t miss the fun on Sunday afternoons with bands playing on our floating stage off the waterfront deck starting at 3:00pm. Come by land or sea and get full menu service from our waterfront docks. “THE HARBOR” charges NO COVER for live entertainment!!! Reservations are required for our concert cruises aboard the Chief Waupaca. Call (715)258-2866 for more information. Check our website for updates at www.clearwaterharbor.com. April Thursday, April 18 Clear Water Harbor opens for the 2019 season @ 10:00am. Saturday, April 20 Hyde- Playing a variety of classic to modern rock hits. These talented musicians are taking the Valley by storm. 9:30pm Saturday, May 25 The Presidents- One of the most requested party bands in Wisconsin! The Presidents have the perfect mix of repertoire, talent, and charisma to rock your socks off!9:30pm Sunday, May 26- MEMORIAL DAY WEEKEND DOUBLEHEADER Face for Radio- This super group is a favorite! High energy band playing 90’s, current rock, pop and punk hits! 3pm AND Hyde - Playing a variety of classic to modern rock hits. These talented musicians are taking the Valley by storm. 9:30pm JUNE Saturday, June 1 The Bomb- They get the party started playing the best of rock and country from 80’s to today.
    [Show full text]
  • The 100 Greatest Alternative Singles of the '90S - Part 2 (80 - 61)
    The 100 Greatest Alternative Singles of the '90s - Part 2 (80 - 61) popmatters.com /feature/the-100-greatest-alternative-singles-of-the-90s-part-2-80-61/ by Chris Gerard 14 July 2016 The second part of our examination of the 100 Greatest Alternative Singles of the '90s includes Pavement, Suzanne Vega, Morrissey, Dinosaur Jr., and more. 1/4 80. Sisters of Mercy - “More” (1990) Jim Steinman, famed writer and producer of wonderfully overblown theatrical rock like Meat Loaf’s Bat Out of Hell, Bonnie Tyler’s “Total Eclipse of the Heart” and Celine Dion’s “It’s All Coming Back to Me Now”, was a natural fit to produce the electronic goth-dance epic “More” by Sisters of Mercy. They are, after all, a band never afraid to go way, way over the top, which is just where Jim Steinman likes it. “More” is the soundtrack to a vampire nightclub, played deep in the night while black-garbed ghouls flit gracefully about the shadowy dance-floor, lightning flickering overhead. The album version stretches for over eight minutes, but the single mix really delivers all that you need. Starting with bracing jolts of synth, “More” builds slowly from a piano base with half-whispered vocals before exploding with the chorus “I want more!” and seemingly incongruously soulful vamping that somehow works despite belonging to another sonic dimension. Andrew Eldritch’s mordant growl is a tense counterpoint to the soaring backing vocals. Electronic strings and treated piano help to build a darkly atmospheric backdrop while Eldritch half-whispers the verses with as much drama as he can muster.
    [Show full text]