Humboldt-Universität zu Berlin PS Musikedition und Notensatz Sommersemester 2001 Alexander Steinhilber M.A.
Ausführliche Bibliographie EDITING (revidierter und korrigierter Datenbestand aus RILM)
(Korrektur- und Ergänzungsvorschläge werden gerne entgengenommen und eingearbeitet)
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1. [20th-century French music] 20ème siècle: Images de la musique française.: [The 20th century: Images of French music.] (Paris: SACEM/ Papiers, 1986) 172 p. Illustration. In French. 2. [Anderson memorial volume] Gordon Athol Anderson (1929-1981) in memoriam: Von seinen Studenten, Freunden und Kollegen. [Gordon Athol Anderson (1929-1981) in memoriam: By his students, friends, and colleagues.]: Musicological studies/ Wissenschaftliche Abhandlungen, Vol. 39/1-2, (Henryville, Penn.: Institute of Medieval Music, 1984) 2 v. xxix, 573 p. Facsimile, music examples. Essays in English (16), German (2), French (1), Czech (1), Russian (1). 3. [Blankenburg/ Harz, 1986] Generalbassspiel im 17. und 18. Jahrhundert: Editionsfragen aus der Sicht vorliegender Ausgaben zum Jubiläumsjahr 1985 . [Continuo performance in the 17th and 18th centuries: Editing questions in light of available editions in the jubilee year 1985.] 4. [Blankenburg/ Harz, 1986] Zur vokalen und instrumentalen Ornamentik in der ersten Hälfte des 18. Jahrhunderts. [Vocal and instrumental ornamentation in the first half of the 18th century.] 5. [Blankenburg/ Harz, 1987] Der Einfluss der italienischen Musik in der ersten Hälfte des 18. Jahrhunderts. [The influence of Italian music in the first half of the 18th century.] 6. [Brook Festschrift] Music in the Classic period: Essays in honor of Barry S. Brook. (New York: Pendragon, 1985) 384 p. Bibliography. 7. [Bydgoszcz, 1988] Musica antiqua. VIII/1: Acta musicologica. (Bydgoszcz: Filharmonia Pomorska im. I. Paderewskiego, 1988) 1129 p. Essays in English (33), German (12), Russian (17), Polish (1), and French (5). 8. [Clercx-Lejeune Gedenkschrift] Hommages a Suzanne Clercx-Lejeune. [ Homage to Suzanne Clercx-Lejeune.] Belgisch tijdschrift voor muziekwetenschap / Revue belge de musicologie, Vol. XLII (1988) 312 p. In French, English. 9. [Cuyler Festschrift] Notations and editions: a book in honor of Louise Cuyler. (Dubuque, Iowa: Brown, 1974) viii, 204 p. Illustration, facsimile, music examples. 10. [Dorfmüller Festschrift] Ars iocundissima: Festschrift für Kurt Dorfmüller zum 60. Geburtstag. [Ars iocundissima: Festschrift for Kurt Dorfmüller on his 60th birthday.] (Tutzing: Schneider, 1984) viii, 406 p . In German, Italian, English. 11. [Dublin, 1985] Ballad research: The stranger in ballad narrative and other topics. 12. [Eisenstadt, 1986] Liszt heute. [Liszt today.] Vol. 78, (Eisenstadt: Burgenländisches Landesmuseum, 1987) 167 p. Music examples, bibliography . In German. 13. [Forchert Festschrift] Festschrift Arno Forchert zum 60. Geburtstag am 29 . Dezember 1985. [Festschrift for Arno Forchert in honor of his 60th birthday on 29 December 1985.] (Kassel: Bärenreiter, 1986) 319 p. In German. 14. [Frankfurt an der Oder, 1984] Carl Philipp Emanuel Bach in unserer Zeit.: [Carl Philipp Emanuel Bach in our time.] (Frankfurt an der Oder: n.p., 1985) 96 p. Illustration, portrait, music examples, thematic catalogue, charts, tables. In German. 15. [Halle, 1983] Georg Friedrich Händel im Verständnis des 19. Jahrhunderts . [Georg Friedrich Händel as understood in the 19th century.] 16. [Hamburg, 1985] Musik in den Medien: Programmgestaltung im Spannungsfeld von Dramaturgie, Industrie und Publikum. [Music in the media: Programming and the claims of
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drama, industry, and audience.] (Baden -Baden: Nomos, 1986) 202 p. Diagrams, tables. In German. 17. [Hamburg] Händel und Hamburg. [Händel and Hamburg.] (Hamburg: Wagner, 1985) 179 p. In German. 18. [Harz/Blankenburg, 1984] Zur Aufführungspraxis und Interpretation der Musik von Johann Sebastian Bach und Georg Friedrich Händel. Georg Friedrich Händel: Ein Beitrag zum 300. Geburtstag. [Performance practice and interpretation of the music of Johann Sebastian Bach and Georg Friedrich Händel. Georg Friedrich Händel: Contribution to his tercentenary.] 19. [Henle Festschrift] Musik. Edition. Interpretation. Gedenkschrift Gunter Henle. [Music. Editions, Interpretation.] (München: Henle, 1980) In German, English (6 articles), French (1 article). 20. [Karlsruhe] Georg Friedrich Händel. (Karlsruhe: Badische Landesbibliothek, 1985) 267 p. In German. 21. [München, 1983] Wagnerliteratur - Wagnerforschung. [Wagner literature - Wagner research.] (Mainz: Schott, 1985) 239 p. In German. 22. [Plamenac Festschrift] Spomenica u pocast Draganu Plamencu (1895-1983).: [Festschrift in honor of Dragan Plamenac (1895-1983).] Arti musices , (Dec 1986) (Zagreb: Muzikoloski Zavod Muzicke Akademije, 1986) 92 p. In Croatian; summaries in English, German. 23. [Potsdam, 1983] Neue Aspekte zur Musikästhetik und Musikgeschichte im 18. Jahrhundert unter besonderer Berücksichtigung der Potsdamer und Berliner Musikkultur. [New aspects of 18th-century music aesthetics and music history with particular consideration of the music culture of Potsdam and Berlin.] Potsdamer Forschungen: Wissenschaftliche Schriftenreihe der Pädagogischen Hochschule Potsdam, Vol. 60, (Potsdam: Pädagogische Hochschule, 1984) 129 p. In German. 24. [Prague, 1984] Sto let odkazu Bedricha Smetany. [One hundred years of the legacy of Bedrich Smetana.] (Praha: Svaz Ceskych Skladatelu a Koncertních Umelcu, 1985) 277 p. In Czech. 25. [Pretoria, 1987] Bydraes tot die Musiekwetenskapkongres 1987/ Contributions to the Annual Musicology Congress, 1987. 26. [Ruhnke Festschrift] Festschrift Martin Ruhnke zum 65. Geburtstag. [Festschrift for Martin Ruhnke on his 65th birthday.] (Neuhausen: Hänssler, 1986) 408 p. In German. 27. [Strauss Gesellschaft Festschrift] Freut euch des Lebens: Festgabe anlässlich des 50jährigen Bestehens der Johann Strauss Gesellschaft. [Freut euch des Lebens: Special volume published on the occasion of the 50th anniversary of the Johann Strauss Gesellschaft.] (Wien: Johann Strauss Gesellschaft, 1986) 60 p. Illustration, portrait, facsimile, music examples. In German. 28. [Warsaw, 1986] Chopin a romantyzm. I. [Chopin and Romanticism. I.]: Rocznik chopinowski, (1987) 11-313. In Polish. 29. [Wroclaw, 1987] Problemy wykonawcze muzyki wspólczesnej. [Performance practice in contemporary music.] Zeszyt naukowy: Akademia Muzyczna im. Karola Lipinskiego we Wroclawiu, Vol. 47, (1988) 75-110 p. 30. [Würzburg, 1981] Der Historismus in Orgelbau, Orgelspiel und Orgelkomposition. [Historicism in organ building, organ playing, and organ composition.] Acta organologica, (Kassel: Gesellschaft der Orgelfreunde, 1984) 425 p. Illustration, music examples. In German.: ISSN: 0567-7874.
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31. 25. Händelfestspiele der Deutschen Demokratischen Republik. [25th Händel Festival of the DDR.] (Leipzig: Kreutzmann, 1976) 54 p. Thematic catalogue. In German. 32. Abrah m, Mariann: "Edited by/Herausgegeben von/Közreadja: Csurka Magda.": Parlando, Issue 2; 1993; pp. 21-23: ISSN: 0133-2767. 33. Ackermann, Peter: Musikgeschichte und historische Aufführungspraxis: Paul Hindemiths Versuch einer Rekonstruktion der ersten Aufführung von Monteverdis Orfeo. [Music history and performance practice: Paul Hindemith's Versuch einer Rekonstruktion der ersten Aufführung of Monteverdi's Orfeo.] Hindemith-Jahrbuch/Annales Hindemith, Vol. 23; 1994; pp. 61-81; Music: ISSN: 0172-956X. 34. Adamczyk, Jan [Editor]: Inzynieria i rezyseria dzwieku: Materialy sympozjum. [Audio engineering and sound mastering control: Proceedings of a conference.] Kraków: Akademia Górniczo-Hutnicza; 1989; 269 p. 35. Adams, Douglas: Danzas del ballet "Estancia" by Alberto Ginastera: IV- -Danza final (Malambo) Journal of the Conductors' Guild, Vol. 15; Issue 2; summer-fall 1994; pp. 125- 126: ISSN: 0734-1032. 36. Adams, Douglas: Outdoor overture by Aaron Copland. Journal of the Conductors' Guild, Vol. 15; Issue 2; summer-fall 1994; pp. 119-124; Charts, diagr.: ISSN: 0734-1032. 37. Adamson, Amanda: Petrucci's Motetti C: A critical edition and study of the anonymous motets. 1991; 310 p.; (MM thesis, Musicology: U. of Auckland, 1991); Bibliog., charts, diagr. 38. Adler, Samuel; Higdon, James: Epistrophe/Samuel Adler; [editing and registration by James Higdon] [Minneapolis], Augsburg Fortress, 1992; 32 p. of music 39. Aigrain, Philippe: New applications of content processing of music.: Journal of new music research, Vol. 28; Issue 4; Dec 1999; pp. 271-280 ; Bibliog., Internet resources: ISSN: 0929-8215. 40. Aikin, Jim [Introduction]; Milano, Dominic: Wendy Carlos: Further adventures in the making of Switched-on Bach 2000. Keyboard, Vol. 18; Issue 9; Sept 1992; pp. 82-107; Port.: ISSN: 0730-0158. 41. Akehurst, F.R.P. [Editor and Foreword]; Davis, Judith M. [Editor]: A handbook of the troubadours. Publications of the Center for Medieval and Renaissance Studies, 26, Los Angeles: U. of California; 1995; vii, 502 p.; Bibliog., them. cat., charts, diagr., sound recording: ISBN: 0-520 -07975-2. 42. Albrecht, Christoph: Eine Neuausgabe der freien Orgelwerke Buxtehudes.: [A new edition of the free organ works of Buxtehude.] Musik und Kirche , Vol. 64; Issue 2; 1994; pp. 66- 76; Music: ISSN: 0027-4771. 43. Albrecht, Christoph: Zur Akzidentienfrage im 16. Jahrhundert. [ Concerning the question of accidentals in the 16th century.] Musik und Kirche, Vol. L/3 (1980) 125-30. In German.: ISSN: 0027-4771. 44. Albrecht, Georg Alexander: Das sinfonische Werk Hans Pfitzners: Textkritische Anmerkungen und Hinweise zur Aufführungspraxis. [Hans Pfitzner's symphonic works: Editorial observations and suggestions for performance.] Veröffentlichungen der Hans- Pfitzner-Gesellschaft, Vol. 4 (Tutzing: Schneider, 1987) 80 p. Music examples. In German. 45. Albrecht, Michael von [Editor]; Schubert, Werner [Editor]: Musik und Dichtung: Neue Forschungsbeiträge, Viktor Pöschl zum 80. Geburtstag gewidmet. [Music and poetry: New research findings, for Viktor Pöschl on his 80th birthday.] Quellen und Studien zur
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Musikgeschichte von der Antike bis in die Gegenwart, 23, Frankfurt am Main, Germany: Lang; 1990; 528 p.; Illus., music 46. Albrecht, Michael von: "Ein Stummer zieht durch die Lande": Musik und Dichtung in Georg von Albrechts Oper Das Vaterunser. ["A mute man travels through the land": Music and poetry in Georg von Albrecht's opera Das Vaterunser.] Frankfurt am Main, Germany: Lang; 1990; pp. 515-521; Music 47. Albrecht, Michael von; Schubert, Werner [Editors]: Musik in Antike und Neuzeit. [Music in antiquity and in modern times.] Quellen und Studien zur Musikgeschichte von der Antike bis in die Gegenwart, 1, Vol. 1, (Frankfurt am Main: Lang, 1987) 348 p. Illustration, music examples. Essays in German (17) and French (1). 48. Albright, Lawrence Eugene: A comparison of nine selected modern editions of the Schubert Mass in G. 1995; 140 p.; (MA thesis, : San Jose State U.). PA 1374559. 49. Alday, François: Alday, violoniste compositeur du XVIIIe siècle: Un Rondeau russe sorti de l'oubli. [Alday, composer and violinist of the 18th century: A Rondeau russe rescued from oblivion.] Acad‚mie musicologique du Forez, Issue 17; June 1991; pp. 33-51 50. Allihn, Ingeborg: Die neue Bach-Ausgabe: Grundlage für Interpretation und Aufführungspraxis. [The Neue Bach-Ausgabe: fundamental principles for interpretation and performance.] Musik und Gesellschaft, Vol. XXX/7 (1980) 392-96. Illustration. In German.: ISSN: 0027-4755. 51. Allorto, Riccardo: Bergamo e la rinascita donizettiana. [Bergamo and the Donizetti Renaissance.] Bergamo, Italy: Comune di Bergamo; 1993; pp . 27-33 52. Allorto, Riccardo: Il consumo musicale in Italia. [The consumption of music in Italy.] Nuova rivista musicale italiana, Italy/4 (November -December 1967) 758-75.: ISSN: 0029- 6228. 53. Allred, Brady: Legacy and challenge: Mozart's C-minor Mass. American choral review, Vol. 33; Issue 1; winter-spring 1991; pp. 5-13: ISSN: 0002-7898. 54. Allroggen, Gerhard [Editor]; Veit, Joachim [Editor]: Carl-Maria-von -Weber- Gesamtausgabe. Weber-Studien. I (1993) Weber-Studien, Mainz, Germany: Schott; 283 p.; Vol. 1; 1993; Illus., music: ISBN: 3-7957 -0280-1. 55. Almjeld, Paul Floyd: The madrigals of Horatio F a. (DMA doc., Performance practice: U. of Illinois, Urbana-Champaign, 1988) DA 8823071.: 56. Almquist, Bradley Leonard: Adrian Willaert's Musica nova selected motets : Editions and commentary. 2v.; 1993; 510 p.; (DMA doc., : Louisiana State U.). PA 94-05382. 57. Alphonce, Bo [Editor]; Pennycook, Bruce [Editor]: International Computer Music Conference; McGill U.. Proceedings: International Computer Music Conference, Montreal, 1991. Montr‚al: McGill U.; 1991; xvii, 594 p.; Index 58. Alsheimer, Rainer: Lied- und Musikforschung: Bibliographische Systematisierung im Spiegel einer veränderten volkskundlichen Kulturanalyse. [Research in song and music: Bibliographic systematization in light of a changed folkloric analysis of culture.]: Jahrbuch für Volkskunde und Kulturgeschichte, Vol. 16; 1993; pp. 127 -136: ISSN: 0138-4503. 59. Altenburg, Detlef [Editor]; Winkler, Gerhard J. [Editor]: Die Projekte der Liszt-Forschung: Bericht über das internationale Symposion Eisenstadt , 19.-21. Oktober 1989. [The projects of Liszt research: Report on the international symposium in Eisenstadt, 19-21 October 1989.]: Wissenschaftliche Arbeiten aus dem Burgenland, 87, Eisenstadt, Austria: Burgenländisches Landesmuseum; 1991; 123 p.; Bibliog.
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60. Altenburg, Detlef: Auf dem Weg zu einem neuen Liszt-Bild. [En route to a new image of Liszt.] Eisenstadt, Austria: Burgenländisches Landesmuseum; 1991; pp. 9-17; Bibliog. 61. Altenburg, Detlef: Die Schriften von Franz Liszt: Bemerkungen zu einem zentralen Problem der Liszt-Forschung. [Franz Liszt's writings: Observations on a central problem in Liszt research.] (Kassel: Bärenreiter, 1986) 242-51. In German. See RILM 1987-00810-be. 62. Altenburg, Detlef: Schwerpunkte und Tendenzen der Liszt-Forschung in Deutschland nach 1945. [Emphases and trends in German Liszt research since 1945.] (Eisenstadt: Burgenländisches Landesmuseum, 1987) 87-101. Bibliog. In German. See RILM 1988- 01002-bs. 63. Altman, Rick: Television/sound. Bloomington, IN: Indiana U.; 1986; pp. 39-54 64. Alviani, Henry Anthony: Transcription and analysis of Latin choral church music from Tenbury MSS 354-8 by Robert Johnson and Robert Parsons.: 1993; 153 p.; (DMA doc., : Arizona State U.). PA 93-20571. 65. Amato, Luiz Britto P.: Recitativo, variaçoes e fuga: An interpretative analysis of a contemporary Brazilian piece. 1996; 63 p.; (DMA doc., : U. of California, Santa Barbara). PA 9626177. 66. Ameln, Konrad: Anmerkungen zu Martin Luthers Kirchenliedern: Kritik an einer Edition. [Observations on Martin Luther's hymns: Criticism of an edition.] Jahrbuch für Volksliedforschung, Vol. XXX (1985) 13-17. In German.: ISSN: 0075-2789. 67. Ameln, Konrad: Das Lied vom Papstaustreiben. [The driving-out-the-Pope song.] Jahrbuch für Volksliedforschung, Vol. XXXIII (1988) 11-18. Music examples. In German; summary in English.: ISSN: 0075-2789. 68. Ameln, Konrad: Neudrucke alter Quellen zum Kirchenlied und zur Musik. Ein Literaturbericht. [New editions of old sources on the hymn tune and on music: a report on the literature.] Jahrbuch für Liturgik und Hymnologie, Vol. XXVI (1982) 198-202. In German.: ISSN: 0075-2681. 69. Ameln, Konrad: Neue Faksimile-Ausgaben zur Hymnologie und Kirchenmusik: Ein Literaturbericht. [New facsimile editions in hymnology and church music: A report on the literature.] Jahrbuch für Liturgik und Hymnologie , Vol. XXX (1987) 128-31. In German.: ISSN: 0075-2681. 70. Andersen, Flemming G.: "Laing sagde mig mundtlig". Om Grundtvigs studierejse til England og Skotland, 1843. ["Laing told me himself": Grundtvig's research in England and Scotland in 1843.] 1997; pp. 13-17: 71. Andersen, Mogens [Editor]; Foltmann, Niels Bo [Editor]; Rollum-Larsen, Claus [Editor]: Festskrift Jan Maegaard 14.4.1996. [Jan Maegaard Festschrift, 14 April 1996.] Kobenhavn: Engstrom & Sodring; 1996; 348 p .; Illus., port., facs., music, bibliog., list of works, discog., index, charts, diagr.: ISBN: 87-87091-94-1. 72. Andersen, Rune J.: Noen edisjonstekniske problemer i forbindelse med utgivelse av Edvard Griegs klaverkvintett-fragment. [Some technical problems of editing in connection with the publication of Edvard Grieg's fragmentary piano quintet.] Oslo, Norway: U. i Oslo; 1993; pp. 384-388: 73. Anderson, Tim M.: E-SCaPE: An extendable sonic composition and performance environment. San Francisco, CA: Computer Music Association; 1990; pp. 212-215 74. Angerer, Paul: Edition, Edition...: Fragen und Antworten, Fragen ohne Antworten, Erkenntnisse und Bekenntnisse, Aufregungen und Anregungen. [ Edition, edition...:
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Questions and answers, questions without answers, realizations and acknowledgments, excitement and incitement.]: ™sterreichische Musikzeitschrift, Vol. XLIII/1 (January 1988) 16-20. Music examples. In German.: ISSN: 0029-9316. 75. Angermüller, Rudolph [Editor]; Berke, Dietrich [Editor]; Hofmann, Ulrike [Editor]; Rehm, Wolfgang [Editor]: Bericht über den Internationalen Mozart-Kongreß Salzburg 1991. [Report on the International Mozart Congress, Salzburg 1991.] Mozart-Jahrbuch, 1991; 1113 p.; Illus., music: ISSN: 0077-1805. 76. Angermüller, Rudolph: Anmerkungen zu Cosi fan tutte. [Observations on Cosí fan tutte.] im sterreichische Musikzeitschrift, Vol. XXXVII/7-8 (July-August 1982) 379-86. Illustration. In German.: ISSN: 0029-9316. 77. Angermüller, Rudolph: Feuerstein, Jahndl und das Ehepaar Nissen. [Feuerstein, Jahndl, and the Nissens.] Wiener Figaro, XXXIX (May 1971) 9 -15. 78. Anonymus. [De musica mensurabili and De semibrevibus caudatis.] Corpus scriptorum de musica, (Roma: Amer. Inst. of Musicol., 1971) 13 79 p. $12 . Music examples 79. Anthony, James: Towards a principal source for Lully's court ballets: Foucault vs. Philidor. Recherches sur la musique française classique,: Vol. XXV (1987) 77-104. Illustration, facsimile, music examples.: ISSN: 0080-0139. 80. Antonicek, Susanne [ed]; Biba, Otto [ed]: [Vienna 1983] Brahms-Kongress Wien 1983. [Vienna Brahms congress, 1983.] (Tutzing: Schneider, 1988) 519 p. In German. 81. Antonicek, Theophil: Leopold Nowak 1904-1991. Mitteilungen der ™sterreichischen Gesellschaft für Musikwissenschaft, Issue 23; July 1991 ; pp. 5-7 82. Apel, Willi: Punto intenso contra remisso. (See RILM 1981-02245-be) 175 -82. Music examples. 83. Aperghis-Tramoni, Christian: Une structure d'acquisition automatique d'information musicale. [A structure for the automated acquisition of musical information.] Informatique musicale, (See RILM 1978-02401-bs) 63-81. In French. 84. Appel, Bernhard R.: Die Robert-Schumann-Forschungsstelle e.V. in Düsseldorf. [The Robert-Schumann-Forschungsstelle e.V., in Düsseldorf. ] Forum Musikbibliothek: Beiträge und Informationen aus der musikbibliothekarischen Praxis, Issue 1; 1995; pp. 7-16: ISSN: 0173 -5187. 85. Appel, Bernhard R.: Zur Editionsgeschichte von Robert Schumanns Klaviersonate Opus 11. [A history of the editions of Robert Schumann's op. 11 piano sonata.] Studia musicologica Academiae Scientiarum Hungaricae, Vol. 34; Issue 3-4; 1992; pp. 367-388; Facs., music: ISSN: 0039-3266. 86. Archer,: Optical sound recording. Australian sound recording, Vol. I/6 (1979) 33-37. Illustration. 87. Arlt, Wulf: Zu einigen Fragen der Funktion, Interpretation und Edition der Introitustropen. [Several questions as to the function, performance, and editing of introit tropes.] (München: Arbeo, 1985) 131-50. In German. See RILM 1986-00733-bs. 88. Arnold, Stephen [Editor]; Hair, Graham [Editor]: International Computer Music Association. Proceedings of the International Computer Music Conference, Glasgow, 1990. San Francisco, Ca: Computer Music Association ; 1990; 425 p.; Index 89. Artis, Pere: L'obra del Cançoner popular de Catalunya. [Creating the Cançoner popular de Catalunya.] Revista musical catalana, Vol. 15 (1986) 28-34. Illustration, portrait, music examples. m In Catalan.
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90. Askenfelt, Anders; Elenius, Kjell: Editor and search programs for music . Speech Transmission Laboratory: Quarterly progress and status report , Vol. 4 (1977) 9-12; and four unnumbered pages. (mimeo). Music examples. 91. Aubert, Laurent: Une importante réédition de disques: La collection C. Brailoiu de musique populaire suisse. [An important reissue of records: The Constantin Brailoiu collection of Swiss folk music.] Mus‚es de Genève, Issue 266; June 1986; pp. 2-7; Port. 92. Audus, Mark: Chybející pojítko: Rekonstrukce Její pastorkyne z r.1904.: [Missed connection: Reconstruction of Její pastorkyna (Jenufa) from 1904.] Opus musicum, Vol. 28; Issue 5; 1996; pp. 186-196; Music, index, charts, diagr.: ISSN: 0862-8505. 93. Avanzi, Pietro: Sulla realizzazione del basso continuo nell'Opera 2 di Antonio Vivaldi. [On the realization of the basso continuo in Antonio Vivaldi's opus 2.] Ricerche musicali, Vol. II/2 (November 1978) 113-57. Music examples. In Italian. 94. Béla Bartók. Musik-Konzepte, Vol. 22, (München: text + kritik, 1981) 153 p.: ISSN: 0931- 3311. 95. Bärenreiter; Supraphon. Editorial guidelines for the complete edition of Jan cek's works. Stuyvesant, NY: Pendragon; 1995; pp. 221-241 96. Bónis, Ferenc [Editor]: Kodály Zoltán és Szabolcsi Bence emlékezete. [In memory of Zolt n Kodály and Bence Szabolcsi.] Magyar zenetört‚neti tanulm nyok, 5, Kecskemét: Kodály Intézet; 1992; 346 p.; Illus., facs., music, bibliog., charts, diagr.: ISBN: 963-7295-07-0. 97. Bach, Carl Philipp Emanuel; Munclinger, Milan: Trio sonatas, violins, continuo, H. 579, Eb major; arr.; Sonata in G minor, "Conversation sonata" for flute and piano/ Bach, C.P.E.; [realization of the figured bass and editing by Milan] Munclinger.; Conversation sonata. New York, International Music Co, 1976; 1 score (20 p.) + 1 part (5 p.) 98. Bach, Johann Sebastian: Bearbeitungen fremder Werke. [Arrangements of others' works.] Neue Ausgabe samtlicher Werke, (Kassel: Bärenreiter, 1980) 130 p. Music examples. In German. 99. Bach, Johann Sebastian; Wulfhorst, Martin [Editor & Comm.]; Perlman, Itzhak [Introduction]: Violinsoli aus den geistlichen Vokalwerk: Urtext nach der Neue Bach- Ausgabe/Violin solos from the sacred vocal works: Urtext based on the New Bach edition. Kassel, Germany: Bärenreiter; 1996 ; Music: ISBN: M-006-49818-5. 100. Badura-Skoda, Eva [ed]: [Vienna, 1982] Joseph Haydn. [Joseph Haydn.] p . 641 (München: Henle, 1986). 101. Badura-Skoda, Paul: Das Problem 'Urtext': Ein fiktives Interview zwischen dem Musikkritiker Joachim Császár und Paul Badura-Skoda. [The 'Urtext' question: A fictive interview between the music critic Joachim Császár and Paul Badura-Skoda.] Musica, Vol. XL/3 (May-June 1986) 222 -28. In German.: ISSN: 0027-4518. 102. Badura-Skoda, Paul, Paul: Fehler - Fehler! Einige Anmerkungen zu weitverbreiteten Fehlern in klassischen Notenausgaben. [Mistake - mistake! Remarks on widely disseminated mistakes in classical music literature.] ™sterreichische Musikzeitschrift, Vol. XLII/2-3 (February -March 1987) 92-98. Music examples, bibliography. In German.: ISSN: 0029-9316. 103. Badura-Skoda, Paul, Paul: Noch einmal zur Frage Ais oder A in der Hammerklavier-Sonate opus 106 von Beethoven. [Once again on the question of a-sharp or a in the 'Hammerklavier' sonata, op. 106, by Beethoven.]: (See RILM 1980-00182-be) 53-81. In German.
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104. Badura-Skoda, Paul: Problematische Textstellen in Mozarts Klavierwerken und ihre fragwürdige übertragung in die Neue Mozart Ausgabe. [ Problematic textual passages in Mozart's piano works and their questionable acceptance into the Neue Mozart-Ausgabe.] Leipzig: Peters; 1993; pp. 122-44; Music, facs. 105. Badura-Skoda, Paul, Paul: Textual problems in Schubert. Discrepancies between text and intention. Piano quarterly, Vol. XXVII/104 (winter 1978-79) 49 -55. Music examples.: ISSN: 0031-9554. 106. Baecker, Ronald; Buxton, William; Patel, Sanad; Reeves, William: Scope in interactive score editors. Cambridge, MA: MIT; 1989; pp. 255 -262; Bibliog., charts, diagr. 107. Baeten, Herman: Kritische studie oude handschriften. [A critical study of early manuscripts.] Adem, Vol. 33; Issue 1; Jan-Mar 1997; pp. 30 -34; Facs.: ISSN: 0001-8171. 108. Bailey, Terence: De modis musicis: a new edition and explanation.: Kirchenmusikalisches Jahrbuch, Vol. LXI-LXII (1977) 47-60.: ISSN: 0075 -6199. 109. Baker, Michael J.: Design of an intelligent tutoring system for musical structure and interpretation. Cambridge, Ma: Mit; 1992; pp. 466-489; Music, charts, diagr. 110. Baldassari, Maria Luisa: Il Quarto libro delli concerti di Giovanni Ghizzolo. [Giovanni Ghizzolo's Quatro libro delli concerti.] (Diss., Paleografia e Filologia Musicale: U. Pavia, 1984) 234 p. Facsimile, music examples, bibliography, index. In Italian. 111. Ballman, Christine: La musique profane de Roland de Lassus mise en tablature pour le luth. [Roland de Lassus's secular music set in tablature for the lute.] Yearbook of the Alamire Foundation, Vol. 1; 1995; pp. 181-199; Music, list of works 112. Balough, Teresa: The English Gothic music of Dom Anselm Hughes and Percy Grainger. Studies in music, Vol. XIII (1979) 63-65.: ISSN: 0081-8267 . 113. Banks, Paul: Mahler and the ethics of completing unfinished works of art . 's-Gravenhage: Nijgh & Van Ditmar; 1991; pp. 9-16 114. Barber, Elinore [Editor]: Bach: The journal of the Riemenschneider Bach Institute. XXV/2 (fall-winter 1994): 25th anniversary issue. Bach: The journal of the Riemenschneider Bach Institute, Berea, OH: Riemenschneider Bach Institute; 136 p.; Vol. 25; Issue 2; fall-winter 1994; Facs.: ISSN: 0005-3600. 115. Barbera, Andr‚: New and revived approaches to text criticism in early music theory. The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, Vol. 9; Issue 1 ; winter 1991; pp. 57-73: ISSN: 0277-9269. 116. Baroffio, Bonifacio Giacomo: The musical repertories of the liturgy of southern Italy and Beneventan sources. Sydney, Australia: Currency; 1994 ; pp. 1-32 117. Barth, George Robert: The changing face of Mozart editions. Humanities , Vol. 12; Issue 2; Mar-Apr 1991; pp. 29-32; Illus., music: ISSN: 0018-7526. 118. Bartlett, Clifford: Editing Monteverdi's Vespers. Leading notes: Journal of the National Early Music Association, Vol. 1; Issue 2; July 1991; pp. 6-8: ISSN: 0960-6297. 119. Bartlett, Clifford: Facsimiles and editing. Cambridge: Cambridge U.; 1995; pp. 196-209; Illus. 120. Barlett, Clifford: Handel's solo sonatas: a guide to editions. Brio , Vol. XX/2 (fall 1983) 53- 57. Tables. 121. Barlett, Clifford: New editions. Brio, Vol. XIV/2 (1977) 45-49.
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122. Bartlett, Clifford: Scipio engulfed: Notes from an editor's diary.: Leading notes: Journal of the National Early Music Association, Vol. 2; Issue 2; July 1992; pp. 6-7: ISSN: 0960-6297. 123. Barlett, Clifford: The death of the editorial double dot?. Early music news, Vol. 26 (December 1979) 15. 124. Bartlett, Clifford: Transposing choral music. Leading notes: Journal of the National Early Music Association, Vol. 2; Issue 1; Jan 1992; pp. 14-16: ISSN: 0960-6297. 125. Bartlett, Clifford; Zych, Cezary [Translator]: Pracujac nad Nieszporami Monteverdiego. [Working on Monteverdi's Vespers.] Canor: Kwartalnik poswiecony problemom interpretacji muzyki dawnej, Vol. 5; Issue 2:13; 1995; pp. 3-6: ISSN: 1230-1515. 126. Bartlett, Clifford; Zych, Cezary [Translator]: Transponowanie muzyki chóralnej. [Transposing choral music.] Canor: Kwartalnik poswiecony problemom interpretacji muzyki dawnej, Vol. 5; Issue 2:13; 1995; pp. 62-65: ISSN: 1230-1515. 127. Bartos, Michael: About recording. Journal of the Conductors' Guild,: Vol. 12; Issue 3-4; summer-fall 1991; pp. 101-108: ISSN: 0734-1032. 128. Basart, Ann: Editorial practice and publishing opportunities in serious English-language music journals: A survey. Cum notis variorum, Vol. 79 (January-February 1984) 9-51. Bibliography, charts, tables. m: ISSN: 0161-1186. 129. Baselt, Bernd [Collaborator]; Fleischhauer, Günter [Collaborator]; Hobohm, Wolf [Editor]; Lange, Carsten [Editor]: Zentrum für Telemann -Pflege und -Forschung. Georg Philipp Telemann: Werküberlieferung, Editions- und Interpretationsfragen. III. [Georg Philipp Telemann: Sources, editing, and interpretation. III.] Köln: Tank; 1991; 94 p.; Illus., facs., music 130. Baselt, Bernd [Collaborator]; Fleischhauer, Günter [Collaborator]; Hobohm, Wolf [Editor]; Lange, Carsten [Editor]: Zentrum für Telemann -Pflege und -Forschung. Georg Philipp Telemann: Werküberlieferung, Editions- und Interpretationsfragen. II. [Georg Philipp Telemann: Sources, editing, and interpretation. II.] Köln: Tank; 1991; 113 p.; Illus., facs., music 131. Baselt, Bernd [Collaborator]; Fleischhauer, Günter [Collaborator]; Hobohm, Wolf [Editor]; Lange, Carsten [Editor]: Zentrum für Telemann -Pflege und -Forschung. Georg Philipp Telemann: Werküberlieferung, Editions- und Interpretationsfragen. I. [Georg Philip Telemann: Sources, editing, and interpretation. I.] Köln: Tank; 1991; 107 p.; Illus., facs., music: ISBN: 3-86114-001-2. 132. Baselt, Bernd [Editor]: Händel-Bearbeitungen des 18. und 19. Jahrhunderts: Bearbeitungsprinzipien, aufführungspraktische Einrichtung, quellenmäßige überlieferung. [Arrangements of Händel's music from the 18th and 19th centuries: Principles of arranging, performance considerations, sources.] Händel-Jahrbuch, Vol. 39; 1993; 280 p.; Facs., music, bibliog.: ISSN: 0440-0615. 133. Baselt, Bernd: Georg Friedrich Händels Pasticcio Jupiter in Argos und seine quellenmässige Uberlieferung. [Georg Friedrich Händel's pasticcio Giove in Argo and its transmission through sources.] (Neuhausen: Hänssler, 1986) 19-30. In German. See RILM 1986-00623- be. 134. Baselt, Bernd: Georg Friedrich Händels Werke und ihre Dokumentation. [ Händel's works and their documentation.] Laaber, Germany: Laaber-Verlag; 1992; pp. 11-16 135. Baselt, Bernd: Händel-Editionen zur Zeit der Wiener Klassik. [Händel editions during the era of Viennese Classicism.] (See RILM 1985-00237 -bc) 109-25. Bibliography. In German.
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136. Baselt, Bernd: Zu 'Handel's Roman Vespers': Probleme der Edition von Werken G.F. Händels am Beispiel seiner lateinischen Kirchenmusik. [ 'Handel's Roman Vespers': Problems in editing the works of G.F. Händel, on the example of the Latin church music.] (Blankenburg/ Harz: Kultur- und Forschungsstätte Michaelstein, 1987) 48-56. In German. See RILM 1987 -00860-bs. 137. Baselt, Bernd: Zur Editionspraxis der Werke Georg Friedrich Händels. [ Editing the work of Georg Friedrich Händel.] (See RILM 1985-00745-bs) 39 -40. In German. 138. Baselt, Berndt: Händel-Edition im Verständnis des 19. Jahrhunderts: Beiträge zur Geschichte der Ausgabe der deutschen Händel-Gesellschaft, hrsg. von Friedrich Chrysander. [Händel editing as perceived in the 19th century: Contributions to the history of the edition of the German Händel -Gesellschaft edited by Friedrich Chrysander.] Wissenschaftliche Beiträge der Martin-Luther-Univeristät Halle, Vol. XXXVIII/G11 (See RILM 1984-00711-bs) (1984) 46-61. In German. 139. Bauer, Hans-Joachim: Stand, Probleme und Perspektiven der Richard-Wagner - Briefausgabe. [The edition of Richard Wagner's letters: Status, problems, perspectives.] (See RILM 1985-00774-bs) 139-42. In German. 140. Bauman, Thomas: Requiem, but no piece. 19th-century music, Vol. 15; Issue 2; fall 1991; pp. 151-161: ISSN: 0148-2076. 141. Baumann, Max Peter [Editor]: International Institute for Comparative Music Studies and Documentation; Staatliches Institut für Musikforschung , Preußischer Kulturbesitz. Music in the dialogue of cultures: Traditional music and cultural policy. Intercultural music studies, 2 , Wilhelmshaven, Germany: Noetzel; 1991; 439 p.: ISBN: 3-795-90591-5. 142. Baumgarten, Ludwig: Originalausgaben und ent-sprechendes Aufführungsmaterial. [Original editions and related performance material .] (Blankenburg/ Harz: Kultur- und Forschungsstätte Michaelstein, 1987) 70. In German. See RILM 1987-00860-bs. 143. Bazzana, Kevin [Editor]: Friends of Glenn Gould Society. GlennGould. 1 (fall 1995) GlennGould, Toronto: Glenn Gould Foundation; Issue 1; fall 1995; Illus., port., facs., music, bibliog., discog., charts, diagr., transcr., notes: ISSN: 1201-821X. 144. Beaudry, Claude: Guide de rédaction de travaux de recherche en musique.: [Editing guide to research works in music.] Québec: U. Laval; 1993; 47 p.; Bibliog., index: ISBN: 2-92031- 022-4. 145. Beaudry, Claude: Guide de r‚daction de travaux de recherche en musique.: [A guide for editing musical research.] (Qu‚bec: Bibliothèque de l'Universit‚ Laval, 1986) lv, 34 p. Illustration, music examples, bibliography, index. In French. 146. Beckerman, Michael [Editor]; Bauer, Glen [Editor]: Washington U.: Janácek and Czech music: Proceedings of the international conference.: Studies in Czech music, 1, Stuyvesant, NY: Pendragon; 1995; xi, 402 p.; Bibliog., index: ISBN: 0-945193-36-X. 147. Beckman Michael: Jan cek's notation revisited: An interview with Jarmil Burghauser. Notes. Music Library Association, Vol. XLI/2 (December 1984) 249-58. 148. Beckmann, Klaus: A. Vivaldi oder J. Meck? Zum Echtheitsproblem des Concerto P 217. [A. Vivaldi or J. Meck? The problem of authenticity of the concerto P. 217.] (See RILM 1976- 00179) 253-56. In German. 149. Beckmann, Klaus: Der authentische Text der Orgelwerke Buxtehudes: Ein Streitobjekt?. [The authentic text of Buxtehude's organ works: Point of contention?.] Musik und Gottesdienst, Vol. XL/1 (1986) 1-10. Music examples. In German.: ISSN: 0027-4763.
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150. Beckmann, Klaus: Zur Uberlieferung und Edition der Orgelwerke Buxtehudes. [Transmission and editing of Buxtehude's organ works.] (Helsingor: Sct. Mariae Sogus Menighedsråd, 1987) 44. In German; summary in Danish.: 151. Beckmann, Klaus; Billeter, Bernhard; Riedel, Friedrich Wilhelm: Diskussion zum Problem der Sextole in Dietrich Buxtehudes g-Moll -Präludium BuxWV 149. [Discussion of the problem of the sextuplet in Dietrich Buxtehude's G-minor prelude BuxWV 149.] Ars organi: Zeitschrift für das Orgelwesen, Vol. 45; Issue 4; Dec 1997; pp. 215-218; Music: ISSN: 0004-2919. 152. Beckwith, John: Le Lucas et Cécile de Joseph Quesnel: Quelques problèmes de restauration. [Joseph Quesnel's Lucas et Cécile: Some problems of restoration.] Cahiers de l'ARMuQ, Issue 13; May 1991; pp. 10-28; Music: ISSN: 0821-817X. 153. Beechey, Gwilym: Domenico Scarlatti and Ernst Pauer. Musical opinion , Vol. CIX/1302, 1304, 1305 (May, July, August 1986) 160-62, 251-53, 283 -85. Illustration, music examples, bibliography, list of works.: ISSN: 0027-4623. 154. Beechey, Gwilym: John Christian Bach (1735-1782). A bicentenary tribute.: Musical opinion, Vol. CVI/1263 (January 1983) 106-09, 126.: ISSN: 0027-4623. 155. Bellotto, Francesco [Editor]; Galizzi, Gian Pietro [Preface]; Di Mauro, Letterio [Preface]: L'opera teatrale di Gaetano Donizetti: Atti del convegno internazionale di studio/Proceedings of the international conference on the operas of Gaetano Donizetti. Bergamo, Italy: Comune di Bergamo; 1993; 449 p.; Illus., music, bibliog., index, charts, diagr.: ISBN: 88-7592-395-7. 156. Belotti, Michael: Das Problem der Überbindung am Beispiel der Orgelwerke Buxtehudes. [The problem of tied notes as exemplified in the organ works of Buxtehude.] Acta organologica, Vol. XVII (1984) (See RILM 1984-00781 -bs) 380-85. Music. In German; summaries in English, French.: ISSN: 0567-7874. 157. Benda, Franz; Munclinger, Milan: Sonatas, flute, continuo, F major.; Sonata in F major for flute and piano/ Benda, F.; [realization of the figured bass and editing by Milan Munclinger] New York, International Music Co, 1975; 1 score (7 p.) + 1 part (3 p.) 158. Bendix, Nina [Editor]; Friis, Mogens [Editor]: MUSA--Årbog. [MUSA- -Yearbook.] Århus: MUSA-Print; 1992; 256 p.: ISBN: 87-984344-0-3. 159. Benestad, Finn: Edvard Grieg og Peer Gynt-musikken: Noen problemområder ved utgivelsen av Peer Gynt-partituret, op. 23, i Edvard Griegs samlede verker, bind 18. [Edvard Grieg and the music for Peer Gynt: Some problems with publishing the score of Peer Gynt, op. 23, in Edvard Griegs samlede verker, vol. 18.] Oslo, Norway: U. i Oslo; 1993; pp. 379- 383 160. Benestad, Finn: Peer Gynt: The fruits of collaboration between two cultural giants--Henrik Ibsen and Edvard Grieg. European review, Vol. 4 ; Issue 2; Apr 1996; pp. 121-142: ISSN: 1062-7987. 161. Bennett, R. Sterndale: Mendelssohn als Herausgeber Händelscher Werke.: [Mendelssohn as editor of Händel.] (See RILM 1982-00744-bc) 44-63. Music examples. In German. 162. Bennwitz, Hanspeter [Editor]; Buschmeier, Gabriele [Editor]; Feder, Georg [Editor]; Hofmann, Klaus [Editor]; Plath, Wolfgang [Editor]: Akademie der Wissenschaften und der Literatur, Mainz. Opera incerta: Echtheitsfragen als Problem musikwissenschaftlicher Gesamtausgaben. [ Opera incerta: Questions on authenticity as a problem in collected works editions in musicology.] Abhandlungen der geistes- und sozialwissenschaftlichen Klasse, 11, Stuttgart, Germany: Steiner; 1991; 355 p.; Music, charts, diagr.: ISBN: 3-515-05996-2.
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163. Bennwitz, Hanspeter: Musikalisches Erbe und Gegenwart: Musiker -Gesamtausg. in d. Bundesrepublik Deutschland/ im Auftr. d. Stiftung Volkswagenwerk hrsg. von Hanspeter Bennwitz... [et al.] Kassel, Basel, Tours, London, Bärenreiter, 1975; xi, 148 p: ISBN: 3761805217. 164. Bent, Margaret: (1380-1430: An international style?) A contemporary perception of early fifteenth-century style: Bologna Q15 as a document of scribal editorial initiative. Musica disciplina, Int, Vol. XLI (1987) 183-201. Facsimile, charts, tables. 165. Bent, Margaret: Editing early music: The dilemma of translation. Early music, Vol. 22; Issue 3; Aug 1994; pp. 373-392; Facs., music, bibliog .: ISSN: 0306-1078. 166. Bent, Margaret: Fact and value in contemporary scholarship. Musical times, Vol. CXXVII/1716 (February 1986) 85-89. 167. Bent, Margaret; Cafiero, Rosa [Translator]: Lo stile del primo Quattrocento nella coscienza dei contemporanei: Bologna Q 15 come documento della iniziativa editoriale del copista. [A contemporary perception of style in the early 15th century: Bologna Q15 as a document of scribal editorial initiative.] Lucca, Italy: Libreria Musicale Italiana; 1995; pp. 111-127; Facs. 168. Bente, Martin: Ermittlung und Vermittlung: Zum Begriff Urtext. [ Ascertaining and mediating: On the term Urtext.] ™sterreichische Musikzeitschrift, Vol. 46; Issue 10; Oct 1991; pp. 528-531: ISSN: 0029-9316. 169. Bentheim, Jaap van: The scoring of Josquin's secular music. Tijdschrift van der Vereniging voor Nederlandse Muziekgeschiendenis, Vol. XXXV/1-2 (1985) 67-85. Facsim., music. See RILM 1985-04802-bf. 170. Berg, Alban; Apostel, Hans Erich [Editor]; Cerha, Friedrich [Editor]: Lulu: Oper nach Frank Wedekinds Tragödien Erdgeist und Büchse der Pandora. I. und II. Akt. [Lulu: Opera after Frank Wedekind's tragedies Erdgeist and Büchse der Pandora. Acts 1 and 2.] Wien: Universal; 1985; viii, 695 p. 171. Berg, Paul [Editor]: Proceedings of the International Computer Music Conference. San Francisco, CA: Computer Music Association; 1986; 464 p. ; Illus., music, bibliog., charts, diagr. 172. Bergeron, Katherine: The castrato as history. Cambridge opera journal , Vol. 8; Issue 2; July 1996; pp. 167-184: ISSN: 0954-5867. 173. Bergsagel, John: Egon Wellesz and Denmark. Kobenhavn: Engstrom & Sodring; 1996; pp. 131-138; Illus. 174. Bericht uber den internationalen musikwissenschaftlichen Kongress Bonn 1970. [Report on the International Musicological Congress, Bonn 1970. ] (Kassel: Barenreiter, 1971) xxii, 714 p. In German, English, French 175. Berke, Dieter: Urtext zwischen Wissenschaftsanspruch und Praxisnähe: Die modernen Musiker-Gesamtausgaben. [Urtext between the claims of scholarship and practice: The modern editions of a musician's collected works.] ™sterreichische Musikzeitschrift, Vol. 46; Issue 10; Oct 1991; pp. 531-535; Bibliog.: ISSN: 0029-9316. 176. Berke, Dietrich [ed]; Hanemann, Dorothee [ed]: Early music aesthetically relevant: Bach, Händel, Schütz; [Stuttgart, 1985] Alte Musik als asthetische Gegenwart: Bach, Händel, Schütz. [Early music aesthetically relevant: Bach, Händel, Schütz. ] (Kassel: Bärenreiter, 1987) 2 v. 543; 471 p. In German (125 essays) and English (15 essays).:
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177. Berke, Dietrich [Editor]; Heckmann, Harald [Editor]: Festschrift Wolfgang Rehm zum 60. Geburtstag am 3. September 1989. [Festschrift for Wolfgang Rehm on his 60th birthday, 3 September 1989.] Kassel, Germany: Bärenreiter; 1989; 293 p.; Facs., music, charts, diagr. 178. Berke, Dietrich: Die Neue Mozart-Ausgabe. Rückblick und Perspektiven.: [The Neue Mozart-Ausgabe. Achievements and prospects.] Acta mozartiana , Vol. XXIV/2 (1977) 37- 41. In German.: ISSN: 0001-6233. 179. Berke, Dietrich: The Neue Mozart-Ausgabe. The musical times, Vol. 132; Issue 1786; Dec 1991; 610 p.: ISSN: 0027-4666. 180. Berlasz, Melinda: Bartha Dénes: A folyóiratszerkesztö. [Dénes Bartha: Editor of periodicals.] Magyar zene, Vol. XXV/2 (June 1984) 115-35. Facsimile. In Hungarian.: ISSN: 0025-0384. 181. Berlin, Edward: On ragtime. Black music research newsletter, Vol. IX/1 (spring 1987) 10- 11. Facsimile. 182. Bernard, Philippe: Les chant propres de la Messe dans les répertoires grégorien et romain ancien: Essai d'édition pratique des variantes textuelles. [The Proper of the Mass in Gregorian and Old-Roman repertoires: An attempt at the practical editing of the textual variations.] Ephemerides liturgicae, Vol. 110; 1996; pp. 210-251: ISSN: 0013-9505. 183. Bernard, Philippe: Les variantes textuelles entre "vieux-romain" et "grégorien": Quelques résultats. [Textual variants between "Old Roman" and "Gregorian": Some findings.] Sablé- sur-Sarthe: Abbaye Saint-Pierre de Solesmes; 1995; pp. 63-82; Charts, diagr. 184. Betz, Marianne: Bearbeitung, Rekonstruktion, Ergänzung: Der erste Satz der Sonate A-Dur BWV 1032 für Flöte und obligates Cembalo von J.S. Bach.: [Arrangement, reconstruction, completion: The first movement of the sonata in A major BWV 1032 for flute and cembalo obbligato by J.S. Bach. ] Tibia, Vol. XIII/3 (1988) 158-63. Music examples, charts, tables. In German. 185. Beveridge, David R. [Editor]: Rethinking Dvorák: Views from five countries. Oxford: Clarendon; 1996; xi, 305 p.; Illus., port., music, charts, diagr.: ISBN: 0-19-816411-4. 186. Bezic, Jerko [Editor]: Zavod za Etnologiju i Folkloristiku, Zagreb; Centar za Kulturu, Cakovec. Znacenje djelatnosti Vinka Zganca na polju etnomuzikologije, etnokoreologije, usmene knjizevnosti i glazbene umjetnosti. [The significance of Vinko Zganec's work in ethnomusicology, ethnochoreology, oral literature, and musical art.] Narodna umjetnost: Hrvatski casopis za etnologiju i folkloristiku, Issue 3; special issue 1991; 414 p.; Illus., music, bibliog., discog., transcr.: ISSN: 0547 -2504. 187. Bianchi, Angelino: Raffaele Casimiri trascrittore di musiche rinascimentali. [Raffaele Casimiri, transcriber of Renaissance music. ] (See RILM 1981-00168-bs) 427-38. In Italian. 188. Bielawski, Ludwik [Editor]; Dadak-Kozicka, Katarzyna [Editor]; Lesien -Plachecka, Krystyna: Oskar Kolberg: Prekursor antropologii kultury. [ Oskar Kolberg: Precursor of cultural anthropology.] Warszawa: Polska Akademia Nauk; 1995; 207 p.; Music, maps: ISBN: 83-85938-36-2. 189. Bielawski, Ludwik: Miedzynarodowa konferencja poswiecona dawnym zródlom muzyki ludowej. [International conference on old sources of folk music. ] Muzyka, Vol. XXI/1 (1976) 154-58. In Polish. 190. Bielawski, Ludwik; Mauerhofer, Alois; Suppan, Wolfgang [Editors]: Historische Volksmusikforschung. Bericht uber die 4. Arbeitstagung der Studiengruppe zur Erforschung und Edition historischer Volksmusikquellen im International Folk Music Council vom 7. bis 12. April 1975 in Kazimierz Dolny. [Historic folk-music research.
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Report on the 4th meeting of the study group for research and editing of historic folk -music sources of the International Folk Music Council, 7-12 April 1975 in Kazimierz Dolny.] (Kraków: Wyd. Muz., 1979) 228 p. Illustration, facsimile, music examples. In German. 191. Bimberg, Guido [Editor]; Pfeiffer, Rüdiger [Editor]: Internationale Fasch-Gesellschaft Zerbst. Fasch und die Musik im Europa des 18. Jahrhunderts. [Fasch and European music of the 18th century.] Fasch -Studien, 4, Zerbst-Nord: Fasch-Zentrum und -Archiv; 1995; xix, 283 p.; Music: ISBN: 3-412-10393-4. 192. Bird, Steven Carl: A comparison of the autograph manuscript of Maurice Ravel's Daphnis et Chlo‚ with the Durand edition of suites 1 & 2.: Journal of the Conductors' Guild, Vol. 11; Issue 1-2; winter-spring 1990; pp. 39-58; Music, charts, diagr.: ISSN: 0734-1032. 193. Bird, Steven Carl: A preliminary comparison of the autograph score of Maurice Ravel's ballet Daphnis et Chlo‚ with the 1913 edition of the full score by Durand et fils. 1989; 269 p.; (Dma doc., : U. of Texas, Austin). PA 9005514. 194. Bischof, Paul: Die Figur [...] bei Mozart. [Mozart and the figure of an eighth-note followed by two sixteenths, preceded by a grace note.] Celle , Germany: Moeck; 1992; pp. 100-16 195. Björkvall, Gunilla; Jonsson, Ritva; Iversen, Gunilla: Le Corpus troporum. Une equipe de recherche sur les tropes liturgiques du moyen age . [The Corpus troporum. A research group on liturgical tropes of the Middle Ages.] Studi medievali, Vol. XXIV (1983) 907-34. Facsimile. In French.: ISSN: 0391-8467. 196. Blackburn, Bonnie J.: On publishing the Trent Codices. Trento, Italy: Biblioteca Musicale Laurence K.J. Feininger; 1996; pp. 13-14
197. Blaukopf, Herta: Als Mahlers Zeit noch nicht gekommen war. Aus den frühen Dokumenten der Internationalen Gustav Mahler Gesellschaft. [When Mahler's time had not yet come. Early documents of the International Gustav Mahler Gesellschaft.] ™sterreichische Musikzeitschrift, Vol. XXXIV/6 (June 1979) 294-97. In German.: ISSN: 0029-9316. 198. Blaukopf, Kurt: Werktreue und Bearbeitung. Zur Sociologie der Integrität des musikalischen Kunstwerks. [Urtext and edited editions. Concerning the sociology of the integrity of the musical work of art.]: Schriftenreihe Musik und Gesellschaft, Vol. 3, (Karlsruhe: Braun, 1968) In German. See RILM 1968-04265. 199. Bletschacher, Richard; Busenello, Giovanni Francesco; Cavalli, Pier Francesco; Klebel, Bernhard: Amori d'Apollo e di Dafne.; Daphne und Apollo/ [music by Francesco Cavlii, i.e. Cavalli; text by Francesco Busanello, i.e. Busenello; editing & realization by Bernhard Klebel; German translation by Richard Bletschacher]; Apollo und Dafne. [S.l.], Boosey & Hawkes, 1982; 1 score (316 p.) 200. Blezzard, Judith: Editing early English: some further evidence. Musical times, Vol. CXIX/1621 (March 1978) 265-68. 201. Blezzard, Judith: Reconstructing early English vocal music: History, principle and practice. Music review, Vol. XLV/2 (May 1984) 85-95. 202. Block, Glenn: Symphony no. 6 in B minor, op. 53, by Dimitri Shostakovich . Journal of the Conductors' Guild, Vol. 13; Issue 1; winter-spring 1992; pp. 45-53; Facs., music, charts, diagr.: ISSN: 0734-1032. 203. Blume, Friedrich: Probleme musikalischer Gesamtausgaben. [Problems concerning complete editions of music.] Neue Zürcher Zeitung, Vol. CXCI /135 (23 March 1970) 1. In German.: ISSN: 0376-6829.
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204. Bockholdt, Rudolf: Französische und niederländische Musik des 14. and 15 . Jahrhunderts. [French and Netherlandish music of the 14th and 15th centuries.] (See RILM 1972-03952- bc) 149-73. Facsimile, music examples, index. In German. 205. Boehm, Gottfried [Editor]; Mosch, Ulrich [Editor]; Schmidt, Katharina [Editor]: Canto d'amore: Classicism in modern art and music, 1914-1935.: Basel: Paul Sacher Stiftung; 1996; 492 p.; Illus., port., facs., music, bibliog.: ISBN: 3-7204-0093-8. 206. Boehm, Jan: Przyczynek do historii wydawnictw piesni warminskich. [A contribution to the history of the editing of Warmian songs.] Komunikaty Mazursko-Warminskie, Vol. 1 (1977) 65-72. In Polish; summary in German.: 207. Boetticher, Wolfgang: Die frühe Göttinger Händelrenaissance: Versuch einer Würdigung. [The early Göttingen Händel renaissance: Attempt at an assessment.] Göttinger Händel- Beiträge, Vol. II (1986) 207-20. In German. 208. Boetticher, Wolfgang: Neue Schumanniana. [New Schumanniana.]: Muzikoloski zbornik, Vol. XIV (1978) 64-73. In German; summary in Czech . 209. Boetticher, Wolfgang: Probleme beim Aufbau eines Werkverzeichnisses Orlando di Lassos. [Problems of compiling a catalogue of works by Roland de Lassus.] Tutzing, Germany: Schneider; 1993; pp. 49-54 210. Boetticher, Wolfgang: Zum Problem eines Urtextes bei Robert Schumann und Anton Bruckner. [The problem of Urtext in the music of Robert Schumann and Anton Bruckner.] (See RILM 1984-00675-bs) 404-07. In German. 211. Bolin, Norbert: Die Brockespassion von Telemann: Ein monumentales Kunstwerk. Concerto im Gespräch mit dem Herausgeber Carsten Lange. [Telemann's setting of the Brockes Passion text: A monumental art work. Concerto interviews the editor, Carsten Lange.] Concerto: Das Magazin für Alte Musik, Vol. 9; Issue 70; Feb 1992; pp. 14-15: ISSN: 0177 -5944. 212. Bolzan, Claudio: "L'idea fantastica del tutto" per una lettura dell'Undine di E.T.A. Hoffmann. ["The fantastic idea it all": Toward a reading of E.T.A. Hoffmann's Undine.] Nuova rivista musicale italiana , Vol. 30; Issue 1-2; Jan-June 1996; pp. 56-98; Illus., port., music: ISSN: 0029-6228. 213. Bolzinger, Simon: DKompose: A package for interactive composition in the MAX environment, adapted to the acoustic MIDI Disklavier piano. San Francisco: International Computer Music Association; 1992; pp. 162-165: 214. Bonetti, Kay; Lopez, Barry Holstun: American Audio Prose Library.: Barry Lopez interview with Kay Bonetti [sound recording] Columbia, MO, American Audio Prose Library, [1985?]; 1 sound cassette (67 min.): ISBN: 1556441258. 215. Bonis, Ferenc: A magyar népzene: Adatok Kodály tanulm ny nak keletkezéstörténetéhez. [A magyar n‚pzene: Some data concerning the genesis of Kodály's essay.] Magyar zene, Vol. XXVI/1 (March 1985) 3-8. In Hungarian.: ISSN: 0025-0384. 216. Bonis, Ferenc: Liszt- und Wagner-Briefe an Mosonyi in Kodálys wissenschaftlicher Bearbeitung. [Liszt and Wagner letters addressed to Mosonyi, in a scholarly edition by Kod ly.] Musikforschung, Vol. XXXIX /4 (1986) 317-34. Facsimile, music examples. In German. 217. Boorman, Stanley: A new edition of Machaut. Early music, Vol. V/4 (October 1977) 495- 98. Illustration, music examples.: ISSN: 0306-1078.
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218. Boorman, Stanley: The 'first' edition of the Odhecaton A. Journal of the American Musicological Society, Vol. XXX/2 (summer 1977) 183-207. Music examples.: ISSN: 0003-0139. 219. Bornhömft, Rüdiger: Kleine textkritische Fragen in der Bruckner-Gesamtausgabe. [Minor editing problems in the Bruckner-Gesamtausgabe. ] Mitteilungsblatt der Internationalen Bruckner-Gesellschaft, Vol. 27 (June 1986) 5-11. In German. 220. Bornhömft, Rüdiger: Zu Anton Bruckners dritter Fassung der Dritten Symphonie. [Anton Bruckner's third version of the symphony no. 3.]: Mitteilungsblatt der Internationalen Bruckner-Gesellschaft, Vol. 28 (March 1987) 8-14. Music examples. In German. 221. Borroff, Edith; Cuyler, Louise Elvira: Notations and editions: a book in honor of Louise Cuyler/ edited by Edith Borroff. Da Capo Press music reprint series, New York, Da Capo Press, 1977; viii, 204 p: ISBN: 0306708671. 222. Borroff, Edith; Cuyler, Louise Elvira: Notations and editions; a book in honor of Louise Cuyler. Edited by Edith Borroff. Dubuque, Iowa, W. C. Brown Co, [1974]; viii, 204 p: ISBN: 0697035433. 223. Bose, Sisir Kumar; Bose, Subhas Chandra; Sen, Atulendu: Netaji Research Bureau. The voice of Netaji [sound recording]: Netaji Research Bureau presents selected speeches and radio broadcasts of Netaji Subhas Chandra Bose 1938-1944/ introduction, commentary, Sisir K. Bose; editing, Sisir K. Bose & Atulendu Sen. Calcutta, Sursagar, 1985, (Calcutta, Gramophone Co. of India); 1 sound disc 224. Bowen, Jeff: Becoming a computer musician. Indianapolis, Indiana: Prentice Hall/Sams; 1994; 260 p.; Illus., music, index, computer disk: ISBN: 0-672-30513-5. 225. Boyd, Malcolm [Editor]: Centre on Eighteenth-Century Musical Studies, University of Wales College, Cardif. Music and the French Revolution.: Cambridge: Cambridge U.; 1992; x, 328 p.; Illus., port., facs., music, index, maps: ISBN: 0-521-40287-5. 226. Bozarth, George S. [Editor]: Brahms studies: Analytical and historical perspectives. Oxford: Clarendon; 1990; 472 p.; Illus., facs., music, bibliog., charts, diagr., transcr.: ISBN: 0-19- 311922-6. 227. Bozarth, George S. [Editor]; Martin, Wiltrud [Editor]: The Brahms-Keller correspondence. Lincoln: U. of Nebraska; 1996; xli, 319 p.; Illus., bibliog.: ISBN: 0-8032-1238-0. 228. Bozarth, George S.: Brahms's organ music: A new critical edition. The American organist, Vol. 22; Issue 6; June 1988; pp. 50-59; Music: ISSN: 0164-3150. 229. Bozarth, George S.: Editing Brahms' music. Brahms studies, Vol. 2; 1998; pp. 1-30; Facs., music, charts, diagr.: ISSN: 1074-4843. 230. Bozarth, George S.: The Brahms-Keller correspondence. The American Brahms Society newsletter, Vol. 14; Issue 1; spring 1996; pp. 6-9; Facs.: ISSN: 8656-8357. 231. Bozarth, George Severs, Jr: The Lieder of Johannes Brahms - 1868-1871: studies in chronology and compositional process. (PhD diss.: Princeton U ., 1978) 254 p. Appendices. m 232. Bozarth, George: Brahms's posthumous compositions and arrangements: Editorial problems and questions of authenticity. (Cambridge: Cambridge U., 1987) 59-94. Music, charts, tables. See RILM 1987-03067-bc. 233. Brabcová, Jitka [Editor]: Bohuslav Martinu anno 1981: Papers from an international musicological conference. Praha: Cesk Hudební Spolecnost; 1990; 339 p.
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234. Brandao, Marcio C.P.; Nascimento, Ricardo S.R.: A geometric concordance device for sound synthesis. Montr‚al: McGill U.; 1991; pp. 412-415; Illus. 235. Brandenburg, Sieghard: Beethovens Skizzen: Probleme der Edition. [ Beethoven's sketches: Editing problems.] Die Musikforschung, Vol. 44; Issue 4; 1991; pp. 346-355: ISSN: 0027- 4801. 236. Brandstetter, Gabriele [Editor]: Jacques Offenbach's Les contes d'Hoffmann: Conception, reception, documentation; Jacques Offenbachs Hoffmanns Erzählungen: Konzeption, Rezeption, Dokumentation. [Jacques Offenbach's Les contes d'Hoffmann: Conception, reception, documentation. ] Thurnauer Schriften zum Musiktheater, 9, Vol. 9, (Laaber: Laaber -Verlag, 1988) 512 p. Illustration, facsimile, portrait, music examples, bibliography, list of works, index, tables, transcr. Essays in German (15) and French (1). 237. Brandt, Konrad: Robert Franz und das Choralbuch für die Provinz Sachsen aus dem Jahr 1886. [Robert Franz and the hymnal for the province of Saxony, 1886.] Halle, Germany: Händel-Haus; 1993; pp. 248-58; Music 238. Braun, Hartmut: Ein Zitat. Beziehungen zwischen Chopin und Brahms. [A citation; connections between Chopin and Brahms.] Die Musikforschung,: XXV/3 (July-September 1972) 317-21. Music examples: ISSN: 0027-4801. 239. Brauner, Patricia B.: The Opera omnia of Gioachino Rossini. Journal of the Conductors' Guild, Vol. 14; Issue 2; summer-fall 1993; pp. 2-7; Charts, diagr.: ISSN: 0734-1032. 240. Bray, Roger: Editing and performing musica speculativa. Cambridge: Cambridge U.; 1995; pp. 48-73; Music, charts, diagr. 241. Breig, Werner: Composition as arrangement and adaptation. 1997; pp. 154-170; Music 242. Breig, Werner: Editing Wagner's letters: The problems of a complete edition. Wagner, Vol. 18; Issue 1; Jan 1997; pp. 31-52: ISSN: 0963 -3332. 243. Breig, Werner: Schützfunde und -zuschreibungen seit 1960. Auf dem Wege zur Grossen Ausgabe des Schütz-Werke-Verzeichnisses. [Schütz discoveries and attributions since 1960: on the way to the large edition of the Schütz-Werke-Verzeichnis.] Schütz-Jahrbuch, (See RILM 1979-02287-bp) 63 -92. In German; summaries in English, French, Swedish.: ISSN: 0174-2345 . 244. Brent, Jonathan; Gena, Peter: A John Cage reader: in celebration of his 70th birthday/ compiled and edited by Peter Gena and Jonathan Brent; supplementary editing by Don Gillespie. New York, Peters, 1982; xi, 207 p., [25] p. of plates: ISBN: 0938856014. 245. Bresch, Sigrid: Kompositorische Änderungen in der Partitur der 9. Symphonie nach den ersten Aufführungen 1824? [Were there compositional changes to the score of the ninth symphony following its first performances in 1824?] Tutzing, Germany: Schneider; 1990; pp. 113-143; Charts, diagr. 246. Brett, Philip: Editing Byrd. Musical times, Vol. CXXI/1650, 1651 (August, September 1980) 492-95, 557-59. Bibliography. 247. Brett, Philip: Text, context, and the early music editor. Authenticity and early music, (Oxford: Oxford U., 1988) 83-114. See RILM 1988-01067 -bs. 248. Brinkmann, Clemens: Albert Gereon Stein (1809-1881). Kirchenmusik und Musikerziehung. [Albert Gereon Stein (1809-1881). Church music and music education.] Beiträge zur Rheinischen Musikgeschichte, Vol. 108, (Köln: Arno Volk, 1974) 238 p. Music examples. In German.
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249. Brizi, Bruno: Per l'edizione dei testi operistici vivaldiani. [Toward an edition of the librettos of Vivaldi's operas.] Chigiana: Rassegna annuale di studi musicologici, Firenze: Olschki; Vol. 41; Issue 21; 1989; pp. 137-160: ISSN: 0069-3391. 250. Brodbeck, David L.: Primo Schubert, secondo Schumann: Brahms's four-hand waltzes, op. 39. The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, Vol. 7; Issue 1 ; winter 1989; pp. 58-80; Illus., music, bibliog.: ISSN: 0277-9269. 251. Brodbeck, David Lee: Brahms as editor and composer: His two editions of Ländlerby Schubert and his first two cycles of waltzes, opera 39 and 52.: (PhD diss.: U. of Pennsylvania, 1984) 314 p. DA 84-22889. 252. Brohn, William D; Prokofiev, Sergey: Aleksandr Nevskii (Motion picture music); Alexander Nevsky: film score/ S. Prokofiev; adapted by William D . Brohn. [New York City?], P G M Productions, 1987; 1 score (249 p.) 253. Brohn, William D; Prokofiev, Sergey: Aleksandr Nevskii (Motion picture music); Alexander Nevsky: film score/ S. Prokofiev; adapted by William D . Brohn. [New York City?], P G M Productions, 1987; 1 score (249 p.) 254. Broido, Arnold; Sachs, Carolyn: C.F. Peters Corporation. An Introduction to music publishing: a tour through the music publishing operations involved in transforming the composer's manuscript into a printed publication and its dissemination to the student and the performer: including articles on contemporary music, music publishing, and related areas/ by Arnold Broido... [et al.]; preface by Joseph Machlis; [edited by Carolyn Sachs] New York, N.Y, C.F. Peters, 1981; 20 p: ISBN: 0938856006. 255. Bronner, Simon J.: James Maidment, ballad editor. Midwestern folklore , Vol. 18; Issue 2; fall 1992; pp. 64-68: ISSN: 0894-4059. 256. Brook, Barry S.: The Pergolesi complete works edition and the general problems of using internal analysis for determining authenticity.: Stuttgart, Germany: Steiner; 1991; pp. 319- 331; Music 257. Brook, Barry S.; Viano, Richard J.: The thematic catalogue in music: Further reflections on its past, present, and future. Music reference services quarterly, New York: Haworth; Vol. 2; Issue 1-2; 1993; pp. 27-46; Bibliog.: ISSN: 1058-8167. 258. Brook, Barry S: Music literature and modern communication; revolutionary potential of the Acls/Cuny/RILM project. College music symposium, Vol. IX (1969) 48-59. Illustration.: ISSN: 0069-5696. 259. Brook, Barry S: Remembering O.E.D. 1883-1967: an homage. Musical quarterly, Vol. LXIX/4 (fall 1983) 595-98. 260. Brook, Robert Rankin: George Coles Stebbins: His life, work, and influence upon the development of gospel hymnody. 1993; 271 p.; (DMA doc., Church music: Southwestern Baptist Theological Seminary, 1993); Illus., port., facs., music, bibliog., list of works, charts, diagr. 261. Brosche, Günter: Die Wiener Fassung der Ersten Symphonie von Anton Bruckner. Zur Edition in der Gesamtausgabe. [The Vienna version of the symphony no. 1 of Anton Bruckner. Concerning the edition for the collected works.] ™sterreichische Musikzeitschrift, Vol. XXXVI/7-8 (July-August 1981) 395-400. In German.: ISSN: 0029- 9316. 262. Broude, Ronald: Arrangement, transcription, edition: some problems in terminology. Choral journal, Vol. XVIII/1 (September 1977) 25-29.
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263. Broude, Ronald: Editing early music: some notes on procedure and presentation. Choral journal, Vol. XXI/5 (January 1981) 5-12. 264. Broude, Ronald: Facsimiles and historical performances: Promises and pitfalls. Historical performance: The journal of Early Music America,: Vol. 3; Issue 1; spring 1990; pp. 19-22: ISSN: 0898-8587. 265. Broude, Ronald: Playing from originals. Early music America, Vol. 3; Issue 2; summer 1997; pp. 13-16; Facs.: ISSN: 1083-3633. 266. Broude, Ronald: When accidents are substantive: Applying methodologies of textual criticism to scholarly editions of music. Text: Transactions of the Society for Textual Scholarship, Vol. 5; 1991; pp. 105-120: ISSN: 0736-3974. 267. Brown, Bruce Alan: Editions anciennes et modernes d'opéras-comiques: Problèmes et méthodologies. [Old and new editions of opéras comiques: Problems and methodologies.] Liège: Mardaga; 1992; pp. 355-366; Music: 268. Bruckner-Jahrbuch 1980. (Linz: Akademische Druck- und Verlagsanstalt, Graz, 1980) 190 p. 269. Brzezinska, Barbara: Uwagi o publikacjach i wykonawstwie kompozycji alteracyjnych XVI wieku. [Notes on the publication and performance of alternatim compositions in the 16th century.] Muzyka, Vol. XXIX/4 (1984) 82-85. In Polish; summary in English. 270. Bucchi, Valentino: Musica allo specchio: analisi di partiture, di fatti e di situazioni/ Valentino Bucchi. Roma, A & b, [1983]; 87 p 271. Buckley, Ann [Editor]; Nilsson, Ann-Marie [Editor]: Proceedings of the first British- Swedish conference on musicology: Medieval studies.: Kungliga Musikaliska Akademiens skriftserie, 71, Stockholm: Kungliga Musikaliska Akademien; 1992; 289 p.; Illus., music, bibliog., charts, diagr., transcr.: ISBN: 91-85428-71-X. ISSN: 0347-5158. 272. Buckley, Ann: The lyric lai: Musicological, philological and cultural questions. Stockholm: Kungliga Musikaliska Akademien; 1992; pp. 189-234: 273. Buckley, Paul E.J.; Lewis, Andrew: Orpheus: A graphical composition environment. San Francisco, CA: Computer Music Association; 1990; pp. 216-217 274. Budde, Elmar: Bemerkungen zur Problematik praktischer Ausgaben. [Observations on preparing practical editions.] (See RILM 1979-02305-bs) 183-85. In German. 275. Buehler, John: George Lynn: The Westminster Connection/Choral sound and composition: A vocal approach. 1989; 165 p.; (DMA doc., Performance practice: U. of Missouri, Kansas City, 1989); Music, bibliog., list of works 276. Bula, Karol: Georg Friedrich Händel in Polish editions; Georg Friedrich Händel in polnischen Ausgaben. (Blankenburg/ Harz: Kultur- und Forschungsstätte Michaelstein, 1987) 57-65. In German. See RILM 1987 -00860-bs. 277. Bula, Karol: Zum Problem der Edition von Werken Bachs und Händels in Polen. [Problems of editing and publishing the works of Bach and Händel in Poland.] (See RILM 1985- 00745-bs) 40-48. Music examples. In German.: 278. Bunting, Edward: Bunting's ancient music of Ireland. (Cork: Cork U., 1983) 226 p. Illustration, facsimile, music examples, bibliography, index.: ISBN: 0902561251. 279. Burden, Michael; Choilij, Irena [Editors]: A handbook for studies in 18th-century English music. [A handbook for studies in 18th-century English music.] (Edinburgh: U. Edinburgh, 1987) 73 p. Bibliography.: : ISBN: 0-951-27850-9.
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280. Buresov , Alena: Die Olmützer Zeitschrift Beethoven. [Beethoven, a journal from Olomouc.] Olomouc: Vydavatelství U. Palack‚ho; 1993; pp. 109-114 281. Burg, Josef: Notizen zu den französischen Ausgaben der Orgelwerke von J .S. Bach und ihrer Geschichte. [Notes on French editions of the organ works of J.S. Bach and their history.] Ars organi, Vol. XXXIV/4; XXXV/1 (1986; 1987) 211-17; 22-27. In German. 282. Burghauser, Jarmil: K problematice Janáckova zápisu tónovych vysek. [ Problems concerning Janácek's notation of pitch.] Opus musicum, Vol. X /5-6 (1978) 149-52. In Czech; summaries in German, English, Russian.: ISSN: 0862-8505. 283. Burghauser, Jarmil: The principles of the Janácek critical edition.: Stuyvesant, NY: Pendragon; 1995; pp. 217-220 284. Burghauser, Jarmil: Zur Entstehung der Editionsrichtlinien für die Janácek-Gesamtausgabe. [How the guidelines were developed for the Janácek complete works edition.] Kassel, Germany: Bärenreiter; 1989; pp . 246-251 285. Burk, Phil; Marsanyi, Robert: Iconic programming for HMSL. San Francisco: International Computer Music Association; 1992; pp. 166-169; Charts, diagr. 286. Burmeister, Klaus: Editionsfragen der Frühklassik. Verlagserfahrungen aus der Arbeit an kritisch-praktischen Ausgaben. [Questions in the editing of early Classic music. The experiences of a publishing house in issuing critical-practical editions.] Blankenburger Studien, Vol. [14] (See RILM 1982-02092-bs) 62-65. In German. 287. Burnett, Frances Hodgson; Kosarin, Michael; Norman, Marsha; Simon, Lucy: Secret garden. Vocal score.; The secret garden/ [book and lyrics by Marsha Norman; music by Lucy Simon]; arrangements, editing and vocal parts, Michael Kosarin. Secaucus, NJ, Warner Bros, 1991; 1 vocal score (350 p.): ISBN: 0897241126. 288. Burns, Gary: Interdisciplinary editing in popular music studies. Music reference services quarterly, Vol. 6; Issue 3; 1998; pp. 45-51; Bibliog.: ISSN: 1058-8167. 289. Burow, Heinz-Wilfried: Beiträge zur Theorie und Methode der Musikwissenschaft. Historisch-kritische Untersuchungen auf der Grundlage wissenschaftstheoretischer Ergebnisse. [Contributions to the theory and methods of musicology. Historical-critical investigations based upon the findings of the theory of science.] (Phd diss., Systematic musicology: U . Hamburg, 1976) Schriftenreihe zur Musik. 17 (Hamburg: Wagner, 1979) 208 p. In German. 290. Burrows, Donald James: Handel's last musical autograph. Händel-Jahrbuch , Vol. 40-41; 1994-95; pp. 155-168; Facs., music: ISSN: 0440-0615. 291. Burton, James; Gottling, Philip: Symphony no. 9 by Gustav Mahler.: Journal of the Conductors' Guild, Vol. 13; Issue 2; summer-fall 1992; pp. 113-125; Part 2: Vol. 14; Issue 1; winter-spring 1993; pp. 33-47; Charts, diagr.: ISSN: 0734-1032. 292. Busch, Hermann J. [Editor]: Zur Interpretation der französischen Orgelmusik. [Interpreting French organ music.] (Merseburger: Gesellschaft der Orgelfreunde, 1986) 114 p. Bibliography. In German. 293. Busch, Hermann J.: Die Ausgaben. [The editions.] Kassel, Germany: Merseburger; 1995; pp. 209-14; Facs. 294. Busch, Hermann: Neuausgaben französischer Orgelmusik des 16. bis 19. Jahrhunderts. [New editions of French organ music of the 16th to the 19th centuries.] (Merseburger: Gesellschaft der Orgelfreunde, 1986) 107 -11. In German. See RILM 1986-04566-bc.
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295. Bussi, Francesco: Altro Cavalli sacro restituito. [More sacred music by Francesco Cavalli reedited.] Rivista internazionale di musica sacra,: Vol. VIII/4 (1987) 377-411. Music examples. In Italian.: ISSN: 0394 -6282. 296. Butt, John: The Cambridge companion to Bach. New York: Cambridge U.; 1997; xv, 326 p.; Illus., bibliog.: ISBN: 0-521-45350-X. 297. Buxtehude, Dietrich: Sämtliche Suiten und Variationen für Klavier /Cembalo. [Collected suites for clavier/cembalo.] (Wiesbaden: Breitkopf a Härtel, 1980) 136 p. 298. Buxton, William; Patel, Sanad; Reeves, William; Baecker, Ronald: Scope in interactive score editors. Computer music journal, Vol. V/3 (fall 1981) 50-56. Illustration, bibliography.: ISSN: 0148-9267. 299. Buzga, Jaroslav [Editor]: Vergessene Aufsätze, Berichte und Mitteilungen aus Carl Maria von Webers Prager Wirkungszeit (1813-1816). [Forgotten essays, reports, and communications from Carl Maria von Weber's Prague years (1813-16).] Oper Heute, Vol. XI (1988) 90-135. Bibliography. In German. 300. Caccini, Giulio; Dallapiccola, Luigi; Granitto, Nicholas; Lyman, Waldo: Italian songs of the 17th and 18th centuries: for voice and piano/ Caccini... [et al.]; [realization of the figured bass and editing by] Luigi Dallapiccola; English translations by Nicholas Granitto and Waldo Lyman. New York, International Music Co, 1961; High; 1 score (2 v.) 301. Caccini, Giulio; Dallapiccola, Luigi; Granitto, Nicholas; Lyman, Waldo: Italian songs of the 17th and 18th centuries: for voice and piano/ Caccini... [et al.]; [realization of the figured bass and editing by] Luigi Dallapiccola; English translations by Nicholas Granitto and Waldo Lyman. New York, International Music Co, 1961; High; 1 score (2 v.) 302. Cahis, Juan I.: The Bruckner symphonies problem reconsidered. Journal of the Conductors' Guild, Vol. 15; Issue 2; summer-fall 1994; pp. 66 -79; Music, charts, diagr.: ISSN: 0734- 1032. 303. Cai, Camilla: Was Brahms a reliable editor? Changes made in opuses 116, 117, 118 and 119. Acta musicologica, Vol. 61; Issue 1; Jan-Apr 1989; pp. 83-101; Facs., music, list of works, charts, diagr., transcr.: ISSN: 0001-6241. 304. Caiter, Franz: Die Rhythmisierung des Gregorianischen Chorals: Eine Studie zum Lebenswerk Andr‚ Mocquereaus OSB. [The rhythmization of the Gregorian chant: A study of the life work of Andr‚ Mocquereau, OSB.]: Frankfurt am Main: Fischer; 1995; 194 p.; Illus., music, bibliog.: ISBN: 3-89501-267-X. 305. Calò, Maria Amata: L'Excelsior in pellicola: Dal cinema alla danza, dalla danza al cinema. [Excelsior on film: From cinema to dance, from dance to cinema.] Chor‚graphie: Studi e ricerche sulla danza, Vol. 3; Issue 5; 1995; pp. 47-78; Illus., port., bibliog., charts, diagr., dance notation 306. Calabria, Pier Giorgio: Debussy's La mer: A conducting analysis. 1991; 92 p.; (DM doc., Instrument cond: Indiana U., 1991); Music, bibliog. 307. Caldwell, John: Editing early music/ John Caldwell. Early music series (London, England: 1976); 5., Oxford [Oxfordshire], Clarendon Press, 1985 ; x, 125 p: ISBN: 0198161425; 0198161433. 308. Caldwell, John: Musica ficta. Early music, Vol. XIII/3 (August 1985) 407-08.: ISSN: 0306- 1078.
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309. Calvet, Christopher Paul: Structure and development in the one-movement guitar sonatas of Fernando Sor. 1992; 130 p.; (MA thesis, Music: California State U., Fullerton, 1992). PA 1346564. 310. Cameron, Jasmin Melissa: Two Gloria settings by Giovanni Maria Ruggieri: Editions and related dissertations. 1995; (M.Mus, : U. of Liverpool) 311. Caraci Vela, Maria [Editor]: La critica del testo musicale: Metodi e problemi della filologia musicale. [Text criticism in music: Methods and problems of musical philology.] Studi e testi musicali: Nuova serie, 4 , Lucca, Italy: Libreria Musicale Italiana; 1995; xii, 521 p.; Illus., facs., music, bibliog., index, charts, diagr., transcr., gloss., notes: ISBN: 88-7096-114- 1. 312. Cardine, Eugène: La notation du chant grégorien aux XVIIe-XIXe/ siècles. [Notation of Gregorian chant, 17th to 19th centuries.] Anuario musical: Revista de musicología del C.S.I.C., Vol. 43; 1988; pp. 9-33: ISSN: 0211-3538. 313. Carissimi, Giacomo: Six solo cantatas. (London: Faber a Faber, 1969) 94 p. L4.15.0. Facsimile. 314. Carpenter, John; Howarth, Alan: Escape from New York [sound recording]: original motion picture soundtrack/ music composed and performed by John Carpenter in association with Alan Howarth. North Hollywood, Calif, Varèse Sarabande, 1981; 1 sound disc (ca. 38 min.) 315. Carruthers, Glen Blaine: Bach and the piano: Editions, arrangements and transcriptions from Czerny to Rachmaninov. 1986; vi, 251 p.; (PhD diss ., Music: U. of Victoria, British Columbia, 1986); Music, bibliog. 316. Carruthers, Glen Blaine: Subjectivity, objectivity and authenticity in nineteenth-century Bach interpretation. Canadian university music review /Revue de musique des universit‚s canadiennes, Vol. 12; Issue 2; 1992; pp. 95-112; Music, charts, diagr.: ISSN: 0710-0353. 317. Cary, Tristam: Electronic music today. Musical times, Vol. CIX/1499 (January 1968) 31-32. 318. Casanoves, Narcís: Complete works. II; Obras completes. II. Mestres de l'Escolania de Montserrat, Vol. 12, (Barcelona: Monastir de Montserrat; Departamento de Cultura, Generalitat de Barcelona, 1987) xiii, 152 p. In Catalan. 319. Casares Rodicio, Emilio [Editor]; Villanueva Abelairas, Carlos [Editor]: Servicio de Publicacións e Intercambio Científico; Vicerrectorado de Actividades Culturais e Servicios Estudiantís; Asociación Nacional de Profesores de Música de Universidad; Consellería de Cultura e Deportes; Dirección Xeral de Cultura. De musica hispana et aliis: Miscel nea en honor al Prof. Dr. Jos‚ López-Calo, S.J., en su 65§ cumpleaños. [De musica hispana et aliis: A miscellany in honor of Prof. Dr. Jos‚ López -Calo, S.J., on his 65th birthday.] Colección aula aberta, música, 2v.; Santiago de Compostela: U. de Santiago de Compostela; 1990; 725, 723 p. ; Illus., port., facs., music, bibliog., charts, diagr.: ISBN: 84-7191 -589-8. 320. Casares Rodicio, Emilio: Jos‚ López-Calo: Trayectoria vital y musicológica. [Jos‚ López- Calo: Biographical and musicological trajectory.] Santiago de Compostela: U. de Santiago de Compostela; 1990; Vol. 1; pp. 9-42 321. Cassaro, James P.: A critical edition of Lully's Ballet des saisons: Historical background, manuscript sources, livret. 1993; 227 p.; (MA thesis, Musicology: Cornell U., 1993); Music, bibliog., charts, diagr., transcr. 322. Center for the Book.; Oxford University Press.. The Oxford English dictionary. [sound recording]: [proceedings of] a symposium marking the publication of the fourth and final volume of A supplement to the Oxford English dictionary. 1986.; 3 sound tape reels (ca. 3 hr.): analog, 7 1 /2 ips, 2 track, mono.; 10 in. +, program notes (4 p.)
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323. Center for the Book; Oxford University Press. The Oxford English dictionary [sound recording]: [proceedings of] a symposium marking the publication of the fourth and final volume of A supplement to the Oxford English dictionary. 1986; 3 sound tape reels (ca. 3 hr.) 324. Center for the Book; Oxford University Press. The Oxford English dictionary [sound recording]: [proceedings of] a symposium marking the publication of the fourth and final volume of A supplement to the Oxford English dictionary. 1986; 3 sound tape reels (ca. 3 hr.) 325. Cernik, Vratislav: Smetanovo dílo v notovych edicích. [Editions of Smetana's music.] (See RILM 1985-00788-bs) 225-28. 326. Chafe, Chris; Mont-Reynaud, Bernard; Rush, Loren: Toward an intelligent editor of digital audio: Recognition of musical constructs.: Cambridge, MA: MIT; 1989; pp. 537-548; Music, bibliog., charts, diagr . 327. Chappell, Jon; Hallberg, Priscilla 4trl; Zanon, Gèrard: My first keyboard: a method for portable keyboard/ Zanon G‚rard Zanon; [translated by Priscilla Hallberg; editing by Jon Chappell] [Port Chester, NY], Cherry Lane Music, 1992; 2 v. of music: ISBN: 0895247690; 0895247704. 328. Charnasso, Hélène [Editor and Introduction]: Aspects de la recherche musicologique au Centre National de la Recherche Scientifique. [Aspects of musicological research at the Centre National de la Recherche Scientifique.] (Paris: CRNS, 1984) 204 p. Illustration, facsimile, index. In French. 329. Chechlinska, Zofia: O wydaniu narodowym dziel Chopina. [On the National Edition of Fr‚d‚ric Chopin's works.] Rocznik chopinowski, Vol. XV (1983) 15-28. In Polish. 330. Chechlinska, Zofia: The national edition of Chopin's works. Chopin studies, Vol. II (1987) 7-19.: ISSN: 0176-6511. 331. Chimenes, Myriam: Debussy: Retour aux sources. [Debussy: A return to the sources.] (Paris: Sacem/ Papiers, 1986) 78-83. In French. See RILM 1986-00780-bc. 332. Chlopecki, Andrzej: Wydawca. [Editor.] Kraków: Akademia Muzyczna; 1994 ; pp. 29-32 333. Chominski, Józef Michal: Ogólne zalozenia katalogu dziel Chopina. [General principles of the thematic catalogue of Chopin's works.] Rocznik chopinowski, Vol. XIII (1981) 25-27. In Polish. 334. Chung, Yiu-kwong: Hans Werner Henze's Five scenes from the snow country: An analysis. 1991; 243 p.; (DMA doc., Performance practice: City U. of New York, 1991). PA 9119621. 335. Churgin, Bathia: A new edition of Beethoven's fourth symphony: editorial report. Israel studies in musicology, Vol. I (1978) 11-53. Facsimile, music examples.: ISSN: 0334-2026. 336. Churgin, Bathia: Sammartini's cantatas. Early music, Vol. 20; Issue 3 ; Aug 1992; 526 p.: ISSN: 0306-1078. 337. Chusid, Martin: Editing Rigoletto. Milano, Italy: Ricordi; 1987; pp. 49-56 338. Chylinska, Teresa: Metodologiczne zalozenia wydan zródlowych dziol Szymanowskiego, Wieniawskiego i Moniuszki. [Methodology used in editing the collected works of Szymanowski, Wieniawski, and Moniuszko.] Muzyka , Vol. XV/4 (1971) 114-17. In Polish. 339. Chipierke mothey Helmut: Festmesse für 53 Stimmen (Missa Salisburgensis): A modern performance edition with a conductor's analysis and historical study. (DMA doc., Music: Southern Baptist Theological Seminary, 1987) 437 p. DA 8722661.
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340. Cipolla, Frank J. [Editor and Foreword]; Hunsberger, Donald [Editor]: The wind ensemble and its repertoire: Essays on the fortieth anniversary of the Eastman Wind Ensemble. Rochester: U. of Rochester; 1994; vi, 312 p.; Illus., bibliog., discog., index: ISBN: 1-87882- 246-2. 341. Claire, Jean: L'art de chanter le grégorien. [The art of singing Gregorian chant.] Jaarboek van het Vlaamse Centrum voor Oude Muziek,: Vol. II (1986) 9-16. Illustration, facsimile. In French. 342. Clark, Brian: Bearbeitung damals und heute: Probleme des Herausgebers von Fasch- Werken. [Editing then and now: Problems for the editor of Fasch's works.] Zerbst-Nord: Fasch-Zentrum und -Archiv; 1995; pp. 225 -236; Music 343. Clark, Stephen Lewis [Editor]: C.P.E. Bach studies. Oxford: Clarendon; 1988; xv, 346 p.: ISBN: 0-19-316412-4. 344. Clercq, Robert O. de: Schuberts Erlkönig in einigen bemerkenswerten Ausgaben. [Some noteworthy editions of Schubert's Erlkönig.] Schubert durch die Brille: Internationales Franz Schubert Institut--Mitteilungen , Issue 8; Jan 1992; pp. 39-44; Facs. 345. Clericetti, Giuseppe: Criteri per un'edizione moderna della musica per strumenti a tastiera di Andrea Gabrieli. [Criteria for a modern edition of Andrea Gabrieli's music for keyboard instruments.] (Firenze: Olschki, 1987) 353-86. In Italian. See RILM 1987-00985-bs. 346. Cohen, Albert: A study of notational and performance problems of an early air de cour: Je voudrois bien, o Cloris (1629) by Antoine Boësset (c. 1586-1643). (See RILM 1976-08685) 55-68. Facsimile, music examples , bibliography. 347. Cohen, H. Robert: On preparing critical studies of the original mise en scène of nineteenth- century operas. Firenze: Olschki; 1993; pp. 215-224: 348. Collins, Walter S: What is a good edition?. Choral journal, Vol. XII/3 (November 1971) 15- 18. 349. Colloquium Leos Janácek ac tempora nostra. Brno 2.-5. 10. 1978. [ Colloquium. Leos Janácek and our times. Brno, 2-5 October 1978.]: Colloquia on the history and theory of music at the International Music Festival in Brno, Vol. 13, (Brno: Jan ckova spolecnost, 1983) 396 p. Music examples, bibliography. In Czech, German, Slovak, Italian, Russian . 350. Cone, Edward T.: Editorial responsibility and Schoenberg's troublesome "misprints". Perspectives of new music, XI/1 (fall-winter 1972) 65-75. Music examples: ISSN: 0031- 6016. 351. Cook, Nicholas John: Heinrich Schenker and the authority of the Urtext.: Osaka, Japan: Mita; 1991; pp. 27-33 352. Cook, Nicholas John: The editor and the virtuoso, or, Schenker versus Bülow. Journal of the Royal Musical Association, Vol. 116; Issue 1; 1991; pp. 78-95; Music: ISSN: 0269-0403. 353. Cooper, Barry [Editor]: The Beethoven compendium: A guide to Beethoven's life and music. London: Thames & Hudson; 1991; 351 p.; Illus., port., music, bibliog., index: ISBN: 0-500-01523-6. 354. Coover, James: Music lexicography. (3rd ed.; Carlisle, Penn.: Carlisle Books, 1971) 355. Copeland, Robert Marshall: The life and works of Isaac Baker Woodbury, 1819-1858. (Phd diss., Musicology: U. of Cincinnati, 1974) xiii, 287 p. (typescript, microfilm). Facsimile, music examples, bibliography, list of works.
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356. Corbett, Sidney; Josel, Seth: Arien, no. 4.; Arien IV: solo music for guitar/ Sidney Corbett. Celle, Moeck, 1994; 24 p. of music 357. Corelli, Arcangelo; Dragonetti, Domenico; Turetzky, Bertram: Trio sonatas, violins, continuo, op. 4. No. 8. Allemanda; arr.; Sonata op. IV no. 8/ Arcangelo Corelli; for contrabass in different settings by Domenico Dragonetti; editing and preface by Betram Turetzky. New York, NY, McGinnis & Marx, 1984; 1 score (8 p.) + 3 parts 358. Correa de Azevedo, Luiz Heitor: Arthur Napol‚on 1843-1926, a Portuguese pianist in Brazil; Arthur Napol‚on 1843-1925 un pianiste Portugais au Br‚sil. Arquivos do Centro Cultural Português, Vol. III (1971) 572-602. Illustration, portrait. In French. 359. Corten, Walter: Clefs numériques dans L'art de la fugue de J. S. Bach?.: [Numerical keys to the Kunst der Fuge of J. S. Bach?.] Belgisch tijdschrift voor muziekwetenschap / Revue belge de musicologie, Vol. XLII (1988) 199-221. Music. In French. See RILM 1988-00873- be. 360. Cosma, Viorel: Aspecte si probleme actuale privitoare la unificarea limbajului tehnic in muzicologie. [Aspects and current problems concerning the standardization of technical language in musicology.]: Muzica, Vol. XXI/9 (September 1971) 27-37. In Romanian.: ISSN: 0580 -3713. 361. Coulter, John: The duties of the historically informed performer: Mozart's sonata in C minor K.457, first movement. SAMUS: South African journal of musicology/Suid-Afrikaanse tydskrif vir musiekwetenskap, Vol. 10; 1990; pp. 1-8; Music: ISSN: 0258-509X. 362. Craddy, Peter; Sellick, Phyllis: Five-piece suite, no. 1.; Five-piece suite: for piano/ Peter Craddy; editing and practising notes by Phyllis Sellick.; 5-piece suite. London, Oxford University Press, 1981; 11 p. of music: ISBN: 0193725029. 363. Craddy, Peter; Sellick, Phyllis: Five-piece suite, no. 2.; A second five-piece suite: for piano suitable for small hands/ Peter Craddy; editing and practising notes by Phyllis Sellick.; Second 5-piece suite.; 2nd five-piece suite.; 2nd 5-piece suite. London, Oxford University Press, 1983; 11 p. of music: ISBN: 0193725037. 364. Craft, Robert: [Stravinsky's sketches and revisions]. Perspectives of new music, Vol. XXII/1-2 (1983-1984) 448-63 Music examples.: ISSN: 0031-6016. 365. Crawford, Richard A. [Editor]; Lott, R. Allen [Editor]; Oja, Carol J. [Editor]: A celebration of American music: Words and music in honor of H . Wiley Hitchcock. Ann Arbor: U. of Michigan; 1990; 519 p.; Illus., port., facs., music, bibliog., index, charts, diagr.: ISBN: 0- 472-09400 -9. 366. Croll, Gerhard: Ein Brief des Michael Haydn kehrt nach Salzburg zurück.: [A letter from Michael Haydn returns to Salzburg.] Salzburger Museumsblätter, Vol. XL/2 (May 1979) 22-23. In German. 367. Cross, Charles R; Flannigan, Erik: Led Zeppelin: heaven and hell: an illustrated history/ by Charles R. Cross and Erik Flannigan; with photographs by Neal Preston; photo editing by Charles R. Cross and Neal Preston; with contributions by Jimmy Guterman, Dave Schulps, and Robert Godwin; additional photographs by Chuck Boyd... [et al.] New York, Harmony Books, 1991; 1st ed; 207 p: ISBN: 0517583089. 368. Cuellar, Martin: The Escenas romanticas by Enrique Granados: A revised edition. 1997; 125 p.; (DMA doc., : U. of Texas, Austin) 369. Cyr, Louis: Writing The rite right. (Berkeley: U. California, 1986) 157 -73. Music, tables. See RILM 1987-00973-bs.
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370. Cyr, Mary: Inclina Domine: a Martin motet wrongly attributed to Rameau.: Music & letters, Vol. LVIII/3 (July 1977) 318-25. Facsimile, music examples.: ISSN: 0027-4224. 371. Czesla, Werner: Skizzen als Instrument der Quellenkritik. [Sketches as an instrument of source criticism.] (RILM 1973-03019-bs) 101-04. Music examples 372. Czyzewski, Andrzej: Cyfrowy montaz nagran. [Digital editing of recordings.] Kraków: Akademia Górniczo-Hutnicza; 1989; pp. 59-72 373. Döge, Klaus: Editionsarbeit. [Editing.] Darmstadt, Germany: Wissenschaftliche Buchgesellschaft; 1996; pp. 68-83 374. Döhring, Sieghart [Editor]; Schläder, Jürgen [Editor]: Giacomo Meyerbeer--Musik als Welterfahrung: Heinz Becker zum 70. Geburtstag. [ Giacomo Meyerbeer--Music as experience of the world: To Heinz Becker on his 70th birthday.] München: Ricordi; 1995; 278 p.; Music: ISBN: 3 -9803090-8-8. 375. Dadelsen, Georg von [Editor]: Editionsrichtlinien musikalischer Denkmäler und Gesamtausgaben... [Guidelines for the editing of musical Denkmäler and Gesamtausgaben...] Musikwissenschaftliche Arbeiten, Vol. 22, (Kassel: Bärenreiter, 1967) In German. See RILM 1968-04039. 376. Dadelsen, Georg von: Die Crux der Nebensache. Editorische und praktische Bemerkungen zu Bachs Artikulation. [The crucial significance of small matters: editorial and practical observations on Bach's articulation.]: Bach-Jahrbuch, Vol. LXIV (1978) 95-112. In German; summaries in English , French, Russian.: ISSN: 0084-7682. 377. Dadelsen, Georg von: Uber den Wert musikalischer Textkritik. [On the value of musical text criticism.] (RILM 1975-00309-be) 41-45. 378. Dadelsen, Georg von: Von den Quellen zur Neue Bach-Ausgabe: Einige Bemerkungen zur Editionspraxis. [From the sources to the Neue Bach -Ausgabe: Several observations on editing practices.] (See RILM 1985 -00287-bc) 29-50. In German. 379. Dadelsen, Georg von: Zur Geltung der Legatobögen bei Bach: Eine Studie für Artikulationsfanatiker und Editoren. [Proper realization of Bach's legato bowings: A study for articulation fanatics and editors.] (Kassel: Bärenreiter, 1986) 114-22. Facsim. In German. See RILM 1987-00810-be. 380. Dadelsen, Georg von; Romagnoli, Angela [Translator]: La "versione d'ultima mano" in musica. [The "last authorized version" in music.]: Lucca, Italy: Libreria Musicale Italiana; 1995; pp. 47-61 381. Dadelson, Georg von [Editor]: Editionsrichtlinien musikalischer Denkmäler und Gesamtausgaben. [Guidelines for the editing of musical Denkmäler and Gesamtausgaben.] Musikwissenschaftliche Arbeiten, Vol. 22 , (Kassel: Bärenreiter, 1967) In German. See RILM 1968-04039. 382. Dahlhaus, Carl: Die Mensurzeichen als Problem der Editionstechnik. [ Mensuration signs as a problem in editorial technique.] (See RILM 1972 -03952-bc) 174-88. In German. 383. Dahlhaus, Carl: Philologie und Rezeptionsgeschichte. Bemerkungen zur Theorie der Edition. [Philology and the history of reception. Observations on the theory of editing.] (See RILM 1978-02378-be) 45-58. In German. 384. Dahlhaus, Carl: Zur Ideengeschichte musikalischer Editionsprinzipien.: [Changing ideas in the history of editing principles.] Fontes artis musicae, Vol. 25; Issue 1; Jan-Mar 1978; pp. 19-27: ISSN: 0015-6191.
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385. Dahlhaus, Carl; Borio, Gianmario [Translator]: I principi delle edizioni musicali nel quadro della storia delle idee. [Principles of music editing seen in the context of the history of ideas.] Lucca, Italy : Libreria Musicale Italiana; 1995; pp. 63-73 386. Dahlström, Fabian; Thompson, Margareta O.: Sibelius research. London, CT: Greenwood; 1996; pp. 291-315 387. Dalton, David: I. Genesis and synthesis of the Bartók viola concerto. II . A performer's perspective of Hindemith's Die Serenaden. (DM diss., Viola performance: Indiana U., 1970) 143 p. (typescript). Music examples, bibliography. 388. Daniels, David: Firebird suite (1945 version) by Igor Stravinsky.: Journal of the Conductors' Guild, Vol. 14; Issue 2; summer-fall 1993; pp. 122-126; Charts, diagr.: ISSN: 0734-1032. 389. Dannenberg, Roger B.: A structure for representing, displaying, and editing music. San Francisco, CA: Computer Music Association; 1986; pp. 153-160; Bibliog., charts, diagr. 390. Danner, Peter: Some observations on recent editions of lute music.: Journal of the Lute Society of America, Vol. II (1969) 48-55.: ISSN: 0076-1524. 391. Darsey, Steven: John Wesley as hymn and tune editor: The evidence of Charles Wesley's Jesu, lover of my soul and Martin Madan's Hotham. The hymn: A journal of congregational song, Vol. 47; Issue 1; Jan 1996; pp . 17-24; Illus., facs., music: ISSN: 0018-8271. 392. Dart, Thurston: Editing early music; notes on the preparation of printer's copy. [n.p.], Novello, [1963]; 22 p 393. Dauer, Alfons Michael: Afrikanische Musik und völkerkundlicher Tonfilm. Ein Beitrag zur Methodik der Transkription. [African music and ethnological sound film. A contribution to transcription methods.] (See RILM 1983-05752-bc) 189-201. In German. 394. David, Hans: Litterae ab musicis [Letters from musicians]: Hans T. David writes concerning the editing of early music. Bach. Quarterly journal of the Riemenschneider Bach Institute, Vol. II/3 (July 1971) 17-20. 395. Davidsson, Hans [Editor]; Jullander, Sverker [Editor]: Proceedings of the Göteborg International Organ Academy 1994. Skrifter från Musikvetenskapliga avdelningen, 39, Göteborg: Göteborgs U.; 1995; xxix, 514 p.; Illus., bibliog., index: ISBN: 91-85974-31-5. ISSN: 0348-0879. 396. DavisAVIS, Francis: The loss of Count Basie. Atlantic, Vol. CCLIV/2 (August 1984) 95- 97. Portrait, discography.: ISSN: 0276-9077. 397. De Hen, Ferdinand Joseph: Het muziekleven in België. [Music and musicians in Belgium.] Teksten en documenten, Vol. 323, (Bruxelles: Ministerie van Buitenlandse Zaken, 1979) 143 p. Illustration, index. In Dutch; summaries in French, German, English, Italian. 398. Dean, Winton: Some aspects of Handel scholarship today. Händel-Jahrbuch , Vol. XXXI (1985) 131-37.: ISSN: 0440-0615. 399. Dean, Winton: The genesis and early history of Ottone. Göttinger Händel -Beiträge, Vol. II (1986) 129-40. Thematic catalogue. 400. Deathidge, John: Rienzi...a few of the facts. Musical times, Vol. CXXIV/1687 (September 1983) 546-49. 401. Deaville, James: The new critical edition of Liszt's writings: A report.: JALS: The journal of the American Liszt Society, Issue 26; July-Dec 1989; pp. 52-55: ISSN: 0147-4413.
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402. Dechant, Hermann: Dirigieren: Zur Theorie und Praxis der Musikinterpretation. [Conducting: Theory and practice of the interpretation of music.] (Wien, Freiburg, and Basel: Herder, 1985) 448 p. Illustration, music examples, bibliography, index. In German. 403. Degrada, Francesco [ed]: [Venice, 1985] Andrea Gabrieli e il suo tempo.: [Andrea Gabrieli and his time. ] Studi di musica veneta, Studi di musica veneta, 11, Vol. 11, (Firenze: Olschki, 1987) 416 p. Music examples, index. Articles in English (7) and Italian (9).: ISBN: 88-222 -3534-7. 404. Degrada, Francesco [Editor]; Finscher, Ludwig [Editor]: Atti del convegno internazionale di studi Luigi Boccherini e la musica strumentale dei maestri italiani in Europa tra Sette e Ottocento. [Procedings of the international congress Luigi Boccherini and the instrumental music of Italian masters in Europe during the 18th and 19th centuries.] Chigiana: Rassegna annuale di studi musicologici, Vol. 43; Issue 23; 1993; 384 p .; Music: ISSN: 0069-3391. 405. Degrade, Francesco: Gian Francesco Malipiero e la tradizione musicale italiana. [Gian Francesco Malipiero and Italian musical tradition.]: (See RILM 1977-02229-be) 412-32. In Italian. 406. Degrada, Francesco: Note filologiche in margine all'edizione critica delle cantate di Antonio Vivaldi. [Philological notes to the critical edition of Antonio Vivaldi's cantatas.] Firenze: Olschki; 1988; pp. 355 -386 407. Del Mar, Jonathan: Score review: The first two symphonies in the new critical edition. The Beethoven journal, Vol. 11; Issue 1; spring 1996 ; pp. 18-21; Facs., music: ISSN: 0898- 6185. 408. Del Mar, Jonathan: Strauss' oboe concerto: A re-examination of the available sources and editions. Tempo, Vol. 150 (September 1984) 18-26. Facsimile, music examples. 409. Del Mar, Jonathan: The nine symphonies: Preliminary remarks towards a new urtext edition. The Beethoven journal, Vol. 11; Issue 1; spring 1996; pp. 12-17; Facs., bibliog.: ISSN: 0898-6185. 410. Del Mar, Norman: Orchestral variations: confusion and error in the orchestral repertoire. (New York: Da Capo, 1982) 240 p.: ISBN: 0903873370. 411. Del Mar, Norman: Orchestral variations: confusion and error in the orchestral repertoire/ Norman Del Mar. London, Eulenburg, 1981; xvi, 240 p: ISBN: 0903873370. 412. Del Monte, Bill E [ed.]: Half-grown jackrabbit. [sound recording]: actual live recorded: calls varmints. Nolan, Tx: Live Call, c1987.; 1 sound cassette: analog. 413. Del Monte, Bill E: Half-grown jackrabbit [sound recording]: actual live recorded: calls varmints. Nolan, Tx, Live Call, 1987; 1 sound cassette: 414. Delius, Nikolaus: Urtext oder Bearbeitung?. [Urtext or altered edition? .] Tibia, Vol. VIII/1 (1983) 246-49. In German. 415. Depaulis, Jacques: Revue de la Société‚ Liégeoise de Musicologie. 8 (1997): Lettres de Roger-Ducasse … son éditeur Jacques Durand. [Letters from Roger-Ducasse to his editor, Jacques Durand.] Revue de la Société Liegeoise de Musicologie, Liège, Belgium: Soci‚t‚ Li‚geoise de Musicologie; 126 p.; Issue 8; 1997; Bibliog. 416. Der Werf, Hendrik van: The extant troubadour melodies: Transcriptions and essays for performers and scholars. (Rochester, N.Y.: author, 1984) viii, 83, 379 p. Music examples, bibliography, index. 417. Desprez, Josquin; Hudson, Barton [Editor]: Josquin des Prez: New edition of the collected works. IX. New Josquin edition, Utrecht: Koninklijke Vereniging voor Nederlandse
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Muziekegeschiedenis; 1994-95; xiv, 80; xv, 82 p.; Music, bibliog., charts, diagr.: ISBN: 90- 6375-060 -9. 418. Deutsch, Otto Erich: The first editions of Brahms. (See RILM 1985-00874 -bc) 1-21. 419. Devine, Patrick F. [Editor]; White, Harry M. [Editor]: University College, Dublin. The Maynooth International Musicological Conference 1995: Selected proceedings. II. Irish musical studies, Irish musical studies, Portland, OR: Four Courts; 409 p.; Vol. 5; 1996; Illus., facs., music, index, charts, diagr. 420. Devries, Anik: Un editeur de musique 'a la tête ardente': Maurice Schlesinger. [A hot- headed music editor: Maurice Schlesinger.] Fontes artis musicae, Int, Vol. XXVII/3-4 (July- December 1980) 125-36. In French; summaries in English, German. 421. Di Gregorio Casati, Marisa [Editor]; Pavarani, Marcello [Editor]: Nuove prospettive nella ricerca verdiana. [New perspectives on Verdi research. ] Milano, Italy: Ricordi; 1987; 137 p.: ISBN: 88-85065-03-1. 422. Dibelius, Ulrich: Musik am Gängelband der Technik. Interpretationsfragen bei der Schallaufzeichnung. [Music on the tether of the technical. Problems of interpretation in recording.] HiFi-Stereophonie, Vol. XVII /12 (1978) 1672-75. In German. 423. Die Wechselwirkung von Instrumentenbau und Kompositionsweise sowie Editionsfragen der Frühklassik: Konferenzbericht der 8. Wissenschaftliche Arbeitstagung Blanken- burg/Harz, 1980. [The reciprocal influences exerted by methods of instrument building and techniques of composition, and problems in the editing of Early Classic music. Report on the eighth Scholarly Symposium, Blankenburg/Harz, 1980.] Vol. 14, (Blankenburg, 1980) 75 p. In German. 424. Dirst, Matthew Charles: Bach's Well-tempered clavier in musical thought and practice, 1750-1850. 1996; 176 p.; (PhD diss., Musicology: Stanford U., 1996). PA 9620470.; Music, bibliog. 425. Dittrich, Raymond: Zur Dissonanzbehandlung in den Messen von Johann Friedrich Fasch. [Dissonance treatment in the Masses by Johann Friedrich Fasch.] Ars musica, 1992; pp. 36- 42; Music 426. Düll, Siegrid; Wallnig, Josef; Pass, Walter: Amaliens musikalische Erholungsstunden: Musikbeispiele einer Monatsschrift 1790-1792. [ Amalia's musical recreation: Music from a monthly magazine, 1790-92.]: Zwischen Nähkästchen und Pianoforte: Musikkultur im Wirkungskreis der Frau, 1, Sankt Augustin: Academia; 1996; 144 p.; Illus., music, sound recording: ISBN: 3-88345-728-0. 427. Dobszay, László [Editor]: International Musicological Society Study Group Cantus Planus. Cantus Planus: Papers read at the 6th meeting. 2v. ; Budapest: Magyar Tudom nyos Akad‚mia; 1995; 899 p.; Illus., facs., music, maps: ISBN: 963-7074-54-6. 428. Dobszay, László [Editor]; Halász, P‚ter [Editor]; Mezei, János [Editor] ; Prószéky, Gábor [Editor]: International Musicological Society.: Cantus planus. Budapest: Magyar Tudományos Akad‚mia; 1990; 463 p.: ISBN: 963-7516-56-5. 429. Dolinszky, Miklós: Hiteless‚g ‚s hagyom nyoz s: Haydn- ‚s Schubert -zongoramüvek közreadói tapasztalatai. [Authenticity and traditionalism: Editing experiences with piano works by Haydn and Schubert.]: Zenetudom nyi dolgozatok, 1995-1996; pp. 83-97; Music: ISSN: 0139 -0732. 430. Donato, Anthony: Preparing music manuscript/ Anthony Donato. Westport, Conn, Greenwood Press, 1977, 1963; ix, 181 p: ISBN: 083719587X.
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431. Dorfmüller, Kurt: Die Edition der Lautentabulaturen. [The editing of lute tablatures.] (See RILM1972-03952-bc) 189-202. Facsimile, music examples. In German. 432. Douglas, Sheila: The history of Scottish folksong research. Qu‚bec, Canada: U. Laval; 1989; pp. 67-76; Illus., music, bibliog. 433. Dowling, Richard William: Maurice Ravel's Trio pour piano, violon et violoncelle: A preliminary study for a new performing edition. 2v.; 1990 ; 285 p.; (DMA doc., Music: U. of Texas, 1990). PA 9031763.; Music, discog. 434. Drabkin, William: Sources, problems, interpretation: Some recent Beethoven literature. The musical times, Vol. 132; Issue 1780; June 1991; pp. 292-295; Music: ISSN: 0027-4666. 435. Drabkin, William; Marston, Nicholas: Beethoven literature. London: Thames & Hudson; 1991; pp. 308-327 436. Dressler, Carolyn Elizabeth: Armida abbandonata by George Frideric Handel. An edition reflecting the performance practice of the Baroque era . (DMA diss.: U. of Maryland, 1978) 61 p. 437. Droysen-Reber, Dagmar [Editor]: Zur Situation der Berliner Musikwissenschaft: Kolloquiumsreihe im Wintersemester 1992-1993. [On the state of musicology in Berlin: Colloquia during the winter semester, 1992 -1993.] Jahrbuch des Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz, 1994; pp. 339-456: ISSN: 0572-6239. 438. Dürr, Walther: Sieben Thesen zu Edition von Musik und musikalischer Praxis. [Seven theses on music editing and musical practice.]: ™sterreichische Musikzeitschrift, Vol. 46; Issue 10; Oct 1991; pp. 522 -524; Illus., bibliog.: ISSN: 0029-9316. 439. Dürrer, Martin: Altitalienische Laudenmelodien: Das einstimmige Repertoire der Handschriften Cortona und Florenz. I: Textteil; II: Notenteil. [Early Italian lauda melodies: The monophonic repertoire from the Cortona and Florence manuscripts. I: Texts; II: Music.] Bärenreiter Hochschulschriften, 3, 2v.; Kassel, Germany: Bärenreiter; 1993; 167, 211 p.; (PhD diss., : Ruhr-U. Bochum); Illus., music, facs.: ISBN: 3 -7618-1297-3. 440. Dürr, Alfred: Die Neue Bach-Ausgabe. Grundzüge und Entwicklung der zweiten kritischen Edition. Neue Zürcher Zeitung, Vol. 138 (June 1978) 161. In German.: ISSN: 0376-6829. 441. Dürr, Alfred: Die neue kritische Gesamtausgabe der Werke von J.S. Bach.: [The new critical Gesamtausgabe of the works of J.S. Bach.]: Universitas, Vol. XXXIV (1979) 57-69. In German.: ISSN: 0041-9079. 442. Dürr, Alfred: Zur Leipziger Fassung der Französischen Suiten von J.S. Bach. [Concerning the Leipzig version of Bach's French suites.]: Beiträge zur Bachforschung, Vol. I (1982) 74- 78. In German. 443. Dürr, Alfred: Zur Tätigkeit eines Herausgebers von Gesamtausgaben. [ Concerning the activity of an editor of collected editions.] (See RILM 1980-00199-bs) 312-18. In German. 444. Dürr, Walther: Autograph - autorisierte Abschrift - Originalausgabe. Zu Quellenlage und Quellenbewertung bei Schuberts Liedern. [Autograph - authorized copy - original edition. Concerning the state of the sources and the evaluation of the sources of Schubert's lieder.] (See RILM 1978 -02378-be) 89-100. In German. 445. Dürr, Walther: Die Lieder-Serie der Neuen Schubert-Ausgabe: Zu Schuberts Ordnung eigener Lieder. [The lieder series of the Neue Schubert-Ausgabe: On Schubert's ordering of his own lieder.] Musica, Vol. XL/1 (1986) 28 -30. In German.: ISSN: 0027-4518. 446. Dürr, Walther; FEIL, Arnold: Die Neue Schubert-Ausgabe. Zum editorischen Konzept einer kritischen Gesamtausgabe. [The Neue Schubert -Ausgabe. The editorial concept for a
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critical edition of the collected works.] Musica, Vol. XXXII/2 (1978) 131-36. In German.: ISSN: 0027 -4518. 447. Duarte, Roberto: Revisao das obras orquestrais de Villa-Lobos. I. [A revision of the orchestral works of Villa-Lobos. I.] Niteroi, Brazil: U. Federal Fluminense; 1989; 148 p.; Music, list of works 448. Ducasse, Henri: Un problème de saisie de l'information: le traitement des tablatures. [A problem in the coding of information: the treatment of tablatures.] Informatique musicale, (October 1973) 49-65. Illustration, music examples, bibliography. In French. 449. Dudek, Allan James: Listener's choice of timing or intensity information as prominent in piano performance style recognition. 1992; 126 p.; (PhD diss., Music: Ohio State U., 1992). PA 9227260. 450. Dufourcq, Norbert: L'orgue et les organistes: Revue de Jean Hur‚. [ L'orgue et les organistes: A journal edited by Jean Hur‚.] L'orgue: Revue trimestrielle, Issue 217; 1991; pp. 21-25: ISSN: 0030-5170. 451. Duggan, Joseph J.: Franco-German conflict and the history of French scholarship on the Song of Roland. Albany, NY: State U. of New York; 1989; pp. 97-106 452. Dunaway, David: Processing oral texts. African Studies seminar series , Vol. 162, (Nairobi: Institute of African Studies, 1984) 17 p. 453. Dyer, Lounette M.: Position paper for music representation panel. San Francisco, CA: Computer Music Association; 1989; pp. 98-100 454. Ebisawa, Bin: The Requiem: Mirror of Mozart performance history. Early music, Vol. 20; Issue 2; May 1992; pp. 279-294; Illus., facs., discog .: ISSN: 0306-1078. 455. Eckel, Gerhard: A signal editor for the IRCAM musical workstation. San Francisco, CA: Computer Music Association; 1990; pp. 69-71 456. Eckhardt, Mária Párkai: Liszt mint Chopin muveinek közreadója. [Liszt's editions of Chopin.] Magyar zene, Budapest, Hungary: Lapkiadó V llalat; Vol. 36; Issue 2; June 1995; pp. 120-128; Facs., music: ISSN: 0025 -0384. 457. Edel, Theodore: Liszt's La notte: Piano music as self-portrait. JALS: The journal of the American Liszt Society, Issue 42; July-Dec 1997; pp. 43-59; Illus., facs.: ISSN: 0147-4413. 458. Edler, Arnfried: Neue Gesichtspunkte zu Editionen norddeutscher Klavierkonzerte des mittleren 18. Jahrhunderts. [New viewpoints concerning editions of North German keyboard concertos of the mid-18th century.] (Blankenburg/ Harz: Kultur- und Forschungsstätte Michaelstein, 1987) 65-69. In German. See RILM 1987-00860-bs. 459. Edwards, Bradley: Pedagogical materials for the college-level trombone student: The application of objective grading criteria to a selected list of materials as determined by a national survey of college-level trombone teachers. 1998; 266 p.; (DMA doc., : Johns Hopkins U., Peabody Inst.); Music, bibliog., charts, diagr. 460. Edwards, Jacqueline Sue: A history of The piano quarterly. 1994; 207 p .; (PhD diss., : U. of Oklahoma). PA 9501176. 461. Eernisse, Glenn Phillip: The views of Erik Routley on inclusive language in hymnody. The hymn: A journal of congregational song, Vol. 47; Issue 1; Jan 1996; pp. 34-40; Port.: ISSN: 0018-8271.
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462. Eggebrecht, Hans Heinrich [Editor]: Berliner Orgel-Colloquium. [Berlin organ colloquium.] Veröffentlichungen der Walker-Stiftung, 12,: Murrhardt: Musikwissenschaftliche Verlags- Gesellschaft; 1990; 104 p.; Illus. 463. Ehrmann-Herfort, Sabine [Editor]: Musikwissenschaft und Berufspraxis.: [Musicology and professional practice.] Darmstadt, Germany: Wissenschaftliche Buchgesellschaft; 1996; x, 267 p.: ISBN: 3-534-12621 -1. 464. Eichberg, Hartwig: Johann Sebastian Bach. Einzelstehende Suiten, Sonaten, Variationen und Capricci für Klavier. Untersuchungen zur Uberlieferung und Edition. [Johann Sebastian Bach. Miscellaneous suites, sonatas, variations, and capriccios for keyboard. Studies concerning sources and editing.] (PhD diss., Musicology: U. Tübingen, 1973) In German. 465. Eiche, Jon F. [Editor]: The Bach chaconne for solo violin: A collection of views. (Athens, Georgia: American String Teachers Association, 1985) 156 p.: ISBN: 0899174663. 466. Eichhorn, Andreas [Editor]: Sinfonia Inc., Tokyo; Notgemeinschaft der Deutschen Kunst, Berlin. Festschrift Hans-Peter Schmitz zum 75. Geburtstag. [Festschrift for Hans-Peter Schmitz on his 75th birthday. ] Kassel, Germany: Bärenreiter; 1992; 232 p.; Illus., facs., music, charts, diagr. 467. Eichhorn, Andreas: "...als Anregung zu sinnvollem Nachdenken hierüber.. .": Anmerkungen zu den Retuschen an Beethovens 9. Symphonie. ["...a stimulus to meaningful reflection on this...": Observations on efforts to touch up Beethoven's symphony no. 9.] Tutzing, Germany: Schneider; 1990; pp. 67-96; Music 468. Einflüsse einzelner Interpreten und Komponisten des 18. Jahrhunderts auf das Musikleben ihrer Zeit: Konferenzbericht der 8. Wissenschaftliche Arbeitstagung Blankenburg/Harz, 1980. [Influences of individual performers and composers of the 18th century on the musical life of their time. Report on the eighth Scholarly Symposium, Blankenburg/Harz, 1980. ] Vol. 13, (Blankenburg, 1980) 100 p. In German. 469. Eisen, Cliff: New light on Mozart's 'Linz' symphony K.425. Journal of the Royal Musical Association, Vol. CXIII/1 (1988) 81-96.: ISSN: 0269 -0403.
470. Eisen, Cliff: The old and new Mozart editions. Early music, Vol. 19; Issue 4; Nov 1991; pp. 513-529; Port., facs., music: ISSN: 0306-1078. 471. Ekier, Jan [Editor]; Nowik, Wojciech; Zimmermann, Ewald; Tomaszewski, Mieczyslaw: The final text or final texts of Chopin? The problem of variants. Chopin studies, Vol. 4; 1994; pp. 144-167: ISSN: 0176-6511 . 472. Ekier, Jan [Editor]; Nowik, Wojciech; Zimmermann, Ewald; Tomaszewski, Mieczyslaw: Ostateczny tekst czy ostateczne teksty Chopina? Zagadnienie wariantów--Dyskusja okraglego stolu. [Chopin's final text or final texts? The question of variants. Round-table discussion.] Rocznik chopinowski/Annales Chopin, Vol. 20; 1988; pp. 148-171; Facs., music: ISSN: 0208-5992. 473. Ekier, Jan: Wstep do Wydania Narodowego Dziel Fryderyka Chopina (WN) Cz. 1: zagadnienia edytorskie. [Introduction to the national edition of Chopin's works. I: editorial problems.] (Krakow: Wyd. Muz., 1974) 202 p. Zl 40. Facsimile, list of works, index. 474. Elders, Willem: Short report of the Fourth Josquin Meeting, Dartmouth College, Hanover, N.H., 1977. Tijdschrift van der Vereniging voor Nederlandse Muziekgeschiendenis, Vol. XXVIII (1978) 31-37. 475. Elliott, Patricia: Thayer's Beethoven. Beethoven newsletter, Vol. II/1 (spring 1987) 13-14.
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476. Elschek, Oskár: Reedícia Slovenskych spevov: Retrospektíva. [The new edition of Slovensk‚ spevy: A retrospective.] Cesky lid, Vol. 79; Issue 1; 1992; pp. 7-12: ISSN: 0009- 0794. 477. Elschek, Osk r; Michel, Andreas; Porter, James; Stockmann, Doris: Wissenschaftsgeschichte und Forschungsmethoden. [History of scholarship and methods of research.] Laaber, Germany: Laaber-Verlag; 1992; pp. 1-48; Port., facs., music, bibliog., charts, diagr. 478. Engelhardt, Markus: Sujetkantate und Opéra imaginaire: Meyerbeers Gli amori di Teolinda. [Subject-cantata and imaginary opera: Meyerbeer's Gli amori di Teolinda.] München: Ricordi; 1995; pp. 63-88; Music 479. Engelhart, Richard Eric: Domenico Mazzocchi's Dialoghi e sonetti and Madrigali a cinque voci (1638): A modern edition with biographical commentary and new archival documents. (PhD diss., Music: Kent State U., 1987) 667 p. DA 8806525. 480. English church music. A collection of essays. (Croydon: Royal School of Church Music, 1974) 60 p. Illustration, portrait, music examples. 481. Eösze, László: Thirteen unpublished letters by Zoltán Kodály to Béla Bartók. Bulletin of the International Kod ly Society, Issue 1; 1991; pp. 3-12: ISSN: 0133-8749. 482. Erickson, Raymond F: Rhythmic problems and melodic structure in organum purum: a computer-assisted study. (PhD diss., History of music: Yale U., 1970) 3v. 95; 163; 147 p. (typescript, microfilm). Facsimile, music examples, bibliography. 483. Everett, Paul Joseph: Vivaldi at work: The autograph of the Gloria RV 589. Informazioni e studi vivaldiani, Vol. 17; 1996; pp. 68-87; Facs. , music: ISSN: 0393-2915. 484. Evidon, Richard: The new Grove: a personal view. 19th-century music,: Vol. V/2 (fall 1981) 155-56.: ISSN: 0148-2076. 485. Evidon, Richard: The new Grove: a personal view. 19th-century music,: Vol. V/2 (fall 1981) 155-57.: ISSN: 0148-2076. 486. Eyle, Wim van; Zwartenkot, Henk: The Dutch jazz & blues discography 1916-1980/ compiled by Henk Zwartenkot... [et al.]; final editing, Wim van Eyle.; Dutch jazz and blues discography 1916-1980. Amsterdam, Spectrum, 1981; 247 p: ISBN: 902749276X. 487. Fadini, Emilia [Editor]; Pestelli, Giorgio [Editor]; Petrobelli, Pierluigi [Editor]; Turchi, Guido [Editor]; Ziino, Agostino [Editor]: Academia Musicale Chigiana; Societ… Italiana di Musicologia; Universit… degli Studi di Napoli. Domenico Scarlatti e il suo tempo. [ Domenico Scarlatti and his era.] Chigiana: Rassegna annuale di studi musicologici, Vol. 40; Issue 20; 1985; 210 p.; Illus., facs., music, list of works, index: ISSN: 0069-3391. 488. Fadini, Emilia: La grafia dei manoscritti scarlattiani: Problemi e osservazioni. [Notation in Scarlatti manuscripts: Problems and observations.] Chigiana: Rassegna annuale di studi musicologici, Vol. 40; Issue 20; 1985; pp. 183-206; Facs., music: ISSN: 0069-3391. 489. Fairtile, Linda B.: Giacomo Puccini's operatic revisions as manifestations of his compositional priorities. 1996; 726 p.; (PhD diss., : New York U.). PA 9702017. 490. Fallon, Daniel M: Saint-Saëns and the Concours de composition musicale in Bordeaux. Journal of the American Musicological Society, Vol. XXXI/2 (September 1978) 309-25. Music examples.: ISSN: 0003-0139. 491. Fallows, David: Early English. Musical times, Vol. CXVIII/1617 (November 1977) 949-52.
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492. Falvy, Zolt n [Editor]; Suppan, Wolfgang [Editor]: Musica pannonica. I (1991) Musica pannonica, Oberschützen: Pannonische Forschungsstelle; 188 p.; Vol. 1; 1991; Illus., music: ISSN: 1215-5675. 493. Fanna, Antonio [Editor]; Morelli, Giovanni [Editor]: Nuovi studi vivaldiani: Edizione e cronologia critica delle opere. [New studies on Vivaldi: Editions and critical chronology of his works.] Studi di musica veneta: Quaderni vivaldiani, Firenze: Olschki; 1988; viii, 870 p.: ISBN: 88-222-3625-4. 494. Farkas, Ferenc: Kodály magyar rondójának elso kiadásához. [On the first edition of Kodály's R‚gi magyar katonadalok.] Kecskemét: Kodály Intézet; 1992; pp. 118-134; Illus., facs., music 495. Fast, Barbara Ruth: Marguerite Miller's contributions to piano pedagogy.: 1997; 352 p.; (PhD diss., : U. of Oklahoma); Illus., port. 496. Fechner, Manfred: Bemerkungen zu Musikedition und Aufführungspraxis. [ Observations on music editing and performance practice.] Blankenburger Studien, Vol. [14] (See RILM 1982-02092-bs) 69-70. In German. 497. Feder, Georg: Bericht uber das Symposion musikwissenschaftlicher Editoren in der Herzog August Bibliothek Wolfenbüttel vom 5.-7. Juni 1974 . [Report on the symposium of musicological editors held in the Herzog August Bibliothek, Wolfenbüttel, 5-7 June 1974.] Wolfenbütteler Beitrage , Vol. III (1978) 337-57. Bibliography. In German. 498. Feder, Georg: Das Autograph als Quelle wissenschaftlicher Edition. [The autograph as a source for the scholarly edition.] Tutzing, Germany: Schneider; 1990; pp. 115-144; Music 499. Feder, Georg: Die Echtheitskritik in ihrer Bedeutung für die Haydn -Gesamtausgabe. [Authenticity criticism and its significance for the Haydn collected works edition.] Stuttgart, Germany: Steiner; 1991; pp. 71-106; Charts, diagr. 500. Feder, Georg: From the workshop of the Haydn Edition. Musical times,: Vol. CXXIII/1669 (March 1982) 166-69. Facsimile. 501. Feder, Georg: Haydns Korrekturen zum Klavierauszug der Jahreszeiten. [ Haydn's proof- corrections in the piano-vocal score of Die Jahreszeiten. ] (See RILM 1978-02378-be) 101- 12. Facsimile, music examples. In German. 502. Feder, Georg: Haydns Opern und ihre Ausgaben. [Haydn's operas and their editions.] (See RILM 1980-00182-be) 165-79. In German. 503. Feder, Georg: Musikphilologie: Eine Einführung in die musikalische Textkritik, Hermeneutik und Editionstechnik. [Music philology: An introduction to music-textual criticism, hermeneutics, and editorial practice.] (Darmstadt: Wissenschaftliche Buchgesellschaft, 1987) 195 p. Bibliography, index. In German. 504. Feder, Georg: Symposion musikwissenschaftlicher Editoren in der Herzog August Bibliothek Wolfenbüttel vom 5. bis 7. Juni 1974. [Symposium of music editors held in the Herzog August Bibliothek in Wolfenbüttel, 5-7 June 1974.] Die Musikforschung, Vol. XXVII/4 (1974) 450-51. In German.: ISSN: 0027-4801. 505. Feder, Georg: Textkritische Methoden. Versuch eines Uberblicks mit Bezug auf die Haydn- Gesamtausgabe. Barry S. Brook zum 65. Geburts-tag gewidmet.: [Text-critical methods. An attempt at an overview with reference to the Haydn Gesamtausgabe. Dedicated to Barry S. Brook on his 65th birthday. ] Haydn-Studien, Vol. V/2 (November 1983) 77-109. Music examples. In German.: ISSN: 0040-5323. 506. Feder, Georg: The collected works of Joseph Haydn. (See RILM 1981-04347 -bs) 26-34.
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507. Feder, Georg: Zur Textkritik von Haydns Streichquartetten. [Textual criticism and Haydn's string quartets.] Concerto, Vol. II/6 (1985) 25 -31. Facsimile, music examples. In German. 508. Feder, Georg; Di Stefano, Giovanni [trans]; Bianconi, Lorenzo [ed]: Filologia musicale: Introduzione alla critica del testo, all'ermeneutica e alle tecniche d'edizione. [Music philology: An introduction to music -textual criticism, hermeneutics, and editorial practice.] p. 212 (Bologna: Mulino, 1992). 509. Feder, Georg; Unverricht, Hubert; Borghetti, Vincenzo [Translator]: Urtext ed edizione urtext. [Urtext and urtext editions.] Lucca, Italy: Libreria Musicale Italiana; 1995; pp. 75-96 510. Federhofer, Hellmut: 25 Jahre Johann Joseph Fux-Forschung. [Twenty-five years of research on Johann Joseph Fux.] Acta musicologica, Int, Vol. LII/2 (1980) 155-94. Bibliography. In German. 511. Federhofer, Hellmut: Johann Joseph Fux im Wandel der Zeit. [Johann Joseph Fux in the vicissitudes of time.] Musica pannonica, Oberschützen : Pannonische Forschungsstelle; Vol. 1; 1991; pp. 7-26; Facs.: ISSN: 1215-5675. 512. Federhofer, Hellmut: Zu Felix Mendelssohns Händel-Interpretation im Urteil der Mit- und Nachwelt. [Felix Mendelssohn's interpretation of Händel in the judgment of his contemporaries and of posterity.]: Musicologica austriaca, Vol. VIII (1988) 27-39. Music examples, bibliography. In German. 513. Federhofer-Königs, Renate: Die Beziehungen von Robert Schumann zur Familie Andr‚: Mit unveröffentlichten Briefen. [The relationship between Robert Schumann and the Andr‚ family: Unpublished letters.] Gutenberg Jahrbuch, Vol. LXIII (1988) 190-205. In German.: ISSN: 0072-9094. 514. Feil, Arnold: Neue Schubert-Forschung. [New Schubert research.] Neue Zeitschrift für Musik, Vol. CXLI/4 (1980) 238-41. In German.: ISSN: 0170-8791. 515. Feil, Arnold: Schuberts musikalischer Text in der Ubersetzung vom Autograph in den Druck. [Schubert's musical text, from autograph to print.] (See RILM 1979-02305-bs) 153- 68. Facsimile, music examples. In German. 516. Feil, Arnold: Wissenschaft für die Praxis. Zur Neuen Schubert-Ausgabe.: [Scholarship for musical practice. Concerning the Neue Schubert-Ausgabe .] Neue Zürcher Zeitung, Vol. 269 (18-19 November 1978) 65. In German.: ISSN: 0376-6829. 517. Feil, Arnold: Zur Entstehungsgeschichte der Neuen Schubert-Ausgabe. [ The genesis of the new Schubert edition.] Kassel, Germany: Bärenreiter; 1989; pp. 226-233 518. Feiszli, James David: Performance editions from Heinrich Isaac's Choralis constantinus. (DMA diss.: Arizona State U., 1983) 253 p. Music examples. DA 83-22525. 519. Feld, Steven: Dialogic editing: Interpreting how Kaluli read Sound and sentiment. Cultural anthropology, Vol. 2; Issue 2; May 1987; pp. 190 -210: ISSN: 0886-7356. 520. Felix, Werner: Erforschung und Pflege des Schaffens von Johann Sebastian Bach in der DDR. [The study and cultivation of the works of J.S. Bach in the DDR.] Musik und Gesellschaft, Vol. XXX/7 (1980) 385-91. In German.: ISSN: 0027-4755. 521. Fellerer, Karl Gustav: Mozarts Werk nach seinem Tode. [Mozart's works after his death.] Wiener Figaro, Vol. XLIV/1 (October 1977) 1-6. In German. 522. Fellerer, Karl-Gustav: Werk-Edition-Interpretation. [Work - edition - performance.] (See RILM 1980-00182-be) 180-92. In German.
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523. Fellinger, Imogen: Autographe, Drucke und Ausgaben. [Autographs, prints , and editions (Brahms).] (See RILM 1983-00741-bc) 75-86. Portrait, facsimile. In German. 524. Fellinger, Imogen: Brahms' beabsichtigte Streitschrift gegen Erk-Böhmes Deutscher Liederhort. [Brahms's planned polemic against Erk and Böhme's Deutscher Liederhort.] (Tutzing: Schneider, 1988) 139-53. In German. See RILM 1988-01141-bs. 525. Fellinger, Imogen: Neuere Brahms-Forschung in Europa. [Recent Brahms research in Europe.] Österreichische Musikzeitschrift, Vol. XXXVIII/4-5 (April-May 1983) 248-52. In German.: ISSN: 0029-9316. 526. Fellinger, Imogen: Unbekannte Mozart-Studien Nottebohms. [Unknown Mozart studies by Nottebohm.] Tutzing, Germany: Schneider; 1993; pp. 587-99; Facs. 527. Ferenczi, Ilona: Musikalische Rechtschreibung und "Variierung" in ungarischsprachigen Gradualen des 16-17. Jahrhunderts. [Musical orthography and "variation" in Hungarian graduals of the 16th and 17th centuries.] Studia musicologica Academiae Scientiarum Hungaricae, Vol. 32; Issue 1-4; 1990; pp. 41-53: ISSN: 0039-3266. 528. Ferenczi, Ilona: ütemvonallal vagy an‚lkül. [With or without barlines. ] Magyar zene, Vol. 35; Issue 2; June 1994; pp. 115-117: ISSN: 0025 -0384. 529. Ferenczi, Ilona: Zenei helyesír s es 'vari l s' a XVI-XVII. sz zadi gradu lokban. [Musical orthography and 'variation' in 16th- and 17th -century graduals.] Zenetudom nyi dolgozatok, (1988) 61-72. In Hungarian; summary in German.: ISSN: 0139-0732. 530. Ferrard, Jean: L'oeuvre pour orgue de César Franck: Sources et éditions.: [Sources and editions of César Franck's organ works.] Revue belge de musicologie/Belgisch tijdschrift voor muziekwetenschap, Vol. 45; 1991; pp. 163-180; List of works: ISSN: 0771-6788. 531. Ferreira, Manuel Pedro: O som de Martin Codax: Sobre a dimensao musical da lírica galego-portuguesa (s‚culos XII-XIV). [The sound of Martin Codax: On the musical dimension of the Galician-Portuguese lyric (12th -14th centuries)] (Lisboa: Imprensa Nacional, 1986) 241 p. Portrait, facsimile, music examples, index. In Portuguese; summary in English. 532. Ferri, John P.: Performance indications and the analysis of Chopin's music. 1996; 385 p.; (PhD diss., : Yale U.). PA I9712774. 533. Fertonani, Cesare: Edizioni e revisioni vivaldiane in Italia nella prima met… del Novecento (1919-1943) [Vivaldi editions and revisions in Italy during the first half of the 20th century (1919-1943)] Chigiana: Rassegna annuale di studi musicologici, Firenze: Olschki; Vol. 41; Issue 21; 1989; pp. 235-266; Facs., music: ISSN: 0069-3391. 534. Ficola, Daniele; Collisani, Giuseppe: Bartolomeo Montalbano da Bologna, musicista francescano. [Bartolomeo Montalbano of Bologna, a Franciscan musician.] Studi musicali, Vol. XVI/1 (1987) 133-56. Music examples. In Italian.: ISSN: 0391-7789. 535. Filler, Susan Melanie: Editorial problems in symphonies of Gustav Mahler : a study of the sources of the third and tenth symphonies. (PhD diss., Music history and literature: Northwestern U., 1977) 630 p. (typescript, xerox). Facsimile, music examples, bibliography. 536. Fine, Marshall Joseph: The viola concertos of Fr. Roman Hoffstetter, O.S .B.: A new edition based on the manuscripts found at the University of Lund. 1990; 176 p.; (DMA doc., : Memphis State U.). PA 9102955. 537. Finscher, Ludwig [ed]: [Hammerstein Festschrift] Claudio Monteverdi: Festschrift Reinhold Hammerstein zum 70. Geburtstag. [Claudio Monteverdi : A Festschrift for Reinhold
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Hammerstein on his 70th birthday.] (Laaber: Laaber-Verlag, 1986) 508 p. In German, English.: ISBN: 3-89007-105-8. 538. Finscher, Ludwig [ed]: Datierung und Filiation von Musikhandschriften der Josquin-Zeit. [The dating and filiation of music manuscripts of the Josquin period.] Quellenstudien zur Musik der Renaissance, Vol. 2. (Wiesbaden: Harrassowitz, 1983) Wolfenbütteler Forschungen 26, 269 p. Illustration, facsimile, music examples, tables, diagrams. In German, English. 539. Finscher, Ludwig: Gesamtausgabe - Urtext - musikalische Praxis. Zum Verhältnis von Musikwissenschaft und Musikleben. [Collected works - Urtext edition - musical practice. On the relationship of musicology and musical life.] (See RILM 1980-00182-be) 193-98. In German. 540. Fischer, Johannes [Editor]: Beethoven-Gesellschaft München. Münchener Beethoven- Studien. Salzburg, Austria: Katzbichler; 1992; 286 p.; Illus ., facs., music 541. Fischer, Johannes: Textkritik und Interpretation. II: Das Staccato in Ludwig van Beethovens Klaviersonaten. [Text criticism and interpretation . II: Staccato in Ludwig van Beethoven's piano sonatas.] Kassel: Bosse; 1990; pp. 151-168; Facs., music, bibliog. 542. Fischer, Klaus: Zur Ornamentik in frühen Kammermusikwerken Viottis und ihr Bezug zur Aufführungspraxis der Mozart-Zeit. [Ornamentation in early chamber works by Viotti and its connection with performance practice of the Mozart era.] Michaelstein/Blankenburg, Germany: Kultur- und Forschungsstätte Michaelstein; 1991; pp. 37-43; Music 543. Fischer, Kurt von: Editions-und Aufführungspraxis im späten 18. und frühen 19. Jahrhundert dargestellt an Mozarts Klaviervariationen. [ Editing and performance practice in the late 18th and early 19th centuries: Mozart's piano variations.] Schweizerische musikpädagogische Blätter, Vol. LXXIII/1 (March 1985) 7-15. Music examples. In German.: 544. Fittler, Katalin: A Lendvai összkiadás elé. [The plans for a Lendvai complete edition.] Zeneszó, Issue 2; 1994; pp. 25-26 545. Fjeldsoe, Michael: Om videnskabelig editionsteknik. [On the scholarly editing of music.] Musik & forskning, Vol. 23; 1998; pp. 159-176: ISSN: 0903-188X. 546. Fleischhauer, Günter [Editor]; Siegmund-Schultze, Walther [Editor]; Thom, Eitelfriedrich [Editor]: Kultur- und Forschungsstätte Michaelstein. Historische Aufführungspraxis im heutigen Musikleben. I. [Historical performance practice in present-day musical life. I.] Studien zur Aufführungspraxis und Interpretation der Musik des 18. Jahrhunderts, 42 , Michaelstein/Blankenburg, Germany: Kultur- und Forschungsstätte Michaelstein; 1990; 96 p. 547. Fleischhauer, Günter: Scheidt-Konferenz in Halle. [The Scheidt conference held in Halle.] Bulletin des Musikrates der DDR, Vol. XXV/1 (1988) 47-49. Illustration. In German; summaries in French and English.: 548. Fleischhauer, Günter: Telemann-Arbeitskreis in Magdeburg: Fünfundzwanzig Jahre. [Twenty-five years of the Telemann Arbeitskreis in Magdeburg.]: Bulletin des Musikrates der DDR, Vol. XXII/3 (1986) 45-49. Illustration . In German; summaries in English, French. 549. Fleming, Keith Allan: The editing of some Communion melodies in medieval chant manuscripts. (PhD diss.: Catholic U. of America, 1979) 160 p. 550. Fleming, Nancy Pope: Rossini's Petite messe solenelle. (DMA doc., Music : U. Illinois, Urbana-Champaign, 1986) 232 p. DA 8623297.
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551. Flesch, Siegfried: Die Händel-Ausgabe von J.O.H. Schaum. [The Händel edition of J.O.H. Schaum.] Händel-Jahrbuch, Vol. 39; 1993; pp. 105-12: ISSN: 0440-0615. 552. Flesch, Siegfried: Zur Händelforschung am Wissenschaftsbereich Musikwissenschaft. [Research on Händel at the musicology department.]: (See RILM 1985-00737-ac) 14-19. In German. 553. Floros, Constantin: Historische Phasen der Bruckner-Interpretation. [ Historical phases of Bruckner interpretation.] (See RILM 1983-04508-bs) 93-102. In German. 554. Flothuis, Marius [Editor]; Gluck, Christoph Willibald; Du Roullet, Marie François Louis Gand Leblanc: Iphig‚nie en Aulide. Tragédie. Op‚ra en trois actes von Marie François Louis Gand Bailli Du Roullet dit Le Blanc. Chr. W. Gluck: Sämtliche Werke, I:5:B, Kassel, Germany: Bärenreiter; 1989; xxv, 607 p. 555. Flothuis, Marius: Die Neuedition von Glucks Oper Iphigénie en Aulide, oder Der Musikwissenschaftler als Detektiv. [The new edition of Gluck's opera Iphig‚nie en Aulide, or, The musicologist as detective.]: ™sterreichische Musikzeitschrift, Vol. XLII/10-11 (October-November 1987) 494-97. Music examples, bibliography. In German.: ISSN: 0029 -9316. 556. Flothuis, Marius: Dürfen und können wir ein unvollständig überliefertes Werk ergänzen? [Can and ought we complete an incompletely transmitted work?] 's-Gravenhage: Nijgh & Van Ditmar; 1991; pp. 17-25 557. Flothuis, Marius: Neue Erkenntnisse in Bezug auf Mozarts Tanzmusik. [ New perceptions with reference to Mozart's dance music.] Mitteilungen der Internationalen Stiftung Mozarteum, Vol. XXVIII/3-4 (August 1980) 12 -15. Music examples. In German.: ISSN: 0541-2331. 558. Flothuis, Marius: The Neue Mozart-Ausgabe: A retrospect. Early music , Vol. 19; Issue 4; Nov 1991; pp. 533-537; Illus., facs., music: ISSN: 0306-1078. 559. Flotzinger, Rudolf: überlegungen zur Denkmäler-Edition. [Reflections on editing monuments of music.] Studien zur Musikwissenschaft: Beihefte der Denkmäler der Tonkunst in Österreich, Vol. 42; 1993; pp. 373-378: ISSN: 0930-9578. 560. Flurry, Henry: An introduction to the Creation Station. Computer music journal, Vol. 13; Issue 2; summer 1989; pp. 56-70: ISSN: 0148-9267. 561. Folena, Gianfranco [Editor]; Muraro, Maria Teresa [Editor]; Morelli, Giovanni [Editor]: Fondazioni Giorgio Cini. Opera & libretto. II.: Studi di musica veneta, Firenze: Olschki; 1993; viii, 498 p.: ISBN: 88 -222-4064-2. ISSN: 0394-4417. 562. Follingstad, Sharon Ruth: A pattern for the ornamented performance of the sacred choral motet Ascendit Deus by Peter Philips (b.1560-61 d.1628) as viewed in the context of related Italian historical models. 1994; 97 p.; (DM doc., Church music: Indiana U., 1994); Music, bibliog., charts, diagr. 563. Foltmann, Niels Bo: Kildeproblemer i forbindelse med Niels W. Gades vAErker: Kildematerialet til Niels W. Gades vAErker, dets beskaffenhed og editionstekniske problemer i forbindelse med en moderne kritisk udgave.: [Source problems and connections among Niels W. Gade's works: Source materials for Niels W. Gade's works, their nature, and problems of editorial technique in preparing a modern critical edition.] Oslo, Norway: U. i Oslo; 1993; pp. 370-374 564. Forner, Johannes: Mendelssohn und die Bachpflege in Leipzig. [ Mendelssohn and the cultivation of Bach in Leipzig.] Arbeitsbericht zur Geschichte der Stadt Leipzig, II/23 (1972) 85-98.
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565. Fortunatov, K; Khachaturian, Aram Il'ich: Sonatas, violin, piano.; Sonate für Violine und Klavier/ Aram Chatschaturjan; [Redaktion des Violinparts, K. Fortunatow] = Sonata for violin and piano/ Aram Khachaturian; [editing of the violin part, K. Fortunatov] Hamburg, Sikorski, New York, G. Schirmer for U.S.A., Canada, Mexico, Central, and South America, 1984; Erstdruck; 1 score (44 p.) + 1 part (11 p.) 566. Fortune, Nigel; Olleson, Edward; Sternfeld, Frederick William; Westrup , J. A: Essays on opera and English music: in honour of Sir Jack Westrup / edited by F. W. Sternfeld, Nigel Fortune, Edward Olleson. Oxford, Blackwell, 1975; x, 189 p., [3] leaves of plates, [4] p. of plates: ISBN: 0631158901. 567. Foster, Scott; Schloss, W. Andrew; Rockmore, A. Joseph: Toward an intelligent editor of digital audio: Signal processing methods.: Cambridge, MA: MIT; 1989; pp. 549-558; Illus., music, bibliog., charts, diagr. 568. Foty, Yurko: Let's sing out in Ukrainian = Zaspivaimo sobi/ compilation and editing, Yurko Foty; musical calligraphy, Sviatoslaw Chepyha.: Saskatoon, Sask, Canuk Publications, 1977-; v. of music 1 569. Fowler, Alandra Dean: Estelle Liebling: An exploration of her pedagogical principles as an extension and elaboration of the Marchesi method, including a survey of her music and editing for coloratura soprano and other voices. 1994; 172 p.; (DMA doc., : U. of Arizona). PA 9426308. 570. Fragen der Aufführungspraxis und Interpretation Händelscher Werke in Vergangenheit und Gegenwart. Bericht uber die wissenschaftliche Konferenz zu den 28. Händelfestspielen der DDR in Halle (Saale) am 11. und 12. Juni 1979. [Topics in performance practice and interpretation of the works of Händel, past and present. Report of the scholarly conference held in connection with the 28th Händel Festival of the DDR in Halle (Saale), 11 and 12 June 1979.] Wissenschaftliche Beiträge der Martin-Luther -Univeristät Halle, Vol. 7, (Halle: Martin-Luther-Universität, 1980) 136 p. Music examples. In German. 571. Francescatti, Zino; Mozart, Wolfgang Amadeus: Concertos, violin, orchestra, K. 211, D major; arr.; Concerto no. 2 in D major, K. 211, for violin and piano/ Mozart; [editing and cadenzas by] Zino Francescatti.: New York, International Music Co, 1971; 1 score (19 p.) + 1 part (8 p.): 572. Francescatti, Zino; Paganini, Nicolò: Carnevale di Venezia; arr.; The carnival of Venice: 20 variations, opus 10/ Paganini; [editing and the new piano accompaniment by] Zino Francescatti. New York, International Music Co, 1972; 1 score (12 p.) + 1 part (4 p.) 573. Franzke, Ulrich: Die "Essener Software". [The Essen software.]: Musikometrika, Vol. 4; 1992; pp. 181-205; Music: ISSN: 0027-4828. 574. Fredlund, Lorne Dale; SAMPSON, Jeffrey: An interactive graphics system for computer- assisted musical composition. International journal of man -machine studies, Vol. V/4 (October 1973) 585-605. 575. Freed, Adrian: Recording, mixing, and signal processing on a personal computer. New York: Audio Engineering Society; 1987; pp. 165-172 576. Freie Deutsche Akademie der Wissenschaften und Künste. Georg Friedrich Händel. Beckmesser: Schriftenreihe Freie Deutsche Akademie der Wissenschaften und Künste, 1, Münster, Germany: Lit; 1992; viii, 133 p.: ISBN: 3-89473-245-8. 577. Frelih, Darja: Premrlov Cerkveni glasbenik. [Premrl's Cerkveni glasbenik.] Ljubljana: Druzina; 1996; pp. 25-32
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578. Freywald, Volker: Violinsonaten der Generalbassepoche in Bearbeitungen des späten 19. Jahrhunderts. [Violin sonatas of the thorough-bass era in late-19th-century arrangements.] (PhD diss., Musicology: U. Hamburg, 1971) Hamburger Beiträge zur Musikwissenschaft. 10 (Hamburg: Wagner, 1973) 278 p. In German. 579. Frisius, Rudolf: Neue Ansätze der musikalischen Unterweisung: Aktivierende Medienerziehung im musikalischen Anfangsunterricht. [New approaches to music teaching: active media training in beginning music instruction.] Zeitschrift für Musikpädagogik, Vol. VII/17 (1982) 72-77. In German. 580. Froger, Jacques: La méthode de Dom Hesbert dans le volume VI du Corpus antiphonalium officii. [The method of Dom Hesbert in volume VI of the Corpus antiphonalium officii.] Ètudes grégoriennes, Vol. XIX (1980) 185 -96. In French.: ISSN: 0071-2086. 581. Froger, Jacques: The critical edition of the Roman Gradual by the monks of Solesmes. Journal of the Plainsong and Mediaeval Music Society, Vol. I (1978) 81-97.: ISSN: 0143- 4918. 582. Frolov, Sergej: Glinka: Ivan Susanin/Zizn' za carja. Sovetskaja muzyka , Issue 1; Jan 1989; pp. 83-91; Bibliog.: ISSN: 0131-6818. 583. Füssl, Karl Heinz: Neue Gedanken in der Musik von Leos Janácek. [New thoughts on the music of Leos Jan cek.] Musica, Vol. XLII/5 (1988) 426 -31. Music examples. In German.: ISSN: 0027-4518. 584. Füssl, Karl Heinz: Urtext-Ausgaben: Probleme und Lösungen. [Urtext editions: problems and solutions.] ™sterreichische Musikzeitschrift,: Vol. XXVIII/11 (1973) 510-14. In German.: ISSN: 0029-9316. 585. Fuchs, Ingrid [Editor]: Österreichische Gesellschaft für Musikwissenschaft. Internationaler Musikwissenschaftlicher Kongreß zum Mozartjahr 1991, Baden-Wien. [International musicological congress for the Mozart anniversary year 1991, Baden-Vienna.] 2v.; Tutzing, Germany: Schneider; 1993; pp. 441; 448-1061; Illus., facs., music, charts, diagr .: ISBN: 3- 7952-0766-5. 586. Fuchs, Ingrid [Editor]; Antonicek, Susanne [Collaborator]: Bundesministerium für Wissenschaft und Forschung, Wien; Wiener Festwochen. Johann Sebastian Bach: Beiträge zur Wirkungsgeschichte. [ Johann Sebastian Bach: Essays on the history of his influence.] Wien: Verband der Wissenschaftlichen Gesellschaften Österreichs; 1992; 279 p.; Facs., music, bibliog.: ISBN: 3-85369-897-2. 587. Fujinaga, Ichiro; Alphonce, Bo; Pennycook, Bruce; Diener, Glendon R.: Interactive optical music recognition. San Francisco: International Computer Music Association; 1992; pp. 117-120; Illus., music, charts, diagr. 588. FUKAC, Jirí: Poh dka o poh dce aneb jak jsme na tom s jan ckovskym vedením. [The fairy tale of fairy tales, or, Where does our knowledge about Jan cek stand?.] Hudební rozhledy, Vol. XXXV/5 (1982) 230-31. In Czech.: ISSN: 0018-6996. 589. Fuller, David R.: "Sous les doits de Chambonnière." Early music, Vol. 21; Issue 2; May 1993; pp. 191-202; Illus., facs., transcr.: ISSN: 0306-1078. 590. Fux, Johann Joseph; White, Harry M. [Editor]: Il trionfo della fede, K .294. Johann Joseph Fux: Sämtliche Werke, 4:3, Graz, Germany: Akademische Druck- und Verlagsanstalt; 1991; xxx, 272 p. 591. Gérard-Zai, Marie-Claire: Édition d'une romance parodique occitane: L'altrier cuidai aber druda. [An edition of an Occitan parody romance: L'altrier cuidai aber druda.] Kalamazoo: Western Michigan U.; 1986; pp. 53-63; Music
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592. Göllner, Marie Louise: "Composition" in the late Middle Ages and its reflection in modern editorial methods. Osaka, Japan: Mita; 1991; pp. 87-94; Music 593. Galko, Ladislav: O redigovaní Slovenskych spevov. [Concerning the editing of Slovenskych spevov.] Musicologica slovaca, Vol. III (1971) 141-59. In Slovak.: ISSN: 0581-0558. 594. Gallacher, Patrick J. [Editor]; Damico, Helen [Editor]: Hermeneutics and medieval culture. Albany, NY: State U. of New York; 1989; xv, 287 p .; Index: ISBN: 0-88706-745-X. 595. Gallico, Claudio: Il restauro del testo di Ernani. [The restoration of the text of Ernani.] Verdi: Bollettino dell'Istituto di Studi Verdiani , Vol. X (1987) 82-103. In Italian. See RILM 1987-00936-bs. 596. Gallico, Claudio: Verso l'edizione critica di Ernani di Verdi. [Toward a critical edition of Verdi's Ernani.] Milano, Italy: Ricordi; 1987; pp . 20-28 597. Garnett, Guy E.: Meta-issues in music representation: Notes for a panel discussion. San Francisco, CA: Computer Music Association; 1989; pp. 117-118 598. Gates, Charles Reginald: An examination of Jean Maire's edition of J.B. Arban's Grande methode complète pour cornet … pistons et de saxhorn and its contribution to modern trumpet pedagogy, with suggested augmentations of Maire's edition. 1992; (DMA doc., Music: Ohio State U., 1992). PA 9307709. 599. Gay, David E.: The creation of the Kalevala, 1833-1849. Jahrbuch für Volksliedforschung, Vol. 42; 1997; pp. 63-77: ISSN: 0075-2789. 600. Geant, Micheline; Meneau, Christophe: Des partitions musicales au langage braille: reproduction automatique par ordinateur. [Musical scores in Braille: computerized reproduction.] Informatique musicale,: (See RILM 1978-02401-bs) 157-90. In French. 601. Geiringer, Karl: Brahms as a musicologist. Musical quarterly, Vol. LXIX/4 (fall 1983) 463- 70. Bibliography. 602. Geiringer, Karl: Reviews of Haydn editions. Notes. Music Library Association, Vol. XXXIV/1 (September 1977) 192-94. 603. Gentenban no tebiki. [A guide to Urtexts.] (Tokyo: Ongaku-no-tomo, 1974) 59 p. Illustration, facsimile, music examples. In Japanese. 604. Georgiades, Thrasybulos G. [Editor]: Musikalische Edition im Wandel des historischen Bewusstseins. [Music editing in the development of historical consciousness.] Musikwissenschaftliche Arbeiten, Vol. 23, (Kassel: Bärenreiter, 1971) 224 p. In German. 605. Georgiades, Thrasybulos: Kleine Schriften. [Shorter writings.]: Münchener Veröffentlichungen zur Musikgeschichte, Vol. 26, (Tutzing: Schneider, 1977) 246 p. In German. 606. Gerasmova-Persidskaja, Nina: Ot formuly k figure. [Formulas to figures .] Musica antiqua, Vol. VIII/1 (Bydgoszcz: Filharmonia Pomorska im. I. Paderewskiego, 1988) 413-26. In Russian. See RILM 1988-00974-bs.: ISSN: 0771-7016. 607. Gerlach, Sonja: Neues zu Haydns Baryton-Oktett Nr. 5 (Hob. X:1). [New information about Haydn's baryton octet no. 5 (Hob. X:1).] Haydn-Studien , Vol. V/2 (November 1983) 125- 34. Facsimile, music examples. In German.: ISSN: 0040-5323. 608. Giegling, Franz: überlieferungs- und Editionsprobleme. [Problems in source transmission and editing.] Mozart-Jahrbuch, (1987-88) 115-19. In German.: ISSN: 0077-1805.
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609. Gilbert, Kenneth: Riflessioni sull'edizione del tricentenario. [ Reflections on the third- centenary critical edition.] Chigiana: Rassegna annuale di studi musicologici, Vol. 40; Issue 20; 1985; pp. 173-181: ISSN: 0069-3391. 610. Gillies, Malcolm G.W. [Editor]: The Bartók companion. London: Faber & Faber; 1993; xviii, 586 p.: ISBN: 0-571-15330-5. 611. Gillies, Malcolm G.W.: Bartók as pedagogue. Studies in music, Vol. 24; 1990; pp. 64-86: ISSN: 0081-8267. 612. Giuliani, Mauro: The complete works in facsimiles of the original edition. (London: Tecla, 1984) 3 v. 613. Glazer, Frank: Mikuli's puzzling pedal marking. Clavier, Vol. 30; Issue 4; Apr 1991; pp. 24- 25; Port., music: ISSN: 0009-854X. 614. Gülke, Peter: Philologie und musikalische Praxis. [Philology and performance practice.] Österreichische Musikzeitschrift, Vol. 46; Issue 10; Oct 1991; pp. 535-539: ISSN: 0029- 9316. 615. Günther, Ursula: Don Carlos: Edizione integrale--Critical edition.: Milano, Italy: Ricordi; 1987; pp. 29-48; Facs. 616. Goldhammer, Otto: Genügen Faksimile-Drucke und Urtext-Ausgaben zur fehlerfreien Darstellung der kompositorisch-musikalischen Intentionen Johann Sebastian Bachs?. [Are facsimiles und Urtext editions sufficient for an error-free representation of the compositional and musical intentions of J.S. Bach?.] (See RILM 1977-00203-bs) 327-43. In German.: 617. Goldhan, Wolfgang: Carl Maria von Weber: Im Schatten von Bach, Mozart und Beethoven. [Carl Maria von Weber, in the shadow of Bach, Mozart, and Beethoven.] Jahrbuch des Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz, 1991; pp. 303-22; Facs., list of works: ISSN: 0572-6239. 618. Goldhan, Wolfgang: Erfahrungen beim Vergleich der Quellen zu den Kompositionen für ein Blasinstrument mit Begleitung von Carl Maria von Weber: Eine Problemstudie. [Comparing sources for Carl Maria von Weber's works for single wind instrument with accompaniment: Solving editorial problems.] Weber-Studien, Mainz, Germany: Schott; Vol. 1; 1993; pp. 197-217; Music 619. Goldschmidt, Harry; Brenneis, Clemens: Aspekte der gegenwärtigen Beethovenforschung. [Aspects of current Beethoven research.] Beiträge zur Musikwissenschaft, Vol. XVIII/1 (1976) 3-38. In German.: ISSN: 0005 -8106. 620. Gooch, Bryan N: Catalogues and computers, or, Bibliography and the beast . Fontes artis musicae, Int, Vol. XXXI/1 (January-March 1984) 38-41. 621. Goretti, Laura: La sonata n. 6 per violoncello e continuo: Analisi di revisioni nel corso di due secoli. [Sonata no. 6 for violoncello and continuo: Analysis of revisions over the course of two centuries.]: Chigiana: Rassegna annuale di studi musicologici, Vol. 43; Issue 23; 1993; pp. 151-156: ISSN: 0069-3391. 622. Gosebruch, Martin; Wolters, Christian; Wiora, Walter: Methoden der Kunst- und Musikwissenschaft. [Methodology of art and music history.]: Vol. In German. 623. Goss, Glenda Dawn [Editor]: The Sibelius companion. London, CT: Greenwood; 1996; xvi, 449 p.; Illus., port., facs., music, charts, diagr.: ISBN: 0-313-28393-1. 624. Gossett, Philip: "The works of Giuseppe Verdi." Milano, Italy: Ricordi; 1987; pp. 3-9
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625. Gossett, Philip: Censorship and self-censorship: Problems in editing the operas of Giuseppe Verdi. Philadelphia: American Musicological Society; 1990; pp. 247-257; Music, bibliog. 626. Gossett, Philip: L'edizione critica delle opere di Verdi. [The critical edition of Verdi's works.] (See RILM 1982-02111-bs) 35-44. In Italian.: 627. Gossett, Philip: New sources for Stiffelio: A preliminary report.: Cambridge opera journal, Vol. 5; Issue 3; Nov 1993; pp. 199-222; Music, charts, diagr.: ISSN: 0954-5867. 628. Gossett, Philip; Gotzes, Birgit [Translator]: Zensur und Selbstzensur: Probleme bei der Edition von Giuseppe Verdis Opern. [Censorship and self -censorship: Problems in editing Giuseppe Verdi's operas.] München: Ricordi; 1992; pp. 103-115; Music 629. Gossett, Philip; Zedda, Alberto; Cagli, Bruno: Criteri per l'edizione critica di tutte le opere di Gioacchino Rossini. [Criteria for a critical edition of the complete works of Gioacchino Rossini.]: Bollettino del Centro Rossiniano di Studi, Vol. 1 (1974) 1-61. Music examples. In Italian, English. 630. Gottschewski, Hermann: Graphic analysis of recorded interpretations.: Computing in musicology: An international directory of applications,: Menlo Park, Ca: Center for Computer Assisted Research in the Humanities; Vol. 8; 1992; pp. 93-96; Charts, diagr.: ISSN: 1057-9478. 631. Grabowski, Krzysztof: Francuskie oryginalne wydania dziel Fryderyka Chopina. [The original French editions of Fr‚d‚ric Chopin's music.]: Rocznik chopinowski/Annales Chopin, Vol. 21; 1995; pp. 115-155; Music: ISSN: 0208-5992. 632. Grabs, Manfred: Ausgabe der Gesammelten Werke von Hanns Eisler. [The edition of the collected works of Hanns Eisler.] Musik und Gesellschaft , XXIII/7 (July 1973) 403-05.: ISSN: 0027-4755. 633. Grabs, Manfred: Hanns Eisler: Werk und Edition. [Hanns Eisler: work and edition.] Arbeitshefte, Schriftenreihe des Prasidiums der Akademie der Kunste der DDR (Sektion Musik), Vol. 28: (Berlin: Henschel, 1978) Forum Musik in der DDR, vi, 110, 60 p. Illustration, facsimile. In German. 634. Graham, Mark folk singer; Hiebert, Sara: The Mark Graham songbook/ words & music by Mark Graham; transcriptions & editing by Sara Hiebert; design, collages & layout by Paul Kotapish. Seattle, WA, M. Graham, 1991 ; 62 p. of music 635. Grande, Tiziana: The Gazzetta musicale di Napoli, 1852-1868. Periodica musica, Vol. 5; 1987; pp. 17-23; Port., facs., index: ISSN: 0822-7594 . 636. Grant, Parks: Mahler research and editing in Vienna. Chord and discord , Vol. III/1 (1969) 15. 637. Gratzer, Wolfgang [Editor]; Lindmayr, Andrea [Editor]: Bundesministerium für Wissenschaft und Forschung in Wien; Amt der Salzburger Landesregierung; Magistrat der Landeshauptstadt Salzburg; Stiftungs- und Förderungsgesellschaft der Paris-Lodron- Universität Salzburg; International Salzburg Association; Bankhaus Carl Spängler & Co.. De editione musices: Festschrift Gerhard Croll zum 65. Geburtstag.: [De editione musices: A Festschrift for Gerhard Croll on his 65th birthday.] Laaber, Germany: Laaber-Verlag; 1992; 445 p.; Illus., facs. , music, charts, diagr.: ISBN: 3-89007-263-1. 638. Green, Richard D. [Editor]: Foundations in music bibliography. Music reference services quarterly, New York: Haworth; 398 p.; Vol. 2; Issue 1-2; 1993; Part 2: Vol. 2; Issue 3-4; pp. 227-395; Illus., bibliog., index: ISBN: 1-560-24512-3. ISSN: 1058-8167.
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639. Gregor-Dellin, Martin: Die Tagebücher Cosima Wagners. Ihre Geschichte, ihre Bedeutung, ihre Edition. [Cosima Wagner's diaries. Concerning their history and significance, and the editing of the diaries.] Universitas , Vol. XXXI (1976) 627-36. In German.: ISSN: 0041- 9079. 640. Grieg, Edvard: Den nye Grieg-udgave. Anmeldelse af bd. 1, 7, 8, 9 og 10.: [The new Grieg edition. Review of volumes 1, 7, 8, 9, and 10.] Edvard Grieg Samlede Verker, (Frankfurt am Main: Peters, 1977) In Danish. 641. Grier, James: Editing Adémar de Chabannes' liturgy for the feast of St. Martial. Plainsong and medieval music, Vol. 6; Issue 2; Oct 1997; pp. 97-118; Facs., music, charts, diagr.: ISSN: 0961-1371. 642. Grier, James: Musical sources and stemmatic filiation: A tool for editing music. The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, Vol. 13; Issue 1; winter 1995; pp. 73-102; Music, charts, diagr.: ISSN: 0277-9269. 643. Grier, James: On the critical editing of music. Irish musical studies , Portland, OR: Four Courts; Vol. 5; 1996; pp. 119-130; Music 644. Grier, James: The critical editing of music: History, method, and practice. New York: Cambridge U.; 1996; xiv, 267 p.; Illus., bibliog., index: ISBN: 0-521-55190-0. 645. Grigor'eva, Alla: Najti svoe mesto v okruzajuscem mire: Beseda. [To find one's place in a narrowing world: An interview.] Muzykal'naja akademija, Issue 4-5; 1995; pp. 66-78; Port.: ISSN: 0869-4516. 646. Grijp, Louis Peter [Editor]; Mook, Willem [Editor]: Proceedings of the International Lute Symposium. Utrecht: Stichting voor Muziekhistorische Uitvoeringsprakijk; 1988; vi, 168 p.: ISBN: 90-72786-01-7. 647. Grinds, Nils [Editor]; Karevold, Idar [Editor]; Quud, Even [Editor]: Nordisk musikkforskerkongress. [Nordic congress of musicologists.]: Skriftserie fra Institutt for Musikk og Teater, 2, Oslo, Norway: U. i Oslo; 1993; 453 p.: ISSN: 0804-001X. 648. Gruber, Gernot [Editor]; Münster, Robert [Editor]; Valentin, Erich [Editor]; Weiss, Günther [Editor]: Musikalische Aufführungspraxis und Edition: Johann Sebastian Bach, Wolfgang Amadeus Mozart, Ludwig van Beethoven. [Musical performance practice and edition: Johann Sebastian Bach, Wolfgang Amadeus Mozart, Ludwig van Beethoven.] Schriftenreihe der Hochschule für Musik in München, 6, Kassel: Bosse; 1990; 171 p.: ISBN: 3-7649-2280-X. 649. Gülke, Peter: Bericht: Internationaler Schubert-Kongress Detroit. [ Report: the International Schubert Congress, Detroit.] Beiträge zur Musikwissenschaft, Vol. XXI/4 (1979) 315-20. In German.: ISSN: 0005 -8106. 650. Gülke, Peter: Erfahrungen und Uberlegungen bei der Arbeit an einer Neuausgabe der 5. Sinfonie. [Experiences and reflections during work on a new edition of the symphony no. 5.] (See RILM 1978-00182-bs) 231-36. In German. 651. Gülke, Peter: überlegungen bei der Beschäftigung mit den Quellen zu einer Beethoven- Symphonie. [Reflections while studying the sources for a Beethoven symphony.] (See RILM 1978-02390-bs) 76-81. In German. 652. Göllner, Theodor: Alte Musik als musikalische Gegenwart. [Old music as musical here and new.] Musik in Bayern, Vol. 31 (1985) 5-13. In German .
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653. Guastoni, Mimma: Il compositore Donizetti e l'editore Ricordi: Un lungo rapporto. [The composer Donizetti and the publisher Ricordi: A long relationship.] Bergamo, Italy: Comune di Bergamo; 1993; pp. 111-117 654. Gudel, Joachim: Verzierungen in der Klaviermusik der Frühklassik als Editionsfragen. [Ornamentation of early Classic keyboard music as a problem in editing.] Blankenburger Studien, Vol. [14] (See RILM 1982 -02092-bs) 66-68. In German. 655. Guerrero, Francisco: Missarum liber secundus. Opera omnia 5; Monumentos de música espanola, Vol. 43, (Madrid: CSIC, 1985) 156 p. In Spanish. 656. Gui, Vittorio: Il rispetto del testo nelle edizioni e nelle traduzioni musicali. [Respect for the text in musical editions and translations. ] Nuova rivista musicale italiana, Vol. IV/4 (July- August 1970) 678-92. In Italian.: ISSN: 0029-6228. 657. Gupcsó, Agnes: Nemzeti Kulturális Alap; Magyar Könyv Alapítv ny. A Magyar Zenetudom nyi és Zenekritikai Térsaség Elsö Tudom nyos Konferenci ja. Zenetudom nyi dolgozatok, 1995-1996; pp. 1-382; Facs., music, charts, diagr.: ISSN: 0139-0732. 658. Gurevic, Ljudmila: Problemy sovremennoy skripicnoj redaktury. [ Contemporary problems in editing music for the violin.] (PhD diss., Music performance: Gostudarstvennaja Konservatorija, Leningrad, 1984) 18 p. In Russian. 659. Gustafson, Bruce: Shapes and meanings of slurs in unmeasured harpsichord preludes: An editorial policy presented for comment. Vol. 2 (October 1984) 20-22. Facsimile, music examples. 660. Gut, Serge [ed]: [Paris, 1986] Actes du Colloque International Franz Liszt (1881-1886). [Report of the international Franz Liszt colloquium (1881-1886).] La revue musicale, Vol. 405-407, (1987) In French.: ISSN: 0035-3736. 661. Gutknecht, Dieter: Friedrich Chrysander und die Aufführungen Händelscher Oratorien. [Friedrich Chrysander and performances of Händel's oratorios. ] Kassel, Germany: Bärenreiter; 1995; pp. 241-259; Facs., music 662. Gutmann, Veronika [Editor]: Basler Jahrbuch für historische Musikpraxis. Sonderband (1992): Alte Musik--Konzert und Rezeption. [Early music: Concert performance and reception.] Basler Jahrbuch für historische Musikpraxis, Winterthur, Switzerland: Amadeus; 390 p.; special issue 1992; Illus., port., facs., music, bibliog., charts, diagr.: ISBN: 3 - 905049-56-2. 663. Hörner, Stephan [Editor]; Schmid, Bernhold [Editor]: Festschrift für Horst Leuchtmann zum 65. Geburtstag. [Tribute to Horst Leuchtmann on his 65th birthday.] Tutzing, Germany: Schneider; 1993; 346 p.; Facs.: ISBN: 3-7952-0777-0. 664. Händel, Georg Friedrich; Knapp, J. Merrill [Editor]; Haym, Nicola Francesco [Libretto]; Noris, Matteo [Libretto]: Flavio, re de' Longobardi: Dramma per musica in tre atti, HWV 16. Hallische Händel -Ausgabe; Kritische Gesamtausgabe. II: Opern, 13, Kassel, Germany: Bärenreiter; 1993; l, 229 p.; Illus. 665. Händel, Georg Friedrich; McGegan, Nicholas [Performer]: Philharmonia Baroque Orchestra. Messiah. Harmonia Mundi(CD, cassette) 666. Hänecke, Frank: Musikberichterstattung in der Schweizer Presse: Ergebnisse aus Inhaltsanalysen, Redaktions- und Journalistenbefragungen.: [Reporting on music in the Swiss press: Results of a contents analysis and surveys of editing staffs and journalists.] Diskussionspunkt, 23,: Zürich: U. Zürich; 1992; (IV),IX,114 p.; Charts, diagr.
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667. Haase, Rudolf: Leibnitzforschung am Hans-Kayser-Institut für harmonikale Grundlagenforschung. [Leibniz research at the Hans-Kayser-Institut für harmonikale Grundlagenforschung.] Vol. , by Rudolf Haase (Bern: Kreis der Freunde um Hans Kayser, 1984) 11-17. In German. 668. Haberkamp, Gertraut: Neustich einer Seite: Veränderungen im Notentext? Warum werden innerhalb der verschiedenen Abzüge eines Mozart-Erstdrucks einzelne Seiten neu gestochen? [A newly printed page: Changes in the musical text? Why were individual pages redone for a new run of a Mozart first edition?] Leipzig: Peters; 1993; pp. 101-21; Facs., music 669. Hagen, Carlos: Intellectual freedom and some barriers to accessibility to sound recordings. IASA [Austrian Sound Archive] / Phonographic bulletin, Vol. XXXIII (July 1982) 23-31. 670. Haimo, Ethan: Editing Schoenberg's twelve-tone music. Journal of the Arnold Schoenberg Institute, Vol. VIII/2 (November 1984) 141-57.: ISSN: 0146-5856. 671. Haine, Malou: Adolphe Sax (1814-1894). Sa vie, son oeuvre et ses instruments de musique. [Adolphe Sax (1814-94). His life, his work, and his musical instruments.] (Bruxelles: U. de Bruxelles, 1980) 283 p. Illustration, portrait, facsimile, bibliography. In French. 672. Hair, Greta Mary [Editor]; Smith, Robyn E. [Editor]: Songs of the dove and the nightingale: Sacred and secular music c.900-c.1600. Australian studies in the history, philosophy and social studies of music, 3,: Sydney, Australia: Currency; 1994; xvii, 278 p.; Illus., facs., music, charts, diagr.: ISBN: 0-86819-409-3.
673. Hair, Greta Mary: Problems and solutions in editing Introit and Communion tropes and chants for Christmas Day from MS Paris Bibliothèque nationale fonds latin 903. Musicol, Vol. [AUS] VI (1980) 66-89. Music examples. 674. Halbreich, Harry: Bruckners dritte Symphonie und ihre Fassungen. [The versions of Bruckner's third symphony.] (See RILM 1981-04337-bs) 75-83. In German. 675. Hall, Frederick Albert [Editor]: Songs I to English texts. The Canadian musical heritage, Vol. 3, (Ottawa: Canadian Musical Heritage Society, 1985) xxx, 235 p. Illustration, facsimile, bibliography. In English, French.: ISBN: 0919883036. 676. Hall, Thomas: Computer implementation of stemmatics in the preparation of critical editions of Renaissance music. (Kassel: Bärenreiter, 1981) 320-24. Charts. See RILM 1981- 06635-as. 677. Hall, Thomas: Some computer aids for the preparation of critical editions of Renaissance music. Tijdschrift van der Vereniging voor Nederlandse Muziekgeschiendenis, Vol. XXV/1 (1975) 38-53. In German. 678. Hallmark, Rufus: Textkritische und aufführungspraktische Probleme in Schumanns Liedern. [Textual and performance problems in Schumann's lieder.] London: Schott; 1993; pp. 110- 21; Music 679. Hallová, Markéta [Editor]; Petrásková, Zuzana [Editor]; Tauerová-Veverková, Jarmila [Editor]: Musical dramatic works by Antonín Dvor k: Papers from an international conference. Conferences on the history and theory of music at the International Music Festival Prague Spring, 4,: Praha: Cesk Hudební Spolecnost; 1989; 212 p.; Music 680. Hamm, Charles: Interrelationships between manuscript and printed sources of polyphonic music in the early sixteenth century - an overview. (See RILM 1983-00204-bs) 1-13.
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681. Hamm, Charles: The Theatre Guild production of Porgy and Bess. Journal of the American Musicological Society, Vol. XL/3 (fall 1987) 495-532.: ISSN: 0003-0139. 682. Hammar, Russell: Recommended editorial standards for choral publications . Choral journal, Vol. XXIII/2 (October 1982) 27-28. 683. Hammond, Frederick: The joker in the pack: On editing Andrea Gabrieli's keyboard music. Firenze: Olschki; 1991; Vol. 1; pp. 31-46; Music 684. Hancock, Virginia: Brahms's links with German Renaissance music: A discussion of selected choral works. (Cambridge: Cambridge U., 1987) 95 -110. Facsim., music, charts, tables. See RILM 1987-03067-bc. 685. Hankeln, Roman: "Was meint der Schreiber?" überlegungen zur Notation des Offertoriums Tui sunt celi im Graduale von St. Yrieix, Paris Bibliothèque Nationale, fonds latin 903. ["What does the writer mean?" Reflections on the notation of the Offertory Tui sunt celi in the Gradual of St. Yrieix, Paris Bibliothèque Nationale, fonds lat.903.] Budapest: Magyar Tudom nyos Akad‚mia; 1995; Vol. 2; pp. 539-559; Facs. 686. Hansen, Finn Egeland: Editorial problems connected with the transcription of H 159, Montpellier: tonary of St. B‚nigne of Dijon.: tudes gr‚goriennes, Vol. XVI (1977) 161-72. Music examples.: ISSN: 0071-2086. 687. Hansen, Finn Egeland: Introduktion til Gade-Udgaven. [Introduction to the Gade edition.] Oslo, Norway: U. i Oslo; 1993; pp. 365-369 688. Hansen, Finn Egeland; Foltmann, Niels Bo: Problemer og erfaringer i forbindelse med udgivelsen af Niels W.Gades v‘rker. [Problems and lessons in the publication of the works of Niels W. Gade.] Dansk årbog for musikforskning, Vol. 25; 1997; pp. 9-14: ISSN: 0416- 6884. 689. Hansen, Finn Egeland; Foltmann, Niels Bo: Problemer og erfaringer i forbindelse med udgivelsen af Niels W. Gades v‘rker. [Problems and lessons of the publication of the works of Niels W. Gade.] Dansk årbog for musikforskning, Vol. 25; 1997; pp. 9-14: ISSN: 0416- 6884. 690. Harden, Jean: Musica ficta in Machaut. Early music, Vol. V/4 (October 1977) 473-77. Music examples.: ISSN: 0306-1078. 691. Harnoncourt, Philipp: Die Liturgiebegriff bei den Frühcaecilianern und seine Anwendung auf die Kirchenmusik. [The concept of liturgy among the early Cecilians and its use in church music.] (Tutzing: Schneider, 1988) 75-108. Bibliog. In German. See RILM 1988- 01001-bs. 692. Harpner, Stefan G. [Editor]; Gotzes, Birgit [Editor]: über Musiktheater : Eine Festschrift gewidmet Arthur Scherle anläßlich seines 65. Geburtstages. [On music theater: A Festschrift dedicated to Arthur Scherle on the occasion of his 65th birthday.] München: Ricordi; 1992; 207 p.; Music 693. Harris, Charles David: Problems in editing harpsichord music: Suite in D by Ferdinand Tobias Richter (1649-1711). (See RILM 1976-08685) 142-53. Facsimile, music examples. 694. Harris, Ellen T.: Editing musical measure: Standardization versus flexibility. Kassel, Germany: Bärenreiter; 1995; pp. 139-150; Music 695. Harris, Ellen T.: Paper, performing practice, and patronage: Handel's alto cantatas in the Bodleian Library MS Mus. d. 61-62. Stuyvesant, NY: Pendragon; 1995; pp. 53-78; Charts, diagr.
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696. Harris, Ellen: Händel in Florence; Händel in Florenz. Händel-Jahrbuch , (See RILM 1981- 04295-bp) XXVII (1981) 41-61. Tables. m In German.: ISSN: 0440-0615. 697. Harsh, Edward: With intent to stage: Editing Kurt Weill's music for the theater. Performance practice review, Vol. 9; Issue 2; fall 1996; pp. 127-145; Facs., music: ISSN: 1044-1638. 698. Hartmann, Günter: BWV 1087/10: "Evolutiones" eines Bach-Kanons. [BWV 1087, no. 10: "Evolutiones" of a Bach canon.] Musiktheorie, Vol. 5; Issue 1; 1990; pp. 85-83; Music: ISSN: 0177-4182. 699. Hartmann, Günter: Jakob Bölsche: More than a minor master?; Jakob Bölsche, kein Kleinmeister?. Ars organi, Vol. XXXIII/4 (1985) 256-59. Music examples. In German. 700. Hasse, John: George List: a bibliography, discography, and filmography.: (See RILM 1978- 02383-be) 289-98. Bibliography, list of works, discography. 701. Hastings, Karen Jane: Le premier choral: Du manuscrit … l'édition princeps. [The first chorale: From manuscript to editio princeps.]: L'orgue: Cahiers et m‚moires, Issue 44; 1990; pp. 47-64; Facs., music: ISSN: 0030-5170. 702. Haus, Goffredo [Editor]: Music processing. Computer music and digital audio series, 9, Madison, WI: A-R; 1993; x, 403 p.; Index: ISBN: 0 -89579-268-0. 703. Haus, Goffredo; Sametti, Alberto: Score analysis/resynthesis environment of the Intelligent Music Workstation. Journal of new music research, Vol. 24; Issue 3; Sept 1995; pp. 230- 246; Port., music, charts, diagr.: ISSN: 0929-8215. 704. Hauschild, Peter: Bemerkungen zu Beethovens Klaviernotation. [ Observations on Beethoven's piano notation.] Beethoven Jahrbuch, Vol. IX (1973-77) 147-65. In German. 705. Hawkins, Judith Adele: Formal implications of music and the revised rite of the Roman Catholic eucharistic celebration. 1994; 174 p.; (DA diss. , : New York U.). PA 9422996. 706. Hawkshaw, Paul: An anatomy of change: Anton Bruckner's revisions to the Mass in F minor. 1997; pp. 1-31 707. Hayden, William Perry: Principles of bowing and fingering for editing violin music. (DA diss., Music: Ball State U., 1981) 116 p. 708. Haydn, Joseph; Walter, Horst [ed]; Nakano, Hiroshi [ed]: Concertini und Divertimenti für Klavier (Cembalo) mit Begleitung von zwei Violinen und Basso. [Concertinos and divertimentos for keyboard (harpsichord) with accompaniment of two violins and bass.] Joseph Haydn Werke, Vol. 16, (München: Henle, 1987) xiii, 137 p. Facsimile, music examples. In German. 709. Heck, Thomas F. [Editor]: The "music information explosion" and its implications for college teachers and students. CMS reports, 9,: Missoula, MT: College Music Society; 1992; ix, 72 p. 710. Heckmann, Harald: Computer aids to musicology: Elektronische Datenverarbeitung in der Musikwissenschaft. [Electronic data processing in musicology.] (See RILM 1970-02902-bs) 424-27. In German. 711. Heider, Anne Harrington: The Dodecacorde of Claude Le Jeune: performance edition and commentary. (DMA diss.: Stanford U., 1981) 2v. 786 p. 712. Heidlberger, Frank [Editor]; Osthoff, Wolfgang [Editor]; Wiesend, Reinhard [Editor]: Von Isaac bis Bach--Studien zur älteren deutschen Musikgeschichte: Festschrift Martin Just zum
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60. Geburtstag. [From Isaac to Bach--Studies of earlier German music history: Festschrift for Martin Just on his 60th birthday.] Kassel, Germany: Bärenreiter; 1991; 352 p.; Music 713. Heidlberger, Frank: Die langsamen Sätze der Klarinettenkonzerte Carl Maria von Webers: Werk, Edition, Interpretation. [The slow movements of the clarinet concertos of Carl Maria von Weber: Work, edition, interpretation.] Weber-Studien, Mainz, Germany: Schott; Vol. 3; 1996; pp. 162-200; Music, charts, diagr. 714. Heinemann, Rudolf: Anforderungsprofile an Musikredakteure. [Job requirements for music editors.] (Baden-Baden: Nomos, 1986) 77-80. In German. See RILM 1986-00701-bs. 715. Heinzelmann, Josef: Hoffmanns Erzählungen am Gärtnerplatz: Theaterpraxis und Textkritik. [Hoffmanns Erzählungen on the Gärtnerplatz: Theatrical practice, text criticism.] (Laaber: Laaber-Verlag, 1988) 363-87. Music. In German. See RILM 1988-03174-bc. 716. Heinzelmann, Josef: Offenbach-Irrtümer. [Offenbach errors.]: österreichische Musikzeitschrift, Vol. XXXV/7-8 (July-August 1980) 356 -70. Illustration. In German.: ISSN: 0029-9316. 717. Heller, Karl: Friedrich Konrad Griepenkerl: Aus unveröffentlichten Briefen des Bach- Sammlers und Editors. [Friedrich Konrad Griepenkerl: excerpts from unpublished letters of the Bach collector and editor.]: Veröffentlichungen der Neuen Bachgesellschaft, Vol. 1978; BachJb LXIV (1978) 211-28. In German; summaries in English, French, Russian. 718. Helm, E. Eugene: An honorable shortcut to the works of C.P.E. Bach.: (See RILM 1985- 00664-be) 85-98. 719. Helm, Everett: Der Mensch Bartók. [Bartók the man.] (Basel: Paul Sacher Stiftung, 1986) 73-84. In German. See RILM 1987-01035-bc. 720. Helmer, Paul [Editor]: The Mass of St. James: Solemn Mass for the feast of the Passion of St. James of Compostela according to the Codex Calixtinus. Musicological studies/Wissenschaftliche Abhandlungen, 49,: Ottawa: Institute of Mediaeval Music; 1988; 252 p.; Illus., bibliog., maps: ISBN: 0-931902-58-4. 721. Helmuth, Mara: Patchmix: A C++ X graphical interface to Cmix. San Francisco, CA: Computer Music Association; 1990; pp. 273-275; Illus. 722. Hempel, Gunter: Die Hallische Händel-Ausgabe. (See RILM 1976-08719) 35 -37. In German. 723. Hennenberg, Fritz: Brecht und Weill im Clinch? [Brecht and Weill in the clinch?] Berliner Beiträge zur Musikwissenschaft: Beihefte zur Neuen Berlinischen Musikzeitung, Vol. 9; Issue 2; 1994; pp. 3-24 724. Henning, Ingolf: Urtext oder Bearbeitung? Unterrichtsliteratur auf neuen Wegen?. [Urtext or reworking? Instructional literature on a new road?. ] Musica, Vol. XLII/1 (1988) 21-23. In German.: ISSN: 0027-4518. 725. Hepokoski, James A.: Overriding the autograph score: The problem of textual authority in Verdi's Falstaff. Studi verdiani, Vol. 8; 1992; pp. 13-51: ISSN: 0393-2532. 726. Herklotz, Renate [Editor]; Schaaf, Renate [Editor]; Köhler, Karl-Heinz [Editor]: Kongreßbericht zum VII. Internationalen Gewandhaus-Symposium: Wolfgang Amadeus Mozart--Forschung und Praxis im Dienst von Leben, Werk, Interpretation und Rezeption anläßlich der Gewandhaus-Festtage in Leipzig vom 3. bis 6. Oktober 1991. [Congress report on the 7th Internationales Gewandhaus-Symposium: Wolfgang Amadeus Mozart-- Research and practice in the service of life, work, interpretation and reception on the
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occasion of the Gewandhaus-Festtage in Leipzig, 3-6 October 1991.] Dokumente zur Gewandhausgeschichte, 9, Leipzig: Peters; 1993; 226 p.; Illus., music, facs. 727. Hermand, Jost [Editor]; Gilbert, Michael [Editor]: German essays on music. The German library, 43, New York: Continuum; 1994; xxi, 307 p.: ISBN: 0-8264-0720-X. 728. Herre, Grita [Editor]: Ludwig van Beethovens Konversationshefte. IX: Hefte 104-13. [Ludwig van Beethoven's conversation books. IX: Notebooks 104-13.] (Leipzig: Deutscher Verlag für Musik, 1988) 692 p. In German.: 729. Hertin-Loeser, Uta; Hinrichsen, Hans-Joachim: Die Entwicklungsstufen von Des Teufels Lustschloß D.84: Bemerkungen anläßlich der Edition der Neuen Schubert-Ausgabe. [The developmental stages of Des Teufels Lustschloß, D.84: Remarks in connection with the Neue Schubert-Ausgabe edition.] Schubert durch die Brille: Internationales Franz Schubert Institut--Mitteilungen, Issue 9; June 1992; pp. 43-64; Facs. 730. Herttrich, Ernst: Autograph--Edition--Interpretation. [Autograph--edition--interpretation.] Tutzing, Germany: Schneider; 1990; pp. 165 -184; Music 731. Herttrich, Ernst: Urtext: Möglichkeiten und Probleme. [Urtext: Possibilities and problems.] Concerto, Vol. II/6 (1985) 38-45. In German. 732. Herttrich, Ernst; Romagnoli, Angela [Translator]: Autografo--Edizione- -Interpretazione. [Autograph--edition--interpretation.] Lucca, Italy: Libreria Musicale Italiana; 1995; pp. 269-285; Facs., music 733. Hewlett, Walter B. [Editor]; Selfridge-Field, Eleanor [Editor]: Computing in musicology: An international directory of applications. VIII (1992) Computing in musicology: An international directory of applications, Menlo Park, Ca: Center for Computer Assisted Research in the Humanities; 217 p.; Vol. 8; 1992; Index: ISBN: 0-936943-06-6. ISSN: 1057-9478. 734. Higbee, Dale: J.S. Bach's sonatas for recorder and harpsichord, after BWV 525-530. American recorder, Vol. XVIII/4 (February 1978) 112-13. Portrait.: ISSN: 0003-0724. 735. Higgins, Thomas: Whose Chopin?. 19th-century music, Vol. V/1 (summer 1981) 67-75.: ISSN: 0148-2076. 736. Higgins, Thomas; López Meseguer, Victoria [Translator]: Cuál Chopin?: [Whose Chopin?] Quodlibet: Revista de especialización musical, Issue 2; June 1995; pp. 59-75: ISSN: 1134- 8615. 737. Hiley, David: Editing the Winchester Sequence repertory of ca. 1000.: Budapest: Magyar Tudományos Akadémia; 1990; pp. 99-113; Music, charts, diagr. 738. Hilfiger, John Jay: Edvard Grieg's Funeral march in memory of Rikard Nordraak for military band. Journal of band research, Vol. 24; Issue 2 ; spring 1989; pp. 12-16: ISSN: 0021-9207. 739. Hill, John Walter: Review of Clementi edition. Journal of the American Musicological Society, Vol. XXXII/3 (1979) 577-86.: ISSN: 0003-0139. 740. Hill, Robert [Editor]: Keyboard music from the Andreas Bach Book and the Möller Manuscript. Harvard publications in music, 16, Cambridge, MA: Harvard U.; 1991; xlvii, 210 p.; Music, bibliog.: ISBN: 0-674-58894-0 . 741. Hilmar, Ernst [Editor]: Internationales Symposium Musikerautographe. [ International symposium on music autographs.] Publikationen des Instituts für österreichische Musikdokumentation, 16, Tutzing, Germany: Schneider; 1990; 236 p.; Illus., music
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742. Hilmar, Ernst: Anmerkungen zu Franz Schuberts Erstdrucken. [Observations on Fran Schuberts first editions.] Schubert durch die Brille: Internationales Schubert Institut -- Mitteilungen, Issue 13; June 1994; pp. 43-54 743. Hilmar, Ernst: Das schubert-Bild bei Liszt. [Liszt’s reception of Schubert.] scubert durch die Brille, Issue 18; 1997; pp 59-86; Port. 744. Hilmar, Ernst: Einige der Beweggründe für die "Vollendung" Fragment gebliebener Musikwerke. [Some of the reasons for "completing" works of music that have come down to us as fragments.] 's-Gravenhage: Nijgh & Van Ditmar; 1991; pp. 26-35 745. Hilscher, Elisabeth T.: Alfred Einsteins Edition der Innocenza giustificata von Christoph Willibald Gluck: Der Briefwechsel Einstein -Adler im Archiv der DTÖ. [Alfred Einstein's edition of Innocenza giustificata by Christoph Willibald Gluck: Correspondence between Einstein and Adler in the archive of the Denkmäler der Tonkunst in Österreich.] Studien zur Musikwissenschaft: Beihefte der Denkmäler der Tonkunst in Österreich, Vol. 42; 1993; pp. 379-400: ISSN: 0930-9578. 746. Hilscher, Elisabeth T.: Josef Mantuani und Guido Adler: Der Briefwechsel in Archiv der Gesellschaft zur Herausgabe von Denkmälern der Tonkunst in Österreich. [Josip Mantuani and Guido Adler: Correspondence in the Archiv der Gesellschaft on editing the Denkmäler der Tonkunst in Österreich.] Ljubljana: Slovenska Akademija Znanosti in Umetnosti; 1994; pp. 23-74 747. Hilzinger, Klaus Harro: über kritische Edition literarischer und musikalischer Texte. [Critical editions of literary and musical texts. ] Euphorion, Vol. LXVIII/2 (1974) 198-210. In German.: ISSN: 0014-2328 . 748. Hinson, Maurice [Editor]: The Vienna Urtext guide to piano literature.: European American Music Corporation, Wien: Universal; 1995; 240 p.; Music: ISBN: 0-913574-97-X. 749. Hinson, Maurice: Brahms as editor. American Liszt Society journal, Vol . XIV (December 1983) 30-42. List of works. 750. Hinson, Maurice: Publisher revisited (G. Henle Musikverlag). Piano quarterly, Vol. 91 (fall 1975) 35-40. List of works.: ISSN: 0031-9554 . 751. Hinson, Maurice: The sixth edition of Muzio Clementi's Six progressive sonatinas op. 36. (See RILM 1980-00182-be) 237-43. 752. Hirschmann, Wolfgang: Telemanns Konzertschaffen im Beziehungsfeld von Quellenforschung: Edition--Interpretation. [Telemann's concertos in light of source studies: Editions and interpretation.] Michaelstein /Blankenburg, Germany: Kultur- und Forschungsstätte Michaelstein; 1990; pp. 87-96; Music 753. Historische Volksmusikforschung. Kongress-Bericht Seggau 1977. Referate der 5. Sitzung der Studiengruppe zur Erforschung und Edition historischer Volksmusikquellen. [Historic folk-music research. Congress report, Seggau, 1977. Papers read at the 5th meeting of the study group for research and editing of historic folk-music sources.] Musikethnologische Sammelbände, Vol. 2, (Graz: Akademische Druck- und Verlagsanstalt 1978) 244 v. Illustration, music examples, bibliography. In German (one essay in English). 754. Hitchcock, H. Wiley: Editing Ives's 129 songs. 1997; pp. 51-76; Facs.: 755. Hitchcock, H. Wiley: On the path to the U.S. Grove. Notes. Music Library Association, Vol. XLI/3 (March 1985) 467-70. 756. Hitchcock, H. Wiley: Problèmes d'edition de la musique de Marc-Antoine Charpentier pur Le malade imaginaire. [Editing problems in Marc-Antoine Charpentier's music for Le
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malade imaginaire.] Revue de musicologie,: Vol. LVIII/1 (1972) 3-15. In French.: ISSN: 0035-1601. 757. Hixon, Donald L.: The promises and pitfalls of annotated bibliographies and research guides in music. Missoula, MT: College Music Society; 1992; pp. 21-43; Bibliog. 758. Hoffmann, Winfried [ed]; Schneiderheinze, Armin [ed]: [Leipzig, 1985] Johann Sebastian Bach: Weltbild, Menschenbild, Notenbild, Klangbild. [ Johann Sebastian Bach: An image of his world, his personality, his music, and its sound.] (Leipzig: VEB Deutscher Verlag für Musik, 1988) 531 p. In German. 759. Hoffmann-Erbrecht, Lothar: Problems in the interdependence of Josquin sources. (See RILM 1976-04887) 285-93. 760. Hofmann, Klaus: Herausgeber-Erfahrungen mit handschriftlichen Quellen Telemannscher Kirchenmusik: Anmerkungen zu einigen Lesartproblemen. [ Publishers' experiences with manuscript sources for Telemann's church music: Observations on several problematic variants.] Köln: Tank; 1991; pp. 15-20; Music 761. Hofmann, Klaus; Kobayashi, Yoshitake [Collaborator]: Bach oder nicht Bach? Die Neue Bach-Ausgabe und das Echtheitsproblem. [Bach or not? The Neue Bach-Ausgabe and the authenticity problem.] Stuttgart, Germany: Steiner; 1991; pp. 9-48 762. Hohlov, Jurij N.: Subert: Vcera, segodnja, zavtra. [Schubert: Yesterday --today--tomorrow.] Muzykal'naja akademija, Issue 4; 1994; pp. 126-132 ; Illus.: ISSN: 0869-4516. 763. Holper, Peter: Eine neue Urtextausgabe der Klaviersonaten Ludwig van Beethovens. [A new urtext edition of the piano sonatas of Ludwig van Beethoven.] Salzburg, Austria: Katzbichler; 1992; pp. 176-180; Facs.: 764. Hong, Yat-Lam: Three essays on Chopin's tudes, opp. 10 and 25. 1991; 78 p.; (DMA doc., Music: U. of Cincinnati, 1991); Music, bibliog. 765. Honing, Henkjan: Expresso, a strong and small editor for expression.: San Francisco: International Computer Music Association; 1992; pp. 215 -218; Charts, diagr. 766. Hopfgartner, Sunhild: Und sie schrieb doch: Richard Wagners Frau Cosima- -eine heimliche Rezensentin? [And yes, she did write: Richard Wagner's wife Cosima--a secret reviewer?] Das Orchester: Zeitschrift für Orchester und Rundfunk-Chorwesen, Vol. 43; Issue 4; 1995; pp. 15-21; Port.: ISSN: 0030-4468. 767. Horn, David [Editor]; Middleton, Richard [Editor]: Mellers at 80.: Popular music, Vol. 13; Issue 2; May 1994; pp. 127-208; Illus., port. , music, bibliog.: ISSN: 0261-1430. 768. Hortschansky, Klaus [Editor]; Musketa, Konstanze [Editor]: Georg -Friedrich-Händel- Gesellschaft Händel-Haus. Georg Friedrich Händel: Ein Lebensinhalt--Gedenkschrift für Bernd Baselt (1934-1993) [Georg Friedrich Händel: The meaning of a life--In memory of Bernd Baselt (1934 -1993)] Schriften des Händel-Hauses in Halle, 11, Kassel, Germany: Bärenreiter; 1995; 551 p.; Port., music: ISBN: 3-910019-09-9. ISSN: 0232-3214. 769. Howat, Roy: The new Debussy edition: Approaches and techniques. Studies in music, Vol. XIX (1985) 94-113. Facsimile, music examples.: ISSN: 0081-8267. 770. Howat, Roy; Ferriz, Cristina: Editar la música: El caso de Debussy. [ Editing music: The case of Debussy.] Quodlibet: Revista de especialización musical, Issue 8; June 1997; pp. 13-35; Facs., music: ISSN: 1134-8615. 771. Hüttel, Walter: Daniel Reinhold Finsterbusch: Leben und Werk. [Daniel Reinhold Finsterbusch: life and work.] Sächsische Heimatblätter, Vol. XXIV/3 (1978) 114-16. In German.
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772. Hubmann, Heinrich [Editor]: Rechtsprobleme musikwissenschaftlicher Editionen. [Legal problems of musicological editions.] Schriften zum gewerblichen Rechtsschutz, Urheber- und Medienrecht, Vol. 3, (München: Schweitzer, 1982) 72 p. In German. 773. Huffelen, Ton van: Het muziektijdschrift Amphion (1818-1822) [The music journal Amphion (1818-1822)] Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, Vol. 42; Issue 1; 1992; pp. 37-58; Facs.: ISSN: 0042-3874. 774. Hughes, Carol Bailey: Muzykal'naia starina (1903-1911) Periodica musica , Vol. 5; 1987; pp. 1-8; Port., index: ISSN: 0822-7594. 775. Huglo, Michel [ed]: [Paris, 1982] Musicologie m‚di‚vale: Notations et s‚quences. [Medieval musicology: Notations and sequences. ] (Paris: Champion, 1987) xxxviii, 264 p. Illustration, facsimile, music examples. Essays in French (7), German (2), English (6), Italian (2).: ISBN: 2 -85203-032-2. 776. Hunter, David Chalmers: Music Library Association guidelines for the preparation of music reference works. Notes: Quarterly journal of the Music Library Association, Vol. 50; Issue 4; June 1994; pp. 1329-1338; Bibliog.: ISSN: 0027-4380. 777. Huot, C‚cile: Evolution de la vie musicale au Qu‚bec sous l'influence de Wilfrid Pelletier. [Evolution of musical life in Quebec under the influence of Wilfrid Pelletier.] (PhD diss., Musicology: U. Toulouse, F, 1973) 248 p. (xerox). Illustration, portrait, facsimile, music examples , bibliography. In French. 778. Huss, Manfred: Joseph Haydn: Klassiker zwischen Barock und Biedermeier.: [Joseph Haydn: Classicist between Baroque and Biedermeier.]: (Eisenstadt: Roetzer, 1984) 408 p. Illustration, portrait, facsimile, music examples, bibliography, list of works, index. In German. 779. Husson, Thérèse: La première edition critique de l'oeuvre litteraire d'Hector Berlioz. [The first critical edition of the literary works of Hector Berlioz.] (See RILM 1985-00828-bc) 165-70. In French. 780. Huys, Bernard: Historiek van de Brabançonne: Haar editio princeps en andere vroege uitgaven. [History of the Brabançonne: Its first edition and other early editions.] Academiae analecta: Mededelingen van de Koninklijke Academie voor Wetenschappen, Vol. 3: Klasse der Schone Kunsten XLVIII/1 (1987) 119-60. Facsimile, music examples, bibliography. In Dutch. 781. Igrec, Srebrenka: B‚la Bartók's edition of Mozart's piano sonatas. 1993 ; 141 p.; (DMA doc., : Louisiana State U.). PA 9419898. 782. Ingwerson, John Clyde: Manuel Ponce's Variations sur folia de España et fugue: A study of compositional procedures and Ponce's use of the folia theme. 1996; 111 p.; (DMA doc., : U. of Arizona). PA 9706159. 783. Innis, Joy Anne: Black and white in color: The technical procedures involved in the production of two computer multimedia projects based on music for two pianos. 1996; 118 p.; (DA diss., : Ball State U.). PA 9632825. 784. Irving, Howard: Richard Mackenzie Bacon and the Royal Academy of Music.: International review of the aesthetics and sociology of music, Vol. 21 ; Issue 1; June 1990; pp. 79-90: ISSN: 0351-5796. 785. Irwin, James S; Irwin, Linda; Mozart, Wolfgang Amadeus: Concertos, horn, orchestra, K. 447, Eb major; arr.; Concerto no. 3 in Eb major, KV 447, horn in F/ Wolfgang Amadeus Mozart; horn editing & cadenza by Jim Irwin; piano reduction by Linda Irwin. Dallas, Tx. (P.O. box 551442, Dallas 75355), J. Irwin, 1991; 1 score (26 p.) + 1 part (8 p.)
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786. Irwin, James S; Irwin, Linda; Mozart, Wolfgang Amadeus: Concertos, horn, orchestra, K. 412, D major; arr.; Concerto no. 1 in D major, KV 412 + 514 (=KV 386b), horn in F/ Wolfgang Amadeus Mozart; horn editing & cadenza by Jim Irwin; piano reduction by Linda Irwin. Dallas, Tx. (P.O. box 551442, Dallas 75355), J. Irwin, 1991; 1 score (21 p.) + 1 part ([4] p.) 787. Italian vocal duets from the early eighteenth century. (New York: Schirmer, 1968) 88 p. Music examples, list of works. In English, Italian. 788. Ivanic'kyj, Anatolij: Ukrainskaja narodnaja muzykal'naja kul'tura. [ Ukrainian traditional music culture.] 1991; 36 p.; (PhD diss., Ethnomusicology: Gosudarstvennaja Konservatorija, Kyjiv, 1991); Bibliog.: 789. Jackson, Timothy L. [ed.]; Hawkshaw, Paul [ed.]: [Bruckner studies.] p . xv, 301 (New York: Cambridge U., 1997). Illus., facs., music, index, charts, diagr.: ISBN: 0-521-57014- X. 790. Jackson, Timothy L.: Schoenberg's op. 14 songs: Textual sources and analytical perception. Theory and practice, Vol. 14-15; 1989-90; pp. 35-58; Illus., music, charts, diagr.: ISSN: 0741-6156. 791. Jacobs, Charles: On editions of music in tablature and the performer.: Vol. II (Kassel: Bärenreiter, 1987) See RILM 1987-00981-bs. 792. Jacobsen, Jens Peter: Nyudgivelser af AEldre musik. [New publications of old music.] Oslo, Norway: U. i Oslo; 1993; pp. 389-397 793. Jacobson, Harry: The edition of an unpublished contrabass solo-quartet by Franz Hoffmeister. International Society of Bassists journal, Vol. 15; Issue 1; fall 1988; pp. 58-62; Music: ISSN: 0892-0532. 794. Jacoby, Stephen Dunn: The Salminger anthologies. (PhD diss.: Ohio State U., 1985) 249 p. DA 8510585. 795. Jacquot, Jean: Le luth et sa musique - from the Neuilly colloquium to the Corpus of French lutenists. Lute Society journal, Vol. XX (1978) 7 -17. 796. Jacquot, Jean: Problèmes d'édition des tablatures de luth. [Problems in editing lute tablatures.] Informatique musicale, (October 1973) 10-24. In French. 797. Jacquot, Jean: Problèmes et méthodes d'edition: Introduction a un nouvel examen. [Problems and methods of editing: Introduction to a new approach .] (See RILM 1984- 00769-bs) 17-30. In French. 798. Janower, David: Berlioz' Requiem: editions and errata. Choral journal , Vol. XX/4 (December 1979) 8-11. Music examples. 799. Janz, Bernhard: Das editorische Werk Carl Proskes und die Anfänge der kirchenmusikalischen Reformbewegung. [Carl Proske's editorial work and the beginnings of the reform movement in church music.] Kassel: Bosse; 1989; pp. 149-169 800. Jarman, Douglas: "Correcting" Berg: Some observations on analysis and editorial responsibility. International journal of musicology, Vol. 4; 1995; pp. 155-167; Music: ISSN: 0941-9535. 801. Jaschinski, Andreas: Gedanken zur Neuauflage der MGG. [Thoughts on the new edition of Die Musik in Geschichte und Gegenwart.] Kassel, Germany: Bärenreiter; 1995; pp. 782-785
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802. Jensen, Niels Martin: Editionspraksis og editionsstrategi i nordisk og international sammenhAEng. [Editorial practices and editorial strategies in Nordic and international contexts.] Oslo, Norway: U. i Oslo; 1993; pp. 351-364 803. Jersild, Margareta: Om utgivningsprinciperna för DgF XI. [On the editorial principles of DgF, XI.] Sumlen, (1978) 126-32. Music examples. In Swedish. 804. Jones, George Morton: The "first" chansonnier of the Biblioteca Riccardiana, Codex 2794: a study in the method of editing 15th-century music. (Doctor of Philosophy dissertation, Musicology: New York U., 1972) 2v. 677 p.(typescript, microfilm). Facsimile, music examples, bibliography, list of works. 805. Jonsson, Leif: Från ax till limpa: Reflexioner i backspegeln av en huvudredaktör. [From beginning to end: Reflections in hindsight of an editor-in-chief.] Svensk tidskrift för musikforskning, 1997; Vol. 79; Issue 2; pp. 69-73; Illus.: ISSN: 0081-9816. 806. Jonsson, Ritva: Corpus troporum. [Repertory of tropes.] Journal of the Plainsong and Mediaeval Music Society, Vol. I (1978) 98-115.: ISSN: 0143-4918. 807. Josquin des Prés. Musik-Konzepte, Vol. 26/27, (München: text + kritik, 1982) 143 p.: ISSN: 0931-3311. 808. Jourdan-Hemmerdinger, Denise: Aspects méconnus des théories et notations antiques et de leur transmission. [Poorly understood aspects of early theories and notations and their transmission.] (Paris: Champion, 1987) 67-99. In French. See RILM 1988-01078-bs. 809. Julià, Benet; Codina i Giol, Daniel [Editor]: Obres completes. I. [ Complete works. I.] Mestres de l'Escolania de Montserrat, 13, Barcelona , Spain: Abadia de Montserrat; 1989; xxv, 186 p. 810. Julius, Ruth: Oral history in music: a practical guide. College music symposium, Vol. XX/1 (spring 1980) 96-104. Bibliography, charts, tables .: ISSN: 0069-5696. 811. Jung, Hermann: Ein vollendeter Torso: Zur Rezeption von Mozarts Missa in c KV 427. [A finished torso: The reception of Mozart's Mass in C-minor, K.427.] International journal of musicology, Vol. 2; 1993; pp. 113-152 ; Music: ISSN: 0941-9535. 812. Kacic, Ladislav: O vydaní starej hudby na Slovensku. [Editions of early music in Slovakia.] Slovak music, Vol. 1 (1987) 1-2. In English. Also available in German, Russian, French. 813. Kagen, Sergius; Purcell, Henry: Songs. Selections.; 40 songs, for voice and piano/ Purcell; realization of the figured bass and editing by Sergius Kagen. New York City, International Music, 1959; High; 1 score (v. 4) 814. Kagen, Sergius; Purcell, Henry: Vocal music. Selections.; 4 sacred songs: from Harmonia sacra, for voice and piano/ Purcell; realization of the figured bass and editing by Sergius Kagen.; Four sacred songs.; Sacred songs. New York City, International Music Co, 1959; High; 1 score (22 p.) 815. Kallberg, Jeffrey: Are variants a problem? "Composer's intentions" in editing Chopin. Chopin studies, Vol. 3; 1990; pp. 257-267; Music: ISSN: 0176-6511. 816. Kallberg, Jeffrey: Chopin at the boundaries: Sex, history, and musical genre. Convergences: Inventories of the present, Cambridge, MA: Harvard U.; 1996; xiii, 301 p.; Illus., facs., music, bibliog., index, charts, diagr.: ISBN: 0-674-12790-0. 817. Kallberg, Jeffrey: Czy warianty sa problemem? 'Intencje kompozytorskie' w edytorstwie dziel Chopina. [Are variants a problem? 'Composer's intentions' in editing Chopin.] Rocznik chopinowski, Vol. XIX (1987) 199-210. Music. In Polish. See RILM 1988-01147-bs.
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818. Kallmann, Helmut: The making of a one-country encyclopedia: An essay after an encyclopedia. Fontes artis musicae, Vol. 41; Issue 1; Jan-Mar 1994; pp. 3-19; Bibliog.: ISSN: 0015-6191. 819. Kallmann, Helmut: Toward a bibliography of Canadian folk music.: Ethnomusicology, Vol. XVI/3 (September 1972) 499-503. 820. Karp, Theodore C.: Editing the Cortona Laudario. The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, Vol. 11; Issue 1; winter 1993; pp. 73-105; Music, bibliog.: ISSN: 0277-9269. 821. Karp, Theodore C.: Mirabantur omnes: A case study for critical editions.: Budapest: Magyar Tudom nyos Akad‚mia; 1995; Vol. 2; pp. 493-516; Music 822. Karp, Theodore C.: The cataloging of chant manuscripts as an aid to critical editions and chant history. Music reference services quarterly , New York: Haworth; Vol. 2; Issue 3-4; 1993; pp. 241-269; Music, bibliog.: ISSN: 1058-8167. 823. Karpati, János: Wandelt sich das ungarische Liszt-Verständnis? Schwerpunkte der ungarischen Liszt-Forschung seit 1945. [Is the Hungarian view of Liszt changing? Main emphases in Liszt research since 1945.] (Eisenstadt: Burgenländisches Landesmuseum, 1987) 127-40. Bibliog. In German. See RILM 1988-01002-bs. 824. Karpf, Juanita: The early years of African American music periodicals, 1886-1922: History, ideology, context. International review of the aesthetics and sociology of music, Vol. 28; Issue 2; July-Dec 1997; pp . 143-168: ISSN: 0351-5796. 825. Karpinski, Gary S. [Editor]: A birthday offering for George Perle.: International journal of musicology, Vol. 4; 1995; 365 p.; Music: ISSN: 0941-9535. 826. Kassler, Michael: A critical-edition problem resolved. Miscellanea musicologica, Vol. V (1979) 155-58.: ISSN: 0076-9355. 827. Katrami, Anna I.; Kirk, Ross; Myatt, A.: A phase vocoder graphical interface for timbral manipulation of cellular automata and fractal landscape mappings. Montr‚al: McGill U.; 1991; pp. 106-109; Illus., charts, diagr. 828. Katz, Israel J. [Editor]: Libraries, history, diplomacy, and the performing arts: Essays in honor of Carleton Sprague Smith. Festschrift series, 9, Stuyvesant, NY: Pendragon; 1991; xv, 459 p.: ISBN: 0-945193 -13-0. 829. Keil, Klaus: La redacción central del RISM (Frankfort) [The central editorial office of RISM (Frankfurt am Main)] Anuario musical: Revista de musicología del C.S.I.C., Vol. 49; 1994; pp. 287-290: ISSN: 0211 -3538. 830. Keillor, Elaine: Finding the sounds of Canada's musical past. Fontes artis musicae, Vol. 41; Issue 1; Jan-Mar 1994; pp. 20-31; Facs., bibliog.: ISSN: 0015-6191. 831. Keller, Hans [Editor]; Heur, Jean-Marie d' [Collaborator]; Mermier, Guy R. [Collaborator]; Vuijlsteke, Marc [Collaborator]: Studia Occitanica in memoriam Paul Remy. II: The narrative--philology. 2v.; Kalamazoo: Western Michigan U.; 1986; 441 p.: ISBN: 0- 918720-72-9. 832. Keller, Hans [Editor]; Heur, Jean-Marie d' [Collaborator]; Mermier, Guy R. [Collaborator]; Vuijlsteke, Marc [Collaborator]: Studia Occitanica in memoriam Paul Remy. I: The troubadours. 2v.; Kalamazoo: Western Michigan U.; 1986; 371 p.: ISBN: 0-918720-71-0. 833. Keller, Peter: Die Neue Mozart-Ausgabe. Voraussetzung. Aufbau und probleme der Edition. [The Neue Mozart-Ausgabe. Premise, organization, and problems of the edition.] Universitas, Vol. XXXIII (1978) 623-28. In German.: ISSN: 0041-9079.
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834. Kempter, Peter Kyle: Beethoven's cello sonata, op. 64: A comparative study and new edition of the sonata orignally transcribed from the string trio, op. 3. 1998; 160 p.; (DMA doc., : U. of Houston) 835. Kenyon, Nicholas [ed]: [Oberlin, 1986; 1987] Authenticity and early music: A symposium. [Authenticity and early music: A symposium.]: (Oxford: Oxford U., 1988) xv, 219 p. Music examples, index.: ISBN: 0 -19-816152-2. 836. Kenyon, Nicholas [Editor]: Early music. XIX/4 (November 1991): Performing Mozart's music. I. Early music, Oxford: Oxford U.; pp. 497 -688; Vol. 19; Issue 4; Nov 1991: ISSN: 0306-1078. 837. Kerman, Joseph [Editor]: Music at the turn of the century: A 19th -century music reader. California studies in 19th-century music, 7,: Berkeley: U. of California; 1990; 206 p.: ISBN: 0-520-06854-8. 838. Kettle, Jonathan: Don't believe all you hear. BBC music magazine,: special issue 1997; pp. 56-57; Illus.: ISSN: 0966-7180. 839. King, Richard G.: The composition and reception of Handel's Alessandro (1726) 1992; 252 p.; (PhD diss., Music: Stanford U., 1992). PA 9221634 . 840. Kipnis, Igor: Bach's Well-tempered clavier. Keyboard, Vol. XI/3 (March 1985) 71-74; 76- 77. Music examples.: ISSN: 0730-0158. 841. Kippenberg, Burkhard: Die Melodien des Minnesangs. [The melodies of Minnesang.] (See RILM 1972-03952-bc) 62-92. Facsimile, music examples. In German. 842. Kirchner, Gerhard: Ein Schnitt und seine Folgen: Zum ersten Satz der Sonate BWV 1032. [A dissection and its consequences: The first movement of the sonata BWV 1032.] Kassel, Germany: Bärenreiter; 1992; pp. 117 -134; Music, charts, diagr. 843. Kirkendale, Ursula: Bach und Quintilian: Die Institutio oratoria als Modell des Musikalischen Opfers. [Bach and Quintilian: The Institutio oratoria as a model for the Musikalisches Opfer.] (Frankfurt: Lang, 1987) 85-107. Music. In German. See RILM 1987- 01004-bc. 844. Kirkendale, Ursula: The source for Bach's Musical offering: the Institutio oratoria of Quintilian. [The source for Bach's Musical offering: The Institutio oratoria of Quintilian.] Journal of the American Musicological Society, Vol. XXXIII/1 (spring 1980) 88-141. Music examples.: ISSN: 0003-0139. 845. Kirkman, Andrew; Weller, Philip: Binchois's texts. Music & letters,: Vol. 77; Issue 4; Nov 1996; pp. 566-596: ISSN: 0027-4224. 846. Kirkpatrick, Ralph: Scarlatti revisited in Parma and Venice. Notes. Music Library Association, Vol. XXVIII/1 (September 1971) 847. Kirsch, Winfried [Editor]; Jacob, Michael [Collaborator]; Janitzek, Martina [Collaborator]; Lüttig, Peter [Collaborator]: Palestrina und die Idee der klassischen Vokalpolyphonie im 19. Jahrhundert: Zur Geschichte eines kirchenmusikalischen Stilideals. [Palestrina and the l9th- century idea of classic vocal polyphony: The history of a style ideal in church music.] Palestrina und die Kirchenmusik im 19. Jahrhundert, 1, Kassel: Bosse; 1989; 318 p.; Facs., music, bibliog., index 848. Kirsch, Winfried: Zur Rezeption der Motetten Josquin Desprez' im 19. Jahrhundert. [The reception of Josquin Desprez's motets in the 19th century.] London, Germany: Schott; 1991; pp. 283-297; Music, bibliog.:
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849. Kistler-Liebendörfer, Bernhard: Zweifelhafte Lesarten in Klavierwerken Beethovens. [Doubtful versions in Beethoven's piano works.] Musica,: Vol. 47; Issue 6; Nov-Dec 1993; pp. 333-336: ISSN: 0027-4518. 850. Kiszely, Deborah: Editions and recordings: An analysis of Ernö Dohnányi's Ruralia hungarica, op. 32/a, no. 4. Studia musicologica Academiae Scientiarum Hungaricae, Vol. 36; Issue 1-2; 1995; pp. 73-90; Music: ISSN: 0039-3266. 851. Kiszely-Papp, Deborah M.: Critical edition of the unpublished one -movement version of Ernö Dohnányi's piano concerto in E minor, op. 5.: 1996; 251 p.; (DMA doc., : City U. of New York). PA 9707116.; Port., facs. 852. Kite-Powell, Jeffery Thomas: The Visby (Petri) organ tablature. Investigation and critical edition. Quellenkataloge zur Musikgeschichte , Vol. 14, (Wilhelmshaven: Heinrichshofen, 1978) 15, 2 v. 478 p. Illustration, facsimile, music examples, bibliography, index. 853. Klakowich, Robert J.: Facsimile editions for the scholar and performer.: Crescendo: Bulletin of the International Association of Music Libraries (New Zealand Branch), Issue 37; Apr 1994; pp. 4-15; Illus., bibliog.: ISSN: 0111-8994. 854. Kleinen, Günter: Musikmedien zwischen offenem Angebot und musikerzieherischem System. [The music media between public programming and the music-educational system.] Musikpädagogische Forschung, (See RILM 1981-06256-bc) 134-63. In German; summary in English. 855. Klemm, Eberhardt: Zur Geschichte einer Konzertfassung. [On the history of a concert version.] Musik und Gesellschaft, Vol. XXVIII/9 (September 1978) 549-53. In German.: ISSN: 0027-4755. 856. Knape, Walter: Nachträglicher Fund zur Karl-Friedrich-Abel-Gesamtausgabe . [A supplementary discovery for the collected edition of the works of Karl Friedrich Abel.] Die Musikforschung, Vol. XXXII/4 (1979) 419-21. In German.: ISSN: 0027-4801. 857. Knapman, Zinnia: A reappraisal of Percy's editing. Folk music journal: The journal of traditional song, music & dance, Vol. 5; Issue 2; 1986; pp. 202-214: ISSN: 0531-9684. 858. Knapp, J. Merrill: Die musikalische Aufführung von Händel-Opern in der Gegenwart. [The musical presentation of Händel's operas today.] (See RILM 1971-01964-re) 71-76. In German. 859. Knapp, J. Merrill: Performing problems in Handel's operas. Stuyvesant, NY: Pendragon; 1994; pp. 49-57 860. Knapp, J. Merrill: Zum Stand der amerikanischen Händel-Forschung. [The status of American research on Händel.] Händel-Jahrbuch, Vol. XXXI (1985) 59-60. In German.: ISSN: 0440-0615. 861. Knepper, Claude: Le projet d'edition intégrale de la correspondance de Franz Liszt. [The project for a complete edition of the Franz Liszt correspondence.] Revue musicale, Vol. 405-07 (1987) 347-67. Facsim. In French. See RILM 1987-00951-bs. 862. Knighton, Tess [Editor]: Early music. XXI/4 (November 1993): Monteverdi. I. Early music, London: Oxford U.; pp. 514-672; Vol. 21; Issue 4; Nov 1993; Illus., port., facs., music, bibliog.: ISSN: 0306-1078. 863. Knighton, Tess [Editor]; Fallows, David [Editor]: Companion to medieval and Renaissance music. New York: Schirmer; 1992; xx, 428 p.: ISBN: 0 -460-04627-6. 864. Koch, Annerose: Zur Bedeutung der Editionen Schumannscher Klavierwerke für den Interpreten. [On the significance to the performer of the editions of Schumann's piano
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works.] Schumann-Tage des Bezirkes Karl -Marx-Stadt, (See RILM 1983-04531-bs) 37-43. In German. 865. Koch, Eric: The brothers Hambourg. Toronto: Robin Brass Studio; 1997; 284 p.; Illus., discog.: ISBN: 1-89694-105-2. 866. Kocsis, Zolt n: Az utolsó kézjegy hitele: Rachmaninov, 2. szonáta--Két verziób. [The authenticity of the final corrections of proofs: Two versions of Rahmaninov's piano sonata no. 2.] Muzsika, Vol. 37; Issue 4; Apr 1994; pp. 18-19; Illus., port.: ISSN: 0027-5336. 867. Kohlhase, Thomas [Editor]: Tschaikowsky-Gesellschaft e.V./Tchaikovsky Society, Tübingen; Dom-Muzej P.I. Cajkovskogo, Klin. Internationales Cajkovskij-Symposium. Cajkovskij-Studien, 1, Mainz, Germany: Schott; 1995; 367 p.; Music, list of works, index: ISBN: 3-7957-0295-X. 868. Kohlhase, Thomas: Der gregorianische Choral in der Liturgie heute. [ Gregorian chant in the liturgy today.] Tutzing, Germany: Schneider; 1995 ; pp. 51-63 869. Kohlhase, Thomas: Edieren = Dokumentieren und Interpretieren: Die Erwartungen von Wissenschaft und Praxis an historisch-kritische Musikausgaben. [Editing = documenting and interpreting: Scholarly and practical expectations in regard to historical-critical editions of music .] Concerto, Vol. II/6 (1985) 33-37. In German. 870. Kohlhase, Thomas: Editionsprobleme der Neuen Cajkovskij-Gesamtausgabe am Beispiel der 6. Sinfonie. [Editorial problems of P.I. Cajkovskij: New edition of the complete works, as exemplified by the symphony no. 6.]: Mainz, Germany: Schott; 1995; pp. 177-186 871. Kojima, Shin Augustinus: Probleme im Notentext der Pastoralsymphonie Op. 68 von Beethoven. [The textual problems of Beethoven's 'Pastoral' symphony, op. 68.] Beethoven Jahrbuch, Vol. IX (1973-77) 217-61. Facsimile, music examples. In German. 872. Kojima, Shin: Beethoven kenkyu. [A study of Beethoven.] (Tokyo: Shunju , 1985) 311 p. Music examples, bibliography. In Japanese. 873. Kolneder, Walter: Die Kunst der Fuge. Mythen des 20. Jahrhunderts. [The Kunst der Fuge. Myths of the 20th century.] Taschenbücher der Musikwissenschaft, Vol. 42-45, (Wilhelmshaven: Heinrichshofen, 1977) 4 v . 1052 p. In German. 874. Kolodub, Lev Nikolaevic: Bse cennoe: Segodnjasnemu slusatelju. [ Everything in the past is valuable to today's listener.] Muzykal'naja akademija, Issue 2; 1992; 181 p.: ISSN: 0869- 4516. 875. Komoda, Haruko: Kyoto-daiagko-zo Heikyoku Mabushi--So no seiritsu jijo to shutten chuki ni tsuite. [Heikyoku Mabushi in the collection of the Kyoto-daiagko: Its compilation and source annotations.] Toyo ongaku kenkyu/Studies on Oriental music: Journal of the Society for Research in Asiatic Music, Vol. 55; 1990; pp. 31-90; Illus., facs.: ISSN: 0039 -3851. 876. Konrad, Ulrich: Bemerkungen zu Problemen der Edition von Mozart-Skizzen.: [Problems in editing Mozart's sketches.] Die Musikforschung, Vol. 44; Issue 4; 1991; pp. 331-345; Facs.: ISSN: 0027-4801. 877. Kooiman, Ewald: Zur Interpretation der Orgelmusik Johann Sebastian Bachs . [On the interpretation of organ music by Johann Sebastian Bach.]: Veröffentlichungen der Gesellschaft der Orgelfreunde, 114, Kassel, Germany: Merseburger; 1995; 236 p.; Facs., music: ISBN: 3-87537-215-8 . 878. Korabelnikova, Ljudmila: Denkmäler und Gesamtausgaben. [Monuments and complete editions.] Beiträge zur Musikwissenschaft, Vol. XXX/3 (1988) 200-06. In German.: ISSN: 0005-8106.
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879. Kordaczuk, Wieslawa: Korespondencja Maurycego Karasowskiego z siostra Chopina w sprawie wydania biografii kompozytora. [Maurycy Karasowski's correspondence with Chopin's sister about the editing of the composer's biography.] Muzyka, Vol. XVI/2 (1971) 106-20. In Polish. 880. Koriath, Kirby Lawrence: Walter E. Buszin: Lutheran hymnologist, liturgiologist, church musician, editor. (DMA diss., Performance [organ] and church music: Eastman School of M., 1977) 171 p. (typescript, xerox) . Bibliography, list of works, index. 881. Korstvedt, Benjamin Marcus: "Return to the pure sources": The ideology and text-critical legacy of the first Bruckner Gesamtausgabe. 1997; pp. 91-109 882. Korstvedt, Benjamin Marcus: The first edition of Anton Bruckner's fourth symphony: Authorship, production and reception. 1995; 411 p.; (PhD diss., : U. of Pennsylvania). PA 9543102. 883. Korsyn, Kevin: Brahms research and aesthetic ideology. Music analysis , Vol. 12; Issue 1; Mar 1993; pp. 89-103; Music: ISSN: 0262-5245. 884. Korth, Hans-Otto: Die Edition der deutschen Kirchenlieder: Grundlagen der Darstellung. [The edition of German hymns: Basis of the presentation .] Fontes artis musicae, Vol. 35; Issue 3; July-Sept 1988; pp. 155 -158: ISSN: 0015-6191. 885. Kos, Koraljka: Dragan Plamenac: Istrazivac i objavljivac rane glazbe.: [Dragan Plamenac: Researcher and editor of early music.] Arti musices , Vol. XVII/2 (December 1986) 159-73. In Croatian; summaries in English , German. See RILM 1986-00619-be. 886. Kos, Koraljka: Lik Ladislava Sabana. [The personality of Ladislav Saban .] Kaj: Casopis za knjizevnost, umjetnost i kulturu, Vol. 29; Issue 1 -2; 1996; pp. 38-42; Port.: ISSN: 0453- 1116. 887. Kosciukiewicz, Kazimierz: Pomiedzy kompozytorem a wykonawca: Z problematiki wydawniczej muzyki wspol-czesnej. Próbe spojrzenie ksiegoznawczego. [Between composer and performer: Problems of editing contemporary music. Attempt at a bibliographic survey.] Zeszyt naukowy: Akademia Muzyczna im. Karola Lipinskiego we Wroclawiu, Vol. 47 (1988) 93 -110. In Polish; summary in German. See RILM 1988- 01154-bs. 888. Koski, Suvi-Päivi: Johann Anastasius Freylinghausenin Geist-reiches Gesang-Buch: Eräs protestanttisen virsihistorian bestseller ja sen kansainvälinen vaikutus. [Johann Anastasius Freylinghausen's Geistreiches Gesang-Buch: a bestselling Protestant hymnal and its international influence.] Musiikki, Issue 1; 1996; pp. 37-59; Port., facs., music, bibliog., charts, diagr., notes: ISSN: 0355-1059. 889. Kostelanetz, Richard: Glenn Gould as a radio composer. Massachusetts review, Vol. 29; fall 1988; pp. 557-570: ISSN: 0025-4878. 890. Kovacs, Sándor: Über die Vorbereitung der Publikation von Bartóks grosser ungarischen Volksliedausgabe. [On the preparation of the publication of Bartók's great folk-song collection.] Studia musicologica Academiae Scientiarum Hungaricae, Vol. XXIV/1-2 (1982) 133-55. In German .: ISSN: 0039-3266. 891. Kowalewicz, Henryk: Slaska sekwencja Presul sancte Fabiane. Opracowanie filologiczne i tekst. [The Silesian sequence Presul sancte Fabiane: philology of the text.] Muzyka, Vol. XXII/2 (1977) 89-96. Music examples. In Polish. 892. Krassowski, Janusz [Editor]: Aspekty muzycznego wykonawstwa. [Aspects of music performance.] Zeszyty naukowe, 31, Gdansk: Akademia Muzyczna im. Stanislawa Moniuszki; 1993; 157 p.; Illus., music, bibliog., charts , diagr.
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893. Kraus, Eberhard: Die Referenten des Caecilienvereins-Katalogs und der von ihnen in ihren Beurteilungen vertretene kirchenmusikalische Standpunkt. [The experts of the Cäcilien- Vereins-Katalog and the view of church music represented in their assessments.] (Tutzing: Schneider, 1988) 183-202. In German. See RILM 1988-01001-bs. 894. Krautwurst, Franz [Editor]: Neues musikwissenschaftliches Jahrbuch. II (1993) Neues musikwissenschaftliches Jahrbuch, Augsburg: Wißner; 178 p .; Vol. 2; 1993; Facs., music: ISBN: 3-928898-42-6. 895. Krautwurst, Franz: Aus der Frühgeschichte der Schubert-Forschung: Briefe von Carl Ferdinand Pohl an Max Friedlaender. [The early history of Schubert studies: Letters of Carl Ferdinand Pohl to Max Friedlaender.]: Neues musikwissenschaftliches Jahrbuch, Augsburg: Wißner; Vol. 2; 1993; pp. 91-111 896. Kreitner, Kenneth: Renaissance pitch. New York: Schirmer; 1992; pp. 275-283 897. Kriza, Ildikó: Ballada klasszifikáció-ballada müfaj (a Magyar népballadák kiakásának néhány tanuls g ról). [Ballad classification -ballad types (concerning the editing of Hungarian folk ballads).] N‚pi kultura-N‚pi t rsadalom, Vol. V-VI (1971) 183-97. Bibliography. In Hungarian; summary in German. 898. Kroó, György: Années de pèlerinage--Première ann‚e: Versions and variants. A challenge to the thematic catalogue. Studia musicologica Academiae Scientiarum Hungaricae, Vol. 34; Issue 3-4; 1992; pp. 405 -426; Music, charts, diagr.: ISSN: 0039-3266. 899. Kroeger, Karl: Errors in the facsimile edition of William Billings' The continental harmony. The Sonneck Society for American Music bulletin,: Vol. XIV/3 (fall 1988) 126-28.: ISSN: 0196-7967. 900. Kroeger, Karl: Two unknown Billings compositions in John Norman's The Massachusetts harmony (1784) The hymn: A journal of congregational song , Vol. 47; Issue 3; July 1996; pp. 44-49; Music: ISSN: 0018-8271.
901. Kross, Siegfried [Editor]; Maintz, Marie Luise [Collaborator]: Beethoven-Archiv; Max- Reger-Institut; Musikwissenschaftliches Seminar der U. Bonn; Schumannhaus. Probleme der symphonischen Tradition im 19. Jahrhundert. [Aspects of the 19th-century symphonic tradition.] Tutzing , Germany: Schneider; 1990; 569 p.; Facs., music, charts, diagr. 902. Krummacher, Friedhelm: Die Choralbearbeitung in der protestantischen Figuralmusik zwischen Praetorius und Bach. [The chorale setting in Protestant figural music between Praetorius and Bach.] Kieler Schriften zur Musikwissenschaft, Vol. 22 (Kassel: Bärenreiter, 1978) xvi, 546 p. Music examples, list of works. In German. 903. Krummacher, Friedhelm: Mendelssohn's late chamber music: Some autograph sources recovered. (See RILM 1984-02306-bc) 71-84. Facsimile. 904. Krummel, Donald: Musical functions and bibliographical forms. Library , (December 1976) 327-50. 905. Kubik, Reinhold: Artikulation und Struktur: überlegungen bei der Edition von Kirchenkantaten Johann Sebastian Bachs. [Articulation and structure: Thoughts on the editing of the church cantatas of Johann Sebastian Bach. ] (Neuhausen: Hänssler, 1986) 203-18. In German. See RILM 1986-00623-be . 906. Kubik, Reinhold: Urtext und Interpretation. [The urtext and interpretation.] Das Orchester: Zeitschrift für Orchester und Rundfunk -Chorwesen, Vol. 42; Issue 3; 1994; pp. 13-17; Illus., facs.: ISSN: 0030-4468.
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907. Kuckertz, Josef [Editor]; La Motte-Haber, Helga de [Editor]; Schmidt, Christian Martin [Editor]; Seidel, Wilhelm [Editor]: Neue Musik und Tradition: Festschrift Rudolf Stephan zum 65. Geburtstag. [New music and tradition: Festschrift for Rudolf Stephan on his 65th birthday.] Laaber, Germany: Laaber-Verlag; 1990; 611 p.; Music, charts, diagr. 908. Kuna, Milan: Neokladne k diskusi: Leos Janácek. Souborn‚ kritick‚ vydání del Leose Janácka, Klavírní skladby, Rada Fé sv. 1. [Not urgently for discussion: complete critical edition of the works of Leos Jan cek, Series F, vol. 1. Compositions for piano.] (Praha: Supraphon; Kassel: Bärenreiter, 1978) In Czech. 909. Kuna, Milan: Problems in transcribing Dvorák's correspondence; Transkripcní problematika Dvor kovy korespondence. Hudební veda, Vol. XVIII/1 (1981) 3-25. In Czech; summary in German.: ISSN: 0018-7003. 910. Kuna, Milan: Zur kritischen Edition der Korrespondenz und der Urkundendokumente von Antonín Dvorák. [On the critical edition of Antonín Dvor k's correspondence and source documents.] Praha: Cesk Hudební Spolecnost; 1989; pp. 55-58 911. Kunert, Wolfgang: Zur Situation der Big-Band in den ARD-Anstalten, dargestellt am Beispiel des NDR. [Concerning the situation of the big band in the ARD broadcasts, illustrated by the example of the NDR.]: Jazzforschung / Jazz research, Vol. XII (1980) 129-39. In German; summary in English.: ISSN: 0075-3572. 912. Kuriyama, Tadashi: The problem of posthumous publications of Erik Satie's works (with special reference to Gnossiennes) Ongakugaku, Vol. 39; Issue 2; 1993; pp. 97-106; Music, bibliog.: ISSN: 0030-2597. 913. López-Calo, Jos‚: La etapa Otaño: Un capítulo de la historia interna de Ritmo. [The Otaño period: A chapter in Ritmo's history.] Ritmo, Issue 594; Dec 1988; pp. 193-194; Port.: ISSN: 0035-5658. 914. La Face Bianconi, Giuseppina: Filologia dei testi poetici nella musica vocale italiana. [Philological issues and the poetic texts used in Italian vocal music.] Acta musicologica, Vol. 66; Issue 1; Jan-June 1994; pp. 1-21; Part 2: Vol. 66; Issue 2; July-Dec 1994; 139 p.; Music, bibliog.: ISSN: 0001-6241. 915. La Gorce, Jérôme de [ed]: [Dijon, 1983] Jean-Philippe Rameau. [Jean -Philippe Rameau.] (Paris: Champion; Genève: Slatkine, 1986) In French, English, German. 916. La réforme alsacienne de l'orgue inspirée par Émile Rupp et Albert Schweitzer: Ses apports jusqu'… nos jours pour la facture d'orgue, l’édition et l'interpr‚tation de l'oeuvre d'orgue de J.S. Bach. [The Alsatian organ reform movement inspired by Émile Rupp and Albert Schweitzer: Their contributions to contemporary organ building and the editing and interpretation of J.S. Bach's organ music.] Cahiers hors, 3 , Saint-Di‚, France: Organa Europae; 1991; 144 p. 917. Laing, David: Scrutiny to subcultures: Notes on literary criticism and popular music. Popular music, Vol. 13; Issue 2; May 1994; pp. 179-190: ISSN: 0261-1430. 918. Laki, Péter [Editor]: Bartók and his world. Princeton: Princeton U.; 1995; ix, 314 p.; Bibliog., index: ISBN: 0-691-00634-2. 919. Lamb, Charlie; Trott, Walt: The country music world of Charlie Lamb/ foreword by Brenda Lee; [annotation & text by Walt Trott; editing by Charlie Lamb & Walt Trott] Nashville, TN (P.O. Box 24396, Nashville 37202), Infac Publications, 1986; [52] p 920. Lambert, J. Philip: Another view of Chromâtimelôdtune. The journal of musicological research, Vol. 11; Issue 4; Sept 1991; pp. 237-262; Music: ISSN: 0141-1896.
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921. Lambert, Philip: Ives studies. New York: Cambridge U.; 1997; xi, 300 p .; Index: ISBN: 0- 521-58277-6. 922. Lamm, Pavel: K podlinnomu tekstu Knjazja Igorja. [Contribution toward an authentic text of Knjaz' Igor'.] Sovetskaja muzyka, Vol. 12 (December 1983) 104-07. In Russian.: ISSN: 0131-6818. 923. Landgraf, Annette: Autograph--Abschrift--Ausgabe: Zu philologischen Aspekten des Flavio-Bandes der HHA. [Autograph--Copy--Edition: Philological aspects of the Flavio volume of the Hallische Händel-Ausgabe .] Händel-Jahrbuch, Vol. 40-41; 1994-95; pp. 121-129; Illus.: ISSN: 0440-0615. 924. Larsen, Jens-Peter: Musikedition und Aufführungspraxis. [Editing music and performance practice.] (See RILM 1978-00198-bs) 5-11. In German. 925. Lasso, Orlando di: Seven penitential psalms with two laudate psalms: An edition of München, Bayerische Staatsbibliothek Mus. MS A, I and II.: (Newark: U. Delaware, 1983) 291 p. 926. Lateiner, Jacob: An interpreter's approach to Mozart. Early music, Vol . 20; Issue 2; May 1992; pp. 245-253; Facs.: ISSN: 0306-1078. 927. Laubenthal, Annegrit [Editor]; Kusan-Windweh, Kara [Collaborator]: Studien zur Musikgeschichte: Eine Festschrift für Ludwig Finscher. [ Studies in the history of music: A festschrift for Ludwig Finscher.]: Kassel, Germany: Bärenreiter; 1995; xii, 827 p.; Illus., music: ISBN: 3-7618-1222-1. 928. Lavigne, Guy: Marc-Antoine Charpentier: Une oeuvre inédite, l'histoire sacrée In honorem sancti Ludovici Regis Galliae (H.418)--présentation et transcription. [Marc-Antoine Charpentier: An unpublished sacred story In honorem S. Ludovici Regis Galliae (H.418)-- introduction and transcription .] 1991; 121 p.; (MA thesis, Musicology: U. Laval, 1991); Facs., music, bibliog. 929. Lawry, Eleanor: Some observations on Goudimel's psalm settings.: Stuyvesant, NY: Pendragon; 1991; pp. 337-347 930. Lawton, David: Critical performers and critical editions. Milano, Italy : Ricordi; 1987; pp. 10-19; Music 931. Lawton, David: The autograph of Aida and the new Verdi edition. Verdi newsletter, Vol. XIV (1986) 4-14. Music examples.: ISSN: 0160-2667. 932. Lawton, David: Why bother with the new Verdi edition?. Opera quarterly , Vol. II/4 (winter 1984-85) 43-54. Music examples. 933. Leach, Mark Alan: The Gloria in excelsis Deo tropes of the Breme -Novalesa community and the repertory in North and Central Italy. (PhD diss., Music: U. North Carolina, Chapel Hill, 1986) 657 p. Transcr. DA 8628240. 934. Leaver, Robin A: J.S. Bach and scripture: glosses from the Calov Bible commentary/ introduction, annotations, and editing by Robin A. Leaver.: St. Louis, Concordia Pub. House, 1985; 191 p., [1] leaf of plates: ISBN: 0570013291. 935. Lebeau, Martin Eldon: An analysis of technical problems in twentieth -century literature for unaccompanied viola. (DMA diss.: Temple U., 1982) 174 p. DA 82-11206. 936. Lebelt, Jochen: Robert Schumann als Redakteur der Neuen Zeitschrift für Musik 1834- 1844. [Robert Schumann as editor of the Neue Zeitschrift für Musik, 1834-1844.] (PhD diss., Musikwissenschaft: Pädagogische Hochschule Zwickau, 1988) 491, xxxvi p. In German.
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937. LeClaire, Andrew: Legatos, octaves, and triads for the classical guitar/ [editings, fingerings by] Andrew LeClaire. [United States?, s.n.], 1995; [48] p. of music 938. Leeson, Daniel N.; Whitwell, David: Concerning Mozart's serenade in B -flat for thirteen instruments, K. 361 (370a). Mozart-Jahrbuch, (1978) 97-130.: ISSN: 0077-1805. 939. Leg ny, Dezso: Konzeption und Editionsprinzipien einer Gesamtausgabe der Liszt-Briefe: Eine kritische Würdigung. [Conception and principles of editing a complete edition of Liszt's letters: A critical assessment.]: Eisenstadt, Austria: Burgenländisches Landesmuseum; 1991; pp. 109-116; Bibliog. 940. Legány, Dezsö: Liszt-levelek kiadásáról. [On publishing Liszt's letters .] Magyar zene, Vol. 31; Issue 1; Mar 1990; pp. 41-45: ISSN: 0025 -0384. 941. Legany, Dezsö: New directions in Liszt research. Jals: The journal of the American Liszt Society, Vol. 20 (December 1986) 125-36.: ISSN: 0147 -4413. 942. Leibnitz, Thomas: Johannes Brahms als Musikphilologe. [Johannes Brahms as musical philologist.] (Tutzing: Schneider, 1988) 351-59. Music. In German. See RILM 1988-01141- bs. 943. Leibnitz, Thomas: Zur historischen Bedeutung der Bach-Drucke um 1800.: [On the historical significance of Bach editions ca. 1800.] Wien: Verband der Wissenschaftlichen Gesellschaften ™sterreichs; 1992; pp. 179 -189; Bibliog. 944. Leicher, Anneliese: Untersuchungen zu Originalausgaben Beethovenscher Klavierwerke. [Investigations of the original editions of Beethoven's piano works.] (Doctor of Philosophy diss, Musicology: U. Bonn, 1971) v, 435 p.(typescript). Music examples 945. Lejman, Il'ja: Naslednik moskovskih tradicij. [Heir to the Moscow tradition.] Sovetskaja muzyka, Vol. 3 (March 1977) 82-86. Portrait. In Russian; summaries in Russian, English.: ISSN: 0131-6818. 946. Lelouche, Ruddy: Un système conversationnel d'edition de musique (S.C.E .M.). [A conversational system for editing music: S.C.E.M.]: Informatique musicale, (See RILM 1978-02401-bs) 103-56. In French. 947. Lenaerts, Ren‚ Bernard: De componist Philippus de Monte en de nieuwe uitgave van zijn werk. [The composer Philippe de Monte and the new edition of his works.] Academiae analecta, Vol. LXIV/2 (1983) 25-39. In Dutch. 948. Lenoir, Yves: R‚flexions critiques sur une edition posthume: B. Bartók, Rumanian folk music. [Critical reflections on a posthumous edition: Bartók's Rumanian folk music.] Revue musicale de Suisse romande, Vol. XL/2 (June 1987) 79-88. Illustration, portrait, facsimile, bibliography. In French.: ISSN: 0035-3744. 949. Lesure, François: Les oeuvres complètes. [The complete works.]: Silences, Vol. 4 (May 1987) 203-06. Illus. In French. See RILM 1987 -00789-bp. 950. Leuchtmann, Horst [Editor]: Neue Bachgesellschaft; Internationale Vereinigung Sitz Leipzig; Generalintendanz der Bayerischen Staatstheater . 65. Bachfest der Neuen Bachgesellschaft Leipzig: Beiträge und Programme. [65th Bachfest of the Neue Bachgesellschaft, Leipzig: Essays and program of activities.] Tutzing, Germany: Schneider; 1991; xxiii, 173 p.; Music 951. Leuchtmann, Horst: Zum Ordnungsprinzip in Lassos Magnum opus musicum.: [The organizational principle in Lassus's Magnum opus musicum.] Musik in Bayern: Halbjahresschrift der Gesellschaft für Bayerische Musikgeschichte e.V., Issue 40; 1990; pp. 46-72; Charts, diagr.: ISSN: 0937-583X.
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952. Levasëv, Evgenij: Problemy redaktirovanija, restavracii i rekonstrukcii muzykal'nyh proizvedenij na materiale tvorcestva russkih kompozitorov XVII-XX vv. [Problems of editing, restoring, and reconstructing musical compositions: Russian composers of the 17th to 20th centuries.] 1994; 65 p.; (PhD diss., Iskusstvovedenie: Rossiskij Inst. Iskusstvoznanija, Moskva, 1994) 953. Levasëv, Evgenij: Zizn' tvorceskogo nasledija Musorgskogo i zadaci sovremennogo akademiceskogo izdanija. [The life of Musorgskij's creative legacy, and the objectives of the contemporary scholarly edition.]: Moskva, Russia: Muzyka; 1989; pp. 24-62 954. Levasëv, Evgenij; Teterina, Nadezda: V redakcii Rimskogo-Korsakova. [ Rimskij- Korsakov's editing.] Muzykal'naja akademija, Issue 2; 1994; pp . 64-74: ISSN: 0869-4516. 955. Levasëv, Evgenij; Valentin, Antipov [Collaborator]: Nasledie M.P. Musorgskogo: Sbornik materialov. [The legacy of M.P. Musorgskij: Collection of materials.] Moskva, Russia: Muzyka; 1989; 256 p.; Port., bibliog., list of works 956. Levender, Paul: The organ music of Dietrich Buxtehude: Compiling an accurate edition and looking at interrelationships between Bach and Buxtehude. 1991; (MPhil thesis, : U. of Oxford) 957. Levin, Robert D.: The devil's in the details: Neglected aspects of Mozart's piano concertos. Ann Arbor: U. of Michigan; 1996; pp. 29-50; Facs., music 958. Levy, Kenneth: Gregorian chant and the Carolingians. Princeton: Princeton U.; 1998; x, 271 p.; Illus., facs., music, bibliog., index, transcr.: ISBN: 0-691-01733-6. 959. Levy, Mark H.: Authenticity and performing style in editions of Bach's Das wohltemperirte Clavier. 1987; (MM thesis, : U. of London, King's College) 960. Libbert, Jürgen: Musikwissenschaft und Gitarristik: Einige Aspekte zu Theorie und Praxis. [Musicology and guitar literature: A few aspects of theory and practice.] Zupfmusik- Gitarre, Vol. 33; Issue 2; 1980; pp. 47-50 961. Lichtenhahn, Ernst: Musikwissenschaft in der Schweiz: Entwicklungen, Erträge und Projekte der letzten Jahre. [Musicology in Switzerland: Recent developments, projects, and achievements.] Acta musicologica,: Vol. 61; Issue 2; May-Aug 1989; pp. 327-341: ISSN: 0001-6241. 962. Lichtenwagner, William: When Notes was young: 1945-1960. Notes. Music Library Association, Vol. XXXIX/1 (September 1982) 7-30. 963. Lindemann, Eric: Animal: A rapid prototyping environment for computer music systems. San Francisco, CA: Computer Music Association; 1990; pp. 241-244; Illus., charts, diagr. 964. Lindley, Mark: Early fingering: Some editing problems and some new readings for J.S. Bach and John Bull. Early music, Vol. 17; Issue 1; Feb 1989; pp. 60-69; Illus., facs., music, charts, diagr.: ISSN: 0306 -1078. 965. Lindmayr, Andrea: Alte Musik in neuem Kleid: Zur Edition mensural notierter Musik. [Early music in new dress: On the edition of mensurally notated music.] Studien zur Musikwissenschaft: Beihefte der Denkmäler der Tonkunst in ™sterreich, Vol. 43; 1994; pp. 37-50; Music, bibliog.: ISSN: 0930-9578. 966. Lindström, Pär: Om pålitliga och opålitliga utgåvor. [Reliable and unreliable editions.] Tidskrift för tidig musik, Vol. 3 (1985) 6-9. In Swedish.: ISSN: 0280-6177. 967. Link, Joachim-Dietrich: Zu einer falsch-tradierten Textstelle im II. Finale von Beethovens Oper Fidelio (1814). [A faultily preserved passage in the text of the second finale of
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Beethoven's opera Fidelio (1814).]: Beiträge zur Musikwissenschaft, Vol. XXVIII/2 (1986) 143-44. Illustration, facsimile. In German.: ISSN: 0005-8106. 968. L'interprétation de la musique classique, de Haydn a Schubert. [The interpretation of Classic music, from Haydn to Schubert.] (Genève: Minkoff, 1980) 115 p. In French, English, German. 969. Lissa, Zofia: Muzykologia polska w 25-leciu PRL. [Polish musicology in the 25 years of the Polish People's Republic.] Polska Akademia Nauk. Sprawozdania z prac naukowych wydzialu nauk spolecznych, Vol. XIII/3-4 (1970) 274-87. In Polish. 970. Liszt Studien, I. Kongress-Bericht Eisenstadt 1975. [Liszt studies, I. Report on the Eisenstadt congress, 1975.] 971. Liszt, Franz; Mezo, Imre [Editor]: Variations de bravoure pour piano sur des thèmes de Paganini, opus postumum. Budapest: Musica; 1989; 37 p . 972. Liszt, Franz; Rosenblatt, Jay [Editor]: Concerto for piano and orchestra in E-flat major, op. posth.: Reduction for 2 pianos. Budapest: Musica; 1989; 58 p. 973. Litschauer, Walburga; Deutsch, Walter: Ein Melodienregister zu Schuberts Tänzen. [An index of melodies for Schubert's dances.]: ™sterreichische Musikzeitschrift, Vol. 47; Issue 10; Oct 1992; pp. 573 -581; Music, bibliog.: ISSN: 0029-9316. 974. Liyong, Taban lo; Nichols, Lee: Archive of World Literature on Tape (Library of Congress); Voice of America (Organization). Taban lo Liyong of Sudan [sound recording] [Washington, D.C.], Voice of America, [between 1975-1979]; 1 sound tape reel (30 min.) 975. Lockwood, Lewis [Editor]; Roesner, Edward H. [Editor]: Essays in musicology: A tribute to Alvin Johnson. Philadelphia: American Musicological Society; 1990; vii, 306 p p.; Illus., port., facs., music , bibliog., list of works, them. cat., index, charts, diagr.: ISBN: 1 - 878528-00-9. 976. Lomnitzer, Helmut: Zur wechselseitigen Erhellung von Text- und Melodiekritik mittelalterlicher deutscher Lyrik. [On the elucidation of medieval German lyric poetry through mutual text and melody criticism. ] (Berlin: E. Schmidt, 1968) 118-44. Music examples. In German. 977. Longyear, Rey M: Editions or facsimiles?. (See RILM 1980-00182-be) 332 -37. 978. Lonnendonker, Hans: Deutsch-französische Beziehungen in Choralfragen. Ein Beitrag zur Geschichte des gregorianischen Chorals in der zweiten Hälfte des 19. Jahrhunderts. [German-French connections in matters relating to the chant. A contribution to the history of Gregorian chant in the second half of the 19th century.] (See RILM 1980-00179-be) 280- 95 . In German. 979. Loparnik, Borut: Dunaj in slovenska glasba med 1848 in 1918. [Vienna and Slovene music between 1848 and 1918.] Ljubljana: Slovenska Akademija Znanosti in Umetnosti; 1994; pp. 167-173 980. Lopez, Barry Holstun [1945-]; Bonetti, Kay [ed.]: American Audio Prose Library.. Barry Lopez interview with Kay Bonetti. [sound recording]: Columbia, MO: American Audio Prose Library, [1985?]; 1 sound cassette (67 min.): analog, mono.; Price: $12.95: ISBN: 1556441258. 981. Lorenzen, Johannes: Max Reger als Bearbeiter Bachs. [Max Reger as an arranger of Bach.] (Wiesbaden: Breitkopf a Härtel, 1982) 258 p. In German. 982. Lorenzen, Johannes: Max Reger als Bearbeiter Bachs/ Johannes Lorenzen.: Wiesbaden, Breitkopf & Härtel, 1982; 258 p., [1] p. of plates: ISBN: 3765101621.
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983. Lorkovic, Radovan: Das Violinkonzert von Alban Berg: Analysen- -Textkorrekturen-- Interpretationen. [The violin concerto by Alban Berg: Analyses--text corrections-- interpretations.] Musikreflektionen, 3,: Winterthur, Switzerland: Amadeus; 1991; 220 p.; Facs., music, charts, diagr.: ISBN: 3-905049-48-1. 984. Lorkovic, Radovan: Später Versuch einer Textkorrektur im Violinkonzert von Alban Berg. [A belated attempt to correct the text of Alban Berg's violin concerto.] ™sterreichische Musikzeitschrift, Vol. 44; Issue 12; Dec 1989; pp. 611-619; Music, bibliog.: ISSN: 0029- 9316. 985. Louwenaar-Lueck, Karyl: The sequence of sarabande and air in Bach's keyboard partitas. Bach: The journal of the Riemenschneider Bach Institute, Vol. 23; Issue 1; spring-summer 1992; pp. 38-50; Music: ISSN: 0005-3600. 986. Lowinsky, Edward E.: Musica ficta in the Josquin edition. Chicago: U. of Chicago; 1989; pp. 779-793; Music 987. Lowinsky, Edward E.; Blackburn, Bonnie J. [Editor]; Brown, Howard Mayer [Foreword]; Harris, Ellen T. [Foreword]: Music in the culture of the Renaissance and other essays. 2v.; Chicago: U. of Chicago; 1989; xxi, 993 p.; Illus., music, bibliog., index: ISBN: 0-226- 49478-0. 988. Lowinsky, Edward E: Laurence Feininger (1909-1976): life, work, legacy.: Musical quarterly, Vol. LXIII/3 (July 1977) 327-66. Illustration, portrait, facsimile, music examples. 989. Lücker, Martin: Dietrich Buxtehudes Orgelwerke - Fragen an eine Neuausgabe. [Dietrich Buxtehude's organ works - questions concerning a new edition.] Musik und Kirche, Vol. XLIX/1 (1979) 20-25. In German.: ISSN: 0027-4771. 990. Lustig, Milton: Music editing for motion pictures/ by Milton Lustig.: New York, Hastings House, 1980; 182 p: ISBN: 0803847297. 991. Luthar, Oto; Likar, Vojislav: Historicni seminar. II. [Historical seminar. II.] Ljubljana: Slovenska Akademija Znanosti in Umetnosti; 1997 ; 249 p.: ISBN: 961-6182-45-5. 992. Maas, C. J: Verslag van het symposium over de editie-techniek van de Nederlandse polyfone muziek uit de 15e en 16e eeuw. 's-Gravenhage 29 nov. 1968. [R‚sum‚ of the symposium on the editing of 15th and 16th century Dutch polyphonic music. The Hague, 29 Nov. 1968.] Tijdschrift van der Vereniging voor Nederlandse Muziekgeschiendenis, Vol. XXI/2 (1969) 136 -43. In Dutch. 993. MacDonald, Calum: Soirées de Barcelone: Towards a performing version.: Tempo: A quarterly review of modern music, Issue 198; Oct 1996; pp. 22 -27; Music: ISSN: 0040- 2982. 994. MacDonald, Hugh John: Hector Berlioz 1969 (zur 100. Wiederkehr seines Todestages am 8. Marz. [Hector Berlioz - a centenary assessment.]: Musica, Vol. XXIII/2 (1969) 112-15. Portrait. In German.: ISSN: 0027 -4518. 995. Maciejewski, Tadeusz: Piosenka zakowska Ad festa regis incliti (Gdzie krole wybieraja). Próba rekonstrukcji. [The schoolboys' song Ad festa regis incliti (For the feasts of the chosen king). Attempt at a reconstruction.] Muzyka, Vol. XXIII/3 (1978) 85-88. Music examples. In Polish; summary in English. 996. Macintyre, Bruce C: Haydn's doubtful and spurious Masses: an attribution update. Haydn- Studien, Vol. V/1 (March 1982) 42-54. Bibliography, list of works, thematic catalogue.: ISSN: 0040-5323.
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997. Maddocks, Fiona: BBC music magazine. Special issue (1997): The piano.: BBC music magazine, special issue 1997; Illus., port., discog., sound recording, chronology: ISSN: 0966-7180. 998. Madorskij, Stanislav: Violoncel'noe tvorcestvo R. Sumana. [Robert Schumann's cello works.] (Minsk: Vyseisaja skola, 1976) 50 p. R 0.21. In Russian. 999. Magazinnik, Marina: Fortepiannaja redakcija kak problema stilja: Na materiale sonat Bethovena v redakcii Gansa Bjulova. [The issue of style in editing piano music: The case of Hans von Bülow's editions of Beethoven's sonatas.] (PhD diss., Music performance: Moskovskaja Konservatorija, 1985) 22 p. List of works. In Russian. 1000. Mahler, Gustav; Stephan, Rudolf [Editor]: Totenfeier: Symphonische Dichtung für großes Orchester. [Totenfeier: Symphonic poem for large orchestra.] Sämtliche Werke: Kritische Gesamtausgabe. Supplement, 1,: Wien: Universal; 1988; 70 p. 1001. Mahling, Andreas: How to feed musical gestures into compositions.: Montr‚al: McGill U.; 1991; pp. 258-265; Illus., charts, diagr. 1002. Mahling, Christoph-Hellmut [ed]: [Federhofer Festschrift] Florilegium musicologicum: Hellmut Federhofer zum 75. Geburtstag. [Florilegium musicologicum: For Hellmut Federhofer on his 75th birthday.] Mainzer Studien zur Musikwissenschaft, 21, Vol. 21, (Tutzing: Schneider, 1988) 521 p. Illustration, facsimile, music examples. Essays in German (33) and English (2).: ISBN: 3-7952-0554-9. 1003. Mahling, Christoph-Hellmut [ed]; Wiesmann, Sigrid [ed]: [Bayreuth, 1981] Bericht uber den Internationalen Musikwissenschaftlichen Kongress Bayreuth, 1981. [Report of the International Musicological Congress, Bayreuth, 1981.: : : : ] (Kassel: Bärenreiter, 1984) In German, English. 1004. Mahling, Christoph-Hellmut: Bemerkungen zum 'editorischen Konzept' der Neuen Schubert-Ausgabe. [Observations on the 'editorial concept' of the Neue Schubert-Ausgabe.] (See RILM 1979-02305-bs) 187-89. In German. 1005. Mahling, Christoph-Hellmut: Urtextausgabe - Kritische Ausgabe. Voraussetzung für 'richtige' Interpretation?. [Urtext edition - critical edition. Prerequisite for 'correct' interpretation?.] (See RILM 1978 -00198-bs) 26-30. In German. 1006. Mahy, Daune Sharon: A performance edition of the chamber cantata Nel silentio comune for soprano, strings, and continuo, by Alessandro Scarlatti. (DMA diss., Voice performance and literature: Indiana U., 1978) 124 p. Facsimile, music examples, bibliography. 1007. Maillard, Jean-Christophe: A propos de deux m‚lodies de Raimon Jordan.: [Concerning two melodies by Raimon Jordan.] Kalamazoo: Western Michigan U.; 1986; pp. 121-130; Music 1008. Mains, Ronda Miller: An investigation of the articulations found in the primary sources of the flute sonatas of Johann Sebastian Bach resulting in a composite edition for analysis and a second edition for practical performance. 1993; 281 p.; (DMA doc., : U. of Oregon). PA 9402035. 1009. Malipiero, Gian Francesco; Garrera, Giuseppe [Editor]: La pietra del bando. [The proclamation stone.] 2nd ed.; Montebelluna: Amadeus; 1990; 111 p.; Illus., port. 1010. Malloch, William: Carl Czerny's metronome marks for Haydn and Mozart symphonies. Early music, Vol. XVI/1 (February 1988) 72-82. Illustration, portrait, facsimile, music examples.: ISSN: 0306-1078.
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1011. Malloch, William: Thoughts concerning errors of judgment in Deryck Cooke's Mahler tenth, with particular reference to the second movement.: 's-Gravenhage: Nijgh & Van Ditmar; 1991; pp. 74-86 1012. Mancal, Josef [Editor]; Plath, Wolfgang [Editor]: Leopold Mozart: Auf dem Weg zu einem Verständnis. [Leopold Mozart: Towards an understanding. ] Beiträge zur Leopold-Mozart- Forschung, 1, Augsburg: Wißner; 1994; iii, 198 p.; Illus., music, bibliog.: ISBN: 3-928898- 31-0. 1013. Mann, Alfred [Editor]; Smith, Carleton Sprague [Introduction]; Fog, Dan [Afterword]: Modern music librarianship: Essays in honor of Ruth Watanabe. Festschrift series, 8, Stuyvesant, NY: Pendragon; 1989; xiv, 252 p.: ISBN: 0-918728-93-2. 1014. Mann, Alfred: Gradus und Singfundament: Quellenstudien zur Lehrweise von Johann Joseph Fux. [Gradus and Singfundament: Source studies on Johann Joseph Fux's pedagogical method.] Kassel, Germany: Bärenreiter; 1989; pp. 25-30 1015. Maple, Douglas Alvin: D'Anglebert's autograph manuscript, Paris, B.N. r‚s 89ter: An examination of compositional, editorial, and notational processes in 17th-century French harpsichord music. (PhD diss., Musicology: U. of Chicago, 1988) 1016. Marchwica, Wojciech Maria [Editor]; Sitarz, Andrzej [Editor]: Warsztat kompozytorski, wykonawstwo i koncepcje polityczne Ignacego Jana Paderewskiego. [Composers workshop: Performance and political conceptions of Ignacy Jan Paderewski.] Musica jagiellonica, Kraków: U. Jagiellonski; 1991; 241 p.; Music, index: ISBN: 83-233-0493-9. 1017. Marino, Gérard; Raczinski, Jean-Michel; Serra, Marie-Hélène: The new UPIC system. San Francisco, CA: Computer Music Association; 1990; pp. 249-252; Illus. 1018. Markowsky, Jens: Musikwissenschaft in der Industrie: Aus der Arbeit des Musikredakteurs in der Tonträgerbranche. [Musicology in industry: The work of the music editor in the recording industry.] Darmstadt, Germany: Wissenschaftliche Buchgesellschaft; 1996; pp. 231-44 1019. Marosevic, Grozdana: Zganceva metoda zapisivanja i objavljivanja napjeva . [Zganec's method of collecting and editing folk music.] Narodna umjetnost: Hrvatski casopis za etnologiju i folkloristiku, Issue 3; special issue 1991; pp. 55-62: ISSN: 0547-2504. 1020. Marr, Peter: An 18th-century collection of Anglican chants. Soundings , Vol. IX (1979-80) 71-80. Music examples. 1021. Marrocco, W. Thomas; SANDON, Nicholas [Editors]: The Oxford anthology of music. Medieval music. (London: Oxford, 1977) 1022. Marrocco, W. Thomas; SANDON, Nicholas [Editors]: The Oxford anthology of music: mediaeval music. (London: Oxford U., 1977) 1023. Marschner, Bo: Die letzte Fassung (1889) von Anton Bruckners 3. Sinfonie : Ein Problemfall in der kritischen Gesamtausgabe. [The last version (1889) of Anton Bruckner's symphony no. 3: A problematic case in the critical collected works.] Berliner Beiträge zur Musikwissenschaft: Beihefte zur Neuen Berlinischen Musikzeitung, Vol. 8; Issue 3:1; 1993; pp. 22-32; Music 1024. Marshall, Robert L: Anmerkung zur späten Geschichte der alten Bach-Ausgabe: ein kleines bibliographisches Rätsel. [An observation on the latter-day history of the old Bach edition: a small bibliographical puzzle.] Bach-Jahrbuch, Vol. LXIV (1978) 229-31. In German; summaries in English, French, Russian.: ISSN: 0084-7682.
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1025. Marshall, Robert L: Editore traditore: Ein weiterer 'Fall Rust'?. [ Editore traditore: another Rust case?.] (See RILM 1983-02313-be) 183-91. Facsimile, music examples. In German. 1026. Martin, Eric Louis: Maurice Ravel's Gaspard de la nuit: Comparisons among the autograph housed at the Harry Ransom Humanities Research Center at the University of Texas at Austin and the Alfred, Schirmer, Peters, Durand, and Dover editions. 1995; 153 p.; (DMA doc., : U. of Texas, Austin). PA 9534700. 1027. Mason, Lowell; McKay, David Phares: Madrigal/glee anthology: a collection of nineteenth century choral editions from the Mason tradition / edited by David P. McKay. [United States], Murbo Music Pub, New York, Distributed by Bourne, 1990; 1 score (32 p.) 1028. Massip, Catherine: Rameau et l'edition de ses oeuvres: Bref aperçu historique et m‚thodologique. [Rameau and the editing of his works: A brief historical and methodological outline.] Jean-Philippe Rameau,: (Paris: Champion; Genève: Slatkine, 1986) 145-57. In French. See RILM 1987-00887-bs. 1029. Mathews, M.V.; Moore, F: Groove - a program to compose, store, and edit functions of time. Communications of the Association of Computing Machinery, Vol. XIII/12 (December 1970) 715-21. Illustration. 1030. Mathiesen, Thomas J. [Editor]; Rivera, Benito V. [Editor]: Festa musicologica: Essays in honor of George J. Buelow. Festschrift series, 14, Stuyvesant, NY: Pendragon; 1995; 469 p.: ISBN: 0-945193-70-X. 1031. Matsushima, Toshiaki: Computerized Japanese traditional music processing system. San Francisco: International Computer Music Association; 1992; pp. 121-124; Illus., charts, diagr. 1032. Matsushima, Toshiaki: The recognition and editing system for Shakuhachi score. San Francisco: International Computer Music Association; 1993; pp. 405-407; Illus., charts, diagr. 1033. Mattern, John Henry: The Tchaikovsky Rococo variations, its versions and editions. 1994; 196 p.; (DM doc., : Indiana U.) 1034. Maunder, C. R. F: Mozart's Requiem: on preparing a new edition/ by Richard Maunder. Oxford [England], Clarendon Press, New York, Oxford University Press, 1988; 227 p: ISBN: 0193164132. 1035. Maunder, Richard: Mozart's Requiem: On preparing a new edition. [ Mozart's Requiem: On preparing a new edition.] (Oxford: Clarendon, 1988) 227 p. Music examples, bibliography, list of works, index.: ISBN: 0 -19-316413-2. 1036. Maurice, Donald: Bartok's viola concerto: New light from New Zealand.: Music in New Zealand, Issue 21; winter 1993; pp. 26-27; Illus., port., music: ISSN: 0113-7441. 1037. Mauser, Siegfried: Brahms und die vorklassische Instrumentalmusik. [ Brahms and pre- Classical instrumental music.] (Tutzing: Schneider, 1988) 367-78. Music. In German. See RILM 1988-01141-bs. 1038. May, Judith: New Zealand music as seen by Triad. Crescendo: Bulletin of the International Association of Music Libraries (New Zealand Branch),: Issue 32; Aug 1992; pp. 3-7: ISSN: 0111-8994. 1039. McBurney, Gerard: The resurrection of Roslavets. Tempo: A quarterly review of modern music, Issue 173; June 1990; pp. 7-9; Illus., music: ISSN: 0040-2982.
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1040. McCaldin, Denis: Haydn's "Nelson" Mass: Its decline and rise. SAMUS: South African journal of musicology/Suid-Afrikaanse tydskrif vir musiekwetenskap, Vol. 15; 1995; pp. 25-32; Music: ISSN: 0258-509X. 1041. McClymonds, Marita: Preparing the critical edition: An interview with Alan Curtis. (Austin: U. Texas, 1984) 349-57. See RILM 1986-00675-bs.: 1042. McColl, Sandra: Brahms, Schubert, and Mandyczewski. The American Brahms Society newsletter, Vol. 15; Issue 2; Aug 1997; pp. 4-5: ISSN: 8656 -8357. 1043. McCulloch, Derek: Gensyn med Habsburgerne og Hohenzollerne: To glemte århundreder. [The Habsburgs and the Hohenzollerns revisited: Two forgotten centuries.] rhus: MUSA- Print; 1992; pp. 210-40; Facs., music 1044. McGegan, Nicholas; Spagnoli, Gina: Singing style at the Op‚ra in the Rameau period. Jean- Philippe Rameau, (Paris: Champion; Genève: Slatkine , 1986) Music. In French. See RILM 1987-00887-bs. 1045. McGuinness, Rosamond: The British Apollo and music. Journal of newspaper and periodical history, Vol. III/2 (spring 1987) 9-19. Illustration.: ISSN: 0265-5942. 1046. McLean, Bruce: An editing system for analysis of musical scores.: Computing in musicology: An international directory of applications,: Menlo Park, Ca: Center for Computer Assisted Research in the Humanities; Vol. 8; 1992; 133 p.: ISSN: 1057-9478. 1047. McPeek, Gwynn S: Medieval monophonic song: Kalenda maia by Raimbault de Vaqueiras (c. 1155-1205). (See RILM 1976-08685) 1-7. 1048. Mead, Rita H.: A conversation with Alfred Frankenstein about Henry Cowell's New music. Ann Arbor: U. of Michigan; 1990; pp. 319-322 1049. Meigs, James B; Stern, Jennifer A: Make your own music video/ James B. Meigs and Jennifer A. Stern. A First book, New York, F. Watts, 1986; p . cm: ISBN: 0531102157. 1050. Meister, Hubert: Die Praxis der 'gelenkten Improvisation' und der 'Urtext'. Ein editorisches Problem?. [The practice of controlled improvisation and the Urtext: an editorial problem?.] (See RILM 1980 -00182-be) 355-68. In German. 1051. Melkus, Eduard: Editionsprobleme bei den Soloviolinsonaten von J.S. Bach . [Problems of editing the solo violin sonatas of J.S. Bach.]: ™sterreichische Musikzeitschrift, Vol. XXVII/6 (1972) 321-26. In German.: ISSN: 0029-9316. 1052. Melkus, Eduard: Einige Gedanken zur Interpretation der Violinsonaten mit Basso continuo von J.S. Bach und G.F. Händel. [A few thoughts on the interpretation of the violin sonatas with basso continuo by J.S. Bach and G.F. Händel.] (See RILM 1985-00746-bc) 32-44. Music examples. In German. 1053. Menke, Werner: Quellen und Möglichkeiten der Realisierung einer Neuausgabe von Telemanns Passionsoratorium Seliges Erwägen TVWV 5:2 und 2a. [Sources and resources for realizing a new edition of Telemann's Passion oratorio Seliges Erwägen, TVWV 5:2 and 2a.] Köln: Tank; 1991; pp. 28-29 1054. Mercado, Mario Raymond: Mozart through his piano students. Stuyvesant, NY: Pendragon; 1994; pp. 205-226 1055. Merzyn, Hans-Christian: Nöte mit Noten. [Troubles with notes.] München : Ricordi; 1992; pp. 163-171 1056. Meshulam Korman, Idith: An analytical study of the unpublished piano works of Stefan Wolpe. 1993; 275 p.; (PhD diss., : New York U.). PA 9317676.
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1057. Messinis, Mario [Editor]; Petrobelli, Pierluigi [Editor]: Tavola rotonda sul problema del ripristino e della esecuzione filologica: Commenti al documento della commissione tecnica per il progetto "Festival Verdi". [Round table on the problem of restoration and text-critical performance: Comments on the evidence of the technical commission for the project Festival Verdi.] Firenze: Olschki; 1987; pp. 319-332 1058. Mezö, Imre: A Liszt-összkiad sról. [The New Liszt edition.]: Zenetudom nyi dolgozatok, 1995-1996; pp. 177-181: ISSN: 0139-0732. 1059. Michalowski, Kornel: Bibliografia chopinowska 1849-1969. [Chopin bibliography 1849- 1969.] Documenta chopiniana, Vol. 1, (Kraków: Wyd. Muz., 1970) 267 p. Zl 60. Illustration, portrait, facsimile, bibliography, index. In Polish; summary in English. 1060. Michalowski, Kornel: Wprowadzenie do bibliografii muzycznej. [ Introduction to music bibliography.] (Kraków: Panstwowa Wyzsza Szkola Muzyczna, 1975) vi, 419 p. Zl 19. (mimeo). Bibliography, index. In Polish. 1061. Michel, Winfried: Editionskunde - ein Stückchen Verbraucheraufklärung. Zur Bearbeitungspraxis von Instrumentalmusik des 18. Jahrhunderts. [ Editorial science - a little piece of consumer enlightenment. Concerning the practice of arranging 18th-century instrumental music.] Tibia, Vol. IV/2 (1979) 297-301. In German. 1062. Mihajlova, Natal'ja: Interaktivnaja sistema sinteza: Obrabotki muzykal'noj informacii real'nogo vremeni na baze personal'nyh EVM. [An interactive synthesis system: Processing musical information in real-time with a personal computer.] 1992; 16 p.; (PhD diss., Applied mathematics: Informacionno-Tehnicesckij Centr Akademii Nauk Belarusi, Minsk, 1992); Bibliog. 1063. Miller, Elzbieta: Kolbergowskie metody zbierania i wydawania tekstów ludowych w swietle rekopisów. [Kolberg's methods of collecting and publishing folk texts in light of the manuscripts.] Warszawa: Polska Akademia Nauk; 1995; pp. 15-36 1064. Miller, Kenneth E: Choral editing standards: a review. Choral journal , Vol. XX/6 (February 1980) 5-6. Music examples. 1065. Miller, Mina: En kritisk revideret udgave af Carl Nielsens klavervaerker : berettigelse, raekkevidde og mål. [A revised critical edition of Carl Nielsen's piano music: legitimacy, scope, and aims.] Dansk musiktidsskrift, Vol. LV/2 (November 1980) 55-59. Facsimile, music examples. In Danish.: ISSN: 0106-5629. 1066. Miller, Mina: Some thoughts upon editing the music of Carl Nielsen.: Current musicology, Vol. XXXIV (1982) 64-74. Facsimile, music examples.: ISSN: 0011-3735. 1067. Miller, Norbert: Kritische und historisch-kritische Ausgaben: Notizen für ein Plädoyer. [Critical and historical-critical editions: Notes toward a plaidoyer.] (See RILM 1985-00774- bs) 116-25. In German. 1068. Miller, Philip Lieson: Records as documents. (Detroit: Information Coordinators, 1987) 333-36. See RILM 1987-00818-be. 1069. Milsom, John: Cries of Durham. Early music, Vol. 17; Issue 2; May 1989; pp. 147-160; Illus., music: ISSN: 0306-1078. 1070. Milsom, John: Tallis, Byrd and the "incorrected copy": Some cautionary notes for editors of early music printed from movable type. Music & letters, Vol. 77; Issue 3; Aug 1996; pp. 348-367; Facs., music: ISSN: 0027-4224. 1071. Minamino, Hiroyuki: Sixteenth-century lute treatises with emphasis on process and techniques of intabulation. (PhD diss., Musicology: U. of Chicago, 1988)
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1072. Minnick, Michael: A graphical editor for building unit generator patches . San Francisco, CA: Computer Music Association; 1990; pp. 253-255; Illus. 1073. Mixter, Keith E.: Scholarly editions: Their character and bibliographic description. Music reference services quarterly, New York: Haworth; Vol. 2; Issue 1-2; 1993; pp. 47-58; Bibliog.: ISSN: 1058-8167. 1074. Modern musical scholarship. (Stocksfield: Oriel, 1980) 1075. Moeller, Hartmut: Auf dem Weg zur Rekonstruktion des Antiphonale S. Gregorii? Kritisches zu den Klassifizierung des Corpus antiphonalium officii. [On the way to reconstruction of the antiphonale St. Gregory? Critique of the classification of the Corpus antiphonalium officii.] Die Musikforschung, Vol. XXXVII/3 (1984) 207-15. In German.: ISSN: 0027 -4801. 1076. Mohr, Wilhelm: Rekonstruktionen verschollener Solokonzerte J.S. Bachs. Anmerkungen zu einem Supplementband der Neuen Bach-Ausgabe. [ Reconstructions of missing solo concertos by J.S. Bach. Remarks on a supplementary volume of the Neue Bach-Ausgabe.] Neue Zürcher Zeitung,: Vol. CXCIII (July 1972) 44.: ISSN: 0376-6829. 1077. Mohrs, Rainer: Ein Freund und Förderer des Musiklebens: Zum Gedenken an Lothar Friedrich. [A friend and promoter of music: In memoriam Lothar Friedrich.] Mitteilungen der Arbeitsgemeinschaft für mittelrheinische Musikgeschichte, Vol. 60; 1993; pp. 403-404 1078. Monterosso, Raffaello: L'edizione nazionale delle musiche di Paganini: Premessa alla riscoperta di un musicista. [The national edition of Paganini's works: Preliminary to the rediscovery of a musician.] (See RILM 1984-00706-bs) In Italian. 1079. Moog, Robert A.; Rhea, Thomas L.: Evolution of the keyboard interface: The Bösendorfer 290 SE recording piano and the Moog Multiply-Touch -Sensitive keyboard. Computer music journal, Vol. 14; Issue 2; summer 1990; pp. 52-60: ISSN: 0148-9267. 1080. Moorefield, Arthur A.: James Bruce: ethnomusicologist or Abyssinian lyre?. Journal of the American Musicological Society, XXVIII/3 (fall 1975) 493-514. Illustration, facsimile, music examples: ISSN: 0003-0139 . 1081. Morehen, John [Editor]: English choral practice c.1400-c.1650: A memorial volume to Peter Le Huray. Cambridge studies in performance practice, 5, Cambridge: Cambridge U.; 1995; xiii, 246 p.; Facs., music , index, charts, diagr.: ISBN: 0-521-44143-9. 1082. Morehen, John: The "burden of proof": The editor as detective.: Cambridge: Cambridge U.; 1995; pp. 200-220; Music, charts, diagr. 1083. Morelli, Giovanni [Editor]: Tornando a Stiffelio: Popolarit…, rifacimenti, messinscena, effettismo e altre "cure" nella drammaturgia del Verdi romantico. [Returning to Stiffelio: Popularity, reconstructions, staging, effectiveness and other matters in the dramaturgy of the Romantic Verdi.] Quaderni della Rivista italiana di musicologia, 14, Firenze: Olschki; 1987; 380 p.; Illus., index: ISBN: 88-222-3484-7. ISSN: 0394-4395. 1084. Morey, Carl: Editing Glenn Gould. GlennGould, Toronto: Glenn Gould Foundation; Issue 1; fall 1995; pp. 21-23; Facs., music: ISSN: 1201 -821X. 1085. Morrison, Paul Edward: Caspar Ett at St. Michael's in Munich: A study and analysis of his work and influence on the origins of the Renaissance musical revival. 1997; 1092 p.; (PhD diss., : Northwestern U.) 1086. Morton, Robert: The collected works. Masters and monuments of the Renaissance, Vol. 2, (New York: Broude, 1981) 104 p.
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1087. Mosch, Ulrich: Gian Francesco Malipiero: Il finto Arlecchino, 1925.: Basel: Paul Sacher Stiftung; 1996; pp. 128-129; Facs. 1088. Mosch, Ulrich: Gian Francesco Malipiero: Una festa a Mantova, a ballet for orchestra after music by Claudio Monteverdi, 1935-36. Basel: Paul Sacher Stiftung; 1996; pp. 200-201; Facs., music 1089. Moshevich, Sofia: Recordings of Shostakovich's own performances as a musicological method of analysing and editing his published scores.: (Pretoria: Musicological Society of South Africa/ Musiekwetenskapvereniging van Suid-Afrika, 1987) 48-67. Summary in Afrikaans. See RILM 1988-01091-bs. 1090. Müller, Ulrich: Neidhart ('von Reuental'): Probleme der Edition und der moderner Aufführung. [Neidhart ('von Reuental'): Problems in editing and modern interpretation.] Studia musicologica Academiae Scientiarum Hungaricae, Vol. XXVII/1-4 (1985) 223-37. In German.: ISSN: 0039-3266 . 1091. Münster, Robert: Neues zum Münchner Idomeneo 1781. [New data on the 1781 Munich Idomeneo.] Acta mozartiana, Vol. XXIX/1 (1982) 10-20. Illustration. In German.: ISSN: 0001-6233. 1092. Munclinger, Milan: Alte Musik in den heutigen Ausgaben. [Old music in today's editions.] (See RILM 1978-00198-bs) 68. In German. 1093. Munson, Paul Allen: The oratorios of Franz Liszt. 1996; 388 p.; (PhD diss., : U. of Michigan). PA 9635577. 1094. Murray, Michael: Albert Schweitzer, musician. Aldershot, VT: Scolar; 1994; xiv, 161 p.: ISBN: 1-85928-031-5. 1095. Murray, Robert: The editions. (See RILM 1985-00838-bc) 24-40. Music examples, charts, tables. 1096. Musgrave, Michael Graham [Editor]: Brahms. II: Biographical, documentary and analytical studies. [Brahms. II: Biographical, documentary and analytical studies.] (Cambridge: Cambridge U., 1987) 252 p. Illustration, portrait, facsimile, music examples, bibliography, list of works, index.: ISBN: 0-521-32606-0. 1097. Musgrave, Michael: Review: the critical study-score. Music analysis,: Vol. I/2 (July 1982) 218-27.: ISSN: 0262-5245. 1098. Music, David W.: An interview with Carlton R. Young. The hymn: A journal of congregational song, Vol. 45; Issue 2; Apr 1994; pp. 5-8; Illus.: ISSN: 0018-8271. 1099. Musikalisches Erbe und Gegenwart. Musiker-Gesamtausgaben in der Bundesrepublik Deutschland. [The musical legacy today: collected editions of composers.] (Kassel: Bärenreiter, 1975) In German. 1100. Musketa, Konstanze [Editor]: Robert Franz 1815-1892: Bericht über die wissenschaftliche Konferenz anläßlich seines 100. Todestages am 23. und 24. Oktober 1992 in Halle (Saale) [Robert Franz, 1815-1892: Report on the congress held for the 100th anniversary of his death, 23-24 October 1992 in Halle (Saale)] Schriften des Händel-Hauses in Halle, 9, Halle, Germany: Händel-Haus; 1993; 384 p.; Illus., port., facs., music, index: ISBN: 3-910019-07- 2. ISSN: 0232-3214. 1101. Nagy, Michael [Editor]: Hochschule für Musik und Darstellende Kunst, Vienna. "Musik muß man machen": Eine Festgabe für Josef Mertin zum neunzigsten Geburtstag am 21. März 1994. ["Making music is a must": Festschrift for Josef Mertin for his ninetieth
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birthday, 21 March 1994. ] Vom Pasqualatihaus, 9, Wien: Vom Pasqualatihaus; 1994; 389 p.; Illus., port., music, bibliog., index: ISBN: 3-901254-05-6. 1102. Naich, Hubert: Opera omnia. Corpus mensurabilis musicae, Vol. 94, (Stuttgart: Hänssler, 1983) lvii, 197 p. 1103. Nakano, Hiroshi: Gakumon-teki kôtei-gakufu no imi. [The significance of a critical edition.] Ongaku geijutsu, Vol. XXX/4 (April 1972) 30-35. In Japanese.: ISSN: 0030-2600. 1104. Narici, Ilaria: Il campanello: Genesi e storia di una farsa napoletana.: [Il campanello di notte: Genesis and history of a Neapolitan farce.]: Bergamo, Italy: Comune di Bergamo; 1993; pp. 93-110 1105. Nastasi, Mirjam [Editor]: Travers & controvers: Festschrift Nikolaus Delius. [Back and forth: Festschrift for Nikolaus Delius.] Celle, Germany: Moeck; 1992; 230 p.; Illus., music, bibliog., discog.: ISBN: 3-8754-9057-6. 1106. National Film Board of Canada. Don Messer--his land and his music. [Motion picture] 70 min 1107. National Public Radio (U.S.). Telling the story [sound recording]: Washington, D.C, National Public Radio, 1982; 3 sound cassettes (4 hr.): 1108. National Public Radio (U.S.). Telling the story. [sound recording]: Washington, D.C.: National Public Radio, 1982.; 3 sound cassettes (4 hr .): analog. 1109. Nattiez, Jean-Jacques [Editor]: Circuit: Revue nord-am‚ricaine de musique du XX$+e$/ siècle. II/1-2 (1991): Claude Vivier. Circuit: Revue nord-am‚ricaine de musique du XX$+e$/ siècle, Montr‚al: U. de Montr‚al; 185 p.; Vol. 2; Issue 1-2; 1991; Illus., bibliog., list of works, discog.: ISSN: 1183-1693. 1110. Near, John R.: Problems of interpretation and edition in the organ works of Charles-Marie Widor. Göteborg: Göteborgs U.; 1995; pp. 453-468 1111. Neill, Edward: Il 'primo concerto' di Paganini: Indagini e riscontri.: [Paganini's concerto no. 1: Research and verification.] Nuova rivista musicale italiana, Vol. XXI/1 (January-March 1987) 35-42. Facsimile. In Italian.: ISSN: 0029-6228. 1112. Neumann, Frederick: Improper appoggiaturas in the Neue Mozart Ausgabe.: The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, Vol. 10; Issue 4; fall 1992; pp. 505-521; Music: ISSN: 0277-9269. 1113. Neumann, Werner: Grenzen und Möglichkeiten der Bachinterpretation aus historischer Sicht. [The limits and the possibilities of Bach interpretation from the historical point of view.] Beiträge zur Bachforschung, Vol. I (1982) 7-24. In German. 1114. Neuwirth, Gösta: Zur Geschichte der 4. Symphonie. [The history of the symphony no. 4.] (See RILM 1985-00885-bc) 105-10. In German. 1115. Newman, William S.: Freedom of tempo in Schubert's instrumental music.: Musical quarterly, LXI/4 (October 1975) 528-45. Music examples 1116. Newman, William S: Liszt's interpreting of Beethoven's piano sonatas.: Musical quarterly, Vol. LVIII/2 (April 1972) 185-209. Illustration. 1117. Niemöller, Klaus Wolfgang: Aufführungspraxis und Edition von Haydns Cellokonzert D- dur. [Performance practice and the editing of Haydn's cello concerto in D major.] (See RILM 1980-00182-be) 394-409. In German.: 1118. Niermann, Johannes: System-didaktische Perspektiven bei Verwendung akustischer Medien im Unterricht. [Systemic didactical perspectives on the use of acoustical media in the
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classroom.] Musikerziehung, Vol. XXXIV (October, December 1980) 8-13, 59-64. Illustration, bibliography. In German. 1119. Nilles, Ulrich: Die Händelaufführungen in Mainz unter Fritz Volbach. [ The Händel performances in Mainz under Fritz Volbach.] Mitteilungen der Arbeitsgemeinschaft für mittelrheinische Musikgeschichte, Vol. 47 (1983) 261-77. Music examples, charts, tables. m In German. 1120. Nilsson, Ann-Marie: A hymn in "Hystorie" of Swedish saints. Budapest: Magyar Tudom nyos Akad‚mia; 1990; pp. 165-180; Facs., music, bibliog., list of works 1121. Noblitt, Thomas L: Filiation vis-a-vis its alternatives: approaches to textual criticism. (See RILM 1983-00204-bs) 111-27. Facsimile, music examples, charts, tables. m 1122. Noblitt, Thomas: The Sistine Chapel Magnificat repertory circa 1500: Implications of performance practice for its selection and redaction.: Stuyvesant, NY: Pendragon; 1995; pp. 167-196; List of works, charts, diagr. 1123. Novy, Miroslav: Cypresses: An appreciation, and a summary of editorial problems on the eve of its first publication. Oxford: Clarendon; 1996; pp. 31-36 1124. Nowak, Leopold: Die 1. und 2. Fassung von Anton Bruckners 3. Symphonie.: [The first and second versions of Anton Bruckner's symphony no. 3.]: International Bruckner- Gesellschaft, Vol. 15 (June 1979) 24-29. Facsimile. In German. 1125. Nowak, Leopold: Die kleinen Kirchenmusikwerke Anton Bruckners. [Anton Bruckner's small sacred compositions.] Singende Kirche, Vol. XXX/4 (1983) 168. In German.: ISSN: 0037-5721. 1126. Nowak, Leopold: Von der Bruckner-Gesamtausgabe. [From the Bruckner -Gesamtausgabe.] Mitteilungsblatt der Internationalen Bruckner -Gesellschaft, Vol. 16 (December 1979) 24- 25. In German. 1127. Nowak, Leopold: Zur Neuen Schubert-Gesamtausgabe. [The new Schubert complete edition.] ™sterreichische Musikzeitschrift, Vol. XXIII/2 (February 1968) 94-95. In German.: ISSN: 0029-9316. 1128. Obers, Anna [Editor]: Muzyka, slowo, sens: Mieczyslawowi Tomaszewskiemu w 70 rocznice urodzin. [Music, word, substance: Dedicated to Mieczyslaw Tomaszewski on his 70th birthday.] Kraków: Akademia Muzyczna; 1994; 181 p.; Illus., port., music 1129. Obrecht, Jacob: Obrecht: New edition of the collected works. (Utrecht: Vereniging voor Nederlandse Muziekgeschiedenis, 1983-) 1130. Odorannus de Sens. [Opera omnia IV, V.] (Paris: Centre National de la Recherche Scientifique (CNRS), 1972) 321 p. Illustration, facsimile, music examples, bibliography, list of works, index. 1131. Oelmann, Klaus Henning [Editor]: Die Gratulanten kommen: Edvard Grieg zum 150. Geburtstag. [The well-wishers are coming: Edvard Grieg's 150th birthday.] Deutsche Hochschulschriften, 814, Egelsbach: Hänsel -Hohenhausen; 1993; 142 p.; Facs., music, index, charts, diagr.: ISBN: 3-89349-814-1. 1132. Oelmann, Klaus Henning: Edvard Grieg: Versuch einer Orientierung. [ Edvard Grieg, an orientation.] 2v.; 1992; 646 p.; (PhD diss., Musicology: U. Kassel, 1992); Facs., music, index 1133. Oelmann, Klaus Henning: Einige Bemerkungen zu der Neuausgabe von Edvard Griegs Opus 73. [Some observations on the new edition of Edvard Grieg's op. 73.] Musikforschung, Vol. XLI/4 (1988) 349-51. In German.
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1134. Oelmann, Klaus Henning: Materialien zur Grieg Gesamtausgabe. [Material for the Grieg complete works edition.] Egelsbach: Hänsel-Hohenhausen; 1993; pp. 93-136 1135. Oesch, Hans: Weberns Plan einer Gesamtausgabe. [Webern's project of a complete edition.] Laaber, Germany: Laaber-Verlag; 1990; pp. 501-509 1136. Ogden, Dunbar H. [Editor]; Zijlstra, A. Marcel J. [Transcription]: The Play of Daniel: Critical essays. Early drama, art, and music monographs, 24, Kalamazoo: Western Michigan U.; 1996; 160 p.; Facs., music, index: ISBN: 1-879288-76-1. 1137. Ohmiya, Makoto: Text and performance: the treatment of ossia variants in Haydn critical scores. (See RILM 1981-04347-bs) 130-33. Music examples.: 1138. Ohteru, Sadamu [General Editor]: International Computer Music Association; Waseda University. Proceedings of the 1993 International Computer Music Conference. San Francisco: International Computer Music Association; 1993; xxi, 486 p.; Index 1139. Oldani, Robert William, Jr: New perspectives on Mussorgsky's Boris Godunov. (PhD diss.: U. of Michigan, 1978) 391 p. 1140. Olschki, Leo S. [Editor]: Accademia Musicale Chigiana. La prima "Settimana musicale senese" e la Vivaldi Renaissance (1939-1989) [The first Settimana Musicale Senese and the Vivaldi Renaissance (1939-1989) ] Chigiana: Rassegna annuale di studi musicologici, Firenze: Olschki; 269 p.; Vol. 41; Issue 21; 1989; Facs., music, index: ISSN: 0069-3391 . 1141. Oost, Gert: Improvisation in der Sonate für zwei Cembali: Bernardo Pasquini als Vorbild für Mattheson und Händel?. [Improvisation in the sonata for two harpsichords: Bernardo Pasquini as a model for Mattheson and Händel?.] (Michaelstein/ Blankenburg: Kultur- und Forschungsstätte Michaelstein, 1988) 64-77. Facsim., music. In German. See RILM 1988 - 00956-bs. 1142. Op de Coul, Paul [Editor]; Leeuwen, Jos van [General Editor]: Fragment or completion? Proceedings of the Mahler X Symposium. Mahler studies, 1 , 's-Gravenhage: Nijgh & Van Ditmar; 1991; 239 p.; Facs., music, bibliog.: ISBN: 90-237-1145-9. 1143. Ophee, Matanya: Die Bedeutung von Erstausgaben in der Editionspraxis.: [The importance of first editions in editorial practice.] Gitarre & Laute, Vol. 10; Issue 5; 1988; pp. 45-50; Music: ISSN: 0172-9683. 1144. Oppenheim, Daniel V.: DMIX: An environment for composition. San Francisco, CA: Computer Music Association; 1989; pp. 226-233; Bibliog., charts, diagr. 1145. Oppermann, Annette: "Wer kennt sie?"--Betrachtungen zu Händels Kammerduetten aus editionsgeschichtlicher Sicht. ["Who knows them?"--Comments on Händel's chamber duets from the perspective of their publication history.] Göttinger Händel-Beiträge, Vol. 5; 1993; pp. 224 -38; Music, charts, diagr. 1146. Orton, Richard; Hunt, Andy; Kirk, Ross: Graphical control of granular synthesis using cellular automata and the Freehand program. Montr‚al: McGill U.; 1991; pp. 416-418; Illus. 1147. Ottenberg, Hans-Günter: Neue Erkentnisse zum Musikerbe: Das Beispiel Carl Philipp Emanuel Bach--Zur wissenschaftlichen Erschliessung eines kompositorischen Erbes. [New findings on the musical legacy: The example of Carl Philipp Emanuel Bach--The scholarly illumination of a compositional heritage.] Bulletin des Musikrates der DDR, Vol. 26; Issue 1; 1989; pp. 21-29 1148. Ottenberg, Hans-Günter: Positionen und Perspektiven der Carl Philipp Emanuel Bach- Forschung. [Positions and perspectives of Carl Philipp Emanuel Bach research.] (See RILM 1985-00786-bs) 100-07. In German.
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1149. Ottenberg, Hans-Günter: Positionen und Perspektiven der Carl-Philipp -Emanuel-Bach- Forschung. [Positions and perspectives of Carl Philipp Emanuel Bach research.] (Frankfurt an der Oder: n.p., 1985) 5-16. In German. See RILM 1988-01007-bs. 1150. Ouvard, Jean-Pierre: 'Pour le rondeau en forme mettre...': Mon confesseur, a rondeau by Clément Janequin; 'Pour le rondeau en forme mettre...': Mon confesseur, rondeau de Clément Janequin. Revue de musicologie, Vol. LXIV/2 (1978) 203-28. Music examples. In French.: ISSN: 0035-1601. 1151. Owens, Jessie Ann; Cummings, Anthony M.: Music in Renaissance cities and courts: Studies in honor of Lewis Lockwood. Detroit monographs in musicology/Studies in music, Warren, MI: Harmonie Park; 1997; xxxi, 553 p.; Bibliog.: ISBN: 0-89990-102-6. 1152. Paccagnella, Ermenegildo: La parola in Palestrina. Problem: tecnici, estetici, e storici. [Text in Palestrina. Technical, aesthetic, and historical problems.] Vol. 4, (Florence: Olschki, 1969) In Italian. 1153. Paden, William D., Jr.: Manuscripts. Los Angeles: U. of California; 1995; pp. 307-333; Bibliog. 1154. Paine, Gordon: The choral journal: an index to volumes 1-18. (Lawton, Okla.: American Choral Directors Assoc., 1978) 168 p. $4.75. 1155. Palent, Andrea: Zur Erstausgabe der Motette Saeviat tellus (HWV 240) von Georg Friedrich Händel im Rahmen der Hallischen Händel-Ausgabe, Serie III , Band 2. [The first edition of Georg Friedrich Händel's motet Saeviat tellus (HWV 240), under the auspices of the Hallische Händel-Ausgabe, series III, volume 2.] (Potsdam: n.p., 1986) 92-102. Them. cat. In German. See RILM 1986-00782-bc. 1156. Palisca, Claude: Symposium. Music and higher education in the 1970's: opportunities for intracultural and interdisciplinary study. College music symposium, Vol. XI (1971) 100-02. See RILM 1971-03513-ap.: ISSN: 0069-5696. 1157. Palmieri, Giuliano; Sapir, Silvyane: MARS: Musical applications. San Francisco: International Computer Music Association; 1992; pp. 352-353; Illus. 1158. Pank, Siegfried: Einige Gedanken zu Editionsfragen. [A few thoughts on editing.] (See RILM 1985-00745-bs) 48-49. In German. 1159. Parker, Mary Ann [Editor]: Eighteenth-century music in theory and practice: Essays in honor of Alfred Mann. Festschrift series, 13,: Stuyvesant, NY: Pendragon; 1994; x, 337 p.; Illus., port., facs., music, bibliog., charts, diagr.: ISBN: 0-945193-11-4. 1160. Parker, Roger: A Donizetti critical edition in the postmodern world.: Bergamo, Italy: Comune di Bergamo; 1993; pp. 57-68 1161. Parker, Roger: The critical edition of Nabucco. Opera quarterly, Vol. V/2-3 (1987) 91-98. Music examples. 1162. Parmerud, Ake: O uso de microcomputadores na composiçao musical. [The use of microcomputers in musical composition.] (Sao Paulo: Festival Música Nova, 1988) 7-10. In Portuguese. See RILM 1988-01104-bs. 1163. Partsch, Erich Wolfgang [Editor]: Internationale Gustav Mahler Gesellschaft. Gustav Mahler: Werk und Wirken--Neue Mahler-Forschung aus Anlaß des vierzigjährigen Bestehens der Internationalen Gustav Mahler Gesellschaft. [Gustav Mahler: Work and influence--New Mahler research presented for the fortieth anniversary of the Internationale Gustav Mahler Gesellschaft.] Wien: Vom Pasqualatihaus; 1996; 151 p.; Illus., bibliog.: ISBN: 3-901254-19-6.
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1164. Partsch, Erich Wolfgang: Vierzig Jahre Internationale Gustav Mahler Gesellschaft. [Forty years of the Internationale Gustav Mahler Gesellschaft.] Nachrichten zur Mahler- Forschung, Issue 34; Oct 1995; pp. 3-4 1165. Pascall, Robert: The publication of Brahms's third symphony: A crisis in dissemination. Oxford: Clarendon; 1990; pp. 283-294; Facs., charts, diagr. 1166. Pasler, Jann: [San Diego, 1982] Confronting Stravinsky: Man, musician, and modernist. [Confronting Stravinsky: Man, musician, and modernist. ] (Berkeley: U. California, 1986) 380 p. Illustration, music examples, index, tables. 1167. Pass, Walter [Editor]: Bundesministerium für Wissenschaft und Kunst; Bundesministerium für Unterricht und Kulturelle Angelegenheiten; Amt der Niederösterreichischen Landesregierung; Arbeitsgemeinschaft der Musikerzieher Österreichs. Bekenntnis zur österreichischen Musik in Lehre und Forschung: Eine Festschrift für Eberhard Würzl zum achtzigsten Geburtstag am 1. November 1995. [Commitment to Austrian music, in teaching and research: A Festschrift for Eberhard Würzl on his eightieth birthday (1 November 1995)] Vom Pasqualatihaus, 11, Wien: Vom Pasqualatihaus; 1996; 359 p.: ISBN: 3- 901254-14-5. 1168. Pass, Walter: "Das Kunstwerk nicht nur der Form nach untersuchen, sondern darüber hinaus es auch Musik werden zu lassen": Rudolf von Ficker als Vorbild und Lehrer Josef Mertins. ["It is not enough to investigate art for its form--one must see that it becomes real music": Rudolf von Ficker as Josef Mertin's teacher and model.] Wien: Vom Pasqualatihaus; 1994; pp. 113-126; Music, bibliog. 1169. Pass, Walter: Eberhard Würzl und die Zeitschrift Musikerziehung. [ Eberhard Würzl and the journal Musikerziehung.] Wien: Vom Pasqualatihaus ; 1996; pp. 161-176; Bibliog. 1170. Patiyo, Carlos: Obras musicales recopilades. I. [Collected musical works. I.] (Cuenca: Instituto de Música Religiosa de la Diputación Provincial de Cuenca, 1985) 467 p. In Spanish. 1171. Paulsmeier, Karin: Argumente gegen die Edition alter Musik. [Arguments against making editions of early music.] Basler Jahrbuch für historische Musikpraxis, Winterthur, Switzerland: Amadeus; special issue 1992; pp. 145-159; Facs. 1172. Payne, Ian: The sacred music of Thomas Ravenscroft. Early music, Vol. X/3 (July 1982) 309-15. Facsimile, music examples, list of works.: ISSN: 0306-1078. 1173. Pazdro, Wojciech: 'Rytmika deklamacyjna' czy 'logika muzyczna'. Z problemów wspólczesnej transkrypcji muzyki XVI wieku. Mensura biala. [ 'Declamatory rhythm' or 'musical logic'. Some problems of contemporary transcription of 16th-c. music in white mensural notation.] Muzyka, Vol . XVIII/4 (1973) 12-27. Music examples. In Polish. 1174. Pecker Berio, Talia [Editor]: Anno europeo della musica; Ministero del turismo e dello spettacolo; Centro studi musicali Ferruccio Busoni di Empoli; International Music Council, UNESCO; Societ… italiana di musicologia. La trascrizione: Bach e Busoni. [Transcription: Bach and Busoni.] Quaderni della Rivista italiana di musicologia, 18, Firenze: Olschki; 1987; ix, 246 p.; Music: ISBN: 88-222-3535-5. ISSN: 0394-4395 . 1175. Pelkey, Stephen Richard: Antonin Dvorák's first cello concerto in A major: A comparison of the original, Raphael and S dlo/Burghauser editions, and Piotr Ilych Tchaikovsky's Rococo variations: A comparison of the original and Fitzenhagen editions. 1993; 104 p.; (DMA doc., : U . of Houston). PA 9324196.
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1176. Pemberton, Carol A.: Unconventional wisdom: Observing how research, writing and editing fly in the face of clich‚s. Bulletin of historical research in music education, Vol. 20; Issue 2; Jan 1999; pp. 115-120: ISSN: 0739-5639. 1177. Pemberton, Carol Ann: Lowell Mason: his life and work. (PhD diss., Musicology: U. of Minnesota, 1971) 2v. xii, 548 p. Bibliography, list of works. 1178. Penesco, Anne [Editor]: Du baroque … l'époque contemporaine: Aspects des instruments … archet. [From the Baroque period to today: Aspects of bowed instruments.] Paris: Champion; 1993; 192 p.; Illus., bibliog., index: ISBN: 2-85203-305-4. 1179. Pennycook, Bruce: Computer applications in music at McGill University.: San Francisco, CA: Computer Music Association; 1989; pp. 238-241 1180. Perera, Ronald: The three part academic electronic music studio.: College music symposium, Vol. XI (1971) 66-70. See RILM 1971-03513-ap.: ISSN: 0069-5696. 1181. Peric-Polonijo, Tanja: O tekstovima pjesama u zbirci Juzno-slovjenske narodne popievke Franje S. Kuhaca. [On the texts of the songs in the collection Juzno-slovjenske narodne popievke by Franjo Ks. Kuhac.] Anali Zavoda za Znanstevni Rad u Osijeku, Vol. IV (1985) 35-82. List of works . In Croatian; summary in English. 1182. Perle, George: Style and idea in the Lyric suite of Alban Berg.: Stuyvesant, NY: Pendragon; 1995; xiii, 68 p.; Illus., port., facs., music: ISBN: 0-945193-65-3. 1183. Perz, Miroslaw: Die Publikationen alterer Musik in Polen. [Publications of older music in Poland.] Beiträge zur Musikgeschichte Osteuropas,: (Wiesbaden: Franz Steiner, 1977) 38- 55. In German. 1184. Perz, Miroslaw: W sprawie 'cieszynskiego' Patrem. [Concerning the Patrem in Cieszyn.] Muzyka, Vol. XXVI/2 (1981) 104-05. In Polish. 1185. Petersen, Peter: Bartóks Sonata für Violine solo. Ein Appell an die Hüter der Autographen. [Bartók's sonata for solo violin. A note to the holders of the autographs.] (See RILM 1981- 01533-ap) 55-68. In German.: 1186. Petrobelli, Pierluigi [ed]; Di Gregorio Casati, Marisa [ed]; Pavarani, Marcello [ed]: [Modena, 1984] Ernani ieri e oggi. [Ernani yesterday and today.] Verdi: Bollettino dell'Istituto di Studi Verdiani, (1987) 327 p . Facsimile, music examples. In Italian.: ISSN: 0042-3724. 1187. Petzsch, Christoph: Das mittelalterliche Lied: Res non confecta. [The medieval song: Res non confecta.] Zeitschrift für deutsche Philologie , Vol. XC (1971) 1-17. In German.: ISSN: 0044-2496. 1188. Pfaff, Maurus: Fürstabt Martin Gerbert und die Musikhistoriographie im 18. Jahrhundert. [Fürstabt Martin Gerbert and 18th-century music historiography.] Erbe und Auftrag, XLVII/2 (1971) 108-20.: ISSN: 0013 -9963. 1189. Pfeffer, Wendy: Guilhelm Molinier as literary critic. Kalamazoo: Western Michigan U.; 1986; pp. 205-212 1190. Phillips, L. Edward: Thomas Osmond Summers, Methodist liturgist of the nineteenth century. Methodist history, Vol. 27; Issue 4; 1989; pp. 241-253: ISSN: 0026-1238. 1191. Pierre, Constant: Le Magasin de musique. A l'usage des fètes nationales et du conservatoire. [The collection of music for the use of national festivals and the Conservatoire.] (Genève: Minkoff, 1973) 180 p. SFr 40. In French.
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1192. Pile, Randal Jon: A performer's guide to the guitar works of Joaquín Rodrigo with a complete index of revisions. 1991; (PhD diss., : U. of California, San Diego) 1193. Pinto, Aloysio de Alencar [ed.]; Travassos, Elizabeth [ed.]: Ciclo do Padre Cícero. [sound recording] Rio de Janeiro: Funarte, 1986.; 1 sound disc: analog, 33 1/3 rpm; 12in. 1194. Pinto, Aloysio de Alencar; Travassos, Elizabeth: Ciclo do Padre Cícero [sound recording] Rio de Janeiro, Funarte, 1986; 1 sound disc 1195. Place, Adélaïde de: Nocturnes de Chopin: Les éditions au banc d'essai.: [Chopin nocturnes: The editions put to the test.] Piano, Issue 6; 1992-93; pp. 173-181: ISSN: 0999-5404. 1196. Plamenac, Dragan: On reading fifteenth-century chanson texts. Journal of the American Musicological Society, Vol. XXX/2 (summer 1977) 320-24. Illustration.: ISSN: 0003-0139. 1197. Plath, Wolfgang: Echtheitsfragen bei Mozart. I: Allgemeines; II: Wenzel Trnka und die angeblichen Mozart-Kanons KV 233 (382d) und KV 234 (382e): [Authenticity issues and Mozart. I: General considerations; II: Wenzel Trnka and the "Mozart" canons K.233 (382d) and K.234 (382e)] Stuttgart, Germany: Steiner; 1991; pp. 207-214;237-270; Facs., bibliog. 1198. Pletka, V clav: Vyznam odkazu Bedricha V clavka pro dalsí rozvoj marxistick‚ folkloristiky. [The significance of the literary estate of Bedrich V clavek for the further development of Marxist folklore studies. ] Cesky lid, Vol. LVIII/6 (1971) 321-41. Music examples. In Czech; summary in German.: ISSN: 0009-0794. 1199. Pociej, Bohdan: The art of editing. Polish perspectives, Vol. XVI/3 (March 1973) 64-69. 1200. Pogue, Samuel F: A sixteenth-century editor at work: Gardane and Moderne . Journal of musicology, Vol. I/2 (April 1982) 217-38. 1201. Pont, Graham: A revolution in the science and practice of music.: Miscellanea musicologica, Vol. V (1979) 1-66. Music examples, bibliography.: ISSN: 0076-9355. 1202. Poole, Herbert Edmund: The printing of William Holder's Principles of harmony. Proceedings of the Royal Musical Association, Vol. CI (1974-75) 31-43. 1203. Pope, Stephen Travis: A tool for manipulating expressive and structural hierarchies in music. Montr‚al: McGill U.; 1991; pp. 324-327; Illus.: 1204. Pope, Stephen Travis: Computer music journal. XVIII/2 (summer 1994): Composition and performance in the 1990s. I. Computer music journal,: Cambridge, MA: MIT; 120 p.; Vol. 18; Issue 2; summer 1994; Illus., port., music, charts, diagr.: ISSN: 0148-9267. 1205. Pope, Stephen Travis: MODE and SMOKE. Computing in musicology: An international directory of applications, Menlo Park, Ca: Center for Computer Assisted Research in the Humanities; Vol. 8; 1992; pp. 130-132 ; Illus.: ISSN: 1057-9478. 1206. Pope, Stephen Travis: Music composition and editing by computer.: Madison, WI: A-R; 1993; pp. 25-72; Illus., music, bibliog. 1207. Pope, Stephen Travis: The development of an intelligent composer's assistant: Interactive graphics tools and knowledge representation for music. San Francisco, CA: Computer Music Association; 1986; pp. 131-144 ; Charts, diagr. 1208. Popelka, Isa: Stand und Probleme der Notenedition des Werkes von Bohuslav Martinu. [Editions of the music of Bohuslav Martinu: Present situation and issues.] Praha: Cesk Hudební Spolecnost; 1990; pp. 309 -311 1209. Porte, Alain: François Delsarte: Une anthologie. [François Delsarte: An anthology.] Paris, France: Institut de P‚dagogie Musicale et Chor‚graphique; 1992; 282 p.; Facs., bibliog.
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1210. Pospísil, Milan: Dvorák's Dimitrij: A challenge to editors. Oxford: Clarendon; 1996; pp. 99- 105 1211. Pospisil, Milan: Dvoráks Dimitrij als Editionsproblem. [Editorial problems of Dvorák's Dimitrij.] Jahrbuch für Opernforschung, Vol. II (1986; pub. 1987) 87-108. In German.: ISSN: 0724-8156. 1212. Poszowski, Antoni: Der Kristallisierungsgrad des Tonsystems Dur-Moll in der 1. Hälfte des 18. Jahrhunderts und die heutige Aufführungspraxis der Werke aus dieser Zeit. [The extent of crystallization of the major-minor tonal system in the first half of the 18th century and present-day performance practice of the works from this era.] Musikzentren - Konzertschaffen im 18. Jahrhundert, (See RILM 1984-00682-bs) 61-65. In German. 1213. Pozdeev, Pjotr: Kuzebaj Gerd i udmurtskaja narodnaja pesnja. [Kuzebaj Gerd and Udmurt folk song.] (Izevsk: Udmurtskij Institut Istorii, Jazyka i Literatury, 1988) 97-102. Illustration, bibliography. In Russian. 1214. Prabucka-Firlej, Anna: Akompaniament z wyciagu fortepianowego: Istota problemu w oparciu o wybrane utwory wokalno-instrumentalne J.S. Bacha.: [Accompanying from a piano score: The essence of the problems based on selected vocal-instrumental compositions of J.S. Bach.] Gdansk: Akademia Muzyczna im. Stanislawa Moniuszki; 1993; pp. 43-62; Music 1215. Praetorius, Michael; Beckmann, Klaus [Editor]: Sämtliche Orgelwerke.: [Complete works for organ.] Edition Breitkopf, 8556, Wiesbaden, Germany : Breitkopf & Härtel; 1990; 64 p.; Music 1216. Prassl, Franz Karl: "Entkleidet den Katholicismus nicht seiner Kunstgewänder!" Zur Praxis katholischer Mozartrezeption vor und nach dem Zweiten Vatikanum. ["Don't deprive Catholicism of its artistic raiment!" The Catholic reception of Mozart before and after Vatican II.] Freiburg im Breisgau: Katholische Akademie der Erzdiözese Freiburg; 1992; pp. 112 -142 1217. Prassl, Franz Karl: Bemerkungen zum Continuospiel bei Meßkompositionen der Wiener Klassik. [Observations on continuo realization in the performance of Viennese Classic Masses.] Singende Kirche, Vol. 40; Issue 3; 1993; pp. 127-131; Music, bibliog.: ISSN: 0037-5721. 1218. Pressing, Jeff: Some applications of time theory to computer music design. Montr‚al: McGill U.; 1991; pp. 376-379; Charts, diagr. 1219. Price, Thomas Scott: An overview of the piano concerto no. 3 in E-flat major, op. posthumous by Franz Liszt. 1996; 113 p.; (DMA doc., : U. of Oklahoma). PA 9630786.; Bibliog. 1220. Prick van Wely, Max: De muzikale betrekkingen tussen Nederland en België . [Musical relations between the Netherlands and Belgium.] Ons erfdeel , Vol. 35; Issue 4; 1992; pp. 522-545; Illus., port., facs., bibliog.: ISSN: 0030-2651. 1221. Prinz, Ulrich [Editor]: Internationale Bachakademie Stuttgart. Johann Sebastian Bach, Johannes-Passion, BWV 245: Vorträge des Meisterkurses 1986 und der Sommerakademie J.S. Bach 1990. [Johann Sebastian Bach, Johannespassion, BWV 245: Lectures from the master class, 1986, and the summer course J.S. Bach, 1990.] Schriftenreihe der Internationalen Bachakademie Stuttgart, 5, Kassel, Germany: Bärenreiter; 1993; 207 p.; Illus., music: ISBN: 3-7618-1141-1.
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1222. Prinz, Ulrich: Zur Entstehungsgeschichte der Johannespassion und ihrer Fassungen. [On the genesis of the Johannespassion and its different versions.] Kassel, Germany: Bärenreiter; 1993; pp. 100-11; Music 1223. Prokofiev, Sergey [1891-1953]; Brohn, William D [ed.]: Aleksandr Nevskii (Motion picture music); Alexander Nevsky: film score. [New York City?]: P G M Productions, c1987.; 1 score (249 p.); 47 cm. 1224. Puckette, Miller: EXPLODE: A user interface for sequencing and score following. San Francisco, CA: Computer Music Association; 1990; pp. 259 -261; Illus. 1225. Qassim Hassan, Scheherazade: Die Entwicklung und der gegenwärtige Stand der Musikforschung im Irak. [The development and present status of music research in Iraq.] Acta musicologica, Int, Vol. LIV/1-2 (1982) 148-62. In German. 1226. Quelques documents inédits concernant l'edition du Graduale Romanumen 1908. [Some unpublished documents concerning the edition of the Graduale Romanum in 1908.] Vol. LXXXVI/3 (January 1972) 290-98. In French. 1227. Querbach, Michael: Der konstruierte Ursprung: Zur Problematik musikalischer Urtext- Ausgaben. [The constructed origin: The problems of musical urtext editions.] Neue Zeitschrift für Musik, Vol. CXLIX/1 (January 1988) 15-21. In German.: ISSN: 0170-8791. 1228. Querol Gavald , Miguel: Carlos Patiño, un compositor barroco. [Carlos Patiño, a Baroque composer.] Saber leer: Revista critica de libros,: Issue 18; Oct 1988; pp. 4-5: ISSN: 0213- 6449. 1229. Révész, Dorrit: Text, versions, and recycling in Bartók's writings: A progress report. Studia musicologica Academiae Scientiarum Hungaricae , Vol. 37; Issue 1; 1996; pp. 5-20; Illus., music: ISSN: 0039-3266. 1230. Rabej, Vladimir: Zu Fragen der Redaktion des Soloparts in Telemanns Violinwerken: Kritische übersicht gegenwärtiger Ausgaben. [Problems in editing the solo parts for Telemann's violin works: A critical overview of present-day editions.] Köln: Tank; 1991; pp. 29-38; Music 1231. Racek, Jan: Zur Geschichte und zur Editionspraxis der 'Musica Antiqua Bohemica'. [The history and editorial method of Musica antiqua bohemica. ] Beiträge zur Musikgeschichte Osteuropas, (Wiesbaden: Franz Steiner, 1977) 20-37. In German. 1232. Radice, Mark: Haydn and his publishers: a brief survey of the composer's publishing activities. Music review, Vol. XLIV/2 (March 1983) 87-94. 1233. Rahmaninov, Sergej: Literaturnoe nasledie. I: Vospominanija, stat'i, interv'ju, pis'ma. [Literary legacy. I: Reminiscences, articles, interviews, letters.] (Moskva: Sovetskij kompositor, 1978) 648 p. R 2.40 . Illustration. In Russian. 1234. Rajeczky, Benjamin: Missale notatum strigoniense. Magyar zene, Vol. XXV/3 (September 1984) 223-25. In Hungarian.: ISSN: 0025-0384. 1235. Ramanathan, N.: Problems in the editing of the krti-s of Muddusvami Dikshita. The journal of the Music Academy, Vol. 69; 1998; pp. 59-98; Bibliog.: ISSN: 0970-3101. 1236. Ramler, Karl Wilhelm; Gilbert, Michael [Translator]: In defense of the operas (1756) New York: Continuum; 1994; pp. 10-14 1237. Rapson, Penelope: A technique for identifying textual errors and its application to the sources of music by Thomas Tallis/ Penelope Rapson.: New York, Garland Pub, 1989-; v. 1-2: ISBN: 0824020235.
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1238. Rasch, Rudolf A.: The editors of the Livre septième. Yearbook of the Alamire Foundation, 1997; Vol. 2; pp. 279-306; Charts, diagr. 1239. Read, Lisa Karen: Robert Cavally's edition of G.F. Handel's solo "flute" sonatas: An evaluation and historical perspective. 1994; 118 p.; (DMA doc., : Louisiana State U.). PA 9508586. 1240. Rechenschaftsbericht vor der Mitgliederversammlung der Georg-Friedrich -Händel- Gesellschaft (10. Juni 1979). [Report given at the assembly of members of the Georg- Friedrich-Händel-Gesellschaft (10 June 1979).]: Händel-Jahrbuch, Vol. XXVI (1980) 129- 36. In German.: ISSN: 0440-0615. 1241. Reed, David: The original version of the Overture for wind band of Felix Mendelssohn- Bartholdy. Journal of band research, Vol. XVIII/1 (fall 1982) 3-10.: ISSN: 0021-9207. 1242. Reese, Gustave, et al: Problems in editing the music of Josquin des Prez: a critique of the first edition and proposals for the second edition.: (See RILM 1976-04887) 721-54. Facsimile, music examples. 1243. Reese, Gustave: The opening chant for a Palestrina Magnificat. (See RILM 1977-00186-be) 239-42. Illustration, facsimile, music examples, index. 1244. Rehm, Wolfgang: Aspekte der Neuen Mozart-Ausgabe: Ideal und Wirklichkeit . [Aspects of the Neue Mozart-Ausgabe: Ideal and reality.] Mozart -Jahrbuch, 1991; pp. 47-54: ISSN: 0077-1805. 1245. Rehm, Wolfgang: Der kritische Notentext für Wissenschaft und Praxis: Einige Bemerkungen aus der Sicht der Neuen Mozart-Ausgabe. [The critical text for scholarship and practice: Some remarks from the perspective of the Neue Mozart-Ausgabe.] österreichische Musikzeitschrift, Vol. 46; Issue 10; Oct 1991; pp. 525-526: ISSN: 0029- 9316. 1246. Rehm, Wolfgang: Die neuen Gesamtausgaben. [The new Gesamtausgaben.]: Stuyvesant, NY: Pendragon; 1989; pp. 33-40 1247. Rehm, Wolfgang: Don Giovanni: Nochmals 'Prager Original' - 'Uberarbeitung Wien' - 'Mischfassung'. [Don Giovanni: A reconsideration of the 'Prague original', the 'Vienna revision', the 'combined version'. ] Mozart-Jahrbuch, (1987-88) 195-203. Bibliography. In German.: ISSN: 0077-1805. 1248. Rehm, Wolfgang: Ideal and reality: Aspects of the Neue Mozart-Ausgabe.: Notes: Quarterly journal of the Music Library Association, Vol. 48; Issue 1; Sept 1991; pp. 11-19: ISSN: 0027-4380. 1249. Rehm, Wolfgang: Nochmals: Ritter von Köchels Verdienste um die Alte Mozart-Ausgabe. [Once more: Ritter von Köchel's merits in the service of the Alte Mozart-Ausgabe.] Laaber, Germany: Laaber-Verlag; 1990; pp. 171 -178; Illus., facs. 1250. Rehm, Wolfgang: Quellenforschung und Dokumentation im Verhältnis zur Editionstechnik, aufgezeigt an einem Beispiel aus der Neuen Mozart -Ausgabe. [Original research and documentation in relation to editing technique, shown through an example from the Neue Mozart Ausgabe.] (See RILM 1980-00182-be) 410-16. In German. 1251. Rehm, Wolfgang: Stand und Planung der Neuen Mozart-Ausgabe im Zeichen der Krakauer Quellen. [Status and planning of the Neue Mozart Ausgabe with reference to the Cracow sources.] (See RILM 1984-00635-be) 267-76. In German. 1252. Rehm, Wolfgang; BERKE, Dietrich: Die Neue Mozart-Ausgabe. [The new Mozart edition.] Universitas, Vol. XXXIV (1979) 513-21. In German.: ISSN: 0041-9079.
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1253. Reichhart, Renate: Claudio Monteverdis L'Orfeo und seine Bearbeitungen: Die Entwicklung der. Orfeo, (PhD diss., Musikwissenschaft: U. Wien, 1986) 2v. 410; 82 p. Music examples, bibliography. In German. 1254. Reidemeister, Peter [ed]; Gutmann, Veronika [ed]: Basler Jahrbuch für historische Musikpraxis. Sonderband (1983): Alte Musik--Praxis und Reflexion. [Early music: practice and reflection.] Basler Jahrbuch für historische Musikpraxis, (Winterthur: Amadeus, 1983) 411 p. Illustration, facsimile , music examples, bibliography. In German, English. 1255. Reijen, Paul van: Het eeuwfeest van de Vereniging voor Nederlandse Musiekgeschiedenis. [Centenary of the Dutch Music History Society.]: Mens en melodie, Vol. XXIV/1 (January 1969) 20-23. Portrait. In Dutch.: 1256. Rennert, Jonathan: William Crotch, 1775-1847. Musical times, CXVI/1589 (July 1975) 622-23. Portrait, music examples 1257. Reports from the domestic corresponding editors. Current musicology,: Vol. 20 (1975) 7- 26.: ISSN: 0011-3735. 1258. Revers, Peter: Zum Stand der Mahlerforschung. [The state of Mahler research.] österreichische Musikzeitschrift, Vol. XXXIV/6 (June 1979) 289-93. In German.: ISSN: 0029-9316. 1259. Rhéaume, Jacques: Éducation musicale et technologie: Typologie pour la recherche. [Music education and technology: A typology for research.]: Recherche en éducation musicale au Québec, Vol. 12; Jan 1993; pp. 69-73 ; Bibliog.: ISSN: 0821-5456. 1260. Rich, Robert: Ensoniq EPS: A new toy in town. 1/1 Just intonation,,: Vol. IV/3 (summer 1988) 2, 14. Illustration. 1261. Richardson, Gordon: The music and record libraries of the Canadian Broadcasting Corporation. Fontes artis musicae, Vol. 34; Issue 4; Oct -Dec 1987; pp. 211-216: ISSN: 0015-6191. 1262. Richter, Klaus Peter: Die "Missa" für den Konzertsaal: Aspekte der Werk- und Aufführungsgeschichte von Bachs h-Moll-Messe. [The "Missa" for the concert hall: Bach's Mass in B minor, its history as a work and in performance.] Tutzing, Germany: Schneider; 1991; pp. 71-77 1263. Richter, Matthias: Ein gut New Jar zur Seligkeit von Johann Walter (1496 -1570): Ein Editionsvorhaben und Addendum zur Gesamtausgabe der Werke Johann Walters. [Ein gut New Jar zur Seligkeit by Johann Walter (1496 -1570): Plan for an edition and an addendum to Walter's collected works.] Jahrbuch für Liturgik und Hymnologie, Vol. 36; 1997; pp. 244-246: ISSN: 0075-2681. 1264. Rierson, Charles Frederick: The Collegium Musicum Salem: the development of a catalogue of its library and the editing of selected works. (PhD diss., Music: U. of Georgia, 1973) 288 p. 1265. Riethmüller, Albrecht: Zur Geschichte eines Musikwerks: Die Interpretation von Präludium und Fuge ("St. Anne") für Orgel Es-Dur (BWV 552) zwischen Bach und Schönberg. [On the history of a musical work: The interpretation of the prelude and fugue for organ in E-flat major (BWV 552, "St. Anne") from Bach to Schoenberg.] Murrhardt: Musikwissenschaftliche Verlags-Gesellschaft; 1990; pp. 31-44 1266. Rimskij-Korsakov, Nikolaj: Complete works. (New York: Belwin-Mills, 1980) 103 v. 1267. Ring, Layton: The "missing bar" in Purcell's 3 parts upon a ground. The consort: European journal of early music, Vol. 52; Issue 2; fall 1996; pp. 92-95; Music: ISSN: 0268-9111.
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1268. Roads, Curtis [Editor]: The music machine. Cambridge, MA: MIT; 1989; 720 p.; Illus., port., music, bibliog., list of works, discog., charts, diagr. 1269. Roads, Curtis: A note on music printing by computer. Computer music journal, Vol. V/3 (fall 1981) 57-59. Music examples, bibliography.: ISSN: 0148-9267. 1270. Roads, Curtis; Strawn, John [Editors]: Foundations of computer music.: [Foundations of computer music.] (Cambridge, Mass.: MIT, 1985) 712 p.: ISBN: 0-262-18114-2. 1271. Robert, Véronique: Prologue pour les écrits d'un compositeur. [Prologue to the writings of a composer.] Circuit: Revue nord-amricaine de musique du XXe siècle, Vol. 2; Issue 1-2; 1991; pp. 31-38; Illus.: ISSN: 1183-1693. 1272. Robinson, Lucy: Notes on editing the Bach gamba sonatas (BWV 1027-1029).: Chelys [Journal of the Viola de Gamba Society], Vol. XIV (1985) 25-29. Music examples. 1273. Robinson, Ray: Wilhelm Ehmann: His contribution to the choral art.: Choral journal, Vol. XXV/3 (November 1984) 7-12. Portrait, bibliography . 1274. Rocholl, Peter: Musik im Fernsehen. Erfahrungen eines Musikredakteurs.: [Music on television. Experiences of a music editor.] Musik und Bildung, Vol. VII/4 (1975) 174-76. In German. 1275. Rodríguez Moreno, Antonio [Editor]: Ritmo. 594 (1988): Número especial 60 aniversario. [60th anniversary special issue.] Ritmo, Madrid: Lira; Issue 594; Dec 1988; Illus., port.: ISSN: 0035-5658. 1276. Roeder, John; Hamel, Keith: A general-purpose object-oriented system for musical graphics. San Francisco, CA: Computer Music Association; 1989; pp. 260-263; Bibliog., charts, diagr. 1277. Roesner, Linda Correll: Brahms's editions of Schumann. Oxford: Clarendon; 1990; pp. 251- 282; Illus., facs., music, transcr. 1278. Rogers, Robert Mark: The Hill-songs of Percy Aldridge Grainger: An historical and analytic study with a new performance edition. (DMA doc., Performance practice: U. of Texas, Austin, 1987) 2 v. 306 p. DA 8728692.: 1279. Rohloff, Ernst: Anmerkungen zum Lochamer Liederbuch. [Observations on the Lochamer Liederbuch.] Wissenschaftliche Zeitschrift der Martin -Luther-Univeristät Halle, Vol. XXVI/2 (1977) 65-78. In German. 1280. Rohloff, Ernst: Zu den Neidhardt-Melodien: Rückerinnerung und neue Information. [On Neidhart's melodies: retrospective and new information. ] Wissenschaftliche Zeitschrift der Martin-Luther-Univeristät Halle,: Vol. XXVIII/1 (1979) 125-35. In German. 1281. Roman, Zoltan: A brief history of the complete critical edition. Wien: Vom Pasqualatihaus; 1996; pp. 109-116; Bibliog. 1282. Roman, Zoltan: Die autographe Partitur zu Ich atmet' einen linden Duft.: [The autograph score for Ich atmet' einem linden Duft.] Nachrichten zur Mahler-Forschung, Issue 25; Mar 1991; pp. 5-7; Bibliog. 1283. Romano, Eustachio: Musica duorum. Monuments of Renaissance music, Vol. 6 (Chicago: U. of Chicago, 1974) 1284. Rosand, Ellen [Editor]: Eighteenth- and nineteenth-century source studies. The Garland library of the history of Western music, Vol. 8, (New York and London: Garland, 1985) 350 p.
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1285. Rosand, Ellen: Francesco Cavalli in modern edition. Current musicology , Vol. XXVII (1979) 73-83.: ISSN: 0011-3735. 1286. Rose, Cyrille: Etudes, clarinet.; 40 studies for clarinet/ by Cyrille Rose; with editing and master lessons by Donald E. McCathren. Miami, FL, CPP/Belwin, 1988-; v. of music 1 1287. Rosenblum, Sandra P.: Potholes in the road to critical editions.: Journal of the Conductors' Guild, Vol. 10; Issue 3-4; summer-fall 1989; pp. 81-88; Facs., music: ISSN: 0734-1032. 1288. Rosenblum, Sandra: Zur Auffindung der spanischen Ausgabe der Klavierschule von Clementi. [The discovery of the Spanish edition of Clementi's pianoforte tutor.] Die Musikforschung, Vol. XXXI/1 (January 1978) 51-53. In German.: ISSN: 0027-4801. 1289. Rosenfeld, Andrew Buckley: The five spiritual madrigals from the Selva morale e spirituale of Claudio Monteverdi: A transcription and critical analysis. 1995; 187 p.; (DMA doc., Choral conducting: U. of Cincinnati , Col.-Conservatory of Music, 1995). PA 9622366.; Music 1290. Rosow, Lois Ann: Making connections: Some thoughts on Lully's entr'actes. Early music, Vol. 21; Issue 2; May 1993; pp. 231-238; Illus., facs ., transcr.: ISSN: 0306-1078. 1291. Rosow, Lois: From Destouches to Berton: Editorial responsibility at the Paris Opera. Journal of the American Musicological Society, Vol. XL/2 (summer 1987) 285-309. Facsimile, music examples, bibliography.: ISSN: 0003-0139. 1292. Rossignol, Stéphane; Rodet, Xavier; Soumagne, Jœl; Collette, Jean-Luc; Depalle, Philippe: Automatic characterisation of musical signals: Feature extraction and temporal segmentation. Journal of new music research, Vol. 28; Issue 4; Dec 1999; pp. 281-295; Bibliog., charts, diagr.: ISSN: 0929-8215. 1293. Rothschild, Sigmund J.: The role of solo percussion in various ensemble contexts: Recordings, electronic realizations, and analyses. 1996; 420 p.; (PhD diss., : U. of California, San Diego). PA 9707348. 1294. Rönnau, Klaus: Bemerkungen zum 'Urtext' der Violinsoli J.S. Bachs. [The Urtext of J.S. Bach's violin solos.] (See RILM 1980-00182-be) 417-22. In German. 1295. Römsing, Helmut: Zur Planung und zum gegenwärtigen Stand des RISM - Handschriftenprojekts. [On the planning and the present state of the RISM manuscript inventory project.] Fontes artis musicae, Int, Vol. XXIII/1 (1976) 2-6. In German; summaries in French, English. 1296. Rubey, Norbert: Musikalische Presse, herausgegeben von Carl Millöcker.: [The Musikalische Presse, issued by Carl Millöcker.] Die Fledermaus: Mitteilungen des Wiener Instituts für Strauß-Forschung, Vol. 1; Issue 2 ; Nov 1990; pp. 51-57 1297. Rudolf, Max: Ein Beitrag zur Geschichte der Temponahme bei Mozart. [ Notes concerning the history of tempos in Mozart performance.] Mozart -Jahrbuch, (1978 204-24): ISSN: 0077-1805. 1298. Ruffcorn, Donald; Cullem, Patricia: LiveStep: Editing step quantized music from libraries of live performances. San Francisco: International Computer Music Association; 1992; pp. 231-234 1299. Ruhnke, Martin: Bindebögen in Originaldrucken, Nachdrucken und Handschriften Georg Philipp Telemanns. [Slurs in original prints, reprints, and manuscripts of music by Georg Philipp Telemann.] Köln: Tank; 1991; pp. 21-25
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1300. Rummenhöller, Peter: Der Dichter spricht. Robert Schumann als Musikschriftsteller. [Der Dichter spricht: Robert Schumann as a writer on music.] (Köln: Gitarre und Laute, 1980) iv, 108 p. In German. 1301. Rushton, Julian [Editor]: W.A. Mozart: Idomeneo. Cambridge opera handbooks, Cambridge: Cambridge U.; 1993; x, 187 p.; Illus., music, bibliog., index, charts, diagr.: ISBN: 0-521-43144-1. 1302. Rushton, Julian: "Royal Agamemnon": The two versions of Gluck's Iphig‚nie en Aulide. Cambridge: Cambridge U.; 1992; pp. 15-36 1303. Russo, Paolo: Le "intenzioni" di Hippolyte. [The "intentions" of Hippolyte.] Il saggiatore musicale: Rivista semestrale di musicologia , Vol. 3; Issue 2; 1996; pp. 393-409 1304. Ruzitska, Ignác [Editor]; Papp, Géza [Reviewer]; Rakos, Miklós; Gulyás , István [Designer]: Magyar nóták Veszprém vármegyébol melyek fortepianóra alkalmaztattak. [Hungarian tunes from the Veszpr‚m county arranged for fortepiano.] Budapest: revisor; 1994; Facs., music, bibliog.: ISBN: 963-450-882-0. 1305. Saathen, Friedrich: Was Krenek mit Mahler verbindet und was nicht: Eine hypothetische Reflexion. [What ties Krenek to Mahler and what doesn't: A bit of speculation.] Wien: Vom Pasqualatihaus; 1996; pp. 117-123 1306. Sabatier, François [Editor]: L'orgue: Cahiers et m‚moires. 44 (1990): César Franck (1822- 1890) L'orgue: Cahiers et mémoires, Paris: Association des Amis de l'Orgue; 91 p.; Issue 44; 1990; Illus., music, charts, diagr.: ISSN: 0030-5170. 1307. Sachs, Klaus-Jürgen: Das Fugenkorpus des Simon Lohet in Johannes Woltz' Tabulaturbuch von 1617. [The corpus of fugues by Simon Lohet in Johannes Woltz's tablature book of 1617.] Kassel, Germany: Bärenreiter; 1991; pp . 155-168; Music 1308. Sadie, Julie Anne [Editor]; Hogwood, Christopher [Foreword]: Companion to Baroque music. New York: Schirmer; 1991; xviii, 549 p.; Illus., port., music, bibliog., index, maps: ISBN: 0-460-04602-0. 1309. Sadie, Stanley: The idea of authenticity. New York: Schirmer; 1991; pp . 435-446 1310. Sadler, Graham: Vincent d'Indy and the Rameau oeuvre complètes: A case of forgery? Early music, Vol. 21; Issue 3; Aug 1993; pp. 415-421; Facs.: ISSN: 0306-1078. 1311. Salaff, Fred: Cleveland Quartet; Copyright Collection (Library of Congress); Dokumenta Productions. In the mainstream [motion picture]: the Cleveland Quartet/ Dokumenta Productions, Inc.; director and producer , Fred Salaff. New York, NY, Dokumenta Productions, 1983; 1 reel of 1 (52 min.) (1896 ft.) 1312. Salter, Lionel: In search of Scarlatti. The consort, Vol. XLI (July 1985) 47-51. 1313. Samuel, Harold E. [Editor]: Notes for Notes. Notes. Music Library Association, Vol. XXV/3 (March 1969) 468-71. 1314. Sancho, Ignatius: Ignatius Sancho (1729-1780): An early African composer in England - The collected edition of his music in facsimile. (New York: Garland, 1981) 90 p. 1315. Sanford, Sally; Braider, Jackson; Burcke, Michael; Schultze, Andrew W. ; Rosenwald, Lawrence: More responses to On prejudice and early music.: Historical performance: The journal of Early Music America, Vol. 6; Issue 1; spring 1993; pp. 39-41: ISSN: 0898-8587. 1316. Sano, Stephen Makoto: The Chorwalzer of Johann Strauss, Jr.: An der schönen blauen Donau revisited. 1994; 175 p.; (DMA doc., Music: Stanford U., 1994). P4 14525.
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1317. Santa María, Tom s de; Howell, Almonte C., Jr. [Editor]; Hultberg, Warren E. [Editor]: The art of playing the fantasia: Libro llamado el arte de tañer fantasia. 2v.; Pittsburgh: Latin American Literary Review ; 1991; Facs., music, bibliog.: ISBN: 0-935480-52-8. 1318. Sapackaja, Ljudmila: Vlijanie radiscevskih tendencij v prosvetitel'stve na razvitie russkoj muzykal'noj kul'tury 80-h-90-h godov XVIII veka. [ The influence of radical tendencies of the Enlightenment on the development of Russian musical culture, 1780-1800.] (PhD diss., Musicology: Vsesojuznyj naucno-issledovatel'skij institut iskusstvoznanija, Moskva, 1977) 24 p. In Russian. Summary of diss. 1319. Sas, Agnes: Unisono es tasto solo jelölése Valentin Deppisch müveiben.: [Unisono and tasto solo indications in Valentin Deppisch's works.]: Zenetudom nyi dolgozatok, (1984) 37-48. Music examples. In Hungarian.: ISSN: 0139-0732. 1320. Sauer-Geppert, Waltraut-Ingeborg: Motivationen textlicher Varianten im Kirchenlied. [Reasons for text variants in hymns.] Jahrbuch für Liturgik und Hymnologie, Vol. XXI (1977) 68-82. In German.: ISSN: 0075 -2681. 1321. Saulnier, Daniel [Editor]; Albert, Micheline [Collaborator]: Requirentes modos musicos: M‚langes offerts … Dom Jean Claire … l'occasion de son 75e anniversaire, de ses 50 ans de profession monastique, et de ses 25 ans comme maŒtre de choeur … Solesmes. [ Requirentes modos musicos: Studies offered to Dom Jean Claire on the occasion of his 75th birthday, the 50th anniversary of his monastic vows, and his 25 years as choirmaster at Solesmes.] Sabl‚-sur-Sarthe: Abbaye Saint-Pierre de Solesmes; 1995; 377 p.; Music, bibliog., discog., index , computer disk: ISBN: 2-85274-170-9. 1322. Saunders, Steven [Editor]; Root, Deane L. [Editor]; Foster, Stephen Collins: The music of Stephen C. Foster: A critical edition. 2v.; Washington, D.C.: Smithsonian Institution; 1990; xlvii, 497, 503 p.; Illus., port., facs., music, bibliog., list of works, index, charts, diagr. 1323. Saunier, Daniel [Editor]: Verdun, Bibliothèque Municipale 759: Missale.: Codices gregoriani, 2, Padova: Linea; 1995 1324. Schade, Ernst: Der Wandel der Intentionen und der Methoden für die Aufzeichnungen von Volksliedern im 19. Jahrhundert am Beispiel der Arbeiten Ludwig Erks. [The change in intentions and methods for the collection of folk songs in the 19th century, as illustrated by the work of Ludwig Erk.] Jahrbuch für Volksliedforschung, Vol. XVIII (1973) 42 -54. In German.: ISSN: 0075-2789. 1325. Schade, Ernst: Volkslied-Editionen zwischen Transkription, Manipulation, Rekonstruktion und Dokumentation. [Folksong editions between transcription, manipulation, reconstruction, and documentation.]: Jahrbuch für Volksliedforschung, Vol. 35; 1990; pp. 44-63, 108-09; Facs., bibliog.: ISSN: 0075-2789. 1326. Schader, Luitgard: Werk und Werke bei Paul Hindemith. [Work and works in the case of Paul Hindemith.] Hindemith-Jahrbuch/Annales Hindemith,: Vol. 24; 1995; pp. 10-24; Facs.: ISSN: 0172-956X. 1327. Scharnagl, August: Die Kirchenmusikalische Reformsbestrebung von Johann Evangelist Habert in Osterreich. [Johannes Evangelista Habert's effort to reform church music in Austria.] (Tutzing: Schneider, 1988) 307-20. In German. See RILM 1988-01001-bs. 1328. Schenbeck, Lawrence: Three new editions of Mozart's "Great" C-minor Mass . The choral journal, Vol. 32; Issue 8; Mar 1992; pp. 21-28: ISSN: 0009-5028. 1329. Schenk, Erich: Ferdinand Löwe. Mitteilungsblatt der Internationalen Bruckner-Gesellschaft, Vol. 26 (October 1985) 5-11. In German.
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1330. Schenkman, Walter: Portrait of Mattheson, the editor, together with his correspondents. Bach: The journal of the Riemenschneider Bach Institute , Berea, OH: Riemenschneider Bach Institute; Vol. 25; Issue 2; fall -winter 1994; pp. 63-90: ISSN: 0005-3600. 1331. Schenkman, Walter: The establishment of tempo in Bach's Goldberg variations. Bach. Quarterly journal of the Riemenschneider Bach Institute, VI/3 (July 1975) 3-10. 1332. Scherr, Suzanne: Editing Puccini's operas: The case of Manon Lescaut.: Acta musicologica, Vol. 62; Issue 1; Jan-Apr 1990; pp. 62-81: ISSN: 0001-6241. 1333. Schestakowa, Dorothea: Zur Problematik der Bogensetzung bei Bach: Beobachtungen bei der Edition der Brandenburgischen Konzerte. [The problem of the bowing in Bach's works: Observations on editing the Brandenburg concertos.] (Leipzig: VEB Deutscher Verlag für Musik, 1988) 315-22. In German. See RILM 1988-01024-bs. 1334. Schietroma, Kathleen: Charles Martin Loeffler's Ballade carnavalesque for flute, oboe, saxophone, bassoon and piano. 1990; 179 p.; (DMA doc. , : Temple U.). PA 9100336. 1335. Schlager, Karlheinz [Editor]; Unverricht, Hubert [Editor]: Kirchenmusikalisches Erbe und Liturgie: Internationales wissenschaftliches Symposium an der Katholischen Universität Eichstätt am 18.-20. September 1989. [The heritage of church music and the liturgy: An international symposium at the Katholische Universität Eichstätt, 18 -20 September 1989.] Eichstätter Abhandlungen zur Musikwissenschaft, 10 , Tutzing, Germany: Schneider; 1995; 212 p.: ISBN: 3-7952-0818-1. 1336. Schlager, Karlheinz: Miszellaneen zur Edition und zur Aufführung eines Sanctus-Tropus. [Miscellaneous observations on the editing and performance of a Sanctus trope.] (München: Arbeo, 1985) 151-61. In German. See RILM 1986-00733-bs. 1337. Schlötterer, Reinhold: Edition byzantinischer Musik. [The editing of Byzantine music.] (See RILM 1972-03952-bc) 28-49. Facsimile. In German . 1338. Schmalzriedt, Siegfried: Problemi affrontati nell'edizione delle opere per clavicembalo di Bach. [Problems confronted in editing Bach's works for harpsichord.] Firenze: Olschki; 1987; pp. 133-144 1339. Schmid, Patric: Opera Rara and its Donizetti recordings. Bergamo, Italy : Comune di Bergamo; 1993; pp. 419-421 1340. Schmidt, Brian L.: A natural language system for music. San Francisco, CA: Computer Music Association; 1986; pp. 119-129; Charts, diagr. 1341. Schmidt, Brian: A natural language system for music. Computer music journal, Vol. XI/2 (summer 1987) 25-34.: ISSN: 0148-9267. 1342. Schmidt, Carl: The Apotheose de Lully, or, Toward a new Lully edition.: Current musicology, Vol. 26 (1978) 106-11.: ISSN: 0011-3735. 1343. Schmidt, Christian Martin: Eine wissenschaftlich-kritische Edition? Quellen und Werkausgabe von Regers Choralphantasien. [A critical edition? Sources and the edition of Reger's chorale fantasies.] Reger -Studien, Vol. III (1988) 249-56. In German.: ISSN: 0342- 4936. 1344. Schmidt, Christian Martin: Reihenabweichungen in Schönbergs Kompositionen als Problem der Textkritik. [Row deviations in Schoenberg's compositions as a problem of text criticism.] (See RILM 1984-00675-bs) 462-65. In German. 1345. Schmidt, Hans: Gregorianik - Legende oder Wahrheit?. [The Gregorian repertory - fact or fiction?.] (See RILM 1980-02423-be) 400-11. In German.
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1346. Schneider, Herbert [Editor]; Winkler, Heinz-Jürgen [Collaborator]: Die Motette: Beiträge zu ihrer Gattungsgeschichte. [The motet: Essays on its history as a genre.] London, Germany: Schott; 1991; 314 p.; Illus., music, index 1347. Schneider, Herbert: Carl Orffs Neugestaltung von Monteverdis Orfeo und ihre Vorgeschichte. [Carl Orff's reworking of Monteverdi's Orfeo and its prehistory.] (Laaber: Laaber-Verlag, 1986) 387-407. Music. In German. See RILM 1986-00604-be. 1348. Schneider-Klement, Albrecht: Report from Budapest: the 1972 conference on early folk- song sources. Current musicology, 16 (1973) 40.: ISSN: 0011-3735. 1349. Schnürl, Karl: Zur übertragung von Lautentabulaturen. [On the modern notation of lute tablatures.] Studien zur Musikwissenschaft: Beihefte der Denkmäler der Tonkunst in Österreich, Vol. 43; 1994; pp. 51-55; Music, bibliog.: ISSN: 0930-9578. 1350. Schott, Howard: Interpreting style: a tribute to Howard Ferguson. Early music, Vol. VII/1 (January 1979) 70-75. Portrait.: ISSN: 0306-1078. 1351. Schreurs, Eugeen; Vanhulst, Henri: Music printing in Antwerp and Europe in the 16th century. Yearbook of the Alamire Foundation, Peer: Alamire; 340 p.; Vol. 2; 1995; Facs., music, bibliog., charts, diagr.: ISBN: 90-6853-113-1. 1352. Schützeichel, Harald: Albert Schweitzer und die Bach-rezeption in Frankreich. [Albert Schweitzer and the reception of Bach in France.]: Musica, Vol. XLII/2 (1988) 141-48. In German.: ISSN: 0027-4518. 1353. Schützeichel, Harald: Zur Geschichte der von Widor und Schweitzer herausgegebene Gesamtausgabe Bachscher Orgelwerke. [The history of the complete edition of Bach organ music issued by Widor and Schweitzer.]: Ars organi, Vol. XXXV/3 (1987) 159-67. In German. 1354. Schützeichel, Harald [Editor]: Mozarts Kirchenmusik. [Mozart's church music.] Tagungsberichte der Katholischen Akademie der Erzdiözese Freiburg, Freiburg im Breisgau: Katholische Akademie der Erzdiözese Freiburg; 1992; 143 p.; Music, bibliog.: ISBN: 3-928698-02-8. 1355. Schütz-Jahrbuch, I. (Kassel: Bärenreiter, 1979) 146 p. In German; summaries in English, French, Swedish. 1356. Schubert, Franz: Die Zauberharfe. Neue Ausgabe sämtliche Werke,: (Kassel: Bärenreiter, 1975) xx, 384 p. DM200. Facsimile, music examples. In German. 1357. Schubert, Giselher: über die Gesamtausgabe der musikalischen Werke Paul Hindemiths. [Concerning the complete edition of the compositions of Paul Hindemith.] Die Musikforschung, Vol. XXX/3 (1977) 276-289. In German.: ISSN: 0027-4801. 1358. Schubert, Giselher: Zur Bedeutung der Hindemith-Gesamtausgabe. [ Concerning the importance of the Hindemith collected edition.] Hindemith -Jahrbuch / Annales Hindemith, Vol. VII (1980) 7-23. In German.: ISSN: 0172-956X. 1359. Schubert, Giselher: Zur Edition der Hiller-Variationen von Max Reger.: [The edition of Max Reger's Hiller-Variationen.] Reger-Studien, Vol. III (1988) 237-48. Facsimile. In German.: ISSN: 0342-4936. 1360. Schuberth, Dietrich: Vom Recht des Ganztons: Musica ficta-Notierungen und das Evangelische Gesangbuch. [The law of the whole tone: Musica ficta indications and the Evangelisches Gesangbuch.] Musik und Kirche , Vol. 65; Issue 5; Sept-Oct 1995; pp. 263- 266: ISSN: 0027-4771.
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1361. Schuhmacher, Gerhard [Editor]: Felix Mendelssohn Bartholdy. Vol. 494, (Darmstadt: Wissenschaftliche Buchgesellschaft, 1982) x, 448 p. 1362. Schulze, Hans-Joachim: Bach im Urtext zwischen Wissenschaft und Praxis.: [Bach in the Urtext between scholarship and practice.] (See RILM 1978 -00198-bs) 39-42. In German. 1363. Schulze, Peter: Eingangsvvoraussetzungen für Popmusikredakteure in der ARD. [Entry- level qualifications for pop music editors at the Arbeitsgemeinschaft der Offentlich- rechtlichen Rundfunkanstalten der Bundesrepublik Deutschland.] (Baden-Baden: Nomos, 1986) 81-82. In German. See RILM 1986-00701-bs. 1364. Schwandt, Erich Paul: Questions concerning the edition of the Goldberg variations in the Neue Bach Ausgabe. Performance practice review, Vol. 3; Issue 1; spring 1990; pp. 58-69: ISSN: 1044-1638. 1365. Scott, Douglas: Mixview: A portable graphics-based soundfile editor and processor. San Francisco, CA: Computer Music Association; 1990; pp. 262 -266; Illus. 1366. Scott, Peter J: The life and works of William Damon, Queen's musician.: (MA thesis, Musicology: University College, Cork, 1986) 2 v. 804 p. Illustration, facsimile, music examples, bibliography, list of works, charts, tables, transcr. 1367. Seeger, Anthony: Creating and confronting cultures: Issues of editing and selection in records and videotapes of musical performances.: Wilhelmshaven, Germany: Noetzel; 1991; pp. 290-301 1368. Segui Perez, Salvador: Disparidad clasificatoria en la ordenación de las recopilaciones folklórico-musicales. [Inconsistencies of classification in the organization of music folklore compilations.] Rivista internationale de sociología, Vol. LXII/51 (1984) 699-706. In Spanish.: 1369. Seiffert, Max: Ausgewählte Werke von Leopold Mozart: Vorwort. [ Ausgewählte Werke von Leopold Mozart: Foreword.] Augsburg: Wißner; 1994; pp. 1-50 1370. Seiffert, Reinhard: Zugang zu Bach: Fragen der Editions- und Interpretationspraxis der Sonaten und Partiten für Violine allein von Johann Sebastian Bach, dargestellt anhand der Neuausgabe von Max Rostal.: [Access to Bach: Editorial and performance-practice issues in the sonatas and partitas for solo violin by Johann Sebastian Bach (on the example of the new edition by Max Rostal).] Das Orchester, Vol. XXXIII /7-8 (1985) 682-87. Music examples. In German. 1371. Sengstschmid, Walter: Die Messkompositionen von Joseph Haydn. [Mass compositions by Joseph Haydn.] Singende Kirche, Vol. XXIX/4 (1981-82) 176-80. In German.: ISSN: 0037- 5721. 1372. Senici, Emanuele: La clemenza di Tito di Mozart: I primi trent'anni (1791-1821) [Mozart's La clemenza di Tito: The first thirty years (1791 -1821)] Speculum musicae, 3, Turnhout: Brepols; 1997; xii, 341 p.; Illus., port., bibliog., index, charts, diagr.: ISBN: 2-503-50569-5. 1373. Shackelford, Rudolph Owens: Problems of editions and transcriptions in organ music of the twentieth century. (DMA diss., Organ: U. of Illinois, Urbana-Champaign, 1971) 249 p. (typescript, microfilm). Illustration, music examples, bibliography, list of works, discography. 1374. Shamgar, Beth: Perceptions of stylistic change: A study of the reviews of new music in the Harmonicon. Current musicology, Vol. 42 (1986) 20 -31.: ISSN: 0011-3735. 1375. Sharp, Cecil: Cecil Sharp's collection of English folk songs. (London: Oxford U., 1974) 2 v. Bibliography, index.
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1376. Sheer, Miriam: Bergman's cinematic treatment of Mozart's overture to The magic flute. Israel studies in musicology, Vol. 6; 1996; pp. 59-70; Music, charts, diagr.: ISSN: 0334- 2026. 1377. Sherr, Richard: Josquin's Missa Pange lingua: A note on Agnus Dei III.: Early music, Vol. 18; Issue 2; May 1990; pp. 271-275; Facs., music, charts, diagr., transcr.: ISSN: 0306-1078. 1378. Sheveloff, Joel Leonard: The keyboard music of Domenico Scarlatti: a re -evaluation of the present state of knowledge in the light of the sources . (PhD diss., Music history: Brandeis U., 1970) 3v. 688 p. (typescript, microfilm). Music examples, bibliography, list of works, thematic catalogue, index. 1379. Sheveloff, Joel: Domenico Scarlatti: Tercentenary frustrations. Musical quarterly, Vol. LXXI/4; LXXII/1 (1985; 1986) 339-436; 90-118. Facsimile , music examples, bibliography, list of works. 1380. Shields, Hugh: A quand une edition critique de la chanson narrative française?. [When will there be a critical edition of French ballads?. ] (Dublin: Folk Music Society of Ireland, 1986) 241-50. In French. See RILM 1988-00998-bs. 1381. Shoaf, R. Wayne: Variant printings of the Berg guides. Journal of the Arnold Schoenberg Institute, Los Angeles, CA: U. of Southern California; Vol. 16; Issue 1-2; June-Nov 1993; pp. 323-331; Illus., port., facs., bibliog.: ISSN: 0146-5856. 1382. Shulman, Laurie: The Breitkopf a Härtel Oeuvres complettes de J. Haydn.: (See RILM 1981-04347-bs) 137-42. Illustration. 1383. Sichardt, Martina: Forschungsstelle der Arnold Schönberg Gesamtausgabe.: [The research station of the Arnold Schoenberg complete works project. ] Jahrbuch des Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz, 1994; pp. 407-409: ISSN: 0572- 6239. 1384. Sichardt, Martina: Zur Gesamtausgabe der musikalischen Werke Arnold Schönbergs. [On the complete edition of the musical works of Arnold Schoenberg.] Mitteilungen aus der Schönberg-Forschung, Issue 5-6; Mar 1992; pp. 10-13 1385. Siegele, Ulrich: Ein Editionskonzept und seine Folgen. [A edition concept and its consequences.] Archiv für Musikwissenschaft, Vol. 52; Issue 4; 1995; pp. 337-46: ISSN: 0003-9292. 1386. Siegmund-Schultze, Walther: Epochenbegriffe der Musik des 18. Jahrhunderts. [Ideas concerning the periodization of 18th-century music. ] Händel-Jahrbuch, Vol. XVII (1971) 7-23. In German.: ISSN: 0440-0615 . 1387. Siegmund-Schultze, Walther: Ornamentik und Generalbassspiel - Editionsfragen: Einführung zu den Generalthemen der XIV. Internationalen Tagung. [Ornamentation and continuo performance - Editing questions: Introduction to the general themes of the 14th international conference. ] Zur vokalen und instrumentalen Ornamentik..., (Blankenburg/ Harz: Kultur- und Forschungsstätte Michaelstein, 1987) 9-13. In German. See RILM 1987- 00862-bs. 1388. Siegmund-Schultze, Walther: Prinzipien einer musikalischen Klassikerausgabe am Beispiel Georg Friedrich Handels. [Principles of an edition of the music of a standard composer, exemplified by Georg Friedrich Handel.] Händel-Jahrbuch, XVIII-XIX (1974) 103-24.: ISSN: 0440-0615. 1389. Siegmund-Schultze, Walther: Some controversial problems in Händel research; Einige strittige Probeme der Händel-Forschung.
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1390. Silagi, Gabriel [ed]: [Munich, 1983; Canterbury, 1984] Liturgische Tropen. [Liturgical tropes. ] Münchner Beiträge zur Mediävalistik und Renaissance-Forschung, 36, (1983) and Canterbury (1984); ed. by Gabriel SILAGI. Münchener Beiträge zur Mediävistik und Renaissance-Forschung. 36 (München: Arbeo, 1985) x, 222 p. In German, French, English. 1391. Silbiger, Alexander: In defense of facsimiles. Historical performance: The journal of Early Music America, Vol. 7; Issue 2; fall 1994; pp. 101-104; Facs.: ISSN: 0898-8587. 1392. Silbiger, Alexander: Tracing the contents of Froberger's lost autographs . Current musicology, Issue 54; 1993; pp. 5-23: ISSN: 0011-3735. 1393. Silences. 4 (May 1987): Debussy. (Paris: Diff‚rence, 1987) 290 p. In French. 1394. Simms, Bryan Randolph: Alexandre Choron (1771-1834) as a historian and theorist of music. (PhD diss., Musicology: Yale U., 1971) vi, 345 p. (typescript). Portrait, facsimile, music examples, bibliography, list of works. 1395. Skulj, Edo [Editor]: Mantuanijev zbornik: Simpozij ob 60. obletnici smrti. [Mantuani's anthology: A symposium on the 60th anniversary of his death.] Ljubljana: Slovenska Akademija Znanosti in Umetnosti; 1994; 198 p.; Illus., bibliog. 1396. Skulj, Edo [Editor]; Kuret, Primoz [Preface]: Premrlov zbornik. [ Studies on Premrl.] Knjizna zbirka, 10, Ljubljana: Druzina; 1996; 276 p.; Music, bibliog.: ISBN: 961-222-082- 4. 1397. Skulj, Edo: Misli ob novi izdaji Gallusovih motetov. [Observations on the new edition of Gallus's motets.] Cerkveni glasbenik, Vol. 84; Issue 4-12; 1991; pp. 91-124; Music: ISSN: 0351-496X. 1398. Sky, Patrick: A manual for the Irish uileann pipes/ by Patrick Sky; musical calligraphy and line drawings by Nancy Perkins; titles by Susan E . Powers; cover design by L.E. McCullough; editing assistance by Bruce Foley and L.E. McCullough; preliminary artwork and transcription by Joe Szarek and Emily Chatfield. Pittsburgh, Pa, Silver Spear Publications, [1980]; 84 p: ISBN: 0934302006. 1399. Slim, H. Colin [Editor]: Ten altus parts at Oscott College Sutton Coldfield. (Santa Ana, Calif.: author, 1978) 28 p. Illustration, facsimile, music examples. 1400. Slim, H. Colin: A royal treasure at Sutton Coldfield. Early music, Vol . VI/1 (January 1978) 57-74. Illustration, facsimile, music examples.: ISSN: 0306-1078. 1401. Smirnov, Mstislav [Editor]: Problemy vospitanija muzykantov ispolnitelej : Sbornik naucnyh trudov Moskovskoj konservatorii. [Issues in the education of performing musicians: A collection of articles from the Moscow Conservatory.] (Moskva: Gosudarstvennaja Konservatorija, 1984) 103 p. Music examples. In Russian. 1402. Smith, Bennett: A universal recorder for the IRCAM musical workstation.: San Francisco, CA: Computer Music Association; 1990; pp. 267-269 1403. Smith, Charles: Beethoven via Schenker: a review. In theory only, Vol. IV/1 (April 1978) 37-47.: ISSN: 0360-4365. 1404. Smith, Christine Dee: Andr‚ Campra's Idom‚n‚e: A study of its structural components and a critical edition of the work. (PhD diss., Musicology: U . of Kentucky, 1988) 1023 p. DA 8822117. 1405. Smith, Douglas: Editing 18th-century lute music: The works of Silvius Leopold Weiss. (See RILM 1984-00769-bs) 253-60.
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1406. Smith, Leland: Editing and printing music by computer. Journal of music theory, Vol. XVII/2 (fall 1973) 292-309. Music examples.: ISSN: 0891 -7639. 1407. Smith, Robyn: Towards a new edition of the French double and triple motets in fascicles II, V, and VII of the manuscript Montpellier, Bibliothèque de l'Ecole de M‚decine, H 196: Some comments on editorial method and the motet Qui la vaudroit/ Qui d'amors velt bien joir/ Qui longuement porroit joir/ Nostrum (F-Mo ff.23v-25r). (Henryville, Penn.: Institute of Medieval Music, 1984) 544-54. Music. See RILM 1988-00860-be . 1408. Smith, William: The earliest editions of the Water music. (See RILM 1985-00871-ac) 235- 55. 1409. Smithers, Don L.: Mozart's orchestral brass. Early music, Vol. 20; Issue 2; May 1992; pp. 254-265; Illus.: ISSN: 0306-1078. 1410. Smits van Waeserghe, Joseph: Studien uber das Lesen (pronuntiare), das Zitieren und uber die Herausgabe lateinischer musiktheoretischer Traktate (9.-16. Jahrhundert). [Studies on how to read (pronuntiare), quote from, and edit Latin music treatises (9th-16th centuries).] Archiv für Musikwissenschaft, Vol. XXVIII/3-4, XXIX/1 (1971, 1972) 155-200; 271-87; 64-86. In German.: ISSN: 0003-9292. 1411. Snyder, Kerala: Buxtehude's organ music: drama without words. Musical times, Vol. CXX/1636 (June 1979) 517-21. Music examples. 1412. Sobchack, Tom: Ragtime: An improvisation on Hollywood style. Literature /film quarterly, Vol. 13; Issue 3; 1985; pp. 148-154; Bibliog.: ISSN: 0090-4260. 1413. Sobiela-Caanitz, Mechthild: Das deutsche Kirchenlied-Plan und Anspruch.: [Das deutsche Kirchenlied-plan and purpose.] (See RILM 1976-04814) 225 -28. In German. 1414. Societ… Italiana di Musicologia; Associazione Veneta per la Ricerca delle Fonti Musicali. Cataloghi di fondi musicali italiani a cura della Societ… Italiana di Musicologia in collaborazione con il RISM: Norme per la redazione. [Catalogues of Italian music sources, in care of the Societ… Italiana di Musicologia in collaboration with RISM: Editing guidelines.] Padova: CLEUP; 1989; 54 p.; Illus. 1415. Sohman, Gennadij: Razmysljaja o stile. [Reflections on style.]: Sovetskaja muzyka, Issue 8; Aug 1991; pp. 8-12: ISSN: 0131-6818. 1416. Solc, Milan; Burghauser, Jarmil: Leos Jan cek. Souborn‚ kritick‚ vyd ní . Edicní z sady a smernice. K notacní problematice klasiku 20. století.: [Leos Jan cek. A critical edition of the collected works. Editorial principles and guidelines. Concerning the problems in notating music of the classic 20th-century composers.] (Praha: Supraphon, 1979) 213 p. Kc 35. Music examples, index. In Czech; summaries in German, English. 1417. Somfai, László: Arbitrary or historic reading of the Urtext?. Mozart -Jahrbuch, (1987-88) 277-84. Music examples.: ISSN: 0077-1805. 1418. Somfai, László: Béla Bartók: Composition, concepts, and autograph sources. Ernst Bloch lectures, 9, Los Angeles: U. of California; 1996; xxii, 334 p.; Facs., music, bibliog., list of works, index, charts, diagr., transcr.: ISBN: 0-520-08485-3. 1419. Somfai, László: Bartók's transcription of J.S. Bach. Kassel, Germany: Bärenreiter; 1995; pp. 689-696; Music 1420. Somfai, László: Diplomatic transcription versus facsimile with commentaries: Methodology of the Bartók edition. Laaber, Germany: Laaber -Verlag; 1992; pp. 79-97; Music 1421. Somfai, László: Fragments in Bartók's oeuvre. Hungarian music quarterly , Vol. 3; Issue 3- 4; 1992; pp. 8-13; Illus., music: ISSN: 0238-9401 .
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1422. Somfai, László: In his "compositional workshop". London: Faber & Faber; 1993; pp. 30-50 1423. Somfai, László: Kollokvium Haydn, Mozart, Beethoven vonósn‚gyeseinek k‚ziratairól. [A colloquium on the autographs of the string quartets of Haydn, Mozart, and Beethoven.] Muzsika, Vol. XXII/6 (June 1979) 22-27. Illustration. In Hungarian.: ISSN: 0027-5336. 1424. Somfai, L szló: Manuscript versus Urtext: the primary sources of Bartók's works. Studia musicologica Academiae Scientiarum Hungaricae,: Vol. XXIII (1981) 17-66. Facsimile, charts.: ISSN: 0039-3266. 1425. Somfai, L szló: Nineteenth-century ideas developed in Bartók's piano notation, 1907-14. Berkeley: U. of California; 1990; pp. 181-200 1426. Somfai, L szló: Nineteenth-century ideas developed in Bartók's piano notation in the years 1907-14. 19th-century music, Vol. XI/1 (summer 1987) 73-91. Facsimile, music examples.: ISSN: 0148-2076. 1427. Somfai, L szló: Why is a Bartók thematic catalog sorely needed?: Princeton: Princeton U.; 1995; pp. 64-78; Music 1428. Somfai, L szló; Gago, Luis Carlos [Translator]: El desarrollo de ideas del siglo XIX en la notación para piano de Bartók, 1907-14. [Nineteenth -century ideas developed in Bartók's piano notation, 1907-14.] Quodlibet : Revista de especialización musical, Issue 3; Oct 1995; pp. 60-87; Illus., facs., music, charts, diagr.: ISSN: 1134-8615. 1429. Sommer, Susan T.: Knowing the score: Preserving collections of music.: Fontes artis musicae, Vol. 41; Issue 3; July-Sept 1994; pp. 256-260; Bibliog., charts, diagr.: ISSN: 0015-6191. 1430. Sorensen, Soren: Die Herausgabe von Buxtehudes Werken: Geschichte - Beurteilung - Pläne. [The edition of Buxtehude's works: history - assessment - plans.] (See RILM 1981- 04320-be) 159-77. In German. 1431. Sossner, Doris Kert: Revisiting Artur Schnabel: Artur Schnabel as performer, teacher, editor, composer, with special focus on Seven pieces for piano solo. (PhD diss., Music: U. California, San Diego, 1986) 210 p . DA 8706266. 1432. Spechtler, Franz Viktor [Editor]: Lyrik des ausgehenden 14. und des 15. Jahrhunderts. [Lyric poetry of the late 14th and the 15th century.]: Chloe: Beihefte zum Daphnis, 1, Amsterdam: Rodopi; 1984; 397 p.: ISBN: 90-6203-575-2. ISSN: 0168-9878. 1433. Spechtler, Franz Viktor: Lyrik des ausgehenden 14. und des 15. Jahrhunderts: Einführung. [Lyric poetry of the late 14th and the 15th centuries: An introduction.] Amsterdam: Rodopi; 1984; pp. 1-28 1434. Spechtler, Franz Viktor: überlieferung und kritische Edition. Bemerkungen zum Leithandschriftenprinzip. [Transmission and the critical edition. Remarks on the Leithandschriftenprinzip.] (See RILM 1978-02408 -bs) 187-89. In German. 1435. Spechtler, Franz Viktor: Zur Methode der Edition mittelalterlicher Texte . [Concerning the method of editing medieval texts.] Studia musicologica Academiae Scientiarum Hungaricae, XV/1-4 (1973) 225-43. Illustration: ISSN: 0039-3266. 1436. Spencer, Robert: 19th-century guitar music: The type of edition we should play from. Classical guitar, Vol. 15; Issue 3; Nov 1996; pp. 20-26; Music: ISSN: 0950-429X. 1437. Spencer, Robert: Making and using facsimiles. Utrecht: Stichting voor Muziekhistorische Uitvoeringsprakijk; 1988; pp. 92-97; Facs.
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1438. Spies, Claudio: Music reviews: Lulu. Notes. Music Library Association , Vol. XXXVIII/2 (December 1981) 401-06. 1439. Staral, Susanne: Aufführungspraktische Aspekte zu W.A. Mozarts Klavierkonzerten KV 107: Einer Bearbeitung von Johann Christian Bachs Klaviersonaten op. V/2-4. [Performance practice and Mozart's keyboard concertos K.107: Arrangements of Johann Christian Bach's keyboard sonatas op. 5, nos. 2-4.] Michaelstein/Blankenburg, Germany: Kultur- und Forschungsstätte Michaelstein; 1991; pp. 111-115 1440. Stegemann, Michael: Luigi Boccherini: Ein Genie im Abseits der musikalischen Klassik. [Luigi Boccherini: Genius on the margins of musical Classicism.] Neue Zeitschrift für Musik, Vol. CXLVI/2 (1985) 4 -9. In German.: ISSN: 0170-8791. 1441. Stein, Leonard: The Schoenberg Archive in Los Angeles: A progress report after ten years. (Wien: Lafite, 1986) 129-33. Music. In German. See RILM 1987-00989-bs. 1442. Steinberg, Daniel; Learmont, Tim: The Multimedia File System. San Francisco, CA: Computer Music Association; 1989; pp. 307-311; Bibliog.: 1443. Stekl, Konrad: Musik aus der Steiermark. Zur Herausgabe des 50. Heftes der Reihe 1. [Music from Styria. The editorial policy of the 50th volume of the first series.] Mitteilungen des steirischen Tonkünstlerbundes,: Vol. XXXIII (September-December 1967) 4-6. In German. 1444. Stenstadvold, Erik: Faksimile oder Urtext: Eine kritische Würdigung der Ausgabe der 'Opera Omnia' von Fernando Sor. [Facsimile or Urtext: A critical appreciation of the opera omnia edition of Fernando Sor.]: Gitarre & Laute, Vol. VII/1 (1985) 45-50. In German.: ISSN: 0172-9683 . 1445. Stephan, Rudolf [Editor]: Mahler - Interpretation: Aspekte zum Werk und Wirken von Gustav Mahler. [Mahler and interpretation: Aspects of the work and impact of Gustav Mahler.] (Mainz: Schott, 1985) 190 p. 1446. Stevens, Claudia: A study of Robert Schumann's impromptus, op. 5: its sources and a critical analysis of its revisions. (DMA diss.: Boston U., 1977) 233 p. 1447. Stevens, Denis: Monteverdian 1993. Early music, London: Oxford U.; Vol. 21; Issue 4; Nov 1993; pp. 565-574; Illus., port., music: ISSN: 0306-1078. 1448. Stevens, Denis: Performance practice in Baroque vocal music. College music symposium, Vol. XVIII/2 (fall 1978) 9-19.: ISSN: 0069-5696. 1449. Stief, Wiegand [Editor]: Tagung einer IFMC-Studiengruppe. [Conference of an IFMC study group.] Die Musikforschung, Vol. XXX/4 (1977) 516. In German.: ISSN: 0027-4801. 1450. Stief, Wiegand: Wie weit lässt sich der Tougenhort-Leich in der Ausgabe der Colmarer Liederhandschrift Runges reparieren? Kritik einer halbkritischen Ausgabe. [How far can the Tougenhort-Leich in Runge's edition of the Colmar manuscript be restored? Criticism of a half -critical edition.] (See RILM 1978-02408-bs) 191-219. Facsimile. In German. 1451. Stockmann, Bernhard: Die Interpretationsausgabe der Klaviersonaten Beethovens. [The interpretive editions of Beethoven's piano sonatas.]: (RILM 1973-03019-bs) 590-92. 1452. Stockmann, Bernhard: Händel research in Hamburg: Friedrich Chrysander; Händel- Forschung in Hamburg: Friedrich Chrysander. (See RILM 1985-00231 -bc) 153-58. In German. 1453. Stockmann, Doris [Editor]; Erler, Annette [Editor]: Historische Volksmusikforschung. [Historical research in traditional music.] Orbis musicarum, 10, Göttingen: Re; 1994; 338 p.; Illus., music, maps: ISBN: 3-927636-40-X.
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1454. Stockmann, Doris [Editor]; Michel, Andreas [Editor]: Volks- und Popularmusik in Europa. [Folk and popular music in Europe.] Neues Handbuch der Musikwissenschaft, 12, Laaber, Germany: Laaber-Verlag; 1992 ; x, 506 p.; Illus., music, bibliog., discog., index, charts, diagr., videography: ISBN: 3-89007-042-6. 1455. Stockmann, Doris: Arbeitstagung der IFMC-Studiengruppe zur Erforschung und Edition alterer Volksliedquellen. [Working conference of the IFMC study group for research and editing of older folk-song sources.]: Musikrat der Deutschen Demokratischen Republik, Vol. I (1968) 21-23. In German; summaries in French, English. 1456. Stolze, Wolfgang: Zur Gesamtausgabe der Werke Samuel Scheidts. [On the complete edition of Samuel Scheidt's works.] Musikforschung, Vol. XL/2 (1987) 120-35. Music examples. In German. 1457. Strakova, Theodora: O soucasném stavu janáckovského bádání. [The present state of Jan cek research.] Opus musicum, Vol. X/5-6 (1978) 179 -83. In Czech; summaries in German, English, Russian.: ISSN: 0862-8505 . 1458. Strange, Allen [General Editor]: International Computer Music Association; San Jose State University Music Department; Center for Computer Research in Music and Acoustics; Center for New Music and Audio Technologies. Proceedings: International Computer Music Conference, San Jose, California, October 14-18, 1992. San Francisco: International Computer Music Association; 1992; xxiii, 497 p.; Index 1459. Strauss, Dietmar: Eduard Hanslick: Vom Musikalisch-Schönen. Ein Beitrag zur Revision der Ästhetik in der Tonkunst. Schott Musikwissenschaft, 2v .; Mainz, Germany: Schott; 1987; 171, 154 p.; (PhD diss., : U. Saarlandes); Music 1460. Strohm, Reinhard: Italienische Barockoper in Deutschland: Eine Forchungsaufgabe. [Italian Baroque opera in Germany: A research task. ] (Neuhausen: Hänssler, 1986) 348-63. In German. See RILM 1986-00623-be . 1461. Strohm, Reinhard: The critical edition of Vivaldi's Giustino (1724): Firenze: Olschki; 1988; pp. 399-416 1462. Struck, Michael: Revisionsbedürftig: Zur gedruckten Korrespondenz von Johannes Brahms und Clara Schumann. [In need of revision: The published correspondence between Johannes Brahms and Clara Schumann.]: Musikforschung, Vol. XLI/3 (1988) 235-41. In German. 1463. Sturzenegger, Richard: Eine praktische Neuausgabe der Cello-Suiten von J .S. Bach/A practical new edition of J.S. Bach's suites for violoncello.: (See RILM 1977-04269-bp) 5- 12. Music examples. In German, English. 1464. Sulyok, Imre: Béla Bartóks Handschrift im Liszt-Material in Weimar. [ B‚la Bartók's handwriting on a Liszt manuscript in Weimar.] Studia musicologica Academiae Scientiarum Hungaricae, Vol. XXIX/1-4 (1987) 353 -54. In German.: ISSN: 0039-3266. 1465. Sulyok, Imre: Bartók Béla kézír sa a weimari Liszt-anyagban. [B‚la Bartók's autograph notes in the Weimar Liszt material.] Magyar zene,: Vol. XXVII/4 (December 1986) 352-53. In Hungarian.: ISSN: 0025-0384. 1466. Sulyok, Imre: M‚g egyszer a "371"-röl. [One more time about the "371". ] Zenetudom nyi dolgozatok, 1995-1996; pp. 55-66; Music, charts, diagr.: ISSN: 0139-0732. 1467. Sulyok, Imre: Stand und Planung der Neuen Liszt-Ausgabe. [The current state and plans of the Neue Liszt-Ausgabe.] Eisenstadt, Austria: Burgenländisches Landesmuseum; 1991; pp. 21-25; Music, bibliog.
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1468. Sulyok, Imre; NEZO, Imre: Franz Liszt. Various cyclical works, II.: American Liszt Society journal, Vol. IX (December 1981) 118-21. 1469. Super, Kevin Christie: Guitar transcriptions for marimba: Piazzolla, Tango suite; Bogdanovic, selected works--With an overview of marimba repertoire and a bibliography. 1994; 467 p.; (DMA doc.,: U. of Oregon). PA 9434800. 1470. Suppan, Wolfgang: Editionsprobleme des Volksliedsammlers. [Problems of editing encountered by the collector of folk songs.] Die Musikforschung , Vol. XXVI/3 (July- September 1973) 366-68. In German.: ISSN: 0027-4801 . 1471. Sutcliffe, W. Dean: Haydn studies. New York: Cambridge U.; 1998; xiii ,343 p.; Music, bibliog.: ISBN: 0-521-58052-8 (hbk). 1472. Swift, Richard: Mahler's Ninth and Cooke's Tenth. 19th-century music , Vol. II/2 (November 1978) 165-72. Music examples.: ISSN: 0148-2076. 1473. Szczepanski, Rafal: Paderewski jako wydawca dziel Chopina: Praca redakcyjna nad wydaniem Dziel wszystkich i The Century library of music.: [Paderewski as the editor of Chopin's works: The editorial work on F.F. Chopin: Dziela wszystkie and The Century library of music.] Kraków: U. Jagiellonski; 1991; pp. 96-112 1474. Szelest, Marcin: Editore traditore: Krytyczne spojrzenie na zródlowe wydanie utworu S.S. Szarzynskiego Ad hymnos ad cantus. [Editore traditore: A critical look at the source edition of the composition Ad hymnos ad cantus by S.S. Szarzynski.] Canor: Kwartalnik poswiecony problemom interpretacji muzyki dawnej, Vol. 6; Issue 1:16; 1996; pp. 47-53; Illus.: ISSN: 1230-1515. 1475. Szende, Ottó: Egy remekmü és különös utóélete: Henry Vieuxtemps--36 ‚tudes pour violon avec accompagnement de piano, op. 48. [A masterpiece and its strange vicissitudes: Henry Vieuxtemps's 36 ‚tudes pour violin avec accompagnement de piano, op. 48.] Magyar zene, Vol. 32; Issue 1; Mar 1991; pp. 91-100; Facs., music, bibliog., list of works: ISSN: 0025- 0384. 1476. Szerzö, Katalin: The most important Hungarian music periodical of the 19th century: Zen‚szeti lapok (Musical papers) 1860-1876. Periodica musica, Vol. IV (spring 1986) 1-5. Portrait.: ISSN: 0822-7594. 1477. Tagliaferri, Pietro: Scherzi musicali a tre voci (1607): Edizione critica. [Scherzi musicali a tre voci (1607): Critical edition.] 1989; 203 p.; (Tesi di laurea, musicologia: Scuola di Paleografia e Filologia Musicale, Cremona (U. di Pavia), 1989); Facs., music, bibliog. 1478. Talbot, Michael: A new area for the new critical edition of Vivaldi's works: The introduzioni and motets for solo voice. Firenze: Olschki; 1988; pp. 387-398 1479. Talbot, Michael: Izpisati ali ne: Continuo v modernih kriticnih idajah barocne glasbe. [To write it out or not: Continuo in modern critical editions of Baroque music.] 1997; pp. 237- 246 1480. Talbot, Michael: Vivaldi's conch concerto. Informazioni e studi vivaldiani, Vol. 5 (1984) 66-82. Illustration, facsimile, music examples. In Italian.: ISSN: 0393-2915. 1481. Tallian, Tibor: Bartok levelvaltasa R. St. Hoffmann-nal. [Bartok's correspondence with Rudolf Stefan Hoffmann.] Magyar zene, XV/2 (June 1974) 134-85. In Hungarian, German: ISSN: 0025-0384. 1482. Tarnawska-Kaczorowska, Krystyna: Frédéric Chopin's songs; Piesni Fryderyka Chopina. Rocznik chopinowski, Vol. XIX (1987) 259-96. Music. In Polish. See RILM 1988-01147- bs.
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1483. Taube, Heinrich: Stella: Persistent representation and score editing in Common Music. Computer music journal, Vol. 17; Issue 4; winter 1993; pp. 38-50; Music, bibliog., charts, diagr.: ISSN: 0148-9267. 1484. Taube, Heinrich: Stella: Persistent score representation in Common Music. San Francisco: International Computer Music Association; 1992; pp. 101-105; Charts, diagr. 1485. Taves, Jeanette: A study of editions of Haydn's piano sonata Hob. XVI:52 (ChL. 62) in E- flat major. (See RILM 1981-04347-bs) 142-44. 1486. Tayler, David: The solo lute music of John Dowland. 1992; 347 p.; (PhD diss., Music: U. of California, Berkeley, 1992). PA 9330755. 1487. Teel, Allen J.: Ghanaian musical style in the percussion ensemble: An examination of Faini's Highlife and Locke's Drum Gahu with implications for Western percussion ensemble performance. 1994; 93 p.; (DMA doc., : U. of Georgia). PA 9520852. 1488. Tegen, Martin: Franz Berwalds samlade verk. Några intryck av de hittills utgivna volymerna. [Franz Berwald, Sämtliche Werke. Some impressions of the hitherto published volumes.] Svensk tidskrift för musikforskning,: Vol. LIX/2 (1977) 81-84. In Swedish.: ISSN: 0081-9816. 1489. Telemann, Georg Philipp: Die Donnerode. Das befreite Israel.: Musikalische Werke, (Kassel: Barenreiter, 1971) 23 xxviii, 177 p. 1490. Temperley, Nicholas: Haydn, The creation. Cambridge music handbooks,: Cambridge: Cambridge U.; 1991; vii, 135 p.; Facs., music, bibliog., index, charts, diagr.: ISBN: 0-521- 37255-0. 1491. Temperley, Nicholas: On editing facsimiles for performance. Notes. Music Library Association, Vol. XLI/4 (June 1985) 683-88. 1492. Temperley, Nicholas: Scorography: the music of Chopin. Musical newsletter, Vol. IV/1 (winter 1974) 11-14. 1493. Thalheimer, Peter: Hindemith heute: Anmerkungen zur Aufführungspraxis seines Trios für Blockflöten. [Hindemith today: Remarks on the performance practice of his trio for recorders.] Tibia: Magazin für Holzbläser, Vol. 20; Issue 4; 1995; pp. 586-93; Music: ISSN: 0176 -6511. 1494. Theill, Gustav Adolf: Die Marcuspassion von Johann Sebastian Bach BWV 247. Entstehung - Vergessen - Wiederentdeckung - Rekonstruktion. [The Marcuspassion of Johann Sebastian Bach, BWV 247. Origin - oblivion - rediscovery - reconstruction.] Beiträge zur Musikreflexion, Vol. 6, (Steinfeld: Salvator, 1978) 91 p. Facsimile, music examples. In German.: 1495. Theiner, Lieselotte [Editor]: Musikalische Dokumentation Karl Heinz Füssl. [Musical documentation on Karl Heinz Füssl.] Wien: Institut für ™sterreichische Musikdokumentation; 1996; 47 p.; Illus., port., bibliog ., list of works, discog. 1496. Thelander, Kristin Pederson: The solo horn writing of Carl Oestreich (1800-1840) and critical editions of three works for horn and orchestra.: (DMA doc., Music: U. of Wisconsin-Madison, 1987) 437 p. DA 8711053. 1497. Thom, Eitelfriedrich [Editor]: Wolfgang Amadeus Mozart. Ein Beitrag zum 200. Todestag: Aufführungspraxis--Interpretation--Edition. [Wolfgang Amadeus Mozart. A contribution to the 200th anniversary of his death: Performance practice--interpretation--editions.] Studien zur Aufführungspraxis und Interpretation der Musik des 18. Jahrhunderts, 44 ,
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Michaelstein/Blankenburg, Germany: Kultur- und Forschungsstätte Michaelstein; 1991; 135 p.; Illus., music 1498. Thom, Eitelfriedrich: Gedanken zur Interpretation und Aufführungspraxis der Instrumentalwerke Georg Friedrich Händels am Beispiel von drei Kompositionen. [Thoughts on the interpretation and performance of the instrumental works of Georg Friedrich Händel, on the example of three compositions.] Fragen der Aufführungspraxis...Händelscher Werke, (See RILM 1980-02434-bs) 124-30. In German. 1499. Thomas, Günter: Eine Notiz zu Haydns Acide. [A note on Haydn's Acide. ] Haydn-Studien, Vol. 6; Issue 4; 1994; pp. 304-08; Facs.: ISSN: 0040-5323. 1500. Thomson, John M: Kaleidoscope of the past: the world of music books.: Canzona, Vol. III/8 (June 1981) 14-20. 1501. Thomson, John Mansfield [Editor]; Rowland-Jones, Anthony [Editor]: The Cambridge companion to the recorder. Cambridge companions to music,: Cambridge: Cambridge U.; 1995; xxiii, 238 p.; Illus., bibliog., index: ISBN: 0-521-35269-X. 1502. Thornburg, John D.: Saved by singing: Hymns as a means of grace. The hymn: A journal of congregational song, Vol. 47; Issue 2; Apr 1996; pp . 5-10: ISSN: 0018-8271. 1503. Tichota, Jirí: Problèmes d'edition des tablatures de rédaction défectueuse. [Problems in editing tablatures that are inadequately written.] (See RILM 1984-00769-bs) 43-58. In French. 1504. Tihonov, Stanislav: Fortepiannye koncerty Bethovena: Stilevye osobennosti i interpretacija. [Beethoven's piano concertos: Stylistic characteristics and interpretation.] 1990; 22 p.; (PhD diss., Performance practice: Gosudarstvennaja konservatorija, Moskva, 1990); Bibliog. 1505. Timbrell, Charles: Notes on the sources of Beethoven's opus 111. Music & letters, Vol. LVIII/2 (April 1977) 204-15. Music examples.: ISSN: 0027-4224. 1506. Tischler, Hans [ed]: The Parisian two-part organa: The complete comparative edition. [The Parisian two-part organa: The complete comparative edition.] (Stuyvesant, N.Y.: Pendragon, 1988) 2 v. lxviii, 1605 p.: ISBN: 0-918728-89-4. 1507. Tischler, Hans: A comparison of two manuscripts: Fole acoustumance (c. 1250). (See RILM 1976-08685) 8-16. Facsimile, music examples. 1508. Tischler, Hans: Metrum und Rhythmus in der franzosischen Poesie und Musik des 13. Jahrhunderts. [Meter and rhythm in French poetry and music of the 13th century.] Archiv für Musikwissenschaft, XXXII/1 (1975) 72 -80. Music examples: ISSN: 0003-9292. 1509. Tischler, Hans: Mode, modulation, and transposition in medieval songs.: The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, Vol. 13; Issue 2; spring 1995; pp. 277-283; Music, transcr.: ISSN: 0277-9269. 1510. Tischler, Hans: On editing medieval songs. Musica antiqua, Vol. VIII/1 (Bydgoszcz: Filharmonia Pomorska im. I. Paderewskiego, 1988) 1005-28. See RILM 1988-00974-bs.: ISSN: 0771-7016. 1511. Tischler, Hans: On the need of new editions of early polyphonic music.: Orbis musicae, Vol. I/1 (1971) 67-71. Music examples. 1512. Tischler, Hans: The Montpellier Codex. Recent researches in the music of the Middle Ages and early Renaissance, Vol. 2-7, (8) (Madison, Wis.: A-R Editions, 1978) 3 v. 590 p. $95.70. Facsimile, music examples, bibliography, index.
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1513. Tischler, Hans: The performance of medieval songs. Revue belge de musicologie/Belgisch tijdschrift voor muziekwetenschap, Vol. 43; 1989; pp. 225-242: ISSN: 0771-6788. 1514. Tischler, Hans; Rosenberg, Samuel N.: The monophonic songs in the Roman de Fauvel. Lincoln: U. of Nebraska; 1991; 171 p.; Illus., music, bibliog., list of works, index: ISBN: 0- 8032-3898-3. 1515. Tokumaru, Yoshihiko [Editor]; Ohmiya, Makoto [Editor]; Kanazawa, Masakata [Editor]; Tukitani, Tuneko [Editor]; Takamatsu, Akiko [Editor] ; Shimosako, Mari [Editor]: Nippon Ongaku Gakkai. Tradition and its future in music. Osaka, Japan: Mita; 1991; 695 p.; Illus., facs., music, bibliog., list of works, index, charts, diagr.: ISBN: 4-89583-083 -7. 1516. Tomasic, Duro [Editor]: Katolicki Bogoslovni Fakultet, Institut za Crkvenu Glazbu Albe Vidakovic, Zagreb. I. znanstveni skup u povodu 900. obljetnice Zagrebacke (nad)biskupije, 30. obljetnice Instituta za Crkvenu Glazbu, 30. obljetnice smrti Albe Vidakovica, 25. obljetnice glasila Instituta Sv. Cecilija. [The first scholarly meeting organized on the occasion of the 900th anniversary of the Zagreb (arch)bishopric, 30th anniversary of the Institut za Crkvenu Glazbu, 30th anniversary of Albe Vidakovic's death, and 25th anniversary of Sv. Cecilija.] Sveta Cecilija : Casopis za duhovnu glazbu, Vol. 65; Issue 1-2; Jan-June 1995; pp. 1 -48; Illus., port., music: ISSN: 1330-2531. 1517. Tomaszewski, Mieczyslaw [Editor]: The international musicological symposium "Chopin and Romanticism". Chopin studies, Vol. 3; 1990; 371 p.; Port., facs., music, list of works: ISSN: 0176-6511. 1518. Tomita, Yo: Bach reception in pre-Classical Vienna: Baron von Swieten's circle edits the Well-tempered clavier II. Music & letters, Vol. 81; Issue 3; Aug 2000; pp. 364-391; Music, charts, diagr.: ISSN: 0027-4224 . 1519. Toppan, Marina: Le edizioni e revisioni chopiniane di Raoul Pugno. [ Chopin editions and revisions by Raoul Pugno.] 1989-90; (Tesi di laurea , Stor. del' mus.: U. degli Studi di Venezia, 1989-90) 1520. Traupman-Carr, Carol: Hangin' in the archives: Editing Moravian music.: Moravian music journal, Vol. 43; Issue 2; fall 1998; pp. 6-10: ISSN: 0278-0763. 1521. Trovato, Paolo: Note sulla fissazione dei testi poetici nelle edizioni critiche dei melodrammi. [Notes on establishing the libretto text in critical editions of operas.] Rivista italiana di musicologia, Vol. 25; Issue 2; 1990; pp. 333-352; Music: ISSN: 0035-6867. 1522. Trötzmüller, Karl: Editionsprobleme bei Franz Schmidt. [Problems of editing the music of Franz Schmidt.] ™sterreichische Musikzeitschrift , Vol. XXIX/11 (1974) 544-48. Music examples. In German.: ISSN: 0029 -9316. 1523. Tsao, You Whai: Beethoven's tempo in his thirty-two piano sonatas. 1996 ; 110 p.; (DMA doc., : Claremont Graduate School) 1524. Tuksar, Stanislav [Editor]: Okrugli stol povodom 10. obljetnice smrti Ladislava Sabana (1918.-1985.) [A round table on the tenth anniversary of the death of Ladislav Saban (1918- 1985)] Kaj: Casopis za knjizevnost, umjetnost i kulturu, Vol. 29; Issue 1-2; 1996; pp. 37-85; Port.: ISSN: 0453-1116. 1525. Turner, Bruno: Renaissance der Renaissance. [Renaissance of the Renaissance.] Musica, XXIX/6 (1975) 480-84.: ISSN: 0027-4518. 1526. Turner, Bruno: The editor: Diplomat or dictator? New York: Schirmer; 1992; pp. 249-254
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1527. Tyllner, Lubomír: Hudební skladatel‚ na str nk ch Zíbrtova Cesk‚ho lidu.: [Composers in the pages of Zíbrt's periodical Cesky lid.] Cesky lid , Vol. 78; Issue 3; 1991; pp. 185-191; Port.: ISSN: 0009-0794. 1528. Tyson, Alan: 'Authentic' editions of Beethoven published in Great Britain,. Beiträge zur Beethoven-Bibliographie, (München: Henle, 1978) 196-203. Charts, tables. m 1529. Tyson, Alan; Massimo Grassi, Andrea [Translator]; Grassi, Adriano [Translator]: I problemi testuali del concerto per violino di Beethoven.: [The textual problems of Beethoven's violin concerto.] Lucca, Italy: Libreria Musicale Italiana; 1995; pp. 247-268; Facs., music 1530. Önnerfors, Alf: Die Tropen des frühen Mittelalters. Ein Stockholmer Editionsvorhaben. [Tropes of the early Middle Ages. Plan for a new Stockholm edition.] Zeitschrift für Kirchengeschichte, Vol. XC (1979) 63-80. In German.: ISSN: 0044-2925. 1531. Ujfalussy, József [Editor]: Proceedings of the International Bartók Colloquium, Szombathely, July 3-5, 1995. II. Studia musicologica Academiae Scientiarum Hungaricae, Vol. 37; Issue 1; 1996; 133 p.; Music: ISSN: 0039-3266. 1532. Underwood, Kent D.: Archival guidelines for the music publishing industry. Notes: Quarterly journal of the Music Library Association,: Vol. 52; Issue 4; June 1996; pp. 1112- 1118: ISSN: 0027-4380. 1533. Univerzita Palackého v Olomouci. Musicologica. I. Acta universitatis palackianae olomucensis: Philosophica-aesthetica, 12: 1993, Olomouc: Vydavatelství U. Palackého; 1993; Illus., port., music 1534. Unruh, Gary Lee: The performance of selected secular works by Josquin Des Prez. (Doctor of Musical Arts dissertation, Music: U. of Illinois at Urbana-Champaign, 1973) 227 p. Music examples 1535. Unverricht, Hubert [ed]: [Eichstätt, 1985] Der Caecilianismus: Anfänge - Grundlagen - Wirkungen. [Cecilianism: Beginnings - Principles - Impact.: ] Eichstätter Abhandlungen zur Musikwissenschaft, 5, Vol. 5, (Tutzing: Schneider, 1988) 368 p. Illustration, music examples. In German. 1536. Unverricht, Hubert: Die Choralreformbemühungen unter den Caecilanern.: [Efforts at chant reform among the Cecilians.] (Tutzing: Schneider, 1988) 109-23. In German. See RILM 1988-01001-bs. 1537. Urban, Timothy P.: Giovanni Battista Riccio's Terzo libro delle divino lodi musicali (Venice, 1620): A list of errata. Historic Brass Society journal, Vol. 6; 1994; pp. 343-347; Charts, diagr.: ISSN: 1045-4616. 1538. Urquhart, Peter Whitney: Cross-relations by Franco-Flemish composers after Josquin. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, Vol. 43; Issue 1; 1993; pp. 3-41; Music, bibliog., charts, diagr., transcr.: ISSN: 0042-3874. 1539. Urquhart, Peter Whitney: Three sample problems of editorial accidentals in chansons by Busnoys and Ockeghem. 1997; pp. 465-481; Facs. 1540. Valder-Knechtges, Claudia: Meister im Verborgenen: Zum 300. Geburtstag von Johann Friedrich Fasch. [Master in hiding: On the 300th anniversary of the birth of Johann Friedrich Fasch.] Concerto, Vol. V/9 (1988) 12 -16. In German. 1541. Valentin, Erich: Eine Mozart-Initiative Franz Liszts. [A Mozart initiative by Franz Liszt.] Acta mozartiana, Vol. XXXIII/2 (1986) 17-19 . In German.: ISSN: 0001-6233. 1542. Van Dreel, Katrina Marie: Settings of Emily Dickinson by American composers. 1997; 58 p.; (DMA doc., : U. of California, Santa Barbara):
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1543. Varunc, Viktor: Publicistika Igorja Federovica Stravinskogo i Sergeja Sergeevica Prokof'eva kak problema istocnikovedenija i muzykovedenija.: [Journalism by Igor Stravinskij and Sergej Prokof'ev as a topic in source studies and musicology.] 1994; 80 p.; (PhD diss., Iskusstvovedenie: Gosudarstvennaja Konservatorija, Moskva, 1994) 1544. Vaughan, Denis: The inner language of Verdi's manuscripts. Miscellanea musicologica, Vol. V (1979) 67-153. Music examples.: ISSN: 0076-9355 . 1545. Vecchi, Orazio: L'Amfiparnaso. Early musical masterworks - critical editions and commentaries, (Chapel Hill: U. of North Carolina, 1977) 109 p. $16.95. Illustration, facsimile, music examples, bibliography, discography, index. 1546. Veit, Joachim [Editor]; Ziegler, Frank [Editor]: Gerhard Allroggen zum 60. Geburtstag am 19. Mai 1996. [For Gerhard Allroggen in honor of his 60th birthday on 19 May 1996.] Weber-Studien, Mainz, Germany: Schott; x, 475 p.; Vol. 3; 1996: ISBN: 3-7957-0325-5. 1547. Veit, Joachim: Zur Frage der Partituranordnung bei Weber. [Concerning the arrangement of the parts in Weber scores.] Weber-Studien, Mainz, Germany: Schott; Vol. 3; 1996; pp. 201- 221; Music, charts, diagr. 1548. Vendrix, Philippe Pierre [Editor]: Grétry et l'Europe de l'opéra-comique . [Grétry and the Europe of the opéra comique.] Musique-musicologie,: Liège: Mardaga; 1992; 389 p.; Illus., facs., music, index 1549. Vendrix, Philippe Pierre [Editor]; Mathy, Anne-Marie [Introduction]: C‚sar Franck et son temps. [C‚sar Franck and his times.] Revue belge de musicologie/Belgisch tijdschrift voor muziekwetenschap, Vol. 45; 1991; 236 p.; Illus., port., music: ISSN: 0771-6788. 1550. Vernooij, Anton: Honderd jaar Paléographie musicale. [The centenary of Paléographie musicale.] Gregoriusblad: Tijdschrift tot bevordering van liturgische muziek, Vol. 113; 1989; pp. 131-138; Illus., music: ISSN: 0017-4122. 1551. Vertegaal, Roel; Bonis, Ernst: ISEE: An intuitive sound editing environment. Computer music journal, Cambridge, MA: MIT; Vol. 18; Issue 2; summer 1994; pp. 21-29; Illus., bibliog., charts, diagr.: ISSN: 0148-9267. 1552. Veszpremi, Lili: Edited by Béla Bartók; Közreadta: Bartók Béla. Magyar zene, Vol. XVIII/1 (March 1977) 75-81. Music examples. In Hungarian.: ISSN: 0025-0384. 1553. Veszpremi, Lili: Liszt - Bartók - Weiner Beethoven két legkönnyebb szon t j ról. [Liszt, Bartók, and Weiner on Beethoven's two leichte Sonaten.] Parlando, Vol. XXI/9 (September 1979) 1-7. Music examples. In Hungarian.: ISSN: 0133-2767. 1554. Vettori, Romano [Editor]; Contino, Giovanni: Madrigali a quattro e cinque voci in antologie ed intavolature. [Madrigals in four and five voices in anthologies and tablatures.] Opere di antichi musicisti bresciani, 5, Milano, Italy: Zerboni; 1994; xl, viii, 187 p.; Facs., bibliog. 1555. Vikár, László: Liszt és a "régi zene": Egy romantikus megközelítésmód.: [Liszt and "early music": A Romantic approach.] Magyar zene, Vol. 30; Issue 1; Mar 1989; pp. 55-65: ISSN: 0025-0384. 1556. Vikis-Freibergs, Vaira: Text variants in the Latvian folk song corpus: Theoretical and practical problems. Montr‚al, Canada: McGill U.; 1989; pp. 49-72 1557. Vilker, Sophie; Warren, B: Jonah: solo cantata for baritone and string quartet/ B. Warren; [editing for strings by Sophie Vilker] London, Wiscasset [Me.], Wiscasset Music Pub, 1983; 1 score (24 p.) + 5 parts 1558. Villaverde, Enrique; Quintanal Sánchez, Inmaculada [Editor]: Enrique Villaverde: Obra musical. [Enrique Villaverde: Musical works.] Estudios y documentos. Serie Villaverde:
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Música y musicología, Zaragoza: Real Academia de Nobles y Bellas Artes de San Luis; 1986; 360 p.; Transcr.: 1559. Viret, Jacques: Le chant grégorien, art traditionnel: Dix années de recherche grégorienne, 1975-1985. [The traditional art of Gregorian chant: Ten years of Gregorian research, 1975- 1985.] Revue musicale, Vol . 379-380 (1985) 159-69. In French. 1560. Vivaldi, Antonio; Talbot, Michael [Editor]; Everett, Paul Joseph [Editor]; Degrada, Francesco [Editor]; Arnold, Denis [Editor]: Nuova edizione critica delle opere. [New critical edition of the works.]: Milano, Italy: Ricordi; 1982; Music 1561. Vogel-Beckmann, G.: La sonate française pour violon et basse continue: Deux approches du sujet, celle du musicologue et celle de l'éditeur. [ French sonatas for violin and basso continuo--Two approaches: The musicologist vs. the editor.] Paris: Champion; 1993 1562. Volk, Konrad: Die Balag-Komposition Uru Am-ma-ir-ra-bi: Rekonstruktion und Bearbeitung der Tafeln 18 (19'ff.), 19, 20 und 21 der späten, kanonischen Version. [The balag composition Uru Am-ma-ir-ra-bi: Reconstruction and editing of the tablets 18 (19'ff.), 19, 20, and 21 of the late, canonical version.] Freiburger altorientalische Studien, 18 , Stuttgart, Germany: Steiner; 1986; xiv, 282 p.; (PhD diss., : U. Freiburg im Breisgau) 1563. Voois, Jacques [Editor]: Curtis Institute of Music. Symposium on authenticity. Journal of the Conductors' Guild, Vol. 10; Issue 3-4; summer-fall 1989; 53 p.; Music: ISSN: 0734- 1032. 1564. Voss, Egon: Ergebnisse und Aufgaben der Wagnerforschung. [Issues and tasks of Wagner research.] (See RILM 1984-00675-bs) 437-39. In German.: 1565. Voss, Egon: Les contes d'Hoffmann nach 1881: Ein Beitrag zur Aufführungs -, Publikations- und Rezeptionsgeschichte. [Les contes d'Hoffmann after 1881: A contribution to the history of its performance, publication, and reception.] (Laaber: Laaber-Verlag, 1988) 341-61. In German. See RILM 1988-03174-bc. 1566. Voss, Egon: 'Uberall die andaurende Trommete von Händels Ruhm': Eine Betrachtung uber des Erfolg des Messias. ['Everywhere the enduring trumpet of Händel's fame': A reflection on the sources of Messiah.] Neue Zeitschrift für Musik, Vol. CXLVI/6 (June 1985) 5-9. In German.: ISSN: 0170-8791. 1567. Votta, Michael, Jr.: Richard Wagner's Trauermusik, WWW 73 (Trauersinfonie) Rochester: U. of Rochester; 1994; pp. 168-186; Music: 1568. Wade, Rachel W.: Filiation and the editing of revised and alternate versions: Implications for the C.P.E. Bach edition. Oxford: Clarendon; 1988; pp. 277-294; Facs., music 1569. Waidelich, Till Gerrit: Einige Korrekturen zu Alfonso und Estrella. [ Some corrections to Alfonso und Estrella.] Schubert durch die Brille: Internationales Franz Schubert Institut-- Mitteilungen, Issue 5; June 1990; 31 p. 1570. Waldvogel, Simon: Konzertstück für zwei Altsaxophone (1933) von Paul Hindemith: Entstehungsgeschichte--Differenzen zwischen Autograph und gedruckter Ausgabe. [Konzertstück for two alto saxophones (1933) by Paul Hindemith: The history of its genesis and the differences between the autograph and the first printed edition.] 'rohrblatt: Magazin für Oboe, Klarinette, Fagott und Saxophon, Vol. 9; Issue 3; Sept 1994; pp. 96-98 ; Music: ISSN: 0035-8029. 1571. Wallnig, Josef: "Produkt im Kopf" contra "Produkt im Ohr." [Results in the head vs. results in the ear.] ™sterreichische Musikzeitschrift, Vol . 46; Issue 10; Oct 1991; pp. 539-542; Bibliog.: ISSN: 0029-9316.
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1572. Walter, Horst: Haydns Klavierkonzerte aus textkritischer Sicht. [ Haydn's piano concertos in a text-critical perspective.] (München: Henle , 1986) 444-51. Music, bibliog. In German. See RILM 1986-00762-bs. 1573. Walters, Lillet: Persuasive platform presentations [sound recording]/ by Lilly Walters. Glendora, CA, Walters Speakers Services, 1989; 4 sound cassettes 1574. Walters, Mark Alan: A metrical study of Ralph Vaughan Williams' British wind band work Toccata marziale. 1997; 133 p.; (DMA doc., : Arizona State U.) 1575. Walton, Chris: The performing version by Richard Strauss and Lothar Wallerstein. Cambridge: Cambridge U.; 1993; pp. 89-94 1576. Wang, Hong: A collector of narrative song reports on the big anthology.: CHIME: Newsletter of the European Foundation for Chinese Music Research , Issue 2; fall 1990; pp. 43-51; Illus.: ISSN: 0926-7263. 1577. Wanske, Helene: Georg Friedrich Händels Klaviersuiten in historischen und modernen Drucken: Ein Vergleich an ausgewählten Beispielen. [Georg Friedrich Händel's keyboard suites in historical and modern editions: A comparison of selected examples.] Händel- Jahrbuch, Vol. 39; 1993; pp. 195-224; Music: ISSN: 0440-0615. 1578. Warburton, Thomas Andrew, Jr: A German organ tablature: Dies est laetitiae (c. 1500). (See RILM 1976-08685) 43-47. Illustration, facsimile, music examples. 1579. Warner, Robert Austin: English consort music: Fancy and ayre in G minor (c. 1660) by John Jenkins (1592-1678). (See RILM 1976-08685) 106-26. 1580. Wasson, Jeffrey: Gregorian graduals of the first mode: An analytical study and critical edition. (PhD diss., Music: Northwestern U., 1987) 1459 p. DA 8710398. 1581. Waterhouse, William: Webers Fagottkonzert op. 75: Ein Vergleich von handschriftlichen und gedruckten Quellen. [Weber's bassoon concerto op. 75: A comparison of autograph and printed sources.] Tibia, Vol. XI/1 (1986) 22-30. Music examples. In German. 1582. Weaver, Robert Lee: Waelrant's working relationship with Jan de Laet, as given in the prefaces to their partbooks. Yearbook of the Alamire Foundation, 1997; Vol. 2; pp. 237- 252; Charts, diagr. 1583. Webster, James: Scorography: the music of Haydn. Musical newsletter,: III/2 (April 1973) 24-26. List of works. 1584. Weiner, Howard: Giovanni Martino Cesare and his editors. Historic Brass Society journal, Vol. 3; 1991; pp. 56-64; Bibliog., list of works: ISSN: 1045-4616. 1585. Weiss, Günther: Gustav Mahlers Briefe an Alma. [Gustav Mahler's letters to Alma.] Musica, Vol. 45; Issue 4; July-Aug 1991; pp. 230-233; Facs .: ISSN: 0027-4518. 1586. Wendt, Matthias [Editor]: Schumann und seine Dichter: Bericht über das 4 . International Schumann-Symposion. [Schumann and his poets: Report of the 4th Internationale Schumann-Symposion.] Schumann Forschungen, 4,: London: Schott; 1993; 180 p.; Illus., music: ISBN: 3-7957-0238-0. 1587. Werfel, Alma Mahler: Sämtliche Lieder. [Collected songs.] (Wien: Universal, 1987) 136 p. In German. 1588. Werner, Edwin: G.F. Händels Trauer-Anthem HWV 264. Eine Studie mit kritischer Ausgabe der Partitur im Rahmen der Hallischen Händel-Ausgabe.: [G.F. Händel's Funeral- Anthem, HWV 264. A study, together with a critical edition of the score within the
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framework of the Hallische Händel-Ausgabe.] (PhD diss., Musicology: Martin-Luther-U., Halle, 1981) 355 p. In German. 1589. Wessely, Othmar: Albert Schweitzer - Musiker und Musikgelehrter. [ Albert Schweitzer - musician and a man learned in music.] Organa austriaca, Vol. II (1979) 168-81. In German. 1590. Wessely, Othmar: Zur Vorgeschichte des musikalischen Denkmalschutzes/ Othmar Wessely. Mitteilungen der Kommission für Musikforschung; Nr. 26. , Wien, Verl. d. Österr. Akad. d. Wiss, 1976; p. 407-428 1591. Wetzel, Richard D.: Catholic church music in the Midwest before the Civil War: The firm of W.C. Peters & Sons. New York: Garland; 1994; pp. 203-230 1592. Whiting, Steven Moore: Computer and scholarly editions. Stuyvesant, NY: Pendragon; 1989; pp. 133-136 1593. Widgery, Claudia Joan: The kinetic and temporal interaction of music and film: Three documentaries of 1930's America. 1990; 479 p.; (PhD diss., Music: U. of Maryland, College Park, 1990). PA 9129449. 1594. Wiesend, Reinhard: Regieanweisung, Werk, Edition: Am Beispiel der Zauberflöte. [Stage direction, work, edition: The example of Die Zauberflöte.] Mozart Studien, Vol. 3; 1993; pp. 115-136; Music: ISSN: 0942-5217. 1595. Wilheim, F. Andr s: Az utolsó k‚zjegy mítosza. [The myth of the final autograph version.] Muzsika, Vol. 37; Issue 8; Aug 1994; pp. 18-21: ISSN: 0027-5336. 1596. Wilkens, Sander: Editionspraxis und allgemeine Korrektursystematik zu den Werken Gustav Mahlers: Kritischer Bericht und Revisionsbericht zum Autograph der Ersten Symphonie. [Editing practice and general approach to revising the works of Gustav Mahler: Critical report and report on the revision for the autograph of the symphony no. 1.] Berliner musikwissenschaftliche Arbeiten, 41, München: Katzbichler; 1996; 1182 p .; Bibliog.: ISBN: 3-87397-341-3. 1597. Wilkens, Sander: Zur Editionspraxis und Form der Revisionsberichte der Werke Gustav Mahlers. [On editorial practice and the form of the revision reports of Werke Gustav Mahlers.] Jahrbuch des Staatlichen Instituts für Musikforschung Preußischer Kulturbesitz, 1994; pp. 304 -338: ISSN: 0572-6239. 1598. Williams, Nyal; Daub, Peggy: Coover's Music lexicography-two supplements. Notes. Music Library Association, Vol. XXX/3 (March 1974) 492-500. List of works. 1599. Wind, Thiemo: Chain variations in van Eyck's Der Fluyten Lust-hof.: American recorder, Vol. XXVIII/4 (November 1987) 141-44. Facsimile, music examples, charts, tables.: ISSN: 0003-0724. 1600. Wingfield, Paul: Jan cek, Glagolitic Mass. Cambridge music handbooks , New York: Cambridge U.; 1992; x, 135 p.; Music, bibliog., index, charts, diagr.: ISBN: 0-521-38013-8. 1601. Wingfield, Paul: The performer as co-editor: Proposal for a new complete edition of Jan cek's works. Stuyvesant, NY: Pendragon; 1995; pp. 243 -252 1602. Wingfield, Paul: Unauthorised recomposition in Leos Jan cek's music: Guidelines for a new approach to a complex problem. Journal of musicological research, Vol. VII/2-3 (1987) 187-214. Music examples. 1603. Winkelhofer, Sharon: Editorial censorship in Liszt's letters to Agnès Street-Klindworth. American Liszt Society journal, Vol. IX (June 1981) 42-49.
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1604. Winter, Robert S.: Of realizations, completions, restorations and reconstructions: From Bach's The art of fugue to Beethoven's tenth symphony. Journal of the Royal Musical Association, Vol. 116; Issue 1; 1991; pp. 96-126; Music, charts, diagr.: ISSN: 0269-0403. 1605. Winter, Robert: Performing Beethoven's early piano concertos. Early music, Vol. XVI/2 (May 1988) 214-30. Facsimile, music examples, charts, tables.: ISSN: 0306-1078. 1606. Wiora, Walter: Methodik der Musikwissenschaft. [The methodology of musicology.] (München: Oldenbourg, 1970) 93-139. Bibliography. In German. 1607. Wolff, Christoph: The many faces of authenticity: Problems of a critical edition of Mozart's piano concertos. Ann Arbor: U. of Michigan; 1996; pp. 19-28; Facs., music, charts, diagr. 1608. Wollenberg, Susan: Changing views of C.P.E. Bach. Music & letters, Vol . LXIX/4 (October 1988) 461-64.: ISSN: 0027-4224. 1609. Wollny, Peter: Heinrich Ignaz Franz Bibers Harmonia artificioso-ariosa: Zu Druckgeschichte und Werkgestalt. [Heinrich Ignaz Franz Biber's Harmonia artificioso- ariosa: A view of its publication history and form. ] Schütz-Jahrbuch, Vol. X (1988) 126-32. Music examples. In German; summaries in English, French, Italian, Swedish.: ISSN: 0174- 2345. 1610. Wooldridge, David: Conductor's world. (London: Barrie a Rockliff; New York: Praeger, 1970) Illustration, portrait, facsimile, music examples, discography, index. 1611. Wray, Ronnie Everett: A survey of discrepancies among solo parts of editions and manuscripts of Carl Maria von Weber's concerto no. 1 in F minor, op. 73. 1991; 137 p.; (DMA doc., : Louisiana State U.). PA 9219585. 1612. Wright, Barbara David: Johann Sebastian Bach's Matthäus-Passion: a performance history 1829-1854. (PhD diss.: U. of Michigan, 1983) 470 p. DA 84-02407. 1613. Wright, Peter [Editor]; Andreotti, Carlo [Preface]; Cattin, Giulio [Introduction]: I codici musicali trentini: Nuove scoperte e nuovi orientamenti della ricerca. [The Trent Codices: New findings and new directions in research.] Trento, Italy: Biblioteca Musicale Laurence K.J . Feininger; 1996; 183 p.; Illus., port., facs., music, bibliog., index , charts, diagr.: ISBN: 88-86602-06-5. 1614. Wronski, Tadeusz: Sonaty i partity J.S. Bachs na skrzypce solo. Studium edytorskie i wykonawcze. [J.S. Bach's sonatas and partitas for solo violin. Problems of editing and interpretation.] (Kraków: Wyd. Muz., 1970) 123 p. Zl 20. In Polish. 1615. Wu, Wei: The Debussy edition of the four ballades of Chopin. 1995; 84 p.; (DMA doc., : Ohio State U.). PA 9544509. 1616. Wunsch, Walther: Beitrage zur ™sterreichischen Volksliedkunde. [ Contributions to the study of Austrian folk songs.] (Graz: Steiermarkische Landesdruckerei, 1967) 124 p. Music examples 1617. Wynn, Ronald L: The French and German works in Trium vocum cantiones centum: a performing edition and commentary. (PhD diss., Music education : U. of Colorado, 1969) 2v. 389 p. (typescript, microfilm, multilith). Illustration, facsimile, music examples, bibliography, list of works. 1618. Yavelow, Christopher: Music software for the Apple Macintosh. Computer music journal, Vol. IX/3 (fall 1985) 52-67. Illustration.: ISSN: 0148 -9267. 1619. Zabolotnaja, Natalija: Problema individual'nogo hudozestvennogo celogo v tvorcestve kompozitorov Ukrainy i Rossii, vtoroj lodoviny XVII - pervoj poloviny XVIII vekov. [The problem of the individual artistic whole in the work of Ukrainian and Russian composers
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from the second half of the 17th century to the first half of the 18th century.] (PhD diss., Music theory: Inst. Iskusstvovedenija Fol'klora i Etnografii, AN, Kiev, 1984) 24 p. In Russian. 1620. Zalewski, Teodor: Pól wieku wsród muzyków. 1920-1970. Przyczynki do dziejów polskiej kultury muzycznej. 1. Do roku 1945. [A half-century among musicians. 1920-70. Contributions to the history of Polish musical culture. I: To 1945.] (Kraków: Wyd. Muz., 1977) 268 p. Illustration, portrait, index. In Polish. 1621. Zamazal, Franz: Im Dienste Anton Bruckners. Von der Bruckner -Gesamtausgabe liegen bereits 25 Bände vor. [In the service of Anton Bruckner: 25 volumes of the Bruckner Gesamtausgabe have already appeared. ] Oberösterreichischer Kulturbericht, Vol. XXXVI/7 (April 1982) 9-10. Portrait. In German. 1622. Zaslaw, Neal [Editor]: University of Michigan. Mozart's piano concertos : Text, context, interpretation. Ann Arbor: U. of Michigan; 1996; xii, 479 p.; Facs., music, index, charts, diagr., transcr.: ISBN: 0-472 -10314-8. 1623. Zauft, Karin [Editor]: Von der Quelle zur Aufführung: Quellenkundliche und Aufführungspraktische Fragen in Verbindung mit der Flavio -Inszenierung. [From the source to the performance: Issues in source studies and performance practice in connection with the production of Flavio.] Händel-Jahrbuch, Vol. 40-41; 1994-95; pp. 113-131: ISSN: 0440-0615. 1624. Zecca Laterza, Agostina; Salvetti, Guido [Editors]: Il Conservatorio di Musica per la cultura milanese dal 1808 al 1860: nascita di una biblioteca musicale pubblica. [The Conservatory of Music in relation to Milanese culture, from 1808 to 1860: birth of a public music library. ] (Milano: Conservatorio di Musica G. Verdi, 1980) 91 p. Illustration, bibliography. In Italian. 1625. Zeileis, Friedrich Georg: Bemerkungen zur Quellenlage von Mozarts Klavierkonzert B-Dur KV 456. [Observations about the source materials for Mozart's piano concerto in B-flat major, K.456.] (See RILM 1984 -00661-be) 307-16. In German. 1626. Zemp, Hugo: Ethical issues in ethnomusicological filmmaking. Visual anthropology, Vol. 3; 1990; pp. 49-64; Port., bibliog.: ISSN: 0894 -9468. 1627. Zemp, Hugo: Filming music and looking at music film. Ethnomusicology , Vol. XXXII/3 (fall 1988) 393-428. Illustration. 1628. Zemp, Hugo: Filming voice technique: The making of The song of harmonics . The world of music/Die Welt der Musik/Le monde de la musique, Vol. 31 ; Issue 3; 1989; pp. 56-85; Port., bibliog.: ISSN: 0043-8774. 1629. Ziino, Agostino [Editor]: Societ… Italiana di Musicologia. Musica senza aggettivi: Studi per Fedele D'Amico. [Music without adjectives: Studies for Fedele D'Amico.] Quaderni della Rivista italiana di musicologia, 25 , 2v.; Firenze: Olschki; 1991; v, 827 p.; Illus., port., facs., music , bibliog., index: ISBN: 88-222-3903-2. ISSN: 0394-4395. 1630. Zijlstra, A. Marcel J. [Editor]: The play of Daniel (Ludus Danielis): Kalamazoo: Western Michigan U.; 1996; pp. 87-116; Facs., music 1631. Zimmermann, Ewald: Chopin i jego orkiestra: Zagadnienia stanu zródel i autentycznosci instrumentacji w koncertach fortepianowych. [Chopin and his orchestra: The issue of sources and authenticity of instrumentation in the piano concertos.] Rocznik chopinowski, Vol. XIX (1987) 125-33. In Polish. See RILM 1988-01147-bs. 1632. Zimmermann, Ewald: L'édition moderne des oeuvres de Chopin chez Henle-Verlag: Problématique, réalisations et projects. [The modern edition of Chopin's works by Henle-
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Verlag: Treatment of problems, realizations, and future directions.] (See RILM 1984- 00745-bs) 105-12. In French. 1633. Zimmermann, Ewald: Textvarianten und harmonische Ambivalenz bei Chopin.: [Text variants and harmonic ambivalence in Chopin's music.] (See RILM 1980-00182-be) 463-71. In German. 1634. Zimmermann, Reiner: Aus den Wurzeln der mährischen Folklore: zur neuen Janácek- Werkausgabe bei Edition Peters. [Sprung from Moravian folklore: the new Peters edition of Janácek's works.] Musik und Gesellschaft, Vol . XXX/4 (1980) 224-28. In German.: ISSN: 0027-4755. 1635. Zimmermann, Reiner: Debussy-Werkausgabe in der Edition Peters Leipzig.: [Edition of Debussy's works, Edition Peters, Leipzig.] Musik und Gesellschaft, Vol. XXII/4 (1972) 241-45. Facsimile, list of works.: ISSN: 0027-4755. 1636. Zoltai, D‚nes: Nemzetközi Beethoven-Kongresszus az NDK-ban. Berlin, 1977 . M rcius 20- 23. [International Beethoven Congress in the DDR. Berlin, 20-23 March 1977.] Muzsika, Vol. XX (July 1977) 31-33. In Hungarian.: ISSN: 0027-5336. 1637. Zomerdijk, Hendrikus Jacobus: Het muziekleven in Noord-Brabant 1850-1914 . [Musical life in North Brabant, 1850-1914.] Bijdragen tot de geschiedenis van het Zuiden van Nederland, Vol. 55, (Tilburg: Stichting Zuidelijk Historisch Contact, 1982) 401 p. Bibliography, list of works, index. In Dutch. 1638. Zschoch, Frieder: Abenteuer der Edition. [The adventure of an edition. ] Blankenburger Studien, Vol. [14] (See RILM 1982-02092-bs) 58-61. In German. 1639. Zschoch, Frieder: Kritisch-praktische Editionen aus Verlagssicht. [ Critical-practical editions from the point of view of the publishing house.] (See RILM 1978-00198-bs) 21-25. In German. 1640. Zschoch, Frieder: Zum gegenwartigen Stand der Beethoven-Edition. [The present state of the Beethoven edition.] (RILM 1973-00136-bs) 507-14. Music examples 1641. Zürcher, Johann: Alte und neue Ergänzungen zu den fragmentarischen Sonatensätzen Schuberts. Notizen zum 3. Band der im Verlag Henle erschienenen neuen Urtextausgabe. [Old and new completions of Schubert's fragmentary sonata movements. Observations on the third volume of the new Urtext edition issued by Henle Verlag.] Die Musikforschung, Vol. XXXI/4 (1978) 467-74. In German.: ISSN: 0027-4801. 1642. Zukofsky, Paul [Editor]: Journal of the Arnold Schoenberg Institute. XVI /1-2 (June- November 1993): The Berg guides. Journal of the Arnold Schoenberg Institute, Los Angeles, CA: U. of Southern California; 333 p .; Vol. 16; Issue 1-2; June-Nov 1993: ISSN: 0146-5856. 1643. Zupanovic, Lovro: Cithara octochorda (CO) u svjetlu nekih novih spoznaja o njoj. [Cithara octochorda (CO) in the light of some new insights.]: Sveta Cecilija: Casopis za duhovnu glazbu, Vol. 65; Issue 1-2; Jan-June 1995; pp. 5-12; Port.: ISSN: 1330-2531. 1644. Zupanovic, Lovro: Lescanov prinos priredivanju IV. izdanja Citharae octochordae (CO) [Lescan's editorial contributions to the fourth edition of Cithara octochorda.] Sveta Cecilija: Casopis za duhovnu glazbu, Vol. 66; Issue 4; Oct-Dec 1996; pp. 99-100: ISSN: 1330-2531. 1645. Zvara, Vladimír [Editor]: Fünf Briefe Fritz Oesers zur Entstehung von Cikkers Auferstehung. [Five letters of Fritz Oeser on the genesis of Cikker's Vzkriesenie.] Miscellanea musicologica, Vol. 34; 1994; pp. 185-232; Illus., facs., music: ISSN: 0544- 4136.
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1646. Zvonar, Ivan: Koncepcijske i metodoloske osobitosti u prezentaciji tekstova najnovije zbirke Hrvatskih puckih popijevaka iz Medimurja Vinka Zganca. [Conceptual and methodological traits in the presentation of texts in the most recent Vinko Zganec collection, Hrvatske pucke popijevke iz Medimurja.] Narodna umjetnost: Hrvatski casopis za etnologiju i folkloristiku, Issue 3; special issue 1991; pp. 167-174: ISSN: 0547-2504. 1647. Zychowicz, James L.: Toward an Ausgabe letzer hand: The publication and revision of Mahler's Fourth Symphony. The journal of musicology: A quarterly review of music history, criticism, analysis, and performance practice, Vol. 13; Issue 2; spring 1995; pp. 260-276; Facs., charts, diagr.: ISSN: 0277-9269.