INTERNATIONAL EXHIBITION OF
, THEATRE·· ART MoMAExh_0033a_MasterChecklist
JANUARY 16-FEBRUARY 26, 1934
THE MUSEUM OF MODERN ART
II WEST FIFTY-THIRD STREET· NEW YORK INDEX OF ARTISTS WITH CATALOG NUMBERS
Pilar tz , 31'3-37; Ahren, 429-430 Croning, 346-349 Poelaig, 376--379 Akimoff, 6:;6-662- Grunewald, 431-464 Primaticcio, 3-10 Appia, 96-1:22 Heckrotb, 350--354 Re,52 Helmdach, 355-358 Bahner, 135-140 Reigbert, 380-385 Heychum, 16')-179 Bakst, 261-269 Reynolds, 606--608 Hofman, 180--~oo Barsacq, 270-284 Riccius Senensis, 17 Berain, 34-40 Italian School, 1'(-33 Ricketts, 233A'B Bernstein, 48:;-488 Iuvara, 43-44 Russian School, 704-707 Beschomer, 141-144 Rutherston, "34-241 Bibiena Family, 45-46 Jones, Inigo, 18-23 Sabbattini, "3A Bibiena, 47-48 Jones, R. E., )51-568 Saee-Meiningen.Bc-cs Blanch, 203-210 jorgulesco, 56()-571 Schenk von Trapp, 386-390 Boquee Family, 56-63 Karson, 572-577 Schlepianoff 697 Bragdon, 489-491 Kodosevitch, 665--668 Schroeder, 391-394 Braqoe, 285 Krummer, 669 de Segcozac, 313-315 Buonealenei, 11-'16 Kushner, 670 MoMAExh_0033a_MasterChecklist Serlio, 1-'2. Challe, 54-55 Lagut, 301 Sberingham, 242-243 de Chirico, 426 Lamberti, 85"" Shestakoff, 698-699 Chupiatch, 66:; Larionoff 302-305 Sievert, 395-400
Craig, 123-134 Lauterer, 578-;8'2 Simonson, 6og-61 I Lebedeff 67! Sjoberg, 472 Daniel, 327-330 Leger, 306-307 Skawonius, 465-471 De Lajoue, 50--51 Levine, 672-691 Skold, 47:)-482 Derain, 286 Loeffler, 35')-362 Scehnlein, 401-403 Desprez, 64-85 Lutze, 692 Soudekine, 634-635 Dexel,211-212 Mahnke, 363-368 Stenberg, 700 Dmitrieff, 664, 7°2-7°3 Strnad, 145-168 Dobuzhinsky , 626-629 Medgvee, 421-423 Medunetsky, 693, 701 Suhr, 404-407 Dolivet, 36-38 Meiningen, see Saxe-Meiningen Survage, 316-317 Dreyfuss, 492 MesseJ,223-233 Thompson, 6I'2-616 Enters, 493-499 Meyerhold, 693 Throckmorton, 617-6'21 Essman, 500-503 Mielziner, 583-590 Torsten, 408-413 Molander, 465-471 Fraser, 213-222- Montenari, 49A Vakalo, 318-326 French School, 41-42- Mueller, 36g--372 Vigarani.oa-xo Fuerst, 287-294 Muncis, 427-428 \!yesnine, 702-J03 Fulop, 420 Nielsen, 201-202 Wachsmuth, 49 Galliari, 53 Nivinsky, 694-696 Waren,2;g-260 Geddes, 504-;46 Wenger, 622--625 Oenslager, 591-60::1, Glese, 331-:'41 Wildermann, 414-419 oin., 424-425 Golovine,6:,o--633 Wilkinson, '244-2'j1 Go~arova, 295-300 Perdriat, 308 Xavery,63A Gorelik,547-550 Peters, 603-60; Grete, 342-345 Picasso, 309-312 Zinkeisen, 2)2-:258 THEATRE ART OF THE RENAISSANCE AND BAROQUE
'The designers aye ananged chronologically. *An asteris~ indicates that the item is illu.stratedby a plate bearing the same number.
SIXTEENTH CENTURY
SERLIO, Sebastiano (1473-1554) iTALIAN *10 -Knight of the Swan Born in Bologna, active there and in Venice; Lent by the National Museum, Stoc~holm called to France by Francis I to work at his court; died at Fontainebleau. BUONTALENTI, Bernardo (1536-1608)
I DE ARCHI'TEC'TURA LIBRI Q.UIJ\(- ITALIAN Q.UE,Venice, 1569 Born in Florence, active principally there, Lent by Mrs. Edith Isaacs, New Yor~ as well as in Pisa and Siena. His ingenious MoMAExh_0033a_MasterChecklist lA-Same work, English edition, 1611 use of fireworks won for him the nick-name Lent by R. Hall, 'Tonbridge Wells, England "Bernardo delle Girandole." 2 Setting for a corned y: after an engraving in Serho's DE ARCHI'TEC'TURA; model SIX IN'TERLUDES, Florence, 1;89' by Mrs. Lee Simonson II-The Music of the Spheres (engraved by Lent by the Dartmouth College Theatre Agostino Carracci) Museum, Hanover, N..ewHampshire 12 ---Contest between the Fairies and the Muses (engraved by Epifanio d'Alfano) PRIMATICCIO, Francesco (1504-1;70) 13 --Combat between Apolloend the Serpent ITALIAN Python (engraved by Agostino Carracci) Born in Bologna, active in Mantua; called to 14 -Appearance of Demons of Heaven and France by Francis I and worked there until Hell (engraved by Epifariio d'Alfano) his death. 15 -Arion the Cither Player (engraved by Eight costume drawings: Epifanio d'Alfano) '3 -Pageant costume 16 -The Dance is a Gift of the Gods (en' 4 -Pageant costume graved by Epifanio d'Alfano) 5 -Allegorical personage for court pageant Lent by the National Museum, Stoc~holm 6 -Fame, allegorical personage for court pageant RICCIUS SENENSIS ITALIAN 7 -Roman Knight 8 -Warrior *17 OR'TENSIO; engraving, by Hieronymus *9 -Hermes and a Mourning Woman (Eury- Bols, of setting, Siena, 1;89 dice') Lent by the National Museum, Stoc~holm SEVENTEENTH CENTURY
JONES, Inigo (1;73-1652) ENGLISH Charles I of England; appointed surveyor' Born in London, studied in Italy; worked at general of public buildings in 161;. See sec' the court theatre in Denmark; architect and tion 'The Masque Designs of Inigo [ones; theatrical designer under James I and p.22. 43
j 241\ Drawing of the proscenium of the "Salle 18 MAS!ii.UE OF BLACK:NESSE ('), Ben Jon- des Machines," Tuileries, Paris, ca. 1670 son; possibly a drawing for setting of first Lent by the T essin Collection, Drottningholm scene, "consisting of small woods and here and there a void place filled with *25-26 A'TIS, Lully ; two drawings for settings, buntings." 'The Masque of Blac~nesse was Paris, 1675 presented on January 7, 1605· Chats- 26- 7 'THESEUS, Lully; two drawings for worth, No. 400: Border and Scene with a 2 settings, Paris, 1675 8tag Hunt *19 'THE MAS~UE OF !ii.UEE:NS, Ben Jon- 28 ALCESTIS, Lully; drawing for setting, son; drawing for setting, Scene II; pre' Paris, 1675 sented, February 2, 1609. Chatsworth, 29 Drawing for setting of an opera, Paris, ca. No. 17 1675 OBEROn THE FAERY PRI:NCE, Ben Nos. 25-29 lent by the :National jonson; a masque for Prince Henry, pre' Museum, Stoc/{holm sented, January I, nir r : two drawings for settings: VIGARANI (School) MoMAExh_0033a_MasterChecklist *20 -Scene I, "Nothing perceivd but a clarke 30 Drawing of setting, Colonnade with Sta- Rocke with trees beyond it; and all wild, tues. Paris, late XVIIth century ness that could be presented. Till above Lent by the National Museum, Sroc/{holm the Horizon, the Moon began to shew, and rising, a Satyre was seen (by her light) ITALIAN SCljOOL (Anonymous) to put forth head and call." Chatsworth, 31 Four drawings, designs for side scenes No. 40 32 Four drawings, designs for side wings *21 -Alternate drawing for SceneI; Chats' 33 Drawing, design for stage equipment with worth, No. 44 backdrop on rollers 22 BRI'fT A]lijA TRIUMPHA:NS, Sir Wil- Lent by the National Museum, Stoc/{holm liam Davenant; drawing for setting, Scene II:A Horrid Hell; presented, Janu- BERAIN, JEAN FRENCH ary 7, 16)8. Chatsworth No. 260 Born in St. Mihiel, Lorraine; in 1674 re- *2) LUMI:NALIA or FES'TIV AL OF LIGHT, ceived royal appointment and was commis- Sir William Davenant (?); drawing for sioned by King Louis XIV to design decora- setting, Scene I: Night; presented, Feb- dons and costumes for court festivals and ruary 6, 16)8. Chatsworth, No. )08 ceremonies. :Nos. IS to 2] lent by the Du/{e of )4 ARMIDA, Lully; drawing for setting, Devonshire, Chatsworth Paris, ca. 1680
SABBATTINI, Nicola ITALIAN )5 HESIO:NE; drawing for setting, Paris, ca. 2)A PRACTICA DI FABRICAR SCE:NE 17°1 ('Technique of Ma/{ing 'Theatre Settings), Nos. 34-35 lent by the :National 16)7 Museum, Stock..holm Lent by J. Kyrle Fletcher, Ltd., :Newport, England BERAIN, Jean and DOLIVET FRENCH Three drawings for settings, created in Paris VIGARANI, Carlo ITALIAN in 1699 and sent to Stockholm for the thea ... 24 Drawing for setting of an opera, Paris, ca. tre of Charles XII: 1660 Lent by the :National Museum, Stoc/{holm :;6 -Setting for comedies: village 44 ------" ~"~ - - """'"--~~ ~--- .
37 -Setting for comedies: village tria and Germany, died in Berlin while 38 -Setting for serious pastorals working for Frederick II. Lent by the National Museum, Stoc~holm Two drawings for settings: 47 -Interior BERAIN (School) *48 -Ancient City Lent by the National Museum, Stoc~olm Two costume drawings, ca. 1690: 39 -Shepherdess WACHSMUTH and others GERMAN(?) 40 -Shepherd or Gardener Lent by the National Museum, Stoc~holm 49 Child's Theatre, about '730--1740: five colored engravings on cardboard, com- prising four miniature wings and borders FRENCH SCHOOL (Anonymous) with actors, and one backdrop, set in a 41 Drawing for setting, late XVIIth century grooved wooden stage; engraved by 42 Drawing for setting, ca. 1700 Martin Engelbrecht after designs by Lent by the National Museum, Swc~holm Wachsmuth and others. The original
series co~sisted of 189 pieces in 3I sets,
MoMAExh_0033a_MasterChecklist IUV ARA, Filippo (1676?-1736) ITALIAN together with a proscenium. Born in Messina, studied in Rome under Lent by Lee Simonson, N,ew Y or~ Carlo Fontana; became architect for King of Sicily. Active in Turin, Mantua, Milan, MONTENARI, Giovanni iTALlAN Rome and Portugal. Called to Madrid by 49A DEL TEA'TRO OLIMPICO DE AN- Philip V in 1735 and died there the follow- DREA PALLADIO If.( VI:N:CENZA; ing year. second edition, Padua, 1749 Two drawings for settings, Rome, 1706: Lent by J. Kyrle Fletcher, Ltd., f.(ewport, England *43 -Open Heavens with Phoebus on High 44 -c-Piazza Prepared for Nocturnal Illumina- tion. with Triumphal Arch and Chariot DE LAJOUE, Jacques (1687-'761) FRENCH Lent by the National Museum, Swc~holm Active in Paris as painter and designer under the patronage of Mme. de Pompadour BIBIENA FAMILY eGalli da Bibiena) and Louis XV. A family which for over a hundred years 50 Theatrical composition, ca. 1740 was pre-eminent in designing for the theatre. Lent by the 'Tessm Co lection, Drottningholm They were employed at most of the princi- 51 Another version of the same composition Lent by the National Museum. Stoc~olm pal courts in the late XVllth and XVIIIth centuries and were instrumental in spread- ing the Italian Late Baroque style through- RE, Vincenzo ITALIAN 52 Drawing for a setting, Prison, ca. 1750 out Europe. j 45 Drawing for setting, unidentified play Lent by the National Museum, Stoc~holm Lent by Mrs. Edith Isaacs, f.(ew Yor~ 46 Drawing for setting, unidentified play ? GALLIARI, Fabrizio ('709-179°) iTALlAN Lent by the Duli,e of Devonshire, Chatsworth Collaborated with his brother Bernardino at Turin; later worked-at the Court The- BIBIENA, Giuseppe Galli (1696-1756) atre, Vienna. Returned to Italy and was active in Bergamo, Turin and Treviglio. Studied with his father, Ferdinando, and succeeded him in the service of the Arch- *)3 Drawing for setting, A Cortile, ca. '775 duke of Vienna. Active principally in Aus- Lent by the National Museum, Stoc~holm 45 CHALLE, Michelange Charles ('7,8-'778) 65-71 Seven sketches for settings and proper- FRENCH ties, ca. 1785 Architect and mathematician, active 10 72 GUST AF W ASA, Naumann; drawing for Paris in the XVIIIth century. setting, Stockholm, 1786
54 Design for setting, Paris, ca. 1770 73"'15 GUST AF WASA, Naumann; three Lent by the 'Theatre Museum, Drottningholm costume drawings, Stockholm, 1786
55 ARMIDA (1), Gluck; design for setting, 76"'17 GUST AF ADOLF AN,D EBBA last act, Paris, ca. 1775 BRAHE, Gustavus IIIand Kellgren; two Lent by the 'Theatre Museum, Drottningholm drawings for settings, Stockholm, 17S8
7 GUST AF ADOLF AJ'{D EBBA BRAHE, THE FAMILY BOQUET, French, late r Sth 8 Gustavus III and Kellgren; cos'tume century drawing, Stockholm, 1788 56-63 Eight costume drawings for the Royal Nos. 64-78 lent by the J'{ational Opera, Stockholm, ca. '775: Shepherd, Museum, Stoc~olm Muse, Venus, Princess, Adonis, Cleo- MoMAExh_0033a_MasterChecklist patra, Queen of Egypt, Asmenias, Priest AEN,EAS IN. CARTHAGE, Gustavus III sent by the Gods, Apollo and Kellgren; six drawings for settings, Lent by the Royal Opem, Stoc~holm Srockholm, '799: 79 -Prologue, Rock of Aeolus XAVERY,C.]. DUTCH 80 -Prologue, The Fleet of the Trojans 63A HET I'JALIAAJ'{SCH TOOJ'{EEL (The 81 -Scenes Italian Stage); ca. 1770 82 -Scene Lent by J. Kyrle Fletcher, Ltd., J'{ewport, 83 -Scene England 84 -Scene
DESPREZ, Louis Jean (1743-1804) FRENCH 85 Drawing for setting, unidentified Born in Auxerre, worked as painter and ar- J'{os. 79 to 85 lent by the J'{ational chitect in Paris and Lyon. While travelling Museum, Stoc~holm in Italy he met King Gustavus III and re- turned with him to Stockholm where he LAMBERTI, Vmcenzo ITALIAN was employed until his death as architect, 85A LA REGOLA T A COJ'{STRUZIOJ'{ DE' sculptor, painter and designer for plays and TEATRI (Rules fOT the Construction of festivals. Theatres); first edition, Naples, '7S7' *64 Q.UEEJ'{ CHRIS'JIJ'{E; drawing for set- Lent by J. Kyrle Fletcher, Ltd., J'{ewport, ting, Act I, Gripsholm, 1784 England
,PIONEERS OF MODERN THEATRE ART SAXE'MEININGEN, APPIA, AND CRAIG
DUKE GEORGE II OF SAXE-MEININGEN 86 DON, GIOV AJ'{J'{l, Mozart; costume Duke George II, ,826-'9'4, made Mein- drawing for Masetto and Leporello ingen the cen ter of progress in the thea- THE MAID OF ORLEAN,S, Schiller; tre arts during the period 1870--90; see two costume drawings: page 17. 87 -Lionel 88 ~ An Archer THE RHEINGOLD, Wagner; drawing Nos. 86 to 88 lent by the Cologne for setting, 1892:
Theatre Museu m 101 -Valhalla Lent by the Estate of Adolphe Appia through THE MAID OF ORLEANS, Schiller, four the courtesy of the Museum of Art and drawings for settings: History, Geneva 89A -Before Reirus, without actors 89B -Before Reims, with actors THE RHEIJ,{GOLD, Wagner, three models gOA -Skirmish in woods forsettings: 90B -Joan captured 102 -Act I, scene I ) Lent by the Civic Museum, Meiningen .,03 -e-Acts II and IV 104 -Act III, scene I 9' THE PRETENDERS, Bjornson; drawing Lent by the Cologne 'Theatre Museum for costumes of Norwegian Peasants Lent by the Cologne Theatre Museum PARSIFAL, Wagner; three drawings for settings, 1896: *92 THE PRETENDERS, Bjornson; drawing *10, -Act I: The Sacred Forest for setting
MoMAExh_0033a_MasterChecklist *106 -Act II: Klingsor's Dungeon Lent by the Civic Museum, Meiningen 107 -Act III: The Flowering Meadow 93 Costume drawing, male character,uniden- Lent by the Estate of Adolphe Appia through tified play the courtesy of the Museum of Art and Lent by the Cologne Theatre Museum History, Geneva
HERMANNSCHLACHT; two drawings Three rhythm.ic designs, 1909(?), for the for settings: Dalcroze Theatre, Hellerau
94 -Without actors *108 ~ The Cataracts of the Dawn *95 -With actors 10<) -The Forest the Civic Museum, Meiningen Lent by *IIO ~Rhythmic Composition Lent by M. Jacqu.es Dalcroze, Geneva APPIA, Adolphe SWISS TRISTAJ,{ AND ISOLDE, Wagner; four Born in Geneva 1862; died in Zurich 1928. drawings for settings, 1923: Worked chiefly in Switzerland, Germany III -Act II, Opening Scene and France; for many years associated with II2 -Act II, Isolde Extinguishes the Torch Jacques Dalcroze at Hellerau. Seepage 18. II3 -Act II, The Arrival of King Mark THE VALKYRIE, Wagner; two drawings II4 -Act II, Finale for settings, 1892: LITTLE EYOLF, Ibsen; drawing for set- -Act III, finale 96 ting, 1924: 97 -The Sleep of Brunhilde II, -Act II Lent by the Estate of Adolphe Appia through the cou:rtesy of the Museum of Art and IPHIGEJ,{IA IN AULIS, Gluck; four History, Geneva drawingsfor settings, 1926:
116 ~Act I, Scene I THE VALKYRIE, Wagner, three models 117 -Act I, Scene 2 for settings: II8 -Act II 98 ~Act I, scene I II9 -Act III 99 -e-Act II, scene I 100 -c-Act III, scene I KIJ,{G LEAR, Shakespeare; two drawings Lent by the Cologne Theatre Museum for settings, 1926: 47 Born near London, 1872; has worked 120 -Acts I and II chiefly in London and Florence. 121 -Act III *123-*134 Settings for an Ideal Theatre, twelve ORPHEUS, Gluck; drawing for setting, etchings, 1907 "These etchings were made by the artist in 1926: the Spring of 1907 at Florence and represent 122 -Descent to Hades his most serious war~.Connected as they are :Nos. III to 122 lent by the Estate of Adolphe with his dream of an Ideal 'Theatre, they in Appia. through the courtesy of the Museum no way have anything in common with the of Art and History, Geneva modern stage." (From the forewoTd to the portfolio in which these etchings were issued) Lent by Alfred Stieglitz, :New York. CRAIG, Edward Gordon ENGLISH AUSTRIA
STRNAD, Oscar VIENNA BAHNER, Willi VIENNA KI:NG LEAR, Shakespeare; two drawings MoMAExh_0033a_MasterChecklist 'TWELFTH NIGHT, Shakespeare; five drawings for settings, Civic Theatre, for settings, Josefstadter Theatre, 1920- 1927, director Reinhardt: Vienna, 1929: . 135 -Hall of the Duke *145 -Gloucester's Castle 136 ---Street Scene 145A-Lear before the House of Ganeril 137 -The Harbor 14 -149 HAMLET, Shakespeare; four draw- 138 -Olivia's Garden 6 ings for settings, People's Theatre, 139 -Room in Olivia's House Vienna, 1922 140 CE:NODOXUS, DOCTOR OF PARIS, drawing for setting of Finale, Civic *150-155 DANTON'S DEATH, Georg Buch- Theatre, Vienna, 1933 ner; six drawings for settings, People's N..os. 135-140 lent by the Artist Theatre, Amsterdam, 1922
'56-,67 JULIUS CAESAR, Shakespeare; I. ,C' BJ;~~Hg~mgard DRESDEN,VIENNA twelve projects for settings, 1922 1M~ I!J'T~JtE FOR MEASUftE, Shakes· peare; drawing for se ting of Act V 168 MIDSUMMER NIGHT'S DREAM, Shakespeare; drawing for setting, 1927, 142-14~.i:<- ~'r-, 0' eill (?); three draw- ings for settings director Reinhardt Nos. '4'-'44 lent by the Artist Nos. 145-I68 lent by the Artist CZECHOSLOVAKIA
HEYTHUM, A. PRAGUE THE GREAT GOD BROWN:, O'Neill; two drawings for settings, State Na- *169 DESIRE UNDER THE ELMS, O'Neill; tional Theatre, Prague, 1928, director K. drawing for setting, constructed in stepped stages of which only the part Dostal: where action occurs is lighted, State *170 -c-Brown's Office National Theatre, Prague,1925, director K. Dostal *171 -c-Scene by the Sea MERCHAN:T OF VEN}CE Shakes- *134-*185 HAMLET, Shakespeare; four draw- peare; four drawings for settings, State *186 ings for settings, State National Thea- National Theatre, Prague, 1930, director *187 tre, Prague, 1926, director Hilar K. Dostal: *188 THE DICTATOR, Romaine; drawing for *172 -c-Street in Venice setting, State National Theatre, Prague, '73 -Ghetto 1927, director Hilar '74 -Shylock's House 175 -Belmont I3~191 THE DEMON:, Dostoievski; three drawings for settings, State National 176 THE FATAL PLAY OF LOVE, Capek; Theatre, Prague, 1929. director K. Des- drawing for setting, State National tal Theatre, Prague, 1930, director J. Frejka r92 ELIZABETH OF EN:GLAND, Bruckner; drawing for setting, State National ALADDIN:, Klococ; three drawings for Theatre, Prague. 1929. director Hilar settings, State National Theatre, Prague, 7, '933, director K. Dostal: *193-r94 R. U. R., Capek; two drawings for settings, State National Theatre, Prague. 177 -Scene in a Bank
MoMAExh_0033a_MasterChecklist 1929, director Kodicak 178 -Scene in a Casino 179 -Attic~room.in a Slum '95-'96 MARCO MILLIO]\(S, O'Neill; two N:os. I69~I79 lent by theArtist drawings for settings, Municipal Thea' tre, Prague, 1930, director J. Bar HOFMAN, Vlastislav PRAGUE 130 THE MAN: WHO WAS THURSDAY, 197 AMPHITRYO.N:, Giraudoux; drawing for setting, State National Theatre, Prague. Chesterton; drawing for setting, State: 193 I, director Hilar National Theatre, Prague, 1922, director K. Dostal '98A-198B OEDIPUS, Sophocles; two draw- 131 CHRISTIN:A, Strindberg; drawing for ings for settings, State National Theatre, setting, State National Theatre, Prague, Prague, 1931-1932, director Hilar 19:12, director Hilar r99A-199B EMPEROR JO]\(ES, O'Neill; two 132 THE GAME OF LOVE AND DEATH, drawings for settings, Municipal Thea' Rolland; drawing for setting, State Na- tre, Prague, director Bor tional Theatre, Prague, 1925, director N:os. 180 to 199 lent by the Artist Hilar 200 CRIME AN:D PUN:ISHMENT, Dos- 183 ANTIGON:E, Sophocles; drawing for set- toievski; drawing for setting, Municipal ting, State National Theatre, Prague, Theatre, Prague, director Bar 1925. director K. Dostal Lent by the Municipal Theatre, Prague
DENMARK
NIELSEN, Kay COPENHAGEN 202A -Hindu Dancer 201 ALLADIN:, drawing for setting, "9'7: 202B -Chinese Fiddler with Drum Proscenium Nos, 20r to 202B lent by Leicester Square ALLADIN:, two drawings for costumes, Galleries, London "9'7: 49 ENGLAND
'2r6 'THE BEGGARS' OPERA, John Gay; BLANCH, Mrs. Lesley LONDON drawing for costume, 1920: Lady of the 203 AMPHITR YO}\(, Moliere; drawing for Town setting 2r7 PILGRIM'S PROGRESS; drawing for AMPHI'fRYO}\(, Moliere; four drawings costume, 1920: Devil for costumes: 218 'THE TEMPEST, Shakespeare; drawing 204 - Theban Captain for setting, 1921: Act II, Scene 1, An... 205 -Sosia other Part of the Island 206 -Jupiter
207 -Alcmena 219 THE TEMPEST, Shakespeare; drawing for costume, 1921: A Strange Shape *208 'THEMERCHA}\(TOF VEN.ICE, Shakes- peare; Shakespeare Memorial Theatre, 220 MACBETH, Shakespeare; drawing for , Stratford, 1932; Komisarzhevsky direc- costume, 1921: Witch tor; drawing for permanent setting 22r 'THE DEVIL IS A}\( ASS, Ben Jonson; I MoMAExh_0033a_MasterChecklist *209 'THE MERCHA}\('T OF VEN.ICE, Shakes- drawing for costume, 1921: Pug, the peare; drawing for costume, 1932: Shy' Lesser Devil lock 222 CROSSI}\(GS, Walter de la Mare; draw- arc ROUGE ET }\(OIR; drawing for costume, ing for costume, 1921: An African Fairy The King Nos. 213 to 222 lent by ~os. 203 to 210 lent by the Artist Mrs. Lovat Fraser
CRAIG, Edward Gordon, See Pioneersof Mod- JONES, Inigo, See section Theatre Art of the , ' ern 'Iheccre Art, page 46 Renaissance and Baroque Periods, page 43 DEXEL, Walter LONDON MESSEL, Oliver LONDON MAN.}\( 1ST MA}\(N., Bert Brecht, pro- duced in Germany; two drawings for 223 'THE MIRACLE, director, Reinhardt; drawing for setting, 19"32: Tree settings A 2II -Act II, Pagoda 'THE MIRACLE; three drawings for cos- 212 -Act V tumes, 1932: Lent by Dr. Adolf Behne, Berhn 224 -Hungarian Dancer Courtesy the Arcisr 225 -Huntsman 226 -c-Companion of Robber Count FRASER, C. Lovat LONDON 227 LA BELLE HELE}\(E, Offenbach, direc- 213 Drawing for a permanent setting for tor, Reinhardt; drawing for drop-scene, Eighteenth Century comedy 1932: Gods and Goddesses 2r4 MUCH ADO ABOU'T N.OTHI}\(G, LA BELLE HELEN.E, Offenbach; 51X Shakespeare; drawing for costume: drawings for costumes, 1932: Court Lady 228 -Grecian Athlete 2r, AS YOU LIKE n, Shakespeare; drawing 229 -Grecian Maiden for setting: Forest of Arden 230 ~Juno 5° 231 -Bachis, Maid to Helene 24] 'TWELF'TH J\(IGHT, Shakespeare; draw' 2]2 -Achilles ingfor curtain, 1932: StreetScene 2]] -e-Masked Chorus 'J'.{os.241', 243 lent by the Artist Nos, 223 to 233 lent by the Artist WILKINSON, Norman LONDON A MIDSUMMER J\(lGH'T'S DREAM, RICKETTS, Charles LONDON Shakespeare; four drawings for cos- 2]]kB MACBETH, Shakespeare; two draw' tumes, 19J3: ings for settings 244 -Puck Lent by Martin Birnbau.m, N.ew Yor"J{ 24) -Flute as Thisbe 246 -c-Moonshine RUTHERSTON, Albert OXFORD 247 -Attendant . 'THE WIJ\(TER'S 'TALE, Shakespeare; Lent by the Artist four drawings for costumes, 1912: LOVE'S LABOUR'S LOS'T,Shakespeare; 234 -c-Courtier two drawings for costumes' 2]) -Country Girl 248 -Scene of Taking the Oath (34-.1{-/) 236 -Morris Dancers, man and woman 249 -Braggart and Page (0If. ,/-;") Lent by Lillah McCarthy, O.RE. MoMAExh_0033a_MasterChecklist Lent by Mrs. Arthur Heaton, Birming~ I (Lady Keeble),London I har:" England
2]7 'THE WIJ\(TER'S TALE, Shakespeare; 2)0 'THE 'TROJAN WOME)I[, Euripides; two drawings for costumes, 1912,: drawing for costume, 1915': Chorus
Clown and Country Girl 2)1 lPHlGEJ\(lA IN T AURlS, Euripides; Lent by Kenneth Clar~, Oxford drawing for costume, 1915: Men Tern-
2]8 'THE DOCTOR'S DILEMJ.(A, Shaw; pie Attendants drawing for costume, 1913: Jennifer N.os. 250 to 251 lent by the Artist Lent by the Artist , ' ZlNKEISEN, Doris LONDON LE REVELL DE FLORE, Pavlova ballet; C. B. Cochran revue, 1929; threedrawings two drawings for costumes,1914: for costumes of the period of 1900: 239 -Costume for Pavlova 2)2 -Shiela Wilson Lent by the Ashmolean Museum, Oxford *2)] -Jane Welsh 254 -Iris Brown 240 -Dancer Lent by the Artist Lent by the Artist NYMPH ERRANT, James Laver; four 241 ANDROCLES AJ\(D 'THELIO)I[, Shaw; drawings for costumes of the period of drawing for costume: MaskedSlave 1830: Lent by Lillah McCarthy, O.RE., (Lady Keeble), London 25) -Mrs. Jones 2)6 -Mrs. Huntington SHERINGHAM, George LONDON 2)7 -La Marchesa Bantalina 242 'THE TEMPEST, Shakespeare; drawing 258 -Miss Corneille Marcon for backdrop Lent by C. B. Cochran, London FINLAND
WAREN, Matti HELSINGFORS two drawings for settings, Finnish Na- 259-260 I AM GUILTY: A DRAMA OF tional Theatre, Helsingfors, 1929 SAUL AJ\(D DAVID, Maria Jothini; Lent by the Artist FRANCE
AND THE SCHOOL OF PARIS
VOLPONE, Ben Jonson; four drawings In this section is included the wor~ of ma.ny non- French designers who live in Paris. Other French for costumes, 1928: designers are included in the section: Theatre Art 273 -c-Leone, Captain of the Fleet of the Renaissance and Baroque Periods *274 -Magistrate 275 -Soldier BAKST, Leon 276 -Valet Born in Russia, 1868; died in Paris, 192+ 277 'THE BEAUX' S'TRA'TEGEM, George 261 SADKO, Rimsky-Korsakoff, '9"; drawing Farquhar; drawing for setting, 1930: for costume: Boyar Act II, Balcony of the House Lent by Mrs. E. C. MacVeagh, New Yorl{ 'THE BEAUX' S'TRA'TEGEM, George 262 GOOD-HUMORED LADIES, ErScar. Farquhar; three drawings for costumes, latti, Russian Ballet, Rome, 1917; draw' '930: MoMAExh_0033a_MasterChecklist ing for costume: Conatanza 278 -Count Lent by M. Knoedler and Company, 279 -Lady New Yorl{ 280 -Innkeeper GOOD-HUMORED LADIES, D. Scar- 28t 'THE SOl\[ OF DON JUAN ('), Jose latti, Russian Ballet; three drawings for Echegaray; three drawings for settings costumes: 263 -c-Battista 'THE RAPE OF LUCRECE, Andre 264 -Mariuccia Obey; three drawings for costumes, 265 -c-Mendiant '93' : 282 -c-Colla tine 266 'THE SLEEPING PRINCESS, Tchai- 283 - Tarquin kowsky, Russian Ballet, London, 1922; 284 ~ The Narra tor drawing for setting: The Baptism Scene ]\(os. 270 to 284, lent by the Artist Nos. 263 to 266 lent by Mrs. John W. Garrett, Baltimore, Maryland BRAQUE, Georges PARIS LEMAR'TYRE DE SAIN,'T-SEBASTIEl\[, 285 LES FACHEUX, Auric, Swedish Ballet, Paris, 1922; two drawings for costumes: Paris, 1924; model for setting *267 ~(?) Prince with Negro Page Lent by Paul Rosenberg, Paris 268 -Mesopotamian Dignitary Lent by Mrs. E. C. MarVeagh, New Yorl{ de CHIRICO, Giorgio: see Italian section 269 SCHEHERAZADE, Rimsky - Korsakoff,
Russian Ballet, Paris, 1910; drawing for DERAIN, Andre PARIS setting 286 LA BOUTIQ.UE FAN'TASQ,UE; Ros- Lent by George Blumenthal, New Yorl{ smi-Respigbi, Russian Ballet, London, 1919; drawing for curtain BARSACQ, Andre P ARlS Lent by Paul Rosenberg, Paris *270-272 VOLPONE, Ben Jonson; three draw- ings for settings, 1928; Theatre de DOBUZHINSKY, Mstislav: see U. S. S. R. l'Atelier, Paris section I FUERST, Walter Rene PARIS LARIONOFF, Michael PARIS THE EMPEROR JO]l(E5, Eugene Born in Russia; has worked in Paris since O'Neill; three drawings for settings, c. 1914- 1923: 302 RE]I(ARD, Stravinski, Russian Ballet, 287 -Forest Paris, 1922; drawing for setting 288 -At the Foot of a Great Tree 289 -Throne Room RE]I(ARD, Stravinski, Russian Ballet; three drawings for costumes: 290-29' THE ORESTEIA, Aeschylus; two drawings for settings 303 -Pilgrim 304 -Nun THE ORESTEIA, Aeschylus; three draw- 305 -Peasant ings for costumes: N,os. 302 to 305 lent by the Artist 292 -Clytemnestra 293 -Aegisthus L13GER, Pemand PARIS 294 - Taltubios ]l(os. 287 to 294 lent by the Artist 306-309 LA CREATIO]I( DU MON,DE, Swedish Ballet, Rolf de Mare, producer, MoMAExh_0033a_MasterChecklist GOLOVINE, Alexander: see U. S.S.R. section 1923; two drawings for curtains Lent by Les Archives IntcTrlationales de Ia GONTCHAROVA, Nathalie PARIS Danse, Paris Born in Russia 1881, has worked in Paris since c. 1914. MEDGYES, Ladislas: see Hungarian section LITURGY, Russian Ballet, Lausanne, 1915; three reproductions of drawings PERDRIAT, Helene PARIS for costumes: 308 LE MARCHAN,D D'OISEAUX, Swed- 295 -The Apostle Andrew ish Ballet, Rolf de Mare, producer, 296 -The Apostle Matthew 1923; drawing for setting *297 -Cherub Lent by Les Archives InteTrlationales de la Danse, Paris 297A LITURGY, drawing for setting
E5PAGN,E, Ravel, Russian Ballet, Rome, PICASSO, Pablo PARIS 1916; two drawings for costumes: Born in Spain; has worked in Paris since 298 -Man 1899. 299 -c-Woman ]l(os.295 to 2991ent by Mrs. 5. Bash~iroff, *309 PARADE, Russian Ballet, Paris, 1917; ]l(ew Yor~ drawing for a Chinese costume Lent by Les Fas de Lion Helft, Paris 300 COQ. D'OR, Rimsky-Korsakoff Russian Ballet, Paris, 1914; drawing 3 IO LE TRICORN,E, Russian Ballet, London, Lent by the Ba~ru,shin Theatre Museum, 1920; drawing for curtain Moscow Lent by Paul Rosenberg, Paris
LAGUT, Irene PARIS CUADRO FLAMEN,CO, de Falla, Rus- 301 LES MARIES DE LA TOUR EIFFEL, sian Ballet, Paris. 1921; two paintings, Swedish Ballet, Rolf de Mare, producer, originally parts of the curtain; painted 1921; drawing for setting by Picasso himself: Lent by Les Archives Internationa.les de 1(1. *3II -Theatre Box, Lady and Gentleman, on Dense, Paris canvas, 76 x 57 ~ inches 53
" _Jl.-I ...... 1 317 -House of Arnolphe, street side, House 312 -Theatre Box, Two Ladies, on canvas, of Arnolphe, garden side 75y,\X54 inches Lent by the Artist Lent by Les Fils de Leon Helft, Paris
V AKALO, Georges PARIS de SEGONZAC, Andre Denoyer PARIS Bornin Greece, works in Paris. LE MESSAGER, Henry Bernstein; three 3 8 LIFE IS A DREAM, Calderon; drawing drawings for settings: 1 for setting 313 -Act I, In Uganda LIFE IS A DREAM, Calder6n; two 314 -Act II, Small Drawing-roomin Paris 315 -Act III, A Smart Restaurant drawings for costumes: Lent by the Artist 319 -Rosaura 320 -Servant SOUDEIKINE; Sergei, see U. S. S. R. section THE PEACE, Aristophanes, Theatre de l'Atelier; six drawings for costumes: SUR V AGE, Leopold PARIS 321 -c-Tumulr
MoMAExh_0033a_MasterChecklist Bornin Russia ~has worked in Paris since 322 -First Servant 1908. 323 -c-Corvphee 324 -Vase Merchant L'ECOLE DES FEMMES, Moliere; four 325 -c-Vine-dreseer drawings for settings, 1922: *326 -Le Bougier \ . 316 -House of Agnes, with Plan of Setting Nos. 318 to 326 lent by the Artist
GERMANY
DANIEL, Heinz HAMBURG 331 -Scene 3 *327 FAUST, Part I, Goethe; drawing for 332 -Scene 7 setting, 1931 THE PORTUGUESEBAT'TLE, Peuzoldt , Lent by the Cologne 'Theatre Museum two drawings for settings, 1931: PYGMALION, Shaw; drawing for set- 333 -Penalnakor ting, German State Theatre, Hamburg, 334 -The Widow's Residence 1932, director Gunther Haenl: 328 -Setting for Acts III and V THE CROWD SEEKS, Neumeyer; two 329 COMEDY OF ERRORS, -Shakespeare; drawings for settings, 1931: drawing for setting, GermanState The- 335 -Setting for scenes 2,3,4, and 10 atre, Hamburg, 1933 336 ~Setting, Scene 7 MACBETH, Verdi; drawing for setting, State Opera, Hamburg, 1933, director 337-339 'THE CROWD SEEKS, Neumeyer; Fritz Oskar Schuh, three photographs of settings, 1931 330 -c-Act IL A HaIl KING CUCKOLD, Kaiser; two drawings Nos. 328 to 330 lent by the Artist for settings, 193I: GLIESE, Rcchus ESSEN 340 -Setting for scenes 6, 7, 8, and 9 DER BLAUE BOLL, Barlaeh; two draw- 341 -Scene II ings for settings, 1930: N,os. 331 to 341 lent by the Artist 54 GRETE, Heinz NUREMBERG HELMDACH, Heinz MAGDEBURG 342 EURYANTHE, Weber; drawing for DER ROSENKA VALIER, Richard setting Strauss; drawing for setting, 1931: 355 -Room in the House of von Faninal THEMEISTERSINGERS, Wagner; draw- ing for setting: LOHE.NGRIN, Wagner; drawing for set- 343 -c-Festival grounds ting, 1932: 356 -c-Act II: Castle 344 TA.NNHAUSER, Wagner; drawing for setting 357 KI.NG FOR A DA Y; drawing for setting, 1932 345 A MIDSUMMER NIGHT'S DREAM, EGMONT, Goethe; drawing for setting, Shakespeare; drawing for setting 1932: Nos. 342-345 lent by the artist 358 -A Squarein Brunel Nos. 355-358 lent by the Artist GRONING, Karl 346 CARMEN, Bizet; drawing for setting, LOEFFLER, Edouard MANNHEIM
MoMAExh_0033a_MasterChecklist Act I, 1923 AIDA, Verdi; drawing for setting: 347 IPHIGENIA, Goethe; drawing for setting, 359 -Act III: The Banks of the NIle Municipal Theatre, Altona, 1929 *360 CARMEN, Bizet; drawing for setting PYGMALION, Shaw; two drawings for 361 DO.N GIOVANNI, Mozart; drawing for settings, Municipal Theatre, Altona, \ setting 1930-1931: 348 -Setting for Act II 362 A MIDSUMMER NIGHT'S DREAM, Shakespeare; drawing for setting 349 -Setting for Act III Nos. 346 to 349 lent by the Cologne .Nos. 359 to 362 lent by the National 'TheatreMuseum Theatre, Mannheim MAHNKE, Adolph DRESDEN HECKROTH, Heinrich DUSSELDORF ~ ELGA, Gerhart Hauptmann; drawing for FAUST, Goethe; drawing for setting, setting, 1920: 1931 : 363 -Scenes I and 6: Room in a Convent 350 -A Gloomy Day, A Field 364 GOn VON BERLICHINGE.N, Goethe; 3 ;1 DAGMAR; drawing for setting, Act I, drawing for setting, State Theatre, State Opera, Dresden, 1932 Dresden, 1932, director Gielen
PEER GYNT, Ibsen; drawing for setting, TROILUS AND CRESSIDA, Shakes- Municipal Theatre, Essen: peare; drawing for setting and photo- 352 -c-Scene: Lunatic Asylum graph, State Theatre, Dresden: 365 -Act III, Scene I: A Room in Priam's 353 AIDA, Verdi; drawing for setting, Mu- Palace nicipal Theatre, Essen JULIUS CAESAR, Shakespeare; three 354 DER FREISCHUTZ, Weher; drawing for drawings for settings with photographs, setting, Municipal Theatre, Essen State Theatre, Dresden: Nos. 350-354 lent by the Cologne 366 -Act I, Scenes I and 3; Act III, Scene 3: Theatre Museum A Street in Rome 55
Jo.- _ REIGBERT, Otto COLOGNE 367 -Act II, Scene I: Brutus' Orchard THE KI7'{G, Hanus Johst; drawing for 368 -Act III, Scene I: Before the Capitol 7'{os. 363 to 368 lent by the Cologne four costumes, Kammerspiele, Munich, Theatre Museum '9'9: 380 -Four costumes: Author; Plasterer; Two MEININGEN, Duke George II: see section Builders Pioneers of Modern 'Theatre Art FIESCO, Schiller; drawing for setting, Kamroerspiele, Munich, 1920: MUELLER, Traugott BERLIN 381 -Act I, Scene 5 THE BRIDE OF MESSI7'{A; two draw- ings for settings, Municipal Theatre, 382 A MIDSUMMER 7'{IGH'T'S DREAM, Shakespeare; drawing for setting, Kam- Berlin: merspiele, Munich, 1926 369 --SCene I 370 -Scene 3 383 'THE DEATH OF DA7'{T07'{, Georg Buchner; drawing for setting, Kammer- THE 7'{IBELU.7'{GE7'{,Wagner; two draw- spiele, Munich, 19'27 ings for settings: *384 7'{ACHFOLGE CHRISTI-SPIEL, Max 371 -Act I, Scene 5
MoMAExh_0033a_MasterChecklist Mell, Kammerspiele, Munich; drawing 372 Scene 6 -Act I, for setting Nos. 369 to 372 lent by th~Artist J85 THRICE-DEAD PETER; drawing for PILARTZ, T. C. COLOGNE setting, Kammerspiele, Munich, 1927 373 THE MAID OF ORLEA7'{S, Schiller; .7'{os.380 to 385 lent by the Cologne drawing for setting, Cologne Theatre, Theatre Museum 1932-1933, director Fritz. Holl SCHENK VON TRAPP, Lothar WIESBADEN THE LUCK OF THE FILIBUSTERS; THE FLYI.7'{G DUTCHMA7'{, Wagner; drawing for costumes, Cologne Thea- three drawings for settings, with photo- tre, 1932-1933: graphs of drawings and of completed 374 -Three Pirates settings: THE STREET WITHOUT A7'{ E.7'{D; 386 -Act I: By the Sea drawing for setting, Cologne Theatre, 387 -Act II: Room in Daland's House 388 -Act III: Seashore near Daland's House 1933: 375 -Act I 389-J90 A7'{GELI.7'{A, Rossini; two drawings 7'{os. 373 to 375 lent by the Cologne giving elevation and planof setting, with Theatre Museum photographs of completed setting .7'{os. 386 to 390 lent by the Artist POELZIG, Hans BERLIN SAXE-MEININGEN, Duke George II: see sec- 376 D07'{ GIOV A7'{7'{I, Mozart; drawing for tion Pioneers of Modern Theatre Art setting 377 HAMLET, Shakespeare; drawing for set- SCHROEDER, Johannes HAMBURG ting EMPEROR A7'{D GALILEA7'{, Ibsen: MU7'{KE.7'{WE7'{DT, Knut Hamsun ; two 391 -Drawing for setting 392 -c-Photograph of setting drawings for settings: 378 -Act II 39J-394 EGMO.7'{T, Goethe; two drawings 379 -Last Act for settings 7'{os. 376 to 379 lent by the Artist 'Nos, 391 to 394 lent by the Artist SIEVERT, Ludwig FRANKFORT 407 -Courtyard of a Castle, Berlin 395 JUDITH; drawing for settmg, Frankfort, .Nos. 404 to 407 len' by ,he Artist 1921, director Richard Weichert TORSTEN, Axel *396 THE BROAD HIGHWAY, Strindberg; FRANKFORT AND KARLSRUHE drawing for setting, Frankfort 1923. 408 BAYAZZO, Leoncavalla; drawing for set- director Dr. Pritz Peter Buch ting, State Theatre, Karlsruhe, 1929 *397 SALOME, Richard Strauss; drawing for setting, 192,. THE FLYIl'{G DUTCHMAl'{, Wagner; drawing for setting, Suomalain Opera, 398 THE N}BELU.NGEN, Wagner; drawing Helsingfors: for setting, Frankfort, 1925, director 409 -c-Act III: The Ghost Ship Dr. Lothar Wallerstein 399 COS! FA.N TUTTE, Mozart: drawings 409ATHE MARVELOUS MAl'{DARI.N, R. for setting, Frankfort, Salzburg, State Kreideweiss; drawing for setting, State Opera, Vienna, director Dr. Lothar Theatre, Karlsruhe, 1933 Wallerstein 410 THE MARVELOUS MAl'{DARI.N, R. MoMAExh_0033a_MasterChecklist 400 MACBETH, Shakespeare; 'drawing for Kreideweiss ; costume drawing, 1933 setting: Cas tle 4II THE GLASS PRI.NCESS; costume draw- .Nos. 395 to 400 lent by the Artist mg, 19)) SOEHNLEIN, Kurt HANOVER 412 TEA COSY; costume drawing, 19)3 401 TURA.NDOT; drawing for setting, 1929 41) THE CHEERFUL MYl'{HEER, costume 402 ORPHEUS, Gluck; drawing for setting, drawing, 1933 19)0 Nos, 408 to 41) lent by the Artist *40) MACBETH, Shakespeare; drawing for
setting, 193 I WILDERMANN, Hans BRESLAU Nos. 401 to 403 lent by the Artist 414 DON JUAN A.ND FAUST, Grabbe; drawing for setting, Municipal Thea- SURR, Edward BERLIN tre, Dortmund, 1919 MISSISSIPPI, George Kaiser; drawing for setting, People's Theatre, Berlin, 1930: 415 RIEl'{ZI, Wagner; drawing for setting, Opera House, Hamburg, 1930 404 -c-Scene L Warehouse in New Orleans OCTOBER EIGHTEEl'{TH, Erich Walter 416 GIAl'{l'{I SCHICCHI, Puccini; drawing r Schafer; drawing for setting, Schiller for setting, Opera House, Breslau Theatre, Berlin, 1932: 417 DER FREISCHUTZ, Weber; drawing 405 -c-Battlefield near Leipzig, 181) for setting, Opera House, Breslau, 1932, director Dr. Hartmann LA VALLIE-RE, janos von Mary; draw- ing for setting, Schiller Theatre, Berlin, 418 BORIS GODU.NOFF, Maussargsky; draw-
'9)) : ing for setting, Opera House, Breslau 406 -c-Scene 5': Camp in Flanders, 1730 419 AMPHI'TRYO.N, Heinrich von Kleist; PRIl'{CE FREDERICK OFHAMBURG, drawing for setting, Municipal Tbea- Heinrich von Kleist; drawing for setting. tre, Dortmund Hessian Regional Theatre, Darmstadt, .Nos. 414 to 419 lent by the 19)): Cologne Theatre Museum 57 HUNGARY
three drawings. for settings; Belvarosi FULOP, Zoltan BUDAPEST Theatre, Budapest 420 IRJA HADJ'{AGY, drawing for setting, 4 3 IT BEGIJ'{S WITH MARRIAGE, Janos 1932; Studio Theatre, Budapest 2 Lent by Charles Rosner, Budapest Vaszary ; two drawings for settings, 1932; Belvarosi Theatre, Budapest N..os. 42I-423'lent by the Artist MEDGYES, Ladislas PARISANDBUDAPEST
421 THE SEVEJ'{ SOJ'{GS, Malipiero; model .OLAH, Gustave BUDAPEST for setting; Theatre des Mathurins, 424-4'5 MIJ'{UTE OPERA, Darius Milhaud; Paris,1925 two drawings for settings Lent by Charles Rosner, BlJ,dapest 422 CAESAR AJ'{D CLEOPATRA, Shaw;
ITALY
MoMAExh_0033a_MasterChecklist de CHIRICO, Giorgio FLORENCE Lent by Les Archives InterriationaJes de la. Danse, Paris 426 LAJARRE, Swedish Ballet,Rolfde Mare, producer, Paris, 1924; drawing for set" For other Italian designers see section 'Theatre Art the Renaissa.nce and Baroque Periods ting of
LATVIA
MUNCIS, Jan RIGA PEER GYJ'{T, Ibsen; drawing for setting, National Theatre, Riga, 1933: THE BLUE BIRD, Maeterlinck ; drawing forsetting, National Theatre,Riga, 1933: 428 -In the Mountains 4'7 -The Kingdom of the Future J'{os. 427 to 428 lent by the Artist
SWEDEN
AHREN, Uno STOCKHOLM *432 -Bourgognino STRAJ'{GE IJ'{TERLUDE, O'NeIll; two 433 -Bourgognino drawings for settings, Royal Dramatic 434 -c-Calcagno Theatre, Stockholm, *435 -Dorio 436 -Leonora 429 -Act VII 437 -Lomellino 430 -Act IX 438 -Male character Lent by the Royal Dramatic 'Theatre, 439 -Male character Stoc1,holm 440 -Male character GRUNEWALD, Isaac STOCKHOLM 44I -Female character FIESCO, Schiller; eleven costumedrawings, *442-448 FIESCO, Schiller; seven drawings for Royal Dramatic Theatre, Stockholm, settings, Royal DramaticTheatre, Stock- 431 -Asserato holm ANTONY AND CLEOPATRA, Shakes- *469-471 MASTER OLOF, August Strind- peare; ten costume drawings, Royal berg; three drawings for settings, Royal Dramatic Theatre, Stockholm: DramaticTheatre, Stockholm 449 -Antony Nos. 465 to 471 lent by the Royal Dramatic 450 -Caesar Theatre, Stoc~holm 451 -Enobarbus, Philo, and Demetrius 452 -Dolabella and Proculeius SJOBERG, Alf STOCKHOLM 453 -Pompeius . 472 THE HOLY FAMILY, RudolfVarnlund; 4 54 ~Proculeius drawing for setting; Royal Dramatic 45'5 ---Charmian Theatre, Stockholm 4 5'6 -Mari~er Lent by the Royal Dramatic Theatre, 4J7 -Iras Stoc~holm 458 .-servant of Cleopatra SKOLD,Otte STOCKHOLM 459 ~CA VALLERIA RUSTICANA, Mas- cagni; drawing for setting, Royal Dra- 473-474 MEDEA, Euripides; two drawings matic Theatre, Stockhohn for settings, Royal Dramatic Theatre,
MoMAExh_0033a_MasterChecklist Stockholm 460-461 SAMSOJ>{ AND DELILAH, Saint- Saens ; two drawings for settings, Royal MEDEA, Euripides; six costume draw- Dramatic Theatre, Stockholm ings, Royal Dramatic Theatre, Stock- 462-464 SAKUJ>{'r ALA, Reyer; three draw- holm: ings for settings, Royal DramaticThea' 475 -Jason tre. Stockholm 476 -c-jason's Escort Nos. 43 I to 464 lent by the Royal Dramatic 477 -Aegeus' Escort Theatre, Stocl{llOlm 478 -e-Chorus MOLANDER, Olov and 479 -e-Chorus SKA WONIUS Sven-Erik STOCKHOLM 480 -c-Cborus 465-467 GREEN PASTURES, Marc Con- THE FAITHFUL, John Masefield; two nelly; three drawings for Frieze of Pro' drawings for settings, Royal Dramatic menade, Royal Dramatic Theatre, Stock, Theatre, Stockholm: holm 481 -e-Inside Kira's Palace 468 GREEN PASTURES Marc Connelly; 482 -Concert House model for setting, Royal Dramatic The' Nos. 473 to 482 lent by the Royal Dramatic atre, Stockholm Theatre, Stoc~holm
SWITZERLAND
APPIA, Adolphe: see section Pioneers of the Modern Theatre Art, page 46
UNITED STATES OF AMERICA
BERNSTEIN, Aline NEWYORK *484-488 THE PORCELAIN PALACE, sce- 483 THE PORCELAIN PALACE, scenario nariofrom Hans Anderson's story "The from Hans Anderson '5 story "The Nightingale;"fivecostumedrawings,1933 Nightingale;" model of settmg, 1933 Nos. 483 to 488 lent by the Artist 59
+ *501-502 THE TOWER, Herbert Bibennan; BRAGDON, Claude NEW YORK two drawings for settings, 1933; Setting *489 'THEGLITTERING GA'TE, Lord Dun- for a stage of mobile forms with simul- sany ; drawing for setting, 1933 taneous action on various levels 'THE GODS OF THE MOUNT All'{, 503 RAZZ MANHATTAN" Martin Eyre; Lord Dunsany; two drawings for set- drawing for Nee- Actualist setting with tings, 1933' electric transcription broadcast of an 490 -Scene I historic event used as soundbackground, 491 -Scene 2 Nos. 489 to 491 lent by the Artist 1933 'N..os. 500 to 503 lent by the Artist
DREYFUSS, Henry NEW YORK GEDDES, Norman Bel NEw YORK 492 SALOME, Oscar Wilde; one large and six KIN,G LEAR, Shakespeare; five drawings small drawings for settings, 1933 Lent by the Artist of settings, 1917: 504 -Courtyard of Gloucester's Castle, pre- ENTERS, Angna NEW YORK liminary study MoMAExh_0033a_MasterChecklist 493 SPAJ'.ijSH MEDIEVAL NIGHT'S *505 -Courtyard of Gloucester's Castle DREAM; drawing for setting, based on * 506 -The Throne of Lear the courtyard of the ruined palace of 507 -Between the Camps Charles V in the Alhambra, 1933 508 -Hut on the Heath
494 SPANISH MEDIEVAL NIGHT'S KIN,G LEAR, Shakespeare; two costume DREAM; six costume drawings, 1933: drawings, 19lT Medieval Night's Dream, Auto da Fe, 509 -c-Duke of Albany Pavana. Inquisition Virgin, Boy Cardi- 510 -Duke of Cornwall nal, Santa Espana del Cruz DIVINE COMEDY, Dante; four draw- 495 BALLET MACABRE; three figure draw- ings for settings, 1920: ings based on artists' implements and model forms, 1933 5 II -The Earth Opens 512 -Inferno *496 DIONXSIAN GREECE IN NEW 51J -c-The Gates of Purgatory YORK; drawing for setting with fig- 514 -Paradise ures, 1932 515-518 DIVINE COMEDY, Dante; four 497 PAGAN GREECE; costume drawing for plaster masks, 1920 Artemis, 1933
498 'THE HOLY VIRGIN, PURSUED BY 519 DIVINE COMEDY, Dante; photograph SAT AN; costume drawing, 19J 3 of settings showing stagestructure, 1920
499 ODALISQ.UE; costume drawing, 19J3 520 LAZARUS LAUGHED, Eugene O'Neill; N,os. 493 to 499 lent by the Ehrich Galleries, model of setting, 1927 New Yor~ 521 LAZARUS LAUGHED, Eugene O'Neill; five photographs of model of setting, ESSMAN, Manuel NEW YORK 1927 500'TWILIGHT IMPERIALISM, Robert Medloe; drawing for setting with plas- 522-52J LAZARUS LAUGHED, Eugene tic stage, 193:; O'Neill; two costume drawings, 1927 60 ,.,-,.~~.- ...,....
524-n3 LAZARUS LAUGHED, Eugene MACBETH, Shakespeare; four drawings O'Neill; forty drawings for masks,1927 for settings, 1921: *553 -The Letter Scene AIDA, Verdi; four drawings for settings, Lent by Sidney Howard, New Yor~ 1933: 534 -Act I 554 -c-The Sleep-walking Scene 535 ~Act II 555 -The Three Witches 536 -Act III 556 -Banquo's Ghost 537 -c-Act IV Lent by Dr. Smirh Ely Jelliffe,New Yor~ 557 SWORDS, Sidney Howard; drawing for 538-540 AIDA, Verdi; three costume draw- setting, 1922 ings, 1933 Lent by Sidney Howard, New Yor~ AIDA, Verdi; four paper models for set- ,,8 HAMLET, Shakespeare; drawing for set- tings, 1933: ting, 1923 541 -Act I Lent by Mrs. E. C. MacVeagh, New Yor~ 542 -Act II 543 -c-Act III 559 HAMLET, Shakespeare; drawing for set- MoMAExh_0033a_MasterChecklist 544 -Act IV ting, '933: The Madness of Ophelia Lent by Lee Simonson, N.ew Yor1{ 545 AIDA, Verdi; wooden model for setting, 560 DESIRE UNDER THE ELMS, Eugene 1933: Act III O'Neill; drawing for setting, 1924 546 KING LEAR, Shakespeare; wooden model Lent by Walter Huston, BeverlyHills, Cal. for setting, 1933: The Throne of Lear 561 SALVATION, Sidney Howard; drawing Nos. 504 to 546 lent by the Artist forsetting, 1928 Lent by Sidney Howard, New Y or~ GORELIK, Mordecai NEW YORK THEY SHALL NOT DIE, John Wexley; 562 THE GREEN PASTURES, Marc Con- two drawings for settings, 1933: nelly; drawing for setting, '929: The Prayer of Moses 547 -Act I, Jail in Scottsville, Alabama 548 -Act II, Courtroom, Dexter, Alabama 563 LA GIOCONDA, d'Annunzio: drawing for setting: Act III, The Sculptor's PROCESSIONAL, John Howard Law- Studio son; two drawings for settings, 1924: Nos. ;62 to 563 lent by Mrs. FrancesG. Wic~es, 549 -Act I, On the Fourth of July New Yor~ 550 -Act II, The Lahar Temple Nos. 547 to 550 lent by the Artist 564 CAMILLE, Dumas; drawing for setting, 1932; Act V. Marguerite's Bedroom Lent by Miss LJilian Gish, New Yor~ JONES, Robert Edmond HOLLYWOOD, CALIFORNIA OTHELLO, Shakespeare; three drawings
551 RICHARD III, Shakespeare; drawing for for settings, 1933: setting, 1920 *;65 -A Street in Venice Lent by Miss Fania Mmdell, New Yor~ 566 -e-Tbe Council Chamber 567 -Desdemona's Bedchamber 552 RICHARD III, Shakespeare; drawing for setting, 1920: The Wooing of Lady 568 OTHELLO, Shakespeare; costume draw- Anne ing, 1933: Desdemona Lent by the Artist Nos. ;65 to 568 lent by the Artist 6I:::~~~~~ _TJ-::Jt;:;ft;J: JORGULESCO, Jonel NEw YORK 587 -c-Side Street, Petrograd ')88 -Meeting in Winter Palace THE TEMPEST, Shakespeare; three draw' 589 -c-Scene 4 inge for settings, 1933: 590 -War Zone 569 -Prologue N.os. 583 to 590 lent by the Artist 570 -c-Act II, Scene 2 57' -Epilogue Lent by the Artist OENSLAGER, Donald M. NEW YORK HAMLET, Shakespeare; five drawings for KARSON, Nat NEw YORK settings, 1933: THE OPERA RACKET, Walter Schmidt; 59' -c-Act I, Scene T, Platform before the three drawings for settings, 1933: Castle 59 -c-Act III, Scene 2, Hall in the Castle '572 -Dungeon Scene 2 *593 -Act Ill, Scene 4, The Queen's Closet 573 -i-Racketeers Jail Cell 574 -c-Mussclinis Office 594. -Act V, Scene T, A Churchyard 595 -Act V, Scene 2, Another Hall in the THE COLOR BOX, Ben Oakland and Castle Milton Drake; three drawings for set- MoMAExh_0033a_MasterChecklist tings, 1933: 596-597 THE BIRDS, Aristophanes; two drawings for settings for a modern ver- 575 -Act I, finale, The Red Dawn, first move' sian done as a satire on aviation, 1927 merit *576 -c-Act I, finale, The Red Dawn, second THE FLYIN.G DUTCHMAN:, Wagner; movement two drawings for settings, 1930: 577 -Dance Setting 598 -Act I Nos, 572 to 577 lent by the Artist 599 -Act II
LAUTERER, Arch BENNINGTON,VERMONT THE EMPEROR JONES, Eugene O'Neill; two drawings for settings, 193I: THE VIKIN.GS AT HELGELAN.D, Ibsen; four drawings for settings, 1933: 600 -c-Before the Voodoo Altar 601 -Convict Scene 578 -Act I, A Sheltered Place 579 -Act II, Gunner's Feast Hall 602 CASIN.A, Plautus; drawing for setting, 580 -Act III, The Dais in Gunner's Hall 1932 58, -Act IV, The Burial Place 'Nos, 59' to 602 lent by the Arnst *582 THE VIKIN.GS AT HELGELAN.D, Ibsen; model for setting, '9JJ PETERS, Rollo NEW YORK N.os. 578 to 582 lent by the Artist 603 STEPHEN. FOSTER, Mary Ward and Arthur Henry; drawing for setting, MIELZINER, Jo NEw YORK 1933 THE YELLOW JACK, Sidney Howard; 604-{io5 STEPHEN. FOSTER, Mary Ward three drawings for settings, 1933: and Arthur Henry; two costume draw- 583 -c-Field Laboratory, East Africa mgs, 1933 *584 -Fever Victims, Cuba, 1900 N.os. 603 to 605 lent by the Artist 585 -A Laboratory, London THE RED GENERAL, Hermann Ungar; REYNOLDS, James NEW YORK five drawings for settings, 1930: 606 ATHEN.A PROTECTRESS, drawing for 586 -Waiting Room setting, I933 ATHE]\(A PROTECTRESS, two draw- des; three costume drawings, 1933 ings for costumes, 1933: ]\(os. 612 to 616 lent by the Artist 607 -e-Headdress for Samian Patrician, 300 THROCKMORTON, Cleon New YORK B.C.~man THEEMPERORJ0]\(ES, EugeneO'Neill; 608 -c-Headdress for Samian Patrician, 300 four drawings for settings, 193Y B.C.-woman 617 -The Edge of the Woods ]\(os. 606 to 608 lent by the artist 618 -Convict Scene 619 -c-Hold of the Slave Ship SIMONSON, Lee New YORK 620 -At the Foot of a Great Tree HAMLET, Shakespeare; three drawings *621 THEEMPERORJ0]\(ES, EugeneO'Neill; for settings, 1933: model of setting, 1933 609 -Prelude ]\(os. 617 to 621 lent by the Artist *610 -Act I, Scene 4 6Il -Act V, Scene J WENGER, John New York Lent by the Artist THE AW AKE]\(I]\(G, Vera Gordova; four drawings for settings, 1933: MoMAExh_0033a_MasterChecklist THOMPSON, Woodman New YORK 622 -Act I, Scene I, Outside the Pagoda 6n- UNION OF SOCIALIST SOVIET REPUBLICS PRE-REVOLUTIONARY PERIOD 'The later wor~ of Russian expatriates, Ba~st. 630 -Scene in the Kremlin Gontcharova, Larionoff, Swvcge, is listed under MASKED BALL, Lermontoff; two draw- France and the School of Paris. The U. S. S. R. ings for settings, 1917: exlnbu arrived three wee~s late so that it could net be cataloged with the material at hand. For 63 I -c-House of Joy this reason, also, the illu.strated items bear no 632 -Last Scene a5teris~s. Many 'correcnons and additional in" THE STORM, Ostrovsky; drawing for formation have been provided by Prof. H. W. L. setting, 1912-1913: Dana, Cambridge. Massachusetts. 633 -Interior DOBUZHINSKY, Mstislalf Moscow :Nos. 630 to 633 lent by Ba~rushin Theatre 626-Q29 SORROWS OF THE SPIRIT (GORE Museum, Moscow OT UMA), Griboiedolf; four drawings r for settings, Moscow Art Theatre. SOUDIlfINE, Sergei PARIS f 1906 . ~,/TALES OF HOFFMAn Offenbach; two Lent by M. Brods/{Y,Leningrad ~~ ofIT drawings for settings, 1909: GOLOVINE, Alexander Moscow 634 -Scene with the Dolls BORIS GODU]\(OFF, Moussorgsky; 635 -Scene in Venice drawing for setting, 1908: Lent by Ba~rushin Theatre Museum, Moscow POSTREVOLUTIONARY PERIOD LENINGRAD AKIMOFF, Nicolai LENINGRAD DMITRIEFF, A. 1. 664 THE MEISTERSI7\(GERS, Wagner; 6)6 THE WIFE, Troneff; model for setting, State Dramatic Theatre, Leningrad, drawing, Opera, Leningrad Lent by the Opera Museum, Leningrad 1926 637 ARMORED TRAI7\( 14.69, V. Ivanoff; model for setting, State Dramatic 'Thea- DMITRIEFF, A. I: See also VYESNINE tre, Leningrad, 1927 KODOSEVITCH, Valentin Leningrad ]\(os.6]6 to 637 lent by the Museum of the 66,-D68 -OTHELLO, Shakespeare; four State Dramatic Theatre, Leningrad .")(". drawings 638-D)I ROBESPIERRE, F. F. Raskolnikoff; \1;1 Lent by the Artist fourteen drawings, State Theatre, Len' KRUMMER LENINGRAD ingrad, 193 I 669 THE BATH, Mayakovsky; model for set- 6)2 LA BELLE HELE7\(E, Offenbach; drawing, tings, State Dramatic Theatre, Lenin ... Little Opera, Leningrad, 1932 grad, 1930 MoMAExh_0033a_MasterChecklist 653 THEJUDGME7\(T, V. Kirshon; drawi!1f' Lent by the Museum of the,State Dramatic State Theatre(?), Leningrad, 1932 Theatre, Leningrad 6)4-D" FEAR (STRAKH), Afinogenoff; two LENINGRAD drawings, State Theatre(?), Leningrad, KUSHNER 67 THE FLEA, Mayakovsky; model for set- 1933 0 ;J rJl ting, State Dramatic Theatre, Leningrad, HAMLET, Shakespeare; four drawings 28 for costumes, VakhtangoffTheatre, Mos- ~'~ 19 f Lent by the Museum of the State Dramatic cow, 1933: Theatre, Leningrad 6,6 -c-Hamlet 6,7 -c-Hamlet LEBEDEFF LENINGRAD 6,8 -Polonius 6'9 --Countryman ~71 THE JEST, Sem Benelli; model for setting, '" Sh k drawi f ."7' State Dramatic Theatre, Leningrad, .I. a espeare;two rawmgs or .§- HAMLE 2 settings, Vakhtangoff Theatre, Mos. Y Lent'9by3 the Museum of the State Dramatic cow, 1933: Thearre, Leningrad 660 -c-House of Polonius 661 -Act II LEVINE, Moisei LENINORAD BORIS GODU7\(OFF,Moussorgsky; draw- 67'-D7J WOZZEK, Alhan Berg; four drawings ing for setting, not yet produced, 1933: for costumes, 1927 662 -The Inn Seven drawings for costumes, Little Opera. 7\(os. 6]8 to 662 lent by the Artist Leningrad. 1932: 676 -Merchant CHUPIA TCH LENINGRAD 677 -Boyar '\ 66, THE LUCRATIVE POSITI07\(, Ostrov- 678 -Armed Boyar .\~;1 sky; model for setting, State Dramatic 679 -Tsar V ~ Theatre, Leningrad, '933 680 -c-Tsanna Lent by the Museum of the State Dramatic 68r -Peasant Theatre, Leningrad 682 -Peasant 683 THE FAIR AT SOROCHI)\(SK, Mous- 694 ~Settmg for Scene III ~ sorgsky; drawing for setting 695 -Setting for Scene VI I.- 696 -i-Cosrume for the Caliph W ~ THE FAIR AT SOROCHI)\(SK, Mous- Boo~slent by Mrs. Richard C. Wood, Lee sorgsky; two drawings for costumes: Simonson, Alfred H. Barr, Jr. 684 -Woman 685 -Woman SCHLEPIANOFF Moscow 686 THE FRUnS OF EDVCATION, L. N. 6,* POEM OF THE AX, N. Pogodin; model Tolstoi ; eight drawings for costumes \' ~t'J., for setting, Theatre of the Revolution, Nos. 672 to 686 lent by the Artist 0 Moscow, '93' Lent by the Museum of the Theatre of the 687-689 KAMARINSKY MUZHIK; three Revolution, Moscow drawings for settings, Little Opera, Len- ingrad, 193:) SHEST AKOFF Moscow Lent by the Little Opera Museum, Leningrad 698fECHO, Bill-Belotserkovski; model for set, ,:)(~j.ting, Theatre of the Revolution, Mas' 690 ALL !!{UIET ON THE WESTERN 2 MoMAExh_0033a_MasterChecklist FRONT, Remarque; model for setting, V' fJ'V' cow, '9 4 State Dramatic Theatre, Leningrad, 699 SORROWS OF THE SPIRIT (GORE 1932 OT UMA), Griboiedoff; model for set' ting, Meyerhold Theatre, Moscow. 691 JOY STREET, Zarchi; model for setting, 1928. Meyerhold changed the title to State Dramatic Theatre, Leningrad, Sorrow to the Spirit (Gore Umu). 1932 )\(os. 698 to 699 lent by the Bakwshin )\(05.690 to 69' lent by the Museum of the 'Theatre Museum, Moscow State Drcmcuc 'Theatre, Leningrad STENBERG Moscow LUTZE, V. V. LENINGRAD 700 ALL GOD'S CHILLU)\( ()\(EGR),Eugene 692 BREAD, V. Kirshon; model for setting, O'Neill; model for setting. Kamerny State Dramatic Theatre, Leningrad, "1930 (Tairoff) Theatre, Moscow, 1929 Lent by the Museum of the State Dramatic Lent by the Museum of the Kamerny 'Theatre, Leningrad 'Theatre, Moscow MEDUNETSKY, See STENBERG STENBERG and MEDUNETSKY Moscow MEYERHOLD(?) Moscow 70' THE STORM,' Ostrovsky; model for set, 693 MA)\(DATE, Nicolai Erdman; model for ring. Kamerny (Tairolf) Theatre, Mos- setting, Meyerhold Theatre, Moscow, cow, 1923-1924 Lent by the Ba1{rushin Theatre Museum. 1925; K. A. Soste, technician Moscow Lent by the Ba~rushin 'Theatre Museum" Moscow VYESNINE, Alexander(?) or Moscow NIVINSKY, 1. Moscow DMlTRIEFF, A. 1.(7) /, SERFS, Gnedich; two drawings for PRINCESS TURA)\(DOT, Carlo Cozzi P. P. settings, Little Theatre, Moscow, 1921: (1722-1806), music by 1. Sizoff; Third JI], Studio of the Moscow Art Theatre 702 -Blue Interior (Vakhtangoff), Moscow, '921; three 703 -Gold Interior color-Iitbographs from the book Pri11' Lent by the Museum of the Little Theatre, Moscow tsessa Turc ndot, Moscow, J922: r I UNKNOWN LENINGEtAD UNKNOWN Moscow 704 UJ\lCLE TOM'S CABIJ\l, after Harriet 706 'THE RAILS ARE HUMMIJ\lG, V. Beecher Stowe; model for setting, Thea' Kirshon; model for setting, Moscow tre of the Young Audience (Children's Trade Union Theatre (M. O. S. P. S., Theatre), Leningradf") formerly M, G, S. P. S.), Moscow, "929 Lent by the Museum of the Theatre of the Lent by the Ba~rushin 'Theatre Museum, Young Spectator, Leningmd (I) Moscow UNKNOWN LENINGEtAD UNKNOWN Moscow 705 'TOM SAWYER, after Mark Twain; 707 'THE UJ\lKJ\lOWJ\l SOLDIER, Paul Ray' Theatre of the Young Audience (Chil- nal ; model for setting, Kamerny (Tairoff dren's Theatre), Leningrad(?) Theatre, Moscow Lent by the Museum of the Theatre of the Lent by the Museum of the Kamerny Young Spectator, Leningrad(?) 'Theatre, Moscow MoMAExh_0033a_MasterChecklist 66