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VIDEOSALAS - JULIO - 2017 CAAV | Lerdo De Tejada 2071, Colonia Americana Ex Convento Del Carmen | Av
VIDEOSALAS - JULIO - 2017 CAAV | Lerdo de Tejada 2071, Colonia Americana Ex Convento del Carmen | Av. Juárez 638, Zona Centro 1 al 7 2 JULIO Sábado 1 | Domingo 2 | Funciones: 4:00, 6:00 y 8:00 HILARY Y JACKIE Dir. Anand Tucker | Con: Emily Watson, Rachel Griffiths, James Frain | Reino Unido | 1998 | 120 min. 1998: 2 Nominaciones al Oscar: Mejor actriz (Emily Watson), actriz de reparto (Griffiths). Nominada al Globo de Oro: Mejor actriz drama (Emily Watson). 5 Nominaciones BAFTA, incluyendo mejor actriz (Watson), guión adaptado y sonido. Cuando eran niñas, las hermanas Hilary y Jackie estudiaron música; pero, mientras que Jackie, la menor, adquirió pronto fama como concertista de violoncello, Hilary no tuvo tanto éxito con la flauta. Martes 4 | Funciones: 4:00, 6:00 y 8:00 LA LLAMA ETERNA Dir. Sidney Franklin | Con: Norma Shearer, Fredric March, Leslie Howard | USA | 1932 | 98 min. 1933: Nominada al Oscar: Mejor película. John ha llevado una vida solitaria durante treinta años desde la muerte de Moonyeen Clara. Pero ahora Owens, un amigo cercano, insiste en que cuide de su sobrina, Kathleen, huérfana desde que sus padres se perdieron en el mar. Los años pasan, y la niña Kathleen se convierte en una bella joven que es la viva imagen de Moonyeen. Miércoles 5 | Funciones: 4:00, 6:00 y 8:00 PASIÓN DE LIBERTAD Dir. Frank Lloyd | Con: Cary Grant, Martha Scott, Cedric Hardwicke | USA | 1940 | 116 min. 1940: 2 nominaciones al Oscar: Mejor Música Original, sonido. Guerra de Independencia norteamericana (1775-1783). Una joven virginiana reniega de sus orígenes aristocráticos y se casa con un plebeyo con ideas democráticas. -
1 Ken Clarke
KEN CLARKE - MY PROFESSIONAL AUTOBIOGRAPHY When I left junior school at the age of twelve my plastering career started at the well known building Arts & Craft Secondary School, ‘Christopher Wren’, and from this early age I was particularly interested in fibrous plastering. It was a known fact that, of a class of 16, two of the pupils, after four years of schooling, would start their training at a major film studio. I passed my GCE in Building Craft, Paintwork and Plasterwork (copy 1 attached) and was one of the lucky two to be chosen to start training at Shepperton Studios. This was my first achievement (copy 2 – letter of engagement, 9 June 1964, attached). I started Shepperton Studios in the plastering Dept on 22 June 1964 under conditions of a six-month probationary period and a further 4 and half years. During this five-year apprenticeship, I was to do through the block release system, eight weeks at work and two weeks at Art & Craft College ‘Lime Grove’. At the end of five years I was awarded my basic and final City and Guilds in plastering (basic June 1966 and final June 1968 – copies 3 and 4 attached). This was a big achievement for any young man – for me; it was the beginning of a big career. After my five years I was presented with one of the very last certificates of apprenticeship offered by the ‘Film Industry Training Apprenticeship Council’. Thus, my apprenticeship came to an end. (Letter of thanks and delivery of my deeds and certificate 1 June 1969. -
Reel Impact: Movies and TV at Changed History
Reel Impact: Movies and TV Õat Changed History - "Õe China Syndrome" Screenwriters and lmmakers often impact society in ways never expected. Frank Deese explores the "The China Syndrome" - the lm that launched Hollywood's social activism - and the eect the lm had on the world's view of nuclear power plants. FRANK DEESE · SEP 24, 2020 Click to tweet this article to your friends and followers! As screenwriters, our work has the capability to reach millions, if not billions - and sometimes what we do actually shifts public opinion, shapes the decision-making of powerful leaders, perpetuates destructive myths, or unexpectedly enlightens the culture. It isn’t always “just entertainment.” Sometimes it’s history. Leo Szilard was irritated. Reading the newspaper in a London hotel on September 12, 1933, the great Hungarian physicist came across an article about a science conference he had not been invited to. Even more irritating was a section about Lord Ernest Rutherford – who famously fathered the “solar system” model of the atom – and his speech where he self-assuredly pronounced: “Anyone who expects a source of power from the transformation of these atoms is talking moonshine.” Stewing over the upper-class British arrogance, Szilard set o on a walk and set his mind to how Rutherford could be proven wrong – how energy might usefully be extracted from the atom. As he crossed the street at Southampton Row near the British Museum, he imagined that if a neutron particle were red at a heavy atomic nucleus, it would render the nucleus unstable, split it apart, release a lot of energy along with more neutrons shooting out to split more atomic nuclei releasing more and more energy and.. -
Pour Nicola Giuliano, Francesca Cima and Medusa Film Present Fabio Conversi Et Jérôme Seydoux Présentent
CRÉATION ORIGINALE : POUR NICOLA GIULIANO, FRANCESCA CIMA AND MEDUSA FILM PRESENT FABIO CONVERSI ET JÉRÔME SEYDOUX PRÉSENTENT ET • MICHAEL HARVEY RACHEL PAUL AND JANE CAINE KEITEL WEISZ DANO FONDA UN FILM DE • A FILM BY PAOLO SORRENTINO DISTRIBUTION • FRENCH DISTRIBUTION & INTERNATIONAL SALES RELATIONS PRESSE • INTERNATIONAL PRESS PATHÉ DISTRIBUTION LE PUBLIC SYSTÈME CINÉMA 2, rue Lamennais Alexis Delage-Toriel, Agnès Leroy, Elsa Leeb 75008 Paris 40, rue Anatole France Tél. : +33 1 71 72 30 00 DURÉE • LENGTH: 1H58 92594 Levallois-Perret Cedex www.pathefilms.com Tél. : +33 1 41 34 21 09 [email protected] À CANNES • IN CANNES INTERNATIONAL SALES [email protected] Boutique Bodyguard Résidences Grand Hôtel - Entrée Ibis • Ibis Entrance www.lepublicsystemecinema.fr 45, la Croisette 45, la Croisette Jardins du Grand Hôtel Appartement 4A/E 4ème étage • 4th floor À CANNES • IN CANNES 06400 Cannes 06400 Cannes 29, rue Bivouac Napoléon Tél. : +33 4 93 99 91 34 Tél. : +33 4 93 68 24 31 06400 Cannes [email protected] Tél. : +33 7 86 23 90 85 Photos et dossier de presse téléchargeables sur www.pathefilms.com • Material can be downloaded on www.patheinternational.com SYNOPSIS Fred et Mick, deux vieux amis approchant les quatre-vingts ans, Fred and Mick, two old friends approaching their eighties, profitent de leurs vacances dans un bel hôtel au pied des Alpes. are enjoying a vacation in a lovely hotel in the foothills of the Fred, compositeur et chef d’orchestre désormais à la retraite, Alps. Fred, a retired composer and conductor, has no intention n’a aucune intention de revenir à la carrière musicale qu’il a of returning to his music career which he dropped a long time abandonnée depuis longtemps, tandis que Mick, réalisateur, ago, while Mick, a director, is still working, hurrying to finish the travaille toujours, s’empressant de terminer le scénario de son screenplay of his latest film. -
Willa Cather Review
Copyright C 1997 by the Willa Cather Pioneer ISSN 0197-663X Memorial and Educational Foundation (The Willa Cather Society) Willa Cather Pioneer Memorial New-sletter and 326 N. Webster Street VOLUME XLI, No. 2 Red Cloud, Nebraska 68970 Summer/Fall, 1997 Review Telephone (402) 746-2653 The Little House and the Big Rock: So - what happened to me when I began to try to plan my paper for today was that my two projects Wilder, Cather, and refused to remain separate in my mind, and I had to the Problem of Frontier Girls envision a picture with a place for Willa Cather and Laura Ingalls Wilder. That meant I had to think about Plenary Address, new ways to historicize both careers. And that's why Sixth International Willa Cather Seminar I was so delighted to recognize the bit of information Quebec City, June 1995 with which I began. It places Wilder and Cather - Ann Romines who almost but not quite shared a publisher in 1931 - George Washington University in the same literary and cultural landscape. Women of about the same age with Midwestern childhoods far In August 1931, Alfred A. Knopf published Willa behind them, they were writing and publishing novels Cather's tenth novel, Shadows on the Rock. The publisher numbered Cather among the ''family" of authors he was proud to publish.1 Then, in the following month, Knopf contracted to publish the first book by a contemporary of Cather's, the children's novel Little House in the Big Woods by Laura Ingalls Wilder. Be fore the year was out, however, Wilder learned that the exigencies of "depression economics" were closing down the children's department at Knopf. -
Information to Users
INFORMATION TO USERS This manuscripthas been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affectreproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sectionswith small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back ofthe book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI .. A Bell & Howell mtorrnauon Company 300 North Zeeb Road. Ann Arbor. MI48106-1346 USA 313!761-47oo 800:521-0600 Getting Back to Their Texts: A Reconsideration of the Attitudes of Willa Cather and Hamlin Garland Toward Pioneer Li fe on the Midwestern Agricultural Frontier A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAII IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHJLOSOPHY IN ENGLISH AUGUST 1995 By Neil Gustafson Dissertation Committee: Mark K. -
Re-Imagining United States History Through Contemporary Asian American and Latina/O Literature
LATINASIAN NATION: RE-IMAGINING UNITED STATES HISTORY THROUGH CONTEMPORARY ASIAN AMERICAN AND LATINA/O LITERATURE Susan Bramley Thananopavarn A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature in the College of Arts and Sciences. Chapel Hill 2015 Approved by: María DeGuzmán Jennifer Ho Minrose Gwin Laura Halperin Ruth Salvaggio © 2015 Susan Bramley Thananopavarn ALL RIGHTS RESERVED ii ABSTRACT Susan Thananopavarn: LatinAsian Nation: Re-imagining United States History through Contemporary Asian American and Latina/o Literature (Under the direction of Jennifer Ho and María DeGuzmán) Asian American and Latina/o populations in the United States are often considered marginal to discourses of United States history and nationhood. From laws like the 1882 Chinese Exclusion Act to the extensive, racially targeted immigration rhetoric of the twenty-first century, dominant discourses in the United States have legally and rhetorically defined Asian and Latina/o Americans as alien to the imagined nation. However, these groups have histories within the United States that stretch back more than four hundred years and complicate foundational narratives like the immigrant “melting pot,” the black/white binary, and American exceptionalism. This project examines how Asian American and Latina/o literary narratives can rewrite official histories and situate American history within a global context. The literary texts that I examine – including works by Carlos Bulosan, Américo Paredes, Luis Valdez, Mitsuye Yamada, Susan Choi, Achy Obejas, Karen Tei Yamashita, Cristina García, and Siu Kam Wen – create a “LatinAsian” view of the Americas that highlights and challenges suppressed aspects of United States history. -
Through FILMS 70 Years of European History Through Films Is a Product in Erasmus+ Project „70 Years of European History 1945-2015”
through FILMS 70 years of European History through films is a product in Erasmus+ project „70 years of European History 1945-2015”. It was prepared by the teachers and students involved in the project – from: Greece, Czech Republic, Italy, Poland, Portugal, Romania, Spain, Turkey. It’ll be a teaching aid and the source of information about the recent European history. A DANGEROUS METHOD (2011) Director: David Cronenberg Writers: Christopher Hampton, Christopher Hampton Stars: Michael Fassbender, Keira Knightley, Viggo Mortensen Country: UK | GE | Canada | CH Genres: Biography | Drama | Romance | Thriller Trailer In the early twentieth century, Zurich-based Carl Jung is a follower in the new theories of psychoanalysis of Vienna-based Sigmund Freud, who states that all psychological problems are rooted in sex. Jung uses those theories for the first time as part of his treatment of Sabina Spielrein, a young Russian woman bro- ught to his care. She is obviously troubled despite her assertions that she is not crazy. Jung is able to uncover the reasons for Sa- bina’s psychological problems, she who is an aspiring physician herself. In this latter role, Jung employs her to work in his own research, which often includes him and his wife Emma as test subjects. Jung is eventually able to meet Freud himself, they, ba- sed on their enthusiasm, who develop a friendship driven by the- ir lengthy philosophical discussions on psychoanalysis. Actions by Jung based on his discussions with another patient, a fellow psychoanalyst named Otto Gross, lead to fundamental chan- ges in Jung’s relationships with Freud, Sabina and Emma. -
Spartan Daily
SEE FOOTBALL PAGE 8 SEE THESE VIDEOS AND MORE ON SPARTANDAILY ON YOUTUBE NO LOVE FOR SJSU IN IOWA FIRST HIP HOP RUN CITYDANCE SAN JOSE SERVING SAN JOSE STATE UNIVERSITY SINCE 1934 SPARTAN DAILY Volume 147. Issue 121 www.sjsunews.com/spartandaily Tuesday,Wednesday, September August 24,27, 2016 LIVE ON THE LAWN MEDAL OF ARTS San Jose State alum honored BY SHELLISE WEST in many ways, our national soul. STAFF WRITER They’re central to who are are as President Barack Obama Americans.” said Obama. presented playwright, director Valdez, who attended SJSU and San Jose State University in 1960 began his career after alum Luis Valdez with the 2015 winning a playwright competition National Medal of Arts Thursday for his one-act play The Theft for his contribution to Chicano according to his biography. theatre and arts. Known for his work in Zoot The ceremony included notable Suit, he returned to the theatre journalists, authors, and directors department to put on a production lasted briefl y with an address from with students in the spring of 2015. President Barack Obama before The production that focused on RAYMOND BALTAZAR | SPARTAN DAILY honoring each awardee. Latino racial injustice in Los SEE FULL PHOTO ESSAY ON PAGE 4 “The arts and humanities are See VALDEZ page 3 TIME TO VOTE SWASTIKAS INSIDE Propositions occupy Off enders: Student Union Th eater ‘It was just a joke’ BY JASON DUNHAM Proposition 63 would also affect the large- STAFF WRITER capacity magazine ban from 2000. By extending the ban’s effect to purchases that BY ITZEL CASTRO California gun legislation and the death STAFF WRITER penalty were the focus of discussion at the were made before the original 2000 ban. -
Inmedia, 3 | 2013, « Cinema and Marketing » [Online], Online Since 22 April 2013, Connection on 22 September 2020
InMedia The French Journal of Media Studies 3 | 2013 Cinema and Marketing Electronic version URL: http://journals.openedition.org/inmedia/524 DOI: 10.4000/inmedia.524 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference InMedia, 3 | 2013, « Cinema and Marketing » [Online], Online since 22 April 2013, connection on 22 September 2020. URL : http://journals.openedition.org/inmedia/524 ; DOI : https://doi.org/10.4000/ inmedia.524 This text was automatically generated on 22 September 2020. © InMedia 1 TABLE OF CONTENTS Cinema and Marketing When Cultural Demands Meet Industrial Practices Cinema and Marketing: When Cultural Demands Meet Industrial Practices Nathalie Dupont and Joël Augros Jerry Pickman: “The Picture Worked.” Reminiscences of a Hollywood publicist Sheldon Hall “To prevent the present heat from dissipating”: Stanley Kubrick and the Marketing of Dr. Strangelove (1964) Peter Krämer Targeting American Women: Movie Marketing, Genre History, and the Hollywood Women- in-Danger Film Richard Nowell Marketing Films to the American Conservative Christians: The Case of The Chronicles of Narnia Nathalie Dupont “Paris . As You’ve Never Seen It Before!!!”: The Promotion of Hollywood Foreign Productions in the Postwar Era Daniel Steinhart The Multiple Facets of Enter the Dragon (Robert Clouse, 1973) Pierre-François Peirano Woody Allen’s French Marketing: Everyone Says Je l’aime, Or Do They? Frédérique Brisset Varia Images of the Protestants in Northern Ireland: A Cinematic Deficit or an Exclusive -
Barbara Hershey
BARBARA HERSHEY Films: Insidious: The Last Key Lorraine Lambert Adam Robitel Blumhouse Productions The 9th life of Louis Drax Violet Drax Alexandre Aja Brightlight Pictures Sister Susan Presser David Lascher Showtime Networks Answers to Nothing Marilyn Matthew Leutwyler Ambush Entertainment Insidious Lorraine Lambert James Wan Film District Black Swan* Erica Darren Aronofsky Fox Searchlight Answers To Nothing Marilyn Matthew Leutwyler Independent Albert Schweitzer Helen Schweitzer Two Ocenans Production Gavin Millar Uncross The Stars Hilda Ken Goldie Independent The Bird Can’t Fly Melody Threes Anna Independent Childless Natalie Charlie Levi Independent Love Comes Lately Rosalie Jan Schutte Independent Riding The Bullet Jean Parker Mick Garris M P C A 11:14 Norma Greg Marcks Independent Lantana Dr Valerie Somers Ray Lawrence Independent Passion Rose Grainger Peter Duncan Independent A Soldier's Daughter Never Cries Marcella Willis James Ivory October Films Frogs For Snakes Eva Santana Amos Poe Shooting Gallery The Portrait Of A Lady** Madame Serena Merle Jane Campion Polygram Films The Pallbearer Ruth Abernathy Matthew Reeves Miramax Last Of The Dogmen Prof. Lilian Sloan Tab Murphy Savoy A Dangerous Woman Frances Beecham Rowland V. Lee Universal Pictures Swing Kids Frau Muller Thomas Carter Buena Vista Falling Down Elizabeth Travino Joel Schumacher Warner Bros Splitting Heirs Duchess Lucinda Robert Young Universal Public Eye Kay Levitz Howard Franklin Universal Defenseless Thelma ' T.k.' Martin Campbell New Line Tune In Tomorrow Aunt Julia Jon Amiel Cinecom Paris Trout *** Hanna Trout Stephen Gyllenhaal Showtime Last Temptation Of Christ**** Mary Magdalene Martin Scorsese Universal Beaches Hillary Whitney Essex Gary Marshall Walt Disney Prd. A World Apart Diana Roth Chris Menges Working Title Ltd Hoosiers Myra Fleener David Anspaugh Hemdale Film Corp Hannah And Her Sisters***** Lee Woody Allen Orion Pictures Corp Tin Men Nora Tilley Barry Levinson Walt Disney Prd Shy People****** Ruth A. -
Tv Presenting Audition Scripts Pdf
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