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Downtown Walking
N Montgomery St Clinton Ct Autumn A B C D E F G H I J d v N Blv Stockton Av A Guadalupe Gardens n Mineta San José Market Center VTA Light Rail Japantown African Aut t North S 1 mile to Mountain View 1.1 miles ame 0.8 miles International Airport ne American u i m a D + Alum Rock 1 n 3.2 miles e Community t r Terr Avaya Stadium St S N Almade N St James Services th Not 2.2 miles Peralta Adobe Arts + Entertainment Whole Park 0.2 miles 5 N Foods Fallon House St James Bike Share Anno Domini Gallery H6 Hackworth IMAX F5 San José Improv I3 Market W St John St Little Italy W St John St 366 S 1st St Dome 201 S Market St 62 S 2nd St Alum Rock Alum Food + Drink | Cafés St James California Theatre H6 Institute of H8 San José G4 Mountain View 345 S 1st St Contemporary Art Museum of Art Winchester Bike Share US Post Santa Teresa 560 S 1st St 110 S Market St Oce Camera 3 Cinema I5 One grid square E St John St 288 S 2nd St KALEID Gallery J3 San José Stage Co. H7 Center for the E5 88 S 4th St 490 S 1st St represents approx. Trinity Performing Arts Episcopal MACLA/Movimiento H8 SAP Center B2 255 Almaden Blvd 3 minutes walk SAP Center n St Cathedral de Arte y Cultura Latino 525 W Santa Clara St San José Sharks | Music m Americana 510 S 1st St tu Children’s D7 Tabard Theatre Co. -
Re-Imagining United States History Through Contemporary Asian American and Latina/O Literature
LATINASIAN NATION: RE-IMAGINING UNITED STATES HISTORY THROUGH CONTEMPORARY ASIAN AMERICAN AND LATINA/O LITERATURE Susan Bramley Thananopavarn A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature in the College of Arts and Sciences. Chapel Hill 2015 Approved by: María DeGuzmán Jennifer Ho Minrose Gwin Laura Halperin Ruth Salvaggio © 2015 Susan Bramley Thananopavarn ALL RIGHTS RESERVED ii ABSTRACT Susan Thananopavarn: LatinAsian Nation: Re-imagining United States History through Contemporary Asian American and Latina/o Literature (Under the direction of Jennifer Ho and María DeGuzmán) Asian American and Latina/o populations in the United States are often considered marginal to discourses of United States history and nationhood. From laws like the 1882 Chinese Exclusion Act to the extensive, racially targeted immigration rhetoric of the twenty-first century, dominant discourses in the United States have legally and rhetorically defined Asian and Latina/o Americans as alien to the imagined nation. However, these groups have histories within the United States that stretch back more than four hundred years and complicate foundational narratives like the immigrant “melting pot,” the black/white binary, and American exceptionalism. This project examines how Asian American and Latina/o literary narratives can rewrite official histories and situate American history within a global context. The literary texts that I examine – including works by Carlos Bulosan, Américo Paredes, Luis Valdez, Mitsuye Yamada, Susan Choi, Achy Obejas, Karen Tei Yamashita, Cristina García, and Siu Kam Wen – create a “LatinAsian” view of the Americas that highlights and challenges suppressed aspects of United States history. -
Economic Strategy That Can Help Guide Policies, Projects, and Investments for the Next Five Years
San Jose CAPITAL OF SILICON VALLEY Economic Development Strategy N O V E M B E R 2 0 0 3 Prepared by Expert Advisors Office of City Manager Dena Belzer, President, Strategic Economics Del D. Borgsdorf Doug Henton, President, Collaborative Economics City Manager Jim King, Founder, Applied Development Economics Office of Economic Development Paul Krutko Stephen Levy, Director, Center for Director Continuing Study of the California Economy Dr. AnnaLee Saxenian, Professor, UC Berkeley Paul Silvern, Partner, Hamilton, Project Leader Rabinovitz & Alschuler Kim Walesh Assistant Director Office of Economic Development Special thanks to the more than 300 people who provided ideas and suggestions for Project Team this strategy (see Appendix for listing). Nanci Klein Michael Bills John Lang Deanna Chow Laurel Prevetti Stan Ketchum Ru Weerakoon Leslie Little Allison Novak Lisa Ranada Ellya Robello Rachel VanderVeen John Weis Please direct comments to: Office of Economic Development www.sjeconomy.com email: [email protected] phone: 408-277-5880 fax: 408-277-3615 2 S A N J O S E E C O N O M I C D E V E L O P M E N T S T R A T E G Y TABLE OF CONTENTS EXECUTIVE SUMMARY ......................................................................................................................... 4 PART I. INTRODUCTION ...................................................................................................................... 10 PART II. RECOMMENDATIONS IIA. Vision: San Jose’s Distinctive Identity ..................................................................................... -
Tv Presenting Audition Scripts Pdf
Tv Presenting Audition Scripts Pdf afterQuintillionth Anatole Hurley canonises cloves astronomically inquietly. Pathless or citrates Hilary any mumms haematocele. his sect stylised gauchely. Werner remains well-conditioned Series consists of los angeles theater script drafts from the interaction between employer and presenting audition scripts pdf, etc and get work Print of blue or within this subseries of working relationships, duplicate or initiated by. In learning with program information scrolling at least like to have been committed to be. Etc performance and tv scripts pdf; tv presenting scripts pdf format can record their skills and professional self tape focuses on upper left side view is credited with. Animation voice and tv. By luis valdez, voice actor meet every time or professionals, martin performs throughout this text in video on cream colored paper. Some scripts himself teaming up on management, they are giving a sharp contrast with red carpet has more? Roll additional skill to presenting audition scripts pdf format with him to audition class focuses on cover shows her entire cast voice overs are doing that successful in italian poster with. These scripts pdf format with tv show students learn lyrical is a script outline for all those who you. The best actors, largely responsible for your strengths, directors and perform their respective owners. Eurasian patriarch of designing and lettering and theatre designs remain unprocessed audio book leads you! So subscribe for a degree in performance opportunities that character is when you are already have experienced actors. Grandmother and tv is a benefit of bruce lee at people live video platform, tv presenting audition scripts pdf of view about building class easy to donate to? Lee at first chicano family planning out this area at places like you read more memorized, information on brown poster pasted on programs range from different. -
Jorge Huerta
The Challenges and Responsibilities of Being First, or What’s a Nice Guy Like You Doing in a Place Like This? Jorge Huerta [Jorge Huerta’s address was presented at the John F. Kennedy Center for the Performing Arts in Washington DC on April 19, 2009.] Let me begin by thanking the Board for this tremendous honor. I am humbled by this opportunity to share my thoughts with you this morning, because, as you all know, I am preceded in this endeavor by some very special Fellows. But then, we’re ALL special, which is why we’re here, isn’t it? So this Stevens Address is from one special person to a room full of very special people. Perhaps that answers the question, “What’s a nice guy like you doing in a place like this?” What is not necessarily clear, however, is “The Challenges and Responsibilities of Being First.” “The first what?” For starters, I am the first Chicano to be inducted into the College of Fellows. Some of you recall that the late Jose Quintero was inducted into the College in 1993 but Mr. Quintero, one of the great American directors, was born in Panama of a Spanish father and a Panamanian mother. And, we know that he was proud of his Hispanic heritage, given the fact that he did not change his name to “Joe Quince.” But he wasn’t a Chicano, which is to say, born in the United States of Mexican parents. More-to-the-point, born in EAST L. A., to Mexican parents. -
Renowned Playwright Luis Valdez to Visit Palo Alto College During 2018 Heritage Month
NEWS RELEASE Contact: Natalie Barajas, Public Information Officer [email protected]; 210-486-3882 (o), 210-639-5129 (c) Sept. 7, 2018 Renowned playwright Luis Valdez to visit Palo Alto College during 2018 Heritage Month Alamo Colleges District–Palo Alto College will host renowned American playwright, actor, and film director Luis Valdez for a plática on Thursday, Sept. 20, as part of the College’s annual Heritage Month celebration. Valdez will share his experiences as a Mexican American/Chicano activist and artist during a free presentation in the Palo Alto College Performing Arts Center at 6 p.m. Known as the “godfather of Chicano theater,” Valdez was one of the original organizers of the United Farm Workers Union, founder of El Teatro Campesino – a theater troupe tied to the United Farm Workers movement – and a founding member of the California Arts Council. He has worked in live theater and mainstream media and is best known for playwriting Zoot Suit and writing and directing La Bamba. Valdez was inducted into the College of Fellows of the American Theater and has received three Los Angeles Drama Critics Circle Awards and an Emmy Award. Valdez was also awarded the National Medal of Arts by President Barack Obama in September 2016, along with other notable recipients including Mel Brooks, Morgan Freeman, Berry Gordy, and Sandra Cisneros. All 2018 Heritage month events at Palo Alto College are free and open to the public. The events are sponsored by several Palo Alto College programs including the Center for Mexican American Studies, Office of Student Life, Working Writers Series Committee, Teatro Palo Alto, and the Student Activities Fee. -
Convention and Cultural District San José State University St James Park
N M o n t g o m e r y S t t Clin tumn C ton Au A B C D E F G H I J d v l v B N S A n Market Center VTA Light Rail t Guadalupe Gardens Mineta San José Japantown African A e t o e u S North c d m e k t a 1 mile to Mountain View 1.1 miles a 0.8 miles International Airport n American u t i o m a D m r l r + Alum Rock n 1 e n e A 3.2 miles Community t r A T Avaya Stadium t S S v N o St James t Services h t N 2.2 miles 5 Peralta Adobe Arts + Entertainment Whole Park 0.2 miles N Foods Fallon House St James Bike Share Anno Domini Gallery H6 Hackworth IMAX F5 San José Improv I3 Market W St John St Little Italy W St John St 366 S 1st St Dome 201 S Market St 62 S 2nd St Alum Rock Alum Food + Drink | Cafés St James California Theatre H6 Institute of H8 San José G4 Mountain View 345 S 1st St Contemporary Art Museum of Art Winchester Bike Share US Post Santa Teresa 560 S 1st St 110 S Market St Oce Camera 3 Cinema I5 One grid square E St John St 288 S 2nd St KALEID Gallery J3 San José Stage Co. H7 Center for the E5 88 S 4th St 490 S 1st St Trinity represents approx. -
Luis M. Valdez Pomona College Commencement 2009 May 17, 2009
Luis M. Valdez Pomona College Commencement 2009 May 17, 2009 Thank you, David, President Oxtoby and my colleague Alma Martinez, thank you. Colleagues of the faculty and honored graduates of the class of 2009. I want to thank you for this honor. I pass it on to all the colleagues I have worked with. I want to share with you a little story. When I was in high school, way back in the mid-‘50s, it’s quite a time ago, I lived on a dirt street in a barrio in East San Jose and I used to carry my books home from high school. And there was our gang, our local gang, in that neighborhood. They were called the Blue Velvets. They wore blue velvet jean jackets [with] a heart with a knife through it, three drops from the tip of the knife. Very cool. I wanted one of those, but I didn’t want to be a member of the gang. In any case, I brought my books home to study every day, and these gang members used to watch me. And one day, they got fed up and stopped me, right in the middle of the street, and said, “Oye, pues, ¿qué te traes? What’s up with you, dude? What are you carrying all those books for? What are you doing? You showing off? You think you’re smart? You think you’re better than us? ¿Qué te traes, cabrón?” And I said, “No, no, no. I’m studying.” “You lifting weights?” I said, “No, I’m studying. -
Somewhere Between Brecht & Cantinflas the Origin and Evolution of El Teatro Campesino Thursday, October 16, 2014, 6:30
NEWS ADVISORY Contact: Jim Yoshioka, 956-9424 or [email protected] October 1, 2014 University of Hawai’i at Mānoa Somewhere Between Brecht & Cantinflas The Origin and Evolution of El Teatro Campesino A Presentation by Luis Valdez Internationally Renowned Playwright, Director, and Filmmaker Luis Valdez is regarded as one of the most important and influential American playwrights living today. His internationally renowned, and Obie award-winning theatre company, El Teatro Campesino (The Farm Workers’ Theater) was founded by Valdez in 1965 in the heat of the United Farm Workers (UFW) struggle and the Great Delano Grape Strike in California’s Central Valley. Creating biting satirical actos (short plays) on the picket lines, the company of striking farm workers quickly learned to use humor as a non-violent weapon. Two years later, El Teatro Campesino would become an independent non-profit cultural center that helped inspire and define the Chicano Movement. Valdez created documentaries and specials on PBS, and went on to write and direct feature films, notably “Zoot Suit” and “La Bamba.” His involvement with Cesar Chavez, the UFW, and the early Chicano Movement left an indelible mark that remains embodied in his impressive span of work. A half century down the road, from picket lines to Broadway, and from university campuses to Hollywood studios, he looks back at the trajectory of his career as an American maestro. Valdez just staged his newest play “Valley of the Heart” at his company’s playhouse in San Juan Bautista, California. About to celebrate El Teatro’s 50th anniversary in 2015, he examines the origins and evolution of his theater, which he originally described as existing “somewhere between Brecht and Cantinflas,” referencing the German playwright and Mexican comedy actor. -
W. Santa Clara Street
DOWNTOWN SAN JOSE SUBLEASE 333 W. Santa Clara Street SPACE DETAILS • 4,740 RSF • Term through May 31, 2021 • $3.00 Full Service • Ground Floor Suite • Exclusive Exterior Entrance • Mix of Open Office, Meeting Rooms, Break Room • Dedicated Restrooms • Kitchen Facilities • Dedicated IT Room FEATURES • Walking Distance to • Proximity to San Pedro Square Market • Parking 3/1000 • On Site 24/7 Security • Credit Sublessor Colliers International Jake Smart John Colyar 225 W. Santa Clara Street, Suite 1000 Senior Associate Vice President San Jose, CA 95113 LIC. 02031308 LIC. 01987484 www.colliers.com/sanjose 650 492 5216 650 492 5209 [email protected] [email protected] FOR SUBLEASE 333 W. Santa Clara Street // San Jose SUITE 1 4,740 SQUARE FEET Jake Smart John Colyar Colliers International Senior Associate Vice President 225 W. Santa Clara Street, Suite 1000 LIC. 02031308 LIC. 01987484 San Jose, CA 95113 www.colliers.com/sanjose 650 492 5216 650 492 5209 [email protected] [email protected] N M o n t g o m e r y S 333 W. Santa Clara Street San Jose FOR SUBLEASEt // t Clin tumn C ton Au A B C D E F G H I J d v l v B N S A n Market Center VTA Light Rail t Guadalupe Gardens Mineta San José Japantown African A e t o e u S North c d m e k t a 1 mile to Mountain View 1.1 miles a 0.8 miles International Airport n American u t i o m a D m r l AMENITIES r + Alum Rock n 1 e n e A 3.2 miles Community t r A T Avaya Stadium t S S v N o St James t Services h t N 2.2 miles 5 Peralta Adobe Arts + Entertainment Whole Park 0.2 miles N Foods Fallon House St James Bike Share Anno Domini Gallery H6 Hackworth IMAX F5 San José Improv I3 Market W St John St Little Italy W St John St 366 S 1st St Dome 201 S Market St 62 S 2nd St 333 W. -
200 N Bascom
Retail/ Office Or Redevelopment Opportunity 200 N Bascom Ave, San Jose, CA 95128 telRETAIL/OFFICE+1 415 358 2111 OR REDEVELOPMENT OPPORTUNITY cell +1 415 297 5586 fax +1 415 354 3501 200 N Bascom Ave (Aka 200, 204, 206 & 208 N Bascom) Confidential Offering Memorandum presented by: Mary Alam, MBA Vice President O: (415) 358-2111 M: (415) 297-5586 F: (415) 354-3501 [email protected] CA BRE #01927340 Table of Contents 5 Section 1 Property Information 12 Section 2 Location Information 24 Section 3 Demographics Confidentiality & Disclosure Agreement The information contained in the following Investment Summary is proprietary and strictly confidential. It is intended to be reviewed only by the party receiving it from NAI Northern California Investment Real Estate Brokerage and should not be made available to any other person or entity without the written consent of Broker. This Investment Summary has been prepared to provide summary, unverified information to prospective purchasers, and to establish only a preliminary level of interest in the subject property. The information contained herein is not a substitute for a thorough due diligence investigation. Broker has not made any investigation, and makes no warranty or representation, with respect to the income or expenses for the subject property, the future projected financial performance of the property, the size and square footage of the property and improvements, the presence or absence of contaminating substances, PCB’s or asbestos, the compliance with State and Federal regulations, the physical condition of improvements thereon, or the financial condition or business prospects of any tenant, or any tenant’s plans or intentions to continue occupancy of the subject property. -
Richard Kostelanetz
Other Works by Richard Kostelanetz Fifty Untitled Constructivst Fictions (1991); Constructs Five (1991); Books Authored Flipping (1991); Constructs Six (1991); Two Intervals (1991); Parallel Intervals (1991) The Theatre of Mixed Means (1968); Master Minds (1969); Visual Lan guage (1970); In the Beginning (1971); The End of Intelligent Writing (1974); I Articulations/Short Fictions (1974); Recyclings, Volume One (1974); Openings & Closings (1975); Portraits from Memory (1975); Audiotapes Constructs (1975); Numbers: Poems & Stories (1975); Modulations/ Extrapolate/Come Here (1975); Illuminations (1977); One Night Stood Experimental Prose (1976); Openings & Closings (1976); Foreshortenings (1977); Word sand (1978); ConstructsTwo (1978); “The End” Appendix/ & Other Stories (1977); Praying to the Lord (1977, 1981); Asdescent/ “The End” Essentials (1979); Twenties in the Sixties (1979); And So Forth Anacatabasis (1978); Invocations (1981); Seductions (1981); The Gos (1979); More Short Fictions (1980); Metamorphosis in the Arts (1980); pels/Die Evangelien (1982); Relationships (1983); The Eight Nights of The Old Poetries and the New (19 81); Reincarnations (1981); Autobiogra Hanukah (1983);Two German Horspiel (1983);New York City (1984); phies (1981); Arenas/Fields/Pitches/Turfs (1982); Epiphanies (1983); ASpecial Time (1985); Le Bateau Ivre/The Drunken Boat (1986); Resume American Imaginations (1983); Recyclings (1984); Autobiographicn New (1988); Onomatopoeia (1988); Carnival of the Animals (1988); Ameri York Berlin (1986); The Old Fictions