Jorge Huerta Papers
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Listado Campeones
Note Definition English Spanish Categoría AATROX Champion Name Aatrox Aatrox Armadura AATROX Champion Skin Justicar Aatrox Aatrox Justiciero Armadura AATROX Champion Skin Mecha Aatrox Aatrox Mecha Armadura AATROX Champion Skin Sea Hunter Aatrox Aatrox Cazador Marino Traje AHRI Champion Name Ahri Ahri Traje AHRI Champion Skin Dynasty Ahri Ahri Dinástica Traje AHRI Champion Skin Popstar Ahri Ahri Estrella del Pop Traje AHRI Champion Skin Midnight Ahri Ahri de Medianoche Traje AHRI Champion Skin Foxfire Ahri Ahri Raposa de Fuego Traje AHRI Champion Skin Challenger Ahri Ahri Retadora Traje AHRI Champion Skin Academy Ahri Ahri Academia Traje AHRI Champion Skin Arcade Ahri Ahri de Arcadia Traje AKALI Champion Name Akali Akali Traje AKALI Champion Skin Stinger Akali Akali Aguijón Traje AKALI Champion Skin Crimson Akali Akali Carmesí Traje AKALI Champion Skin All-star Akali Akali Supercampeona Traje AKALI Champion Skin Nurse Akali Enfermera Akali Traje AKALI Champion Skin Blood Moon Akali Akali Luna de Sangre Traje AKALI Champion Skin Silverfang Akali Akali Colmillo de Plata Traje AKALI Champion Skin Headhunter Akali Akali Cazadora de Cabezas Armadura AKALI Champion Skin Sashimi Akali Akali Sashimi Traje ALISTAR Champion Name Alistar Alistar Traje ALISTAR Champion Skin Black Alistar Alistar Negro Traje ALISTAR Champion Skin Golden Alistar Alistar Dorado Traje ALISTAR Champion Skin Matador Alistar Alistar Matador Traje ALISTAR Champion Skin Longhorn Alistar Alistar Cuernoslargos Traje ALISTAR Champion Skin Unchained Alistar Alistar Desencadenado -
Re-Imagining United States History Through Contemporary Asian American and Latina/O Literature
LATINASIAN NATION: RE-IMAGINING UNITED STATES HISTORY THROUGH CONTEMPORARY ASIAN AMERICAN AND LATINA/O LITERATURE Susan Bramley Thananopavarn A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature in the College of Arts and Sciences. Chapel Hill 2015 Approved by: María DeGuzmán Jennifer Ho Minrose Gwin Laura Halperin Ruth Salvaggio © 2015 Susan Bramley Thananopavarn ALL RIGHTS RESERVED ii ABSTRACT Susan Thananopavarn: LatinAsian Nation: Re-imagining United States History through Contemporary Asian American and Latina/o Literature (Under the direction of Jennifer Ho and María DeGuzmán) Asian American and Latina/o populations in the United States are often considered marginal to discourses of United States history and nationhood. From laws like the 1882 Chinese Exclusion Act to the extensive, racially targeted immigration rhetoric of the twenty-first century, dominant discourses in the United States have legally and rhetorically defined Asian and Latina/o Americans as alien to the imagined nation. However, these groups have histories within the United States that stretch back more than four hundred years and complicate foundational narratives like the immigrant “melting pot,” the black/white binary, and American exceptionalism. This project examines how Asian American and Latina/o literary narratives can rewrite official histories and situate American history within a global context. The literary texts that I examine – including works by Carlos Bulosan, Américo Paredes, Luis Valdez, Mitsuye Yamada, Susan Choi, Achy Obejas, Karen Tei Yamashita, Cristina García, and Siu Kam Wen – create a “LatinAsian” view of the Americas that highlights and challenges suppressed aspects of United States history. -
Spartan Daily
SEE FOOTBALL PAGE 8 SEE THESE VIDEOS AND MORE ON SPARTANDAILY ON YOUTUBE NO LOVE FOR SJSU IN IOWA FIRST HIP HOP RUN CITYDANCE SAN JOSE SERVING SAN JOSE STATE UNIVERSITY SINCE 1934 SPARTAN DAILY Volume 147. Issue 121 www.sjsunews.com/spartandaily Tuesday,Wednesday, September August 24,27, 2016 LIVE ON THE LAWN MEDAL OF ARTS San Jose State alum honored BY SHELLISE WEST in many ways, our national soul. STAFF WRITER They’re central to who are are as President Barack Obama Americans.” said Obama. presented playwright, director Valdez, who attended SJSU and San Jose State University in 1960 began his career after alum Luis Valdez with the 2015 winning a playwright competition National Medal of Arts Thursday for his one-act play The Theft for his contribution to Chicano according to his biography. theatre and arts. Known for his work in Zoot The ceremony included notable Suit, he returned to the theatre journalists, authors, and directors department to put on a production lasted briefl y with an address from with students in the spring of 2015. President Barack Obama before The production that focused on RAYMOND BALTAZAR | SPARTAN DAILY honoring each awardee. Latino racial injustice in Los SEE FULL PHOTO ESSAY ON PAGE 4 “The arts and humanities are See VALDEZ page 3 TIME TO VOTE SWASTIKAS INSIDE Propositions occupy Off enders: Student Union Th eater ‘It was just a joke’ BY JASON DUNHAM Proposition 63 would also affect the large- STAFF WRITER capacity magazine ban from 2000. By extending the ban’s effect to purchases that BY ITZEL CASTRO California gun legislation and the death STAFF WRITER penalty were the focus of discussion at the were made before the original 2000 ban. -
National Conference
NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION In Memoriam We honor those members who passed away this last year: Mortimer W. Gamble V Mary Elizabeth “Mery-et” Lescher Martin J. Manning Douglas A. Noverr NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION APRIL 15–18, 2020 Philadelphia Marriott Downtown Philadelphia, PA Lynn Bartholome Executive Director Gloria Pizaña Executive Assistant Robin Hershkowitz Graduate Assistant Bowling Green State University Sandhiya John Editor, Wiley © 2020 Popular Culture Association Additional information about the PCA available at pcaaca.org. Table of Contents President’s Welcome ........................................................................................ 8 Registration and Check-In ............................................................................11 Exhibitors ..........................................................................................................12 Special Meetings and Events .........................................................................13 Area Chairs ......................................................................................................23 Leadership.........................................................................................................36 PCA Endowment ............................................................................................39 Bartholome Award Honoree: Gary Hoppenstand...................................42 Ray and Pat Browne Award -
Tv Presenting Audition Scripts Pdf
Tv Presenting Audition Scripts Pdf afterQuintillionth Anatole Hurley canonises cloves astronomically inquietly. Pathless or citrates Hilary any mumms haematocele. his sect stylised gauchely. Werner remains well-conditioned Series consists of los angeles theater script drafts from the interaction between employer and presenting audition scripts pdf, etc and get work Print of blue or within this subseries of working relationships, duplicate or initiated by. In learning with program information scrolling at least like to have been committed to be. Etc performance and tv scripts pdf; tv presenting scripts pdf format can record their skills and professional self tape focuses on upper left side view is credited with. Animation voice and tv. By luis valdez, voice actor meet every time or professionals, martin performs throughout this text in video on cream colored paper. Some scripts himself teaming up on management, they are giving a sharp contrast with red carpet has more? Roll additional skill to presenting audition scripts pdf format with him to audition class focuses on cover shows her entire cast voice overs are doing that successful in italian poster with. These scripts pdf format with tv show students learn lyrical is a script outline for all those who you. The best actors, largely responsible for your strengths, directors and perform their respective owners. Eurasian patriarch of designing and lettering and theatre designs remain unprocessed audio book leads you! So subscribe for a degree in performance opportunities that character is when you are already have experienced actors. Grandmother and tv is a benefit of bruce lee at people live video platform, tv presenting audition scripts pdf of view about building class easy to donate to? Lee at first chicano family planning out this area at places like you read more memorized, information on brown poster pasted on programs range from different. -
Jorge Huerta
The Challenges and Responsibilities of Being First, or What’s a Nice Guy Like You Doing in a Place Like This? Jorge Huerta [Jorge Huerta’s address was presented at the John F. Kennedy Center for the Performing Arts in Washington DC on April 19, 2009.] Let me begin by thanking the Board for this tremendous honor. I am humbled by this opportunity to share my thoughts with you this morning, because, as you all know, I am preceded in this endeavor by some very special Fellows. But then, we’re ALL special, which is why we’re here, isn’t it? So this Stevens Address is from one special person to a room full of very special people. Perhaps that answers the question, “What’s a nice guy like you doing in a place like this?” What is not necessarily clear, however, is “The Challenges and Responsibilities of Being First.” “The first what?” For starters, I am the first Chicano to be inducted into the College of Fellows. Some of you recall that the late Jose Quintero was inducted into the College in 1993 but Mr. Quintero, one of the great American directors, was born in Panama of a Spanish father and a Panamanian mother. And, we know that he was proud of his Hispanic heritage, given the fact that he did not change his name to “Joe Quince.” But he wasn’t a Chicano, which is to say, born in the United States of Mexican parents. More-to-the-point, born in EAST L. A., to Mexican parents. -
Renowned Playwright Luis Valdez to Visit Palo Alto College During 2018 Heritage Month
NEWS RELEASE Contact: Natalie Barajas, Public Information Officer [email protected]; 210-486-3882 (o), 210-639-5129 (c) Sept. 7, 2018 Renowned playwright Luis Valdez to visit Palo Alto College during 2018 Heritage Month Alamo Colleges District–Palo Alto College will host renowned American playwright, actor, and film director Luis Valdez for a plática on Thursday, Sept. 20, as part of the College’s annual Heritage Month celebration. Valdez will share his experiences as a Mexican American/Chicano activist and artist during a free presentation in the Palo Alto College Performing Arts Center at 6 p.m. Known as the “godfather of Chicano theater,” Valdez was one of the original organizers of the United Farm Workers Union, founder of El Teatro Campesino – a theater troupe tied to the United Farm Workers movement – and a founding member of the California Arts Council. He has worked in live theater and mainstream media and is best known for playwriting Zoot Suit and writing and directing La Bamba. Valdez was inducted into the College of Fellows of the American Theater and has received three Los Angeles Drama Critics Circle Awards and an Emmy Award. Valdez was also awarded the National Medal of Arts by President Barack Obama in September 2016, along with other notable recipients including Mel Brooks, Morgan Freeman, Berry Gordy, and Sandra Cisneros. All 2018 Heritage month events at Palo Alto College are free and open to the public. The events are sponsored by several Palo Alto College programs including the Center for Mexican American Studies, Office of Student Life, Working Writers Series Committee, Teatro Palo Alto, and the Student Activities Fee. -
Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Hebert, Neal Anderson, "Professional Wrestling: Local Performance History, Global Performance Praxis" (2016). LSU Doctoral Dissertations. 2329. https://digitalcommons.lsu.edu/gradschool_dissertations/2329 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. PROFESSIONAL WRESTLING: LOCAL PERFORMANCE HISTORY, GLOBAL PERFORMANCE PRAXIS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Theatre By Neal A. Hebert B.A., Louisiana State University, 2003 M.A., Louisiana State University, 2008 August 2016 TABLE OF CONTENTS ACKNOWLEDGMENTS .............................................................................................. iv ABSTRACT ......................................................................................................................v -
Luis M. Valdez Pomona College Commencement 2009 May 17, 2009
Luis M. Valdez Pomona College Commencement 2009 May 17, 2009 Thank you, David, President Oxtoby and my colleague Alma Martinez, thank you. Colleagues of the faculty and honored graduates of the class of 2009. I want to thank you for this honor. I pass it on to all the colleagues I have worked with. I want to share with you a little story. When I was in high school, way back in the mid-‘50s, it’s quite a time ago, I lived on a dirt street in a barrio in East San Jose and I used to carry my books home from high school. And there was our gang, our local gang, in that neighborhood. They were called the Blue Velvets. They wore blue velvet jean jackets [with] a heart with a knife through it, three drops from the tip of the knife. Very cool. I wanted one of those, but I didn’t want to be a member of the gang. In any case, I brought my books home to study every day, and these gang members used to watch me. And one day, they got fed up and stopped me, right in the middle of the street, and said, “Oye, pues, ¿qué te traes? What’s up with you, dude? What are you carrying all those books for? What are you doing? You showing off? You think you’re smart? You think you’re better than us? ¿Qué te traes, cabrón?” And I said, “No, no, no. I’m studying.” “You lifting weights?” I said, “No, I’m studying. -
Somewhere Between Brecht & Cantinflas the Origin and Evolution of El Teatro Campesino Thursday, October 16, 2014, 6:30
NEWS ADVISORY Contact: Jim Yoshioka, 956-9424 or [email protected] October 1, 2014 University of Hawai’i at Mānoa Somewhere Between Brecht & Cantinflas The Origin and Evolution of El Teatro Campesino A Presentation by Luis Valdez Internationally Renowned Playwright, Director, and Filmmaker Luis Valdez is regarded as one of the most important and influential American playwrights living today. His internationally renowned, and Obie award-winning theatre company, El Teatro Campesino (The Farm Workers’ Theater) was founded by Valdez in 1965 in the heat of the United Farm Workers (UFW) struggle and the Great Delano Grape Strike in California’s Central Valley. Creating biting satirical actos (short plays) on the picket lines, the company of striking farm workers quickly learned to use humor as a non-violent weapon. Two years later, El Teatro Campesino would become an independent non-profit cultural center that helped inspire and define the Chicano Movement. Valdez created documentaries and specials on PBS, and went on to write and direct feature films, notably “Zoot Suit” and “La Bamba.” His involvement with Cesar Chavez, the UFW, and the early Chicano Movement left an indelible mark that remains embodied in his impressive span of work. A half century down the road, from picket lines to Broadway, and from university campuses to Hollywood studios, he looks back at the trajectory of his career as an American maestro. Valdez just staged his newest play “Valley of the Heart” at his company’s playhouse in San Juan Bautista, California. About to celebrate El Teatro’s 50th anniversary in 2015, he examines the origins and evolution of his theater, which he originally described as existing “somewhere between Brecht and Cantinflas,” referencing the German playwright and Mexican comedy actor. -
Pandora Box DX 3000-In-1 Games List
Pandora Box DX 3000-In-1 Game List Stamp★Game Support 3Players/4Players Stamp▲Are 3D Game No. Game Name 1501 Maniac Square 1 Street Fighter EX Plus ▲3D 1502 Tetris-System 16A 2 Street Fighter EX2 Plus ▲3D 1503 Grand Tour 3 Capcom Vs.SNK 2000 Pro ▲3D 1504 Columns III 4 Mortal Kombat (coin version) ▲3D 1505 Stack Columns 5 Mortal Kombat 2(set1) ▲3D 1506 Poto Poto 6 Mortal Kombat 3 Trilogy ▲3D 1507 Mouja 7 Mortal Kombat 4 ▲3D 1508 News (set 1) 8 Tekken ▲3D 1509 Hebereke No Popoon 9 Tekken 2 ▲3D 1510 Hexa 10 Tekken 3 ▲3D 1511 Puyo Puyo 11 Street Fighter Zero 1512 Puyo Puyo 2 12 Street Fighter Zero2 1513 Puyo Puyo sun 13 Street Fighter Zero3 1514 Xor World 14 Street Fighter Alpha : W'Dreams 1515 Hexion 15 Street Fighter Alpha 2 1516 Eto Monogatari 16 Street Fighter Alpha 3 1517 Land Maker 17 Street Fighter III 3rd Strike 1518 Atomic Point 18 Street Fighter III 2nd Impact 1519 Puzzle & Action:Tant-R (Korea) 19 Street Fighter III : New Generation 1520 Puzzle & Action 2 Ichidant-R (En) 20 Marvel Super Heroes 1521 Puzzle & Action 2 Ichidant-R (Kor) 21 Marvel Super Heroes Vs. St Fighter 1522 The Newzealand Story 22 Marvel Vs. Capcom : Super Heroes 1523 Puzzle Bobble 23 X-Men : Children oF the Atom 1524 Puzzle Bobble 2 24 X-Men Vs. Street Fighter 1525 Puzzle Bobble 3 25 Hyper Street Fighter II : AE 1526 Puzzle Bobble 4 26 Super Street Fighter II : New C 1527 Bust-A-Move Again 27 Super Street Fighter II Turbo 1528 Puzzle De Pon! 28 Super Street Fighter II X : GMC 1529 Dolmen 29 Street Fighter II : The World Warrior 1530 Magical Drop II 30 Street