2019 Duke Certamen Intermediate Round 1
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Macedonian Kings, Egyptian Pharaohs the Ptolemaic Family In
Department of World Cultures University of Helsinki Helsinki Macedonian Kings, Egyptian Pharaohs The Ptolemaic Family in the Encomiastic Poems of Callimachus Iiro Laukola ACADEMIC DISSERTATION To be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XV, University Main Building, on the 23rd of September, 2016 at 12 o’clock. Helsinki 2016 © Iiro Laukola 2016 ISBN 978-951-51-2383-1 (paperback.) ISBN 978-951-51-2384-8 (PDF) Unigrafia Helsinki 2016 Abstract The interaction between Greek and Egyptian cultural concepts has been an intense yet controversial topic in studies about Ptolemaic Egypt. The present study partakes in this discussion with an analysis of the encomiastic poems of Callimachus of Cyrene (c. 305 – c. 240 BC). The success of the Ptolemaic Dynasty is crystallized in the juxtaposing of the different roles of a Greek ǴdzȅǻǽǷȏȄ and of an Egyptian Pharaoh, and this study gives a glimpse of this political and ideological endeavour through the poetry of Callimachus. The contribution of the present work is to situate Callimachus in the core of the Ptolemaic court. Callimachus was a proponent of the Ptolemaic rule. By reappraising the traditional Greek beliefs, he examined the bicultural rule of the Ptolemies in his encomiastic poems. This work critically examines six Callimachean hymns, namely to Zeus, to Apollo, to Artemis, to Delos, to Athena and to Demeter together with the Victory of Berenice, the Lock of Berenice and the Ektheosis of Arsinoe. Characterized by ambiguous imagery, the hymns inspect the ruptures in Greek thought during the Hellenistic age. -
The Cambridge Companion to Greek Mythology (2007)
P1: JzG 9780521845205pre CUFX147/Woodard 978 0521845205 Printer: cupusbw July 28, 2007 1:25 The Cambridge Companion to GREEK MYTHOLOGY S The Cambridge Companion to Greek Mythology presents a comprehensive and integrated treatment of ancient Greek mythic tradition. Divided into three sections, the work consists of sixteen original articles authored by an ensemble of some of the world’s most distinguished scholars of classical mythology. Part I provides readers with an examination of the forms and uses of myth in Greek oral and written literature from the epic poetry of the eighth century BC to the mythographic catalogs of the early centuries AD. Part II looks at the relationship between myth, religion, art, and politics among the Greeks and at the Roman appropriation of Greek mythic tradition. The reception of Greek myth from the Middle Ages to modernity, in literature, feminist scholarship, and cinema, rounds out the work in Part III. The Cambridge Companion to Greek Mythology is a unique resource that will be of interest and value not only to undergraduate and graduate students and professional scholars, but also to anyone interested in the myths of the ancient Greeks and their impact on western tradition. Roger D. Woodard is the Andrew V.V.Raymond Professor of the Clas- sics and Professor of Linguistics at the University of Buffalo (The State University of New York).He has taught in the United States and Europe and is the author of a number of books on myth and ancient civiliza- tion, most recently Indo-European Sacred Space: Vedic and Roman Cult. Dr. -
Seven Churches of Revelation, Nicaea & Istanbul
Tutku Tours Travel Programs Endorsed by Biblical Archaeology Society Seven Churches of Revelation, Nicaea & Istanbul THE CRADLE OF CHRISTIANITY August 12-24, 2017 Tour Host: Dr. Mark Fairchild Author of “Christian Origins in Ephesus and Asia Minor”. organized by Seven Churches of Revelation, Nicaea & Istanbul / August 12-24, 2017 Seven Churches of Revelation, Nicaea & Istanbul The Seven Churches of Istanbul Revelation, Nicaea & Istanbul Dr. Mark R. Fairchild, Ph.D., Luke J. Peters Prof. of Biblical Studies Chair Dept. Bible & Religion Huntington University Western Turkey was the cradle of the early Christian church. With numerous rivers and streams to nourish the fertile land, a large number of populous cities sprouted up in Asia Minor. This area was the centerpiece of Paul’s mission and the area where he spent the bulk of his time. The apostle’s ministry in the region was so productive that it could be said that “all who lived in Asia heard the word of the Lord” (Acts 19:10). The numerous churches established during this time continued to thrive through the bitter persecutions of the Roman Imperial period. Ignatius, a first century disciple of the apostle John, was arrested and brought to Rome for execution. Aug 17 Thu Colossae – Laodicea – Hierapolis – Pamukkale Along the way he wrote letters to several churches in this region including those After breakfast you will drive to unexcavated Colosse (Paul’s letter to at Ephesus, Tralles, Magnesia, Smyrna and Philadelphia. Join me on this trip as the Colossians) on the foothills of Mount Honaz. Then, you will continue we visit these sites and trace the history of the earliest church from Paul to the to Laodicea, one of the Seven Churches of Revelation. -
Massachusetts Senior Classical League
MASSACHUSETTS SENIOR CLASSICAL LEAGUE BOSTON ELITE CERTAMEN 2017 ROUND 1 1. Congratulations to all teams for making it to Round 1 of the 2017 Boston Elite Certamen Invitational. Let’s get right into it with everybody’s favorite: Dramatic Interpretation. With a teammate, act out the following passage, which I will read twice, that is based on a film the Romans might have called Istud: Dum pluit, puer lintrī chartāceā lūdēns in viā sōlus currēbat et rīdēbat. Capite in signō ob neglegentiam ictō, puer lapsus est in sēmitā lūbricā et lintrem āmīsit. Linter chartācea in cloācam cecidit, sed ā scurrā terribilī capta est. Scurra nōmen Pennywise eī esse dīxit et fierī amīcus puerī simulāvit. Cōnāns lintrem recipere, puer ā scurrā prehensus est. Bracchiō morsō, puer in cloācam tractus est ut omnīnō vorārētur. BOY IS RUNNING ON THE ROAD PLAYING WITH A PAPER BOAT AND LAUGHING. BOY HITS HIS HEAD ON A SIGN, FALLS DOWN, AND LOSES THE BOAT. THE BOAT FALLS INTO THE SEWER BUT A CLOWN IN -
Optima Carme: a Reexamination of the Nurse in the Ciris By
OPTIMA CARME: A REEXAMINATION OF THE NURSE IN THE CIRIS BY CASEY LYNN HUGHES Submitted to the graduate degree program in Classics and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts Chairperson: Dr. Tara Welch Dr. Anthony Corbeill Dr. Pamela Gordon Date defended: 10 May 2017 The Thesis Committee for CASEY LYNN HUGHES certifies that this is the approved version of the following thesis: OPTIMA CARME: A REEXAMINATION OF THE NURSE IN THE CIRIS Chairperson: Dr. Tara Welch Date approved: 10 May 2017 ii ABSTRACT This thesis examines the Ciris, a Pseudo-Vergilian epyllion of uncertain date, and analyzes the figure of the nurse Carme, a character who has largely been ignored in previous studies of the poem. The Ciris narrates the story of Scylla of Megara and how she betrayed her father, King Nisus, because of her love for Minos, King of Crete. While nurses are typical stock characters in Greek and Roman literature, I will show how the character of Carme becomes more than Scylla’s nurse. Although she embodies the qualities of many nurses from various genres before her, the Ciris poet also expands her role, briefly transforming an otherwise minor character into a second heroine. iii TABLE OF CONTENTS Chapter One: Introduction 1 Chapter Two: Influential Nurses 11 Chapter Three: The Heroine Nurse 32 Conclusion 53 Bibliography 57 Appendix A 60 Appendix B 61 iv Chapter One Introduction The Ciris is a first century B.C. or first century A.D. epyllion about Scylla, who betrays her father Nisus, king of Megara, because of her love for Minos, king of Crete. -
Defining Orphism: the Beliefs, the Teletae and the Writings
Defining Orphism: the Beliefs, the teletae and the Writings Anthi Chrysanthou Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Languages, Cultures and Societies Department of Classics May 2017 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. I This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2017 The University of Leeds and Anthi Chrysanthou. The right of Anthi Chrysanthou to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. II Acknowledgements This research would not have been possible without the help and support of my supervisors, family and friends. Firstly, I would like to express my sincere gratitude to my supervisors Prof. Malcolm Heath and Dr. Emma Stafford for their constant support during my research, for motivating me and for their patience in reading my drafts numerous times. It is due to their insightful comments and constructive feedback that I have managed to evolve as a researcher and a person. Our meetings were always delightful and thought provoking. I could not have imagined having better mentors for my Ph.D studies. Special thanks goes to Prof. Malcolm Heath for his help and advice on the reconstruction of the Orphic Rhapsodies. I would also like to thank the University of Leeds for giving me the opportunity to undertake this research and all the departmental and library staff for their support and guidance. -
Durham E-Theses
Durham E-Theses Rethinking mythology in Greek museums through contemporary culture Antonopoulou, Marina How to cite: Antonopoulou, Marina (2010) Rethinking mythology in Greek museums through contemporary culture, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2511/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk lml'Hlm:ING MYTHOLOGY IN <mEEK »KUSE{]Ml$ THROUGH CONTEMPORARY ClJL1UllB MARINAANTONOPOULOU Appendices The copyright of this thesis rests with the author or the university to which it was submitted. No quotation from it, or information derived from it may be published without the prior written consent of the author or university, and any information derived from it should be acknowledged. 2 6 MAY 2010 Appendix 1 Socratis Malamas Date: 15/01/2005 Venue: Hotel'Olympia', Thessaloniki. Q: Could you tell me what is the first thing that comes to mind when you hear the words 'Greek mythology'? A: The usual, what we learned in school. -
Women of Trachis [PDF]
SOPHOCLES TRACHINIAE [Women of Trachis] Translated by Ian Johnston Vancouver Island University Nanaimo, British Columbia Canada 2018 TRANSLATOR’S NOTE The following translation may be downloaded and distributed in print or electronic form (in whole or in part) without permission and without charge by students, teachers, artists, and members of the general public. Those who wish to edit or adapt the translation for their own purposes may do so. However, no commercial publication of this text is allowed without the permission of the translator, Ian Johnston ([email protected]). In the following text, the line number without brackets refer to the English translation; those in square brackets refer to the Greek text. In the English text, short indented lines have been included with short lines above them in computing the appropriate line number. The stage directions and footnotes have been provided by the translator. In this translation, possessives of words ending in -s are usually indicated in the common way (that is, by adding -’s (e.g. Zeus and Zeus’s). This convention adds a syllable to the spoken word (the sound -iz). Sometimes, for metrical reasons, this English text indicates such possession in an alternate manner, with a simple apostrophe. This form of the possessive does not add an extra syllable to the spoken name (e.g., Hercules and Hercules’ are both three-syllable words; whereas, Hercules’s has four syllables). The translator would like to acknowledge the valuable assistance of Richard Jebb’s commentary and translation (available online at Perseus). A NOTE ON THE MYTHOLOGICAL BACKGROUND Like almost all Greek legends, the Herakles (Hercules) story has many versions (especially since Herakles was a very popular figure in Greek drama and poetry). -
2016 Virginia State Finals Kick-Off Certamen Level III NOTE to MODERATORS: in Answers, Information in Parentheses Is Optional Extra Information
2016 Virginia State Finals Kick-Off Certamen Level III NOTE TO MODERATORS: in answers, information in parentheses is optional extra information. A slash ( / ) indicates an alternate answer. Underlined portions of a longer, narrative answer indicate required information. ROUND ONE 1. TOSSUP: What is the meaning of Latin adjective, ingēns, ingentis? ANS: HUGE/BIG BONUS: What is the meaning of the Latin noun ingenium? ANS: TALENT/CHARACTER/NATURE/INTELLIGENCE/QUALITY/DISPOSITION 2. TOSSUP: What quaestor of Marius was instrumental in the capture of the Numidian king Jugurtha? ANS: (L. CORNELIUS) SULLA BONUS: Who was the father-in-law of Jugurtha who betrayed him to Sulla? ANS: BOCCHUS 3. TOSSUP: What god was thought by Hesiod to be born from Chaos, but is perhaps more commonly known to be the son of Aphrodite and Ares? ANS: EROS BONUS: According to Hesiod, from what was Aphrodite born? ANS: FOAM (OF THE SEA) 4. TOSSUP: What Roman playwright was part of the literary circle of Scipio Aemilianus and was accused of contāminātiō, or the blending of two different sources, in his most successful play Eunuchus? ANS: TERENCE / (PUBLIUS) TERENTIUS (AFER) BONUS: Where was Terence heading when he died during his travel in 159 BC? ANS: GREECE 5. TOSSUP: Listen carefully to the following passage, which I will read twice, and answer in Latin the quaestio that follows. Caesar vacuam urbem ingressus dictātorem sē fēcit. Inde Hispāniās petiit. Ibi Pompēiī exercitūs validissimōs et fortissimōs cum tribus ducibus, L. Afraniō, M. Petreiō, M. Varrōne, superāvit. Inde regressus in Graeciam transiit, adversum Pompēium dīmicāvit. Prīmō proeliō victus est et fugātus, ēvāsit tamen, quia nocte interveniente Pompēius sequī nōluit, dīxitque Caesar nec Pompēium scīre vīncere et illō tantum diē sē potuisse superārī. -
Greek Mythology / Apollodorus; Translated by Robin Hard
Great Clarendon Street, Oxford 0X2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Robin Hard 1997 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published as a World’s Classics paperback 1997 Reissued as an Oxford World’s Classics paperback 1998 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Apollodorus. [Bibliotheca. English] The library of Greek mythology / Apollodorus; translated by Robin Hard. -
Early Christians in Turkey
MSMC Ecclesia Series Fr. Felix Just, S.J., Ph.D. http://catholic-resources.org THURS, MAY 23, DAY 11: KUSADASI to SMYRNA to PERGAMUM to AYVALIK: Izmir (ancient Smyrna), one of the oldest cities of the Mediterranean basin (5000 years old). Smyrna was a center of 1st cent. Christianity, and is one of the Seven Churches of Revelation (Rev. 1:11; 2:8-11). Church of St. Polycarp, a 2nd century bishop of Smyrna, who was burned at the stake in Smyrna’s stadium around 156 AD. Pergamum, another of the 7 Churches of Revelation (2:12-17). Pergamum held four of the most important Greco-Roman cults of the day: Zeus, Athene, Dionysios, and Asklepios (aka “Savior”). Because of worship of Asklepios, a god of healing, Pergamum became a center of medicine. We visit the ruins of the ancient Asklepion, the Altar of Zeus, the Temples of Athena, Trajan, and Dionysus, an a 10,000-seat theatre. We continue to the seaside resort town of Ayvalik. Dinner at our hotel. IZMIR/SMYRNA http://www.sacred-destinations.com/turkey/izmir.htm Izmir Agora The ancient market of Smyrna lies in the center of modern Izmir. Originally constructed under Alexander the Great, it was rebuilt under the Romans in the 2nd century. Izmir Archaeological Museum An impressive collection of ancient and Roman artifacts recovered from area excavations, including Bergama, Iasos, Bayrakli (Izmir's original settlement), and Izmir's Agora. St. Polycarp Church Although reconstructed in 1620, this church is the oldest in Izmir. It honors St. Polycarp, who was bishop of Smyrna and was martyred on a nearby hill in 155 AD. -
National All-Star Academic Tournament Round 14 Tossups 1
National All-Star Academic Tournament Round 14 Tossups 1. Late in his life, this artist produced prints like The Knife Thrower and The Snail, known as his "cutouts." He painted a figure with an unnaturally twisted buttock in a work subtitled "Souvenir de Biskra," as well as a portrait of his wife with her face split in two by a "green line." This painter of Blue Nude depicted the title color bleeding from the floor to the wallpaper in his painting The Red Room. He used a half-blue and half-green landscape to display five red figures in a circle in another painting, a scene reimagined in this artist's The Joy of Life. For 10 points, name this painter of The Dance, the leader of Fauvism. ANSWER: Henri Matisse 020-09-12-14102 2. As a result of this event, Henricus Vos and Johannes van den Esschen were executed. A meeting in Speyer temporarily retracted the central result of this event, which resulted in a proclamation authored by Girolamo Aleandro. The Archbishop of Trier, Johann Eck, spoke for the emperor who convened it. Frederick the Wise guaranteed that one man would have safe passage to and from this meeting. It took place the year after Pope Leo X issued the papal bull Exurge Domine, which demanded that a man retract forty-one errors in his writings. Instead of retracting his errors, that man allegedly stated at this meeting "Here I stand; I can do no other." For 10 points, name this 1521 meeting whose namesake edict outlawed Martin Luther as a heretic.