Round 8 1. According to One Late Tradition, He Married a Daughter Of
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CY30620 Pedeir Keink Y Mabinogi | Aberystwyth University
09/29/21 CY30620 Pedeir Keink y Mabinogi | Aberystwyth University CY30620 Pedeir Keink y Mabinogi View Online 1. Jarman, A. O. H. & Hughes, G. R. A guide to Welsh literature: Vol.2: 1282-c.1550: edited by A.O.H. Jarman and Gwilym Rees Hughes. (Christopher Davies, 1979). 2. Thomas, G. & Jones, B. L. Llenyddiaeth y Cymry: cyflwyniad darluniadol, Cyfrol 1: O tua 500 i tua 1500 ; Gwyn Thomas. (D. Brown, 1985). 3. Bowen, G. Y traddodiad rhyddiaith yn yr oesau canol: darlithiau Dewi Sant. vol. Darlithiau Dewi Sant (Gwasg Gomer, 1974). 4. Bromwich, R. ‘The Character of the Early Welsh Tradition’. in Studies in early British history (Cambridge University Press, 1954). 5. Trioedd ynys Prydein: the triads of the island of Britain. (University of Wales Press, 2014). 6. Davies, S. Crefft y cyfarwydd: astudiaeth o dechnegau naratif yn Y Mabinogion. (Gwasg Prifysgol Cymru, 1995). 1/17 09/29/21 CY30620 Pedeir Keink y Mabinogi | Aberystwyth University 7. Davies, S. ‘Written text as performance: the implications for Middle Welsh prose narratives’. in Literacy in medieval Celtic societies vol. Cambridge studies in medieval literature 133–149 (Cambridge University Press, 1998). 8. Jones, R. M. ‘Tri Mewn LLenyddiaeth’. Llên Cymru 14, 92–110 (1981). 9. Jones, R. M. ‘Narrative Structure in Medieval Welsh Prose Tales’. in Proceedings of the seventh International Congress of Celtic Studies held at Oxford, from 10th to 15th July, 1983 vol. International Congress of Celtic Studies 171–198 (D.Ellis Evans, 1986). 10. Owen, M. ‘Shame and Reparation: Women’s Place in the Kin’. in The Welsh law of women: studies presented to Professor Daniel A. -
The Cambridge Companion to Greek Mythology (2007)
P1: JzG 9780521845205pre CUFX147/Woodard 978 0521845205 Printer: cupusbw July 28, 2007 1:25 The Cambridge Companion to GREEK MYTHOLOGY S The Cambridge Companion to Greek Mythology presents a comprehensive and integrated treatment of ancient Greek mythic tradition. Divided into three sections, the work consists of sixteen original articles authored by an ensemble of some of the world’s most distinguished scholars of classical mythology. Part I provides readers with an examination of the forms and uses of myth in Greek oral and written literature from the epic poetry of the eighth century BC to the mythographic catalogs of the early centuries AD. Part II looks at the relationship between myth, religion, art, and politics among the Greeks and at the Roman appropriation of Greek mythic tradition. The reception of Greek myth from the Middle Ages to modernity, in literature, feminist scholarship, and cinema, rounds out the work in Part III. The Cambridge Companion to Greek Mythology is a unique resource that will be of interest and value not only to undergraduate and graduate students and professional scholars, but also to anyone interested in the myths of the ancient Greeks and their impact on western tradition. Roger D. Woodard is the Andrew V.V.Raymond Professor of the Clas- sics and Professor of Linguistics at the University of Buffalo (The State University of New York).He has taught in the United States and Europe and is the author of a number of books on myth and ancient civiliza- tion, most recently Indo-European Sacred Space: Vedic and Roman Cult. Dr. -
The Petite Commande of 1664: Burlesque in the Gardens of Versailles Thomasf
The Petite Commande of 1664: Burlesque in the Gardens of Versailles ThomasF. Hedin It was Pierre Francastel who christened the most famous the west (Figs. 1, 2, both showing the expanded zone four program of sculpture in the history of Versailles: the Grande years later). We know the northern end of the axis as the Commande of 1674.1 The program consisted of twenty-four Allee d'Eau. The upper half of the zone, which is divided into statues and was planned for the Parterre d'Eau, a square two identical halves, is known to us today as the Parterre du puzzle of basins that lay on the terrace in front of the main Nord (Fig. 2). The axis terminates in a round pool, known in western facade for about ten years. The puzzle itself was the sources as "le rondeau" and sometimes "le grand ron- designed by Andre Le N6tre or Charles Le Brun, or by the deau."2 The wall in back of it takes a series of ninety-degree two artists working together, but the two dozen statues were turns as it travels along, leaving two niches in the middle and designed by Le Brun alone. They break down into six quar- another to either side (Fig. 1). The woods on the pool's tets: the Elements, the Seasons, the Parts of the Day, the Parts of southern side have four right-angled niches of their own, the World, the Temperamentsof Man, and the Poems. The balancing those in the wall. On July 17, 1664, during the Grande Commande of 1674 was not the first program of construction of the wall, Le Notre informed the king by statues in the gardens of Versailles, although it certainly was memo that he was erecting an iron gate, some seventy feet the largest and most elaborate from an iconographic point of long, in the middle of it.3 Along with his text he sent a view. -
The Fates of the Princes of Dyfed Cenydd Morus (Kenneth Morris) Illustrations by Reginald Machell
Theosophical University Press Online Edition The Fates of the Princes of Dyfed Cenydd Morus (Kenneth Morris) Illustrations by Reginald Machell Copyright © 1914 by Katherine Tingley; originally published at Point Loma, California. Electronic edition 2000 by Theosophical University Press ISBN 1- 55700-157-x. This edition may be downloaded for off-line viewing without charge. For ease of searching, no diacritical marks appear in the electronic version of the text. To Katherine Tingley: Leader and Official Head of the Universal Brotherhood and Theosophical Society, whose whole life has been devoted to the cause of Peace and Universal Brotherhood, this book is respectfully dedicated Contents Preface The Three Branches of the Bringing-in of it, namely: The Sovereignty of Annwn I. The Council of the Immortals II. The Hunt in Glyn Cuch III. The Slaying of Hafgan The Story of Pwyll and Rhianon, or The Book of the Three Trials The First Branch of it, called: The Coming of Rhianon Ren Ferch Hefeydd I. The Making-known of Gorsedd Arberth, and the Wonderful Riding of Rhianon II. The First of the Wedding-Feasts at the Court of Hefeydd, and the Coming of Gwawl ab Clud The Second Branch of it, namely: The Basket of Gwaeddfyd Newynog, and Gwaeddfyd Newynog Himself I. The Anger of Pendaran Dyfed, and the Putting of Firing in the Basket II. The Over-Eagerness of Ceredig Cwmteifi after Knowledge, and the Putting of Bulrush-Heads in the Basket III. The Circumspection of Pwyll Pen Annwn, and the Filling of the Basket at Last The First Branch of it again: III. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
Mabinogion Mélodrame Gallois, Pour Quatuor À Cordes Et Voix
DOSSIER D’ACCOMPAGNEMENT Mabinogion Mélodrame gallois, pour quatuor à cordes et voix Quatuor Béla, Elise Caron Ma 13 déc 14:30 / me 14 déc 19:30 je 15 déc 14:30 Théâtre Charles Dullin Espace Malraux scène nationale de Chambéry et de la Savoie Espace Malraux scène nationale de Chambéry et de la Savoie – Saison 2016-2017 Mabinogion Durée 1h01 Chant, récit Elise Caron, violons Julien Dieudegard, Frédéric Aurier, alto Julian Boutin, violoncelle Luc Dedreuil, texte Arthur Lestrange, composition Frédéric Aurier, sonorisation Emile Martin production L’Oreille Droite / Quatuor Béla coproduction Espace Malraux scène nationale de Chambéry et de la Savoie, le Festival d’Ile de France Espace Malraux scène nationale de Chambéry et de la Savoie – Saison 2016-2017 Mabinogion Le spectacle Les Manibogion ou Les quatre Branches du Manibogion sont une série de quatre contes dont on trouve la trace dans deux manuscrits, rédigés en langue galloise au quatorzième siècle. Leur origine est sans doute bien plus ancienne encore que cela. Ces histoires faisaient partie du corpus de légendes que les bardes médiévaux (car la fonction de barde s’est conservée très longtemps au pays de Galles), poètes de cour et détenteurs officiels de la tradition se devaient d’avoir à leur répertoire. On trouve dans ces récits les traces et le parfum de personnages mythologiques, de divinités des anciens celtes, peut-être même de grands archétypes indo- européens. Tombés petit à petit dans l’oubli, il faudra attendre le XIXème siècle pour que des érudits passionnés comme Lady Charlotte Guest, redonnent une vie à ces histories et les traduisent en anglais. -
Double-Consciousness in the Work of Dylan Thomas
University of Notre Dame Australia ResearchOnline@ND Theses 2011 ‘One Foot in Wales and My Vowels in England’: Double-Consciousness in the work of Dylan Thomas Karl Powell University of Notre Dame Australia Follow this and additional works at: http://researchonline.nd.edu.au/theses Part of the Arts and Humanities Commons COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 WARNING The am terial in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. Do not remove this notice. Publication Details Powell, K. (2011). ‘One Foot in Wales and My Vowels in England’: Double-Consciousness in the work of Dylan Thomas (Honours). University of Notre Dame Australia. http://researchonline.nd.edu.au/theses/69 This dissertation/thesis is brought to you by ResearchOnline@ND. It has been accepted for inclusion in Theses by an authorized administrator of ResearchOnline@ND. For more information, please contact [email protected]. Chapter One: ‘To Begin at the Beginning’ Be thou silent, As to the name of thy verse, And to the name of thy vaunting; And as to the name of thy grandsire Prior to his being baptised. And the name of the sphere, And the name of the element, And the name of thy language, And the name of thy region. Avaunt, ye bards above, Avaunt, ye bards below! - The Reproof of the Bards (Taliesin) Sometimes it seems our lives are already somehow mapped out for us. Almost like Sophocles’ great tragedy, Oedipus Rex, where we see the forces of Fate pitted against the human condition, it can feel as if external factors play a crucial role in determining who we are.32 Take for example the names given to Dylan Thomas. -
MYTHOLOGY – ALL LEVELS Ohio Junior Classical League – 2012 1
MYTHOLOGY – ALL LEVELS Ohio Junior Classical League – 2012 1. This son of Zeus was the builder of the palaces on Mt. Olympus and the maker of Achilles’ armor. a. Apollo b. Dionysus c. Hephaestus d. Hermes 2. She was the first wife of Heracles; unfortunately, she was killed by Heracles in a fit of madness. a. Aethra b. Evadne c. Megara d. Penelope 3. He grew up as a fisherman and won fame for himself by slaying Medusa. a. Amphitryon b. Electryon c. Heracles d. Perseus 4. This girl was transformed into a sunflower after she was rejected by the Sun god. a. Arachne b. Clytie c. Leucothoe d. Myrrha 5. According to Hesiod, he was NOT a son of Cronus and Rhea. a. Brontes b. Hades c. Poseidon d. Zeus 6. He chose to die young but with great glory as opposed to dying in old age with no glory. a. Achilles b. Heracles c. Jason d. Perseus 7. This queen of the gods is often depicted as a jealous wife. a. Demeter b. Hera c. Hestia d. Thetis 8. This ruler of the Underworld had the least extra-marital affairs among the three brothers. a. Aeacus b. Hades c. Minos d. Rhadamanthys 9. He imprisoned his daughter because a prophesy said that her son would become his killer. a. Acrisius b. Heracles c. Perseus d. Theseus 10. He fled burning Troy on the shoulder of his son. a. Anchises b. Dardanus c. Laomedon d. Priam 11. He poked his eyes out after learning that he had married his own mother. -
Seven Churches of Revelation, Nicaea & Istanbul
Tutku Tours Travel Programs Endorsed by Biblical Archaeology Society Seven Churches of Revelation, Nicaea & Istanbul THE CRADLE OF CHRISTIANITY August 12-24, 2017 Tour Host: Dr. Mark Fairchild Author of “Christian Origins in Ephesus and Asia Minor”. organized by Seven Churches of Revelation, Nicaea & Istanbul / August 12-24, 2017 Seven Churches of Revelation, Nicaea & Istanbul The Seven Churches of Istanbul Revelation, Nicaea & Istanbul Dr. Mark R. Fairchild, Ph.D., Luke J. Peters Prof. of Biblical Studies Chair Dept. Bible & Religion Huntington University Western Turkey was the cradle of the early Christian church. With numerous rivers and streams to nourish the fertile land, a large number of populous cities sprouted up in Asia Minor. This area was the centerpiece of Paul’s mission and the area where he spent the bulk of his time. The apostle’s ministry in the region was so productive that it could be said that “all who lived in Asia heard the word of the Lord” (Acts 19:10). The numerous churches established during this time continued to thrive through the bitter persecutions of the Roman Imperial period. Ignatius, a first century disciple of the apostle John, was arrested and brought to Rome for execution. Aug 17 Thu Colossae – Laodicea – Hierapolis – Pamukkale Along the way he wrote letters to several churches in this region including those After breakfast you will drive to unexcavated Colosse (Paul’s letter to at Ephesus, Tralles, Magnesia, Smyrna and Philadelphia. Join me on this trip as the Colossians) on the foothills of Mount Honaz. Then, you will continue we visit these sites and trace the history of the earliest church from Paul to the to Laodicea, one of the Seven Churches of Revelation. -
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HAMADRYAD Vol. 27. No. 2. August, 2003 Date of issue: 31 August, 2003 ISSN 0972-205X CONTENTS T. -M. LEONG,L.L.GRISMER &MUMPUNI. Preliminary checklists of the herpetofauna of the Anambas and Natuna Islands (South China Sea) ..................................................165–174 T.-M. LEONG & C-F. LIM. The tadpole of Rana miopus Boulenger, 1918 from Peninsular Malaysia ...............175–178 N. D. RATHNAYAKE,N.D.HERATH,K.K.HEWAMATHES &S.JAYALATH. The thermal behaviour, diurnal activity pattern and body temperature of Varanus salvator in central Sri Lanka .........................179–184 B. TRIPATHY,B.PANDAV &R.C.PANIGRAHY. Hatching success and orientation in Lepidochelys olivacea (Eschscholtz, 1829) at Rushikulya Rookery, Orissa, India ......................................185–192 L. QUYET &T.ZIEGLER. First record of the Chinese crocodile lizard from outside of China: report on a population of Shinisaurus crocodilurus Ahl, 1930 from north-eastern Vietnam ..................193–199 O. S. G. PAUWELS,V.MAMONEKENE,P.DUMONT,W.R.BRANCH,M.BURGER &S.LAVOUÉ. Diet records for Crocodylus cataphractus (Reptilia: Crocodylidae) at Lake Divangui, Ogooué-Maritime Province, south-western Gabon......................................................200–204 A. M. BAUER. On the status of the name Oligodon taeniolatus (Jerdon, 1853) and its long-ignored senior synonym and secondary homonym, Oligodon taeniolatus (Daudin, 1803) ........................205–213 W. P. MCCORD,O.S.G.PAUWELS,R.BOUR,F.CHÉROT,J.IVERSON,P.C.H.PRITCHARD,K.THIRAKHUPT, W. KITIMASAK &T.BUNDHITWONGRUT. Chitra burmanica sensu Jaruthanin, 2002 (Testudines: Trionychidae): an unavailable name ............................................................214–216 V. GIRI,A.M.BAUER &N.CHATURVEDI. Notes on the distribution, natural history and variation of Hemidactylus giganteus Stoliczka, 1871 ................................................217–221 V. WALLACH. -
Greek Mythology
Greek Mythology The Creation Myth “First Chaos came into being, next wide bosomed Gaea(Earth), Tartarus and Eros (Love). From Chaos came forth Erebus and black Night. Of Night were born Aether and Day (whom she brought forth after intercourse with Erebus), and Doom, Fate, Death, sleep, Dreams; also, though she lay with none, the Hesperides and Blame and Woe and the Fates, and Nemesis to afflict mortal men, and Deceit, Friendship, Age and Strife, which also had gloomy offspring.”[11] “And Earth first bore starry Heaven (Uranus), equal to herself to cover her on every side and to be an ever-sure abiding place for the blessed gods. And earth brought forth, without intercourse of love, the Hills, haunts of the Nymphs and the fruitless sea with his raging swell.”[11] Heaven “gazing down fondly at her (Earth) from the mountains he showered fertile rain upon her secret clefts, and she bore grass flowers, and trees, with the beasts and birds proper to each. This same rain made the rivers flow and filled the hollow places with the water, so that lakes and seas came into being.”[12] The Titans and the Giants “Her (Earth) first children (with heaven) of Semi-human form were the hundred-handed giants Briareus, Gyges, and Cottus. Next appeared the three wild, one-eyed Cyclopes, builders of gigantic walls and master-smiths…..Their names were Brontes, Steropes, and Arges.”[12] Next came the “Titans: Oceanus, Hypenon, Iapetus, Themis, Memory (Mnemosyne), Phoebe also Tethys, and Cronus the wily—youngest and most terrible of her children.”[11] “Cronus hated his lusty sire Heaven (Uranus). -
CELTIC MYTHOLOGY Ii
i CELTIC MYTHOLOGY ii OTHER TITLES BY PHILIP FREEMAN The World of Saint Patrick iii ✦ CELTIC MYTHOLOGY Tales of Gods, Goddesses, and Heroes PHILIP FREEMAN 1 iv 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America. © Philip Freeman 2017 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. CIP data is on file at the Library of Congress ISBN 978–0–19–046047–1 9 8 7 6 5 4 3 2 1 Printed by Sheridan Books, Inc., United States of America v CONTENTS Introduction: Who Were the Celts? ix Pronunciation Guide xvii 1. The Earliest Celtic Gods 1 2. The Book of Invasions 14 3. The Wooing of Étaín 29 4. Cú Chulainn and the Táin Bó Cuailnge 46 The Discovery of the Táin 47 The Conception of Conchobar 48 The Curse of Macha 50 The Exile of the Sons of Uisliu 52 The Birth of Cú Chulainn 57 The Boyhood Deeds of Cú Chulainn 61 The Wooing of Emer 71 The Death of Aife’s Only Son 75 The Táin Begins 77 Single Combat 82 Cú Chulainn and Ferdia 86 The Final Battle 89 vi vi | Contents 5.