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CY30620 Pedeir Keink Y Mabinogi | Aberystwyth University
09/29/21 CY30620 Pedeir Keink y Mabinogi | Aberystwyth University CY30620 Pedeir Keink y Mabinogi View Online 1. Jarman, A. O. H. & Hughes, G. R. A guide to Welsh literature: Vol.2: 1282-c.1550: edited by A.O.H. Jarman and Gwilym Rees Hughes. (Christopher Davies, 1979). 2. Thomas, G. & Jones, B. L. Llenyddiaeth y Cymry: cyflwyniad darluniadol, Cyfrol 1: O tua 500 i tua 1500 ; Gwyn Thomas. (D. Brown, 1985). 3. Bowen, G. Y traddodiad rhyddiaith yn yr oesau canol: darlithiau Dewi Sant. vol. Darlithiau Dewi Sant (Gwasg Gomer, 1974). 4. Bromwich, R. ‘The Character of the Early Welsh Tradition’. in Studies in early British history (Cambridge University Press, 1954). 5. Trioedd ynys Prydein: the triads of the island of Britain. (University of Wales Press, 2014). 6. Davies, S. Crefft y cyfarwydd: astudiaeth o dechnegau naratif yn Y Mabinogion. (Gwasg Prifysgol Cymru, 1995). 1/17 09/29/21 CY30620 Pedeir Keink y Mabinogi | Aberystwyth University 7. Davies, S. ‘Written text as performance: the implications for Middle Welsh prose narratives’. in Literacy in medieval Celtic societies vol. Cambridge studies in medieval literature 133–149 (Cambridge University Press, 1998). 8. Jones, R. M. ‘Tri Mewn LLenyddiaeth’. Llên Cymru 14, 92–110 (1981). 9. Jones, R. M. ‘Narrative Structure in Medieval Welsh Prose Tales’. in Proceedings of the seventh International Congress of Celtic Studies held at Oxford, from 10th to 15th July, 1983 vol. International Congress of Celtic Studies 171–198 (D.Ellis Evans, 1986). 10. Owen, M. ‘Shame and Reparation: Women’s Place in the Kin’. in The Welsh law of women: studies presented to Professor Daniel A. -
The Fates of the Princes of Dyfed Cenydd Morus (Kenneth Morris) Illustrations by Reginald Machell
Theosophical University Press Online Edition The Fates of the Princes of Dyfed Cenydd Morus (Kenneth Morris) Illustrations by Reginald Machell Copyright © 1914 by Katherine Tingley; originally published at Point Loma, California. Electronic edition 2000 by Theosophical University Press ISBN 1- 55700-157-x. This edition may be downloaded for off-line viewing without charge. For ease of searching, no diacritical marks appear in the electronic version of the text. To Katherine Tingley: Leader and Official Head of the Universal Brotherhood and Theosophical Society, whose whole life has been devoted to the cause of Peace and Universal Brotherhood, this book is respectfully dedicated Contents Preface The Three Branches of the Bringing-in of it, namely: The Sovereignty of Annwn I. The Council of the Immortals II. The Hunt in Glyn Cuch III. The Slaying of Hafgan The Story of Pwyll and Rhianon, or The Book of the Three Trials The First Branch of it, called: The Coming of Rhianon Ren Ferch Hefeydd I. The Making-known of Gorsedd Arberth, and the Wonderful Riding of Rhianon II. The First of the Wedding-Feasts at the Court of Hefeydd, and the Coming of Gwawl ab Clud The Second Branch of it, namely: The Basket of Gwaeddfyd Newynog, and Gwaeddfyd Newynog Himself I. The Anger of Pendaran Dyfed, and the Putting of Firing in the Basket II. The Over-Eagerness of Ceredig Cwmteifi after Knowledge, and the Putting of Bulrush-Heads in the Basket III. The Circumspection of Pwyll Pen Annwn, and the Filling of the Basket at Last The First Branch of it again: III. -
![Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels](https://docslib.b-cdn.net/cover/8862/archons-commanders-notice-they-are-not-anlien-parasites-and-then-in-a-mirror-image-of-the-great-emanations-of-the-pleroma-hundreds-of-lesser-angels-438862.webp)
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Studies in Early Mediterranean Poetics and Cosmology
The Ruins of Paradise: Studies in Early Mediterranean Poetics and Cosmology by Matthew M. Newman A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Studies) in the University of Michigan 2015 Doctoral Committee: Professor Richard Janko, Chair Professor Sara L. Ahbel-Rappe Professor Gary M. Beckman Associate Professor Benjamin W. Fortson Professor Ruth S. Scodel Bind us in time, O Seasons clear, and awe. O minstrel galleons of Carib fire, Bequeath us to no earthly shore until Is answered in the vortex of our grave The seal’s wide spindrift gaze toward paradise. (from Hart Crane’s Voyages, II) For Mom and Dad ii Acknowledgments I fear that what follows this preface will appear quite like one of the disorderly monsters it investigates. But should you find anything in this work compelling on account of its being lucid, know that I am not responsible. Not long ago, you see, I was brought up on charges of obscurantisme, although the only “terroristic” aspects of it were self- directed—“Vous avez mal compris; vous êtes idiot.”1 But I’ve been rehabilitated, or perhaps, like Aphrodite in Iliad 5 (if you buy my reading), habilitated for the first time, to the joys of clearer prose. My committee is responsible for this, especially my chair Richard Janko and he who first intervened, Benjamin Fortson. I thank them. If something in here should appear refined, again this is likely owing to the good taste of my committee. And if something should appear peculiarly sensitive, empathic even, then it was the humanity of my committee that enabled, or at least amplified, this, too. -
Double-Consciousness in the Work of Dylan Thomas
University of Notre Dame Australia ResearchOnline@ND Theses 2011 ‘One Foot in Wales and My Vowels in England’: Double-Consciousness in the work of Dylan Thomas Karl Powell University of Notre Dame Australia Follow this and additional works at: http://researchonline.nd.edu.au/theses Part of the Arts and Humanities Commons COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 WARNING The am terial in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. Do not remove this notice. Publication Details Powell, K. (2011). ‘One Foot in Wales and My Vowels in England’: Double-Consciousness in the work of Dylan Thomas (Honours). University of Notre Dame Australia. http://researchonline.nd.edu.au/theses/69 This dissertation/thesis is brought to you by ResearchOnline@ND. It has been accepted for inclusion in Theses by an authorized administrator of ResearchOnline@ND. For more information, please contact [email protected]. Chapter One: ‘To Begin at the Beginning’ Be thou silent, As to the name of thy verse, And to the name of thy vaunting; And as to the name of thy grandsire Prior to his being baptised. And the name of the sphere, And the name of the element, And the name of thy language, And the name of thy region. Avaunt, ye bards above, Avaunt, ye bards below! - The Reproof of the Bards (Taliesin) Sometimes it seems our lives are already somehow mapped out for us. Almost like Sophocles’ great tragedy, Oedipus Rex, where we see the forces of Fate pitted against the human condition, it can feel as if external factors play a crucial role in determining who we are.32 Take for example the names given to Dylan Thomas. -
Y Mabinogi Fformat PDF 126Kb
Y Straeon Gorau o Gymru Chwedlau’r Mabinogi yw rhai o’r straeon Cymraeg cynharaf. Cawsant eu cadw ar bapur yn ystod y Er bod academyddion yn credu mai ddeuddegfed ganrif a’r drydedd ganrif ar camgymeriad gan rywun yn copïo rhai ddeg mewn llawysgrifau megis Llyfr o’r llawysgrifau arweiniodd at ffurfio Gwyn Rhydderch a Llyfr Coch Hergest. ‘Mabinogion’ (yn hytrach na ‘Mabinogi'), mae'r term yma bellach yn cael ei Mae’r un ar ddeg stori hynafol wedi’u ddefnyddio i gyfeirio ar yr un ar ddeg seilio mewn tirwedd dan gyfaredd o hud stori sydd yn cynnwys straeon a dirgelwch sydd yn fyw â chreaduriaid Culhwch ac Olwen, Pedair Cainc y ffantastig ac eneidiau rhyfedd, sydd yn Mabinogi (Pwyll Pendefig Dyfed; ymddangos yn bell iawn o’n bywydau Branwen ferch Llyˆr; Manawydan fab heddiw. Ond eto, o fewn y chwedlau Llyˆr; a Math fab Mathonwy), Lludd a mae yna gymeriadau a straeon sydd yn Llefelys, Y Tair Rhamant (Iarlles y cynnwys cwymp a gwaredigaeth, Ffynnon, Peredur Fab Efrawg, a Geraint teyrngarwch a brad, cariad a chasineb, Mab Erbin), Breuddwyd Macsen Wledig a sydd yn dal i atseinio gyda phobl heddiw. Breuddwyd Rhonabwy. The Greatest Tales from Wales The legends of The Mabinogion are some of the earliest Welsh stories in existence. They were preserved in writing during Although academics believe that a the twelfth and thirteenth centuries in mistake by someone copying the manuscripts such as the Llyfr Gwyn manuscripts led to the form ‘mabinogion’ Rhydderch (the White Book of (as opposed to ‘mabinogi’), this term is Rhydderch) and the Llyfr Coch Hergest now used to refer to the eleven stories (the Red Book of Hergest). -
How Shapeshifter Rhetoric Relates to ESL Students
SUNY College Cortland Digital Commons @ Cortland Master's Theses 5-2019 More than just a myth: how shapeshifter rhetoric relates to ESL students Amber Kent Follow this and additional works at: https://digitalcommons.cortland.edu/theses Part of the Bilingual, Multilingual, and Multicultural Education Commons, First and Second Language Acquisition Commons, Language and Literacy Education Commons, Language Interpretation and Translation Commons, Reading and Language Commons, and the Social Psychology and Interaction Commons Recommended Citation Kent, Amber, "More than just a myth: how shapeshifter rhetoric relates to ESL students" (2019). Master's Theses. 60. https://digitalcommons.cortland.edu/theses/60 This Open Access Thesis is brought to you for free and open access by Digital Commons @ Cortland. It has been accepted for inclusion in Master's Theses by an authorized administrator of Digital Commons @ Cortland. For more information, please contact [email protected]. More Than Just a Myth: How Shapeshifter Rhetoric Relates to ESL Students by Amber Kent A Thesis Submitted in Partial Fulfillment of the Requirements For the Master of Arts in English Department of English, School of Arts and Sciences STATE UNIVERSITY OF NEW YORK COLLEGE AT CORTLAND May 2019 Master of Arts Thesis, English Department SUNY Cortland Student Signature: Thesis Title: Thesis Advisor’s Signature: MA Coordinator’s Signature: Introduction The academic analysis surrounding the shapeshifter, or shapeshifter mythologies has, so far, been related to -
1 Adjectival Agreement in Middle and Early Modern Welsh Native And
Adjectival Agreement in Middle and Early Modern Welsh Native and Translated Prose Marieke Meelen & Silva Nurmio University of Cambridge & University of Helsinki This paper investigates adjectival agreement in a group of Middle Welsh native prose texts and a sample of translations from around the end of the Middle Welsh period and the beginning of the Early Modern period. It presents a new methodology, employing tagged historical corpora allowing for consistent linguistic comparison. The adjectival agreement case study tests a hypothesis regarding position and function of adjectives in Middle Welsh, as well as specific semantic groups of adjectives, such as colours or related modifiers. The systematic analysis using an annotated corpus reveals that there are interesting differences between the genres, as well as between individual texts. However, zooming in on our adjectival agreement case study, we conclude that these differences do not correspond to many of our hypotheses or assumptions about how certain texts group together. In particular, no clear split into native and translated texts emerged between the texts in our corpus. This paper thus shows interesting results for both (historical) linguists, especially those working on agreement, and scholars of medieval Celtic philology and translation texts. 1. Introduction In order to study the linguistics of Middle Welsh, we depend on written texts. These are all written to varying degrees in a formal literary register, and the study of linguistic features often involves uncertainty between regarding something as really reflecting the spoken, idiomatic language of the time, or being a peculiarity of literary stylistics. Rodway’s (2013) work has advanced our knowledge of the linguistic differences between prose and poetry as regards the Middle Welsh verbal system. -
!\\E+Amoryho$E$ OXFORD APPROACHES to CLASSICAL LITERATURE
OVID'S !\\e+amoryho$e$ OXFORD APPROACHES TO CLASSICAL LITERATURE SERIES EDITORS Ka|hle^ft Qfeleman and Richard Rutherford 2OVID'S Metamorphoses ELAINE FANTHAM PLATO'S Symposium RICHARD HUNTER OXFORD UNIVERSITY PRESS Oxford New York Auckland Bangkok Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Sao Paulo Shanghai Taipei Tokyo Toronto Copyright © 2004 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Catalogmg-m-Pubhcation Data Fantham, Elaine. Ovid's Metamorphoses / Elaine Fantham. p. cm. — (Oxford approaches to classical literature) Includes bibliographical references and index. ISBN 0-19-515409-6; o-i9-5i54io-X (pbk.) i. Ovid, 43 B.c.-iy or 18 A.D. Metamorphoses 2. Fables, Latin—History and criticism. 3. Mythology, Classical, in literature. 4. Metamorphosis in literature. I. Title. II. Series. PA65ig.Mg F36 2004 873'.OI dc22 2OO3Olfil64 135798642 Printed in the United States of America on acid-free paper Index of Persons Mythical and historical persons in Metamorphoses are in lowercase; ancient and modern writers and artists are in uppercase. Achaemenides, shipwrecked com- Aeetes, King of Colchis, father of panion of Ulysses rescued by Medea, 74 Aeneas, 116 Aeneas, son of Anchises and Venus, 15, Achelous, river god, host of Theseus, 96 13, 94-95, 127 deification, 99—100, 102 Achilles, son of Peleus and Thetis, Aesculapius (Asclepius), son of Apollo 55 and Coronis, healer god brought kills Cycnus, 98, 114 to Rome from Epidaurus, 101, shot by Paris, 99 102, 109 Acis, lover of Galatea Aeson, father of Jason, 89, 107 Ads and Galatea (Poussin), fig. -
Chapter on History of the Otherworld
PERCEPTIONS OF ANNWN: THE OTHERWORLD IN THE FOUR BRANCHES OF THE MABINOGI Rhian Rees MA Celtic Studies Dissertation Department of Welsh and Bilingual Studies Supervisor: Dr Jane Cartwright University of Wales Trinity Saint David, Lampeter 2012 2 ABSTRACT There is little description or positive information about the realm of Annwn in the Four Branches, and relatively few publications have explored the Otherworld in the Mabinogi in any depth. The redactor presumably did not deem such detail necessary since in his time the Otherworld was a place familiar to his audience from many other stories and folk-tales which have not survived to inform our own times. The objective of this thesis, therefore, is to establish the perceived location of the Celtic Otherworld, its nature and topography, and to obtain descriptions of its people, buildings and animals and any distinctive objects or characteristics pertaining to it. The ways in which Annwn influences each of the Four Branches are also considered. Some sketchy evidence is available in Welsh poetry, mostly various descriptive names reflecting different aspects of Annwn, but for more detailed information it is necessary to trawl the waters of early Irish literature. The Irish poems and stories give much fuller particulars of all characteristics of the Celtic Otherworld, though they do suggest that there was more than one such other world. Some parallels from Norse literature and the Lais of Marie de France also reinforce certain themes of this thesis, such as magical tumuli and magical bags and -
Before There Was 'Magic': Scenes of Transformation and Invisibility In
Before There Was “Magic”: Transformation and Invisibility in Greek Epic Derek Collins 2008, 27 writes that “the central dilemma for any student of Greek magic is that the Greek term mageia (Latin magia) from which we derive ‘magic’ only emerges in the latter half of the fifth century BCE, while the evidence for practices and substances that were understood to be magical, as well as for individuals who were thought to be magicians, existed prior to the birth of the term.” By focusing on practice instead of terminology, Collins attempts to show a line of continuity between later depictions of “magical” activities involving necromancy and the use of pharmaka with scenes found much earlier in Homer’s Odyssey (and elsewhere). In doing so, Collins also calls into question scholarly distinctions of “magic” as practiced by gods and goddesses as opposed to those of mortals and heroes like Odysseus. In this talk I will explore and analyze select scenes from Greek epic in which individuals, both gods and heroes, obtain invisibility. Beginning in the late 5th c. with Euripides’ Orestes, we find the acquisition of invisibility being connected with the τέχναι μάγων. Before Orestes kills Helen, she vanishes, leaving a Phrygian slave to wonder what has happened (1493ff.): “She (Helen) disappeared from the bedchamber through the roof, O Zeus and Ge and Light, either by drugs (pharmaka) or the skills of the magoi or by theft of the gods.” The connection between the magoi and an act of invisibility is important because it demonstrates that in the 5th c., the acquisition of invisibility was being linked to “magic,” i.e. -
The Nordic Origins of the Iliad and Odyssey: an Up-To-Date Survey of the Theory
Athens Journal of Mediterranean Studies- Volume 3, Issue 2 – Pages 163-186 The Nordic Origins of the Iliad and Odyssey: An Up-to-date Survey of the Theory By Felice Vinci An up-to-date survey of the theory proposed in "The Baltic Origins of Homer’s Epic Tales" is presented here. The real setting of the Iliad and Odyssey can be identified not as the Mediterranean Sea, where it proves to be undermined by many incongruities, but rather in the north of Europe. The oral sagas that originated the two poems came from the Baltic regions, where the Bronze Age flourished in the 2nd millennium BC and where many Homeric places, such as Troy and Ithaca, can still be identified today. The blond seafarers who founded the Mycenaean civilization in the Aegean in the 16th century BC brought these tales from Scandinavia to Greece after the end of the climatic optimum. These peoples then rebuilt their original world – where the Trojan War and many other mythological events had taken place – farther south in Mediterranean waters, transferring significant names from north to south. Through many generations, they preserved the memory of the heroic age and the feats performed by their ancestors in their lost Hyperborean homeland, until the oral tradition was put into written form around the 8th Century BC, when alphabetical writing was introduced in Greece. This new prospect can open new developments as to the European prehistory and the dawn of the Greek civilization. Keywords: Homer, Bronze Age, Nordic, Iliad, Odyssey The Northern Features of Homer’s World Northern Features of Climate, Clothes, Food, and Vessels Homer’s world presents northern features.