Maite Perez-Nievas Production Designer

Maite Perez-Nievas Production Designer Selected Film | TV FRANCHESCA & SHOW [“Pilot”] Producers | Daniel Powell, Alex Bach, Molly McMillen, Andrew Rhodes Comedy Central Director | Adam Sacks Cast | Franchesca Ramsey WE SPEAK NYC Producers | Javier Gonzalez, George LaVoo, Anthony Tassi Jay Street Productions Director | George Lavoo WALDEN, LIFE IN THE WOODS Producers | Shane Boris, Mitch Dickman, Adam Chant Walden the Movie LLC Director | Alex Harvey Cast | Demian Bichir, TJ Miller, Chris Sullivan, Lynn Cohen, Erik Hellman *2017 Denver Film Festival* NOBODY’S WATCHING Producers | Isabel Coixet, Felicitas Raffo, Elisa Lleras, Alvaro Valente, Maria Teresa Arida, Natalia Agudelo Campillo, Nicolás Herreño Leal, Andrés Longares, Jaime Mateus-Tique, Lúcia Murat Aleph Motion Pictures, FiGa Films Director | Julia Solomonoff Cast | Guillermo Pfening, Elena Roger, Pascal Yen-Pfister, Paola Baldion, Rafael Ferro, Cristina Morrison *2017 Tribecca Film Festival* ON THE 7TH DAY Producers | Caroline Kaplan, Alex Bach, Charles Miller En el septimo dia, Cinema Guild Director | Jim McKay Cast | Fernando Cardona, Donald Brophy *2017 Locarno Film Festival* 10 THINGS WE SHOULD DO BEFORE WE BREAK UP Producers | William E. Goldberg, Bingo Gubelmann, Sean Lamb, Mike Brant, Reka Posta Director | Galt Niederhoffer Cast | Christina Ricci, Hamish Linklater, Lindsey Braod VERA Producers | Jesse Gustafson, Andrew K. Li Vera Films LLC Director | Laurence Vannicelli Cast | Jana Stella, Calvin Knie, Michael Dale, Stephen Plunkett Maite Perez-Nievas Production Designer Cont’d LADY BIRD [Art Director | NY Re-Shoots] Producers | Scott Rudin, Eli Bush, Evelyn O’Neill, Jamin O’Brien Scott Rudin Productions, A24 Director | Greta Gerwig Cast | Saoirse Ronan, Laurie Metcalf, Tracy Letts, Timothée Chalamet, Lucas Hedges KNOW NOTHING [Short] Producer | Lucy King Director | Carly Mark Cast | Carly Mark, Daniela Czenstochowski AIR [Short] Producer | Mario Casal Director | Javier Loarte Cast | Manolo Solo, Ana Gracia, Alba Guerrero, Javier Villalba Assistant Art Director THE DEUCE [Season 2] Producers: James Franco, Maggie Gyllenhaal, David Simon, Karn Clark, Marc Henry Johnson, Nina Kostroff- Noble, George Pelecanos, Richard Price, Dara Schnaper, Sean Varga Director | Various Cast | James Franco, Maggie Gyllenhaal, Dominique Fishback, Gbenga Akinnagbe THE IRISHMAN Producers | Martin Scorsese, Robert De Niro, Troy Allen, Richard Baratta, Randall Emmett, Niels Juul, Gastón Pavlovich, Jane Rosenthal, Jai Stefan, Emma Tillinger, Berry Welsh Director | Martin Scorsese Cast | Robert De Niro, Al Pacino, Anna Paquin, Joe Pesci, Harvey Keitel THE KNICK [10 Episodes] Producers | Steven Soderbergh, Clive Owen, Michael Sugar, Jack Amiel, Michael Begler, Gregory Jacobs Anonymous Content, Cinemax Director | Steven Soderbergh Cast | Clive Owen, Eve Hewson, André Holland, Juliet Rylance, Eric Johnson BELIEVE [“Perception” & “Second Chance”] Producers | J.J. Abrams, Alfonso Cuarón, Hans Tobeason, Bryan Burk, Jonas Pate, Mark Friedman Bad Robot, NBC Directors | Various Cast | Johnny Sequoyah, Jake McLaughlin, Kyle MacLachlan, Delroy Lindo, Kerry Condon Commercial | Branded | Music Video Project Director | Production Company HARPER’S BAZAAR “Kids Video” Catherine Orchard | Producer, Kathryn Rice GOOGLE FI Johan Anderson | Big Spaceship GOOGLE PLAY “Moments of Play” Jonah Anderson | Anchor Light AMAZON UK “Olivia Palermo” Josh Ruben, Vince Peone | Big Block Media CANON “VIXIA Promo” Jeff Sousa | TK Digital Corporation PANERA “Clean Food” Lauren Sieczkowski | Anchor Light SAMSUNG “Inboxing / Outboxing” Jonah Anderson | Anchor Light MICA “Opening Ceremony” Andinh Ha | Anchor Light & Pensacola LOS CABOS FILM FESTIVAL “Trailer” Fernando Frias de la Parra | Dodgeville CANA-MIEL “Fashion Film” Fernando Frias de la Parra | Dodgeville .

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Between Film and Television. an Interview with Lodge Kerrigan
INTERVIEW · Cinema Comparat/ive Cinema · Vol. III · no. 7 · 2015 · 28-34 Between film and television. An interview with Lodge Kerrigan Gerard Casau and Manuel Garin After directing key films of contemporary independent cinema, episode). But usually it’s the director who changes; they bring like Clean, Shaven (1993), Claire Dolan (1998) and Keane in a guest director. There are a number of theories regarding (2004), Lodge Kerrigan has directed a number of television why that’s the case, but usually what happens in the traditional episodes for shows such as The Killing (Veena Sud, AMC- financing model is that the network will approve or order a Netflix, 2011-2014), Homeland (Howard Gordon and Alex pilot, and then a pilot is made, they bring in the director to do Gansa, Showtime, 2011-) or The Americans (Joe Weisberg, FX, the pilot. Later the network will approve it or not, and then they 2013-). A month before the release of his latest project, The have to go and write scripts, generate scripts, and in this time Girlfriend Experience (Lodge Kerrigan and Amy Seimetz, Starz, the directors has already left, moved on, they have no continuity 2016), an eleven-episode television series produced by Steven of vision from the director. And I think now what’s beginning Soderbergh, we talked with him about the differences between to change, and what Soderbergh did on The Knick(Jack Amiel working for film and working for television, both in terms of and Michael Begler, Cinemax, 2014-), and the first season of narrative and mise-en-scène.
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(Literary) Special Effect: (Inter)Mediality in the Contemporary US-American Novel and the Digital Age
The (Literary) Special Effect: (Inter)Mediality in the Contemporary US-American Novel and the Digital Age Dissertation zur Erlangung des philosophischen Doktorgrades an der Philosophischen Fakultät der Georg-August-Universität Göttingen vorgelegt von Bogna Kazur aus Lodz, Polen Göttingen 2018 Contents 1 Introduction ......................................................................................................................... 3 2 The Question of Medium Specificity in the Digital Age .................................................. 29 3 House of Leaves (2000) and the Uncanny Dawn of the Digital........................................ 39 3.1 Digital Paranoia: Arriving on Ash Tree Lane ........................................................... 39 3.2 Writing about House of Leaves ................................................................................. 43 3.3 Intermedial Overabundance: Taming House of Leaves ............................................. 49 3.4 An “Explicit” Approach to the Digital Age ............................................................... 54 3.5 What Kind of Movie is THE NAVIDSON RECORD? ..................................................... 68 4 In the Midst of the Post-Cinematic Age: Marisha Pessl’s Night Film (2013) .................. 88 4.1 Meant for Adaptation: Night Film and the Fallacy of First Impressions ................... 88 4.2 The Post-Cinematic Reception of Film ..................................................................... 96 4.3 The Last Enigma: Cordova’s Underworld ..............................................................
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Maite Perez-Nievas Production Designer
MAITE PEREZ-NIEVAS PRODUCTION DESIGNER FEATURES SUPERIOR (Production Designer) Independent Prod: Benjamin Cohen, Patrick Dir: Erin Vassilopoulos Donovan, Grant Curatola ITALIAN STUDIES (Production Designer) Animal Kingdom / Tango Prod: Ryan Heller, Vanessa Kirby Dir: Adam Leon Ent / Topic Studios THE IRISHMAN (Art Director) Netflix Prod: Richard Baratta, George Furla, Dir: Martin Scorcese Niels Juul, Jai Stefan, Berry Welsh LADY BIRD (Art Director) Mission Films Prod: Lila Yacoub, Scott Rudin, Dir: Greta Gerwig Eli Bush, Evelyn O’Neill WALDEN (Production Designer) Independent Prod: Shane Boris, Mitch Dickman Dir: Alex Harvey ON THE 7th DAY (Production Designer) C-Hundred Film Cor. Prod: Caroline Kaplan, Alex Back Dir: Jim McKay 10 THINGS WE SHOULD DO BEFORE Independent Prod: William E. Goldberg, Bingo Dir: Galt Niederhoffer WE BREAK UP (Production Designer) Gubelmann, Sean Lamb NOBODY’S WATCHING CEPA Audiovisual / Mad Prod: Felicitas Raffo, Elisa Lleras, Dir: Jula Solomonoff (Production Designer) Love Film Factory Alvaro Valente VERA (Production Designer) Independent Prod: Jesse Gustafson, Andrew Lee Dir: Laurence Vannicelli GOING IN STYLE (Art Director) New Line Productions Prod: Bruce Berman, Tony Bill Dir: Zach Braff TELEVISION INVENTING ANNA (Season 1) Netflix Prod: Shonda Rhimes, Betsy Beers, Dir: Various (Art Director) Zakaria Alaoui HOW TO MAKE LOVE TO A BLACK Showtime Prod: Lena Waithe, Molly McMillen Dir: Naima Ramos-Chapman WOMAN (Pilot) (Production Designer) TWO SENTENCE HORROR STORIES CW / Netflix Prod: Vera Miao, Daniel Penrod
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HARGRODER, Kiersten
KIERSTEN HARGRODER (AKA KIERSTEN RONNING) COSTUME DESIGNER FEATURES TO THE STARS Jorgensen Pictures Prod: Kristin Mann, Laura D. Smith Dir: Martha Stephens *Official Selection – Sundance Film Festival, 2019 KUMIKO Lila 9th Prod./Amplify Prod: Chris Ohlson, Nathan Zellner Dir: David Zellner BEST MAN DOWN KODA Ent./Magnolia Pics Prod: David Abbitt, Jen Roskind Dir: Ted Koland THE OUTSIDE Allmont Films/Monarch Prod: Raja Coillins Dir: Ari Davis FOUR BOXES Lake Street Prod./E1 Ent. Prod: Megan Huber Dir: Wyatt Mcdill IMPACT POINT Breaking Point Prod./Sony Prod: Marc Bienstock Dir: Haley Cloake MISS PEREGRINE’S HOME FOR 20th Century Fox Prod: Peter Chernin, Katterli Frauenfelder Dir: Tim Burton PECULIAR CHILDREN (Costume Supervisor) BATMAN V. SUPERMAN: Warner Bros/DC Ent. Prod: Christopher Nolan, David S. Goyer Dir: Zack Snyder DAWN OF JUSTICE (Costume Buyer) BLACKHAT Legendary Ent. Prod: Alex Garcia, Thomas Tull Dir: Michael Mann (Costume Buyer) STAR TREK: INTO DARKNESS Paramount/Skydance Prod: Bryan Burk, Jeffrey Chernov Dir: J.J. Abrams (Costume Buyer) IN TIME New Regency Pictures Prod: Marc Abraham, Eric Newman Dir: Andrew Niccol (Costume Buyer) TELEVISION WALKER, TEXAS RANGER CBS TV Studios/The CW Prod: Dan Lin, Anna Fricke, Dan Spilo Dir: Jessica Yu (Pilot, Season 1) Lindsey Liberatore, Jared Padalecki YOU (Season 2) Netflix/Warner TV Prod: Greg Berlanti, Ryan Lindenberg Dir: Various SUPERGIRL (Pilot, Seasons 1-3) CBS/CW WB Prod: Michael Ceder, Larry Teng Dir: Glen Winter THE KNICK (Seasons 1 & 2) Anonymous/Cinemax Prod: Jack Amiel, Michael Begler Dir: Steven Soderbergh (Costume Buyer) BEHIND THE CANDELABRA Jerry Weintraub Prod/ Prod: Jerry Weintraub, Susan Ekins Dir: Steven Soderbergh (TV Movie) (Key Costumer) HBO Films COMMERCIALS Clients/production company: Tabasco/Bucks, Best Buy/BBE, McDonalds/Twist Films, Target/Twist films, Pepsi/HSI, Kashi Foods/HSI, Cox Business/@Swim 405 S Beverly Drive, Beverly Hills, California 90212 - T 310.888.4200 - F 310.888.4242 www.apa-agency.com .
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The Knick: Analýza Televíznej Formy
Univerzita Palackého v Olomouci Filozofická fakulta Bakalářská práce The Knick: Analýza televíznej formy Dominika Moravčíková Katedra divadelních a filmových studií Vedoucí práce: Mgr. Jakub Korda, Ph.D. Studijní program: filmová věda /muzikologie Olomouc 2016 Prehlasujem, že túto bakalársku prácu som vypracovala samostatne s využitím prameňov a literatúry, ktorých zoznam prikladám na konci práce. 20.4.2016 podpis Poďakovanie Ďakujem za podporu svojim rodičom a sestre. Za cenné rady patrí veľká vďaka vedúcemu práce Mgr. Jakubovi Kordovi, Ph.D. V neposlednom rade ďakujem Katedre divadelních a filmových studií, ktorej pedagógovia mi poskytli neoceniteľné inšpiračné zdroje. OBSAH 1. Úvod ........................................................................................................................5 2. Teoreticko-metodologická časť ...............................................................................9 2.1. Metodologická literatúra ......................................................................................9 2.2. Terminológia .....................................................................................................13 3.2. Literatúra o The Knick .......................................................................................18 3. Ekonomicko-historické hľadisko ..........................................................................21 3.1. Produkčné pozadie a dej série ............................................................................21 3.2. Branding .............................................................................................................25
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From Marcus Welby, M.D. to the Resident: the Changing Portrayal of Physicians in Tv Medical Dramas
RMC Original JMM ISSN electrónico: 1885-5210 DOI: http://dx.doi.org/10.14201/rmc202016287102 FROM MARCUS WELBY, M.D. TO THE RESIDENT: THE CHANGING PORTRAYAL OF PHYSICIANS IN TV MEDICAL DRAMAS Desde Marcus Welby, M.D. hasta The resident: los cambios en las representaciones de los médicos en las series de televisión Irene CAMBRA-BADII1; Elena GUARDIOLA2; Josep-E. BAÑOS2 1Cátedra de Bioética. Universitat de Vic – Universitat Central de Catalunya.2 Facultad de Medicina. Universitat de Vic – Universitat Central de Catalunya (Spain). e-mail: [email protected] Fecha de recepción: 9 July 2019 Fecha de aceptación: 5 September 2019 Fecha del Avance On-Line: Fecha de publicación: 1 June 2020 Summary Over the years, the way medical dramas represent health professionals has changed. When the first medical dramas were broadcasted, the main characters were good, peaceful, intelligent, competent, empathic, and successful physicians. One of the most famous, even outside the US, was Marcus Welby M.D. (1969-1976) of David Victor –which this year marks 50 years since its first emission. This depiction began to change in the mid-1990s. While maintaining the over positive image of medical doctors, TV series started to put more emphasis on their negative characteristics and difficulties in their interpersonal relationships, such asER (TV) by Michael Crichton (United States) and House MD (TV) by David Shore (United States). In these series, physicians were portrayed as arrogant, greedy, and adulterous, and their diagnostic and therapeutic errors were exposed. The last two series are The Good Doctor (TV) by David Shore (United States), with a resident of surgery with autism and Savant syndrome, and The Resident (TV) by Amy Holden Jones, Hayley Schore and Roshan Sethi (United States), where serious institutional problems appear.
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Maite Perez-Nievas Production Designer
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1214 10/01 Issue One Thousand Two Hundred Fourteen Thursday, October One, Mmxx
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1261 08/26 Issue One Thousand Two Hundred Sixty-One Thursday, August Twenty-Six, Mmxxi
LAST UPDATED: MONDAY, SEPTEMBER 6, 2021 6:15:27 PM #1261 08/26 issue one thousand two hundred sixty-one thursday, august twenty-six, mmxxi “ABBOTT ELEMENTARY” Series / ABC 05-20-21 ê PRODUCTION OFFICE 1149 N. Gower St., Suite 271, Hollywood, CA 90038 [email protected] [email protected] PHONE: 323-785-2255 STATUS: August 16 LOCATION: Los Angeles PRODUCER: Justin Halpern - Patrick Schumacker WRITER/PRODUCER: Quinta Brunson DIRECTOR: Randall Einhorn LP: Werner Walian PM: Jeffrey Schwartz 1AD: Shahrzad Davani CAST: Tyler James Williams - Janelle James - Chris Perfetti - Lisa Ann Walter - Sheryl Lee Ralph CD: Wendy O'Brien WARNER BROS. TELEVISION 4000 Warner Blvd. Burbank, CA 91522 818-954-6000 [email protected] 20TH TELEVISION 10201 West Pico Boulevard, Los Angeles, CA 90035 310-369-1000 A workplace comedy about a Group of teachers brouGht toGether in one of the worst public schools in the country, simply because they love teachinG. The teachers will rely on each other to make it through the day, and find a way to counteract the school district’s bullshit attitude toward educating children. The eternally optimistic Janine is in her second year teaching at an underfunded, underserved elementary school in her hometown of Philadelphia, where she comes up aGainst jaded but devoted teachers, children in challenGinG situations and a principal who's basically out to lunch. (AuGust 16 - November 5) “ACKLEY BRIDGE” 05 Series / Channel 4 06-24-21 ê THE FORGE // THE FORGE ENTERTAINMENT (AB5) LIMITED 2nd Floor, The Zeppelin Building 59-61 Farringdon Road, London EC1M 3JB [email protected] PHONE: +44 020 8104 2200 STATUS: November 2021 LOCATION: Yorkshire, UK PRODUCER: Alex Lamb - George Faber - George Ormond - Jade Taylor WRITER/PRODUCER: Ayub Khan Din - Kevin Erlis - Malcolm Campbell DIRECTOR: Jordan Hogg - Jon East LP: Matthew Hamilton CD: Beverley Keogh - David Martin Ackley BridGe is a small Yorkshire town, home to larGely divided white and Asian populations.
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Operando En 1900 Con the Knick
Operando en 1900 con The Knick Roberto Rodríguez Velázquez La serie The Knick nos traslada al Nueva York de los años 1900 y 1901, a través de lo que se vive en el hospital Knickerbocker. De este modo, el argumento central gira entorno a cómo se origina lo que entendemos como “medicina moderna”, de la mano del excéntrico cirujano John W. Thackery, quien logrará desvelar algunos descubrimientos en el campo de la investigación médica, utilizando para ello métodos poco ortodoxos. Ficha técnica Título: The Knick Año: 2014 País: EE.UU. Duración: 2 temporadas; 20 episodios. Producción: Anonymous Content Guion: Jack Amiel, Michael Begler y Steven Katz Dirección: Steven Soderbergh Reparto: Clive Owen, Andre Holland, Eve Hewson, Juliet Rylance, Jeremy Bobb, Michael Angarano, Eric Johnson, etc. Fig. 1. Cartel de la serie. [Fuente: https://www.filmaffinity.com/es/film775348.html] El hospital en sí es bastante conocido para la historia de Nueva York. Situado al norte de Manhattan, fue fundado en 1862 y mantuvo su actividad hasta 1979. Sin embargo, no recibirá el nombre de Knickerbocker hasta el año 1913, ya que primero se llamó Hospital de Manhattan y en 1895 se rebautizó con el nombre de J. Hooh Wrigth Memorial1, en honor a su fundador; detalle que en la serie no se menciona. Esta utiliza únicamente el último nombre del hospital, a pesar de que 1 THE BOWERY BOYS (2014). Operando en 1900 con The Knick Roberto Rodríguez Velázquez refleja la vida del mismo trece años antes de recibir dicho nombre. Posiblemente se decidió así para que el espectador asociase mejor el argumento con la historia del hospital.
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The Knick Y La Evolución De La Medicina = the Knick and the Evolution of Medicine
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LACMA Public Programs July 2014
Music, Film, and Education ^ LACMA Public Programs July 2014 Jazz at LACMA: The Rickey Tuesday Matinée: Mary Gallery Talk: The Art of Looking- Nicole Miller: Believing Is Seeing Woodard Sextet Poppins German Expressionism TALKS AND COURSES Gallery Talk: The Art of Looking-German Expressionism Thursday, July 10 | 12:30 pm LACMA, Brown Auditorium Avant-garde artists working in Germany in the first decades of the 20th century responded to a variety of influences. They made use of their own techniques while absorbing novel approaches used by others, especially French painters. Explore LACMA's permanent collection of German Expressionism in this conversation-based tour that begins with a recap of what was happening in the 1890s. The conversation also covers the transition into the 20th century, including a look at artists who were part of two key movements, Die Brücke (The Bridge) and Der Blaue Reiter (The Blue Rider). The tour concludes with a discussion of what happened in the 1920s. With art historian and educator Mary Lenihan. Talk: The Genesis of a New Vernacular-Cesar Pelli, Tony Lumsden, and High-Tech Los Angeles Friday, July 24 | 7 pm LACMA, Brown Auditorium In the 1960s and ‘70s, Los Angeles experienced an era of experimentation and new advances in art and technology. The Light and Space movement emerged around this time, and LACMA initiated its Art & Technology program, pairing artists with aerospace and other companies. At the same time, the architects Cesar Pelli and Anthony Lumsden developed their version of the late-modern glass skin building. Used throughout Los Angeles, this style became a telling regional expression of the “high-tech” aesthetic and a new corporate vernacular.
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