A&E 06 Thu 08-07-2014.Indd
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Depictions of Fascism in Contemporary TV Drama
Prace Kulturoznawcze 24, nr 4 | Wrocław 2020 https://doi.org/10.19195/0860-6668.24.4.4 Paweł Kaczmarski ORCID: 0000-0002-9488-0816 University of Wroclaw On the back burner: Depictions of fascism in contemporary TV drama Abstract: The article seeks to describe and examine one of the possible (and arguably increasingly popular) approaches to the subject of fascism in contemporary TV drama: a narrative strategy that is defined by its willingness to go beyond the depiction of fascism as the absolute political Other, but nonetheless aims to produce a compelling and thorough critique of fascism. This is largely achieved by turning the subject of fascism into an ostensibly non-central element of the plot. By examining a number of contemporary TV series (The Crown, The Man in the High Castle, Peaky Blinders, Pennyworth and The Knick), and drawing certain analogies to Jonathan Littell’s The Kindly Ones, I aim to showcase the narrative effectiveness of a thus defined “back-burner” strategy — while link- ing this effectiveness to the formal possibilities opened up by contemporaryTV drama. Keywords: fascism, alternative history, TV series, TV drama, The Man in the High Castle, Peaky Blinders, The Kindly Ones The article seeks to explain how a certain narrative strategy of approaching fascism in contemporary TV drama — one that goes beyond the idea of fascism as the absolute political Other, and avoids placing it at the very centre of the plot — may produce a type of anti-fascist critique that is at once narratively compelling and capable of avoiding some of the affective pitfalls associated with the subject. -
Montclair Film Announces October 2017 Lineup at Cinema505
! For Immediate Release MONTCLAIR FILM ANNOUNCES CINEMA505 PROGRAM FOR OCTOBER 2017 SLASHERS! retrospective arrives for Halloween September 22, 2017, MONTCLAIR, NJ - Montclair Film today announced the complete October 2017 film lineup for Cinema505, the organization’s screening space located in the Investors Bank Film & Media Center at 505 Bloomfield in Montclair, NJ. October marks the continuation of the ongoing Montclair Film + Classics series, this time featur- ing SLASHERS!, a retrospective program of the horror genre’s touchstone films, all pre- sented on the big screen, including the 4K restoration of Tobe Hooper’s THE TEXAS CHAINSAW MASSACRE, the restored version of John Carpenter’s HALLOWEEN, and more. October also sees the continuation of The Mastery of Miyazaki series, which fea- tures the Japanese animation legend’s all ages classic PONYO, presented in English for the enjoyment of younger children. October will also see runs of the critically acclaimed new documentary releases THE FORCE, directed by Peter Nicks, EX LIBRIS: NEW YORK PUBLIC LIBRARY, a masterful portrait of the New York Public Library directed by documentary film legend Frederick Wiseman, Jeff Malmberg and Chris Shellen's Montclair Film Festival hit SPETTACOLO returns, THE PARIS OPERA, a wonderful documentary about the legendary Parisian the- ater directed by Jean-Stéphane Bron, and REVOLUTION ’67 directed by Jerome + Mary- lou Bongiorno features in Filmmakers Local 505 program, a look at the 1967 Revolution in Newark, NJ. The Films October 4-8, THE FORCE, directed by Peter Nicks October 6-8, EX LIBRIS: NEW YORK PUBLIC LIBRARY, directed by Frederick Wiseman October 7 & 8, SCREAM, directed by Wes Craven October 11-15, HALLOWEEN, directed by John Carpenter October 13-15, FRIDAY THE 13TH, directed by Sean S. -
Executive Producer)
PRODUCTION BIOGRAPHIES STEVEN SODERBERGH (Executive Producer) Steven Soderbergh has produced or executive-produced a wide range of projects, most recently Gregory Jacobs' Magic Mike XXL, as well as his own series "The Knick" on Cinemax, and the current Amazon Studios series "Red Oaks." Previously, he produced or executive-produced Jacobs' films Wind Chill and Criminal; Laura Poitras' Citizenfour; Marina Zenovich's Roman Polanski: Odd Man Out, Roman Polanski: Wanted and Desired, and Who Is Bernard Tapie?; Lynne Ramsay's We Need to Talk About Kevin; the HBO documentary His Way, directed by Douglas McGrath; Lodge Kerrigan's Rebecca H. (Return to the Dogs) and Keane; Brian Koppelman and David Levien's Solitary Man; Todd Haynes' I'm Not There and Far From Heaven; Tony Gilroy's Michael Clayton; George Clooney's Good Night and Good Luck and Confessions of a Dangerous Mind; Scott Z. Burns' Pu-239; Richard Linklater's A Scanner Darkly; Rob Reiner's Rumor Has It...; Stephen Gaghan'sSyriana; John Maybury's The Jacket; Christopher Nolan's Insomnia; Godfrey Reggio's Naqoyqatsi; Anthony and Joseph Russo's Welcome to Collinwood; Gary Ross' Pleasantville; and Greg Mottola's The Daytrippers. LODGE KERRIGAN (Co-Creator, Executive Producer, Writer, Director) Co-Creators and Executive Producers Lodge Kerrigan and Amy Seimetz wrote and directed all 13 episodes of “The Girlfriend Experience.” Prior to “The Girlfriend Experience,” Kerrigan wrote and directed the features Rebecca H. (Return to the Dogs), Keane, Claire Dolan and Clean, Shaven. His directorial credits also include episodes of “The Killing” (AMC / Netflix), “The Americans” (FX), “Bates Motel” (A&E) and “Homeland” (Showtime). -
Steven Soderbergh ( Is
MARCH 1, 2016 | 09:43AM PT BUCHAN/VARIETY/REX/SHUTTERSTOCK Steven Soderbergh (http://variety.com/t/steven-soderbergh/) is reuniting with his “Out of Sight” screenwriter Scott Frank (http://variety.com/t/scott-frank/) for a Netflix (http://variety.com/t/netflix/) limited series titled “Godless (http://variety.com/t/godless/),” Variety has confirmed. The streaming series marks another project in the television landscape for Soderbergh, who’s currently behind “The Girlfriend Experience” at Starz, “The Knick” at Cinemax, “Red Oaks” at Amazon and HBO’s upcoming, highly-secretive interactive “Mosaic.” Soderbergh will serve as an exec producer on “Godless,” while Frank will pen, direct and exec produce the project along with Casey Silver. Netflix has not provided many details on the limited, hourlong series, which is described as a Western set in the 1880s. “Godless” will film in Santa Fe, N.M. “Out of Sight” starred George Clooney and Jennifer Lopez. Since that 1998 film, Frank has gone on to write screenplays for “Minority Report,” “Marley & Me” and “The Wolverine,” among other movies, while Soderbergh directed “Magic Mike,” the “Ocean’s Eleven” franchise and “Traffic,” among others. “Godless” is one of the first limited series to come to Netflix’s booming slate, following the announcement of the “Gilmore Girls” revival, which will be made up of four 90-minute installments. As for Soderbergh’s upcoming projects, the streaming series joins the slew of TV shows he’s working on, following his declaration that he’d be leaving film. (The last movie he worked on was “Magic Mike XXL.”) However, Variety recently reported that he’s ending his retirement (http://variety.com/2016/film/news/steven-soderbergh- channing-tatum-heist-retirement-1201695944/) in that medium with a Channing Tatum movie. -
Tracing Posthuman Cannibalism: Animality and the Animal/Human Boundary in the Texas Chain Saw Massacre Movies
The Cine-Files, Issue 14 (spring 2019) Tracing Posthuman Cannibalism: Animality and the Animal/Human Boundary in The Texas Chain Saw Massacre Movies Ece Üçoluk Krane In this article I will consider insights emerging from the field of Animal Studies in relation to a selection of films in The Texas Chain Saw Massacre (hereafter TCSM) franchise. By paying close attention to the construction of the animal subject and the human-animal relation in the TCSM franchise, I will argue that the original 1974 film, The Texas Chain Saw Massacre II (1986) and the 2003 reboot The Texas Chain Saw Massacre all transgress the human-animal boundary in order to critique “carnism.”1 As such, these films exemplify “posthuman cannibalism,” which I define as a trope that transgresses the human-nonhuman boundary to undermine speciesism and anthropocentrism. In contrast, the most recent installment in the TCSM franchise Leatherface (2017) paradoxically disrupts the human-animal boundary only to re-establish it, thereby diverging from the earlier films’ critiques of carnism. For Communication scholar and animal advocate Carrie Packwood Freeman, the human/animal duality lying at the heart of speciesism is something humans have created in their own minds.2 That is, we humans typically do not consider ourselves animals, even though we may acknowledge evolution as a factual account of human development. Freeman proposes that we begin to transform this hegemonic mindset by creating language that would help humans rhetorically reconstruct themselves as animals. Specifically, she calls for the replacement of the term “human” with “humanimal” and the term “animal” with “nonhuman animal.”3 The advantage of Freeman’s terms is that instead of being mutually exclusive, they are mutually inclusive terms that foreground commonalities between humans and animals instead of differences. -
Cuadernos De La Fundación Dr
CUADERNOS de la Fundación Dr. Antonio Esteve 35 La ficción televisiva desde el punto de vista La medicina en las series de los profesionales de la medicina de televisión House y el diagnóstico médico. Lisa Sanders The Knick y las técnicas quirúrgicas. Leire Losa Los Soprano y el psicoanálisis. Oriol Estrada Rangil Coordinador: Toni de la Torre The Big Bang Theory y el síndrome de Asperger. Ramon Cererols Breaking Bad y la adicción a la metanfetamina. Patricia Robledo Mad Men y el tabaquismo. Joan R. Villalbí The Walking Dead y el imaginario de la epidemia. Josep M. Comelles y Enrique Perdiguero Gil Angels in America, The Normal Heart y Positius: VIH y sida en las series de televisión. Aina Clotet y Marc Clotet, con el asesoramiento de Bonaventura Clotet Nip/Tuck, Anatomía de Grey y la cirugía plástica. María del Mar Vaquero Pérez Masters of Sex y la sexología. Helena Boadas CSI y la medicina forense. Adriana Farré, Marta Torrens, Josep-Eladi Baños y Magí Farré Homeland y el mundo de las emociones. Liana Vehil y Luis Lalucat Olive Kitteridge y la depresión. Oriol Estrada Rangil La medicina en las series de televisión True Detective y la atracción del mal. Luis Lalucat y Liana Vehil Polseres vermelles y el cáncer. Pere Gascón i Vilaplana ISBN: 978-84-942571-9-3 FUNDACIÓN DR. ANTONIO 9 788494 257193 ESTEVE 35 CUADERNOS DE LA FUNDACIÓN DR. ANTONIO ESTEVE Nº 35 La medicina en las series de televisión Coordinador: Toni de la Torre Ilustración de la portada realizada por Suxinsu (www.suxinsu.com). La presente edición recoge las opiniones de sus autores, por lo que la Fundación Dr. -
Baixar Este Arquivo
como nos Slashers, de figuras que encarnam o mal, mas de figuras tragadas por esse mal e impelidas a agir por influência deste que se encontra nos espaços que estes “assassinos” TOBE HOOPER sempre perseguiu sua habitam, é aí que reside sua grande diferença obsessão de construir uma experiência es- de postura e a evidência mais clara disto se tética renovada, para isso elege um gênero, vê na trajetória trágica do que chamaremos o horror, com o qual flerta timidamente em de final girl Hopperiana. seu primeiro longa, Eggshells (1969), para Estando o mal em Hopper contido nos depois deslanchar em uma carreira onde espaços, os embates dos filmes serão tra- a apropriação e compreensão do gênero é vados não entre Assassino e final girl, mas sempre transmutada para sua visão ímpar de entre o espaço e seus agentes (figuras que mundo e representação do horror. lembram os assassinos de Slasher, mas não Com isso em mente, há de se chegar a passam de marionetes) contra a final girl. comparações entre os filmes de Hopper e A postura destas personagens ao longo dos o objeto dentro do horror que lhe interessa filmes de Hopper apresenta certa progres- estudar. Há dentro do horror o subgênero são rumo ao caos e a descrença completa Slasher, onde tradicionalmente os enredos de redenção daquele meio, culminando em giram em torno de assassinos inumanos que um estranho flerte da final girl Hopperiana perseguem avidamente suas vítimas, dentre por eles. elas encontra-se a final girl, personagem vir- Em Pague Para Entrar, Reze Para Sair tuosa que será, como a designação sugere, (The Funhouse,1981) a personagem Amy a última vítima a sucumbir ao perseguidor Harper (Elizabeth Berridge) estabelece des- ou mesmo a única sobreviver ao final. -
Bernhardt Hamlet Cast FINAL
IMAGES AVAILABLE FOR DOWNLOAD HERE CAST ANNOUNCED FOR GEFFEN PLAYHOUSE WEST COAST PREMIERE OF “BERNHARDT/HAMLET” FEATURING GOLDEN GLOBE NOMINEE DIANE VENORA AS SARAH BERNHARDT WRITTEN BY THERESA REBECK AND DIRECTED BY SARNA LAPINE ALSO FEATURING NICK BORAINE, ALAN COX, ISAIAH JOHNSON, SHYLA LEFNER, RAYMOND McANALLY, LEVENIX RIDDLE, PAUL DAVID STORY, LUCAS VERBRUGGHE AND GRACE YOO PREVIEWS BEGIN APRIL 7 - OPENING NIGHT IS APRIL 16 LOS ANGELES (February 24, 2020) – Geffen Playhouse today announced the full cast for its West Coast premiere of Bernhardt/Hamlet, written by Theresa Rebeck (Dead Accounts, Seminar) and directed by Sarna Lapine (Sunday in the Park with George). The production features Diane Venora (Bird, Romeo + Juliet) as Sarah Bernhardt. In addition to Venora, the cast features Nick BoraIne (Homeland, Paradise Stop) as Louis, Alan Cox (The Dictator, Young Sherlock Holmes) as Constant Coquelin, Isaiah Johnson (Hamilton, David Makes Man) as Edmond Rostand, Shyla Lefner (Between Two Knees, The Way the Mountain Moved) as Rosamond, Raymond McAnally (Size Matters, Marvelous and the Black Hole) as Raoul, Rosencrantz, and others, Levenix Riddle (The Chi, Carlyle) as Francois, Guildenstern, and others, Paul David Story (The Caine Mutiny Court Martial, Equus) as Maurice, Lucas Verbrugghe (Icebergs, Lazy Eye) as Alphonse Mucha and Grace Yoo (Into The Woods, Root Beer Bandits) as Lysette. It’s 1899, and the legendary Sarah Bernhardt shocks the world by taking on the lead role in Hamlet. While her performance is destined to become one for the ages, Sarah first has to conVince a sea of naysayers that her right to play the part should be based on ability, not gender—a feat as difficult as mastering Shakespeare’s most Verbose tragic hero. -
To Download The
FREE EXAM Complete Physical Exam Included New Clients Only Must present coupon. Offers cannot be combined Wellness Plans Extended Hours Multiple Locations www.forevervets.com4 x 2” ad Your Community Voice for 50 Years Your Community Voice for 50 Years RRecorecorPONTE VEDVEDRARA dderer entertainmentEEXTRATRA! ! Featuringentertainment TV listings, streaming information, sports schedules,X puzzles and more! September 24 - 30, 2020 INSIDE: has a new home at The latest House & Home THE LINKS! Listings Chris Rock gets 1361 S. 13th Ave., Ste. 140 Page 21 Jacksonville Beach dramatic as Offering: · Hydrafacials ‘Fargo’ returns · RF Microneedling · Body Contouring Chris Rock stars in the Season 4 premiere · B12 Complex / of “Fargo” Sunday on FX. Lipolean Injections Get Skinny with it! (904) 999-0977 www.SkinnyJax.com1 x 5” ad Now is a great time to It will provide your home: List Your Home for Sale • Complimentary coverage while the home is listed • An edge in the local market Kathleen Floryan LIST IT because buyers prefer to purchase a Broker Associate home that a seller stands behind • Reduced post-sale liability with [email protected] ListSecure® 904-687-5146 WITH ME! https://www.kathleenfloryan.exprealty.com BK3167010 I will provide you a FREE https://expressoffers.com/exp/kathleen-floryan America’s Preferred Ask me how to get cash offers on your home! Home Warranty for your home when we put it on the market. 4 x 3” ad BY JAY BOBBIN FX brings Chris Rock to ‘Fargo’ for series’ fourth season What’s Available NOW Though the last visit to “Fargo” was a and pitched him what I wanted to do, and while ago, it’s still on the television map. -
Bastrop County Texas Beth (Susan Sarandon), Shown Above, Is Performing a Office Worldwide That Year
ELGIN ELGIN FILM FRIENDLY BASTROP COUNTY FILM TRAIL 6 7 The Great Waldo Pepper (1975) Transformers: Age of Extinction (2014) Adventure, Drama, PG Action, Adventure Sci-Fi, PG-13 • Downtown Elgin, Main Street • Silo area, 301 East First Street, just off of Main Street The 1920s-30s period movie was filmed in Elgin, with Produced by Steven Speilberg, the fourth installment of most flight scenes near San Antonio and in Florida. Robert the Transformers film series was the highest grossing film Redford stars as pilot Waldo Pepper. In the film, Mary of 2014, the only film to earn over $1 billion at the box Bastrop County Texas Beth (Susan Sarandon), shown above, is performing a office worldwide that year. It is the first to in the series to stunt as a wing walker when the Standard J-1 biplane not feature the human cast from prior films. Along with FILM TRAIL lands on Elgin’s Main Street between the historic buildings international filming locations, Elgin’s industrial area was lining the roadway. Curiously enough, the buildings in chosen for a portion of the film. the film are not shown in the correct sequence. The cast Bastrop County also includes Margot Kidder as Waldo’s girlfriend Maude PLOT: Five years after the Battle of Chicago (in the third film in the series), the Transformers are now being and Bo Svenson as fellow pilot Axel Olsson. Directed by is a favorite of regarded a threat and the government is seeking to disable Bastrop County George Roy Hill, the film is highly regarded among aviation filmmakers, from commercials to television series to historians, with aerial sequences staged by Frank Tallman. -
Between Film and Television. an Interview with Lodge Kerrigan
INTERVIEW · Cinema Comparat/ive Cinema · Vol. III · no. 7 · 2015 · 28-34 Between film and television. An interview with Lodge Kerrigan Gerard Casau and Manuel Garin After directing key films of contemporary independent cinema, episode). But usually it’s the director who changes; they bring like Clean, Shaven (1993), Claire Dolan (1998) and Keane in a guest director. There are a number of theories regarding (2004), Lodge Kerrigan has directed a number of television why that’s the case, but usually what happens in the traditional episodes for shows such as The Killing (Veena Sud, AMC- financing model is that the network will approve or order a Netflix, 2011-2014), Homeland (Howard Gordon and Alex pilot, and then a pilot is made, they bring in the director to do Gansa, Showtime, 2011-) or The Americans (Joe Weisberg, FX, the pilot. Later the network will approve it or not, and then they 2013-). A month before the release of his latest project, The have to go and write scripts, generate scripts, and in this time Girlfriend Experience (Lodge Kerrigan and Amy Seimetz, Starz, the directors has already left, moved on, they have no continuity 2016), an eleven-episode television series produced by Steven of vision from the director. And I think now what’s beginning Soderbergh, we talked with him about the differences between to change, and what Soderbergh did on The Knick(Jack Amiel working for film and working for television, both in terms of and Michael Begler, Cinemax, 2014-), and the first season of narrative and mise-en-scène. -
Reminder List of Productions Eligible for the 88Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir.