Clio and Thalia: Attic Comedy and Historiography

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Clio and Thalia: Attic Comedy and Historiography CLIO AND THALIA: ATTIC COMEDY AND HISTORIOGRAPHY HISTOS The Online Journal of Ancient Historiography Edited by Christopher Krebs and †John Moles Histos Supplements Supervisory Editor: John Marincola '. Antony Erich Raubitschek, Autobiography of Antony Erich Raubitschek . Edited with Introduction and Notes by Donald Lateiner (-.'/). -. A. J. Woodman, Lost Histories: Selected Fragments of Roman Historical Writers (-.'3). 4. Felix Jacoby, On the Development of Greek Historiography and the Plan for a New Collection of the Fragments of the Greek Historians . Translated by Mortimer Chambers and Stefan Schorn (-.'3). /. Anthony Ellis, ed., God in History: Reading and Re- writing Herodotean Theology from Plutarch to the Renaissance (-.'3). 3. Richard Fernando Buxton, ed., Aspects of Leadership in Xenophon (-.'9) 9. Emily Baragwanath and Edith Foster, edd., Clio and Thalia: Attic Comedy and Historiography (-.';) CLIO AND THALIA: ATTIC COMEDY AND HISTORIOGRAPHY EDITED BY EMILY BARAGWANATH & EDITH FOSTER HISTOS SUPPLEMENT 9 NEWCASTLE UPON TYNE - . ' ; Published by H I S T O S School of History, Classics and Archaeology, Newcastle University, Newcastle upon Tyne, NE' ;RU, United Kingdom ISSN (Online): -./9-3?94 (Print): -./9-3?33 © -.'; THE INDIVIDUAL CONTRIBUTORS TABLE OF CONTENTS Preface ............................................................................... i About the Contributors ................................................... iii '. Introduction: Clio and Thalia Emily Baragwanath and Edith Foster .................................. ' -. Insults and Humiliations in Fifth-Century Historiography and Comedy Donald Lateiner .............................................................. 4' 4. Humour, Ethnography, and Embassy: Herodotus, Histories 4.';–-3 and Aristophanes, Acharnians 9'–'44 Mark C. Mash .............................................................. 9; /. The Death of Nicias: No Laughing Matter Daniel P. Tompkins ....................................................... ?? 3. Aristophanes’ Cleon and Post-Peloponnesian War Athenians: Denunciations in Thucydides Edith Foster ................................................................. '-? 9. Memory and the Rhetoric of Σωτηρία in Aristophanes’ Assembly Women Rob Tordoff ................................................................. '34 ;. Comedy and History, Theory and Evidence in Duris of Samos Christopher Baron ......................................................... -'' Index Locorum ........................................................... -/' PREFACE This Histos Supplementary Volume, Clio and Thalia: Attic Comedy and Historiography , arose from panels we organised at the annual meetings of the American Association of Ancient Historians (‘Greek Historiography and Attic Comedy’, UNC-Chapel Hill and Duke Universities, May +,-+) and the Classical Association of the Middle West and South (‘Clio and Thalia: Reconsidering the Relation of Attic Old Comedy and Historiography’, Iowa City, April +,-3). Both panels sought to direct attention to the complex and under- appreciated relationship between two innovative and swiftly changing genres, and perhaps particularly to emphasise the connectedness of Herodotean and Thucydidean histori- ography with comic paradigms. Subsequent to these conferences, our hard working panellists have thoroughly revised their papers. We would like to extend our great thanks to them, to the audiences on each occasion, and to the conference organisers. We would also like to thank Professor Je:rey Rusten for his contri- bution to our panel in +,-+, and the anonymous readers for Histos , who provided valuable criticism on each contri- bution. We thank Eduardo García-Molina, who compiled the Index Locorum. Above all we thank Professor John Marincola, Supervisory Editor of Histos ’ Supplementary Volumes, for his splendid combination of enthusiasm, sage advice, and practical nous that guided the volume from the very beginning through to publication. We are saddened that during the course of the project Histos ’ other key player, Professor John Moles (founder and editor of Histos and Professor of Latin at Newcastle University), passed away: we will miss his brilliance, his generosity, and his tremendous supportiveness of other and especially junior scholars. ii Emily Baragwanath and Edith Foster Finally, we would like to thank our respective institutions for their support: The University of North Carolina at Chapel Hill, Case Western Reserve University, and The Institute for Advanced Studies at the University of Strasbourg. University of North Carolina at Chapel Hill E. B. Strasbourg E. F. March, +,-> ABOUT THE CONTRIBUTORS EMILY BARAGWANATH is an Associate Professor in the Classics Department at the University of North Carolina at Chapel Hill. Her publications include Motivation and Narrative in Herodotus (Oxford, ,--.) and articles on the literary techniques employed by the Greek historians. She is co- author of the Herodotus Oxford Bibliography Online and co-editor of Myth, Truth, and Narrative in Herodotus (Oxford, ,-4,) (both with Mathieu de Bakker). At present she is writing a monograph on the fourth-century Athenian writer Xenophon. CHRISTOPHER BARON is an Associate Professor of Classics at the University of Notre Dame, specialising in the study of the historical writing of ancient Greece and Rome as well as the history of the Greek world after Alexander. He is the author of Timaeus of Tauromenium and Hellenistic Historiography (Cambridge, ,-47). He is currently editing The Herodotus Encyclopedia for Wiley and working on a monograph on Greek historians under the Roman Empire. EDITH FOSTER is a Fellow at the Institute for Advanced Studies at the University of Strasbourg and a Senior Research Associate at Case Western Reserve University. She has co-edited (with Ryan K. Balot and Sara Forsdyke) the Oxford Handbook of Thucydides , and is presently writing a commentary on Book : of Thucydides for the Cambridge Greek and Latin Classics series. DONALD LATEINER has published books on The Historical Method of Herodotus (Toronto, 4;.;) and Sardonic Smile (Ann Arbor, 4;;<). He has co-edited collections of Lionel Pearson’s papers (Chico, 4;.,), Thucydides and Herodotus iv About the Contributors (Oxford, ,-4,), Roman Literature, Gender, and Reception (Festschrift Hallett, London and New York, ,-47), and the Ancient Emotion of Disgust (New York and Oxford, ,-4>). He has introduced and annotated editions of translations of Herodotus and Thucydides for Barnes and Noble. He is Emeritus Professor of Humanities-Classics at Ohio Wesleyan University. MARK C. MASH is an independent scholar and public school teacher who lives in Durham, North Carolina. He received his PhD from the University of North Carolina at Chapel Hill. His primary area of research is Herodotus, and his recent essay on the historian’s use of stereotypes as faulty resemblance appears in the Routledge monograph, Resemblance and Reality in Greek Thought (London and New York, ,-4?). DANIEL P. TOMPKINS has retired from the Department of Greek and Roman Classics at Temple University in Philadelphia. He has written on Thucydides, Homer, the ancient city, Wallace Stevens, and various topics in higher education. He currently works on the intellectual devel- opment of M. I. Finley and on language and politics in the speeches in Thucydides. ROB TORDOFF teaches Greek and Roman literature and history in the Department of Humanities at York University in Toronto. His research focuses on Aristophanes and ancient Greek social history. Histos Supplement ( ) – INTRODUCTION: CLIO AND THALIA Emily Baragwanath and Edith Foster he sisters Clio and Thalia at first sight possess not family likeness, but starkly dissimilar features: the one serious-minded and noble, a worshipper at the T 1 altar of truth; the other, a lewd mistress of distortions and falsification who peddles base laughter. Yet to the observer who lingers to take a closer look, their features disclose a8nities that shed light on both genres. The papers collected in this supplementary volume of Histos move beyond our well-established practice of using Attic comedy and historiography to clarify each other, and set them side by side to reflect upon how they responded and related to each other in ancient times. 2 Attic comedy and fifth-century historiography shared important themes and aims. 3 Perhaps most conspicuously, comedy taught about historical individuals and contempo- rary issues—famous political leaders, such as Pericles or Cleon, the sophists, the new education, generation clash, the foibles of the democracy, the courts, of policy toward the war—that connected with Thucydides’ account of, and 1 Cf. Lucian’s characterisation of the ideal historian. 2 Strasburger (? ) reviews the presence of comic elements in Greek historiography from the Classical to Hellenistic periods, and remarks ( ) on how little historiography owes to comedy. Cf. Will ( B) ?. The present volume is concerned not with ‘influences’ of one on the other, but with their relationships and a8nities. 3 Tragic elements in the works of the ancient Greek historians have drawn a good deal more scholarly attention than comic ones, e.g. Chiasson (?D ) and ( ), Macleod (?D), Pelling (??), Saïd ( ), Gri8n ( ), Rutherford ( ), and Baragwanath ( a), – . For the relation between tragedy and comedy, especially in respect to comedy’s direct engagement with contemporary issues and figures, cf. e.g. Taplin (?D ). Emily Baragwanath and Edith Foster Herodotus’ implicit commentary on,
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