Frances Anne Skoczylas Pownall
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Herodotos Project (OSU-Ugent): Studies in Ancient Ethnography
Faculty of Literature and Philosophy Julie Boeten The Herodotos Project (OSU-UGent): Studies in Ancient Ethnography Barbarians in Strabo’s ‘Geography’ (Abii-Ionians) With a case-study: the Cappadocians Master thesis submitted in fulfilment of the requirements for the degree of Master in Linguistics and Literature, Greek and Latin. 2015 Promotor: Prof. Dr. Mark Janse UGent Department of Greek Linguistics Co-Promotores: Prof. Brian Joseph Ohio State University Dr. Christopher Brown Ohio State University ACKNOWLEDGMENT In this acknowledgment I would like to thank everybody who has in some way been a part of this master thesis. First and foremost I want to thank my promotor Prof. Janse for giving me the opportunity to write my thesis in the context of the Herodotos Project, and for giving me suggestions and answering my questions. I am also grateful to Prof. Joseph and Dr. Brown, who have given Anke and me the chance to be a part of the Herodotos Project and who have consented into being our co- promotores. On a whole other level I wish to express my thanks to my parents, without whom I would not have been able to study at all. They have also supported me throughout the writing process and have read parts of the draft. Finally, I would also like to thank Kenneth, for being there for me and for correcting some passages of the thesis. Julie Boeten NEDERLANDSE SAMENVATTING Deze scriptie is geschreven in het kader van het Herodotos Project, een onderneming van de Ohio State University in samenwerking met UGent. De doelstelling van het project is het aanleggen van een databank met alle volkeren die gekend waren in de oudheid. -
Download The
THE CONCEPT OF SACRED WAR IN ANCIENT GREECE By FRANCES ANNE SKOCZYLAS B.A., McGill University, 1985 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of Classics) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA August 1987 ® Frances Anne Skoczylas, 1987 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of CLASSICS The University of British Columbia 1956 Main Mall Vancouver, Canada V6T 1Y3 Date AUtt-UST 5r 1Q87 ii ABSTRACT This thesis will trace the origin and development of the term "Sacred War" in the corpus of extant Greek literature. This term has been commonly applied by modern scholars to four wars which took place in ancient Greece between- the sixth and fourth centuries B. C. The modern use of "the attribute "Sacred War" to refer to these four wars in particular raises two questions. First, did the ancient historians give all four of these wars the title "Sacred War?" And second, what justified the use of this title only for certain conflicts? In order to resolve the first of these questions, it is necessary to examine in what terms the ancient historians referred to these wars. -
Print and Web Resources (PDF, 191KB)
Print and Web Resources GENERAL RESOuRCES PBS. The Time of the Lincolns. www.pbs.org/ wgbh/amex/lincolns/ J. Paul Getty Museum. “The Elements of Art.” www.getty.edu/education/for_teachers/ Wilson, Jackie Napolean. Hidden Witness: building_lessons/elements.html African-American Images from the Dawn of Photography to the Civil War. New York: J. Paul Getty Museum. “Explore Art.” St. Martin’s Press, 2000. www.getty.edu/art/gettyguide/ Metropolitan Museum of Art. “Timeline of Art Celebration and Satire History.” www.metmuseum.org/toah/ Berman, Patricia G. James Ensor: Christ’s Entry Teaching Tolerance. www.tolerance.org into Brussels in 1889. Getty Museum Studies on Art. Los Angeles: J. Paul Getty Museum, 2002. Breaking the Chains, Rising Out of Circumstances Center for History and New Media, George Mason University. Liberty, Equality, Fraternity: BBC. “Ancient History: Romans.” www.bbc.co.uk/ Exploring the French Revolution. chnm.gmu. history/ancient/romans edu/revolution/ Bolster, W. Jeffrey. Soldiers, Sailors, Slaves, and France in Australia. “Emblems and symbols of the Ships: The Civil War Photographs of Henry P. French Republic.” www.ambafrance-au.org/ Moore. Concord: New Hampshire Historical spip.php?article468 Society, 1999. PBS. Freedom: A History of US. www.pbs.org/ National Gallery of Art. “Marriage A-la-Mode: 4. wnet/historyofus/ The Toilette.” www.nationalgallery.org.uk/cgi- bin/WebObjects.dll/CollectionPublisher.woa/ PBS. Napoleon. www.pbs.org/empires/napoleon/ wa/work?workNumber=ng116 home.html National Gallery of Art. “Princess Rákóczi.” ReadWriteThink. “Satirical Techniques www.nationalgallery.org.uk/cgi-bin/ Definitions.” www.readwritethink.org/lesson_ WebObjects.dll/CollectionPublisher.woa/wa/ images/lesson936/SatiricalTechniques.pdf work?workNumber=ng3883 Waldron, Ann. -
The Functionality of the Mace When Associated with Women in the Dynastic Period
Women and Weapons in Ancient Egypt The functionality of the mace when associated with women in the Dynastic Period Rebecca Dean, The University of York, [email protected] Project Background The Experiment Continued Mace-head from female Upper part of east face of burial at Abydos, Hatshepsut’s Karnak North bottom left corner (Peet obelisk. The female pharaoh 1914, Pl. III). Hatshepsut is depicted holding a mace in the bottom right corner (Stevenson Smith 1942, 48). Harrogate mace-head displaying The visible cut made by the conical Damage to the conical mace- similar damage to that sustained mace-head on pig head number three. head from hitting the pig head. by the mace in the experimental Photo courtesy of Dr J. Fletcher. Photo courtesy of Dr J. Fletcher. work (Dean 2009, 92). The pig head struck with the with the globular mace-head appeared to sustain little damage, though it was possible to feel a slight crack in the skull through the skin. The pig head that The mace is a weapon that has endured throughout Egyptian history, from Predynastic times was struck with the conical mace-head again revealed damage. The part of the skull just through to the era of Roman rule (c.3500 BC to early centuries AD). The mace was a common above the eye-socket was definitely broken, with the skin split open over the same area. The and prominently depicted artefact in Pharaonic Egypt, as both a weapon and piece of regalia replica conical mace-head was also damaged during the striking of the pigs’ heads. -
The Phocian Betrayal at Thermopylae
historia 68, 2019/4, 413–435 DOI 10.25162/historia-2019-0022 Jeffrey Rop The Phocian Betrayal at Thermopylae Abstract: This article makes three arguments regarding the Battle of Thermopylae. First, that the discovery of the Anopaea path was not dependent upon Ephialtes, but that the Persians were aware of it at their arrival and planned their attacks at Thermopylae, Artemisium, and against the Phocians accordingly. Second, that Herodotus’ claims that the failure of the Pho- cians was due to surprise, confusion, and incompetence are not convincing. And third, that the best explanation for the Phocian behavior is that they were from Delphi and betrayed their allies as part of a bid to restore local control over the sanctuary. Keywords: Thermopylae – Artemisium – Delphi – Phocis – Medism – Anopaea The courageous sacrifice of Leonidas and the Spartans is perhaps the central theme of Herodotus’ narrative and of many popular retellings of the Battle of Thermopylae in 480 BCE. Even as modern historians are appropriately more critical of this heroizing impulse, they have tended to focus their attention on issues that might explain why Leo- nidas and his men fought to the death. These include discussion of the broader strategic and tactical importance of Thermopylae, the inter-relationship and chronology of the Greek defense of the pass and the naval campaign at Artemisium, the actual number of Greeks who served under Leonidas and whether it was sufficient to hold the position, and so on. While this article inevitably touches upon some of these same topics, its main purpose is to reconsider the decisive yet often overlooked moment of the battle: the failure of the 1,000 Phocians on the Anopaea path. -
1 Reading Athenaios' Epigraphical Hymn to Apollo: Critical Edition And
Reading Athenaios’ Epigraphical Hymn to Apollo: Critical Edition and Commentaries DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Corey M. Hackworth Graduate Program in Greek and Latin The Ohio State University 2015 Dissertation Committee: Fritz Graf, Advisor Benjamin Acosta-Hughes Carolina López-Ruiz 1 Copyright by Corey M. Hackworth 2015 2 Abstract This dissertation is a study of the Epigraphical Hymn to Apollo that was found at Delphi in 1893, and since attributed to Athenaios. It is believed to have been performed as part of the Athenian Pythaïdes festival in the year 128/7 BCE. After a brief introduction to the hymn, I provide a survey and history of the most important editions of the text. I offer a new critical edition equipped with a detailed apparatus. This is followed by an extended epigraphical commentary which aims to describe the history of, and arguments for and and against, readings of the text as well as proposed supplements and restorations. The guiding principle of this edition is a conservative one—to indicate where there is uncertainty, and to avoid relying on other, similar, texts as a resource for textual restoration. A commentary follows, which traces word usage and history, in an attempt to explore how an audience might have responded to the various choices of vocabulary employed throughout the text. Emphasis is placed on Athenaios’ predilection to utilize new words, as well as words that are non-traditional for Apolline narrative. The commentary considers what role prior word usage (texts) may have played as intertexts, or sources of poetic resonance in the ears of an audience. -
Determining the Significance of Alliance Athologiesp in Bipolar Systems: a Case of the Peloponnesian War from 431-421 BCE
Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2016 Determining the Significance of Alliance athologiesP in Bipolar Systems: A Case of the Peloponnesian War from 431-421 BCE Anthony Lee Meyer Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the International Relations Commons Repository Citation Meyer, Anthony Lee, "Determining the Significance of Alliance Pathologies in Bipolar Systems: A Case of the Peloponnesian War from 431-421 BCE" (2016). Browse all Theses and Dissertations. 1509. https://corescholar.libraries.wright.edu/etd_all/1509 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. DETERMINING THE SIGNIFICANCE OF ALLIANCE PATHOLOGIES IN BIPOLAR SYSTEMS: A CASE OF THE PELOPONNESIAN WAR FROM 431-421 BCE A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts By ANTHONY LEE ISAAC MEYER Dual B.A., Russian Language & Literature, International Studies, Ohio State University, 2007 2016 Wright State University WRIGHT STATE UNIVERSITY SCHOOL OF GRADUATE STUDIES ___April 29, 2016_________ I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Anthony Meyer ENTITLED Determining the Significance of Alliance Pathologies in Bipolar Systems: A Case of the Peloponnesian War from 431-421 BCE BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts. ____________________________ Liam Anderson, Ph.D. -
Remembering Music in Early Greece
REMEMBERING MUSIC IN EARLY GREECE JOHN C. FRANKLIN This paper contemplates various ways that the ancient Greeks preserved information about their musical past. Emphasis is given to the earlier periods and the transition from oral/aural tradition, when self-reflective professional poetry was the primary means of remembering music, to literacy, when festival inscriptions and written poetry could first capture information in at least roughly datable contexts. But the continuing interplay of the oral/aural and written modes during the Archaic and Classical periods also had an impact on the historical record, which from ca. 400 onwards is represented by historiographical fragments. The sources, methods, and motives of these early treatises are also examined, with special attention to Hellanicus of Lesbos and Glaucus of Rhegion. The essay concludes with a few brief comments on Peripatetic historiography and a selective catalogue of music-historiographical titles from the fifth and fourth centuries. INTRODUCTION Greek authors often refer to earlier music.1 Sometimes these details are of first importance for the modern historiography of ancient 1 Editions and translations of classical authors may be found by consulting the article for each in The Oxford Classical Dictionary3. Journal 1 2 JOHN C. FRANKLIN Greek music. Uniquely valuable, for instance, is Herodotus’ allusion to an Argive musical efflorescence in the late sixth century,2 nowhere else explicitly attested (3.131–2). In other cases we learn less about real musical history than an author’s own biases and predilections. Thus Plato describes Egypt as a never-never- land where no innovation was ever permitted in music; it is hard to know whether Plato fabricated this statement out of nothing to support his conservative and ideal society, or is drawing, towards the same end, upon a more widely held impression—obviously superficial—of a foreign, distant culture (Laws 656e–657f). -
From Kottabos to War in Aristophanes' Acharnians Ross Scaife
SCAIFE, ROSS, From "Kottabos" to War in Aristophanes' "Acharnians" , Greek, Roman and Byzantine Studies, 33:1 (1992:Spring) p.25 From Kottabos to War In Aristophanes' Acharnians Ross Scaife r THE CENTER of a much-discussed speech in Acharnians ~(524-29), Aristophanes makes Dicaeopolis present the fol lowing aetiology of the Peloponnesian War: certain young Athenians, who were J.l(81)o01(o't'tu~ol-drunk from playing kottabos at a symposium-went to Megara and stole a whore named Simaitha. Then in turn the Megarians, whom Dicaeopolis describes as 7t£<puoryyroJ.l£vol-inflamed like fighting cocks from eating too much garlic-came to Athens and stole two whores from the brothel of Aspasia. So although there had been tit for tat, it was the Athenians who started the war, and somehow it was a game of kottabos that provoked them to vent their animal instincts so fatefully.l Elsewhere Aristophanes treats this game as just one among the many lighthearted diversions that his characters typically en joy, and thus as quite lacking any menacing aspect. At Pax 339-45, Trygaeus tries to restrain the Chorus by reminding them of the pleasures that a little more patience will soon bring them: a'A'A' o'tuv 'Aa~roJ.l£v U'\hftv, 't11VlKUU'tU xuip£'t£ KUt ~u't£ KUt y£'Au't'· 11- 811 yap £~£o'tat 'toe' UJ.ltV 7tAEtV J.l£VElV ~tv£'iv Ku8£1J8Elv, £~ 7tuv11yUPEt~ 8£rop£tv, EO'ttuo8ul Ko't'tu~i~Etv, 1 For Aristophanes' literary debts in this passage see J. -
Commemorating War and War Dead
Franz Steiner Verlag Sonderdruck aus: Commemorating War and War Dead Ancient and Modern Edited by Maurizio Giangiulio Elena Franchi Giorgia Proietti Franz Steiner Verlag, Stuttgart 2019 TABLE OF CONTENTS Preface ............................................................................................................. 9 Foreword ......................................................................................................... 13 INTRODUCTIVE SECTION Maurizio Giangiulio Do Societies Remember? The Notion of ‘Collective Memory’: Paradigms and Problems (from Maurice Halbwachs on) ................................ 17 Elena Franchi Memories of Winners and Losers. Historical Remarks on why Societies Remember and Commemorate Wars ............................................................... 35 Giorgia Proietti Can an Ancient Truth Become an Old Lie? A Few Methodological Remarks Concerning Current Comparative Research on War and its Aftermath. .......... 71 SECTION I WAR MEMORIALS: OBJECTS IN PERFORMANCE Lilah Grace Canevaro Commemoration through Objects? Homer on the Limitations of Material Memory ............................................................................................ 95 Birgit Bergmann Beyond Victory and Defeat. Commemorating Battles prior to the Persian Wars .............................................................................................. 111 Holger Baitinger Commemoration of War in Archaic and Classical Greece. Battlefields, Tombs and Sanctuaries ............................................................... -
The Delimitation of Fragments in Jacoby's Fgrhist: Some Examples
The Delimitation of Fragments in Jacoby’s FGrHist: Some Examples from Duris of Samos Christopher A. Baron ELIX JACOBY’S Die Fragmente der Griechischen Historiker provides an indispensable tool for the study of Greek historical writing in all periods and for nearly every F 1 historian. The authority and convenience of Jacoby’s col- lection remain unparalleled, as evidenced by the fact that his seventeen volumes of texts, commentary, and notes are now available in two online versions, including the ongoing Brill’s New Jacoby project (BNJ).2 While his volumes make it easier to 1 On Jacoby’s work see most recently Carmine Ampolo (ed.), Aspetti dell’opera di Felix Jacoby (Pisa 2006); John Marincola (ed.), A Companion to Greek and Roman Historiography I (Malden 2007) 5–7; and the relevant essays in Glenn Most (ed.), Collecting Fragments/Fragmente sammeln (Göttingen 1997). That Jacoby accomplished what he did before the existence of the TLG and searchable databases is incredible, and humbling; that it took several dec- ades and an international team of scholars to re-commence the project after his death in 1959 shows the enormity of his achievement. His original project continues under the auspices of Guido Schepens and Jan Bollansée: see Schepens’ “Prolegomena” in FGrHist IV A 1 (1998) vii–xxi. At the same time, an Italian project is underway to publish a new collection of Greek historical fragments, led by Eugenio Lanzilotta (http://frammstorgr. uniroma2.it); five volumes have been published to date. 2 In 2006 Brill converted Jacoby’s original work (with apparatus criticus and German commentary and notes) to an online format: Brill Online Die Fragmente der Griechischen Historiker. -
Studies in Pausanias' Periegesis Akujärvi, Johanna
Researcher, Traveller, Narrator : Studies in Pausanias' Periegesis Akujärvi, Johanna 2005 Link to publication Citation for published version (APA): Akujärvi, J. (2005). Researcher, Traveller, Narrator : Studies in Pausanias' Periegesis. Almqvist & Wiksell International. Total number of authors: 1 General rights Unless other specific re-use rights are stated the following general rights apply: Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Read more about Creative commons licenses: https://creativecommons.org/licenses/ Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. LUND UNIVERSITY PO Box 117 221 00 Lund +46 46-222 00 00 Studia Graeca et Latina Lundensia 12 Researcher, Traveller, Narrator Studies in Pausanias’ Periegesis Johanna Akujärvi Lund 2005 Almqvist & Wiksell International Stockholm/Sweden © 2005 Johanna Akujärvi Distributed by Almqvist & Wiksell International P.O. Box 7634 S-103 94 Stockholm Sweden Phone: + 46 8 790 38 00 Fax: + 46 8 790 38 05 E-mail: [email protected] ISSN 1100-7931 ISBN 91-22-02134-5 Printed in Sweden Media-Tryck, Lund University Lund 2005 To Daniel Acknowledgements There are a number of people to whom I wish to express my gratitude.