The Titan's Curse
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“Wow," Thalia Muttered. "Apollo Is Hot." "He's the Sun God," I Said
“Wow," Thalia muttered. "Apollo is hot." "He's the sun god," I said. "That's not what I meant.” ― Rick Riordan, The Titan's Curse tags: apollo, gods, hot, olympians, percy-jackson, sun, thalia 3546 likes like “Grover was sniffing the wind, looking nervous. He fished out his acorns and threw them into the sand, then played his pipes. They rearranged themselves in a pattern that made no sense to me, but Grover looked concerned. "That's us," he said. "Those five nuts right there." "Which one is me?" I asked. "The little deformed one," Zoe suggested. "Oh, shut up.” ― Rick Riordan, The Titan's Curse tags: acorns, percy-jackson, zoe-nightshade 3072 likes like “The real story of the Fleece: there were these two children of Zeus, Cadmus and Europa, okay? They were about to get offered up as human sacrifices, when they prayed to Zeus to save them. So Zeus sent this magical flying ram with golden wool, which picked them up in Greece and carried them all the way to Colchis in Asia Minor. Well, actually it carried Cadmus. Europa fell off and died along the way, but that's not important." "It was probably important to her.” ― Rick Riordan, The Sea of Monsters tags: annabeth-chase, gold, humor, percy-jackson 2673 likes like “What if it lines up like it did in the Trojan War ... Athena versus Poseidon?" "I don't know. But I just know that I'll be fighting next to you." "Why?" "Because you're my friend, Seaweed Brain. Any more stupid questions?” ― Rick Riordan, The Lightning Thief tags: annabeth-chase, athena, percy-jackson, poseidon 2519 likes like “Dreams like a podcast, Downloading truth in my ears. -
Two Muses Slumming It 4/1/2021
Two Muses Slumming It by Yussef El Guindi Samara Harris Samara Harris Literary Agency samaraharris.com [email protected] (773)852-2262 Yussef El Guindi, 325 Summit Avenue, East, Apt. 15, Seattle, WA 98102 C:206-841-0101 [email protected] Cast THALIA: Muse of Comedy, any age, race, or gender (though might be male). MELPOMENE: Muse of Tragedy, any age, race or gender (though might be a woman). SAM: Hopeful actor, male (could also be a woman), any race, early 20s, struggling to emotionally stay afloat. TERPSICHORE: Muse of Dance, any age, race or gender (though might be a woman). (Two Muses in someone’s home. One is MELPOMENE, Muse of Tragedy, the other is THALIA, Muse of Comedy. Thalia looks upset, Melpomene is consoling him.) MELPOMENE There, there. It’s not so bad. It could be worse. THALIA How? Worse how? MELPOMENE Well... THALIA We’ve been downloaded - please note the terminology, “You are to be downloaded”, not “Assigned”, or “Encouraged to inspire”, but “downloaded” into this wreckage of someone’s... (Looking around the living room.) pizza-strewn - is this even a living room? Please note the sea of empty beer cans by the pizza vomit. MELPOMENE It’s two beer cans. THALIA “Downloadable”. That’s how we’re conceived now by the powers that be. We’re part of the gig economy. We’re like something delivered by “Doordash”, or “Uber Eats”. Want to be inspired? We’ll send you a bunch of Muses and you too might become a genius artist. The great Muses in their infinite abilities to be anywhere will come to your place and make your pieces shine, whatever crap you’re working on. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
The Poetics of Science: Intertextual and Metatextual Themes in Ovid's Depiction of Cosmic and Human Origins
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title The poetics of science: intertextual and metatextual themes in Ovid's depiction of cosmic and human origins Author(s) Kelly, Peter Publication Date 2016-09-09 Item record http://hdl.handle.net/10379/6075 Downloaded 2021-09-28T20:42:11Z Some rights reserved. For more information, please see the item record link above. The Poetics of Science Intertextual and Metatextual Themes in Ovid’s Depiction of Cosmic and Human Origins By Peter M. J. Kelly A Thesis Submitted to the National University of Ireland, Galway in the College of Arts, Social Sciences and Celtic Studies for the degree of Doctor of Philosophy in Classics September 2016 Supervisor: Prof. Michael Clarke ii Preface This work explores ancient views of cosmogony and the material structure of the universe in Ovid’s Metamorphoses. In particular it focuses on the way in which Ovid problematizes how we define myth and poetry versus science and philosophy. It examines how Ovid generates a parallel between the form and content of the text in order to depict a world where abstract scientific principles can become personified deities. This work will seek to reevaluate the impact of Greek Philosophy on Roman poetry through extending the series of intertexts which we may observe Ovid alluding to. Through following and analysing these sets of allusions this work will seek to gain an insight into Ovid’s depiction of the metatextual universe. iii iv For my Parents The scientist’s demand that nature shall be lawful is a demand for unity. -
Operas Performed in New York City in 2013 (Compiled by Mark Schubin)
Operas Performed in New York City in 2013 (compiled by Mark Schubin) What is not included in this list: There are three obvious categories: anything not performed in 2013, anything not within the confines of New York City, and anything not involving singing. Empire Opera was supposed to perform Montemezzi’s L'amore dei tre re in November; it was postponed to January, so it’s not on the list. Similarly, even though Bard, Caramoor, and Peak Performances provide bus service from midtown Manhattan to their operas, even though the New York City press treats the excellent but four-hours-away-by-car Glimmerglass Festival like a local company, and even though it’s faster to get from midtown Manhattan to some performances on Long Island or in New Jersey or Westchester than to, say, Queens College, those out-of-city productions are not included on the main list (just for reference, I put Bard, Caramoor, and Peak Performances in an appendix). And, although the Parterre Box New York Opera Calendar (which includes some non-opera events) listed A Rite, a music-theatrical dance piece performed at the BAM Opera House, I didn’t because no performer in it sang. I did not include anything that wasn’t a local in-person performance. The cinema transmissions from the Met, Covent Garden, La Scala, etc., are not included (nor is the movie Metallica: Through the Never, which Owen Gleiberman in Entertainment Weekly called a “grand 3-D opera”). I did not include anything that wasn’t open to the public, so the Met’s workshop of Scott Wheeler’s The Sorrows of Frederick is not on the list. -
A Companion to Sport and Spectacle in Greek and Roman Antiquity Represents an Invaluable Scholarly Contribution to Ancient Sport Studies
170+3 35.9 170+3 BLACKWELL COMPANIONS TO THE ANCIENT WORLD BLACKWELL COMPANIONS TO THE ANCIENT WORLD the editors A COMPANION TO A COMPANION TO Paul Christesen is Professor of Classics at A COMPANION TO sport and spectacle in greek and and spectacle sport Dartmouth College, USA. He is the author sport and Spectacle in greek and sport and of Sport and Democracy in the Ancient and Modern Worlds (2012), Olympic Victor Lists and Ancient roman antiquity EDITED BY Christesen and kyle Spectacle in Greek History (2007), and numerous articles Contributors to this volume: sport and Spectacle greek and and chapters on Greek historiography, ancient Greek history, and ancient sport. roman Winthrop Lindsay Adams, Gregory S. Aldrete, Carla M. Antonaccio, in greek and Donald G. Kyle is Professor and former Sinclair Bell, Giampiero Bevagna, Stephen Brunet, Michael J. Carter, A COMPANION TO antiquity Chair of History at the University of Texas at Paul Christesen, Hazel Dodge, Roger Dunkle, Chris Epplett, roman antiquity Arlington, USA. He is the author of Sport and Garrett G. Fagan, Donald G. Kyle, Andrew Lear, Hugh M. Lee, roman antiquity E D I T E D B Y Spectacle in the Ancient World (Wiley-Blackwell, paul christesen Rose MacLean, Kathryn Mammel, Christian Mann, Stephen G. Miller, and donald g. kyle 2007), Spectacles of Death in Ancient Rome (1998), Sarah C. Murray, Jenifer Neils, Nigel Nicholson, Thomas Heine Nielsen, Athletics in Ancient Athens (1987), and numerous EDITED BY Paul Christesen Zinon Papakonstantinou, David Alan Parnell, Timothy P. J. Perry, articles and chapters on ancient sport history. -
Fact Sheet Hilton Athens
Situated on one of the city's most prestigious AT A GLANCE avenues, Hilton Athens offers stylish • Prime location close to the city centre contemporary rooms with stunning views • Over 6,000m2 of function of the Acropolis. This landmark hotel is a space across 23 venues • Ballroom with seating destination in itself with an impressive rooftop capacity for up to 1,100 people bar and restaurant, a full-service spa and the • 506 rooms, all with a private balcony largest hotel outdoor pool in Athens. • Acropolis view rooms Whether here for business or leisure, the • Rooftop bar and restaurant with Acropolis view unique ambiance and state-of-the-art facilities • Impressive outdoor pool will make your stay memorable. • Natural daylight across all hotel areas HILTON ATHENS Located in the center of the city’s commercial district, Hilton Athens is just 35 minutes from Athens International Airport by direct subway athens.hilton.com 46 Vassilissis Sofias Avenue 11528 Athens l Greece ATHENS T: +30 210 7281 000 l F: +30 210 7281 111 E: [email protected] OUR ROOMS EAT AND DRINK The spacious rooms of the Hilton Athens are elegantly designed to offer the GALAXY BAR perfect place to unwind or catch up on work. If you often travel for business and The chic and stylish rooftop Galaxy Bar seek personal service and quietness, choose an Executive Room, where you can offers superb views of Athens and the have access to the Executive Lounge and Hiltonia Spa. Upgrade to one of the Acropolis. Galaxy's unique setting, stylish Hilton Athens Suites for an extra feeling of luxury. -
Bottle Tasting Menu 7/31/2020
Bottle Menu White Wines and Rosé Price Wine Club Erato, 2019 $21.00 $16.80 Erato is a blend of Chardonnay, Muscat, and Vidal Blanc. The grapes used in this white wine were grown at our highest elevation vineyard on slate soils. Whole-cluster pressed and fermented slowly in stainless steel at 60˚ Fahrenheit, this wine has an aromatic richness and freshness on the palate. ABV 12.9% Vin Gris de Gamay, 2019 $19.00 $15.20 Our 2019 Vin Gris de Gamay is a variant of Rosé wine made from the red grapes of Gamay. The process for the grapes is to strip the skin from the grape, about two hours into the process. Next is to crush the grapes and let the juice run off. The skin is what gives the wine its color; by removing that this wine appears white, known as a “Blush” wine. The juices are fermented in stainless steel tanks to preserve its individual taste and quality. ABV 11.9% Chardonnay, 2019 $35.00 $28.00 Our Chardonnay 2018 vintage is a barrel fermented and aged on the lies Chardonnay with hints of apricot on the nose. It only went through a partial malolactic conversion, so the fruit notes are more pronounced with a smooth finish. Medium acidity with notes of honey, pear and apricot and under-lying French oak and butter. It pairs well with cheese and creamed sauced seafood. ABV 13.3% By the Can 4-Pack Rosé, 2018 $6.00 $20.00 WC $18 Our 2018 Rosé is made from Cabernet Sauvignon, Cabernet Franc and Petit Verdot. -
Redating Pericles: a Re-Examination of Shakespeare’S
REDATING PERICLES: A RE-EXAMINATION OF SHAKESPEARE’S PERICLES AS AN ELIZABETHAN PLAY A THESIS IN Theatre Presented to the Faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree MASTER OF ARTS by Michelle Elaine Stelting University of Missouri Kansas City December 2015 © 2015 MICHELLE ELAINE STELTING ALL RIGHTS RESERVED REDATING PERICLES: A RE-EXAMINATION OF SHAKESPEARE’S PERICLES AS AN ELIZABETHAN PLAY Michelle Elaine Stelting, Candidate for the Master of Arts Degree University of Missouri-Kansas City, 2015 ABSTRACT Pericles's apparent inferiority to Shakespeare’s mature works raises many questions for scholars. Was Shakespeare collaborating with an inferior playwright or playwrights? Did he allow so many corrupt printed versions of his works after 1604 out of indifference? Re-dating Pericles from the Jacobean to the Elizabethan era answers these questions and reveals previously unexamined connections between topical references in Pericles and events and personalities in the court of Elizabeth I: John Dee, Philip Sidney, Edward de Vere, and many others. The tournament impresas, alchemical symbolism of the story, and its lunar and astronomical imagery suggest Pericles was written long before 1608. Finally, Shakespeare’s focus on father-daughter relationships, and the importance of Marina, the daughter, as the heroine of the story, point to Pericles as written for a young girl. This thesis uses topical references, Shakespeare’s anachronisms, Shakespeare’s sources, stylometry and textual analysis, as well as Henslowe’s diary, the Stationers' Register, and other contemporary documentary evidence to determine whether there may have been versions of Pericles circulating before the accepted date of 1608. -
Showering Collection Edition 2 the Premium Contents Showering Experience
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Thalia, Vol. 1, Issue 4 (February 1929)
Thalia Volume 1 | Issue 4 Article 1 2-1929 Thalia, Vol. 1, Issue 4 (February 1929) Follow this and additional works at: http://scholar.dickinson.edu/thalia Part of the Creative Writing Commons Recommended Citation (1929) "Thalia, Vol. 1, Issue 4 (February 1929)," Thalia: Vol. 1: Iss. 4, Article 1. Available at: http://scholar.dickinson.edu/thalia/vol1/iss4/1 This Complete Issue is brought to you for free and open access by the Publications at Dickinson Scholar. It has been accepted for inclusion in Thalia by an authorized administrator of Dickinson Scholar. For more information, please contact [email protected]. 1 February, 1929 THALIA Carter's Drug Store Eastman Films, etc. Developing, Printing and Enlarging The Chocolat' Shop Whitman's Chocolates 28 South Hanover Street JOHNS News had reached the village of Forksville that a motor-bus plying between the neighboring towns of Bumpton and Gush Hollow and gone over the side of a cliff with all on board. It was also known in Forksville that the wife of the much henpecked SODAS MARY LEE Bud Blodgett was en route to Gush Hollow via CANDIES the bus line. An interested villager immediately called on Bud. SALTED NUTS ''Ain't ye worred 'bout yer wife, Bud f " he asked. "Well," replied Bud, "I was fer a while, but FINE her cousin in Bumpton jest called up an' said she CONFECTIONS CIGARETTES saw Sal git on the bus with her own eyes." -American Legion Weekly. I I I 35 W. High Street NO HELP WANTED To start with, Smith doesn't cut a distinguished figure in his evening clothes. -
Durham E-Theses
Durham E-Theses Rethinking mythology in Greek museums through contemporary culture Antonopoulou, Marina How to cite: Antonopoulou, Marina (2010) Rethinking mythology in Greek museums through contemporary culture, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2511/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk lml'Hlm:ING MYTHOLOGY IN <mEEK »KUSE{]Ml$ THROUGH CONTEMPORARY ClJL1UllB MARINAANTONOPOULOU Appendices The copyright of this thesis rests with the author or the university to which it was submitted. No quotation from it, or information derived from it may be published without the prior written consent of the author or university, and any information derived from it should be acknowledged. 2 6 MAY 2010 Appendix 1 Socratis Malamas Date: 15/01/2005 Venue: Hotel'Olympia', Thessaloniki. Q: Could you tell me what is the first thing that comes to mind when you hear the words 'Greek mythology'? A: The usual, what we learned in school.