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“Wow," Thalia Muttered. "Apollo Is Hot." "He's the Sun God," I Said
“Wow," Thalia muttered. "Apollo is hot." "He's the sun god," I said. "That's not what I meant.” ― Rick Riordan, The Titan's Curse tags: apollo, gods, hot, olympians, percy-jackson, sun, thalia 3546 likes like “Grover was sniffing the wind, looking nervous. He fished out his acorns and threw them into the sand, then played his pipes. They rearranged themselves in a pattern that made no sense to me, but Grover looked concerned. "That's us," he said. "Those five nuts right there." "Which one is me?" I asked. "The little deformed one," Zoe suggested. "Oh, shut up.” ― Rick Riordan, The Titan's Curse tags: acorns, percy-jackson, zoe-nightshade 3072 likes like “The real story of the Fleece: there were these two children of Zeus, Cadmus and Europa, okay? They were about to get offered up as human sacrifices, when they prayed to Zeus to save them. So Zeus sent this magical flying ram with golden wool, which picked them up in Greece and carried them all the way to Colchis in Asia Minor. Well, actually it carried Cadmus. Europa fell off and died along the way, but that's not important." "It was probably important to her.” ― Rick Riordan, The Sea of Monsters tags: annabeth-chase, gold, humor, percy-jackson 2673 likes like “What if it lines up like it did in the Trojan War ... Athena versus Poseidon?" "I don't know. But I just know that I'll be fighting next to you." "Why?" "Because you're my friend, Seaweed Brain. Any more stupid questions?” ― Rick Riordan, The Lightning Thief tags: annabeth-chase, athena, percy-jackson, poseidon 2519 likes like “Dreams like a podcast, Downloading truth in my ears. -
Two Muses Slumming It 4/1/2021
Two Muses Slumming It by Yussef El Guindi Samara Harris Samara Harris Literary Agency samaraharris.com [email protected] (773)852-2262 Yussef El Guindi, 325 Summit Avenue, East, Apt. 15, Seattle, WA 98102 C:206-841-0101 [email protected] Cast THALIA: Muse of Comedy, any age, race, or gender (though might be male). MELPOMENE: Muse of Tragedy, any age, race or gender (though might be a woman). SAM: Hopeful actor, male (could also be a woman), any race, early 20s, struggling to emotionally stay afloat. TERPSICHORE: Muse of Dance, any age, race or gender (though might be a woman). (Two Muses in someone’s home. One is MELPOMENE, Muse of Tragedy, the other is THALIA, Muse of Comedy. Thalia looks upset, Melpomene is consoling him.) MELPOMENE There, there. It’s not so bad. It could be worse. THALIA How? Worse how? MELPOMENE Well... THALIA We’ve been downloaded - please note the terminology, “You are to be downloaded”, not “Assigned”, or “Encouraged to inspire”, but “downloaded” into this wreckage of someone’s... (Looking around the living room.) pizza-strewn - is this even a living room? Please note the sea of empty beer cans by the pizza vomit. MELPOMENE It’s two beer cans. THALIA “Downloadable”. That’s how we’re conceived now by the powers that be. We’re part of the gig economy. We’re like something delivered by “Doordash”, or “Uber Eats”. Want to be inspired? We’ll send you a bunch of Muses and you too might become a genius artist. The great Muses in their infinite abilities to be anywhere will come to your place and make your pieces shine, whatever crap you’re working on. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
Operas Performed in New York City in 2013 (Compiled by Mark Schubin)
Operas Performed in New York City in 2013 (compiled by Mark Schubin) What is not included in this list: There are three obvious categories: anything not performed in 2013, anything not within the confines of New York City, and anything not involving singing. Empire Opera was supposed to perform Montemezzi’s L'amore dei tre re in November; it was postponed to January, so it’s not on the list. Similarly, even though Bard, Caramoor, and Peak Performances provide bus service from midtown Manhattan to their operas, even though the New York City press treats the excellent but four-hours-away-by-car Glimmerglass Festival like a local company, and even though it’s faster to get from midtown Manhattan to some performances on Long Island or in New Jersey or Westchester than to, say, Queens College, those out-of-city productions are not included on the main list (just for reference, I put Bard, Caramoor, and Peak Performances in an appendix). And, although the Parterre Box New York Opera Calendar (which includes some non-opera events) listed A Rite, a music-theatrical dance piece performed at the BAM Opera House, I didn’t because no performer in it sang. I did not include anything that wasn’t a local in-person performance. The cinema transmissions from the Met, Covent Garden, La Scala, etc., are not included (nor is the movie Metallica: Through the Never, which Owen Gleiberman in Entertainment Weekly called a “grand 3-D opera”). I did not include anything that wasn’t open to the public, so the Met’s workshop of Scott Wheeler’s The Sorrows of Frederick is not on the list. -
The Titan's Curse
THE TITAN'S CURSE Percy Jackson and the Olympians Book - 3 Rick Riordan ONE MY RESCUE OPERATION GOES VERY WRONG The Friday before winter break, my mom packed me an overnight bag and a few deadly weapons and took me to a new boarding school. We picked up my friends Annabeth and Thalia on the way. It was an eight-hour drive from New York to Bar Harbor, Maine. Sleet and snow pounded the highway. Annabeth, Thalia, and I hadn't seen each other in months, but between the blizzard and the thought of what we were about to do, we were too nervous to talk much. Except for my mom. She talks more when she's nervous. By the time we finally got to Westover Hall, it was getting dark, and she'd told Annabeth and Thalia every embarrassing baby story there was to tell about me. Thalia wiped the fog off the car window and peered outside. "Oh, yeah. This'll be fun." Westover Hall looked like an evil knight's castle. It was all black stone, with towers and slit windows and a big set of wooden double doors. It stood on a snowy cliff overlooking this big frosty forest on one side and the gray churning ocean on the other. "Are you sure you don't want me to wait?" my mother asked. "No, thanks, Mom," I said. "I don't know how long it will take. We'll be okay." "But how will you get back? I'm worried, Percy." I hoped I wasn't blushing. -
Xanadu - Character Descriptions
XANADU - CHARACTER DESCRIPTIONS Sonny Malone - is the young male lead from the beaches of California. He is wide-eyed, full of dreams and can be a bit sensitive; after all, he is an artist! While Sonny may not be the brightest, he is very sincere and earnest. Actor with excellent comedic timing and singing voice. Kira - Kira is the Greek heroine and loveable, young ingénue. She begins the play as Clio, the youngest and the most idealistic of the Muses. With the addition of leg warmers and an Australian accent, she quickly becomes Kira to help Sonny realize his dreams. She is ambitious, smart and like Sonny, pure of heart. Must be a strong actor, singer, dancer. Danny Maguire - Danny Maguire is a real estate magnate and owner of the Xanadu theater. He should be a malleable actor who can evolve from being guarded about protecting the theater to becoming partners with Sonny and then betraying him. Danny should be an experienced singer. The Andrews Sisters - The Andrews Sisters (Maxene, Patty and Laverne) are an exact duplicate of the Andrews Sisters that were famous in the 1940s. Great singers - might double with other ensemble roles. The Tubes - The Tubes is an iconic, hard-rockin' new-wave band of the 80s. Band members can be ANY GENDER. Must have a lot of energy and sing with character. Melpomene - Muse of Tragedy, is the eldest of the Muses and is most responsible for plotting against Kira. Strong acting and singing required. Calliope - Calliope, Muse of Epics, is Melpomene's "Wing-Muse." She is equally devious and listens closely to her sister's direction. -
Greek Myths and the Lightning Thief Note-Catcher
Greek Mythology Grade 6: Module 1: Unit 2: Lesson 4 Compare and Contrast Themes: Greek Myths and The Lightning Thief Note-Catcher (Example for Teacher Reference) Directions: Use the organizers to compare themes conveyed in the Greek Myths we read (“Theseus and the Minotaur,” “Cronus,” and “Medusa”) with those in The Lightning Thief. Choose two of the following themes, or come up with one of your own. • A mother will put her love for her children above every other relationship. • Those in power will do anything to stay in power. • Those who anger or disobey the gods will be punished. • Excessive pride can make a person act recklessly. • Heroes often receive help in their quests. • Even heroes can make mistakes. 1 © 2019 EL Education Inc. Greek Mythology Grade 6: Module 1: Unit 2: Lesson 4 Theme Even heroes can make mistakes. Evidence from “Theseus and the Minotaur” (myth) Evidence from The Lightning Thief Explanation: How does this evidence convey the Explanation: How does this evidence convey the theme? theme? Choose one of the quotes below as evidence. Choose one of the quotes below as evidence. Then, explain how the quote shows the theme, Then, explain how the quote shows the theme, Even heroes can make mistakes. Even heroes can make mistakes. Quote A: “Eager to let Ariadne know of his Quote A: “Go ahead, call me an idiot for walking success, he followed the thread back to the into a strange lady’s shop like that just because I entrance of the labyrinth. ‘You have slain the was hungry, but I do impulsive stuff sometimes.” monster!’ cried Ariadne, clasping her hands. -
Greco-Roman Gods and Goddesses
GRECO -ROMAN GODS AND GODDESSES THE OLYMPIANS : THE “T WELVE ” Of the many major and minor gods in the Olympian dynasty the most important are the Twelve, a group chosen by the Greeks themselves as the key figures in the Olympian group and the basis for most of their religious observances. Greek law is also to some extent derived from the concept of the Twelve, and Greeks in both court proceedings and in ordinary conversation took their oath “by the Twelve.” The divinities constituting this group were: Zeus (Jupiter, Jove) Leader of the Olympians, god of lightening, and representative of the power principle. Hera (Juno) Wife of Zeus and goddess of marriage and domestic stability. Poseidon (Neptune) God of the sea. Often called “the earth shaker,” possibly because the Greeks attributed earthquakes to marine origin. Hades (Pluto, Dis) God of the Underworld and presider over the realm of the dead. Also connected with the nature myth by his marriage to Persephone (Proserpine), who spent half of her time on earth (the growing season) and half in the underworld (the winter period). Hades does not represent death itself, that function being relegated to a lesser divinity Thanatos. Pallas Athena, Athena (Minerva) Goddess of wisdom, but also associated with many other concepts from warfare to arts and crafts. Her birth was remarkable, since she sprang fully-armed from the forehead of Zeus. She was the patron goddess of Athens and to the Athenians represented the art of civilized living. Phoebus Apollo Son of Zeus and Leto, daughter of the Titans Krios and Phoebe. -
Mythology, Greek, Roman Allusions
Advanced Placement Tool Box Mythological Allusions –Classical (Greek), Roman, Norse – a short reference • Achilles –the greatest warrior on the Greek side in the Trojan war whose mother tried to make immortal when as an infant she bathed him in magical river, but the heel by which she held him remained vulnerable. • Adonis –an extremely beautiful boy who was loved by Aphrodite, the goddess of love. By extension, an “Adonis” is any handsome young man. • Aeneas –a famous warrior, a leader in the Trojan War on the Trojan side; hero of the Aeneid by Virgil. Because he carried his elderly father out of the ruined city of Troy on his back, Aeneas represents filial devotion and duty. The doomed love of Aeneas and Dido has been a source for artistic creation since ancient times. • Aeolus –god of the winds, ruler of a floating island, who extends hospitality to Odysseus on his long trip home • Agamemnon –The king who led the Greeks against Troy. To gain favorable wind for the Greek sailing fleet to Troy, he sacrificed his daughter Iphigenia to the goddess Artemis, and so came under a curse. After he returned home victorious, he was murdered by his wife Clytemnestra, and her lover, Aegisthus. • Ajax –a Greek warrior in the Trojan War who is described as being of colossal stature, second only to Achilles in courage and strength. He was however slow witted and excessively proud. • Amazons –a nation of warrior women. The Amazons burned off their right breasts so that they could use a bow and arrow more efficiently in war. -
Cellini's Perseus and Medusa: Configurations of the Body
CELLINI’S PERSEUS AND MEDUSA: CONFIGURATIONS OF THE BODY OF STATE by CHRISTINE CORRETTI Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Dissertation Advisor: Professor Edward J. Olszewski Department of Art History CASE WESTERN RESERVE UNIVERSITY January, 2011 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of Christine Corretti candidate for the Doctor of Philosophy degree.* (signed) Professor Edward J. Olszewski (chair of the committee) Professor Anne Helmreich Professor Holly Witchey Dr. Jon S. Seydl (date) November, 2010 *We also certify that written approval has been obtained for any proprietary material contained therein. 1 Copyright © 2011 by Christine Corretti All rights reserved 2 Table of Contents List of Illustrations 4 Abstract 9 Introduction 11 Chapter 1 The Story of Perseus and Medusa, an Interpretation 28 of its Meaning, and the Topos of Decapitation Chapter 2 Cellini’s Perseus and Medusa: the Paradigm of Control 56 Chapter 3 Renaissance Political Theory and Paradoxes of 100 Power Chapter 4 The Goddess as Other and Same 149 Chapter 5 The Sexual Symbolism of the Perseus and Medusa 164 Chapter 6 The Public Face of Justice 173 Chapter 7 Classical and Grotesque Polities 201 Chapter 8 Eleonora di Toledo and the Image of the Mother 217 Goddess Conclusion 239 Illustrations 243 Bibliography 304 3 List of Illustrations Fig. 1 Benvenuto Cellini, Perseus and Medusa, 1545-1555, 243 Loggia dei Lanzi, Florence, Italy. Fig. 2 Donatello, Judith and Holofernes, c. 1446-1460s, Palazzo 244 Vecchio, Florence, Italy. Fig. 3 Heracles killing an Amazon, red figure vase. -
ORPHEUS and EURYDICE Being His Music and His Deep Yearning for Her
Educational Calliope Kyrdi material included and Eu eus ryd ph ice Or The world was born out of love, and it was out of love that it almost perished. Not just once. At the dawn of time, the love that gods and mortals felt for each other Illustrated by was so strong and powerful that it could defy the laws of Sandra nature. Such was the love Orpheus felt for his sweetheart Eleftheriou Euridice, who died an untimely death. So he ventured to the world of the dead to bring her back, his only weapons ORPHEUS AND EURYDICE being his music and his deep yearning for her. This series offers a new reading of the ancient Greek myths. They are not old, worn-out stories, but gripping tales of timeless human adventures, containing all the fears and joys that have marked and continue to mark the human soul. Calliope Kyrdi L O ISBN: 978-618-03-1455-7 V E S AUXIL. COMPU. CODE 81455 T ORIES 9748_orfeas k eyridiki_CV.indd 1 15/03/2018 15:25 nce upon a time, Calliope the OMuse, a minor deity who in- spired poets with beautiful words and ideas to write the greatest po- ems, fell in love with Oeagrus, the handsome and powerful King of Thrace. They had a love child, Orpheus, who grew up in the leafy forests and evergreen mountains of Thrace. Now Orpheus was a child blessed by the Fates with many gifts and talents. He lis- tened to the wind, the waves, the rustling leaves, the birdsong, and all the secret sounds of nature and turned ev- erything into enchanting melo- dies. -
Orpheus' Hymn to the Muses V
Orpheus’ Hymn to the Muses Orpheus' Hymn to the Muses v. 11.11, www.philaletheians.co.uk, 23 November 2017 Page 1 of 11 HELLENIC AND HELLENISTIC PAPERS THE MUSES HARMONISE OUR TRIUNE ENERGIES Muses are the Nymphs of the Greek Poets. Eager to investigate the laws of nature and study philosophy, the Muses are intoxicated with the nectar of divine knowledge. To the Muses1 The Fumigation from Frankincense Daughters of Jove, loud-sounding, and divine, Renown’d, Pierian, sweetly speaking Nine; To those whose breasts your sacred furies fire, Much form’d, the objects of supreme desire. Sources of blameless virtue to mankind, Who form to excellence the youthful mind: Who nurse the soul, and give her to descry The paths of right with reason’s steady eye. Commanding queens, who lead to sacred light The intellect refin’d from error’s night; And to mankind each holy rite disclose, For mystic knowledge from your nature flows. Clio, and Erato who charms the sight, With thee, Euterpe, minist’ring delight: Thalia flourishing, Polymnia fam’d, Melpomene from skill in music nam’d: Terpsichore, Urania heav’nly bright, With thee who gav’st me to behold the light2 Come, venerable, various pow’rs divine, With fav’ring aspect on your mystics shine; Bring glorious, ardent, lovely, fam’d desire, And warm my bosom with your sacred fire. 1 Orpheus’ Mystical Hymn LXXVI. [Illustrations: Frontispiece: Flute Player, by Charles-Amable Lenoir. | Page 5: Apollo and the Muses, by Simon Vouet | Page 6: Sirens and Ulysses, by William Etty | Page 10: Polyhymnia, by Paul Vincenti] 2 [In the original text the Muse Kalliope is named here.