Reconstructing the Record of Nazi Cultural Plunder
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On the Threshold of the Holocaust: Anti-Jewish Riots and Pogroms In
Geschichte - Erinnerung – Politik 11 11 Geschichte - Erinnerung – Politik 11 Tomasz Szarota Tomasz Szarota Tomasz Szarota Szarota Tomasz On the Threshold of the Holocaust In the early months of the German occu- volume describes various characters On the Threshold pation during WWII, many of Europe’s and their stories, revealing some striking major cities witnessed anti-Jewish riots, similarities and telling differences, while anti-Semitic incidents, and even pogroms raising tantalising questions. of the Holocaust carried out by the local population. Who took part in these excesses, and what was their attitude towards the Germans? The Author Anti-Jewish Riots and Pogroms Were they guided or spontaneous? What Tomasz Szarota is Professor at the Insti- part did the Germans play in these events tute of History of the Polish Academy in Occupied Europe and how did they manipulate them for of Sciences and serves on the Advisory their own benefit? Delving into the source Board of the Museum of the Second Warsaw – Paris – The Hague – material for Warsaw, Paris, The Hague, World War in Gda´nsk. His special interest Amsterdam, Antwerp, and Kaunas, this comprises WWII, Nazi-occupied Poland, Amsterdam – Antwerp – Kaunas study is the first to take a comparative the resistance movement, and life in look at these questions. Looking closely Warsaw and other European cities under at events many would like to forget, the the German occupation. On the the Threshold of Holocaust ISBN 978-3-631-64048-7 GEP 11_264048_Szarota_AK_A5HC PLE edition new.indd 1 31.08.15 10:52 Geschichte - Erinnerung – Politik 11 11 Geschichte - Erinnerung – Politik 11 Tomasz Szarota Tomasz Szarota Tomasz Szarota Szarota Tomasz On the Threshold of the Holocaust In the early months of the German occu- volume describes various characters On the Threshold pation during WWII, many of Europe’s and their stories, revealing some striking major cities witnessed anti-Jewish riots, similarities and telling differences, while anti-Semitic incidents, and even pogroms raising tantalising questions. -
The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020
City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Fall 1-5-2021 The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020 Denali Elizabeth Kemper CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/661 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] The Fate of National Socialist Visual Culture: Iconoclasm, Censorship, and Preservation in Germany, 1945–2020 By Denali Elizabeth Kemper Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Art History, Hunter College The City University of New York 2020 Thesis sponsor: January 5, 2021____ Emily Braun_________________________ Date Signature January 5, 2021____ Joachim Pissarro______________________ Date Signature Table of Contents Acronyms i List of Illustrations ii Introduction 1 Chapter 1: Points of Reckoning 14 Chapter 2: The Generational Shift 41 Chapter 3: The Return of the Repressed 63 Chapter 4: The Power of Nazi Images 74 Bibliography 93 Illustrations 101 i Acronyms CCP = Central Collecting Points FRG = Federal Republic of Germany, West Germany GDK = Grosse Deutsche Kunstaustellung (Great German Art Exhibitions) GDR = German Democratic Republic, East Germany HDK = Haus der Deutschen Kunst (House of German Art) MFAA = Monuments, Fine Arts, and Archives Program NSDAP = Nationalsozialistische Deutsche Arbeiterpartei (National Socialist German Worker’s or Nazi Party) SS = Schutzstaffel, a former paramilitary organization in Nazi Germany ii List of Illustrations Figure 1: Anonymous photographer. -
Lt. (Jg), Us:M 10 November 1945
I NTH E I~ITERNATIONAL MILITARY TRIDUNAL TRIAL BRIEF CRDHNALITY 0;;' DAS KORPS DER.. FDLITISCHE' !EITER Dill HATIONAlSOZIAL- ISTISCrlliN DEUTSCHEN k1BEITERPARTEI I (LEADERSHIP CORPS OF THE K\ZI PARTY) FOR ROBERT H. JACKSON UNITED STATES CHIEF OF COUNSEl BY THOYtAS F. W.BERT, .ill, Lt. (jg), us:m 10 November 1945 OFFICE OF U.S. CHIEF OF CourSEL SECTIO~! 6 GEORGE E. SEAY LT. COL., A.C. CHIZF OF SECTION I..BGAL S'.".'lFF T1UAL O::CA:r:r:ZATJO!'T INDEX TOPICAT INDEX Page No. Section of Indictment. .. .. ... xii Count One, IV (H), Sentence 2 .. .. xii Appendix. B••..•••••••• xii legal Ref~rences •••••••.....•.•••• • xiii ChQrter of Intern~tion~l .:ilitQry Tribunal . • • ·. Article 6 (n), (b), & (c) .. ... .. ·. .. xiii J.rticle 9 xiv OP13l.I :G STATEf.'.E 'T . .. 1 1 :,iTj.Ti:L::JJT OF EVIDENCE . .. •• 2 - 72 I. Composition, Functions and Powers of the LCQdership Corps of the Nazi Party · . ·2 12 ~. Definition of the Loadership Corps • 2 B. Hierarchical Organization of the leadership Corps .••.......... 2 - 7 1. Th-.; :r.eichsl(;itl.:r (Reich !GC1.ders) • 2 - 4 2. The GC'uleiter (District I,e<.'.ders) 4 - 5 3. Th(; l~reisleiter (County lenders) •• · ... 5 4. The Ortsgruppenleiter (Local Chapter leaders) ••• 5 - 6 5. The Zellenleiter (Cell ~~~ders) 6 6. Tht; :310c ~leiter (Dlock J.eaders) .. .. 6 - 7 C. The "Hoheitstmger" ("Bearers of :;overeignty") • '1 - 8 D. Org~nization of l~~dership Corps under the ''It;Qdership Principle" 9 - 10 1. Provisions of P~rty !.{anu.:'..l . .. · . 9 2. Oath of ~olitic['J. Leaders to Hitler ·... 9 3. Appointm",nt of PoliticnJ. -
Francesca Coccolo, Rodolfo Siviero Between Fascism and the Cold
STUDI DI MEMOFONTE Rivista on-line semestrale Numero 22/2019 FONDAZIONE MEMOFONTE Studio per l’elaborazione informatica delle fonti storico-artistiche www.memofonte.it COMITATO REDAZIONALE Proprietario Fondazione Memofonte onlus Fondatrice Paola Barocchi Direzione scientifica Donata Levi Comitato scientifico Francesco Caglioti, Barbara Cinelli, Flavio Fergonzi, Margaret Haines, Donata Levi, Nicoletta Maraschio, Carmelo Occhipinti Cura scientifica Daria Brasca, Christian Fuhrmeister, Emanuele Pellegrini Cura redazionale Martina Nastasi, Laurence Connell Segreteria di redazione Fondazione Memofonte onlus, via de’ Coverelli 2/4, 50125 Firenze [email protected] ISSN 2038-0488 INDICE The Transfer of Jewish-owned Cultural Objects in the Alpe Adria Region DARIA BRASCA, CHRISTIAN FUHRMEISTER, EMANUELE PELLEGRINI Introduction p. 1 VICTORIA REED Museum Acquisitions in the Era of the Washington Principles: Porcelain from the Emma Budge Estate p. 9 GISÈLE LÉVY Looting Jewish Heritage in the Alpe Adria Region. Findings from the Union of the Italian Jewish Communities (UCEI) Historical Archives p. 28 IVA PASINI TRŽEC Contentious Musealisation Process(es) of Jewish Art Collections in Croatia p. 41 DARIJA ALUJEVIĆ Jewish-owned Art Collections in Zagreb: The Destiny of the Robert Deutsch Maceljski Collection p. 50 ANTONIJA MLIKOTA The Destiny of the Tilla Durieux Collection after its Transfer from Berlin to Zagreb p. 64 DARIA BRASCA The Dispossession of Italian Jews: the Fate of Cultural Property in the Alpe Adria Region during Second World War p. 79 CAMILLA DA DALT The Case of Morpurgo De Nilma’s Art Collection in Trieste: from a Jewish Legacy to a ‘German Donation’ p. 107 CRISTINA CUDICIO The Dissolution of a Jewish Collection: the Pincherle Family in Trieste p. -
Guides to German Records Microfilmed at Alexandria, Va
GUIDES TO GERMAN RECORDS MICROFILMED AT ALEXANDRIA, VA. No. 32. Records of the Reich Leader of the SS and Chief of the German Police (Part I) The National Archives National Archives and Records Service General Services Administration Washington: 1961 This finding aid has been prepared by the National Archives as part of its program of facilitating the use of records in its custody. The microfilm described in this guide may be consulted at the National Archives, where it is identified as RG 242, Microfilm Publication T175. To order microfilm, write to the Publications Sales Branch (NEPS), National Archives and Records Service (GSA), Washington, DC 20408. Some of the papers reproduced on the microfilm referred to in this and other guides of the same series may have been of private origin. The fact of their seizure is not believed to divest their original owners of any literary property rights in them. Anyone, therefore, who publishes them in whole or in part without permission of their authors may be held liable for infringement of such literary property rights. Library of Congress Catalog Card No. 58-9982 AMERICA! HISTORICAL ASSOCIATION COMMITTEE fOR THE STUDY OP WAR DOCUMENTS GUIDES TO GERMAN RECOBDS MICROFILMED AT ALEXAM)RIA, VA. No* 32» Records of the Reich Leader of the SS aad Chief of the German Police (HeiehsMhrer SS und Chef der Deutschen Polizei) 1) THE AMERICAN HISTORICAL ASSOCIATION (AHA) COMMITTEE FOR THE STUDY OF WAE DOCUMENTS GUIDES TO GERMAN RECORDS MICROFILMED AT ALEXANDRIA, VA* This is part of a series of Guides prepared -
Mapping the Limits of Repatriable Cultural Heritage: a Case Study of Stolen Flemish Art in French Museums
_________________ COMMENT _________________ MAPPING THE LIMITS OF REPATRIABLE CULTURAL HERITAGE: A CASE STUDY OF STOLEN FLEMISH ART IN FRENCH MUSEUMS † PAIGE S. GOODWIN INTRODUCTION......................................................................................674 I. THE NAPOLEONIC REVOLUTION AND THE CREATION OF FRANCE’S MUSEUMS ................................................676 A. Napoleon and the Confiscation of Art at Home and Abroad.....677 B. The Second Treaty of Paris ....................................................679 II. DEVELOPMENT OF THE LAW OF RESTITUTION ...............................682 A. Looting and War: From Prize Law to Nationalism and Cultural-Property Internationalism .................................682 B. Methods of Restitution Today: Comparative Examples............685 1. The Elgin Marbles and the Problem of Cultural-Property Internationalism........................687 2. The Italy-Met Accord as a Restitution Blueprint ...689 III. RESTITUTION OF FLEMISH ART AND POSSIBLE SOLUTIONS IN PUBLIC AND PRIVATE LAW .........................................................692 A. Why Should France Return Flemish Art Now?.........................692 1. Nationalism .............................................................692 2. Morality and Legality ..............................................693 3. Universalism............................................................694 † J.D. Candidate, 2009, University of Pennsylvania Law School; A.B., 2006, Duke Uni- versity. Many thanks to Professors Hans J. Van Miegroet -
The Significance of Dehumanization: Nazi Ideology and Its Psychological Consequences
Politics, Religion & Ideology ISSN: 2156-7689 (Print) 2156-7697 (Online) Journal homepage: http://www.tandfonline.com/loi/ftmp21 The Significance of Dehumanization: Nazi Ideology and Its Psychological Consequences Johannes Steizinger To cite this article: Johannes Steizinger (2018): The Significance of Dehumanization: Nazi Ideology and Its Psychological Consequences, Politics, Religion & Ideology To link to this article: https://doi.org/10.1080/21567689.2018.1425144 © 2018 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 24 Jan 2018. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=ftmp21 POLITICS, RELIGION & IDEOLOGY, 2018 https://doi.org/10.1080/21567689.2018.1425144 The Significance of Dehumanization: Nazi Ideology and Its Psychological Consequences Johannes Steizinger Department of Philosophy, University of Vienna, Vienna, Austria ABSTRACT Several authors have recently questioned whether dehumanization is a psychological prerequisite of mass violence. This paper argues that the significance of dehumanization in the context of National Socialism can be understood only if its ideological dimension is taken into account. The author concentrates on Alfred Rosenberg’s racist doctrine and shows that Nazi ideology can be read as a political anthropology that grounds both the belief in the German privilege and the dehumanization of the Jews. This anthropological framework combines biological, cultural and metaphysical aspects. Therefore, it cannot be reduced to biologism. This new reading of Nazi ideology supports three general conclusions: First, the author reveals a complex strategy of dehumanization which is not considered in the current psychological debate. -
Preliminary Programme
Preliminary Programme DLM Forum Member Meeting 28-29th November 2018 Vienna, Austria The Austrian States Archives are pleased to invite members of the DLM Forum to the Mem- ber Meeting in Vienna on the 28th and 29th of November, 2018. The venue of the meeting is the Conference Hall of the Austrian State Archives (Notten- dorfer Gasse 2, 1030 Vienna). The Archives are situated only 5 stops by underground from the City Center. During the conference, Vienna will be in the middle of the holiday season. The city comes alive with lights, music, Christmas Markets and more. If you are considering a long weekend in Vienna, you might enjoy the magical Christmas spirit and get some gifts at its great shop- ping boulevards. The Christmas markets are selling traditional food, mulled wine and hand crafted goods and are loved by both locals and tourists alike. Please visit DLM Forum website and register If you have any questions, please contact Ms Beatrix Horvath at [email protected] See you in Vienna! Wednesday 28th November CROSS-BORDER COOPERATION AND NEW SOLUTIONS FOR DIGITAL DATA 11:45 – 12:20 Registration and coffee / tea 12:20 – 12:30 Welcome Chair: Jan Dalsten Sørensen Jan Dalsten Sørensen, Welcome from the chair of the DLM Forum and Chair of the DLM Forum the Austrian State Archives Mrs. Karin Holzer, Austrian State Archives Chair: Jonas Kerschner, Austrian 13:30 – 14:30 Session I, Interactive session States Archives J. Dalsten Sørensen, Danish National Archives, Denmark Meet the new eArchiving Building Block Mrs. Manuela Speiser, European -
Northern Gothic: Werner Haftmann's German
documenta studies #11 December 2020 NANNE BUURMAN Northern Gothic: Werner Haftmann’s German Lessons, or A Ghost (Hi)Story of Abstraction This essay by the documenta and exhibition scholar Nanne Buurman I See documenta: Curating the History of the Present, ed. by Nanne Buurman and Dorothee Richter, special traces the discursive tropes of nationalist art history in narratives on issue, OnCurating, no. 13 (June 2017). German pre- and postwar modernism. In Buurman’s “Ghost (Hi)Story of Abstraction” we encounter specters from the past who swept their connections to Nazism under the rug after 1945, but could not get rid of them. She shows how they haunt art history, theory, the German feuilleton, and even the critical German postwar literature. The editor of documenta studies, which we founded together with Carina Herring and Ina Wudtke in 2018, follows these ghosts from the history of German art and probes historical continuities across the decades flanking World War II, which she brings to the fore even where they still remain implicit. Buurman, who also coedited the volume documenta: Curating the History of the Present (2017),I thus uses her own contribution to documenta studies to call attention to the ongoing relevance of these historical issues for our contemporary practices. Let’s consider the Nazi exhibition of so-called Degenerate Art, presented in various German cities between 1937 and 1941, which is often regarded as documenta’s negative foil. To briefly recall the facts: The exhibition brought together more than 650 works by important artists of its time, with the sole aim of stigmatizing them and placing them in the context of the Nazis’ antisemitic racial ideology. -
The Stolen Museum: Have United States Art Museums Become Inadvertent Fences for Stolen Art Works Looted by the Nazis in World War Ii?
Cleveland State University EngagedScholarship@CSU Law Faculty Articles and Essays Faculty Scholarship 1999 The tS olen Museum: Have United States Art Museums Become Inadvertent Fences for Stolen Art Works Looted by the Nazis in Word War II? Barbara Tyler Cleveland State University, [email protected] How does access to this work benefit oy u? Let us know! Publisher's Statement Copyright permission granted by the Rutgers University Law Journal. Follow this and additional works at: https://engagedscholarship.csuohio.edu/fac_articles Part of the Fine Arts Commons, and the Property Law and Real Estate Commons Original Citation Barbara Tyler, The tS olen Museum: Have United States Art Museums Become Inadvertent Fences for Stolen Art Works Looted by the Nazis in Word War II? 30 Rutgers Law Journal 441 (1999) This Article is brought to you for free and open access by the Faculty Scholarship at EngagedScholarship@CSU. It has been accepted for inclusion in Law Faculty Articles and Essays by an authorized administrator of EngagedScholarship@CSU. For more information, please contact [email protected]. +(,121/,1( Citation: 30 Rutgers L.J. 441 1998-1999 Content downloaded/printed from HeinOnline (http://heinonline.org) Mon May 21 10:04:33 2012 -- Your use of this HeinOnline PDF indicates your acceptance of HeinOnline's Terms and Conditions of the license agreement available at http://heinonline.org/HOL/License -- The search text of this PDF is generated from uncorrected OCR text. -- To obtain permission to use this article beyond the scope of your HeinOnline license, please use: https://www.copyright.com/ccc/basicSearch.do? &operation=go&searchType=0 &lastSearch=simple&all=on&titleOrStdNo=0277-318X THE STOLEN MUSEUM: HAVE UNITED STATES ART MUSEUMS BECOME INADVERTENT FENCES FOR STOLEN ART WORKS LOOTED BY THE NAZIS IN WORLD WAR II? BarbaraJ. -
Instrumentalising the Past: the Germanic Myth in National Socialist Context
RJHI 1 (1) 2014 Instrumentalising the Past: The Germanic Myth in National Socialist Context Irina-Maria Manea * Abstract : In the search for an explanatory model for the present or even more, for a fundament for national identity, many old traditions were rediscovered and reutilized according to contemporary desires. In the case of Germany, a forever politically fragmented space, justifying unity was all the more important, especially beginning with the 19 th century when it had a real chance to establish itself as a state. Then, beyond nationalism and romanticism, at the dawn of the Third Reich, the myth of a unified, powerful, pure people with a tradition dating since time immemorial became almost a rule in an ideology that attempted to go back to the past and select those elements which could have ensured a historical basis for the regime. In this study, we will attempt to focus on two important aspects of this type of instrumentalisation. The focus of the discussion is mainly Tacitus’ Germania, a work which has been forever invoked in all sorts of contexts as a means to discover the ancient Germans and create a link to the modern ones, but in the same time the main beliefs in the realm of history and archaeology are underlined, so as to catch a better glimpse of how the regime has been instrumentalising and overinterpreting highly controversial facts. Keywords : Tacitus, Germania, myth, National Socialism, Germany, Kossinna, cultural-historical archaeology, ideology, totalitarianism, falsifying history During the twentieth century, Tacitus’ famous work Germania was massively instrumentalised by the Nazi regime, in order to strengthen nationalism and help Germany gain an aura of eternal glory. -
Nazi Looted Art: Setting Precedence for Museum Decisions Erica B
Seton Hall University eRepository @ Seton Hall Theses 2010 Nazi Looted Art: Setting Precedence for Museum Decisions Erica B. Marcus Follow this and additional works at: https://scholarship.shu.edu/theses Recommended Citation Marcus, Erica B., "Nazi Looted Art: Setting Precedence for Museum Decisions" (2010). Theses. 249. https://scholarship.shu.edu/theses/249 Nazi Looted Art: Setting Precedence for Museum Decisions By: Erica B. Marcus Susan K. Leshnoff, Advisor Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Museum Professions Seton Hall University August 2010 Acknowledgments I would like to acknowledge the advice and guidance of Professor Susan K . Leshnoff . Without your assistance. timely and instmctive comments. evaluations at every stage of the thesis process. and motivating me every step of the way this study would not have been possible . Thank you . Table of Contents Introduction ...................................................................................p . 5-9 Chapter I1 Historical Background ...........................................................p. 10-14 Chapter ID Procedures and Policies Washington Conference ..............................................................p . 15-18 ICOM, PCHA, and AAMD Leave Their Mark ..................................p. 18- 19 International Committee of Museums (ICOM) ..................................p. 19-20 Presidential Advisory Committee on Holocaust Assets (PCHA) ..............p. 20-21 American Art Museum Directors (AAMD) .....................................