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												  Xx:2 Dr. Mabuse 1933January 19, 2010: XX:2 DAS TESTAMENT DES DR. MABUSE/THE TESTAMENT OF DR. MABUSE 1933 (122 minutes) Directed by Fritz Lang Written by Fritz Lang and Thea von Harbou Produced by Fritz Lanz and Seymour Nebenzal Original music by Hans Erdmann Cinematography by Karl Vash and Fritz Arno Wagner Edited by Conrad von Molo and Lothar Wolff Art direction by Emil Hasler and Karll Vollbrecht Rudolf Klein-Rogge...Dr. Mabuse Gustav Diessl...Thomas Kent Rudolf Schündler...Hardy Oskar Höcker...Bredow Theo Lingen...Karetzky Camilla Spira...Juwelen-Anna Paul Henckels...Lithographraoger Otto Wernicke...Kriminalkomissar Lohmann / Commissioner Lohmann Theodor Loos...Dr. Kramm Hadrian Maria Netto...Nicolai Griforiew Paul Bernd...Erpresser / Blackmailer Henry Pleß...Bulle Adolf E. Licho...Dr. Hauser Oscar Beregi Sr....Prof. Dr. Baum (as Oscar Beregi) Wera Liessem...Lilli FRITZ LANG (5 December 1890, Vienna, Austria—2 August 1976,Beverly Hills, Los Angeles) directed 47 films, from Halbblut (Half-caste) in 1919 to Die Tausend Augen des Dr. Mabuse (The Thousand Eye of Dr. Mabuse) in 1960. Some of the others were Beyond a Reasonable Doubt (1956), The Big Heat (1953), Clash by Night (1952), Rancho Notorious (1952), Cloak and Dagger (1946), Scarlet Street (1945). The Woman in the Window (1944), Ministry of Fear (1944), Western Union (1941), The Return of Frank James (1940), Das Testament des Dr. Mabuse (The Crimes of Dr. Mabuse, Dr. Mabuse's Testament, There's a good deal of Lang material on line at the British Film The Last Will of Dr. Mabuse, 1933), M (1931), Metropolis Institute web site: http://www.bfi.org.uk/features/lang/.
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												  The Purpose of the First World War War Aims and Military Strategies Schriften Des Historischen KollegsThe Purpose of the First World War War Aims and Military Strategies Schriften des Historischen Kollegs Herausgegeben von Andreas Wirsching Kolloquien 91 The Purpose of the First World War War Aims and Military Strategies Herausgegeben von Holger Afflerbach An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org Schriften des Historischen Kollegs herausgegeben von Andreas Wirsching in Verbindung mit Georg Brun, Peter Funke, Karl-Heinz Hoffmann, Martin Jehne, Susanne Lepsius, Helmut Neuhaus, Frank Rexroth, Martin Schulze Wessel, Willibald Steinmetz und Gerrit Walther Das Historische Kolleg fördert im Bereich der historisch orientierten Wissenschaften Gelehrte, die sich durch herausragende Leistungen in Forschung und Lehre ausgewiesen haben. Es vergibt zu diesem Zweck jährlich bis zu drei Forschungsstipendien und zwei Förderstipendien sowie alle drei Jahre den „Preis des Historischen Kollegs“. Die Forschungsstipendien, deren Verleihung zugleich eine Auszeichnung für die bisherigen Leis- tungen darstellt, sollen den berufenen Wissenschaftlern während eines Kollegjahres die Möglich- keit bieten, frei von anderen Verpflichtungen eine größere Arbeit abzuschließen. Professor Dr. Hol- ger Afflerbach (Leeds/UK) war – zusammen mit Professor Dr. Paul Nolte (Berlin), Dr. Martina Steber (London/UK) und Juniorprofessor Simon Wendt (Frankfurt am Main) – Stipendiat des Historischen Kollegs im Kollegjahr 2012/2013. Den Obliegenheiten der Stipendiaten gemäß hat Holger Afflerbach aus seinem Arbeitsbereich ein Kolloquium zum Thema „Der Sinn des Krieges. Politische Ziele und militärische Instrumente der kriegführenden Parteien von 1914–1918“ vom 21.
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												  Page 1 of 3 Moma | Press | Releases | 1998 | Gallery Exhibition of RareMoMA | press | Releases | 1998 | Gallery Exhibition of Rare and Original Film Posters at ... Page 1 of 3 GALLERY EXHIBITION OF RARE AND ORIGINAL FILM POSTERS AT THE MUSEUM OF MODERN ART SPOTLIGHTS LEGENDARY GERMAN MOVIE STUDIO Ufa Film Posters, 1918-1943 September 17, 1998-January 5, 1999 The Roy and Niuta Titus Theater 1 Lobby Exhibition Accompanied by Series of Eight Films from Golden Age of German Cinema From the Archives: Some Ufa Weimar Classics September 17-29, 1998 The Roy and Niuta Titus Theater 1 Fifty posters for films produced or distributed by Ufa, Germany's legendary movie studio, will be on display in The Museum of Modern Art's Roy and Niuta Titus Theater 1 Lobby starting September 17, 1998. Running through January 5, 1999, Ufa Film Posters, 1918-1943 will feature rare and original works, many exhibited for the first time in the United States, created to promote films from Germany's golden age of moviemaking. In conjunction with the opening of the gallery exhibition, the Museum will also present From the Archives: Some Ufa Weimar Classics, an eight-film series that includes some of the studio's more celebrated productions, September 17-29, 1998. Ufa (Universumfilm Aktien Gesellschaft), a consortium of film companies, was established in the waning days of World War I by order of the German High Command, but was privatized with the postwar establishment of the Weimar republic in 1918. Pursuing a program of aggressive expansion in Germany and throughout Europe, Ufa quickly became one of the greatest film companies in the world, with a large and spectacularly equipped studio in Babelsberg, just outside Berlin, and with foreign sales that globalized the market for German film.
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												  GERMAN IMMIGRANTS, AFRICAN AMERICANS, and the RECONSTRUCTION of CITIZENSHIP, 1865-1877 DISSERTATION Presented InNEW CITIZENS: GERMAN IMMIGRANTS, AFRICAN AMERICANS, AND THE RECONSTRUCTION OF CITIZENSHIP, 1865-1877 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Alison Clark Efford, M.A. * * * * * The Ohio State University 2008 Doctoral Examination Committee: Professor John L. Brooke, Adviser Approved by Professor Mitchell Snay ____________________________ Adviser Professor Michael L. Benedict Department of History Graduate Program Professor Kevin Boyle ABSTRACT This work explores how German immigrants influenced the reshaping of American citizenship following the Civil War and emancipation. It takes a new approach to old questions: How did African American men achieve citizenship rights under the Fourteenth and Fifteenth Amendments? Why were those rights only inconsistently protected for over a century? German Americans had a distinctive effect on the outcome of Reconstruction because they contributed a significant number of votes to the ruling Republican Party, they remained sensitive to European events, and most of all, they were acutely conscious of their own status as new American citizens. Drawing on the rich yet largely untapped supply of German-language periodicals and correspondence in Missouri, Ohio, and Washington, D.C., I recover the debate over citizenship within the German-American public sphere and evaluate its national ramifications. Partisan, religious, and class differences colored how immigrants approached African American rights. Yet for all the divisions among German Americans, their collective response to the Revolutions of 1848 and the Franco-Prussian War and German unification in 1870 and 1871 left its mark on the opportunities and disappointments of Reconstruction.
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												  Completeandleft Felix ,Adler ,Educator ,Ethical Culture Ferrán ,Adrià ,Chef ,El Bulli FA,FMEN WOMEN 1. FA Frankie Avalon=Singer, actor=18,169=39 Fiona Apple=Singer-songwriter, musician=49,834=26 Fred Astaire=Dancer, actor=30,877=25 Faune A.+Chambers=American actress=7,433=137 Ferman Akgül=Musician=2,512=194 Farrah Abraham=American, Reality TV=15,972=77 Flex Alexander=Actor, dancer, Freema Agyeman=English actress=35,934=36 comedian=2,401=201 Filiz Ahmet=Turkish, Actress=68,355=18 Freddy Adu=Footballer=10,606=74 Filiz Akin=Turkish, Actress=2,064=265 Frank Agnello=American, TV Faria Alam=Football Association secretary=11,226=108 Personality=3,111=165 Flávia Alessandra=Brazilian, Actress=16,503=74 Faiz Ahmad=Afghan communist leader=3,510=150 Fauzia Ali=British, Homemaker=17,028=72 Fu'ad Aït+Aattou=French actor=8,799=87 Filiz Alpgezmen=Writer=2,276=251 Frank Aletter=Actor=1,210=289 Frances Anderson=American, Actress=1,818=279 Francis Alexander+Shields= =1,653=246 Fernanda Andrade=Brazilian, Actress=5,654=166 Fernando Alonso=Spanish Formula One Fernanda Andrande= =1,680=292 driver.=63,949=10 France Anglade=French, Actress=2,977=227 Federico Amador=Argentinean, Actor=14,526=48 Francesca Annis=Actress=28,385=45 Fabrizio Ambroso= =2,936=175 Fanny Ardant=French actress=87,411=13 Franco Amurri=Italian, Writer=2,144=209 Firoozeh Athari=Iranian=1,617=298 Fedor Andreev=Figure skater=3,368=159 ………… Facundo Arana=Argentinean, Actor=59,952=11 Frickin' A Francesco Arca=Italian, Model=2,917=177 Fred Armisen=Actor=11,503=68 Frank ,Abagnale ,Criminal ,Catch Me If You Can François Arnaud=French Canadian actor=9,058=86 Ferhat ,Abbas ,Head of State ,President of Algeria, 1962-63 Fábio Assunção=Brazilian actor=6,802=99 Floyd ,Abrams ,Attorney ,First Amendment lawyer COMPLETEandLEFT Felix ,Adler ,Educator ,Ethical Culture Ferrán ,Adrià ,Chef ,El Bulli FA,F.
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												  Friends NewsletterFRIENDS OF THE OVIATT LIBRARY Summer 2009 OOviattviatt FrFriieennddss Oviatt Exhibit Marks CSUN’s 50-year Celebration ifty years ago it was farmland. Today it is a also found some unexpected historical gems that top-tier regional university with a multi- collectively highlight the institution’s triumphs and ethnic student population and thrills, trials and tumults, as it matured F global reach. In celebration of over the past half-century. Here I’ll focus its remarkable metamorphosis from on items that most caught my attention. agriculture to academe, CSUN on My first surprise was a photo of leg- September 22 kicked off a yearlong endary anthropologist, Margaret Mead. observance of its 50th anniversary with Although a member of the University’s the first-ever Founders Day celebration. faculty for more than 45 years, I was As part of the festivities, returning alum- unaware that in 1957 this remarkable, ni, former faculty and staff heard much-in-demand woman had expound- Professor Emeritus John Broesamle, ed on “Changing ideas of discipline” in author of the institution’s history, a temporary classroom on the Suddenly a Giant, expound on near-barren campus of a fledgling the campus’s coming-of-age, and San Fernando Valley State afterwards joined in dedicating College, the institution’s original the James and Mary Cleary Walk, name. But, I discovered she was named in honor of the institu- just one among many luminaries tion’s longest serving president to grace the young institution’s and his wife. At day’s end the halls of learning. I also found returnees were treated to a visual photographic affirmation of visits rerun of the campus’s bygone by: Pulitzer prize-winning poet times at the launch of the Oviatt Gwendolyn Brooks, who in 1972 Library’s exhibition, “Fifty and Images from the Fifty and Fabulous Exhibition enchanted a class with a poetry Fabulous,” in the Tseng Family recitation; actor Jon Voight, who Gallery.
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												  * Hc Omslag Film Architecture 22-05-2007 17:10 Pagina 1* hc omslag Film Architecture 22-05-2007 17:10 Pagina 1 Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema presents for the first time a comparative study of European film set design in HARRIS AND STREET BERGFELDER, IMAGINATION FILM ARCHITECTURE AND THE TRANSNATIONAL the late 1920s and 1930s. Based on a wealth of designers' drawings, film stills and archival documents, the book FILM FILM offers a new insight into the development and signifi- cance of transnational artistic collaboration during this CULTURE CULTURE period. IN TRANSITION IN TRANSITION European cinema from the late 1920s to the late 1930s was famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, this book provides a comprehensive analysis of the practices, styles, and function of cine- matic production design during this period, and its influence on subsequent filmmaking patterns. Tim Bergfelder is Professor of Film at the University of Southampton. He is the author of International Adventures (2005), and co- editor of The German Cinema Book (2002) and The Titanic in Myth and Memory (2004). Sarah Street is Professor of Film at the Uni- versity of Bristol. She is the author of British Cinema in Documents (2000), Transatlantic Crossings: British Feature Films in the USA (2002) and Black Narcis- sus (2004). Sue Harris is Reader in French cinema at Queen Mary, University of London. She is the author of Bertrand Blier (2001) and co-editor of France in Focus: Film
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												  Berkeley Art Museum·Pacific Film Archive W Inte R 2 0 18 – 19WINTER 2018–19 BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE 100 YEARS OF COLLECTING JAPANESE ART ARTHUR JAFA MASAKO MIKI HANS HOFMANN FRITZ LANG & GERMAN EXPRESSIONISM INGMAR BERGMAN JIŘÍ TRNKA MIA HANSEN-LØVE JIA ZHANGKE JAMES IVORY JAPANESE FILM CLASSICS DOCUMENTARY VOICES OUT OF THE VAULT IN FOCUS: WRITING FOR CINEMA 1 / 2 / 3 / 4 CALENDAR DEC 9/SUN 21/FRI JAN 2:00 A Midsummer Night’s Dream 4:00 The Price of Everything P. 15 Introduction by Jan Pinkava 7:00 Fanny and Alexander BERGMAN P. 15 1/SAT TRNKA P. 12 3/THU 7:00 Full: Home Again—Tapestry 1:00 Making a Performance 1:15 Exhibition Highlights Tour P. 6 4:30 The Cabinet of Dr. Caligari P. 5 WORKSHOP P. 6 Reimagined Judith Rosenberg on piano 4–7 Five Tables of the Sea P. 4 5:30 The Good Soldier Švejk TRNKA P. 12 LANG & EXPRESSIONISM P. 16 22/SAT Free First Thursday: Galleries Free All Day 7:30 Persona BERGMAN P. 14 7:00 The Price of Everything P. 15 6:00 The Firemen’s Ball P. 29 5/SAT 2/SUN 12/WED 8:00 The Apartment P. 19 6:00 Future Landscapes WORKSHOP P. 6 12:30 Scenes from a 6:00 Arthur Jafa & Stephen Best 23/SUN Marriage BERGMAN P. 14 CONVERSATION P. 6 9/WED 2:00 Boom for Real: The Late Teenage 2:00 Guided Tour: Old Masters P. 6 7:00 Ugetsu JAPANESE CLASSICS P. 20 Years of Jean-Michel Basquiat P. 15 12:15 Exhibition Highlights Tour P.
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												  Elizabeth Gerdeman USA | GermanyElizabeth Gerdeman USA | Germany Education 2008 • Master of Fine Arts (M.F.A.), in Art, The Ohio State University • Additional Certificate of Graduate Interdisciplinary Specialization in Fine Arts with concentrations in Art History and Social Geography 2004 • Bachelor of Fine Arts (B.F.A.), in Fine Art, Columbus College of Art and Design Summa Cum Laude, Concentrations in Painting and Printmaking • Minors: Art History and Art Therapy Teaching Experience 2015-Present Lecturer, Hochschule für Grafik und Buchkunst Leipzig | Academy of Fine Arts Leipzig, Germany 2015 – 2011 Independent Instructor, WIR Projects, Leipzig, Germany 2011 – 2010 Visiting Assistant Professor of Painting, Ohio University Athens, OH, USA 2010 – 2008 Lecturer, The Ohio State University, Columbus, OH, USA Adjunct Faculty, Columbus College of Art & Design Columbus, OH, USA 2008 – 2007 Instructor of Record, M.F.A. Student Teacher, The Ohio State University, Columbus, OH, USA 2006 – 2005 Art Specialist, ScholARTS Preparatory School, Columbus, OH, USA 641 North High Street · Columbus, Ohio 43215 · 614-238-3000 [email protected] · hammondharkins.com 2001 – 2000 Americorps Artist Member, Greater Columbus Arts Council’s Children of the Future Program, Columbus, OH, USA Solo Exhibitions 2020 Casting Light, Throwing Shade, Billboard Display at Galerie Jochen Hempel, Curated by Markus Dreßen, Leipzig, Germany 2017 Straight from the Horse’s Mouth, (Z)ORTEN, Graubünden, Switzerland Scratching the Surface, in collaboration with Michael Hahn, Modern Art Museum Yerevan, Armenia
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												  American Jewish Philanthropy and the Shaping of Holocaust Survivor Narratives in Postwar America (1945 – 1953)UNIVERSITY OF CALIFORNIA Los Angeles “In a world still trembling”: American Jewish philanthropy and the shaping of Holocaust survivor narratives in postwar America (1945 – 1953) A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Rachel Beth Deblinger 2014 © Copyright by Rachel Beth Deblinger 2014 ABSTRACT OF THE DISSERTATION “In a world still trembling”: American Jewish philanthropy and the shaping of Holocaust survivor narratives in postwar America (1945 – 1953) by Rachel Beth Deblinger Doctor of Philosophy in History University of California, Los Angeles, 2014 Professor David N. Myers, Chair The insistence that American Jews did not respond to the Holocaust has long defined the postwar period as one of silence and inaction. In fact, American Jewish communal organizations waged a robust response to the Holocaust that addressed the immediate needs of survivors in the aftermath of the war and collected, translated, and transmitted stories about the Holocaust and its survivors to American Jews. Fundraising materials that employed narratives about Jewish persecution under Nazism reached nearly every Jewish home in America and philanthropic programs aimed at aiding survivors in the postwar period engaged Jews across the politically, culturally, and socially diverse American Jewish landscape. This study examines the fundraising pamphlets, letters, posters, short films, campaign appeals, radio programs, pen-pal letters, and advertisements that make up the material record of this communal response to the Holocaust and, ii in so doing, examines how American Jews came to know stories about Holocaust survivors in the early postwar period. This kind of cultural history expands our understanding of how the Holocaust became part of an American Jewish discourse in the aftermath of the war by revealing that philanthropic efforts produced multiple survivor representations while defining American Jews as saviors of Jewish lives and a Jewish future.
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												  The German Revolution of 1848–491 Is Mostly Associated with the Barricade Fights in Berlin and Vienna and the Uprising in BadenВестник СПбГУ. История. 2017. Т. 62. Вып. 3 F. Moeller THE GERMAN REVOLUTION OF 1848–1849 — NEW PERSPECTIVES The article examines the special character of the revolution of 1848/49 in Germany. The focus lies on the perspective of contemporaries to the events. The French Revolution and the Napoleonic Pe- riod were the defining, mostly negative, experiences for the generations who were active in 1848. The ideas of 1848 arose in a pre-industrial, harmony-oriented civil society. The constitution demanded in 1848 was therefore not aimed at the legalization of a modern division of state and society, but it wanted a state-formation at the national level based on the idea of the Aristotelian societas civilis. The numer- ous conflicts of the revolution, social and national conflicts, and even the political division into demo- crats and liberals, were not weaknesses of the revolution. It was rather the lack of readiness for conflict which led to the failure of the revolution. From the point of view of the contemporaries the revolution failed, but the modernizing impulses of the revolution went on to shape further development. Refs 25. Keywords: German Revolution 1848–1849, civil society, liberalism, modernization. For citation: Moeller F. The German revolution of 1848–1849 — new perspectives. Vestnik of Saint Petersburg University. History, 2017, vol. 62, issue 3, pp. 601–612. DOI: 10.21638/11701/ spbu02.2017.311 DOI: 10.21638/11701/spbu02.2017.311 Ф. Мюллер НЕМЕЦКАЯ РЕВОЛЮЦИЯ 1848–1849 — НОВЫЕ ПЕРСПЕКТИВЫ В статье рассматривается особый характер революции 1848–1849 гг. в Германии. Основ- ное внимание уделяется перспективам современников.
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												  Waimea Ocean Film Festival ExperienceTHIRD ANNUAL OCEAN FILM FESTIVAL January 3-6, 2013 Waimea, Mauna Kea Resort + Kohala Coast January 7-11, 2013 Four Seasons Resort Huala¯ lai sponsors contents + about our area LODGING AND VENUE SPONSORS contents 4 About the Festival 5 Letter from the Director 6 Host Venues and Map 8 Films 23 Waimea Morning Activities KOHALA COAST 24 Waimea Schedule 28 Waimea Breakfast Talks 30 Four Seasons Schedule 32 Four Seasons Breakfast Talks 34 Jake Eberts Tribute 36 Guest Speakers and Presentations INNER CIRCLE SPONSORS 60 Artists and Exhibits Artwork by Becky Holman 65 About Our Leaders 68 Thank You to Our Contributors about our area The Island of Hawai’i, known as The else in the world, inhabit these reefs Big Island to avoid confusion with the along side Hawaiian Hawksbill turtles, state, was formed as five volcanoes octopuses, eels and smaller reef sharks. MEDIA SPONSORS overlapped one another and became Spinner dolphins come to rest in shallow one land mass. The still active Kı¯ lauea bays during the day before returning sits at the heart of Volcanoes National to deeper waters to hunt at night. Park, while Mauna Kea, Mauna Loa and Humpback whales frolic along the coast Hual¯a lai rise above the Kohala and Kona during winter months filling the ocean coastline, where stark lava fields meet with the sound of their beautiful song. turquoise waters and white and black People watch enthralled as they breach sand beaches. The gentle slopes of the or surface for air. Kohala Mountains, now extinct, provide FOOD AND BEVERAGE SPONSORS the backdrop to the town of Waimea The town of Waimea, also known as and to Hawi and Kapa’au in the north.