DOCSLIB.ORG

Mai Septembre 2021

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mai Septembre 2021 MAI ▶ SEPTEMBRE 2021 1 MAI ▶ SOMMAIRE SEPTEMBRE 2021 SOMMAIRE " À arrêter la vie, on antipodes de la morosité " By stopping life, we end up gloominess made up by 04 A D.I.Y Band ✹ Ratur PRICE : DONATIONS provoque la mort. S’il n’est ambiante, générée par des causing death. Though this the so called " life saving " LIBRARY PRICE : 4 € pas question de remettre prescriptions étatiques is not about doubting the governmental provisions. 08 Tonk’ART ✹ Marta PUNXO CONTACT US ON : en cause l’existence du censées nous " sauver la existence of the virus — it [email protected] virus, qui est réelle, cela vie ". is real — we should not Thank you very much, ne doit pas nous empêcher hold back from questioning but we’d rather save 16 Worldwide Activists ✹ Tek'niciens www.karton-zine.com de réfléchir aux décisions Merci bien, mais nous the decisions that have been ourselves, without having NO RACISM, prises. Voilà un an que nous nous sauverons nous- taken. For a whole year to lock ourselves up and 22 Review Album ✹ Matrak Attakk NO SEXISM, vivons sous confinement, mêmes en refusant de we’ve been living through throw away the key. This "voyage au bout de la nuit du punk" NO HOMOPHOBIA puis semi-confinement, puis nous enfermer à double lockdowns, half-lockdowns, is the perfect occasion to couvre-feu. La vie sociale est tour. L’occasion parfaite de and then curfews. Social life state again that, for our 28 Travel Diary ✹ Matrak Attakk interdite. Les lieux de simple réaffirmer que pour notre is forbidden. Places of basic little team, this fanzine rencontre sont fermés. Nous petite équipe, ce fanzine encounters are closed. All represents way more than 34 Review Book ✹ Burning Heads – Hey You ! avons juste le droit d’aller représente bien plus we’re allowed to do is go to just a medium to share travailler et de rentrer chez qu’un support relayant work and go back home. We our alternative music nous. On nous culpabilise et nos coups de cœur au are infantilised and forced tastes. On many different 36 A D.I.Y Experience ✹ Distruggi la Bassa nous infantilise sans cesse. sujet de la musique to blame ourselves. We don’t levels, the contributors Nous n’avons pas notre alternative. À plusieurs have a say on the matter of and the people we 42 Les Aventures de l’Oncle TOTO 4 mot à dire sur la santé niveaux, les intervenant.e.s public health. […] Are we interview may represent publique. […] Sommes-nous et personnes à qui condemned to live a life of a diversity of point of condamné.e.s à seulement nous donnons la parole working and consuming ? views, but they all share 46 Through a Greek Eye ✹ Rap D.I.Y in Greece (II) travailler et consommer ? représentent une pluralité While the rich seem to have values that profoundly Pendant que les riches n’ont de points de vue, mais no qualms in travelling, touch us : to not take 52 The Cities Left Behind ✹ Albania pas de scrupules à voyager, elles partagent tout.e.s des renting rooms in 4 stars anything for granted, à louer des hôtels 4 étoiles, valeurs qui nous touchent hotels, or benefiting from to question everything, à profiter de la crise pour particulièrement. Le fait the crisis to enlarge their to selfexperiment, even 58 The Playlist of… DJ Laslav' décupler leur fortune ? Ce de ne rien prendre pour wealth ? The world won’t through risk-taking. n’est pas en attendant un argent comptant, de get better and we won’t win 59 Strip ✹ Boulyks Junior hypothétique " retour à la tout remettre en cause, our rights back by waiting Guided by this theme, normale " ou " monde d’après" d’expérimenter par soi- on a hypothetical " back to we went out to meet qu’on obtient gain de cause et même, quitte à se mettre normal " or a " post-Covid illustrator Marta Punxo 60 Quality Streets ✹ Kavala 2019 que ce monde sera meilleur. en danger. world " . We will win in the (Bologna), Francesco C’est dans la rue." streets." from the Distruggi la 25 mars 2021 - (Nantes Guidés par ce fil rouge, March 25th 2021 - Bassa Festival (Ferrara), Révoltée / MARSEILLE, nous sommes partis (Nantes Révoltée / MAR- the free party collective REZÉ : CARNAVALS à la rencontre de la SEILLE, REZÉ : CAR- TEK’niciens (south POPULAIRES !) dessinatrice Marta Punxo NAVALS of France), all the way (Bologne), de Francesco POPULAIRES !) through Scandinavian Chez Karton, l’extrait du festival Distruggi coasts with our friends de ce manifeste résume la Bassa (Ferrara), du This extract globally sums from Matrak Attakk Contributors : globalement notre collectif de free party up our way of seeings (Belgium), until we POLKA B., ALKISTIS A., MOMO TUS, REDA, NINO façon de voir les choses, TEK’niciens (sud de la things here at Karton’s, reached Albania for our FUTUR, GERMAIN, PINPIN 30, TOTO & DANIELLE, après plus d’un an France), via les côtes de after more than a year section called The Cities LE JEUNE BOULYKS d’interdictions à répétition la Scandinavie avec nos of repeated prohibitions Left Behind. Traductions : dans à peu près tous amis de Matrak Attakk in almost every domain JULIE B, ALKISTIS A., MOMO TUS, CHRIS P., ALICE les domaines (dernière (Belgique) et jusqu’en (the latest being the Enjoy ! N., ZRW, MARCO BELLO (MOV) en date : l’impossibilité Albanie pour notre impossibility of gathering de se réunir à plus de rubrique The Cities Left at more than 6 people !). GRAPHICS 6 personnes !). Dans ce Behind. In this stifling context, we n www.karton-zine.com Cover & Portfolio : MARTA PUNXO contexte irrespirable, notre find our breath of fresh for more Illustrations : ARNAUD S MANIAK, RIZLO, MOMO bouffée d’air se situe aux Bonne lecture ! way out of the ambient 2 TUS, NINO FUTUR 3 Photo Quality Streets : BONJOUR SIMONES Art Director : ZIGGY SPIRIT INTERVIEW Rap RATUR ¬ Nantes On ne connaissait pas Ratur. Mais quand son projet " Disparate " est entré dans nos oreilles (pour ne pas en ressortir) nous nous sommes empressés d’en savoir plus à son sujet ! Bien écrit, bien rappé, très bien chanté, et We didn’t hear about Ratur until her project "Disparate" which remains stuck in sur toutes sortes de productions, l’album est un petit our heads since. We quickly wanted to better know her ! Because her texts are bijou d’artisanat DIY ! On est pas peu fiers de vous faire well written and too well sung and rapped with many different productions, lire la première interview de Ratur, rappeuse résidant her album shines among DIY creations ! We are so proud to introduce you aux environs de Nantes. Ratur’s first interview, a female rapper living around Nantes. Par Polka B. Par Polka B. o Trad : Alice N. Enchanté Ratur ! Dans quel état d’es- Tes influences musicales sont très Nice to meet you Ratur ! What was Your musical influences are very prit as-tu travaillé sur ton second diversifiées. Considères-tu que tu te your state of mind as you were wor- diverse. Artistically would you say projet " Disparate " ? cherche encore artistiquement ? king on your second project " Dispa- you still try to find yourself ? rate " ? Ratur : J’ai sorti l’EP Revanche y a deux J’écoute plein de musiques différentes I listen to a lot of different music but I ans. Depuis, j’ai écrit plein de trucs et au mais je ne considère pas que je me cherche Ratur : I released the Revanche EP two don’t consider myself to be artistically bout d’une vingtaine de morceaux je me artistiquement parce que je ne me consi- years ago. Since then, I wrote a lot of looking for myself, because I don’t consi- suis dit qu’il fallait que je m’arrête là. Je dère pas artiste, d’ailleurs j’aime pas trop things. After 20 tracks, I had to stop to der myself an artist… Besides, I don’t real- devais en faire un album. Je dis que c’est les artistes. make an album. That’s why I said it was ly like artists. une mixtape parce que y avait pas d’état a mixtape, there is no real coherence d’esprit particulier. Qu’est-ce que tu écoutes en ce mo- between the tracks. What are you currently listening ? ment ? C’est vrai que l’on retrouve beaucoup It’s true that we find many musi- Blues, soul, fado… This summer I discove- d’esthétiques musicales différentes. Du blues, de la soul, du fado… Et sinon, cal aesthetics different from each red reggae. Otherwise I listen lots of rap Comment as-tu choisi tes prods ? énormément de rap, bien sûr. J’ai plu- others. How did you choose your of course. Recently I have rather listened tôt écouté des potes récemment : Puzz prodso ? some friends’ music : Puzz Mama, cou- Il y a pas mal de prods de Dudu (du crew Mama, coutoentrelesdents... leurs textes toentrelesdents… I have access to it and coutoentrelesdents), d’Amatomic et de me parlent, musicalement je trouve ça Several prods came from Dudu (from the texts correspond to me. Musically I Staz. Ce sont des potes. Le truc c’est que très bon. Et aussi ça a fini par me saou- the crew coutoentrelesdents), Amatomic find it very good. I am quite sick of liste- je n’en avais pas assez par rapport à tout ler d’écouter des types qui m’insulte dans and Staz. They are friends. But it wasn’t ning rap that denigrate girls… So right ce que j’avais envie d’écrire.
Load more

Recommended publications
  • Corporate Social Responsibility Culture Environment Entrepreneurship Community Employees Governance Building a Proud and Prosperous Québec Together
    CONTRIBUTE CULTIVATE MOBILIZE 2020 CORPORATE SOCIAL RESPONSIBILITY CULTURE ENVIRONMENT ENTREPRENEURSHIP COMMUNITY EMPLOYEES GOVERNANCE BUILDING A PROUD AND PROSPEROUS QUÉBEC TOGETHER For more than 70 years, Quebecor has contributed to Québec’s economic, cultural and social vitality by joining forces with visionaries, creators, cultural workers and the next generation. Driven by our entrepreneurial spirit and strong philanthropic commitment, we make practical efforts on all fronts to support our culture, local entrepreneurs, our community, the environment and our employees. 400+ organizations supported across 1.46% Québec of Quebecor’s adjusted $28.56M EBITDA allocated to donations and in donations and sponsorships sponsorships in 2020 CONTRIBUTING TO THE VITALITY OF QUÉBEC’S ANDRE LYRA © CULTURAL INDUSTRIES FOR MORE THAN 70 YEARS CULTURE A CULTURE OF OUTREACH Québec culture is an integral part of our raison d’être. Through our business activities as well as our philanthropic initiatives, we support and promote talented Québec artists and creators, and we showcase the richness of our culture, our language, our history and our heritage. For over 70 years, we have been actively contributing to the vitality of Québec’s cultural industries. The crisis we and the rest of the world have been facing since the spring of 2020 has only intensified our commitment and our sense of responsibility to our culture Almost 50% of our donations Our efforts are making a difference for all artists, writers, composers, performers and and sponsorships went to cultural workers, and for everyone who wants to keep our culture vibrant and project it support the development onto the world stage. Our culture is our legacy.
    [Show full text]
  • Map Data from the City of Prizren For
    1 E E 3 <*- * <S V to v-v % X % 5.- ^s RADHITJA E EMRAVE SIPAS ALFABETIT -> 42 8 Marsi-7D 443 Brigáda 126-4C 347 Hysen Rexhepi-6E7E 253 Milan Šuflai-3H 218 Shaip Zurnaxhiu-4F 187 Abdy Beqiri-4E 441 Brigáda 128- 234 Hysen Trpeza-2E H 356 Mimar Sinan-6E 133 Shat Kulla-6E 1 Adem Jasharí-6E,5F 20 Bubulina-1A 451 Hysni Morína-3B 467 Mojsi Golemi-2A, 2B 424 Shefqet Berisha-80 | 360 Adnan Krasniqi-7E 97 Bujana-2D 46 Hysni Temaj- 25 Molla e Kuqe 390 Sheh Emini-7D 310 Adriatiku-5F 327 Bujar Godeni-6E 127 Ibrahim Lutfiu-6D 72 Mon Karavidaj-3C3D 341 Shn Albani-7F 38 Afrim Bytygi-1B,2B 358 Bujtinat-6E, 7E 259 Ibrahim ThagiSH 184 Morava-4E \J336 Shn Flori-6F, 7F 473 Afrim Krasniqi-9C 406 Burími-8D 45 Idriz Behluli- 23 Mreti Gllauk-1A \~345 Shn Jeronimi 1 444 Afrim Stajku-4C 261 Bushatlinjt-2H 39 llir Hoxha-1B 265 Muhamet Cami~3H 284 SherifAg TurtullaSG 446 Agim Bajrami-4C 140 Byrhan Shporta-6D 233 llirt-2E 21 Muhamet Kabashi-1A 29 Shestani | 278 Agim ShalaSF 47 Camilj Siharic 359 lljaz Kuka-6E,7E 251 Muharrem Bajraktarí-2H,3E 243 Shime Deshpali-2E 194 Agron Bytyqi-4E 56 Cesk Zadeja-3C 381 Indrit Cara -Kavaja-6D, 7D 74 Muharrem Hoxhaj-3C 291 Shkelzen DragajSF 314 Ahmet KorenicaSF 262 Dalmatt-3H 86 Isa Boletini-4D 458 Muharrem Samahoda-3B 199 Shkodra-3E \~286 293 Ahmet KrasniqiSF 475 Dardant-9C Islám Spahiu-5G l 316 MuhaxhirtSF \428 Shkronjat-7C, 7D 207 \Ahmet Prístina-5F4F 5 De Rada-6D, 5D \~7 Ismail Kryeziu-5D,4D 60 Mujo Ulqinaku-3C 138 Shote Galica-6D 447 Ajahidet-4C 61 Dd Gjon Luli-3C 40 Ismail Qemali-2B 1 69 Murat Kab ashi-4F, 5E 392 Shpend Berisha-7E
    [Show full text]
  • Queer Periodicals Collection Timeline
    Queer Periodicals Collection Timeline 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 Series I 10 Percent 13th Moon Aché Act Up San Francisco Newsltr. Action Magazine Adversary After Dark Magazine Alive! Magazine Alyson Gay Men’s Book Catalog American Gay Atheist Newsletter American Gay Life Amethyst Among Friends Amsterdam Gayzette Another Voice Antinous Review Apollo A.R. Info Argus Art & Understanding Au Contraire Magazine Axios Azalea B-Max Bablionia Backspace Bad Attitude Bar Hopper’s Review Bay Area Lawyers… Bear Fax B & G Black and White Men Together Black Leather...In Color Black Out Blau Blueboy Magazine Body Positive Bohemian Bugle Books To Watch Out For… Bon Vivant 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 Bottom Line Brat Attack Bravo Bridges The Bugle Bugle Magazine Bulk Male California Knight Life Capitol Hill Catalyst The Challenge Charis Chiron Rising Chrysalis Newsletter CLAGS Newsletter Color Life! Columns Northwest Coming Together CRIR Mandate CTC Quarterly Data Boy Dateline David Magazine De Janet Del Otro Lado Deneuve A Different Beat Different Light Review Directions for Gay Men Draghead Drummer Magazine Dungeon Master Ecce Queer Echo Eidophnsikon El Cuerpo Positivo Entre Nous Epicene ERA Magazine Ero Spirit Esto Etcetera 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975
    [Show full text]
  • Refiguring Masculinity in Haitian Literature of Dictatorship, 1968-2010
    NORTHWESTERN UNIVERSITY Dictating Manhood: Refiguring Masculinity in Haitian Literature of Dictatorship, 1968-2010 A DISSERTATION SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS for the degree DOCTOR OF PHILOSOPHY Field of French and Francophone Studies By Ara Chi Jung EVANSTON, ILLINOIS March 2018 2 Abstract Dictating Manhood: Refiguring Masculinity in Haitian Literature of Dictatorship, 1968- 2010 explores the literary representations of masculinity under dictatorship. Through the works of Marie Vieux Chauvet, René Depestre, Frankétienne, Georges Castera, Kettly Mars and Dany Laferrière, my dissertation examines the effects of dictatorship on Haitian masculinity and assesses whether extreme oppression can be generative of alternative formulations of masculinity, especially with regard to power. For nearly thirty years, from 1957 to 1986, François and Jean-Claude Duvalier imposed a brutal totalitarian dictatorship that privileged tactics of fear, violence, and terror. Through their instrumentalization of terror and violence, the Duvaliers created a new hegemonic masculinity articulated through the nodes of power and domination. Moreover, Duvalierism developed and promoted a masculine identity which fueled itself through the exclusion and subordination of alternative masculinities, reflecting the autophagic reflex of the dictatorial machine which consumes its own resources in order to power itself. My dissertation probes the structure of Duvalierist masculinity and argues that dictatorial literature not only contests dominant discourses on masculinity, but offers a healing space in which to process the trauma of the dictatorship. 3 Acknowledgements There is a Korean proverb that says, “백지장도 맞들면 낫다.” It is better to lift together, even if it is just a blank sheet of paper. It means that it is always better to do something with the help of other people, even something as simple as lifting a single sheet of paper.
    [Show full text]
  • Henry Home, Lord Kames, Elements of Criticism, Vol. 1 [1762]
    The Online Library of Liberty A Project Of Liberty Fund, Inc. Henry Home, Lord Kames, Elements of Criticism, vol. 1 [1762] The Online Library Of Liberty This E-Book (PDF format) is published by Liberty Fund, Inc., a private, non-profit, educational foundation established in 1960 to encourage study of the ideal of a society of free and responsible individuals. 2010 was the 50th anniversary year of the founding of Liberty Fund. It is part of the Online Library of Liberty web site http://oll.libertyfund.org, which was established in 2004 in order to further the educational goals of Liberty Fund, Inc. To find out more about the author or title, to use the site's powerful search engine, to see other titles in other formats (HTML, facsimile PDF), or to make use of the hundreds of essays, educational aids, and study guides, please visit the OLL web site. This title is also part of the Portable Library of Liberty DVD which contains over 1,000 books and quotes about liberty and power, and is available free of charge upon request. The cuneiform inscription that appears in the logo and serves as a design element in all Liberty Fund books and web sites is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 B.C. in the Sumerian city-state of Lagash, in present day Iraq. To find out more about Liberty Fund, Inc., or the Online Library of Liberty Project, please contact the Director at [email protected].
    [Show full text]
  • Albania Pocket Guide
    museums albania pocket guide your’s to discover Albania theme guides Museums WELCOME TO ALBANIA 4 National Historic Museum was inaugurated on 28 October 1981. It is the biggest Albanian museum institution. There are 4750 objects inside the museum. Striking is the Antiquity Pavilion starting from the Paleolithic Period to the Late Antiquity, in the 4th century A.D., with almost 400 first class objects. The Middle Age Pavilion, with almost 300 objects, documents clearly the historical trans- formation process of the ancient Illyrians into early Arbers. CONTENTS i 5 TIRANA 6 DURRES 14 ELBASAN 18 LUSHNJE 20 KRUJE 20 APOLLONIA 26 VLORA 30 KORÇA 34 GJIROKASTRA 40 BERATI 42 BUTRINTI 46 LEZHE 50 SHKODER 52 DIBER 60 NATIONAL HISTORIC MUSEUMS TIRANA 6 National Historic Museum was inaugurated on 28 October 1981. It is the biggest Albanian museum institution. Pavilion starting from the Paleolithic Period to the Late Antiquity, in the 4th century A.D., with almost 400 first class objects. The Middle Age Pavilion, with almost 300 objects, documents clearly the historical transformation process of the ancient Illyrians into early Arbers. This pavilion reflects the Albanian history until the 15th century. Other pavilions are those of National Renaissance, Independence and Albanian State Foundation, until 1924. The Genocide Pavilion with 136 objects was founded in 1996. The Iconography Pavilion with 65 first class icons was established in 1999. The best works of 18th and 19th century painters are found here, like Onufër Qiprioti, Joan Çetiri, Kostandin Jermonaku, Joan Athanasi, Kostandin Shpataraku, Mihal Anagnosti and some un- known authors. In 2004 the Antifascism Pavilion 220 objects was reestablished.
    [Show full text]
  • My Father and I
    My Father and I My Father and I The Marais and the Queerness of Community David Caron Cornell University Press ithaca and london Copyright © 2009 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. First published 2009 by Cornell University Press Printed in the United States of America Library of Congress Cataloging-in-Publication Data Caron, David (David Henri) My father and I : the Marais and the queerness of community / David Caron. p. cm. Includes bibliographical references and index. ISBN 978-0-8014-4773-0 (cloth : alk. paper) 1. Marais (Paris, France)—History. 2. Gay community—France—Paris—History. 3. Jewish neighborhoods—France—Paris—History. 4. Homosexuality—France—Paris— History. 5. Jews—France—Paris—History. 6. Gottlieb, Joseph, 1919–2004. 7. Caron, David (David Henri)—Family. I. Title. DC752.M37C37 2009 306.76'6092244361—dc22 2008043686 Cornell University Press strives to use environmentally responsible sup- pliers and materials to the fullest extent possible in the publishing of its books. Such materials include vegetable- based, low- VOC inks and acid- free papers that are recycled, totally chlorine- free, or partly composed of nonwood fibers. For further information, visit our website at www .cornellpress .cornell .edu . Cloth printing 10 9 8 7 6 5 4 3 2 1 In memory of Joseph Gottlieb, my father And for all my other friends Contents IOU ix Prologue.
    [Show full text]
  • Woch La-Persuasion-.Pdf
    http://dx.doi.org/10.18778/8142-253-6 Agnieszka Woch – Université de Łódź, Faculté de Philologie, Institut d’Études Romanes 90-236 Łódź, ul. Pomorska 171/173 ÉVALUATION SCIENTIFIQUE Elżbieta Pachocińska ÉDITEUR Urszula Dzieciątkowska MISE EN PAGE Munda – Maciej Torz RÉDACTEUR TECHNIQUE Leonora Gralka COUVERTURE Katarzyna Turkowska Image de couverture : l’affiche pour La Licra : « Notre couleur de peau ne doit plus déterminer notre avenir » Reproduit avec l’autorisation de Publicis Communications du 29/09/2018 Révision rédactionnelle effectuée en dehors des Presses Universitaires de Łódź © Copyright by Agnieszka Woch, Łódź 2018 © Copyright for this edition by Université de Łódź, Łódź 2018 Publication de Presses universitaires de Łódź Ière édition. W.08730.18.0.M Ark. wyd. 8,2 ; feuilles d’impr. 11,5 ISBN 978-83-8142-253-6 e-ISBN 978-83-8142-254-3 Presses universitaires de Łódź 90-131 Łódź, ul. Lindleya 8 www.wydawnictwo.uni.lodz.pl e-mail : [email protected] tél. (42) 665 58 63 « Chaque milieu pourrait être caractérisé par ses opinions dominantes, par ses convictions indiscutées, par les prémisses qu’il admet sans hésiter : ces conceptions font partie de sa culture et tout orateur qui veut persuader un auditoire particulier ne peut que s’y adapter » Lucie Olbrechts-Tyteca et Chaïm Perelman (Traité de l’argumentation. La Nouvelle Rhétorique, 1983, p. 27) Table des matières INTRODUCTION 11 CHAPITRE I 15 1. La publicité au service des grandes causes 17 1.1. Les définitions et les thèmes 18 1.2. La publicité sociétale par rapport à la publicité commerciale et politique 22 1.2.1.
    [Show full text]
  • Gjoka Konstruksion
    143 www.rrugaearberit.com GAZETË E PAVARUR. NR. 3 / 2018. ÇMIMI: 50 LEKË. 20 DENARË. 1.5 EURO. Intervistë Art Profil Dr. Ahmet Alliu, Bajram Mata zgjodhi Pajtim Beça, një mjeku i parë i Dibrës të jetojë me fjalën e histori suksesi në Historiku i shërbimit shëndetësor në veprat e realizuara breg të Drinit optikën e mjekut të parë dibran Nga prof.as.dr.Nazmi KOÇI 16 Nga Selami NAZIFI 12 Nga Osman XHILI 9 NË BRENDËSI: Rruga e Arbrit: Qeveria firmos kontratën, Jemi skeptike për aq kohë sa nuk ka transparencë për fondet dhe projektin “Gjoka Konstruksion” gati të nisë punën Rruga e Arbrit i bashkon shqiptarët Dhjetë arsye përse duhet vizituar Dibra Rafting lumenjve të Dibrës që s’bëzajnë “FERRA E PASHËS” Jashar Bunguri, gjeneral i bujqësisë shqiptare Kastrioti, fshati pa Kastriotë Asllan Keta: Më shumë se Partinë, dua Shqipërinë Tenori Gerald Murrja: Ëndrra ime është të këndoj në skenat e operave në botë Shkolla Pedagogjike e Peshkopisë, tempull i dijes dhe edukimit Mustafa Shehu, një zemër Lexoni në faqen 2 që skaliti me zjarr emrin e tij në histori REPORTAZH SPORT: Alia dhe Halili, dy dibranët e Kombëtares U-19 Fadil Shulku, portieri modern i kohës Cerjani, një fshat Drini Halili:Objektivi është Kombëtarja!. Shqiponja dibrane i braktisur dhe i Marko Alia: Mes Italisë dhe Shqipërisë zgjodha vendin tim! Njerëz që hynë dhe mbetën në kujtesën e dibranëve rrënuar nga migrimi Islamil Hida, njeri i edukuar, fjalëpak e punëshumë Më shumë mund të shikoni në faqen e gazetës Nga BESNIK LAMI në FB: Rruga e Arbërit ose ndiq linkun: https://tinyurl.com/lcc3e2f erjani është një nga katër fshatrat e zonës së CBellovës që shtrihet në verilindje të qytetit të Peshkopisë, rreth 7 km larg tij.
    [Show full text]
  • Les Poursuites Judiciaires a L'encontre De Lambda Et Des Associations Lgbtt En Turquie
    LES POURSUITES JUDICIAIRES A L'ENCONTRE DE LAMBDA ET DES ASSOCIATIONS LGBTT EN TURQUIE EXPLICATION DU CONTEXTE Judith, scumlambda strasbourg, 9 Octobre 2007. Lambdaistanbul organise depuis plusieurs années la semaine des visibilités et la Gay Pride d'Istanbul, événement dont l'ampleur augmente chaque année. Par ailleurs, son activité tout au long de l'année consiste à défendre les droits des personnes lesbiennes, gaies, bies, trans', a faire de la prévention santé, du soutien juridique et du support. Depuis plusieurs années, Lambdaistanbul tente de visibiliser au plan international les luttes LGBTI en Turquie et a reçu plusieurs délégations étrangères lors de la Gay Pride d'Istanbul 2007. Lambdaistanbul a dabord été une organisation active et une association de fait, sans être enregistrée en tant qu'association. Et pour cause puisque les 4 autres associations LGBTI de Turquie ont été menacées de fermeture par le gouvernorat de leur ville au moment où elles ont déposé leur statuts. L'argument avancé est l'immoralité des buts de ces associations, contraire au code civil, bien que la législation Turque ne criminalise pas les personnes LGBTI. Cependant les procureurs généraux rejettent généralement les demandes des gouvernorat et les poursuites n'aboutissent pas. Au printemps 2007 Lambdaistanbul a souhaité déposer ses statuts afin d'obtenir le statut d'ONG. Le scénario habituel s'est reproduit, demande de dissolution par le gouvernorat d'Istanbul, rejet de la demande par le procureur général, mais cette fois le gouvernorat a été plus loin et a saisi la haute cour de justice qui a accepté la demande. C'est donc la première fois que la justice Turque va statuer sur le droit d'association des personnes LGBTT.
    [Show full text]
  • Flori Bruqi Konti I Letrave Shqipe
    Përgatiti: Dibran Fylli Naim Kelmendi FLORI BRUQI KONTI I LETRAVE SHQIPE (Intervista, vështrime, recensione) AKADEMIA SHQIPTARO-AMERIKANE THE ALBANIAN AMERICAN ACADEMY E SHKENCAVE DHE ARTEVE OF SCIENCE AND ARTS NEW YORK, PRISHTINË, TIRANË, SHKUP Shtëpia botuese “Press Liberty” Për botuesin Asllan Qyqalla Redaktor gjuhësor Naim Kelmendi Recensent Zef Pergega Kopertina-dizajni Dibran Fylli Radhitja kompjuterike dhe faqosja uniART Creative © të gjitha të drejtat (f.b) Dibran Fylli Naim Kelmendi FLORI BRUQI KONTI I LETRAVE SHQIPE (Intervista, vështrime, recensione) PRESS LIBERTY Prishtinë 2021 Shkrime kritike nga: Zef Pergega, Eshref Ymeri, Namik Shehu, Naim Kelmendi, Kujtim Mateli,Rushit Ramabaja, Reshat Sahitaj, Fatmir Terziu, Mehmet Kajtazi, Iljaz Prokshi, Lumturie Haxhiaj, Dibran Fylli, Rrustem Geci, Kristaq Shabani, Faik Xhani, Rasim Bebo, Rexhep Shahu, Nijazi Halili, Adem Avdia, Bajame Hoxha... Flori Bruqi-Konti i letrave shqipe PIKËPAMJE PËR KRJIMTARINË LETRARE, KRITIKËN DHE KRIZËN E IDENTITETIT Intervistë e gjatë me shkrimtarin Flori Bruqi Nga Akademik Prof.dr. Zef Përgega Atë që nuk e bëri shteti e bëri njeriu, Flori Bruqi, Konti i kulturës dhe letrave shqipe. Leksikoni pikë së pari është një leksion për Akademitë e Shkencave të Shqipërisë, Kosovës dhe trevave të tjera shqiptare. Flori Bruqi u ka ngritur njerë- zve një permendore të derdhur ne shkronja, i ka vlerësuar në motivin më të lartë që kurrë nuk do ta përjetonin nga shteti, të cilit i shërbyen me devocion, ashtu siç bënë çdo gjë për kombin e tyre. Gjëja më e keqe dhe e rëndomtë tek shqiptari është mungesa e kujtesës dhe e ndërimit, që prej tyre vjen bashkimi, ndërsa ato i mbajnë sytë e lumturohen në gardhin e lartë të ndarjes mes nesh, që po me paratë e popullit ndërton muret e ndarjes.Flori Bruqi është një etalon i paparë, një shpirt i madh që nuk kërkon lavd.
    [Show full text]
  • Cv Petrit Halilaj
    CV PETRIT HALILAJ Born in Kostërrc (Skenderaj-Kosovo) in 1986. Lives and works in Berlin. Residencies: 2014 Villa Romana, Florence 2013 Fürstenberg, Donaueschingen Selected Solo Exhibitions: 2015 Hangar Bicocca, curated by Roberta Tenconi, Milan ABETARE, curated by Moritz Wesseler and Carla Donauer, Kölnischer Kunstverein, Cologne She fully turning around became terrestrial, curated by Rein Wolfs, at Bundeskunsthalle, Bonn 2014 Yes but the sea is attached to the earth and it never floats around in space. The stars would turn off and what about my planet?, Kamel Mennour, Paris of course blue affects my way of shitting, Chert, Berlin Darling squeeze the button and remove my memory, Galeria e Arteve e Kosovës, Prishtina I’m hungry to keep you close. I want to find the words to resist but in the end there is a locked sphere. The funny thing is that you’re not here, nothing is, Kunshalle Lissabon, Lisbon 2013 July 14th?, Foundation d’Enterprise Galeries Lafayette, Paris I’m hungry to keep you close. I want to find the words to resist but in the end there is a locked sphere. The funny thing is that you’re not here, nothing is, Kosovo Pavillion, Venice Biennale, curated by Kathrin Rhomberg, commissioned by Erzen Shkololli, Arsenale, Venice Poisoned by men in need of some love, curated by Elena Filipovic, WIELS Contemporary Art Center, Brussels Petrit Halilaj, Tongewölbe T25, Ingolstadt 2012 Who does the earth belong to while painting the wind?!, curated by Giovanni Carmine, Kunsthalle Sankt Gallen, St. Gallen 2011 Petrit Halilaj, curated by Veit Loers, Kunstraum Innsbruck, Innsbruck Kostërrc (CH), Statements, Art Basel , with Chert, Berlin 2009 Back to the Future, curated by Albert Heta, Stacion, Center for Contemporary Art Prishtina, Kosovo.
    [Show full text]