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MAI ▶ SEPTEMBRE 2021 1 MAI ▶ SOMMAIRE SEPTEMBRE 2021 SOMMAIRE " À arrêter la vie, on antipodes de la morosité " By stopping life, we end up gloominess made up by 04 A D.I.Y Band ✹ Ratur PRICE : DONATIONS provoque la mort. S’il n’est ambiante, générée par des causing death. Though this the so called " life saving " LIBRARY PRICE : 4 € pas question de remettre prescriptions étatiques is not about doubting the governmental provisions. 08 Tonk’ART ✹ Marta PUNXO CONTACT US ON : en cause l’existence du censées nous " sauver la existence of the virus — it [email protected] virus, qui est réelle, cela vie ". is real — we should not Thank you very much, ne doit pas nous empêcher hold back from questioning but we’d rather save 16 Worldwide Activists ✹ Tek'niciens www.karton-zine.com de réfléchir aux décisions Merci bien, mais nous the decisions that have been ourselves, without having NO RACISM, prises. Voilà un an que nous nous sauverons nous- taken. For a whole year to lock ourselves up and 22 Review Album ✹ Matrak Attakk NO SEXISM, vivons sous confinement, mêmes en refusant de we’ve been living through throw away the key. This "voyage au bout de la nuit du punk" NO HOMOPHOBIA puis semi-confinement, puis nous enfermer à double lockdowns, half-lockdowns, is the perfect occasion to couvre-feu. La vie sociale est tour. L’occasion parfaite de and then curfews. Social life state again that, for our 28 Travel Diary ✹ Matrak Attakk interdite. Les lieux de simple réaffirmer que pour notre is forbidden. Places of basic little team, this fanzine rencontre sont fermés. Nous petite équipe, ce fanzine encounters are closed. All represents way more than 34 Review Book ✹ Burning Heads – Hey You ! avons juste le droit d’aller représente bien plus we’re allowed to do is go to just a medium to share travailler et de rentrer chez qu’un support relayant work and go back home. We our alternative music nous. On nous culpabilise et nos coups de cœur au are infantilised and forced tastes. On many different 36 A D.I.Y Experience ✹ Distruggi la Bassa nous infantilise sans cesse. sujet de la musique to blame ourselves. We don’t levels, the contributors Nous n’avons pas notre alternative. À plusieurs have a say on the matter of and the people we 42 Les Aventures de l’Oncle TOTO 4 mot à dire sur la santé niveaux, les intervenant.e.s public health. […] Are we interview may represent publique. […] Sommes-nous et personnes à qui condemned to live a life of a diversity of point of condamné.e.s à seulement nous donnons la parole working and consuming ? views, but they all share 46 Through a Greek Eye ✹ Rap D.I.Y in Greece (II) travailler et consommer ? représentent une pluralité While the rich seem to have values that profoundly Pendant que les riches n’ont de points de vue, mais no qualms in travelling, touch us : to not take 52 The Cities Left Behind ✹ Albania pas de scrupules à voyager, elles partagent tout.e.s des renting rooms in 4 stars anything for granted, à louer des hôtels 4 étoiles, valeurs qui nous touchent hotels, or benefiting from to question everything, à profiter de la crise pour particulièrement. Le fait the crisis to enlarge their to selfexperiment, even 58 The Playlist of… DJ Laslav' décupler leur fortune ? Ce de ne rien prendre pour wealth ? The world won’t through risk-taking. n’est pas en attendant un argent comptant, de get better and we won’t win 59 Strip ✹ Boulyks Junior hypothétique " retour à la tout remettre en cause, our rights back by waiting Guided by this theme, normale " ou " monde d’après" d’expérimenter par soi- on a hypothetical " back to we went out to meet qu’on obtient gain de cause et même, quitte à se mettre normal " or a " post-Covid illustrator Marta Punxo 60 Quality Streets ✹ Kavala 2019 que ce monde sera meilleur. en danger. world " . We will win in the (Bologna), Francesco C’est dans la rue." streets." from the Distruggi la 25 mars 2021 - (Nantes Guidés par ce fil rouge, March 25th 2021 - Bassa Festival (Ferrara), Révoltée / MARSEILLE, nous sommes partis (Nantes Révoltée / MAR- the free party collective REZÉ : CARNAVALS à la rencontre de la SEILLE, REZÉ : CAR- TEK’niciens (south POPULAIRES !) dessinatrice Marta Punxo NAVALS of France), all the way (Bologne), de Francesco POPULAIRES !) through Scandinavian Chez Karton, l’extrait du festival Distruggi coasts with our friends de ce manifeste résume la Bassa (Ferrara), du This extract globally sums from Matrak Attakk Contributors : globalement notre collectif de free party up our way of seeings (Belgium), until we POLKA B., ALKISTIS A., MOMO TUS, REDA, NINO façon de voir les choses, TEK’niciens (sud de la things here at Karton’s, reached Albania for our FUTUR, GERMAIN, PINPIN 30, TOTO & DANIELLE, après plus d’un an France), via les côtes de after more than a year section called The Cities LE JEUNE BOULYKS d’interdictions à répétition la Scandinavie avec nos of repeated prohibitions Left Behind. Traductions : dans à peu près tous amis de Matrak Attakk in almost every domain JULIE B, ALKISTIS A., MOMO TUS, CHRIS P., ALICE les domaines (dernière (Belgique) et jusqu’en (the latest being the Enjoy ! N., ZRW, MARCO BELLO (MOV) en date : l’impossibilité Albanie pour notre impossibility of gathering de se réunir à plus de rubrique The Cities Left at more than 6 people !). GRAPHICS 6 personnes !). Dans ce Behind. In this stifling context, we n www.karton-zine.com Cover & Portfolio : MARTA PUNXO contexte irrespirable, notre find our breath of fresh for more Illustrations : ARNAUD S MANIAK, RIZLO, MOMO bouffée d’air se situe aux Bonne lecture ! way out of the ambient 2 TUS, NINO FUTUR 3 Photo Quality Streets : BONJOUR SIMONES Art Director : ZIGGY SPIRIT INTERVIEW Rap RATUR ¬ Nantes On ne connaissait pas Ratur. Mais quand son projet " Disparate " est entré dans nos oreilles (pour ne pas en ressortir) nous nous sommes empressés d’en savoir plus à son sujet ! Bien écrit, bien rappé, très bien chanté, et We didn’t hear about Ratur until her project "Disparate" which remains stuck in sur toutes sortes de productions, l’album est un petit our heads since. We quickly wanted to better know her ! Because her texts are bijou d’artisanat DIY ! On est pas peu fiers de vous faire well written and too well sung and rapped with many different productions, lire la première interview de Ratur, rappeuse résidant her album shines among DIY creations ! We are so proud to introduce you aux environs de Nantes. Ratur’s first interview, a female rapper living around Nantes. Par Polka B. Par Polka B. o Trad : Alice N. Enchanté Ratur ! Dans quel état d’es- Tes influences musicales sont très Nice to meet you Ratur ! What was Your musical influences are very prit as-tu travaillé sur ton second diversifiées. Considères-tu que tu te your state of mind as you were wor- diverse. Artistically would you say projet " Disparate " ? cherche encore artistiquement ? king on your second project " Dispa- you still try to find yourself ? rate " ? Ratur : J’ai sorti l’EP Revanche y a deux J’écoute plein de musiques différentes I listen to a lot of different music but I ans. Depuis, j’ai écrit plein de trucs et au mais je ne considère pas que je me cherche Ratur : I released the Revanche EP two don’t consider myself to be artistically bout d’une vingtaine de morceaux je me artistiquement parce que je ne me consi- years ago. Since then, I wrote a lot of looking for myself, because I don’t consi- suis dit qu’il fallait que je m’arrête là. Je dère pas artiste, d’ailleurs j’aime pas trop things. After 20 tracks, I had to stop to der myself an artist… Besides, I don’t real- devais en faire un album. Je dis que c’est les artistes. make an album. That’s why I said it was ly like artists. une mixtape parce que y avait pas d’état a mixtape, there is no real coherence d’esprit particulier. Qu’est-ce que tu écoutes en ce mo- between the tracks. What are you currently listening ? ment ? C’est vrai que l’on retrouve beaucoup It’s true that we find many musi- Blues, soul, fado… This summer I discove- d’esthétiques musicales différentes. Du blues, de la soul, du fado… Et sinon, cal aesthetics different from each red reggae. Otherwise I listen lots of rap Comment as-tu choisi tes prods ? énormément de rap, bien sûr. J’ai plu- others. How did you choose your of course. Recently I have rather listened tôt écouté des potes récemment : Puzz prodso ? some friends’ music : Puzz Mama, cou- Il y a pas mal de prods de Dudu (du crew Mama, coutoentrelesdents... leurs textes toentrelesdents… I have access to it and coutoentrelesdents), d’Amatomic et de me parlent, musicalement je trouve ça Several prods came from Dudu (from the texts correspond to me. Musically I Staz. Ce sont des potes. Le truc c’est que très bon. Et aussi ça a fini par me saou- the crew coutoentrelesdents), Amatomic find it very good. I am quite sick of liste- je n’en avais pas assez par rapport à tout ler d’écouter des types qui m’insulte dans and Staz. They are friends. But it wasn’t ning rap that denigrate girls… So right ce que j’avais envie d’écrire.
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    Përgatiti: Dibran Fylli Naim Kelmendi FLORI BRUQI KONTI I LETRAVE SHQIPE (Intervista, vështrime, recensione) AKADEMIA SHQIPTARO-AMERIKANE THE ALBANIAN AMERICAN ACADEMY E SHKENCAVE DHE ARTEVE OF SCIENCE AND ARTS NEW YORK, PRISHTINË, TIRANË, SHKUP Shtëpia botuese “Press Liberty” Për botuesin Asllan Qyqalla Redaktor gjuhësor Naim Kelmendi Recensent Zef Pergega Kopertina-dizajni Dibran Fylli Radhitja kompjuterike dhe faqosja uniART Creative © të gjitha të drejtat (f.b) Dibran Fylli Naim Kelmendi FLORI BRUQI KONTI I LETRAVE SHQIPE (Intervista, vështrime, recensione) PRESS LIBERTY Prishtinë 2021 Shkrime kritike nga: Zef Pergega, Eshref Ymeri, Namik Shehu, Naim Kelmendi, Kujtim Mateli,Rushit Ramabaja, Reshat Sahitaj, Fatmir Terziu, Mehmet Kajtazi, Iljaz Prokshi, Lumturie Haxhiaj, Dibran Fylli, Rrustem Geci, Kristaq Shabani, Faik Xhani, Rasim Bebo, Rexhep Shahu, Nijazi Halili, Adem Avdia, Bajame Hoxha... Flori Bruqi-Konti i letrave shqipe PIKËPAMJE PËR KRJIMTARINË LETRARE, KRITIKËN DHE KRIZËN E IDENTITETIT Intervistë e gjatë me shkrimtarin Flori Bruqi Nga Akademik Prof.dr. Zef Përgega Atë që nuk e bëri shteti e bëri njeriu, Flori Bruqi, Konti i kulturës dhe letrave shqipe. Leksikoni pikë së pari është një leksion për Akademitë e Shkencave të Shqipërisë, Kosovës dhe trevave të tjera shqiptare. Flori Bruqi u ka ngritur njerë- zve një permendore të derdhur ne shkronja, i ka vlerësuar në motivin më të lartë që kurrë nuk do ta përjetonin nga shteti, të cilit i shërbyen me devocion, ashtu siç bënë çdo gjë për kombin e tyre. Gjëja më e keqe dhe e rëndomtë tek shqiptari është mungesa e kujtesës dhe e ndërimit, që prej tyre vjen bashkimi, ndërsa ato i mbajnë sytë e lumturohen në gardhin e lartë të ndarjes mes nesh, që po me paratë e popullit ndërton muret e ndarjes.Flori Bruqi është një etalon i paparë, një shpirt i madh që nuk kërkon lavd.
  • Cv Petrit Halilaj

    Cv Petrit Halilaj

    CV PETRIT HALILAJ Born in Kostërrc (Skenderaj-Kosovo) in 1986. Lives and works in Berlin. Residencies: 2014 Villa Romana, Florence 2013 Fürstenberg, Donaueschingen Selected Solo Exhibitions: 2015 Hangar Bicocca, curated by Roberta Tenconi, Milan ABETARE, curated by Moritz Wesseler and Carla Donauer, Kölnischer Kunstverein, Cologne She fully turning around became terrestrial, curated by Rein Wolfs, at Bundeskunsthalle, Bonn 2014 Yes but the sea is attached to the earth and it never floats around in space. The stars would turn off and what about my planet?, Kamel Mennour, Paris of course blue affects my way of shitting, Chert, Berlin Darling squeeze the button and remove my memory, Galeria e Arteve e Kosovës, Prishtina I’m hungry to keep you close. I want to find the words to resist but in the end there is a locked sphere. The funny thing is that you’re not here, nothing is, Kunshalle Lissabon, Lisbon 2013 July 14th?, Foundation d’Enterprise Galeries Lafayette, Paris I’m hungry to keep you close. I want to find the words to resist but in the end there is a locked sphere. The funny thing is that you’re not here, nothing is, Kosovo Pavillion, Venice Biennale, curated by Kathrin Rhomberg, commissioned by Erzen Shkololli, Arsenale, Venice Poisoned by men in need of some love, curated by Elena Filipovic, WIELS Contemporary Art Center, Brussels Petrit Halilaj, Tongewölbe T25, Ingolstadt 2012 Who does the earth belong to while painting the wind?!, curated by Giovanni Carmine, Kunsthalle Sankt Gallen, St. Gallen 2011 Petrit Halilaj, curated by Veit Loers, Kunstraum Innsbruck, Innsbruck Kostërrc (CH), Statements, Art Basel , with Chert, Berlin 2009 Back to the Future, curated by Albert Heta, Stacion, Center for Contemporary Art Prishtina, Kosovo.