DOCSLIB.ORG

Elements of Criticism

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Elements of Criticism elements of criticism volume 2 natural law and enlightenment classics Knud Haakonssen General Editor Henry Home, Lord Kames uuuuuuuuuuuuuuuuuuuuu ii ii ii iinatural law and iienlightenment classics ii ii ii ii ii iiElements ii iiof ii ii iiCriticism ii iivolume 2 ii ii iiHenry Home, Lord Kames ii iiThe Sixth Edition ii ii iiEdited and with an Introduction by Peter Jones ii ii iiMajor Works of Henry Home, Lord Kames ii ii ii ii iiliberty fund iiIndianapolis ii ii ii uuuuuuuuuuuuuuuuuuuuu This book is published by Liberty Fund, Inc., a foundation established to encourage study of the ideal of a society of free and responsible individuals. The cuneiform inscription that serves as our logo and as the design motif for our endpapers is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 b.c. in the Sumerian city-state of Lagash. Introduction, annotations ᭧ 2005 Liberty Fund, Inc. All rights reserved Printed in the United States of America 09 08 07 06 05 c 54321 09 08 07 06 05 p 54321 Frontispiece and cover (detail): Portrait of Henry Home, Lord Kames, by David Martin. Reproduced with permission of the National Galleries of Scotland. Library of Congress Cataloging-in-Publication Data Kames, Henry Home, Lord, 1696–1782. Elements of criticism / Henry Home, Lord Kames; edited and with an introduction by Peter Jones. p. cm.—(Major works of Henry Home, Lord Kames) (Natural law and enlightenment classics) Originally published: 6th ed. Edinburgh: J. Bell and W. Creech; London: T. Cadell and G. Robinson, 1785. Includes bibliographical references. isbn 0-86597-466-7 (set: alk. paper) isbn 0-86597-469-1 (set: soft: alk. paper) isbn 0-86597-467-5 (v. 1: alk. paper) isbn 0-86597-470-5 (v. 1: sc: alk. paper) 1. Criticism. 2. Style, Literary. I. Jones, Peter (Peter H.), 1935– . II. Title. III. Series. pn81.k3 2005 801Ј.95—dc22 2004063389 isbn 0-86597-468-3 (v. 2: alk. paper) isbn 0-86597-471-3 (v. 2: sc: alk. paper) liberty fund, inc. 8335 Allison Pointe Trail, Suite 300 Indianapolis, Indiana 46250-1684 contents elements of criticism The Sixth Edition Volume 2 369 Index to This Edition 779 ELEMENTS <1> of CRITICISM. TheSIXTH EDITION. with the AUTHOR’S LAST CORRECTIONS and ADDITIONS. volume ii edinburgh: Printed for JOHN BELL and WILLIAM CREECH, And for T. CADELL and G. ROBINSON, London. m,dcc,lxxxv. <2> <3> contents1 volume ii Chap. 18. Beauty of Language, 3 Sect. 1. Beauty of Language with respect to Sound, 6 Sect. 2. Beauty of Language with respect to Signification, 18 Sect. 3. Beauty of Language from a resemblance between Sound and Signification, 83 Sect. 4. Versification, 98 Chap. 19. Comparisons, <xvi> 183 Chap. 20. Figures, 227 Sect. 1. Personification, 228 Sect. 2. Apostrophe, 255 Sect. 3. Hyperbole, 259 Sect. 4. The Means or Instrument conceived to be the Agent, 267 Sect. 5. A Figure which, among related Objects, extends the Properties of one to another, 268 Sect. 6. Metaphor and Allegory, 275 Sect. 7. Figure of Speech, 299 Table 1. Subjects expressed figuratively, 305 Table 2. Attributes expressed figuratively, 312 1. The original page numbers from the sixth edition are retained here. 371 372 original contents Chap. 21. Narration and Description, 325 Chap. 22. Epic and Dramatic Compositions, 370 Chap. 23. The Three Unities, 404 Chap. 24. Gardening and Architecture, 430 Chap. 25. Standard of Taste, 487 Appendix. Terms defined or explained, 505 ELEMENTS OF CRITICISM. u chapter xviii u Beauty of Language 1 Of all the fine arts, painting only and sculpture are in their natureimitative. An ornamented field is not a copy or imitation of nature, but nature itself embellished. Architecture is productive of originals, and copies not from nature. Sound and motion may in some measure be imitated by music; but for the most part music, like architecture, is productive of originals. Lan- guage copies not from nature, more than music or architecture; unless where, like music, it is imitative of sound or motion. Thus, in the descrip- tion of particular sounds, language sometimes furnisheth words, which, beside their customary power of <4> exciting ideas, resemble by their soft- ness or harshness the sounds described; and there are words which, by the celerity or slowness of pronunciation, have some resemblance to the mo- tion they signify. The imitative power of words goes one step farther: the loftiness of some words makes them proper symbols of lofty ideas; a rough subject is imitated by harsh-sounding words; and words of many syllables pronounced slow and smooth, are expressive of grief and melancholy. 1. Kames added many new quotations to the text of this central chapter in editions after the first. 373 374 chapter xviii Words have a separate effect on the mind, abstracting from their signifi- cation and from their imitative power: they are more or less agreeable to the ear, by the fulness, sweetness, faintness, or roughness of their tones. These are but faint beauties, being known to those only who have more than ordinary acuteness of perception. Language possesseth a beauty su- perior greatly in degree, of which we are eminently sensible when a thought is communicated with perspicuity and sprightliness. This beauty of lan- guage, arising from its power of expressing thought, is apt to beconfounded with the beauty of the thought itself: the beauty of thought, transferred to the expression, makes it appear more beautiful.* But these beauties, if we wish to <5> think accurately, must be distinguished from each other. They are in reality so distinct, that we sometimes are conscious of the highest pleasure language can afford, when the subject expressed is disagreeable: a thing that is loathsome, or a scene of horror to make one’s hair stand on end, may be described in a manner so lively, as that the disagreeableness of the subject shall not even obscure the agreeableness of the description. The causes of the original beauty of language, considered as significant, which is a branch of the present subject, will be explained in their order. I shall only at present observe, that this beauty is the beauty of means fitted to an end, that of communicating thought: and hence it evidently appears, that of several expressions all conveying the same thought, the most beautiful, in the sense now mentioned, is that which in the most perfect manner an- swers its end. The several beauties of language above mentioned, being of different kinds, ought to be handled separately. I shall begin with those beauties of language that arise from sound; after which will follow the beauties of lan- guage considered as significant: this order appears natural; for the <6> sound of a word is attended to, before we consider its signification. In a third section come those singular beauties of language that are derivedfrom * Chap. 2. part 1. sect. 5. Demetrius Phalereus (of Elocution, sect. 75.) makes the same observation. We are apt, says that author, to confound the language with the subject; and if the latter be nervous, we judge the same of the former. But they are clearly dis- tinguishable; and it is not uncommon to find subjects of great dignity dressed in mean language. Theopompus is celebrated for the force of his diction; but erroneously: his subject indeed has great force, but his style very little. beauty of language 375 a resemblance between sound and signification. The beauties of verse are handled in the last section: for though the foregoing beauties are found in verse as well as in prose, yet verse has many peculiar beauties, which for the sake of connection must be brought under one view; and versification, at any rate, is a subject of so great importance, as to deserve a place by itself. section i Beauty of Language with respect to Sound. This subject requires the following order. The sounds of the differentletters come first: next, these sounds as united in syllables: third, syllables united in words: fourth, words united in a period: and in the last place, periods united in a discourse. With respect to the first article, every vowel is sounded with a single expiration of air from the wind-pipe, through the cavity of the mouth. By varying this cavity, the different vowels are sounded: for the air in passing through cavities differing in size, produceth various sounds, some high or <7> sharp, some low or flat; a small cavity occasions a high sound, a large cavity a low sound. The five vowels accordingly, pronounced with the same extension of the wind-pipe, but with different openings of themouth,form a regular series of sounds, descending from high to low, in the following order, i, e, a, o, u.* Each of these sounds is agreeable to the ear: and if it be required which of them is the most agreeable, it is perhaps safest to hold, that those vowels which are the farthest removed from the extremes, will be the most relished. This is all I have to remark upon the first article: for consonants being letters that of themselves have no sound, serve only in conjunction with vowels to form articulate sounds; and as every articulate sound makes a syllable, consonants come naturally under thesecondarticle; to which we proceed. A consonant is pronounced with a less cavity than any vowel; and con- * In this scale of sounds, the letter i must be pronounced as in the word interest, and as in other words beginning with the syllable in; the letter e as in persuasion; the letter a as in hat; and the letter u as in number.
Load more

Recommended publications
  • Term Potomac the FALL 2009
    The FALL 2009 THE POTOMAC SCHOOL NONPROFIT ORG. Potomac 1301 Potomac School Road U.S. Postage McLean, VA 22101 PAID Rochester, NY www.potomacschool.org Term Permit No. 357 THE ALUMNI MAGAZINE OF THE POTOMAC SCHOOL THE CRAFT OF The Craft TEACHING of Teaching THE OF CRAFT • Annual Report TEACHING For more information, visit our Web site at www.potomacschool.org. ANNUAL REPORT 2008–2009 • OCTOBER 2 NOVEMBER 27 DECEMBER 5 Fall • • • LOWER SCHOOL ALUMNI SQUASH, REVELS 2009 DEDICATION 10:00 AM BASKETBALL, AND FOOTBALL GAMES 11:00 AM – 2:00 PM P65047_CVR.indd 1 8/26/09 3:40:41 PM THE ANNUAL HEAD OF SCHOOL The Potomac Term Geoff rey A. Jones 1301 Potomac School Road McLean VA 22101 FUND DIRECTOR OF COMMUNICATIONS Tel: 703-356-4100 Jill Lucas Fax: 703-749-6308 JULY 1, 2009 – www.potomacschool.org MANAGING EDITOR JUNE 30, 2010 THE POTOMAC TERM is published twice a year. Maria Cecil Send letters, comments and article submissions to the address above, or email to [email protected]. ART DIRECTION & DESIGN Catalone Design Co. LLC Alumni inquiries should be directed to The Potomac School Alumni Offi ce at [email protected]. CONTRIBUTING WRITERS Maria Cecil • Jill Lucas • Suzanne Marshall • Betty Miracle [Cover] Rising fi fth grader Tarik Lamech works with Middle School Cort Morgan • Charlotte Nelsen • Sheila O’Marah Science teacher Greg Mueller. CONTRIBUTING PHOTOGRAPHERS Deborah Kolt • Bern Hoff mann • Development staff • Art faculty This issue of The Potomac Term has been printed on Forest Stewardship Council (FSC) certifi ed paper, which sets the highest social and environmental standards in the paper market.
    [Show full text]
  • Syllabification and Accent in the Paradise Lost
    SYLLA BI FI CA TI ON A ND A C C ENT I N THE PA RA DI SE LOST A D I S S ERTA T I O N P R E S E NT E D TO T H E B O A RD O F U N IV ER S I TY S TU D I E S O F T H E JOH N S HO P KI N S U N IV ER S I TY F O R T H E D E E E P I L S P Y G R O F D O C TOR O F H O O H . EOR E DOBB N BRO N G G I W . n m : B A L T I M O R E JOH N M U RP HY C O M P A NY 1 90 1 C O N T EN TS . INTRODUCTION. P A GE. M etrical views of 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 Masson A b bo tt and Seeley Symonds — A R I SY A IFICA I N. P T .
    [Show full text]
  • Corporate Social Responsibility Culture Environment Entrepreneurship Community Employees Governance Building a Proud and Prosperous Québec Together
    CONTRIBUTE CULTIVATE MOBILIZE 2020 CORPORATE SOCIAL RESPONSIBILITY CULTURE ENVIRONMENT ENTREPRENEURSHIP COMMUNITY EMPLOYEES GOVERNANCE BUILDING A PROUD AND PROSPEROUS QUÉBEC TOGETHER For more than 70 years, Quebecor has contributed to Québec’s economic, cultural and social vitality by joining forces with visionaries, creators, cultural workers and the next generation. Driven by our entrepreneurial spirit and strong philanthropic commitment, we make practical efforts on all fronts to support our culture, local entrepreneurs, our community, the environment and our employees. 400+ organizations supported across 1.46% Québec of Quebecor’s adjusted $28.56M EBITDA allocated to donations and in donations and sponsorships sponsorships in 2020 CONTRIBUTING TO THE VITALITY OF QUÉBEC’S ANDRE LYRA © CULTURAL INDUSTRIES FOR MORE THAN 70 YEARS CULTURE A CULTURE OF OUTREACH Québec culture is an integral part of our raison d’être. Through our business activities as well as our philanthropic initiatives, we support and promote talented Québec artists and creators, and we showcase the richness of our culture, our language, our history and our heritage. For over 70 years, we have been actively contributing to the vitality of Québec’s cultural industries. The crisis we and the rest of the world have been facing since the spring of 2020 has only intensified our commitment and our sense of responsibility to our culture Almost 50% of our donations Our efforts are making a difference for all artists, writers, composers, performers and and sponsorships went to cultural workers, and for everyone who wants to keep our culture vibrant and project it support the development onto the world stage. Our culture is our legacy.
    [Show full text]
  • L'opera Italiana Nei Territori Boemi Durante Il
    L’OPERA ITALIANA NEI TERRITORI BOEMI DURANTE IL SETTECENTO V. 1-18_Vstupy.indd 2 25.8.20 12:46 Demofoonte come soggetto per il dramma per musica: Johann Adolf Hasse ed altri compositori del Settecento a cura di Milada Jonášová e Tomislav Volek ACADEMIA Praga 2020 1-18_Vstupy.indd 3 25.8.20 12:46 Il libro è stato sostenuto con un finanziamento dell’Accademia delle Scienze della Repubblica Ceca. Il convegno «Demofoonte come soggetto per il dramma per musica: Johann Adolf Hasse ed altri compositori del Settecento» è stato sostenuto dall’Istituto della Storia dell’Arte dell’Accademia delle Scienze della Repubblica Ceca con un finanziamento nell’ambito del programma «Collaborazione tra le Regioni e gli Istituti dell’Accademia delle Scienze della Repubblica Ceca » per l’anno 2019. Altra importante donazione ha ricevuto l’Istituto della Storia dell’Arte dell’Accademia delle Scienze della Repubblica Ceca da Johann Adolf Hasse-Gesellschaft a Bergedorf e.V. Prossimo volume della collana: L’opera italiana – tra l’originale e il pasticcio In copertina: Pietro Metastasio, Il Demofoonte, atto II, scena 9 „Vieni, mia vita, vieni, sei salva“, Herissant, vol. 1, Paris 1780. In antiporta: Il Demofoonte, atto II, scena 5 „Il ferro, il fuoco“, in: Opere di Pietro Metastasio, Pietro Antonio Novelli (disegnatore), Pellegrino De Col (incisore), vol. 4, Venezia: Antonio Zatta, 1781. Recensori: Prof. Dr. Lorenzo Bianconi Prof. Dr. Jürgen Maehder Traduzione della prefazione: Kamila Hálová Traduzione dei saggi di Tomislav Volek e di Milada Jonášová: Ivan Dramlitsch
    [Show full text]
  • Cato, Roman Stoicism, and the American 'Revolution'
    Cato, Roman Stoicism, and the American ‘Revolution’ Katherine Harper A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy. Arts Faculty, University of Sydney. March 27, 2014 For My Parents, To Whom I Owe Everything Contents Acknowledgements ......................................................................................................... i Abstract.......................................................................................................................... iv Introduction ................................................................................................................... 1 Chapter One - ‘Classical Conditioning’: The Classical Tradition in Colonial America ..................... 23 The Usefulness of Knowledge ................................................................................... 24 Grammar Schools and Colleges ................................................................................ 26 General Populace ...................................................................................................... 38 Conclusions ............................................................................................................... 45 Chapter Two - Cato in the Colonies: Joseph Addison’s Cato: A Tragedy .......................................... 47 Joseph Addison’s Cato: A Tragedy .......................................................................... 49 The Universal Appeal of Virtue ...........................................................................
    [Show full text]
  • Some Problems in Prosody
    1903·] Some Problems in Prosody. 33 ARTICLE III. SOME PROBLEMS IN PROSODY. BY PI10PlCSSOI1 R.aBUT W. KAGOUN, PR.D. IT has been shown repeatedly, in the scientific world, that theory must be supplemented by practice. In some cases, indeed, practice has succeeded in obtaining satisfac­ tory results after theory has failed. Deposits of Urate of Soda in the joints, caused by an excess of Uric acid in the blood, were long held to be practically insoluble, although Carbonate of Lithia was supposed to have a solvent effect upon them. The use of Tetra·Ethyl-Ammonium Hydrox­ ide as a medicine, to dissolve these deposits and remove the gout and rheumatism which they cause, is said to be due to some experiments made by Edison because a friend of his had the gout. Mter scientific men had decided that electric lighting could never be made sufficiently cheap to be practicable, he discovered the incandescent lamp, by continuing his experiments in spite of their ridicule.1 Two young men who "would not accept the dictum of the authorities that phosphorus ... cannot be expelled from iron ores at a high temperature, ... set to work ... to see whether the scientific world had not blundered.'" To drive the phosphorus out of low-grade ores and convert them into Bessemer steel, required a "pot-lining" capable of enduring 25000 F. The quest seemed extraordinary, to say the least; nevertheless the task was accomplished. This appears to justify the remark that "Thomas is our modem Moses";8 but, striking as the figure is, the young ICf.
    [Show full text]
  • Queer Periodicals Collection Timeline
    Queer Periodicals Collection Timeline 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 Series I 10 Percent 13th Moon Aché Act Up San Francisco Newsltr. Action Magazine Adversary After Dark Magazine Alive! Magazine Alyson Gay Men’s Book Catalog American Gay Atheist Newsletter American Gay Life Amethyst Among Friends Amsterdam Gayzette Another Voice Antinous Review Apollo A.R. Info Argus Art & Understanding Au Contraire Magazine Axios Azalea B-Max Bablionia Backspace Bad Attitude Bar Hopper’s Review Bay Area Lawyers… Bear Fax B & G Black and White Men Together Black Leather...In Color Black Out Blau Blueboy Magazine Body Positive Bohemian Bugle Books To Watch Out For… Bon Vivant 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 Bottom Line Brat Attack Bravo Bridges The Bugle Bugle Magazine Bulk Male California Knight Life Capitol Hill Catalyst The Challenge Charis Chiron Rising Chrysalis Newsletter CLAGS Newsletter Color Life! Columns Northwest Coming Together CRIR Mandate CTC Quarterly Data Boy Dateline David Magazine De Janet Del Otro Lado Deneuve A Different Beat Different Light Review Directions for Gay Men Draghead Drummer Magazine Dungeon Master Ecce Queer Echo Eidophnsikon El Cuerpo Positivo Entre Nous Epicene ERA Magazine Ero Spirit Esto Etcetera 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975
    [Show full text]
  • Gerard Manley Hopkins and Old English Poetry: a Stylistic Analysis
    Gerard Manley Hopkins and Old English poetry: a stylistic analysis Item Type text; Dissertation-Reproduction (electronic) Authors Li, Leshi Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 14:04:44 Link to Item http://hdl.handle.net/10150/565498 GERARD MANLEY HOPKINS AND OLD ENGLISH POETRY: A STYLISTIC ANALYSIS by Rebecca Lee A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY WITH A MAJOR IN ENGLISH LITERATURE . In the Graduate College THE UNIVERSITY OF ARIZONA 19 8 1 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Final Examination Committee, we certify that we have read the dissertation prepared by Rebecca Lee_________________________________ entitled GERARD MANLEY HOPKINS AND OLD ENGLISH POETRY:___________________ A STYLISTIC ANALYSIS and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy Date Date Final approval and acceptance of this dissertation is contingent upon the candidate's submission of the final copy of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. * / ■ ? ■ / Dissertation Director Date / STATEMENT BY AUTHOR This dissertation has been submitted in partial fulfillment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library» Brief quotations from this dissertation are allowable without special permission5 provided that accurate acknowledgment of source is made.
    [Show full text]
  • The Poetry Handbook I Read / That John Donne Must Be Taken at Speed : / Which Is All Very Well / Were It Not for the Smell / of His Feet Catechising His Creed.)
    Introduction his book is for anyone who wants to read poetry with a better understanding of its craft and technique ; it is also a textbook T and crib for school and undergraduate students facing exams in practical criticism. Teaching the practical criticism of poetry at several universities, and talking to students about their previous teaching, has made me sharply aware of how little consensus there is about the subject. Some teachers do not distinguish practical critic- ism from critical theory, or regard it as a critical theory, to be taught alongside psychoanalytical, feminist, Marxist, and structuralist theor- ies ; others seem to do very little except invite discussion of ‘how it feels’ to read poem x. And as practical criticism (though not always called that) remains compulsory in most English Literature course- work and exams, at school and university, this is an unwelcome state of affairs. For students there are many consequences. Teachers at school and university may contradict one another, and too rarely put the problem of differing viewpoints and frameworks for analysis in perspective ; important aspects of the subject are omitted in the confusion, leaving otherwise more than competent students with little or no idea of what they are being asked to do. How can this be remedied without losing the richness and diversity of thought which, at its best, practical criticism can foster ? What are the basics ? How may they best be taught ? My own answer is that the basics are an understanding of and ability to judge the elements of a poet’s craft. Profoundly different as they are, Chaucer, Shakespeare, Pope, Dickinson, Eliot, Walcott, and Plath could readily converse about the techniques of which they are common masters ; few undergraduates I have encountered know much about metre beyond the terms ‘blank verse’ and ‘iambic pentameter’, much about form beyond ‘couplet’ and ‘sonnet’, or anything about rhyme more complicated than an assertion that two words do or don’t.
    [Show full text]
  • Download Date 04/10/2021 06:40:30
    Mamluk cavalry practices: Evolution and influence Item Type text; Dissertation-Reproduction (electronic) Authors Nettles, Isolde Betty Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 06:40:30 Link to Item http://hdl.handle.net/10150/289748 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this roproduction is dependent upon the quaiity of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that tfie author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g.. maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal secttons with small overlaps. Photograpiis included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6' x 9" black and white photographic prints are available for any photographs or illustrattons appearing in this copy for an additk)nal charge.
    [Show full text]
  • I ' Pyrrhic Stress
    " QUANTITATIVE IMPLICATIONS OF THE I ' PYRRHIC STRESS ESPECIALLY IN PLAUTUS AND_TERENCE I “’ BY . LINWOOD LEHMAN A DISSERTATION SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF VIRGINIA 1924 ._» '7ufu: U ‘x’; U. Va. Damn! Dissertan J a "I ‘33 43601.4 Contents page PART I 7-22 Introducrion - - - ~ - - - - - The Tripudic Theory - - - - - ~ - 11 Introductory Remarks - - - - - - - ll The Tripudic Accentuctl System - - - - 12 .— Further Remarks on the Tripudic Accentual System - 13 The Beginning of the Penultimate Law - - - 14 m.— The Tripudium - - - - - - - - IS The Pynhic Stress - - - - - - - 20 “.v. Necessary Alternation and Coincidence of Accent and lcrus 20 PART II 23-68 . Explanation of Division of Examples 25 Textual Restoration, etc. - - - - - - 28 Manifestations of the Pyrthic Stress - - - - 3O Amphicruo - ~ - - - - - - - 32 Aulula'ria - - - - - - - - - 33 Bacchides - - ' - - ~ - - - - 35 Captiuir - . - - - - - - - 37 Menaechmi - - - - - - - - - 39 Miles Gloriosus - - - - - - - 4-1 Mostellan'a - - - - - - - - Pseudolus - - - - - - - - Rudens - - - - - - - - - Trinummus - - - - - - - - 50 Adelphoe - - - - - - - - - 53 Andria - - - - - ~ - - Eunuchus - - - - - - - - 56 Heauton ‘I'imorumenos - - - - - 57 Hecyra - - ~ - - - - 59 Phrmio - - - — - - - - 61 Piautina Addenda - - - - ~ - 63 Miscellanea - - - - - . - ~67 PART III 69-75 The Iambic Law -- - . - - - 69 Synizesis - - - - - - - _ -70 Lengthening - - - - - . _ . 71 Shortening - - - - - - - 72 . - - _ Nempe, Ille, Quippe, etc. - . 74 Final 5 - - - - .. - - 75 A Mute plus L or R - - -
    [Show full text]
  • Thinking in Song
    THINKING IN SONG Prosody, Text-Setting and Music Theory in Eighteenth-Century Germany A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Martin Kuester January 2012 © 2012 Martin Kuester THINKING IN SONG Prosody, Text-Setting and Music Theory in Eighteenth-Century Germany Martin Kuester, Ph.D. Cornell University 2012 Eighteenth-century music theorists habitually used terms that were apparently im- ported from grammar, rhetoric and poetics. While historians of music theory have commonly described these words as reflecting metaphorical attempts to understand music by analogy with language, this study emphasizes their technical value, especially with respect to vocal music, which includes both domains. In the case of Johann Mat- theson, Johann Adolph Scheibe, Joseph Riepel and Friedrich Wilhelm Marpurg, the literal meaning of this common vocabulary can be recovered by viewing their general composition rules���������������������� in the previously une�amined������������ conte��������������������������������t of their theories for compos- ing te�t and music of vocal works. Chapter One questions the applicability of a ‘metaphor of music as a language’ to eighteenth-century musical thought and proposes a new framework, centered on what Scheibe and others considered �����������������������������������������������the origin of both music and language, prosody. Chapter Two e�amines Mattheson’s famous minuet analysis and concludes that a prosodic sub-discipline of music theory provided a vocabulary that applied, in ten- dency, to words and notes of vocal music, simultaneously. Chapter Three traces the interaction of prosodic parameters in the longer history of ‘musical feet,’ pointing out eighteenth-century theorists’ successful efforts to adapt or re-adapt their terminol- ogy to the practice of modern vocal composition.
    [Show full text]