Wisdom and Well-Being Post-Disaster: Stories Told by Youth

Total Page:16

File Type:pdf, Size:1020Kb

Wisdom and Well-Being Post-Disaster: Stories Told by Youth University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2020-09-25 Wisdom and Well-Being Post-Disaster: Stories Told by Youth Markides, Jennifer Megan Markides, J. M. (2020). Wisdom and Well-Being Post-Disaster: Stories Told by Youth (Unpublished doctoral thesis). University of Calgary, Calgary, AB. http://hdl.handle.net/1880/112606 doctoral thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY Wisdom and Well-Being Post-Disaster: Stories Told by Youth by Jennifer Megan Markides A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN EDUCATIONAL RESEARCH CALGARY, ALBERTA SEPTEMBER, 2020 © Jennifer Megan Markides 2020 ii Abstract In this dissertation, I embraced bricolage (Denzin & Lincoln, 2000, 2018; Kincheloe, 2001, 2005b; Kincheloe, McLaren, & Steinberg, 2011; Rogers, 2012; Steinberg, 2006; Steinberg, Berry, & Kincheloe, 2020) as a responsive, dynamic, and reflexive research orientation. Guided by Jo-ann Archibald’s (2008a, 2008b) storywork principles, I conducted ethnographic interviews and gathered the stories of youth who graduated the year of the 2013 High River flood. I wondered how they experienced the flood and post-disaster recovery, as they transitioned from life-in-schools to life-out-of-schools. Conducting research with a vulnerable population required an ethic of care (Gilligan, 1982; Noddings, 1984, 2012). Through storywork, I was conscious of my responsibilities to the participants and their stories. I engaged in deep listening and critical reflection to learn from the youths’ experiences. Following the four directions teachings of Elder Bob Cardinal of the Maskekosihk Enoch Cree Nation, I considered the emotional, spiritual, mental, and physical well-being of the youth, as evidenced in their stories. Using Elder Cardinal’s holistic framework as a guide (Elder Bob Cardinal, personal communication, September, 2016 to July, 2017; Latremouille, 2016; University of Alberta, 2016), I created and re-created a holistic conceptual framework in response to the emergent needs and ideas shared by the youth. I re-presented their narratives in storied métissage, entered into generative dialogues with the holistic teachers, and engaged in meaning-making processes. Moving from listener/researcher to storyteller, I am responsible for carrying the stories of the youth forward to new audiences towards transformational learning and holistic well-being. Keywords: youth, disaster, storywork, holistic framework, bricolage iii Preface This thesis is original, unpublished, independent work by the author, J. Markides. The interviews reported in Chapters 3-5 were covered by Ethics Certificate number REB19-0302, issued by the University of Calgary Conjoint Faculties Research Ethics Board for the project “Flood Mud and other Residues of Disaster: Stories told by you who graduated the year of the 2013 High River Flood” on July 25, 2019. iv Acknowledgements I would like to begin by thanking my first teacher, my mom, Doreen MacDermott—a consummate booklover and role model—who fostered my love of reading. She waited outside in the car, reading her own book, while I scoured the Muheim Memorial Elementary School library for any books that I had not yet read, and ones that I needed to read again. Thanks also to Ms. Grinden, the librarian, for allowing my limit to be ten books per day, while others typically signed out two per week. Thank you also to my first student, my brother, Nathan MacDermott for playing along as I retaught all of the lessons from each grade I had completed, using the leftover worksheets that my teachers let me take home at the end of the year. He was always top of the class and helped solidify my love of teaching from an early age. I am proud of the man he has become. I am grateful for all of the love and support I have received from my dad and his wife, Rick and Donna MacDermott. They have been my/our biggest cheerleaders (and doting grandparent-babysitters), from the time Derek and I started our master’s degree with two young boys: Ashwin 2 years old, and Evren 1½ months old. Thanks also to Dr. Brent Davis for allowing us to bring our baby to class; and to all of our peers who elevated our experience and took turns with the baby when we needed to present: Cheryl, Craig, Emily, Mike, Rebecca, Ryan, Sandy, and Shawn. My journey as a doctoral student was initiated by my friend and mentor, Dr. Lissa D’Amour. Her gentle coaxing and assurance allowed me to confidently leave the job I loved, teaching in a public Montessori classroom, to embark on a new adventure in the Werklund School of Education. She ensured that I would be teaching as a sessional instructor right from my first term on campus. Lissa knew that my happiness and future success would depend on me v having a well-rounded experience, including roles as a graduate assistant researcher and teacher. She provided critical feedback, guidance, and support at every turn. From day one, I have had the best dissertation-buddy in Jennifer MacDonald. We became fast friends, also known as “The Jens” in our courses and writing projects. I have learned so much from our work together. Jen is one of the most insightful, hard-working, and thoughtful people I know. She has made the tough times better, and the celebrations sweeter. I will forever be indebted to my supervisor, Dr. Shirley Steinberg, for believing in my abilities to write, edit books, and create a book series with DIO Press. Shirley has changed my life forever, as a mentor and friend. She is a rock star: academic, activist, and human being. I am grateful to be part of the Crit. Ped. family, with thanks to Alex, Arlo, Barb, Barry, Brian, Bronwen, Bronwyn, Dan, Erin, Galea, Ineke, Janean, Jen, Jenny, Jodi, John, Judith, Julie, Kenny, Kori, Kris, Marilyn, Mel, Michel, Renee, Stephanie, Tania, Teresa, Tom, Yoni, and so many others too numerous to name. Missing Derek and Eelco. Grateful to include Corinne. My scholarship would not be what it is today without the care and guidance of my doctoral committee members, Dr. Mairi McDermott and Dr. Dustin Louie. Each has provided rich opportunities and critical insights at different stages of my program. Thank you to Mairi for getting me up and teaching in front of 350+ students and nudging me to get through candidacy despite my tendency to say “yes” to every teaching job and publication that comes my way. Thanks to Dustin for pushing me in the home stretch, turning me on to a whole new world of music, and sharing in my love of words. I have been fortunate to have other strong Indigenous women, as role models, advocates, and friends within the academy. My respect and gratitude go out to Dr. Yvonne Poitras-Pratt, Dr. Jackie Ottmann, Dr. Aubrey Hanson, and (soon to be Dr.) Laura Forsythe. vi Thank you also to the many educators: students, teachers, mentors, and colleagues, who have taught me so much; and, to all of the Elders, Knowledge Keepers, Grandmothers, Indigenous leaders, activists, artists, land and water protectors, allies, and more-than-human relatives who continue my education today—especially, Elder Bob Cardinal of the Maskekosihk Enoch Cree Nation whose gentle guidance has inspired and influenced much of this work. My life would not be what it is today without my dear friends— Cara, Crista, Ellie, Enali, Erin, Jenny, Laura, Marilyn, Myrna, Teresa, and their families—and the love and encouragement of my family: Derek, Ashwin, and Evren. They continue to be the greatest gifts in my life. Thank you, Derek, for always believing in me, supporting me to pursue my dreams, and being the best partner in life. Our boys have had two teachers, students, and scholars as parents, for as long as they will remember. I am grateful for their patience, understanding, inspiration, and wisdom. Thank you to my in-laws, Hugh and Levica Markides; my mom’s partner, Vic Melnyk; my brothers Mark and Jimmy; and, my grandparents, Bill and Loretta MacDermott, and Deb and Dorothy Wood. I owe a debt of gratitude to my Auntie Dolores for her critical reading and careful editing of my final draft—thank you for making my work more polished. My immediate family numbers in the hundreds—too many to name here—but their strength, support, and humour mean the world. Now that this dissertation is done, I am needed to be present as a mother—to bake a cake with Ashwin and do some puzzles with Evren. vii Dedication The stories that comprise the data and the findings of this dissertation are not my stories. They have been entrusted to me by the generous young adults who came forward to participate in this research. As such, I dedicate this dissertation to the youth who experienced the 2013 High River flood and chose to share their stories so that we might learn from their experiences. I hope that the work will benefit other youth living through disaster and that I may repay the kindness of the participants who engaged in the study, through proposed initiatives at the community level. viii Table of Contents Abstract ...................................................................................................................................
Recommended publications
  • An Abstract of the Thesis Of
    AN ABSTRACT OF THE THESIS OF Jessica Anderson for the degree of Master of Arts in Applied Anthropology presented on October 28, 2016. Title: What Says Your Heart: Community, Learning, and Education in a Nahua Indigenous Village. Abstract approved: ______________________________________________________ Fina Carpena-Mendez The purpose of this thesis is to understand the experiences that Nahua children, in rural Mexico, have as they attend schools that are primarily influenced by formal Western education in relation to their own ways of learning and knowing. This research took place over the course of three months within a Nahua indigenous community. I completed fieldwork in both the local elementary school and within the community through participant observation and semi- structured interviews with children, parents, and teachers. What I found was that the ways in which the community constructed childhood, knowledge, and learning differed significantly in what they experienced within the classroom. This in turn effected the relationships that were built between the school and the community and the student’s ability to succeed and have meaningful and supportive educational experiences. The experiences that they have are in turn effected by global, national, and local political and economic trends such as the implementation of neoliberalism, and it subsequent effect on educational policies for rural communities in Mexico. This ultimately leads to an education that is colonial in nature, despite efforts of including bilingual intercultural education programs, as the system seeks to colonize the bodies and minds of these students. Thus, it is my conclusion that both community and school must work together in order to create education programs that decolonize this process through the inclusion of programs that re-center their local language, culture, and learning practices.
    [Show full text]
  • Courageous Hound Will Be Emailed Unless Otherwise Requested
    Volume. 2 Issue. 15 Tuesday 22nd July Bolingbroke Academy is proud to be green. The Courageous Hound will be emailed unless otherwise requested. A few newsletters will be available at reception. Dear Parent/Carer, I can’t quite believe this is the final issue of the Courageous Hound for this academic year. What a year it has been and I am looking forward to reviewing our achievements at the Annual Speech Day and Prize Giving in September and seeing lots of you there. In this issue of the Courageous Hound we have lots of information about new staff members and how departments will look for the Academic Year 2014-2015. Whilst we are looking forward to welcoming lots of new teachers as our Academy grows we are saying goodbye to some familiar faces who will be greatly missed. Hound We would like to wish Miss Harvey all the best as she embarks on a fantastic opportunity. She has really inspired all pupils to take a keen interest in different types of sport and has encouraged their competitive side, particularly in cricket. We would also like to wish Mr Constable all the best as he begins a new challenge. He has done a wonderful job to help all the pupils, especially those who need that extra support, to grow in confidence. Ms Bergin from the Humanities Department will also be sorely missed as she embarks on an exciting challenge in New York. For more details on Who’s Who for 2014-2015 please see pages 3 & 4 On Monday 7th July we launched our new website.
    [Show full text]
  • Rock and Roll Music
    Rock & Roll Michael Hardaker, HRDMIC006 A dissertation submitted in fulfilment of the requirements for the award of the degree of Master of Arts specialising in Creative Writing Faculty of the Humanities University of Cape Town 2017 This work has not been previously submitted in whole, or in part, for the award of Universityany degree. It is my ownof work.CapeEach significant Town contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. Signature: Date: 2017-08-21 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town ABSTRACT Through unfolding, fragmentary memoirs, the disconnected odyssey of Nick Numbers, a rock music critic working in London and LA through the 1970s into the early 1980s, Rock & Roll explores the multiple realities that exist between documentary, documentable fact and supposedly pure fiction. Real people and verifiable occurrences are interwoven with invented characters and situations in a way that blurs any clear distinction between the two. The book also sees how the power of additions such as images and footnotes can add, or perhaps undermine, authority and credibility to a story. Meanwhile, stories connect the twin musical and lyrical strands, black rhythm and blues and the writings of the Beat generation, that somehow merged in the mid-1960s to produce rock music.
    [Show full text]
  • Lanthorn, Vol. 42, No. 23, November 8, 2007 Grand Valley State University
    Grand Valley State University ScholarWorks@GVSU Volume 42, July 12, 2007 - June 12, 2008 Lanthorn, 1968-2001 11-8-2007 Lanthorn, vol. 42, no. 23, November 8, 2007 Grand Valley State University Follow this and additional works at: https://scholarworks.gvsu.edu/lanthorn_vol42 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 42, no. 23, November 8, 2007" (2007). Volume 42, July 12, 2007 - June 12, 2008. 23. https://scholarworks.gvsu.edu/lanthorn_vol42/23 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 42, July 12, 2007 - June 12, 2008 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. mm ifiiiwmvwnjmv mtvU Woodie Awards, B6 Race machine High school friends changes faces, A3 face off Saturday, B1 Grand Valley State University www.lanthorn.com Thursday, November 8, 2007 Thanking veterans for their service Two stories from two veterans: one student and President Haas ’ take on serving By Alicia Wireman “My parents said they weren ’t paying GVI. Copy Editor for my college, ” she said. “So, I had to find my own way of making something out of myself.” We see them on the streets and do Higby left Michigan for her basic not recognize who they are. The people training only two weeks after high they have met and the places they have school graduation, and was sent to Iraq seen are hidden. All we see is a person shortly thereafter.
    [Show full text]
  • Climbing out of Poverty One Step at a Time
    Fonkoze Family 2009 annual RepoRt staiRcase to a secuRe FutuRe climbing out of poverty one step at a time theRe is a staiRcase that will take you out of poverty in Haiti, but it is not easy to climb. Fonkoze attempts to meet its clients wherever they happen to be in their struggle out of poverty. Some clients are on the very first step or have not even found the confidence to step onto the staircase. Others are much further along and come into Fonkoze at higher steps on the staircase. Regardless of where our clients start, Fonkoze seeks to alleviate poverty by providing the tools needed to make the climb, and to keep from falling down when inevitable disaster strikes. Fonkoze cannot make the climb for them, but it can accompany clients during their struggle. We believe that microfinance is best exercised as one tool in an overall effort to eliminate poverty. We knew from the beginning that education needed to be made available in tandem with micro- finance loans. We knew that microcredit, without access to other critical financial services like re- mittances from abroad, savings, and currency exchange, was not enough. We have since developed a host of other programs, most recently an expansion of health care partnerships and the introduc- tion of micro-insurance, to truly build an institution on which the poor of Haiti can rely. On each step of the Staircase Out of Poverty, these services are tailored to the unique situation of the client. This report tells the story of how we meet our clients at whatever step they are on with an appropriate mix of services to help them continue to move forward, and how we are fighting to protect our clients from risk.
    [Show full text]
  • Introspective— and Plenty of Questions Campus Journalists Cover Their Own Newsrooms
    PLUS: Private campus police may release more than you expect Loss of funding presents college and high school media with challenges Introspective— and plenty of questions Campus journalists cover their own newsrooms INSIDE: A performance of Hazelwood coming to a theater near you? REPORT RT @SPLC.org Spring 2011 VOL. XXXII, NO. 2 STAFF Read the latest News Flashes The Student Press Law Center Report (ISSN Brian Schraum, McCormick 0160-3825), published three times each year Foundation Publications Fellow, online at www.splc.org by the Student Press Law Center, summarizes received his master’s degree in current cases and controversies involving the journalism from the University of The student newspaper at Overland High rights of the student press. The SPLC Report is Missouri, where he studied media researched, written and produced by journalism School (Colo.) finished the year without a law and policy. He graduated from interns and SPLC staff. Washington State University in 2007. Schraum shutdown, after a dispute with the princi- The Student Press Law Center Report, Vol. XXXII, pal threatened to halt publication. Editors previously interned for the First Amendment No. 2, Spring 2011, is published by the Student Center in Nashville and for newspapers in said principal Leon Lundie was unhappy Press Law Center Inc., 1101 Wilson Boulevard, Washington and Missouri. He also initiated ef- with a story about a dead student and had Suite 1100, Arlington, VA 22209-2275, (703) forts to enact student press rights legislation in all but shuttered the paper and removed the 807-1904. Copyright © 2011 Student Press Law Washington and was a high school, community Center.
    [Show full text]
  • Seneste Update: Dec-‐13 Mastercatid Artist Title 10Er Britney Spears 3
    Seneste update: Dec-13 MasterCatID Artist Title 10er Britney Spears 3 10er MariaMatilde Band 1000 Lysår (Gettic Remix) 10er Lady GaGa Bad Romance 10er Robbie Williams Bodies 10er Norah Jones CHasing Pirates 10er NabiHa Deep Sleep (Radio edit) 10er Jay Sean Down 10er Rasmus SeebacH Glad igen 10er Leona Lewis Happy 10er Amanda Jenssen Happyland 10er Joey Moe Jorden Er Giftig 10er THe Raveonettes Last Dance 10er Taylor Swift Love Story 10er Timbaland Morning After Dark (feat. Nelly Furtado & 10er Paloma Faith New York (Radio Edit) 10er Selvmord Råbe Under Vand 10er Daniel Merriweather Red 10er Bring Det På Ring Til Politiet 10er RiHanna Russian Roulette 10er SHakira She Wolf 10er Alexander Brown & Morten Hampenberg Skub Til Taget (Radio Edit) [feat. YepHa] 10er AlpHabeat The Spell 10er Ke$ha TiK ToK 10er Muse Uprising 10er Jason Derulo WHatcHa Say 10er JoHn Mayer WHo Says 10er Kasper Bjørke Young Again (Radio Edit) 10er Norah Jones Even ThougH 10er Susan Boyle I Dreamed a Dream 10er Magtens Korridorer Milan Allé 10er Mariah Carey Obsessed 10er Miley Cyrus Party In the U.s.a. 10er Black Eyed Peas Meet Me Halfway 10er Miley Cyrus WHen I Look At You 10er Rasmus SeebacH Lidt I Fem 10er Medina Ensom 10er MicHael Bublé Haven't Met You Yet 10er Emma OS 2 (Svenstrup & Vendelboe Radio Mix) 10er Taylor Swift You Belong With Me 10er Owl City Fireflies 10er Jokeren Den Eneste Anden 10er Jack WHite & Alicia Keys Another Way To Die 10er Jay-Z feat. Alicia Keys Empire State Of Mind 10er MicHael Jackson THis Is It 10er CHanée & N'Evergreen In a Moment like THis (Dansk Melodi Grand Prix 10er Adam Lambert WHataya Want from Me 10er BurHan G Jeg Vil Ha' Dig For Mig Selv 10er BurHan G Mest Ondt (feat.
    [Show full text]
  • Graceland College Commencement RESOURCES May 18, 1997 Remarks of U.S
    Printing, Graphics, & Direct Mail Document Scanning Index Form High Speed Scanning Date of Request: 12/01/14 Box 20 of 64 Senator or Department: SENATOR HARKIN Instructions: Prepare one form for insertion at the beginning of each record series. Prepare and insert additional forms at points that you would like to index. For example: at the beginning of a new folder, briefing book, topic, project, or date sequence. Record Type*: Speeches Inclusive Month/Year of Records*: 1990-2014 (1) Subject*: Miscellaneous Speeches (2) Staffer*: Jim Whitmire 17 Maintain (Return to Office) - Destroy (Shred) *REQUIRED INFORMATION III1111111111111111111 TOM HARKIN IOWA1222435 IOWA TTY (202) 224-4633 Tom [email protected] COMMITTEES: it tates natAGRICULTUREAPPROPRIATIONS WASHINGTON, DC 20510-1502 SMALL BUSINESS LABOR AND HUMAN Graceland College Commencement RESOURCES May 18, 1997 Remarks of U.S. Senator Tom Harkin Thank you Congressman Boswell for that kind introduction. As Mark Twain once said when he was introduced with effusive praise: "Sir, you will go to heaven for your generosity--unless you go elsewhere for your exaggeration."1 Leonard is putting his Graceland education to use for Iowa and our nation. You ought to be very proud of him as one of your alumni. And I can tell you that Leonard and Dodie and Ruth and I have been down a lot of gravel roads together. It's great to have him as a partner working for all of you in the United States Congress. It's been said that graduation is one of the 5 great milestones of life--the others being, of course, birth, marriage, death, and the day you finally pay off your student loans.
    [Show full text]
  • 2014 Pop Music Quiz
    2014 POP MUSIC QUIZ ( www.TriviaChamp.com ) 1> Katy Perry has been announced as one of the live performers for the 2014 Grammy Awards. Additionally, she has been nominated for Song Of the Year. Which song? a. Part of me b. Dark Horse c. Unconditionally d. Roar 2> Co-written and produced by Oren Yoel, who recorded the hit ballad "Adore You"? a. Taylor Swift b. Beyonce Knowles c. Miley Cyrus d. Selena Gomez 3> Recorded by Beyonce Knowles and found on her fifth studio album "Beyonce," what single features an audio sample from the Space Shuttle Challenger disaster? a. Flawless b. XO c. Drunk in Love d. Pretty Hurts 4> "Royals" has been nominated for Song of the Year at the upcoming 2014 Grammy Awards. Who recorded the song? a. Ellie Goulding b. Lana Del Rey c. Ariana Grande d. Lorde 5> Which song by Bruno Mars opens with the lyrics, "I spend all my money on a big ol' fancy car for these bright-eyed honeys. Oh yeah, you know who you are."? a. Young Girls b. Gorillas c. Treasure d. Moonshine 6> Riding on the success of her pop hit single "Replay," who recently completed her first "Swag It Out" concert tour? a. Bella Thorne b. Zendaya c. Stefanie Scott d. Debby Ryan 7> Which of the following hit songs was written by Jamie Scott, Caolan Dooley, John Ryan, and the British-Irish boy band, One Direction? a. Story of my Life b. Hold On, We're Going Home c. Stay The Night d. Drunk in Love 8> What hit song by Bastille starts with the lyrics "I was left to my own devices.
    [Show full text]
  • Dur 16/04/2013
    4 MARTES 16 DE ABRIL DE 2013 TÍMPANO TRADICIÓN Y VERDAD EN LA ESCALA AGENCIAS BEYONCÉ LUCE SU FIGURA EN BIKINI Beyoncé demostró cómo ha recuperado su figura luego de convertirse en madre y posó con varios trajes de baño y bikinis de las tiendas H&M. El sitio web dailymail.co.uk publica imágenes de la campaña de verano que protagoniza la cantante. EL UNIVERSAL Benny Andersson y Björn Ulvaeus son los en ocho años con la idea de Madrid, España volver muy pronto al ruedo responsables de la composición que se musical. Benny Andersson y Björn escuchará en Malmö del 14 al 18 de mayo. El vocero de la cantante, Ulvaeus, los componentes Staffan Linde, dijo que Fal- masculinos del desapare- Eurovision 2013” , declaró en maron Benny Andersson y tskog, de 62 años, está tra- cido cuarteto sueco un comunicado Martin Ös- Björn Ulvaeus. bajando con el compositor ABBA han compuesto el terdahl, productor ejecutivo. El cuarteto sueco sueco Jorgen Elofsson, himno del Festival de Eu- Los tres artistas elegi- (1972-1983) , autor de éxi- quien ha escrito y produci- rovision 2013, que se cele- dos estaban desde el princi- tos como “Mamma mía” , do canciones para estrellas brará en Malmö (Suecia) pio “en lo más alto de la lis- “Waterloo” , “Dancing como Britney Spears, Celi- del 14al18demayo,infor- ta de músicos” con los que queen” y “Gimme, gim- ne Dion y la banda de chi- mó la organización. el canal público Televisión me, gimme” , está consi- cos Westlife. “We Write the Story” , de Suecia (SVT) , organiza- derado uno de los grupos No indicó cuándo sería AGENCIAS como se titula la canción, dor del certamen, quería que más discos ha vendi- el lanzamiento del nuevo TRIUNFA EN YOUTUBE cuenta también con arre- colaborar.
    [Show full text]
  • Finding Her Calling Two Months
    October 12, 2018 | Volume XVI, Issue 11 BY MARK S. KING It is every bit as absurd as it sounds. The In- ternational AIDS Society (IAS) plans to hold their global AIDS 2020 conference in San Furor Over Int’l AIDS Confab Set for US Francisco – an insanely expensive and coming directly from people living with HIV unwilling to take a privileged city located in a country that has and our allies. There is plenty of time and stand against the become dangerously inhospitable to the historical precedence to do it. Let’s break Trump administra- very populations the IAS claims to serve. down the many reasons why. tion and its descent Thank goodness for a grow- Trump USA is an obscene into fascism, who the ing army of activists and orga- and dangerous place for hell will? nizations (under the banner ‘Trump USA is AIDS 2020 The White House of #AIDS2020forAll) who are an obscene and International political Office of Nation- demanding that the IAS remove leaders may be forced to al AIDS Policy has the conference from the US. dangerous place stand with Donald J. Trump closed its doors and Maybe this all looks like inside at photo ops, trying hard to the Presidential HIV/ baseball to you, a ruckus be- for AIDS 2020’ keep a straight face while ap- AIDS Advisory Coun- tween factions, but I am here to pearing beside a man who is cil has been disband- tell you that this has everything to do with systematically stripping basic human rights ed. LGBT issues have our value as people living with HIV (and the away from immigrants, asylum- seekers, been wiped from gov- dismissal of our voice by elitists who be- LGBT people, and people with HIV.
    [Show full text]
  • From the First Line to the Byline: Malaysian Journalists’
    FROM THE FIRST LINE TO THE BYLINE: MALAYSIAN JOURNALISTS’ LEARNING IN PRACTICE UNDER THE POWER OF MEDIA OWNERSHIP by KIT YOONG NG (Under the Direction of Ronald M. Cervero) ABSTRACT This study aimed to understand how Malaysian journalists learn in practice in order to carry out their professional responsibilities. A qualitative study design using the critical incident method and a semi-structured interview guide were used to interview 15 Malaysian journalists from the mainstream print media. The constant comparative method was used to analyze the verbatim-transcribed interview for emerging themes. This study found that Malaysian journalists learned two major skills – substantive journalism and negotiating. There are three sub-categories under substantive journalism skills – basic journalism skills, communication skills, and skill at managing content and publication space. For negotiating skills, journalists learned three important elements, namely gaining trust, maintaining relationships, and strategic withdrawal and intervention. This study also found that there are three ways how journalists learned to carry out their professional responsibilities: 1) guidance from the community of practice; 2) informal learning; and, 3) formal learning. Guidance from the community of practice includes guidance from their senior co-workers and counterparts, one-to-one coaching from superior, and mentoring relationships. Informal learning uses observational learning, incidental learning, and trial-and-error learning methods. There are two ways that journalists learned through formal learning – in-house training and learning from textbooks. Lastly, three categories of contextual factors were found to be affecting journalists’ learning and practice. They were structural power relationships, editor’s political survival, and topic of writing. Three sub-categories of structural power relationships were discovered: 1) legal control; 2) political interference and control; and, 3) ethnicity and language of writing.
    [Show full text]