DOCSLIB.ORG

Zobacz Program W Pliku

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Zobacz Program W Pliku DNI MUZYKI XXXVZakopane, 25 lipca-2 sierpniaIII 2015 KAROLA SZYMANOWSKIEGO p r o g r a m wtorek 28.07.2015, godz. 19.00 / Tue 28 July 2015, 7 pm Towarzystwo muzyczne DNI MUZYKI Sala Biała Związku Podhalanul. Kościuszki 4 im. karola szymanowskiego XXXVZakopane, 25 lipca-2 sierpniaIII 2015 KAROLA Posiady z kapelą góralską / Meeting gość / guest: Aleksander Polaczok SZYMANOWSKIEGO dyrektor muzeum im. karola szymanowskiego w kirowogradzie (Ukraina) zaprasza na Director of the szymanowski museum in kirovohrad (Ukraine) K ALEN D A R Z / CALEN D AR XXXVIII Dni Muzyki środa 29.07.2015, godz. 19.00 / Wed 29 July 2015, 7 pm Karola Szymanowskiego sobota 25.07.2015, godz. 18.00 / Sat 25 July 2015, 6 pm Willa Koliba | ul. Kościeliska 18 Hotel Stamary | ul. Kościuszki 19 Koncert kameralny / Chamber Concert Prolog / Prologue Piotr Mazik – piękny karol. sposób istnienia jako dzieło sztuki. Zakopane, 25 lipca-2 sierpnia 2015 Uroczysty wjazd karola szymanowskiego do Zakopanego Beautiful karol. The way of living as the work of art. przejazd powozami konnymi z muzyką góralską Łukasz Długosz – flet / flute pod patronatem honorowym karol szymanowski’s ceremonial entry into Zakopane Agnieszka Kaczmarek – harfa / harp open carriage ride with highland music prezentacja fragmentów filmów o karolu szymanowskim starosty Tatrzańskiego presentation of some fragments of films about karol szymanowski czwartek 30.07.2015, godz. 19.00 / Thu 30 July 201, 7 pm – piotra Bąka Kawiarnia Teatru im. Witkacego | ul. Chramcówki 15 i Burmistrza miasta Zakopane niedziela 26.07.2015, godz. 19.00 / Sun 26 July 2015, 7 pm Koncert chóralny / Choir Concert – leszka Doruli Teatr im. Witkacego | ul. Chramcówki 15 Kuba Szpilka – szymanowski w cieniu. o chorobie, seksie, biedzie. szymanowski in the shadow. about sickness, sex, poverty. Inauguracja / Inaugural Concert Zespół „Młyneczek” (Ukraina) / “Młyneczek” Folk Music Group (Ukraine) karol szymanowski – Harnasie op.55 (wersja na 2 fortepiany / version for two pianos) Zespół Trebunie-Tutki / Trebunie-Tutki Family – Folk music group „... nieraz brak mi Ukrainy, jej Joanna Domańska – fortepian / piano piątek 31.07. 2015, godz. 19.00 / Fri 31 July 2015, 7 pm Andrzej Tatarski – fortepian / piano słońca, jej dalekich przestrzeni, Galeria Orskiego | ul. Broniewskiego 4 Recital fortepianowy / Piano Recital (...) kochałem jej dobroczynny Mikołaj Warszyński (kanada / canada) The karol szymanowski poniedziałek 27.07.2015, godz. 19.00 / Mon 27 July 2015, 7 pm klimat, jej bujność i słodycz. Willa Atma | ul. Kasprusie 19 music society (...) przepłynąłem ponad piękną Koncert w 100. rocznicę powstania Mitów Karola Szymanowskiego sobota 1.08.2015, godz. 19.00 / Sat 1 Aug 2015, 7 pm The 100th Anniversary of Myths by Karol Szymanowski Willa Oksza ul. | Zamoyskiego 25 invites for Ukrainą a dobiłem do portu Kwartet skrzypcowy Navis / Violin Quartet Navis Koncert kameralny / Chamber Concert Adam Manijak – fortepian / piano w Tatrach.” Sedlaček String Quartet (czechy / czech republic) 38th Karol Szymanowski Music Days wtorek 28.07.2015, godz. 16.00 / Tue 28 July 2015, 4 pm niedziela 2.08.2015, godz. 20.00 / Sun 2 Aug 2015, 8 pm TCKiS Jutrzenka | ul. Grunwaldzka 3 cytat z wywiadu z kompozytorem Kościół p.w. Św. Krzyża | ul. Chałubińskiego 30 Under the honorary patronage of Koncert muzyki góralskiej i klasycznej pt. „rozmowa z karolem Koncert Finałowy / Final Concert Concert of Highland and Classical Music Sinfonietta Cracovia szymanowskim” (1933) Kuba Szpilka – o tworzeniu i o mocach zakopiańskich inspiracji. Massimiliano Caldi (Włochy / Italy) – dyrygent / conductor starost of the Tatra county about creation and the power of Zakopane inspirations. soliści / soloists: – piotr Bąk Zespół „Zornica” / Children’s Highlander Folk Group “Zornica” Roman Widaszek – klarnet / clarinet and mayor of the city Zakopane szymanowski – pisma muzyczne, Weronika Pucka – skrzypce / violin Tadeusz Tomaszewski – róg / horn kraków 1984, pWm, str. 438 Anna Muzyk – skrzypce / violin Joanna Domańska – fortepian / piano – leszek Dorula sobota, 25.07.2015 Prolog / Prologue Inauguracja / Inaugural Concert niedziela, 26.07.2015 powitanie / Welcom godz. 18.00 Uroczysty wjazd karola szymanowskiego do Zakopanego godz. 19.00 Sat 25 July 2015, 6 pm przejazd powozami konnymi z muzyką góralską kapela dudziarska z towarzyszeniem śpiewu pasterskiego zespół „Zornica” z Tckis Jutrzenka pod kierunkiem szymona Bafii Sun 26 July 2015, 7 pm Hotel Stamary karol szymanowski’s ceremonial entry into Zakopane open carriage ride with highland music chidren’s Highlander Folk group “Zornica” Teatr im. Witkacego w roli karola szymanowskiego / as karol szymanowski: Jakub Brzosko karol szymanowski – Harnasie op.55 balet-pantomima / ballet-pantomime aktor Teatru scena a2, Zakopane / actor of scena a2 Theater, Zakopane Transkrypcja na 2 fortepiany / arr. for two pianos: grażyna Bacewicz opracowanie wykonawcze / performing adaptation: andrzej Tatarski obraz i: Hala / scene 1: The mountain meadow redyk / scena mimiczna „Zaloty” / marsz zbójnicki / scena mimiczna „Harnaś i dziewczyna”/ Taniec Zbójnicki Driving the sheep / mimic scene, “courtship” / The Tatra robbers’ march / mimic scene, “The Harnas and the girl”/ The Tatra robbers’ Dance obraz ii: Wnętrze chałupy / scene 2: interior of the cottage Wesele / cepiny / pieśń siuhajów / Taniec góralski / Wejście harnasiów. Taniec The Wedding / entry of the Bride / Drinking song / The Tatra Highlanders’ Dance / raid of the Harnasie - Dance obraz iii: Hala. epilogue / scene 3: The mountain meadow. epilogue Joanna Domańska – fortepian / piano Andrzej Tatarski – fortepian / piano „Tatry wysokie” sł. i muz. krzysztof Trebunia-Tutka „Zagrojcie nom – Tischnerowemu platonowi” sł. i muz. k. Trebunia-Tutka „panie szymanowski” sł. i muz. k. Trebunia-Tutka „szopenowy mazurek krzesany” sł. k. Trebunia-Tutka, Wł. Trebunia, muz. k. Trebunia-Tutka , Fr. chopin (mazurek D-dur) „orle pióro”/ ”Wanted” sł. a.gąsienica-czubernat, muz. Wł. Trebunia, n. grant „Jo cłek wolny” sł. a. gąsienica-czubernat, muz. Wł. Trebunia, n. grant prezentacja fragmentów filmów o karolu szymanowskim: ,,nutko moja” sł. k. Trebunia-Tutka, Wł. Trebunia, muz. k. Trebunia-Tutka presentation of some fragments of films about karol szymanowski: „nie obzieraj się – już czas” sł. a. gąsienica-czubernat, muz. k. Trebunia-Tutka Marian Wimmer „majowe śpiewki” sł. i muz. k. Trebunia-Tutka film amatorski / amateur film Zakopane 1930 „góralsko siła” sł. izabela Zając, muz. k. Trebunia-Tutka Ludwik Perski „Hej Hanko!” sł. i muz. k. Trebunia-Tutka „Byłem zawsze szczęśliwym człowiekiem” (1983) “i was always a happy man” „Hej w górę za góralami” sł. i muz. k. Trebunia-Tutka Barbara Szumowska ,,mała ojczyzna karola szymanowskiego” (2012) Zespół Trebunie-Tutki / Trebunie-Tutki Family – folk music group “karol szymanowski small motherland” prowadzenie koncertu / hosting of the koncert: Krzysztof Trebunia-Tutka 27.07.2015, poniedziałek Koncert w 100. rocznicę powstania Koncert muzyki góralskiej i klasycznej wtorek, 28.07.2015 godz. 19.00 Mitów Karola Szymanowskiego Concert of Highland and Classical Music godz. 16.00 Mon 27 July 2015, 7 pm The 100th Anniversary of Myths by Karol Szymanowski Kuba Szpilka – o tworzeniu i o mocach zakopiańskich inspiracji Tue 28 July 2015, 4 pm Willa Atma about creation and the power of Zakopane inspirations TCKiS Jutrzenka grażyna Bacewicz - kwartet na czworo skrzypiec / Quartet for 4 Violins (1949) allegretto. allegro giocoso / andante tranquillo / molto allegro muzyka góralska / Highland music: nuty Wierchowe, ozwodne i Zbójnickie grażyna Bacewicz – kaprys polski / polish caprice for Violin solo (1949) karol szymanowski – mity op.30 / myths op. 30 Trzy poematy na skrzypce i fortepian / Three poems for violin and piano Béla Bartók – Duety na dwoje skrzypiec / Duets for Two Violins (1931) Źródło aretuzy / Fountain of arethusa krzysztof penderecki – cadenza for Violin solo (1984) solo: Anita Koźlak narcyz / narcissus Zespół „Zornica” / Children’s Highlander Folk Group “Zornica” solo: Weronika Pucka Szymon Bafia, Jakub Kluś, Michał Pawlikowski, Driady i pan / Dryads and pan Jan Trebunia-Tutka, Martyna Galica solo: Anna Muzyk Natalia Guziak – dudy / bagpipe Jakub Kluś – złóbcoki / highland violin karol szymanowski - romans op. 23 / romance op.23 Michał Pawlikowski – basy / highland cello solo: Grzegorz Warzecha Joanna i Karolina Topór-Orawiec, Anna Zubek, Paulina Węgrzyniak – śpiew / singing Witold lutosławski 4 melodie śląskie na czworo skrzypiec / 4 silesian melodies for 4 Violins (1949) Weronika Pucka – skrzypce / violin Zalotny / gaik / gąsior / rektor Anna Muzyk – skrzypce / violin ewa Fabiańska-Jelińska - kwartet skrzypcowy / Quartet for 4 Violins „mater Dei”- prawykonanie / world premiere Posiady Góralskie / Meeting wtorek, 28.07.2015 gość / guest: Aleksander Polaczok godz. 19.00 Kwartet skrzypcowy Navis / Violin Quartet Navis dyrektor muzeum k. szymanowskiego w kirowogradzie (Ukraina) Tue 28 July 2015, 7 pm Anita Koźlak Director of the szymanowski museum in kirovohrad (Ukraine) Sala Biała Weronika Pucka Anna Muzyk prowadzenie / moderator: Karol Rafał Bula Związku Podhalan Grzegorz Warzecha Koncert kameralny / Chamber Concert środa, 29.07.2015 Adam Manijak – fortepian / piano Piotr Mazik – piękny karol. sposób istnienia jako dzieło sztuki. godz. 19.00 Beautiful karol. The way of living as the work of art Wed 29 July 2015, 7 pm słowo o muzyce / music lecture: Karol Rafał Bula Willa Koliba gabriel Faure – pavana op.50 cecile chaminade – meditation claude Debussy – syrinx na flet solo /
Load more

Recommended publications
  • 22 Years of Crown 'Mic Memos'
    Web: http://www.pearl-hifi.com 86008, 2106 33 Ave. SW, Calgary, AB; CAN T2T 1Z6 E-mail: [email protected] Ph: +.1.403.244.4434 Fx: +.1.403.245.4456 Inc. Perkins Electro-Acoustic Research Lab, Inc. ❦ Engineering and Intuition Serving the Soul of Music Please note that the links in the PEARL logotype above are “live” and can be used to direct your web browser to our site or to open an e-mail message window addressed to ourselves. To view our item listings on eBay, click here. To see the feedback we have left for our customers, click here. This document has been prepared as a public service . Any and all trademarks and logotypes used herein are the property of their owners. It is our intent to provide this document in accordance with the stipulations with respect to “fair use” as delineated in Copyrights - Chapter 1: Subject Matter and Scope of Copyright; Sec. 107. Limitations on exclusive rights: Fair Use. Public access to copy of this document is provided on the website of Cornell Law School at http://www4.law.cornell.edu/uscode/17/107.html and is here reproduced below: Sec. 107. - Limitations on exclusive rights: Fair Use Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, includ- ing such use by reproduction in copies or phono records or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for class- room use), scholarship, or research, is not an infringement of copyright.
    [Show full text]
  • In Medias Res Amélie Niermeyer Regisseurin
    DAS OPERNHAUS Spielplan-Pressekonferenz, Freitag, 5. April 2019, 10.00 Uhr Es sprechen: Roland Geyer Intendant des Theater an der Wien Franz Patay SAISON Geschäftsführer der Vereinigten Bühnen Wien Gäste: in medias res Amélie Niermeyer Regisseurin Nikolaus Habjan Regisseur & Puppenspieler Die Pressekonferenz wird via Livestream übertragen: livestream.theater-wien.at facebook.com/theateranderwien Hauptsponsor Theater an der Wien beyond | Leopold Kogler THEATER AN DER WIEN: In medias res – Die Saison 2019/20 Mit der Spielzeit 2019/20 startet das Opernhaus der Stadt Wien in seine vierzehnte Saison. Diese umfasst 13 Premieren im Theater an der Wien und in der Kammeroper mit Werken von Georg Friedrich Händel, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Gaspare Spontini, Vincenzo Bellini, Stanisław Moniuszko, Charles Gounod, Christoph Willibald Gluck, Antonín Dvořák, Richard Strauss, Sergei Prokofjew sowie Uraufführungen von Christian Jost und Tscho Theissing. Anlässlich der Spielplan-Präsentation 2018/19 im April letzten Jahres hat Intendant Roland Geyer ein Vier-Jahres-Konzept entwickelt und vorgestellt, das in der Vorsaison A priori „Im Morgengrau“ begann und in der kommenden Spielzeit 2019/20 In medias res gehen wird. Der neue Programmkatalog ist mit Bildern des österreichischen Malers Leopold Kogler gestaltet. > Im Fokus #1: Die Wurzeln des Saisonprogramms: Mozart und Beethoven Das Fundament der Spielzeit 2019/20 bilden die „Hausgötter“ des Theater an der Wien: Wolfgang Amadeus Mozart und Ludwig van Beethoven. Am 17. Oktober gelangt Mozarts letzte Oper La clemenza di Tito zur Premiere, unter der musikalischen Leitung von Stefan Gottfried mit dem Concentus Musicus Wien. Erstmals führt der britische Regisseur Sam Brown Regie, als Tito ist der Tenor Joseph Kaiser zu erleben.
    [Show full text]
  • Witold Lutosławski Festival – Chain XIV Warsaw, 28 January – 12 February 2017
    Witold Lutosławski Festival – Chain XIV Warsaw, 28 January – 12 February 2017 ŁAŃCUCH XIV 3 Marcin Krajewski A word about Chain XIV usic festivals have their logic too. It is not the only element Mthat shapes them but if it is there it gives our experience of the music a programmed, and therefore, festive shape. It is only thanks to this logic that series of concerts become festivals. Polish Radio Music Festivals, whose thematic concept was devised by the late Michał Bristiger, can serve as excellent examples of such events. They demonstrated how it was possible to listen to music in a wise manner, over and above, as it were, the formulaic ideas of day-to-day life. In the programming of those festivals, what had earlier been separated was deliberately joined together, the objective being, to paraphrase the poet Cyprian Kamil Norwid, “to bring to light the circulation of beauty”. And so Busoni was programmed alongside Karłowicz, Berio alongside Chopin, Wagner and Rossini alongside Moniuszko, whereas works by Weinberg and Ohana, together with Szymanowski’s First Violin Concerto, were included with Lutosławski. He who learns the lesson will never forget it. The idea behind the 14th annual Chain Festival dedicated to Witold Lutosławski stems in a way from the notion of such a lesson. In addition to the music of its patron, the event has another focal point which is prompted by a forthcoming anniversary – the 80th anniversary of the death of Karol Szymanowski at the end of March. At first glance, the idea of placing Szymanowski in Lutosławski’s company does not seem self-explanatory, irrespective of the fact that certain circumstances may strongly justify such an approach.
    [Show full text]
  • The Mariinsky II Opening Gala
    The Mariinsky II Opening Gala Live HD transmission from st Petersburg tHursDay may 2, 2013 Worldwide live transmission from The Mariinsky II (New stage of the Mariinsky Theatre) Thursday May 2, 2013 | 8.00pm St Petersburg time tv director Don Kent | running time 1 x 100’ | format HD Valery Gergiev Artistic Director > The OpeningMariinsky Gala II Opening Gala > Starring tHe mariinsky tHeatre front view tHe mariinsky ii auDitorium The Mariinsky Theatre, one of Il viaggio a Reims, and the Cappella opera ballet the largest and most acclaimed Boys’ Chorus of St Petersburg and Anna Netrebko Soprano Diana Vishneva Principal dancer performing arts institutions in the a Children’s Chorus comprised of Olga Borodina Mezzo-soprano Yekaterina Kondaurova Principal dancer world, under the leadership of Artistic students from [St. Petersburg] local Sergei Semishkur Tenor Ulyana Lopatkina Principal dancer and General Director Valery Gergiev schools will sing Beethoven’s Ode to Placido Domingo Baritone Vladimir Shklyarov Principal dancer will be inaugurated on May 2nd with Joy and Rachmaninoff’s The Angel. Alexei Markov Baritone the Opening Night Black Tie Gala This evening of multi generational Yevgeny Nikitin Bass-baritone and soloists and corps de ballet Concert, featuring some of the performances at Mariinsky II will Ildar Abdrazakov Bass of the Mariinsky Theatre Mariinsky’s most notable vocalists pay homage to the grand tradition René Pape Bass Vaganova Ballet Academy and instrumentalists and the of the Theatre and will celebrate Mikhail Petrenko Bass dynamic range of all of the Mariinsky the beginning of a new era. Theatre’s prestigious companies: Academy of Young Singers soloists the opera, orchestra, ballet, chorus, “The opening of Mariinsky II is the Children chorus and chorus Denis Matsuev Piano and youth ensembles (see cast).
    [Show full text]
  • Dux 1200-1202 / 2015 the Very Best of Gorecki
    DUX 1200-1202 / 2015 _______________________________________________________________________________________________ THE VERY BEST OF GORECKI CD 1 * Concerto for Harpsichord (or Piano) and String Orchestra Op.40 Anna Górecka – piano, Silesian Chamber Orchestra, Mirosław Jacek Błaszczyk – conductor * Totus Tuus Silesian Philharmonic Choir, Waldemar Sutryk – conductor * Four Preludes Op. 1 Magdalena Prejsnar – piano * Three Pieces in Olden Style Sinfonia Academica Chamber Orchestra, Włodzimierz Promiński – leader * From The Marian Songs Op.54 -Zdrowaś bądź Maryja “Musica Sacra” Warsaw-Praga Cathedral Choir, Paweł Łukaszewski – conductor * String Quartet No.1 “Already It Is Dusk” Op.62 DAFÔ String Quartet *Refrain for orchestra The Silesian Philharmonic Symphony Orchestra, Mirosław Jacek Błaszczyk – conductor CD 2 * Three Dances Op.34 The Silesian Philharmonic Symphony Orchestra, Mirosław Jacek Błaszczyk – conductor * Sonata for Two Violins Op.10 Krzysztof Węgrzyn – violin, Tomasz Tomaszewski – violin * From the Church Songs for unaccompanied mixed choir Kraków Singers in Tribute to Henryk Mikołaj Górecki, Włodzimierz Siedlik – conductor * Little Music No.4 The New Music Orchestra, Szymon Bywalec – conductor * From the Broad Waters Op. 39 Silesian Philharmonic Choir, Jarosław Wolanin – conductor * From Five Kurpian Songs for the mixed choir a cappella The Choir of the Podlasie Opera and Philharmonic in Białystok, Violetta Bielecka – conductor CD 3 * Symphony of Sorrowful Songs, No.3 for soprano solo and orchestra Op. 36 Barbara Tritt – soprano,
    [Show full text]
  • Radio 3 Listings for 7 – 13 March 2020 Page 1
    Radio 3 Listings for 7 – 13 March 2020 Page 1 of 12 SATURDAY 07 MARCH 2020 05:11 AM Vivaldi's reputation across Europe was at its height in 1711 Peter Ilyich Tchaikovsky (1840-1893) when the Amsterdam-based publisher Estienne Roger published SAT 01:00 Through the Night (m000fxx6) Waltz of the Flowers (from The Nutcracker) twelve of his concertos for strings as Opus 3 under the title The quartet written as a symphony RTV Slovenia Symphony Orchestra, Marko Munih (conductor) L'estro armonico. The popularity of L'estro armonico was instant and new editions soon appeared in London and Paris. A concert given in Madrid by the Stadler Quartet, featuring 05:18 AM Quantz was impressed by the novelty of Vivaldi's Op.3 and J.S. Schubert's 'Death and the Maiden' quartet and Beethoven's late Ignacy Jan Paderewski (1860-1941) Bach arranged a dozen of them for keyboard instruments. The quartet, Op 132. With John Shea. Two works - Nocturne in B flat (Op.16/4) & Dans le désert 12 concertos together put on a dazzling display of virtuosity, (Op.15) baroque drama, rhythmic energy and intense harmonic 01:01 AM Kevin Kenner (piano) development. L'estro armonico, which translates roughly as Franz Schubert (1797-1828) 'musical rapture', encapsulates Vivaldi's inventiveness in the String Quartet no 14 in D minor, D810 ('Death and the 05:31 AM collection as a whole. Maiden') Robert Schumann (1810 -1856) Stadler Quartet Fantasiestücke for clarinet and piano, Op 73 10.15am New Releases Claudio Bohorquez (cello), Marcus Groh (piano) 01:43 AM Bruckner: Symphony No.
    [Show full text]
  • Sunday 20Th June
    PROGRAMME: SUNDAY 20 JUNE Joseph Middleton Director Jane Anthony Founder leedslieder1 @LeedsLieder @leedsliederfestival #LLF21 Welcome to The Leeds Lieder 2021 Festival Ten Festivals and a Pandemic! In 2004 a group of passionate, visionary song enthusiasts began programming recitals in Leeds and this venture has steadily grown to become the jam-packed season we now enjoy. With multiple artistic partners and thousands of individuals attending our events every year, Leeds Lieder is a true cultural success story. 2020 Ameling Elly was certainly a year of reacting nimbly and working in new paradigms. Middleton Joseph We turned Leeds Lieder into its own broadcaster and went digital. It has Director, Leeds Lieder Director, been extremely rewarding to connect with audiences all over the world Leeds Lieder President, throughout the past 12 months, and to support artists both internationally known and just starting out. The support of our Friends and the generosity shown by our audiences has meant that we have been able to continue our award-winning education programmes online, commission new works and provide valuable training for young artists. In 2021 we have invited more musicians than ever before to appear in our Festival and for the first time we look forward to being hosted by Leeds Town Hall. The art of the A message from Elly Ameling, song recital continues to be relevant and flourish in Yorkshire. Hon. President of Leeds Lieder As the finest Festival of art song in the North, we continue to provide a platform for international stars to rub shoulders with the next generation As long as I have been in joyful contact with Leeds Lieder, from 2005 until of emerging musicians.
    [Show full text]
  • Aleksander ANIOŁ, L. 11 Stypendium Zakup Gitary Z Akcesoriami
    Aleksander ANIOŁ, l. 11 stypendium zakup gitary z akcesoriami Wykształcenie uczeń V klasy Zespołu Państwowych Szkół Muzycznych im. St. Moniuszki w Bielsku Białej w klasie gitary klasycznej Rekomendacje: prof. dr hab. Wanda Palacz – prorektor Akademii Muzycznej im. K. Szymanowskiego w Katowicach, Wydział Wokalno-Instrumentalny, Katedra Gitary i Harfy, emerytowany prof. Jan Paterek – Akademia Muzyczna im. St. Moniuszki w Gdańsku dr hab. Marek Nosal – prodziekan Wydziału Wokalno-Instrumentalnego, Katedra Gitary i Harfy, dr hab. Tomasz Spaliński – Instytut Muzyki Wydziału Artystycznego, Uniwersytetu Śląskiego w Katowicach, mgr Emilia Majewska – st. wykładowca, Wydział Instrumentalny, Akademia Muzyczna im. St. Moniuszki w Gdańsku, Marek Zieliński – profesor oświaty, nauczyciel dyplomowany, Ogólnokształcąca Szkoła Muzyczna I i II st. im. K. Szymanowskiego we Wrocławiu, dr Franciszek Wieczorek – kier. sekcji Instr. Smyczkowych, Gitary Klasycznej i Harfy, Państwowa Ogólnokształcąca Szkoła Muzyczna II st., im. K. Szymanowski, w Katowicach Dokonania 2016 ­ I miejsce - Special Prize i I miejsce - Special Prize w duecie gitarowym w kat. do lat 17, II Międzynar. Konkurs Gitarowy Live Guitar, Bale­ Vale, Chorwacja, ­ wyróżnienie( miejsc nie przyznawano) V Ogólnopolski Przegląd Gitarowy Szkół Muzycznych I st.-Gitarowe NasTroje w Warszawie, ­ II miejsce, I Ogólnopolski Konkurs Gitarowy w Wadowicach, ­ I miejsce i Grand Prix, XVIII Dolnośląski Konkurs Gitarowy Gitariada w Kłodzku, konkurs dla szkół I i II st. ­ I miejsce w duecie gitarowym, w kat. zespoły
    [Show full text]
  • The Mariinsky Orchestra Valery Gergiev, Conductor and Artistic Director Behzod Abduraimov, Piano Denis Matsuev, Piano
    THE MARIINSKY ORCHesTRA VALERY GERGIEV, CONDUCTOR AND ARTISTIC DIRECTOR BEHZOD ABDURAIMOV, PIANO DENIS MATSUEV, PIANO SaT, Jan 31 • 8pm & Sun, Feb 1 • 2pm CPA10 ARTIST "The GRIPPING PERFORMANCEs…haD suCh intensity, CHARACter anD insiGht that it Was harD to imaGINE the musiC PlaYED With more aUTHORITY." – The New York Times PERFORMANCE BENEFACTOR Classical music performances are made possible by The William R. Kenan, Jr. Charitable Trust. We thank the Trustees for their visionary generosity. Student Tickets for this performance are made possible by Munroe and Becky Cobey. sat/sun, jan 31 8pm • feb 1 2pm PROGRAm – JANUARY 31 Piano Concerto No. 3 in C Major, Op. 26 ........................................................................ Sergei Prokofiev Andante – Allegro (1891-1953) Tema con variazioni Allegro, ma non troppo Behzod Abduraimov, piano (b. 1990) INTERMISSION Symphony No. 8 in C Minor, Op. 65 ......................................................................... Dmitri Shostakovich Adagio – Allegro non troppo (1906-1975) Allegretto Allegro non troppo Largo Allegretto PROGRAm – februARY 1 Piano Concerto No. 1 in B-flat Minor, Op. 23 .......................................................Pyotr Il’yich Tchaikovsky Allegro non troppo e molto maestoso – Allegro con spirito (1840-1893) Andantino semplice – Prestissimo Allegro con fuoco Denis Matsuev, piano (b. 1975) INTERMISSION Symphony No. 5 in B-flat Major, Op. 100 ........................................................................ Sergei Prokofiev Andante (1891-1953) Allegro marcato Adagio Allegro giocoso carolina performing arts 14/15 15 BIOGRAPHIES MARIINSKY ORCHesTRA Nibelungen in German, the first such production in Russian history, and led it in St. Petersburg, Moscow, Seoul, Tokyo, New York and The Orchestra of the Mariinsky Theatre enjoys a long and distinguished London. He champions contemporary Russian composers such as history as one of the oldest musical institutions in Russia.
    [Show full text]
  • Festival Bytes 2015
    Festival Bytes A journey through the world of festivals 2015 Introduction 2 The Middle Ages of European Festivals 4 Fringe Benefits 7 Almada International Theatre Festival is a letter from Portugal to Europe 11 The hidden music theatre boom in Finland 17 This Is About You And Me 20 Experiencing movement in Spain 25 What you should know about Tel-Aviv’s festival scene 28 South Korea and Kenya: two kids from the same class 33 New Routes of the Silk Road 37 Lebanon: The difficulties of being a social megaphone 41 Duties of a privileged theatre maker 44 Rethinking our responsibility towards society 48 A truly remarkable experience 51 Transformed, inspired, rejuvenated 55 Welcome to Lebanon ovvero the poetry of an eternal present 59 After the Atelier: how questions can lead to actions 63 Re-imagining our future through art 66 About EFA 71 EFA members 73 INTRODUCTION The Festival Bytes [festivalbytes.eu] blog of the European Festivals Association (EFA) is a space for telling stories about festivals. It provides insights into festivals, places, and encounters and discusses topics such as community engagement and how festivals assume their global responsibilities through their artistic programme. What did we, the festival community, experience in festivals in 2015? This booklet shares some of our bloggers’ highlights. Stories cover festival experiences from around the globe. The bloggers – journalists, writers, EFA members, Alumni of the Atelier for Young Festival Managers, team members of the EFA Secretariat, friends, colleagues and festival lovers – share the passion for the arts and for festivals. The European Festivals Association offers and amplifies these voices on Festival Bytes, EFA’s digital outlet for festival stories.
    [Show full text]
  • Musica Vincit Omnia 2017 Pr.Pdf
    Ambassador’s Introduction The Andrzej Markowski Foundation’s series MUSICA VINCIT OMNIA was initiated in November 1999, by organizing a great Chopin’s Festival in Washington, D.C., and for the past 18 years it has promoted Polish classical music and artists abroad, especially in the United States. We are grateful to Malgorzata Markowska and the Andrzej Markowski Foundation, of which she is the President, for the idea of the Triptych, for their comprehensive involvement and crucial contribution to the organization of these musical events. The mission of the Embassy of Poland in Washington, D.C. in cultural diplomacy is to foster better knowledge and understanding of Polish history and national heritage in the United States. Our goal is to ensure that the richness of Polish culture has a constant presence among American society. We achieve this through public events and educational activities in collaboration with partners and friends, which allows Poland to participate in American cultural life. 2018 marks the Centennial of Poland’s Independence and the Triptych project is intended to prepare for the celebration of this anniversary with the most beautiful and universal language – Music. Piotr Wilczek Ambassador on front cover: Katarzyna Markowska – „Untitled Composition” (1993), watercolor, private collection; photo – Eric de Behr Andrzej Markowski Foundation The Andrzej Markowski Foundation is a non-profit organization whose main objectives are to organize classical music concerts and artistic events in order to promote Polish artists, deepen the understanding and appreciation of Polish music abroad and foreign music in Poland. Since its creation, Foundation has organized thirty remarkable concerts and events in Poland, USA and France.
    [Show full text]
  • Eugene Onegin
    Peter Ilyich Tchaikovsky Eugene Onegin CONDUCTOR Lyric scenes in three acts Valery Gergiev Libretto by Konstantin Shilovsky and the PRODUCTION composer, based on the novel in verse Deborah Warner by Alexander Pushkin DIRECTOR Fiona Shaw Saturday, October 5, 2013, 1:00–4:45 pm SET DESIGNER Tom Pye COSTUME DESIGNER New Production Chloe Obolensky LIGHTING DESIGNER Jean Kalman VIDEO DESIGNERS Ian William Galloway The production of Eugene Onegin was Finn Ross made possible by a generous gift from CHOREOGRAPHER Ambassador and Mrs. Nicholas F. Taubman Kim Brandstrup GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine PRINCIPAL CONDUCTOR A co-production of the Metropolitan Opera and Fabio Luisi English National Opera 2013–14 Season The 139th Metropolitan Opera performance of Peter Ilyich Tchaikovsky’s Eugene Onegin Conductor Valery Gergiev IN ORDER OF VOCAL APPEARANCE Tatiana Eugene Onegin Anna Netrebko Mariusz Kwiecien* Olga, her sister A captain Oksana Volkova David Crawford Madame Larina, Triquet their mother John Graham-Hall Elena Zaremba Zaretski Filippyevna, Richard Bernstein Tatiana’s nurse Larissa Diadkova Prince Gremin Alexei Tanovitski Lenski, Olga’s fiancé Piotr Beczala Saturday, October 5, 2013, 1:00–4:45 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation. Bloomberg is the global corporate sponsor of The Met: Live in HD. KEN HOWARD/METROPOLITAN OPERA A scene from Chorus Master Donald Palumbo Tchaikovsky’s Assistant to the Costume Designer Luca Costigliolo Eugene Onegin Musical Preparation Robert Morrison, J.
    [Show full text]