Filharmonia Śląska 1945-2005
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Interpreting Tempo and Rubato in Chopin's Music
Interpreting tempo and rubato in Chopin’s music: A matter of tradition or individual style? Li-San Ting A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy University of New South Wales School of the Arts and Media Faculty of Arts and Social Sciences June 2013 ABSTRACT The main goal of this thesis is to gain a greater understanding of Chopin performance and interpretation, particularly in relation to tempo and rubato. This thesis is a comparative study between pianists who are associated with the Chopin tradition, primarily the Polish pianists of the early twentieth century, along with French pianists who are connected to Chopin via pedagogical lineage, and several modern pianists playing on period instruments. Through a detailed analysis of tempo and rubato in selected recordings, this thesis will explore the notions of tradition and individuality in Chopin playing, based on principles of pianism and pedagogy that emerge in Chopin’s writings, his composition, and his students’ accounts. Many pianists and teachers assume that a tradition in playing Chopin exists but the basis for this notion is often not made clear. Certain pianists are considered part of the Chopin tradition because of their indirect pedagogical connection to Chopin. I will investigate claims about tradition in Chopin playing in relation to tempo and rubato and highlight similarities and differences in the playing of pianists of the same or different nationality, pedagogical line or era. I will reveal how the literature on Chopin’s principles regarding tempo and rubato relates to any common or unique traits found in selected recordings. -
Contents: 1000 South Denver Avenue Suite 2104 Biography Tulsa, OK 74119 Critical Acclaim
Conductor Jack Price Managing Director 1 (310) 254-7149 Skype: pricerubin [email protected] Rebecca Petersen Executive Administrator 1 (916) 539-0266 Skype: rebeccajoylove [email protected] Olivia Stanford Marketing Operations Manager [email protected] Karrah O’Daniel-Cambry Opera and Marketing Manager [email protected] Mailing Address: Contents: 1000 South Denver Avenue Suite 2104 Biography Tulsa, OK 74119 Critical Acclaim Website: DIscography http://www.pricerubin.com Testimonials Indiana University Review Video LInks Complete artist information including video, audio and interviews are available at www.pricerubin.com Grzegorz Nowak – Biography Grzegorz Nowak is the Principal Associate Conductor of the Royal Philharmonic Orchestra in London. He has led the Orchestra on tours to Switzerland, Turkey and Armenia, as well as giving numerous concerts throughout the UK. His RPO recordings include Mendelssohn’s ‘Scottish’ and ‘Italian’ Symphonies, Shostakovich’s Symphony No.5, Dvořák’s Symphonies Nos. 6–9, all the symphonies of Schumann and complete symphonies and major orchestral works of Brahms and Tchaikovsky. He is also the Music Director & Conductor of the Orquesta Clásica Santa Cecilia and Orquesta Sinfonica de España in Madrid. Recordings of Grzegorz Nowak have been highly acclaimed by the press and public alike, winning many awards. Diapason in Paris praised his KOS live recording with Martha Argerich and Sinfonia Varsovia as ”indispensable…un must”, and its second edition won the Fryderyk Award. His recording of The Polish Symphonic Music of the XIX Century with Sinfonia Varsovia won the CD of the Year Award, the Bronze Bell Award in Singapore and Fryderyk Award nomination; the American Record Guide praised it as “uncommonly rewarding… 67 minutes of pure gold” and hailed his Gallo disc of Frank Martin with Biel Symphony as “by far the best”. -
La Bohème Opera in Four Acts Music by Giacomo Puccini Italian Libretto by Giuseppe Giacosa and Luigi Illica Afterscènes Da La Vie De Bohème by Henri Murger
____________________ The Indiana University Opera Theater presents as its 395th production La Bohème Opera in Four Acts Music by Giacomo Puccini Italian Libretto by Giuseppe Giacosa and Luigi Illica AfterScènes da la vie de Bohème by Henri Murger David Effron,Conductor Tito Capobianco, Stage Director C. David Higgins, Set Designer Barry Steele, Lighting Designer Sondra Nottingham, Wig and Make-up Designer Vasiliki Tsuova, Chorus Master Lisa Yozviak, Children’s Chorus Master Christian Capocaccia, Italian Diction Coach Words for Music, Supertitle Provider Victor DeRenzi, Supertitle Translator _______________ Musical Arts Center Friday Evening, November Ninth Saturday Evening, November Tenth Friday Evening, November Sixteenth Saturday Evening, November Seventeenth Eight O’Clock Two Hundred Eighty-Fourth Program of the 2007-08 Season music.indiana.edu Cast (in order of appearance) The four Bohemians: Rodolfo, a poet. Brian Arreola, Jason Wickson Marcello, a painter . Justin Moore, Kenneth Pereira Colline, a philosopher . Max Wier, Miroslaw Witkowski Schaunard, a musician . Adonis Abuyen, Mark Davies Benoit, their landlord . .Joseph “Bill” Kloppenburg, Chaz Nailor Mimi, a seamstress . Joanna Ruzsała, Jung Nan Yoon Two delivery boys . Nick Palmer, Evan James Snipes Parpignol, a toy vendor . Hong-Teak Lim Musetta, friend of Marcello . Rebecca Fay, Laura Waters Alcindoro, a state councilor . Joseph “Bill” Kloppenburg, Chaz Nailor Customs Guard . Nathan Brown Sergeant . .Cody Medina People of the Latin Quarter Vendors . Korey Gonzalez, Olivia Hairston, Wayne Hu, Kimberly Izzo, David Johnson, Daniel Lentz, William Lockhart, Cody Medina, Abigail Peters, Lauren Pickett, Shelley Ploss, Jerome Sibulo, Kris Simmons Middle Class . Jacqueline Brecheen, Molly Fetherston, Lawrence Galera, Chris Gobles, Jonathan Hilber, Kira McGirr, Justin Merrick, Kevin Necciai, Naomi Ruiz, Jason Thomas Elegant Ladies . -
[T] IMRE PALLÓ
VOCAL 78 rpm Discs FRANZ (FRANTISEK) PÁCAL [t]. Leitomischi, Austria, 1865-Nepomuk, Czechoslo- vakia, 1938. First an orchestral violinist, Pácal then studied voice with Gustav Walter in Vienna and sang as a chorister in Cologne, Bremen and Graz. In 1895 he became a member of the Vienna Hofoper and had a great success there in 1897 singing the small role of the Fisherman in Rossini’s William Tell. He then was promoted to leading roles and remained in Vienna through 1905. Unfor- tunately he and the Opera’s director, Gustav Mahler, didn’t get along, despite Pacal having instructed his son to kiss Mahler’s hand in public (behavior Mahler considered obsequious). Pacal stated that Mahler ruined his career, calling him “talentless” and “humiliating me in front of all the Opera personnel.” We don’t know what happened to invoke Mahler’s wrath but we do know that Pácal sent Mahler a letter in 1906, unsuccessfully begging for another chance. Leaving Vienna, Pácal then sang with the Prague National Opera, in Riga and finally in Posen. His rare records demonstate a fine voice with considerable ring in the upper register. -Internet sources 1858. 10” Blk. Wien G&T 43832 [891x-Do-2z]. FRÜHLINGSZEIT (Becker). Very tiny rim chip blank side only. Very fine copy, just about 2. $60.00. GIUSEPPE PACINI [b]. Firenze, 1862-1910. His debut was in Firenze, 1887, in Verdi’s I due Foscari. In 1895 he appeared at La Scala in the premieres of Mascagni’s Guglielmo Ratcliff and Silvano. Other engagements at La Scala followed, as well as at the Rome Costanzi, 1903 (with Caruso in Aida) and other prominent Italian houses. -
Fonoteka Umfc Muzyka Polska – Katalog
FONOTEKA UMFC MUZYKA POLSKA – KATALOG 1. Do korzystania ze zbiorów uprawnieni są wyłącznie studenci i pracownicy UMFC. 2. Katalog ułożony jest w porządku alfabetycznym według nazwisk kompozytorów. 3. Nawigacja ułatwiona jest za pomocą paska zakładek (bookmarks – pasek po lewej stronie czytnika). Najbardziej popularni kompozytorzy mają własne zakładki, w obrębie twórczości F. Chopina dodatkowo zastosowano podział według form muzycznych i obsady. Wszystkie te struktury są dostępne poprzez rozwinięcie odpowiedniej zakładki. Niezależnie od tego można skorzystać z narzędzia wyszukiwania – skrót klawiszowy [Ctrl+F]. 4. W zamówieniu należy podać jedynie sygnaturę płyty. Mieści się ona w prawym górnym rogu każdej karty. 5. Katalog jest rozwiązaniem tymczasowym. Aktualizacja ma miejsce raz w roku. A ADAM Z WĄGROWCA CD 5996 6047 Opera omnia = [Dzieła wszystkie] : [37 utworów] / Rostislaw Wygranienko, organy 58’27” Acte Préalable, 2008 CD 5996 ; 6047 ADAM Z WĄGROWCA CD 5188 Canzona / Il Tempo 3’06” DUX, 2004 CD 5188 ADOLPHO CD 3395 Vesperae in F : [CATB, Vno I et II, Cor I et II et Org] / Rev. Tomasz Jarosz CSsR, celebrans ; Musica Sacra ; Bennonitae Cantantes ; Clementinum ; kier. muz. Piotr Wilczyński Acte Préalable, 2002 CD 3395 AJDINOVIĆ Jacek Wiktor CD 4899 Arrière-pensée du temps : for violin, cello and piano / Agata Jeleńska, skrzypce ; Karol Marianowski, wiolonczela ; Anna Forma, fortepian 12’45” Festiwal Warszawska Jesień 2005 : CD 7/7 CD 4899 AJDINOVIĆ Jacek Wiktor CD 5282 [Kwartet smyczkowy nr 2] = String Quartet No. 2 : Futurum / Camerata String Quartet 17’28” [Warszawska Jesień 2006] Polmic, 2007 CD 5282 AJDINOVIĆ Jacek Wiktor CD 5481 Kyrie : Missa solemis 2007 / A. Kapla, sopran ; K. Otczyk, mezzosopran ; M. Nerkowski, baryton ; W. -
Justyna Kowalska-Lasoń
Polish contemporary music magazine NO. 7(14), SEPTEMBER 2012 | ISSN 2080-4598 “I’m not convinced as to whether an artist should ever grow up...” A conversation with Justyna Kowalska-Lasoń Anna Domańska Photo: M. Filipczyk CONTENTS: “ s an introverted personality type, Justyna Kowalska-Lasoń: The album Śpie- she exudes no ideas, on the wam nowoczesnego człowieka [The Modern 1-4 The fi rst monographic album of A contrary – the listener feels he Man I Sing], consists of compositions that Justyna KOWALSKA-LASOŃ has been shown just part of her secret, constitute the most important points in my deliberately limiting resources and creative journey so far. The order the works 4 Paweł ŁUKASZEWSKI’s “Symphony focusing on the power of expression”, have been arranged in is crucial in relation of Angels” in Riga Joanna Wnuk-Nazarowa said of the to the dramaturgy. It all begins with a huge young composer. Words of appreciation blast of a symphony orchestra (The Mod- 5-7 Zbigniew BARGIELSKI – for Justyna Kowalska-Lasoń from the ern Man I Sing). Next, through the sound a prestidigitator and a mystic mouths of music authorities are not of a mixed choir (Sanctus) we come to the uncommon. Polish critics point out the smallest group – a string quartet of a hushed 8-10 The inspiring Tatra Mountains exceptional maturity of her music, great character (A light exists in Spring). Then, the technical craftsmanship and individualism, power of the sound increases gradually 11-13 The operas of Zygmunt KRAUZE while the 27-year-old Justyna believes in again – from a string orchestra (Te frazy...Te the power of her creative intuition and pieśni...Te arie...) to a large symphony orches- 13 Wojciech KILAR’s fi lm music live in wins yet another prize in a composition tra (Obraz 1929 – Zdzisław Beksiński in memo- Kraków competition. -
22 Years of Crown 'Mic Memos'
Web: http://www.pearl-hifi.com 86008, 2106 33 Ave. SW, Calgary, AB; CAN T2T 1Z6 E-mail: [email protected] Ph: +.1.403.244.4434 Fx: +.1.403.245.4456 Inc. Perkins Electro-Acoustic Research Lab, Inc. ❦ Engineering and Intuition Serving the Soul of Music Please note that the links in the PEARL logotype above are “live” and can be used to direct your web browser to our site or to open an e-mail message window addressed to ourselves. To view our item listings on eBay, click here. To see the feedback we have left for our customers, click here. This document has been prepared as a public service . Any and all trademarks and logotypes used herein are the property of their owners. It is our intent to provide this document in accordance with the stipulations with respect to “fair use” as delineated in Copyrights - Chapter 1: Subject Matter and Scope of Copyright; Sec. 107. Limitations on exclusive rights: Fair Use. Public access to copy of this document is provided on the website of Cornell Law School at http://www4.law.cornell.edu/uscode/17/107.html and is here reproduced below: Sec. 107. - Limitations on exclusive rights: Fair Use Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, includ- ing such use by reproduction in copies or phono records or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for class- room use), scholarship, or research, is not an infringement of copyright. -
2 Marek Kopelent
2_17 Marek Kopelent Brno? For Opera? For Sure! The Janáček Academy Antonín Reichenauer 1177 2_ Dear readers, Contents: two articles in the current issue Cleaning the Score pertain to Brno, the Czech Republic’s An interview with Marek Kopelent second-largest city, a city that today is by Matěj Kratochvíl the seat of renowned universities and page 2 numerous technology companies, a city that can pride itself in a remarkable Brno? For Opera? For Sure! cultural past and present. The text about by Helena Havlíková the Brno Opera, written by Helena page 9 Havlíková, in particular shows that the Czech Republic does not begin 70th anniversary of the Janáček Academy of Music and end with Prague, an impression and Performing Arts in Brno than often arises as a result of mass by Monika Holá tourism. Furthermore, the issue contains page 18 the second and fi nal part of the article about Miloslav Kabeláč’s symphonies, Czech music Every day – Events at home and abroad and, most signifi cantly, an interview in the spring of 2017 with the composer Marek Kopelent, by Barbora Vacková who this year is celebrating his 85th page 22 birthday. Based in Prague, he continues to have a bold impact on Czech music, First edition of Antonín Reichenauer’s as a composer and infl uential teacher Concerto in G major alike. by Lukáš M. Vytlačil page 24 Wishing you a beautiful summer Petr Bakla Miloslav Kabeláč – Symphonist (Part 2) by Jaromír Havlík page 27 Reviews page 34 cover: Marko Ivanović – Čarokraj (Enchantia) photo © National Theatre Brno Czech Music Quarterly is issued ISSN 1211-0264 (Print), ISSN 1804-0586 (Online) by the Czech Music Information Centre MK ČR E 7099 with support of the Ministry of Culture of the Czech Republic and the Czech Music Fund. -
August 2016 1 Periodical Postageperiodical Paid at Boston, New York
SHOULD YOU HIRE A PROFESSIONAL GENEALOGIST?POLISH AMERICAN — JOURNAL PAGE 15• AUGUST 2016 www.polamjournal.com 1 PERIODICAL POSTAGE PAID AT BOSTON, NEW YORK NEW BOSTON, AT PAID PERIODICAL POSTAGE POLISH AMERICAN OFFICES AND ADDITIONAL ENTRY DEDICATED TO THE PROMOTION AND CONTINUANCE OF POLISH AMERICAN CULTURE JOURNAL AN ESSENTIAL EDITION: FROM PADEREWSKI TO ESTABLISHED 1911 AUGUST 2016 • VOL. 105, NO. 8 | $2.00 www.polamjournal.com PENDERECKI — PAGE 6 WHAT BREXIT MAY MEAN FOR POLAND • GET READY FOR POLISH HERITAGE MONTH • CATHOLIC LEAGUE APPEAL HEADING INTO THE FUTURE • FAREWELL TO AMBASSADOR SCHNEPF • AN AMERICAN FACE IN POLISH POLITICS BISHOP ZUBIK AND GUN CONTROL • THE WOMEN OF THE UPRISING • CHICAGO’S POLISH POPULATION CHANGE NATO Summit — a Major Breakthrough Polish Newsmark Communities RUSSIA USES NATO SCARES TO KEEP ITS PEOPLE in UK Targeted IN LINE – FOREIGN MINISTER. The Russian leadership rejects all explanations that NATO is a defensive alliance with Abuse that poses no threat to Russia, because the Kremlin needs a state of confl ict for domestic political purposes, Polish After Brexit Foreign Minister Witold Waszczykowski said during the LONDON — The Pol- North Atlantic Alliance’s recent Warsaw summit. “If the ish embassy in London said Kremlin told citizens of the Russian Federation, there was it was deeply concerned by no longer any threat of a NATO invasion, people would what it said were recent in- soon start pressing for a better life and more freedom,” he cidents of xenophobic abuse explained. “Considering Russia’s great mineral wealth, it directed against the Polish could be one of the world’s richest countries were it not for community since Britain all the corruption.” voted to leave the European Union. -
IV Międzynarodowy Konkurs Muzyczny Im. Michała Spisaka
IV Międzynarodowy Konkurs Muzyczny im. Michała Spisaka Specjalności: skrzypce, altówka, wiolonczela Pałac Kultury Zagłębia 5-14 września 2010 ...myślę stale o Zagłębiu i Dąbrowie Górniczej, bo przecież nie zapomina się nigdy swego rodzinnego miasta (słowa Michała Spisaka z listu do Jana Ziemby) The 4rd Michał Spisak International Music Competition Disciplines: violin, viola, cello Pałac Kultury Zagłębia 5-14 September 2010 ...I constantly think of Zagłębie and Dąbrowa Górnicza, because, after all, you can never forget your hometown (Michał Spisak’s words from a letter to Jan Ziemba) Patronat Honorowy Konkursu The Honour Patronage of the Competition: Bogdan Zdrojewski Minister Kultury i Dziedzictwa Narodowego Minister of Culture and National Heritage prof. Tomasz Miczka Rektor Akademii Muzycznej im. Karola Szymanowskiego w Katowicach Rector of the Karol Szymanowski Academy of Music in Katowice Zbigniew Podraza Prezydent Miasta Dąbrowa Górnicza Mayor of Dąbrowa Górnicza Organizatorzy Konkursu / Organizers of the Competition: Urząd Miejski w Dąbrowie Górniczej City Hall in Dąbrowa Górnicza www.idabrowa.pl, www.spisak.idabrowa.pl Akademia Muzyczna im. Karola Szymanowskiego w Katowicach Karol Szymanowski Academy of Music in Katowice www.am.katowice.pl Pałac Kultury Zagłębia w Dąbrowie Górniczej Zagłębie Palace of Culture in Dąbrowa Górnicza www.palac.art.pl prof. Zygmunt Tlatlik Dyrektor Artystyczny Konkursu / Artistic Director of the Competition Zastępca Sekretarza Jury / Deputy Secretary of the Jury prof. Paweł Głombik Przewodniczący Jury -
SHOSTAKOVICH Violin Concertos Nos
SHOSTAKOVICH Violin Concertos Nos. 1 and 2 Ilya Kaler, Violin Polish National Radio Symphony Orchestra (Katowice) Antoni Wit, Conductor Dmitry Shostakovich (1 906-75) Violin Concertos Nos 1 & 2 Censured by Stalin, feted by Khruschev, celebrated by the world, a child of Tsarist Petersburg schooled by the first Leninists, public rhetorician, private soliloquiser: how will history choose to remember Shostakovich? As a chronicler of events epic and tragic, dimensions grotesque and satirical, perspectives elegiac and sentimental. As an essayer, a vivid essayer, of moods and confessions, of emotional discord and harmony. As a man, a genius, of destiny. Boris Tischenko, one of his students: "Our generation grew up on his music, and with his name on our lips. So our hearts would miss a beat when he took off his spectacles to clean them and we caught a glimpse of him, like a knight without armour, close to us, defenceless. The influence of his personality was so great that one began oneself to change, to become ashamed of one's insignificance, one's ineptitude, one's lack of understanding. That such a man lived has made the world a much finer place. We must all learn from him, and not from his music alone". As a human being of profound spiritual bitterness and disillusionment. Testament, the alleged memoirs (New York 1979): "Looking back I see nothing but ruins, only mountains of corpses ... There were no particularly happy moments in my life, no great joys. It was grey and dull and it makes me sad to think about it. It saddens me to admit it, but it's the truth, the unhappy truth". -
BIBLIOGRAFIA PUBLIKACJI O PRASIE ZA ROK 1997 [143] Wa Przyrodników Im
T. II (1999), Z. 2(4) ROCZNIK ISSN 1509-1074, ISBN 83-86726-78-4 HISTORII PRASY POLSKIEJ Bibliography Bibliografia of Publications publikacji o prasie on the Press in 1997 za rok 1997 Instytut Bibliotekoznawstwa i Informacji Naukowej Władysław Akademia Pedagogiczna ul. Podchorążych 2 PL 30-084 Kraków e-mail: [email protected] KOLASA KEY WORDS SŁOWA KLUCZOWE bibliography, polish press, bibliografia, prasa polska, press research prasoznawstwo ABSTRACT ABSTRAKT The bibliography covers more W bibliografii uwzględniono important publications on the press ważniejsze publikacje poświęcone and the media in general published prasie drukowanej i mediom in Poland either in 1997 or for the ogólnie, które wydano w Polsce year 1997. Historical and bibliographic w roku lub za rok 1997. Szczególnie issues have been presented wyczerpująco ujęte zostały zagadnienia in greater detail. Both complete historyczne i bibliograficzne. publications and press articles W opracowaniu uwzględniono zarówno have been included. druki zwarte, jak i artykuły z czasopism. Rocznik Histońi Prasy Polskiej, Rocz. Hist, Prasy Pol., volume 2 (1999), no. 2(4), pp. 131-198. t. Il (1999), z. 2(4), s. 131-198. Digitalizacja - Agnieszka Kurek Magdalena Popiołek Krakow 2009 [132] WŁADYSŁAW KOLASA Streszczenie W bibliografii uwzględniono ważniejsze publikacje poświęcone prasie drukowanej i mediom ogólnie, które wydano w Polsce w roku lub za rok 1997 oraz uzupełnienia za 1996. Szczególnie mocno zaakcentowane zostały zagadnienia historyczne i bibliograficzne. W opracowaniu uwzględniono druki zwarte, ich piśmienniczo samoistne fragmenty oraz artykuły z czasopism. Zebrany materiał po dzielono według stworzonej ad hoc klasyfikacji: 1. Opracowania ogólne; 2. Metodologia badań. Ośrodki badawcze; 3. Bibliografie (3.1. Bibliografie ogólne, 3.2.