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The Evolution of the Clarinet and Its Effect on Compositions Written for the Instrument
Columbus State University CSU ePress Theses and Dissertations Student Publications 5-2016 The Evolution of the Clarinet and Its Effect on Compositions Written for the Instrument Victoria A. Hargrove Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Commons Recommended Citation Hargrove, Victoria A., "The Evolution of the Clarinet and Its Effect on Compositions Written for the Instrument" (2016). Theses and Dissertations. 236. https://csuepress.columbusstate.edu/theses_dissertations/236 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. THE EVOLUTION OF THE CLARINET AND ITS EFFECT ON COMPOSITIONS WRITTEN FOR THE INSTRUMENT Victoria A. Hargrove COLUMBUS STATE UNIVERSITY THE EVOLUTION OF THE CLARINET AND ITS EFFECT ON COMPOSITIONS WRITTEN FOR THE INSTRUMENT A THESIS SUBMITTED TO HONORS COLLEGE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE HONORS IN THE DEGREE OF BACHELOR OF MUSIC SCHWOB SCHOOL OF MUSIC COLLEGE OF THE ARTS BY VICTORIA A. HARGROVE THE EVOLUTION OF THE CLARINET AND ITS EFFECT ON COMPOSITIONS WRITTEN FOR THE INSTRUMENT By Victoria A. Hargrove A Thesis Submitted to the HONORS COLLEGE In Partial Fulfillment of the Requirements for Honors in the Degree of BACHELOR OF MUSIC PERFORMANCE COLLEGE OF THE ARTS Thesis Advisor Date ^ It, Committee Member U/oCWV arcJc\jL uu? t Date Dr. Susan Tomkiewicz A Honors College Dean ABSTRACT The purpose of this lecture recital was to reflect upon the rapid mechanical progression of the clarinet, a fairly new instrument to the musical world and how these quick changes effected the way composers were writing music for the instrument. -
CANTA EL PIANO Char Ese Registro Neoyorkino De 1946 Dirigido Por El Propio Milhaud
AÑO XXI - Nº 203 - Diciembre 2005 - 6,30 € 2 OPINIÓN DOSIER CON NOMBRE Veinte años de música en PROPIO España 113 6 Introducción Elisabeth Schwarzkopf Javier Alfaya 114 Arturo Reverter Gestión Santiago Martín Bermúdez 116 8 AGENDA Auditorios José Luis Carles y Cristina Palmese 122 16 ACTUALIDAD Musicología Paulino Capdepón Verdú 126 NACIONAL Educación Pedro Sarmiento 130 42 ACTUALIDAD Composición INTERNACIONAL José Luis García del Busto 134 Ópera 58 ENTREVISTA Arturo Reverter 136 Interpretación Rinaldo Alessandrini Enrique Martínez Miura 140 “La música de Bach es absolutamente Discos perfecta” Juan Manuel Viana 144 María Sánchez-Archidona Jazz Pablo Sanz 148 64 Discos del mes ENCUENTROS SCHERZO DISCOS Ian Bostridge 65 Sumario Juan Antonio Llorente 152 LA GUÍA 156 CONTRAPUNTO Norman Lebrecht 160 Colaboran en este número Javier Alfaya, Daniel Álvarez Vázquez, Julio Andrade Malde, Roberto Andrade Malde, Íñigo Arbiza, Rafael Banús Irusta, Alfredo Brotons Muñoz, José Antonio Cantón, Paulino Capdepón Verdú, José Luis Carles, Jacobo Cortines, Rafael Díaz Gómez, Patrick Dillon, Pedro Elías Mamou, Matthias Exner, José Luis Fernández García, Jorge Fernández Guerra, Fernando Fraga, Joaquín García, José Antonio García García. José Luis García del Busto, Mario Gerteis, José Guerrero Martín, Federico Hernández, Fernando Herrero, Bernd Hoppe, Paul Korenhof, Norman Lebrecht, Juan Antonio Llorente, Fiona Maddocks, Nadir Madriles, Bernardo Mariano, Santiago Martín Bermúdez, Joaquín Martín de Sagarmínaga, Enrique Martínez Miura, Aurelio Martínez Seco, Blas Matamoro, Antonio Muñoz Molina, Miguel Ángel Nepomuceno, Rafael Ortega Basagoiti, Cristina Palmese, Josep Pascual, Enrique Pérez Adrián, Javier Pérez Senz, Paolo Petazzi, Francisco Ramos, Arturo Reverter, Barbara Röder, Justo Romero, Stefano Russomanno, María Sánchez-Archidona, Ignacio Sánchez Quirós, Pablo Sanz, Pedro Sarmiento, Bruno Serrou, Franco Soda, José Luis Téllez, Asier Vallejo Ugarte, Claire Vaquero Williams, Pablo J. -
PROGRAM NOTES Wolfgang Mozart Clarinet Concerto in a Major, K
PROGRAM NOTES by Phillip Huscher Wolfgang Mozart Born January 27, 1756, Salzburg, Austria. Died December 5, 1791, Vienna, Austria. Clarinet Concerto in A Major, K. 622 Mozart composed this concerto between the end of September and mid-November 1791, and it apparently was performed in Vienna shortly afterwards. The orchestra consists of two flutes, two bassoons, two horns, and strings. Performance time is approximately twenty-nine minutes. The Chicago Symphony Orchestra’s first performance of Mozart’s Clarinet Concerto was given at the Ravinia Festival on July 25, 1957, with Reginald Kell as soloist and Georg Solti conducting. The Orchestra’s first subscription concert performance was given at Orchestra Hall on May 2, 1963, with Clark Brody as soloist and Walter Hendl conducting. Our most recent subscription concert performances were given on October 11 and 12, 1991, with Larry Combs as soloist and Sir Georg Solti conducting. The Orchestra most recently performed this concerto at the Ravinia Festival on July 15, 2001, with Larry Combs as soloist and Sir Andrew Davis conducting. This concerto is the last important work Mozart finished before his death. He recorded it in his personal catalog without a date, right after The Magic Flute and La clemenza di Tito. The only later entry is the little Masonic Cantata, dated November 15, 1791. The Requiem, as we know, didn’t make it into the list. For decades the history of the Requiem was full of ambiguity, while that of the Clarinet Concerto seemed quite clear. But in recent years, as we learned more about the unfinished Requiem, questions about the concerto began to emerge. -
Bernard Haitink
Sunday 15 October 7–9.05pm Thursday 19 October 7.30–9.35pm Barbican Hall LSO SEASON CONCERT BERNARD HAITINK Thomas Adès Three Studies from Couperin HAITINK Mendelssohn Violin Concerto Interval Brahms Symphony No 2 Bernard Haitink conductor Veronika Eberle violin Sunday 15 October 5.30pm, Barbican Hall LSO Platforms: Guildhall Artists Songs by Mendelssohn and Brahms Guildhall School Musicians Welcome / Kathryn McDowell CBE DL Tonight’s Concert The concert on 15 October is preceded by a n these concerts, Bernard Haitink warmth and pastoral charm (although the performance of songs by Mendelssohn and conducts music that spans the composer joked before the premiere that Brahms from postgraduate students at the eras – the Romantic strains of he had ‘never written anything so sad’), Guildhall School. These recitals, which are Mendelssohn’s Violin Concerto; Brahms’ concluding with a joyous burst of energy free to ticket-holders for the LSO concert, Second Symphony; and the sophisticated in the finale. • take place on selected dates throughout Baroque inventions of Couperin, brought the season and provide a platform for the into the present day by Thomas Adès. musicians of the future. François Couperin was one of the most skilled PROGRAMME NOTE WRITERS I hope you enjoy this evening’s performance keyboard composers of his day, and his works and that you will join us again soon. After for harpsichord have influenced composers Paul Griffiths has been a critic for nearly Welcome to the second part of a series of this short series with Bernard Haitink, the through the generations, Thomas Adès 40 years, including for The Times and three LSO concerts, which are conducted by Orchestra returns to the Barbican on 26 among them. -
Demisoini Celebratesmogoratioini
NCN PROFIT ORG US POSTAGE 35 PAID fiffm GRANVILLE OHIO mm PERMIT NO 2 NO 7 UNIVERSITYMIGRANVILLE OHIO 43023 587- 6378 THURSDAY NOVEMBER 2 1989 VOL133 DENISON Demisoini Celebrates Mogoratioini role of the United States Lugar said Robin Bartlett expressed the facultys Ideology versus Experience A Time by Kelly Quinn impressionable In my judgment the United States appreciation of Myers support of Historical Transition he drew a Denisonian EditorinCh- ief The inaugural ceremony began must provide the leadership to unite inspiration and opportunities for open parallel between Denison and the global Jane Milbourn with welcoming remarks from Europe and to hold together all our dialogue arena explaining that each is Denisonian Managing Editor the Board Charles A friends We must guide and Chairman of University Historian Dr G experiencing a major transition in Asian Brickman and Provost Barbara Hill often help finance the development A myriad of alumni students Wallace Chessman representing the which sound leaders are an integral followed by in invocation from Dean sorely required in Africa and Latin faculty and trustees joined in Emeriti Faculty expressed We the part of Religious Life Michael A Snyder America in order that democracy communion to heartily welcome our Emeriti Faculty are excited to have a Lugar said This historical remains a humane option for billions woman as president we are especially benchmark for Denison is an of people excited because she is committed to appropriate moment to assess the state For Denison he proposed this -
Band Director's Catalog
BAND DIRECTor’s CATALOG We make legends. A division of Steinway Musical Instruments, Inc. P.O. Box 310, Elkhart, IN 46515 www.conn-selmer.com AV4230 1 TABLE OF CONTENTS Eb Soprano, Harmony & Eb Alto Clarinets ....... 10 Bb Bass, EEb Bass & BBb Bass Clarinets ........... 11 308 Student Instruments Step-Up & Pro Saxophones .............................. 12-13 Step-Up & Pro Bb Trumpets .............................. 14 Piccolos & Flutes ...................................................... 1 Step-Up & Pro Cornets ..................................... 14 Oboes & Clarinets .................................................... 2 C Trumpets, Harmony Trumpets, Flugelhorns .... 15 Saxophones .............................................................. 3 Step-Up & Pro Trombones ................................ 16-17 204 Trumpets & Cornets .................................................. 4 Alto, Valve & Bass Trombones .......................... 18 Trombones ............................................................... 5 Double Horns .................................................. 19 PICCOLOS Single Horns ............................................................ 5 Baritones & Euphoniums .................................. 20 Educational Drum, Bell and Combo Kits .................. 6 BBb Tubas - Three Valve .................................... 21 ARMSTRONG Mallet Instruments .................................................... 6 BBb & CC Tubas - Four Valve ............................ 21 204 “USA” – Silver-plated headjoint and body, silver-plated -
Prominent Schools of Clarinet Sound (National Styles)
Prominent Schools of Clarinet Sound (National Styles) German School (Oehler system, up to 27 keys) Description: dark, compact, well in tune but difficult to play very softly Players: Karl Leister, Sabine Meyer French School (Boehm system, 16 or 17 keys) Description: clear, bright/too bright, large dynamic range Players: Anthony Gigliotti, Phillippe Cuper Italian School (Boehm system) Description: voice-like quality Opera tradition Players: Ernesto Cavallini, Alessandro Carbonare American School (Boehm system) Description: Strong French influence but more open and wide, more air and flexibility Connections to jazz and film music Players: Larry Combs, Richard Stolzman, Charles Neidich, Benny Goodman, Artie Shaw JDG 20200815 The Most-used Types of Clarinets Band Eb Clarinet Bb Clarinet***** Eb Alto Clarinet Bb Bass Clarinet Eb Contra Alto Clarinet Bb Contra Bass Clarinet Orchestra Eb Clarinet C Clarinet Bb Clarinet A Clarinet Bb Bass Clarinet Worth Mentioning Basset Horn (in F) Basset Clarinet (in A) When an instrument plays its C and that sound/pitch is the same as the piano’s C, we say the instrument is “in C” When an instrument plays its C and that sound/pitch is the same as the piano’s Bb, we say the instrument is “in Bb” When an instrument plays its C and that sound/pitch is the same as the piano’s Eb, we say the instrument is “in Eb” And so on. JDG 20200815 Equipment Clarinets Rubber/plastic/ebonite, wood, carbon composites • Buffet • Selmer • LeBlanc • Yamaha • Bundy Mouthpieces Rubber, glass (metal) • Vandoren • Selmer • Yamaha • LeBlanc Reeds Cane or synthetic • Vandoren • Rico • Alexander • Gonzalez Ligatures and mouthpiece caps • Vandoren • Bonade (inverted) • LeBlanc • Rovner • Unnamed Tips • I purchase new instruments and used instruments. -
Clarinet Tips
Teacher’s Guide by the late Nilo HoveyClarinet Nilo W. Hovey The late Nilo W.Hovey was actively engaged in the school band movement since 1925. From 1926 to 1944 he was Director of School Instrumental Music in the Hammond, Indiana, public schools. From 1944 to 1957 he was Chairman of the Music Education Department and Director of the Concert Band at Butler University, Indianapolis, Indiana. During this period he was the recipient of the J.I. Holcomb award for his contribution to the advancement of the University and the Arthur W. Baxter award for superior teaching. Hovey served as lecturer, clinician, adjudicator and guest conductor in all sections of the United States and in Ontario, Canada. In the latter capacity he appeared with the United States Navy Band, the United States Army Band, the Canadian Air Force Band, and many Intercollegiate and All-State High School Bands. Numerous instrumental methods and books of instructional material written or edited by Hovey are widely used in the schools of the United States and Canada. Hovey was an active member of the American Bandmasters Association for over twenty years and served as its President in 1970-71. He was President of the Music Industry Council in 1962-64. He was an honorary member of the Canadian Bandmasters Association, of Kappa Kappa Psi and Phi Beta Mu. Hovey was also a member of Phi Kappa Phi,Honorary scholastic fraternity,Phi Delta Kappa, fraternity of men in education, and Phi Mu Alpha (Sinfonia). Publications The following Clarinet materials have been written or edited by Mr. -
Download the Concert Programme (PDF)
London Symphony Orchestra Living Music Thursday 18 May 2017 7.30pm Barbican Hall Vaughan Williams Five Variants of Dives and Lazarus Brahms Double Concerto INTERVAL Holst The Planets – Suite Sir Mark Elder conductor Roman Simovic violin Tim Hugh cello Ladies of the London Symphony Chorus London’s Symphony Orchestra Simon Halsey chorus director Concert finishes approx 9.45pm Supported by Baker McKenzie 2 Welcome 18 May 2017 Welcome Living Music Kathryn McDowell In Brief Welcome to tonight’s LSO concert at the Barbican. BMW LSO OPEN AIR CLASSICS 2017 This evening we are joined by Sir Mark Elder for the second of two concerts this season, as he conducts The London Symphony Orchestra, in partnership with a programme of Vaughan Williams, Brahms and Holst. BMW and conducted by Valery Gergiev, performs an all-Rachmaninov programme in London’s Trafalgar It is always a great pleasure to see the musicians Square this Sunday 21 May, the sixth concert in of the LSO appear as soloists with the Orchestra. the Orchestra’s annual BMW LSO Open Air Classics Tonight, after Vaughan Williams’ Five Variants of series, free and open to all. Dives and Lazarus, the LSO’s Leader Roman Simovic and Principal Cello Tim Hugh take centre stage for lso.co.uk/openair Brahms’ Double Concerto. We conclude the concert with Holst’s much-loved LSO WIND ENSEMBLE ON LSO LIVE The Planets, for which we welcome the London Symphony Chorus and Choral Director Simon Halsey. The new recording of Mozart’s Serenade No 10 The LSO premiered the complete suite of The Planets for Wind Instruments (‘Gran Partita’) by the LSO Wind in 1920, and we are thrilled that the 2002 recording Ensemble is now available on LSO Live. -
DOSSIER DE PRESSE 1 Sommaire
DOSSIER DE PRESSE 1 Sommaire Edito 3 Le Festival en chiffres 4 Calendrier 6 Les spectacles et festivités : Festivités du 14 juillet 7 Dansons la carmagnole (etcetera) 8 Concert au kiosque du 15 juillet 13 Russia today - Tchaïkovsky, Chostakovitch 14 Autour de Nina : hommage à Nina Simone 16 Festivités du 21 juillet 22 Festivités et conférences loufoques 23 Werther – J. Massenet 24 A bicyclette le 28 juillet 35 Il Barbiere di Siviglia – G. Rossini 36 Symphonie concertante : Beethoven, Brahms 45 Festival musette du 3 au 5 août 48 Le Pari des Bretelles 49 Tonycello : La migration des tortues 55 Schumann, Haydn, Attahir 58 The rhythm alchemy 62 Bach, Vivaldi, Humel, Dohnanyi 68 Verdi, Trilogia popolare : LaTraviata, Il Trovatore, Rigoletto 72 Tonycello en tournée 78 Concerts au kiosque O.H.V. 79 Ateliers du C.N.C.S. 80 Contacts 81 Partenaires 82 2 EDITO Vichy est une fête ! Au cœur de l’été, au centre de la France, jaillit un nouveau festival aux consonances lyriques, symphoniques, jazz et musiques du monde. A un rythme effréné, tambour battant, du 14 juillet au 15 août, l’Opéra déroule le tapis rouge à un programme pétil- lant, revigorant, où les musiques plurielles s’expriment sans retenue, le savant s’entremêlant avec le traditionnel et le populaire. « Reine des villes d’eaux », « capitale d’été de la musique », Vichy et son opéra se réinventent en puisant aux sources de leur histoire prestigieuse. Fidèle au passé, mais tournée vers l’avenir, la programmation s’adresse au plus grand nombre. Que ce soit dans la prestigieuse salle Art Nouveau de 1400 places, dans les parcs, sous les kiosques, sur les rives du lac d’allier, dans les rues, dans les villages de l’agglomération, la musique surprend, émeut, apaise, transporte… Plus de deux cents artistes s’y produisent en y distillant leur bonne humeur contagieuse, leur passion et leur talent. -
22 Years of Crown 'Mic Memos'
Web: http://www.pearl-hifi.com 86008, 2106 33 Ave. SW, Calgary, AB; CAN T2T 1Z6 E-mail: [email protected] Ph: +.1.403.244.4434 Fx: +.1.403.245.4456 Inc. Perkins Electro-Acoustic Research Lab, Inc. ❦ Engineering and Intuition Serving the Soul of Music Please note that the links in the PEARL logotype above are “live” and can be used to direct your web browser to our site or to open an e-mail message window addressed to ourselves. To view our item listings on eBay, click here. To see the feedback we have left for our customers, click here. This document has been prepared as a public service . Any and all trademarks and logotypes used herein are the property of their owners. It is our intent to provide this document in accordance with the stipulations with respect to “fair use” as delineated in Copyrights - Chapter 1: Subject Matter and Scope of Copyright; Sec. 107. Limitations on exclusive rights: Fair Use. Public access to copy of this document is provided on the website of Cornell Law School at http://www4.law.cornell.edu/uscode/17/107.html and is here reproduced below: Sec. 107. - Limitations on exclusive rights: Fair Use Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, includ- ing such use by reproduction in copies or phono records or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for class- room use), scholarship, or research, is not an infringement of copyright. -
Radio 3 Listings for 18 – 24 July 2009 Page 1 Of
Radio 3 Listings for 18 – 24 July 2009 Page 1 of 19 SATURDAY 18 JULY 2009 Anon: La quarte estampie royal 07.10 Bois de Cologne: SAT 01:00 Through the Night (b00llrcg) Meike Herzig, Dorothee Oberlinger (recorders) DEBUSSY Including: Tom Daun (harp) Jardins sous la pluie (from Estampes) Jean-Efflam Bavouzet (piano) 1.00am 5.01am CHANDOS CHAN 10443 tr 9 07.14 Chopin, Fryderyk (1810-1849): Polish Songs, Op 74 (excerpts) Salieri, Antonio (1750-1825): Overture (La grotta di Trofonio) Haydn, Joseph (1732-1809): Arianna a Naxos - cantata Stavanger Symphony Orchestra BACH Ewa Podles (contralto) Fabio Biondi (conductor) Prelude & Fugue in B Flat Major BWV 560 Garrick Ohlsson (piano) Simon Preston (organ of St John's Smith Square, London) 5.08am DG 4492122 tr 14 1.34am Mozart, Wolfgang Amadeus (1756-1791): Rondo in A minor, Scriabin, Alexander (1872-1915): Poeme, Op 32, No 1; Etude K511 07.18 in F sharp minor, Op 42, No 2; Etude in C sharp minor, Op 42, Jean Muller (piano) No 5; Piano Sonata No 2 in G sharp minor, Op 19 BORODIN Garrick Ohlsson (piano) 5.18am Notturno from String Quartet No.2 in D (arr. orchestra by Durante, Francesco (1684-1755): Concerto per quartetto for Nikolai Tcherepnin) 1.56am strings No 6 in A Gothenburg Symphony Tchaikovsky, Pyotr Il'yich (1840-1893): None but the lonely Concerto Koln Neeme Jarvi (conductor) heart (Six Romances, Op 6); Does the day reign? (Seven DGG 435 757-2 CD2 tr 5 Romances, Op 47); Was I not a little blade of grass? (Seven 5.29am Romances, Op 47); Tell me what in the shade of the branches Bach, Johann Sebastian (1685-1750), orch.