DOCSLIB.ORG

January 1908) James Francis Cooke

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
January 1908) James Francis Cooke Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 1-1-1908 Volume 26, Number 01 (January 1908) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 26, Number 01 (January 1908)." , (1908). https://digitalcommons.gardner-webb.edu/etude/532 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE 10 OUR READERS IRE EDITOR’S COLUMN In this column will be mentioned from time to The Etude extends to its many time our best offers in the way of premiums for New Year’s readers in all climes the heartiest the obtaining of subscriptions to The Etude, as Greeting. New Year wishes and the right well as other special offers that will be of interest hand of musical fellowship. Our to our readers. “New Year” word of advice to our readers is to constantly remember that success is bred of Subscription, $1.50 per year. Single Copies, 15 Ceuta. Camidlan Postage,25 cents. Foreign Postage, 72 cents. OF A PERSONAL NATURE. confidence, faith in yourself and your fellow- Liberal premiums and cash deductions are allowed for ob¬ During the year 1908 no effort or expense man, optimism and a healthy abundance of taining subscriptions. will be spared to make The Etude even better honest, sincere work. The man or woman who Remittances should be made by post-office or express and of more value than before. Many new thinks, works and lives after this plan rarely money orders, bank check or draft, or registered features will be added. More than 160 com¬ needs take into consideration panics, financial letter. United States postage stamps are always received for cash. Money sent in letters is dan¬ positions, valued at over $50.00 retail, will be flurries or what the world foolishly styles gerous, and we are not responsible for Its safe included in the twelve issues in addition to the “bad luck.” We are going to do our best to the Journal attractive, instructing and inspiring reading keep you intellectually in tune with the spirit : be sent urn by matter. of the times in music. We want The Etude lnued. All ar- id. Besides all of this, do not lose sight of what to grow more and more necessary to you every sent f you save by being a subscriber to The Etude. day, whether you be teacher, pupil or music i will Every issue contains announcements of pub¬ lover, and we realize that in order to do this tlon Is paid up, which nerves as a receipt for lications at special prices that you would not we must continually strive to improve the your subscription. MANUSCRIPTS.—All manuscripts intended for publica¬ know of otherwise. By taking advantage of paper, and not to rest satisfied with our tion should be addressed to THE ETUDE, 1712 these special offers it is possible to save many twenty-five years of unusual success. Again— Chestnut Street, and should be written on one side of the sheet only. Contributions on topics con¬ times the subscription price of the journal on “a Happy New Year” to you and success in nected with music-teaching and music-study are your purchases of necessary music supplies. your undertakings. solicited. Those that are not available will be re- We want all of our readers to take a per¬ ADVERTISING RATES will be sent on application. sonal interest in the growth of The Etude to Forms close on 10th of each month for the suc¬ ceeding month’s issue. the extent of sending us at least one new sub¬ We have worked very hard to make this THEODORE PRESSER, scription with their own renewal. Tell your “Twenty-fifth Anniversary Number” of The 1712 Chestnut St., Philadelphia, Pa. friends and acquaintances of the benefit they Etude a particularly interesting, one, and Entered at Philadelphia P. O. as Second-class Matter. will derive from The Etude and of the good we are proud of,it. We are going to try to work it is doing toward the advancement of keep on improving the paper each month, but Musical Culture. Let us send them a sample we feel that we have set a pretty high copy. You can then secure their subscription standard in this issue. and take as a payment for your trouble either The article by Carl Reinecke is, in a sense, CONTENTS, cash commission or a premium. epoch making. The greatest teacher of the last quarter of the last century makes the first “THE ETTTEUD^'-'Oanuary, 1908,. MAGAZINE BARGAINS. statement he has ever made for publication My Pupils and Mysfe.--...Uysr+f-i4-.. :\ Vb)TTMnev1!F~^7 - The Home Life of Iteinecke. .L. 0. Elson By a special arrangement with the pub¬ about his famous pupils, many of whom have Course in Self-study for Piano. lishers it is possible for us to offer The Etude joined the ranks of the immortal. The most Carl G. Schmidt 9 noted concert soprano of our country, Emma What Music Owes o Dancing. in combination with other magazines at very Louis C. Elson 10 low rates. These Clubbing Offers are listed Thursby, gives our readers the results of a Think Before You Play-Perlee V. Jervis 11 in a circular entitled “Magazine Bargains,” a lifetime of experience. Mr. Louis Elson con¬ Piano Touch and Piano Action. copy of which we will send to any address tributes an important article on the dance, H. D. Wilkins VI and Mr. E. B. Hill starts what we feel will be Important Events in Musical History II. upon request. D. V. Bloomfield 12 We are prepared to duplicate any clubbing a very valuable series of . articles called Their Keal Names. 13 offer, in which a subscription to “The Etude” “Lessons from the Great Masters,” indicating Paderewski on Music Teaching. 13 just how the great masters might teach if The Career of a Concert Singer. is included, made by any reputable publisher Miss Emma Thursby 14 or subscription agency. they were living to-day. Not the least is the Keyboard Talk.C. W. Fullwood 15 fine story of The Etude itself and the strug¬ Music in Public Schools.C. A. Fisher 16 gle of its founder to make a paper which Maxims for Teachers..4. C. Scanimell 16 PREMIUMS. How I Teach the Scales.. .Mme. A. Pupin 17 would be beloved by musicians wherever the Length of Children’s Lessons. On the back inside cover page of this issue English language is spoken. This is The Helena Maguire 17 will be found a carefully selected list of our Etude menu for January, and it is an indica¬ Music Lessons by the Great Masters. most popular premiums for obtaining subscrip¬ tion of the feast to which you are invited Edward Burlingame Hill 18 Chances of the Music Teacher in the tions to The Etude. throughout the year. Southwest.E. R. Kroeger 19 All of our premiums are selected with the We feel that you can take this issue to any Program Craft.Jo Shipley Watson 19 greatest care to give the most value possible of your musical friends and say: The Pursuit of the Impossible. in return for the services which our readers James Francis Cooke 20 “Just look at this! Isn’t it a fine specimen The Mother’s Influence.A. W. Borst 20 render in securing new subscribers. A copy Teachers’ Bound Table... 21 of our Premium Booklet, containing a com¬ of a musical journal? How can such a journal Editorial . 22 plete list of the premiums we offer, will be be published for $1.50 per year?” Haydn’s Sonata in G Major.O. G. Hamilton 50 We sincerely hope that you will do this in Practical Points for Busy Teachers sent upon request. W. F. Gates 50, appreciation of our efforts in your behalf. Vocal Department . 51 There is nothing like a good musical paper to MISTAKES, CHANGES OF ADDRESS. Organ Department . 54 foster the musical interests of a community. If Violin Department . 56 While the utmost care is taken at all times Children’s Page . 58 a single one of your pupils, or your musical Announcements by the Publisher. 60 to prevent mistakes, errors will sometimes friends, is not regularly entered as a sub¬ The Story of The Etude and Its Founder. creep in. In every instance we stand ready to scriber upon The Etude subscription books apologize and make immediate correction. All he is missing the most vital support a musician of our dealings must be entirely satisfactory, The World of Music. 71 or student can have, to say nothing of the Review of New Publications. 72 no matter what the cost to us. actual loss in cash. Staccato and Legato. 73 To reduce errors to a minimum we would Recital Programs . 73 ask all of our readers to write their full name and address very plainly on every communica¬ MUSIC. SPECIAL NOTICE. tion. If a change of address is desired be Burlesque.H. Spielter 23 All communications of any kind whatsoever particular to mention the former name and Gavotte Martiale.i\ Dolmetch 24 relating to the editorial management of The Valse Venitienne (4 hands) .
Load more

Recommended publications
  • Sounding Nostalgia in Post-World War I Paris
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2019 Sounding Nostalgia In Post-World War I Paris Tristan Paré-Morin University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Recommended Citation Paré-Morin, Tristan, "Sounding Nostalgia In Post-World War I Paris" (2019). Publicly Accessible Penn Dissertations. 3399. https://repository.upenn.edu/edissertations/3399 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3399 For more information, please contact [email protected]. Sounding Nostalgia In Post-World War I Paris Abstract In the years that immediately followed the Armistice of November 11, 1918, Paris was at a turning point in its history: the aftermath of the Great War overlapped with the early stages of what is commonly perceived as a decade of rejuvenation. This transitional period was marked by tension between the preservation (and reconstruction) of a certain prewar heritage and the negation of that heritage through a series of social and cultural innovations. In this dissertation, I examine the intricate role that nostalgia played across various conflicting experiences of sound and music in the cultural institutions and popular media of the city of Paris during that transition to peace, around 1919-1920. I show how artists understood nostalgia as an affective concept and how they employed it as a creative resource that served multiple personal, social, cultural, and national functions. Rather than using the term “nostalgia” as a mere diagnosis of temporal longing, I revert to the capricious definitions of the early twentieth century in order to propose a notion of nostalgia as a set of interconnected forms of longing.
    [Show full text]
  • Pynchon's Sound of Music
    Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage.
    [Show full text]
  • UC Irvine UC Irvine Electronic Theses and Dissertations
    UC Irvine UC Irvine Electronic Theses and Dissertations Title Text Machines: Mnemotechnical Infrastructure as Exappropriation Permalink https://escholarship.org/uc/item/3cj9797z Author McCoy, Jared Publication Date 2020 License https://creativecommons.org/licenses/by-nc-nd/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Text Machines: Mnemotechnical Infrastructure as Exappropriation DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in English by Jared McCoy Dissertation Committee: Professor Andrzej Warminski, Chair Professor Rajagopalan Radhakrishnan Professor Geoffrey Bowker 2020 © 2020 Jared McCoy Dedication TO MY PARENTS for their boundless love and patience …this requires a comprehensive reading of Heidegger that is hard, you know, to do quickly. Paul de Man ii Contents Contents ................................................................................................................................. iii Acknowledgements ................................................................................................................. v Curriculum Vitae ..................................................................................................................... vi Abstract of the Dissertation .................................................................................................... vii I. History of Inscription ...........................................................................................................
    [Show full text]
  • El Llegat Dels Germans Grimm En El Segle Xxi: Del Paper a La Pantalla Emili Samper Prunera Universitat Rovira I Virgili [email protected]
    El llegat dels germans Grimm en el segle xxi: del paper a la pantalla Emili Samper Prunera Universitat Rovira i Virgili [email protected] Resum Les rondalles que els germans Grimm van recollir als Kinder- und Hausmärchen han traspassat la frontera del paper amb nombroses adaptacions literàries, cinema- togràfiques o televisives. La pel·lícula The brothers Grimm (2005), de Terry Gilli- am, i la primera temporada de la sèrie Grimm (2011-2012), de la cadena NBC, són dos mostres recents d’obres audiovisuals que han agafat les rondalles dels Grimm com a base per elaborar la seva ficció. En aquest article s’analitza el tractament de les rondalles que apareixen en totes dues obres (tenint en compte un precedent de 1962, The wonderful world of the Brothers Grimm), així com el rol que adopten els mateixos germans Grimm, que passen de creadors a convertir-se ells mateixos en personatges de ficció. Es recorre, d’aquesta manera, el camí invers al que han realitzat els responsables d’aquestes adaptacions: de la pantalla (gran o petita) es torna al paper, mostrant quines són les rondalles dels Grimm que s’han adaptat i de quina manera s’ha dut a terme aquesta adaptació. Paraules clau Grimm, Kinder- und Hausmärchen, The brothers Grimm, Terry Gilliam, rondalla Summary The tales that the Grimm brothers collected in their Kinder- und Hausmärchen have gone beyond the confines of paper with numerous literary, cinematographic and TV adaptations. The film The Brothers Grimm (2005), by Terry Gilliam, and the first season of the series Grimm (2011–2012), produced by the NBC network, are two recent examples of audiovisual productions that have taken the Grimm brothers’ tales as a base on which to create their fiction.
    [Show full text]
  • TLEX GRID (EAST REGULAR) - APRIL 2021 (4/12/2021 - 4/18/2021) - WEEK #16 Date Updated:3/25/2021 2:29:43 PM
    TLEX GRID (EAST REGULAR) - APRIL 2021 (4/12/2021 - 4/18/2021) - WEEK #16 Date Updated:3/25/2021 2:29:43 PM MON (4/12/2021) TUE (4/13/2021) WED (4/14/2021) THU (4/15/2021) FRI (4/16/2021) SAT (4/17/2021) SUN (4/18/2021) SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM 05:00A 05:00A NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 05:30A 05:30A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 06:00A 06:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 06:30A 06:30A (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 07:00A 07:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (SUBNETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 07:30A 07:30A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (SUBNETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 08:00A 08:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) CASO CERRADO CASO CERRADO CASO CERRADO
    [Show full text]
  • THE GETAWAY GIRL: a NOVEL and CRITICAL INTRODUCTION By
    THE GETAWAY GIRL: A NOVEL AND CRITICAL INTRODUCTION By EMILY CHRISTINE HOFFMAN Bachelor of Arts in English University of Kansas Lawrence, Kansas 1999 Master of Arts in English University of Kansas Lawrence, Kansas 2002 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY December, 2009 THE GETAWAY GIRL: A NOVEL AND CRITICAL INTRODUCTION Dissertation Approved: Jon Billman Dissertation Adviser Elizabeth Grubgeld Merrall Price Lesley Rimmel Ed Walkiewicz A. Gordon Emslie Dean of the Graduate College ii ACKNOWLEDGMENTS I would like to express my appreciation to several people for their support, friendship, guidance, and instruction while I have been working toward my PhD. From the English department faculty, I would like to thank Dr. Robert Mayer, whose “Theories of the Novel” seminar has proven instrumental to both the development of The Getaway Girl and the accompanying critical introduction. Dr. Elizabeth Grubgeld wisely recommended I include Elizabeth Bowen’s The House in Paris as part of my modernism reading list. Without my knowledge of that novel, I am not sure how I would have approached The Getaway Girl’s major structural revisions. I have also appreciated the efforts of Dr. William Decker and Dr. Merrall Price, both of whom, in their role as Graduate Program Director, have generously acted as my advocate on multiple occasions. In addition, I appreciate Jon Billman’s willingness to take the daunting role of adviser for an out-of-state student he had never met. Thank you to all the members of my committee—Prof.
    [Show full text]
  • The Abandoned Child in Contemporary German
    THE ABANDONED CHILD IN CONTEMPORARY GERMAN LITERATURE AND FILM by Heidrun Jadwiga Kubiessa Tokarz A dissertation submitted to the faculty of The University of Utah in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Languages and Literature The University of Utah August 2016 Copyright © Heidrun Jadwiga Kubiessa Tokarz 2016 All Rights Reserved The University of Utah Graduate School STATEMENT OF DISSERTATION APPROVAL The dissertation of Heidrun Jadwiga Kubiessa Tokarz has been approved by the following supervisory committee members: Katharina Gerstenberger , Chair 02/18/2016 Date Approved Joseph Metz , Member 02/18/2016 Date Approved Karin Baumgartner , Member 02/18/2016 Date Approved Esther Rashkin , Member 02/18/2016 Date Approved Maeera Shreiber , Member 02/18/2016 Date Approved and by Katharina Gerstenberger , Chair/Dean of the Department/College/School of Languages and Literature and by David B. Kieda, Dean of The Graduate School. ABSTRACT This dissertation examines the motif of the abandoned child as a symptom of postwar German memory culture in German literature and film from the late 1980s to the second decade of the 21st century. As part of German postwar memory culture, the abandoned child motif emerged in the early postwar years and established itself in German memory discourse as Kriegskind (war baby), while representing certain war- related experiences of victimization. This study focuses on the change the motif reflects against the backdrop of Germany’s unification, the surge toward normalization, and globalization. The abandoned child motif in German cultural texts at the end of the 20th and at the beginning of the 21st century is a threshold figure which is symptomatic of the past as well as the present, of the victim and the perpetrator, and of suffering as well as guilt.
    [Show full text]
  • February 1905) Winton J
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 2-1-1905 Volume 23, Number 02 (February 1905) Winton J. Baltzell Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Baltzell, Winton J.. "Volume 23, Number 02 (February 1905)." , (1905). https://digitalcommons.gardner-webb.edu/etude/500 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. T H H ETl) OH THE ETUDE 47 SCRIBNER’S LATEST BOOR'S f PIANISTS' A DRAMATIC CANTATA OF MODERATE DIFFICULTY A Whole Library THE MUSIC STORY SERlES-(New Volume) JUST PUBLISHED Send 87 cents for the PIANISTS’ Of Technical Exercises THR VIOLIN, bv Paul Stoevlng. Professor of the Violin at th£ Guildhall School^ofMushrin London, F PARLOR ALBUM, a thoroughly Two Magnificent Collections THE COMING OF RUTH high-grade Album, printed from en¬ Condensed Into Less Than One Hundred Pages graved plates upon the finest finished of Vocal Music BV WILLIAM T. NOSS paper, and undoubtedly the finest Price $1.00 each $9.00 per dozen making Album of its kind ever published.
    [Show full text]
  • MAY 2021 (4/26/2021 - 5/2/2021) - WEEK #18 Date Updated:4/16/2021 2:24:45 PM
    TLEX GRID (EAST REGULAR) - MAY 2021 (4/26/2021 - 5/2/2021) - WEEK #18 Date Updated:4/16/2021 2:24:45 PM MON (4/26/2021) TUE (4/27/2021) WED (4/28/2021) THU (4/29/2021) FRI (4/30/2021) SAT (5/1/2021) SUN (5/2/2021) SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM SHOP LC (PAID PROGRAM 05:00A 05:00A NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 05:30A 05:30A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 06:00A 06:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 06:30A 06:30A (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (SUBNETWORK) (NETWORK) (NETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 07:00A 07:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (SUBNETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 07:30A 07:30A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (SUBNETWORK) PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM PAID PROGRAM 08:00A 08:00A (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) (NETWORK) CASO CERRADO CASO CERRADO CASO CERRADO CASO
    [Show full text]
  • Florida State University Libraries
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2017 The Laws of Fantasy Remix Matthew J. Dauphin Follow this and additional works at the DigiNole: FSU's Digital Repository. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE LAWS OF FANTASY REMIX By MATTHEW J. DAUPHIN A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2017 Matthew J. Dauphin defended this dissertation on March 29, 2017. The members of the supervisory committee were: Barry Faulk Professor Directing Dissertation Donna Marie Nudd University Representative Trinyan Mariano Committee Member Christina Parker-Flynn Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii To every teacher along my path who believed in me, encouraged me to reach for more, and withheld judgment when I failed, so I would not fear to try again. iii TABLE OF CONTENTS Abstract ............................................................................................................................................ v 1. AN INTRODUCTION TO FANTASY REMIX ...................................................................... 1 Fantasy Remix as a Technique of Resistance, Subversion, and Conformity ......................... 9 Morality, Justice, and the Symbols of Law: Abstract
    [Show full text]
  • 2021 Primetime Emmy® Awards Ballot
    2021 Primetime Emmy® Awards Ballot Outstanding Lead Actor In A Comedy Series Tim Allen as Mike Baxter Last Man Standing Brian Jordan Alvarez as Marco Social Distance Anthony Anderson as Andre "Dre" Johnson black-ish Joseph Lee Anderson as Rocky Johnson Young Rock Fred Armisen as Skip Moonbase 8 Iain Armitage as Sheldon Young Sheldon Dylan Baker as Neil Currier Social Distance Asante Blackk as Corey Social Distance Cedric The Entertainer as Calvin Butler The Neighborhood Michael Che as Che That Damn Michael Che Eddie Cibrian as Beau Country Comfort Michael Cimino as Victor Salazar Love, Victor Mike Colter as Ike Social Distance Ted Danson as Mayor Neil Bremer Mr. Mayor Michael Douglas as Sandy Kominsky The Kominsky Method Mike Epps as Bennie Upshaw The Upshaws Ben Feldman as Jonah Superstore Jamie Foxx as Brian Dixon Dad Stop Embarrassing Me! Martin Freeman as Paul Breeders Billy Gardell as Bob Wheeler Bob Hearts Abishola Jeff Garlin as Murray Goldberg The Goldbergs Brian Gleeson as Frank Frank Of Ireland Walton Goggins as Wade The Unicorn John Goodman as Dan Conner The Conners Topher Grace as Tom Hayworth Home Economics Max Greenfield as Dave Johnson The Neighborhood Kadeem Hardison as Bowser Jenkins Teenage Bounty Hunters Kevin Heffernan as Chief Terry McConky Tacoma FD Tim Heidecker as Rook Moonbase 8 Ed Helms as Nathan Rutherford Rutherford Falls Glenn Howerton as Jack Griffin A.P. Bio Gabriel "Fluffy" Iglesias as Gabe Iglesias Mr. Iglesias Cheyenne Jackson as Max Call Me Kat Trevor Jackson as Aaron Jackson grown-ish Kevin James as Kevin Gibson The Crew Adhir Kalyan as Al United States Of Al Steve Lemme as Captain Eddie Penisi Tacoma FD Ron Livingston as Sam Loudermilk Loudermilk Ralph Macchio as Daniel LaRusso Cobra Kai William H.
    [Show full text]
  • Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
    Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998,
    [Show full text]