Leather Armor Pieces Names
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Medieval & Renaissance Manuscripts
BERNARD QUARITCH LTD 40 SOUTH AUDLEY STREET, LONDON W1K 2PR Tel.: +44 (0)20 7297 4888 Fax: +44 (0)20 7297 4866 e-mail: [email protected]; [email protected] website: www.quaritch.com Bankers: Barclays Bank PLC, 1 Churchill Place, London E14 5HP Sort code: 20-65-90 Swift code: BUKBGB22 Sterling account IBAN: GB71 BUKB 2065 9010 5117 22 Euro account IBAN: GB03 BUKB 2065 9045 4470 11 US Dollar account IBAN: GB19 BUKB 2065 9063 9924 44 VAT number: GB 840 1358 54 Recent Catalogues: 1438 The Bradford H. Gray Collection on the History of Social Thought 1437 Continental Books & Manuscripts Recent lists: 2018/13 Education 2018/12 Bindings & Illustrated Books 2018/11 Victorian Work & Leisure Cover illustration taken from item 49, Glossed Psalter Title page illustration taken from item 2, Cicero © Bernard Quaritch Ltd 2019 MEDIEVAL & RENAISSANCE MANUSCRIPTS BERNARD QUARITCH LTD Catalogue 1439 MMXIX Codices: items 1–6 Manuscript fragments, leaves and cuttings: items 7–58 Charters and letters: items 59–70 The manuscripts are arranged in an alphabetical sequence. All are on vellum unless otherwise noted. They are described physically with reference to script, ruling, ink, decoration, condition and general appearance. Measurements of fragments, height preceding width, are given in millimetres both for an entire leaf and for the written space (enclosed in round brackets); in the case of some fragments the use of square brackets indicates that a leaf has been cut down. We have attempted to illustrate a variety of items and shall be pleased to supply a reproduction of anything not illustrated. -
The Terminology of Armor in Old French
1 A 1 e n-MlS|^^^PP?; The Terminology Of Amor In Old French. THE TERMINOLOGY OF ARMOR IN OLD FRENCH BY OTHO WILLIAM ALLEN A. B. University of Illinois, 1915 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN ROMANCE LANGUAGES IN THE GRADUATE SCHOOL OF THE UNIVERSITY OF ILLINOIS 1916 UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL CO oo ]J1^J % I 9 I ^ I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPER- VISION BY WtMc^j I^M^. „ ENTITLED ^h... *If?&3!£^^^ ^1 ^^Sh^o-^/ o>h, "^Y^t^C^/ BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF. hu^Ur /] CUjfo In Charge of Thesis 1 Head of Department Recommendation concurred in :* Committee on Final Examination* Required for doctor's degree but not for master's. .343139 LHUC CONTENTS Bibliography i Introduction 1 Glossary 8 Corrigenda — 79 Digitized by the Internet Archive in 2014 http://archive.org/details/terminologyofarmOOalle i BIBLIOGRAPHY I. Descriptive Works on Armor: Boeheim, Wendelin. Handbuch der Waffenkunde. Leipzig, 1890, Quicherat, J, Histoire du costume en France, Paris, 1875* Schultz, Alwin. Das hofische Leben zur Zeit der Minnesinger. Two volumes. Leipzig, 1889. Demmin, August. Die Kriegswaffen in ihren geschicht lichen Ent wicklungen von den altesten Zeiten bis auf die Gegenwart. Vierte Auflage. Leipzig, 1893. Ffoulkes, Charles. Armour and Weapons. Oxford, 1909. Gautier, Leon. La Chevalerie. Viollet-le-Duc • Dictionnaire raisonne' du mobilier frangais. Six volumes. Paris, 1874. Volumes V and VI. Ashdown, Charles Henry. Arms and Armour. New York. Ffoulkes, Charles. The Armourer and his Craft. -
A Study of the British Library Manuscripts of the Roman De Troie by Benoit De Sainte-Maure: Redaction, Decoration, and Reception
A Study of the British Library Manuscripts of the Roman de Troie by Benoit de Sainte-Maure: Redaction, Decoration, and Reception Sian Prosser Doctor of Philosophy University of Sheffield Department of French January 2010 IMAGING SERVICES NORTH Boston Spa/ Wetherby West Yorkshire/ LS23 7BQ www.bl.uk THIS THESIS CONTAINS A CD IMAGING SERVICES NORTH Boston Spa, Wetherby West Yorkshire, LS23 7BQ www.bl.uk PAGE NUMBERING AS ORIGINAL Summary Recent studies of the Roman de Troie have highlighted the need for more research on the extant manuscripts, because of the unreliable nature of the critical edition and the importance of the text to scholars of twelfth -century literature. This study seeks to contribute to knowledge of one of the most popular versions of the Troy legend in medieval France by describing and analysing two little-known manuscripts of the text. London, British Library, Additional 30863 (L2) presents an abridged version of the poem that provides insights into the reception of the poem in the early thirteenth century. London, British Library, Harley 4482 (L 1) contains a series of decorated initials which exhibit a higher than suspected level of engagement with the text on the part of the manuscript's makers. Part I of the thesis concentrates on L2, beginning in chapter 1 with a codicological and palaeographical description, and a discussion of its likely provenance. Chapter 2 develops the codicological analysis, looking at specific evidence of scribal editing and comparing the manuscript with its closest relative to see which abridgments are unique to L2. It concludes with case studies that illustrate the scribe's abridgement techniques via the presentation of the principal female characters. -
Knights at the Museum Interactive Qualifying Project Submitted to the Faculty of the Worcester Polytechnic Institute in Fulfillment of the Requirements for Graduation
Knights! At the Museum Knights at the Museum Interactive Qualifying Project Submitted to the faculty of the Worcester Polytechnic Institute in fulfillment of the requirements for graduation. By: Jonathan Blythe, Thomas Cieslewski, Derek Johnson, Erich Weltsek Faculty Advisor: Jeffrey Forgeng JLS IQP 0073 March 6, 2015 1 Knights! At the Museum Contents Knights at the Museum .............................................................................................................................. 1 Authorship: .................................................................................................................................................. 5 Abstract: ...................................................................................................................................................... 6 Introduction ................................................................................................................................................. 7 Introduction to Metallurgy ...................................................................................................................... 12 “Bloomeries” ......................................................................................................................................... 13 The Blast Furnace ................................................................................................................................. 14 Techniques: Pattern-welding, Piling, and Quenching ...................................................................... -
Inventory and Survey of the Armouries of the Tower of London. Vol. I
THE ARMOVRIES OF THE TOWER OF LONDON MCMXVI McKEW PARR COLLECTION MAGELLAN and the AGE of DISCOVERY PRESENTED TO BRANDEIS UNIVERSITY • 1961 1 > SeR-GEokGE Ho\W\RDE KNfioHTAASTEFl oF THE Q.WEN£S*AA)EST/FS ARMORYAWODOn, <»^^= — ^F^H5^— r^l 5 6. : INVENTORY AND SURVEY OF THE Armouries OF THE Tower of London BY CHARLES J. FFOULKES, B.Litt.Oxon, F.S.A. CURATOR OF THE ARMOURIES n> Volume I. r LONDON Published by His Majesty's Stationery Office Book Plate of the Record Office in the Tower by J. MYNDE circa 1760 To The King's Most Excellent Majesty SIRE, laying this History and Inventory of the Armouries of the Tower INof London before Your Majesty, I cannot but feel that, in a work of this nature, it would be unfitting that I should take credit for more than the compilation and collation of a large amount of work done by others in the past. In tracing the changes that have taken place from the time when the Tower was a Storehouse of Military Equipment up to the present day, when it is the resting place of a Collection of Royal and Historical Armours many of which are without equal in Europe, I have availed myself of the National Records and also of the generous assistance of living authorities who have made a special study of the several subjects which are dealt with in these pages. I therefore ask Your Majesty's gracious permission to acknowledge here my indebtedness and gratitude to my predecessor Viscount Dillon, first Curator of the Armouries, who has unreservedly placed at my disposal the vast amount of notes, photographs, and researches, which he had collected during over twenty years of office. -
Tournament Gallery - Word Search
HERALDRY Heraldry involves using patterns pictures and colours to represent a knight. Below is an example. Q: Why do you think heraldry was important to a knight? TOURNAMENT Design and GALLERY sketch your own coat of arms KEY STAGE 3 Self-Guided Visit Student Activity Handbook w w w w w w . r r o o Name: y y a a l l a a r r School: m m o o u u r r i i Class: e e s s . o o r r g g Date: © Royal Armouries The Tournament Gallery can be found on Floors 2 and 3 of the Museum. TUDOR TOURNAMENT ARMOUR DECORATION Q: In the Tudor period the tournament was highly popular. Name and describe Find the section in the gallery that describes different ways to the different games associated with the tournament? decorate armour. Q: Name the methods used to decorate these armours A B C D E Q: Why do you think knights and nobles decorated their armour? Q: Find a piece of decorated armour in the gallery sketch it in the box below and describe why you chose it. Armours were made to protect a knight in battle or in the tournament. Q: What are the main differences between armour made to wear in battle and tournament armour? 1 © Royal Armouries © Royal Armouries 2 FIELD OF CLOTH OF GOLD KING HENRY VIII Find the painting depicting the Field of Cloth of Gold tournament. Henry VIII had some of the most impressive armours of his time. To the right of the painting of the Field of Cloth of Gold is a case displaying an armour made for Henry VIII; it was considered to be one of Q: In which year did the Field of Cloth of Gold tournament take place? the greatest armours ever made, why do you think this was? Q: On the other side of the painting is an usual armour. -
Antiquités Du Japon Coiffes Et Couvre-Chefs Antiquités Du Japon Coiffes Et Couvre-Chefs
ANTIQUITÉS DU JAPON COIFFES ET COUVRE-CHEFS ANTIQUITÉS DU JAPON COIFFES ET COUVRE-CHEFS À Laurence Souksi. Catalogue 03 GALERIE ESPACE 4 Frantz Fray © design by Maud Burrus 9 Rue Mazarine © photos Xavier Defaix 75006 Paris printed in France by Magenta color T: 01 75 00 54 62 Edition of 500 [email protected] 2014 www.espace4.com Coiffe de samouraï dite mekure toppai gata jin- A black lacquered wooden mekure toppai gasa, en bois laqué noir à l’extérieur et rouge gata jingasa, red lacquered inside, decora- 01 à l’intérieur, à décor d’un mon en hiramakie ted with a gold hiramakie shin no tsuru no or du type shin no tsuru no maru (grue pré- maru (precious crane forming a circle) mon. Toppai cieuse formant un rond). Armoirie utilisée par This coat of arms was used by several fami- jingasa. plusieurs familles en particulier la famille Mori. lies like Mori. Fin de l’époque Edo. End of the Edo period. Haut.: 26 cm. Tetsu sabiji ichimonji jingasa. Coiffe de sa- A 32 plates natural iron ichimonji jingasa. mouraï de forme ichimonji en fer naturel à 32 Designed as hoshi bachi type helmets, each plaques rivetées. Conçue comme les casques plate, except the one with the kōshō no kwan, 02 de type hoshi bachi, chaque plaque, en dehors is decorated with seven rivets of increasing de celle avec le kōshō no kwan, est décorée size from top to edge. There are a total of 721 Jingasa. de sept rivets saillants de taille croissante du rivets. The interior is black lacquered. -
The Virtual Armory
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@WPI Worcester Polytechnic Institute Digital WPI Interactive Qualifying Projects (All Years) Interactive Qualifying Projects July 2013 The irV tual Armory Jeffrey M. Bardon Worcester Polytechnic Institute Follow this and additional works at: https://digitalcommons.wpi.edu/iqp-all Repository Citation Bardon, J. M. (2013). The Virtual Armory. Retrieved from https://digitalcommons.wpi.edu/iqp-all/2532 This Unrestricted is brought to you for free and open access by the Interactive Qualifying Projects at Digital WPI. It has been accepted for inclusion in Interactive Qualifying Projects (All Years) by an authorized administrator of Digital WPI. For more information, please contact [email protected]. 48-JLS-0069 The Virtual Armory Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ Jeffrey Bardon June 25th 2013 Professor Jeffrey L. Forgeng. Major Advisor Keywords: Higgins Armory, Arms and Armor, QR Code 1 Abstract This project developed a QR system to provide an interactive experience at the Higgins Armory Museum. I developed a web page that gives interesting facts on a medieval European helmet. When scanned, a QR Code next to the helmet brings up a mobile- friendly web page with information on the object, randomly selected from a pool of information, and an HTML-based game involving matching Greek, -
General Periodicals
GENERAL PERIODICALS PUBLICATION DATE VOLUME, ARTICLE INFORMATION PUBLISHER NAME ISSUE Artes Draconis: The Arts & Feb 2003 Issue 34 Bead Embroidery, pg 3 Sciences Journal of the My Reference Collection, pg 4 Middle Kingdom Bead Website Review: Taaffeite Ancient Beads & Rare Gems, pg 12 Making Your Own Beaded Plants, or Beadin’ the Garden, pg 13 History & Art of Lampwork, The, pg 13 Blackberry Chronicles: A Autumnal Vol 1, Herbal Cuisine: Mediaeval Gyngerbrede, pg 20 Herbal Guild of Stromgard Quarterly Newsletter of the Equinox Issue 3 Hive Cosmetics, pg 16 Herbal Guild of Stromgard 2000 Into the Garden: Paradise was a Garden, pg 8 Lunar Gardening Calendar, pg 23 Pharmacopoeia: Abortion and Contraception, pg 11 Tradtions about Mandrake, pg 3 Hammer #23, The Jul-Sep Vol 3, Making of Mail at Omdurman Middle Kingdom Guild of Armourers, 1982 Issue 4 On the Making of the Custom-Fitted Spangenhelm Weaponsmiths and Metalsmiths The Hilting of a Steel Broadsword Blade, Part 1: The Grip and Quillons European Armour, Part 1 European Armour, Part 2: Transition 1250-1400 European Armour, Part 3: The Age of Plate 1400-1500 The Coat of Plates - Its Construction and Suggested Uses Hammer #24, The Oct 1982- Vol 3, The Hilting of a Steel Broadsword, Part 2 Middle Kingdom Guild of Armourers, Oct 1983 Issue 5 Basic Metalsmithing for Armourers Weaponsmiths and Metalsmiths Fifteenth Century Plate Gauntlets The Evolution and Development of Shoulder Protections in the Middle Ages and Renaissance Heneano Kabuto and Full Face Mempo The Arms and Armour Handbook, 6th -
Ms. Fr. 22495, Fol. 105 PL
Originalveröffentlichung in: Eisenbeiß, Anja ; Saurma-Jeltsch, Lieselotte E. (Hrsgg.): Images of otherness in medieval and early modern times : exclusion, inclusion and assimilation, Berlin; München: Deutscher Kunstverlag 2012, S. 37-56 , Plates 1.1-1.10 PL. 1. 1 Victory over Roger of Antioch. William of Tyre, Histoire d'Outremer, Paris, Fauvel master, 1337. Paris, Bibliotheque nationale de France: ms. fr. 22495, fol. 105 PL. 1.2 Kublai Khan and his wives at table. Marco Polo, Livres du grant Caan, Paris, Jeanne de Montbaston, 1333-35. London, The British Library: Ms. Royal 19 D 1, fol. 86 COLOUR PLATES 17 PL. 1.3 Kublai Khan punishes the traitor Najan. Marco Polo, Livres du grant Caan, Paris, Jeanne de Montbaston, 1333-35. London, The British Library: Ms. Royal 19 D 1, fol. 85 PL. 1.4 Kublai Khan punishes Liitam's co-conspirators. Marco Polo, Livres du grant Caan, Paris, Jeanne de Mont baston, 1333-35. London, The British Library: Ms. Royal 19 D 1, fol. 107 18 COLOUR PLATES PL.1.5 Customs in distant lndia. Marco Polo, Livres du grant Caan, Paris, Jeanne de Montbaston, 1333-35. London, The Brit ish Library: Ms. Royal 19 D 1, fol. 118 PL. 1.6 The Mongols provide their idol Natigay with nourishment. Marco Polo, Livres du grant Caan, Paris, Jeanne de Montbaston, 1333-35. London, The Brit ish Library: Ms. Royal 19 D 1, fol. 78v COLOUR PLATES 19 PL. 1.7 Cannibalism in Ciandu. Marco Polo, Livres du grant Caan, Paris, Jeanne de Montbaston, 1333-35. London, The British Library: Ms. -
The Classic Suit of Armor
Project Number: JLS 0048 The Classic Suit of Armor An Interactive Qualifying Project Report Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science by _________________ Justin Mattern _________________ Gregory Labonte _________________ Christopher Parker _________________ William Aust _________________ Katrina Van de Berg Date: March 3, 2005 Approved By: ______________________ Jeffery L. Forgeng, Advisor 1 Table of Contents ABSTRACT .................................................................................................................................................. 5 INTRODUCTION ........................................................................................................................................ 6 RESEARCH ON ARMOR: ......................................................................................................................... 9 ARMOR MANUFACTURING ......................................................................................................................... 9 Armor and the Context of Production ................................................................................................... 9 Metallurgy ........................................................................................................................................... 12 Shaping Techniques ............................................................................................................................ 15 Armor Decoration -
The Complete Costume Dictionary
The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward.