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Yeah Yeah Yeah: the Story of Modern Pop Free FREE YEAH YEAH YEAH: THE STORY OF MODERN POP PDF Bob Stanley | 800 pages | 15 Jun 2015 | FABER & FABER | 9780571322404 | English | London, United Kingdom Yeah Yeah Yeah: The Story of Modern Pop - Bob Stanley - Google книги Be the first to ask a question about Yeah! Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Yeah! As much fun to argue with as to quote, Yeah! Bob Stanley— musician, music critic, and unabashed fan—recounts the progression from the Beach Boys to the Pet Shop Boys to the Beastie Boys; explores what connects doo wop to the sock hop; and reveals how technological changes have affected pop production. This book will have you reaching for your records or CDs or MP3s and discovering countless others. Get A Copy. Paperbackpages. Published September 14th by W. Norton Company first published September Yeah Yeah Yeah: The Story of Modern Pop More Details Original Title. Penderyn Music Book Prize Nominee Other Editions Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Yeah! Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Start your review of Yeah! I always had the feeling that somebody stole my life and was living it instead of me, and now I know who it is — Bob Stanley. There was some prenatal jiggery-pokery somewhere. The real trouble is, it looks like Bob Stanley has been a lot better at being me than I would ever have been. He founded Saint Etienne, the band, not the French city, which was pretty good, and he was also a music journalist, okay, but now he has written this huge forensically detailed, funny and altogether grand history of pop and rock music sincewhich I should have written. Bob has put the required hours in, here - o how many hours! No wonder it kept its head down. There are quotes leaping out of every other page. But Bob has learned from the master. Bob is, actually, the new master. According to garage-punk historian Greg Shaw, in sixty-three percent of American boys under twenty were in a group. So there are hours of post-reading fun also to be had here. View all 18 comments. Do you believe in magic? Arresting, beguiling, comprehensive, diverting, exciting, fabulous, groovy, hit-filled, inspiring, joyous If, like me you ever listened with impatient anticipation to the latest Top 30 chart r Do you believe in magic? If, like me you ever listened with impatient anticipation to the latest Top 30 chart run down, pen in hand, or pause button primed, then " Yeah Yeah Yeah: The Story of Modern Pop " is your Bible. I came away with a c song poptastic playlist. Yes, it's really that good. View all 3 comments. Dec 27, Clementine rated it liked it Shelves: This book is an incredibly ambitious and comprehensive undertaking which I think was executed fairly well. There's no doubt that an incredible amount of research went into it, and I generally enjoyed Stanley's writing. Writing about music is very tricky, but I think he did a good job: he made me want to listen to so many songs, albums, or artists, which is a high compliment. That said, I did have some issues with the book. Firstly, it wasn't unbiased - not that I was expecting that, but there wer This book is an incredibly ambitious and comprehensive undertaking which I think was executed fairly well. Firstly, it wasn't unbiased - not that I was expecting Yeah Yeah Yeah: The Story of Modern Pop, but there were times when Stanley's personal opinion was almost too present. Like, he spent one of the chapters on punk relentlessly dragging The Clash through the mud, which didn't seem necessary. Most chapters were devoted to genres or groupings of genresbut then he'd dedicate an entire chapter to a single group once in awhile - which is perhaps justifiable for truly iconic acts like The Beatles, but then he didn't give Bowie his own chapter but he did allocated one to the Pet Shop Boys. The organization by genre also made for issues with chronology - the book does go in roughly chronological order, but whereas you might end one chapter in, say, with the death of a particular artist, you'd then start the next chapter in Or, you'd think you were firmly in Yeah Yeah Yeah: The Story of Modern Pop 90s, but a chapter would start in the late 70s. Necessary to tell the stories of the genres properly, but the chronological organization and the positioning of the book as "the story of pop music" didn't quite work. Stanley also really fell into Yeah Yeah Yeah: The Story of Modern Pop rockist trap throughout Yeah Yeah Yeah: The Story of Modern Pop book, as well including in the aforementioned chapter on The Clash. There were many times when he debated the authenticity of certain groups or songs or forms of pop music and posited a divide between commercial and creative success. The conclusion of the book is rather teleological and cynical; Stanley seems to think that pop music is past its peak, basically because musical technologies have changed. I definitely don't agree with this, but it's something every generation goes through once they're no longer young and on the cutting edge of everything. Most troubling, though, is Stanley's sometimes patronizing attitude towards women and people of colour. There is some uncomfortable discussion of rap; he argues that "something was lost" with rap without a message: he actually says, of Straight Outta Compton"There was no Nation of Islam revolution in their words - this was a world of dope deals ho's, and violence And let's not pretend that drugs, sex, and violence are not present in other genres! And he makes a lot of troubling statements about women; generally nothing, like, overtly disgusting, but just small condescending remarks. Case in point: "I roll my eyes at Patti Smith for constantly mentioning Rimbaud, so why do I find it OK for the Human League to use an obscure term for silk manufacture and open a song with the line "Listen to the voice of Buddha"? Why do I find one good pop and the other bad? Maybe because Patti Smith was using Rimbaud as a prop, a symbol of rebellion" vs. The quoted Rimbaud and Debord in interviews More: Yeah Yeah Yeah: The Story of Modern Pop Love eventually channeled her attention away from media- baiting, until 's Celebrity Skin felt like a proper Yeah Yeah Yeah: The Story of Modern Pop rather than just a vehicle for her problems Could he have been a little more patronizing?! Fuck Courtney Love for not using her music for the exact purpose Bob Stanley thinks is "proper", right? I mean, do these things ruin the book? No, it was still packed full of good information and written well. But is it annoying to NEVER be able to escape the pervasive sexism and racism that's embedded in the music industry and every other part of society? For its sheer comprehensiveness I'd certainly recommend this book to someone interested in modern pop music, but I didn't think it was as good as the reviews made it out to be, and not just because I have my feminist hat on. View 2 comments. Mar 06, Kristen rated it it was amazing Shelves: favorites Packing 40 years of pop history into a single volume is no easy feat. Bob Stanley covers an amazing amount of material in this page book and mentions an absolutely incredible number of songs along the way. For that reason, the experience of Yeah! It's also quite a feat that Stanley managed to write a book that is so informative, while remaining consistently engaging, insightful, and pithy. I t Packing 40 years of pop history into a single volume is no easy feat. I tackled the book by keeping a running Spotify playlist. I would read each chapter, then go back and review it and add songs to the playlist. To add every song mentioned would be way too much, so I focused on songs I wanted to hear and songs that sounded intriguing. The resulting playlist clocked in at more than 36 hours and totaled songs. I listened to them all. Even the one by Foreigner. Each chapter of the book sums up Yeah Yeah Yeah: The Story of Modern Pop trend, era, or artist. Yeah Yeah Yeah | Faber & Faber W ho would be brave Yeah Yeah Yeah: The Story of Modern Pop or foolish enough — to write a history of pop music? Aren't grand narratives a thing of the past? This is the age of niches, forensic focus, obsessive miniaturism. At least three books exist on Felta Birmingham independent band from the s whose albums bore titles such as Let the Snakes Crinkle Their Heads to Death. One of the few people capable of undertaking this huge task is Bob Stanley. Yeah Yeah Yeahas its title suggests, is a love song to pop. This isn't Stanley being contrary. He makes a convincing case for the vital role played by Jimi Hendrix 's manager Chas Chandler in helping the guitarist demonstrate his genius by getting him to hold his showier pyrotechnics and channel his monumental sound into three-minute singles such as "Hey Joe".
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