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“Mozart Es La Base”

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“Mozart Es La Base” PRO ESTRENO: Matilde, de Julián Carrillo, en SLP año XIX • número 1 enero-febrero 2011 • cincuenta pesos ENTREVISTAS Lorena von Pastor eugenio Pons syLvia rittner María Luisa taMez LA ÓPERA EN CLARO aLgunas ideas Preconcebidas sobre La óPera Anja Harteros : “Mozart es la base” CRÍTICA: pro opera¾ en el Cenart www.proopera.org.mx Antonieta y La bohème DIRECTORIO REVISTA índice COMITÉ EDITORIAL 2 Nuestros patronos Charles H. Oppenheim Ignacio Orendain Kunhardt 4 Cartas al editor José Sánchez Padilla Xavier A. Torresarpi 6 Ópera en México DIRECTOR GENERAL 9 México en el mundo Xavier A. Torresarpi 10 Ópera en los estados EDITOR Charles H. Oppenheim ESTRENO [email protected] 12 La resurrección de Matilde, de Julián Carrillo CORRECCIÓN DE ESTILO Darío Moreno BICENTENARIO 16 Las dos Güeras 9 COLABORAN EN ESTE NÚMERO Jorge Arturo Alcázar Alejandro Anaya Huerta CRÍTICA Otto Cázares 18 Antonieta en el Cenart Mariano del Cueto Carlos Fuentes y Espinosa 20 La bohème en el Teatro de las Artes Ingrid Haas José Noé Mercado TEATROS Luis de Pablo Hammeken 24 El Teatro dell’Opera di Roma René Palacios Hugo Roca Joglar y el futuro de la ópera en México Arturo Rodríguez Torres María Eugenia Sevilla PUNTO DE VISTA José Octavio Sosa 27 Ante un cadáver Gonzalo Uribarri Carpintero ANIVERSARIO www.proopera.org.mx. 28 María Luisa Tamez: “Completamente atípica” CORRESPONSALES EN ESTE NÚMERO Eduardo Benarroch Francesco Bertini SEMBLANZA Jorge Binaghi 32 El barítono Guillermo Sarabia Federico Figueroa Giosetta Guerra OBITUARIO Lorena Jiménez 34 Henryk M. Górecki (1933-2010) Daniel Lara Maria Nockin 6 PORTADA Gustavo Gabriel Otero 36 Anja Harteros: Roberta Pedrotti “Mozart es la base” Alicia Perris Roberto San Juan Ximena Sepúlveda ÓPERA INFANTIL Massimo Viazzo 42 Sylvia Rittner: Erick Zermeño Morales “Hay que respetar la inteligencia de los niños” FOTOGRAFIA Ana Lourdes Herrera PERFILES 46 Eugenio Pons: DISEÑO ORIGINAL “La ópera es para toda la vida” Francis Xavie - Página Cinco DISEÑO GRAFICO ÓPERA Y JUSTICIA Ida Arellano 48 Cavalleria rusticana: Amor, adulterio y duelo mortal DISEÑO PÁGINA WEB Christiane Kuri – Espacio Azul DOCENCIA 52 Consideraciones para elegir IMPRESION el repertorio de canto Servicios Profesionales de Impresión, S.A. de C.V. (tercera y última parte) DISTRIBUCION EFEMÉRIDES Publicaciones CITEM, S. A. de C. V. 54 Los 50 años de El Pessebre PRO ÓPERA, A. C. de Pau Casals 28 DIRECTORA LA ÓPERA EN CLARO Irma Cavia 56 Algunas ideas preconcebidas sobre la ópera GERENTE (Primera de tres partes) Juan Ignacio Gutiérrez ASISTENTE RETRATO Alicia Martínez Vargas 60 John Relyea: Simpatía por el Diablo Pro Ópera. Periodicidad bimestral. Año XIX número 1, enero-febrero 2011. Certificado de Reserva de Derechos al Uso Exclusivo www.proopera.org.mx de Pro Ópera, A.C.: 04-2008-061711331300-102. Certificado de Licitud de Título No. 13084 y Certificado de Licitud de Contenido No. 10657, Otras voces ambos de fecha 20 de Abril de 2005 En esta ocasión, ofrecemos más puntos de vista sobre el y con número de Expediente 1 / 432-05/16969, estreno de la ópera Antonieta de Federico Ibarra, así como ante la Comisión Calificadora de Publicaciones y Revistas Ilustradas. del 30 aniversario de la cantante mexicana María Luisa Publicada por Pro Ópera, A. C. Domicilio de la publicación: Tamez desde su debut en la escena operística nacional. Thiers 273-A, Col. Anzures, 11590, México, D.F. Teléfonos: 5254-4820, 5254-4822, 5254-4823. Fax: 5254-4825. Entrevistas en línea www.proopera.org.mx Ximena Sepúlveda examina la carrera de la soprano méxico- E-mail: [email protected]. americana Ailyn Pérez “bajo la lupa”, y José Noé Mercado Editor responsable: Pro Ópera, A.C. conversa con Iván Martínez, editor de la revista electrónica Impreso por Servicios Profesionales de Impresión, S.A. de C.V. L’Orfeo, con motivo de su segundo aniversario en el 42 Mimosas 31, Santa María Insurgentes, 06430, México, D. F. mercado. Distribuido por Publicaciones CITEM, S.A. de C.V. El contenido de los artículos es responsabilidad exclusiva Ópera en el mundo PORTADA de los autores. Todos los derechos están reservados. Prohibida la Presentamos una cincuentena de reseñas de ópera de la reproducción parcial o total del contenido sin el temporada otoño-invierno de 2010 en América y Europa. Anja Harteros consentimiento por escrito de los editores. FOTO:pro ópera Marco Borggreve PATRONATO PRO ÓPERA, A. C. PRESIDENTE HONORARIO Ramón Vargas Pro Ópera, AC es un patronato sin fines CONSEJO DIRECTIVO PRESIDENTE lucrativos que tiene como misión promover, Ignacio Orendain Kunhardt apoyar y difundir la ópera en México. SECRETARIO Para cumplir con esta misión, recaba Gonzalo Fernández Villanueva donativos con autorización del Servicio de TESORERO Administración Tributaria, para entregar José Germán Sánchez Padilla recibos deducibles de impuestos. A cambio VOCALES de estos donativos, la asociación otorga Adriana Alatriste Lozano Javier Becerra Hernández beneficios, según las siguientes categorías: Felipe García Fricke Luis Gutiérrez Ruvalcaba Gumaro Lizárraga Martínez Benefactores Carlos Müggenburg Charles H. Oppenheim Elena Quintanilla Aportan un donativo anual de $ 50,000 María Luisa Serrato de Chávez pesos o más, y tienen como beneficio el Greta Shelley Medina derecho a reservar seis boletos en lugares EX PRESIDENTES Antonio y Josephine Dávalos † fijos y cuatro más en lugares preferentes, Ignacio Sunderland para cada título de ópera. Elías Sheinberg Adolfo Patrón Luján Luis Rebollar Corona Patrocinadores Benjamín Backal † DIRECTORA Aportan un donativo anual de $35,000 Irma Cavia P R O pesos o más, y tienen como beneficio el Nuestros patronos derecho a reservar cuatro boletos en lugares opera fijos y cuatro más en lugares preferentes, BENEFACTORES Roberto Gómez Aguado Gonzalo Fernández Villanueva Arseny José Lepiavka Ruíz para cada título de ópera. Alfredo Harp Helú Javier Nicolás Maldonado Soto Gumaro Lizárraga Martínez Manuel Marrón Samuel Rimoch Bruno J. Newman Flores Armando Nuricumbo Contribuyentes PATROCINADORES Mario y Yolanda Ortega Jorge Ballesteros Franco Jaime Panqueva Bernal Sylvain Berger Ramón Pedroza Meléndez Aportan un donativo anual de $20,000 pesos o más, y tienen como beneficio el Luis Gutiérrez Ruvalcaba Eduardo Pérez Varona Felisa J. de Campos José Pinto Mazal derecho a reservar cuatro boletos fijos y dos adicionales en luneta 1 en lugares Virginia Mestre Flores Eduardo Roldán Machaen preferentes, para cada título de ópera. Carlos y Mayra Müggenburg Alfredo Ruiz del Río Enrique Ochoa Vega Alejandro Sánchez González José Alfredo Santos Asseo María Luisa Serrato de Chávez Jorge Vargas Diez Barroso David y Jeny Serur Amigos Greta Shelley Medina CONTRIBUYENTES Carmen Sunderland Constancia Díaz Estrada Manuel M. Soto Gutiérrez Aportan un donativo anual de $15,000 pesos o más, y tienen como beneficio Felipe García Fricke el derecho a reservar dos boletos fijos y dos boletos en luneta 1 en lugares Alicia García Cobos de Clark AFICIONADOS Marilú Herrera Antonio Amerlinck preferentes, para cada título de ópera. Roberto Núñez y Bandera Diana & Mauricio Anhalt Adolfo Patrón Luján Yomtov Bejar y Sra. Eugenia de Elena Quintanilla Bejar Donadores Irma Bravo AMIGOS Yolanda Chemor Adriana Alatriste Fernando Estandía Aportan un donativo anual de $8,000 pesos o más, y tienen como beneficio el Alfredo Arvizu Blanca Galindo Beatriz Backal José Galindo derecho a cuatro boletos en luneta 1 en lugares disponibles, para cada título de Javier Becerra Hernández Pedro González Azcuaga Víctor Cohen Levy José Luis González Vivanco ópera. Jorge Díaz Estrada Teresa Madero de Sada José García Martínez y Cecilia Reyes Ignacio Morales Camporredondo Retana Maria Guadalupe Moreno y Aficionados Héctor Grisi Urroz Aguirre Carlos Héctor Hernández Torres Santiago Paredes Wendy Hesketh Julia Puga Aportan un donativo anual de $4,000 pesos o más, y tienen como beneficio el Luz María Llorente Sergio Shapiro Roberto y Maggy Martínez Guerrero Perla Tabachni derecho a reservar dos boletos en luneta 2, en lugares disponibles, para cada título Carlos de la Mora Héctor Ignacio de la Torre de ópera. Gustavo O’Farrill Ferro Hernández Ignacio Orendain Kunhardt Víctor Trujillo Francisco Pallach Poupa Elba Valladolid Cabrera Nelly Paullada de Del Castillo Marco Antonio Valle Romero Beneficios generales para los socios de Pro Ópera: Raúl Ramírez Degollado Salvador Velásquez Briseño Luis Rebollar Corona Salvador Villalpando Hernández Adriana Salinas Ernesto Enrique Warnholtz • Información anticipada y reservación de boletos en preventa para las Jorge Antonio Sánchez Cordero funciones de ópera organizadas por Pro Ópera y la Ópera de Bellas Artes. Dávila SIMPATIZANTES José Sánchez Padilla Malke Bellifemine Podlipsky • Suscripción por un año a la revista Pro Ópera. Ana Stella Uhthoff Fernando David Estavillo Castro Javier y Kathryn Vargas Mendoza Fernando González Aguilar • Derecho de reservación para viajes de Pro Ópera en México y el extranjero. López Velarde, Heftye y Soria. S.C. Ana María Mancidor A. • Derecho de reservación para cursos y ciclos de conferencias de Pro Ópera. Verónica Noriega de Uhthoff DONADORES Carmen Ruíz de Autrique • 10% de descuento en conferencias y cursos para socios con credencial Manuel Álvarez Sara Sajdman vigente. Juanita Ayala Xavier Torresarpi Atala Elorduy Elorduy Carlos Uhthoff Orive • Invitación a ensayos generales abiertos. Informes sobre Patronato y Beneficios: • Recibo deducible de impuestos. [email protected] pro ópera CARTAS AL EDITOR Más novedades en DVD Fue un buen deleite leer el último número de la revista. Esta vez lo que más me gustó fueron las recomendaciones discográficas, siempre atinadas, de Ingrid Hass. Ojalá concedan un mayor espacio para que nos recomienden más videos, libros y discos, pues, a pesar de la crisis de la industria, siguen editándose atractivas novedades. Hace poco compré el nuevo Rigoletto de la Ópera de Dresde en DVD, con Juan Diego Flórez, Diana Damrau y Željko Lučič... y fue una de las mayores desilusiones que he visto y oído en video. Juan Diego es actualmente el rey del bel canto, pero aquí decepciona por los agudos, si no forzados, sí brevísimos y sin brillantez, aparte de su actuación, que es inexistente.
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