Lift Every Voice: Celebrating the African American Spirit
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Lift Every Voice: Hear My Prayer Moses Hogan Celebrating the African American Spirit Set Me as a Seal Julius Miller Saturday, February 22. , 2014 7:30 pm Lord We Give Thanks to Thee Undine Smith Moore Campus Auditorium Lift Every Voice and Sing arr. Roland Carter South Bend Symphonic Choir How Great is Our God Chris Tomlin Naomi Penate, alto Jake Hughes, tenor CONDUCTOR BIOGRAPHIES For Every Mountain Kurt Carr Gwen Norwood, alto David Brock was born and raised in Benton Harbor, Mich. to the union of Walter and the late Doris Brock. He started playing I’m Determined Oscar Hayes the piano at the age of six and began taking lessons at age 11. He also began playing piano at churches when he was 11. Mr. Brock Hallelujah Elbernita “Twinkie” Clark performed in bands and orchestras throughout his education. He IU South Bend Gospel Choir attended Olivet College where he studied music. Mr. Brock is Formatted: Font: Not Bold currently employed at Benton Harbor High School as a pianist and Dich Teure Halley Richard Wagner assistant music teacher. He teaches keyboard theory and voice. He has been playing the keyboard for 44 years. Witness Hall Johnson Marvin Curtis, dean of the Ernestine M. Raclin School of You Can Tell the World Margaret Bonds the Arts at Indiana University South Bend is director of the South Denise Payton, soprano Bend Symphonic Choir. Dean Curtis has held positions at Intermezzo, Op. 118, No. #2 Johannes Fayetteville State University, California State University, Brahms Stanislaus, Virginia Union University, and Lane College. He earned degrees from North Park Troubled Water Margaret Bonds College, The Presbyterian School of Christian Education, Formatted: Indent: First line: 0.5" Maria Corley, piano and The University of the Pacific, and took additional studies at Westminster Choir College and The Julliard School of Music. Fourth Autumn Ellis Marsalis Curtis was a Ford Foundation Fellow to the National Council for Black Studies Conference in Accra, Ghana, where he studied at the La Virgin De La Macerena Raphael Mendez University of Ghana at Lagon. Rodney Mack, trumpet Dean Curtis is the first African American composer stock, and Bonds'. She also wrote for choir, orchestra, and piano, as commissioned to write a choral work for a Presidential well as songs in both the popular and art genres. She was at the Inauguration. His work, The City on the Hill, was premiered at heart of the great developments in black classical music through President Clinton’s 1993 inauguration performed by The Philander three decades beginning in the '20s, that term meant to encompass Smith Collegiate Choir of Little Rock, Ark. and The United States jazz as well as gospel and classical music. Most of her catalog of Marine Band. This choral work is housed in the Smithsonian compositions is easy to acquire in published forms. Her most Institute’s National African American Project Archives and the famous cycle of art songs is the "”Three Dream Portraits,” based on Clinton Library. Other musical commissions have come from poetry by Langston Hughes and first published in 1959. schools and churches, and his orchestral works have been Bonds began her musical studies with her mother, Estella C. performed by numerous orchestras. His compositions are published Bonds. She continued to study piano with Florence B. Price and by The Mark Foster Music Company, Music 70/80, Coronet Press, composition with William Dawson, completing both a bachelor's International Opus, and GIA Publications. and master's degree at Northwestern University at 21 years old. She Marvin Curtis leads clinics and workshops in African- then went on to the The Juilliard School, where she studied with American music and multi-cultural education, serves as guest Tobert Storer, Henry Levine, Roy Harris, and Emerson Harper. In conductor at choral festivals, and is published in scholarly journals. the second half of the '30s, she was working at full throttle in music, He is the National Scholarship Chair for the National Association of involved in both "serious" and non-serious genres. She received a Negro Musicians, Inc., a member of the 100 Black Men of Greater prestigious scholarship from the National Association of Negro South Bend, a member of the Board of Trustees of the Venter for Musicians in 1939 and co-wrote the snappy "Peach Tree Street" History and the Downtown Rotary Club South Bend. Dean Curtis tune the following year. The latter song, based on a popular Atlanta also conducted the South Bend Symphonic Choir in their December thoroughfare, was recorded by Louis Armstrong and Woody 2009 concert at The White House. Herman, among others. She was both a respected performing pianist and teacher in Chicago and New York through the mid-'60s. In 1967, she relocated to Los Angeles, where she began working on film music COMPOSER BIOGRAPHIES and with the Inner City Institute and Repertory Theater. Hughes was her greatest collaborator. The two worked on a series of songs Margaret Bonds received great acclaim during her lifetime and musical theater works, including the musical “Shakespeare in Formatted: Font: Italic as a composer, pianist, and teacher. She was the first black soloist Harlem” and the cantata “Ballad of the Brown King.” She received to perform with the Chicago Symphony Orchestra in 1933, an event the Northwestern University alumni medal in 1967. Her Credo for that has been chronicled as one of the historic moments of black baritone, chorus, and orchestra was performed by the Los Angeles pride in American history. Ironically, she seems to have been Symphony Orchestra conducted by Zubin Mehta shortly after her denied the credit for her most famous work of arranging and death in 1972. songwriting, the gospel hymn "He's Got the Whole World in His Hands." This song is known around the world, has been performed Johannes Brahms was born in Hamburg into a Lutheran countless times, and is considered by most listeners to be "just" a family. Brahms spent much of his professional life in Vienna, traditional song. However this is not true. The arrangement of the Austria, where he was a leader of the musical scene. In his lifetime, song that is commonly performed is an arrangement that is lock, Brahms's popularity and influence were considerable; following a comment by the nineteenth19th-century conductor Hans von Carr became director of the West Los Angeles Church of Bülow, he is sometimes grouped with Johann Sebastian Bach and God in Christ Choir, where he had the opportunity to work with Ludwig van Beethoven as one of the "Three Bs." both Gospel and secular musical artists, such as Stevie Wonder, Brahms composed for piano, chamber ensembles, symphony Gladys Knight, Yolanda Adams, and Kirk Franklin. In 1989 while orchestra, and for voice, and chorus. A virtuoso pianist, he in Los Angeles, Carr formed a six member vocal ensemble Gospel premiered many of his own works; he worked with some of the singers group, called The Kurt Carr Singers. The group has grown leading performers of his time, including the pianist Clara to seven members and now includes sopranos Yvette Williams, Schumann and the violinist Joseph Joachim. Many of his works Nakitta Foxx, and Michelle Prather, altos Timiney Figueroa-Caton, have become staples of the modern concert repertoire. Brahms, an Vonnie Lopez, and Nikki Potts, and tenor Troy Bright. uncompromising perfectionist, destroyed some of his works and left Carr’s music is an interesting blend of traditional Gospel others unpublished. composition and vocals, elements of R&B, jazz, soul, blues, and the Brahms is often considered both a traditionalist and an distinct modern harmonies and singing styles found in Urban innovator. His music is firmly rooted in the structures and Contemporary Gospel. The Kurt Carr Singers under Kurt Carr’s compositional techniques of the Baroque and Classical masters. He direction and musical influence have created six albums. Kurt Carr was a master of counterpoint, the complex and highly disciplined has won four Stellar awardsAwards. art for which Johann Sebastian Bach is famous, and of development, a compositional ethos pioneered by Joseph Haydn, Elbernita “Twinkie” Clark is dubbed as the "Queen of the Wolfgang Amadeus Mozart, Ludwig van Beethoven, and other Hammond Ivory Super CX-1 & Hammond B-3 (Both are organs are composers. Brahms aimed to honor the "purity" of these venerable Home Organs), "The Mother Of of Contemporary Gospel." A "German" structures and advance them into a Romantic idiom, in gifted musician, songwriter, arranger, producer, and gifted vocalist, the process creating bold new approaches to harmony and melody. Elbernita "Twinkie" Clark, is the heart and soul of the Clark Sisters. While many contemporaries found his music too academic, his She has been the creative force in shaping the vibrant sound that has contribution and craftsmanship have been admired by subsequent become the Clark Sisters' hallmark (more affectionately known as figures as diverse as Arnold Schoenberg and Edward Elgar. The the 'Clark “Clark Sound'”) since their mother Mattie Moss Clark diligent, highly constructed nature of Brahms's works was a starting turned over control of the group to her in the early 1970s. It was point and an inspiration for a generation of composers. Twinkie's leadership via musical innovation, songwriting, and vocal arrangements that gave the Clark Sisters their unique sound. In the Kurt Carr was born in the early 1960s in Hartford, Conn., history of Gospel music, she has quickly become a legend in her where he grew up in a family who believed in Jesus, but was not own right. With the reverence of a vast array of audiences, critics deeply involved in church. At the age of 13, Kurt found himself and peers, she is considered by many Gospel aficionados to not being increasingly drawn to the church.