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												Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. - 
												
												Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. - 
												
												BULLETIN CENTRAL OPERA SERVICE 147 West 39Th Streej New York 18, New York
BULLETIN CENTRAL OPERA SERVICE sponsored by METROPOLITAN OPERA NATIONAL COUNCIL 147 West Thirty-ninth Street, New York 18, N.Y. Telephone: PEnnsylvania 6-1200 This issue: SURVEY OF OPERA WORKSHOPS AND CONTEMPORARY OPERA PERFORMANCES March-April, 1964 NEW OPERAS AND PREMIERES It is reported that Ned Rorem ("Childhood Miracle","The Robbers") while in residence at Yaddo, Saratoga Springs, N.Y., is working on a new opera entitled MISS JULIE. Kenward Elmslie is responsible for the libretto. ******* The Center for Advanced Study at the University of Illinois commissioned Robert Kelly, Professor of Composition at the University, to write an opera. Professor Kelly has chosen for his theme the conquest of Mexico presented from the Aztec viewpoint. The opera will be entitled THE WHITE GODS. ******* Jack Gottlieb, assistant to Leonard Bernstein, will witness the premiere of his one-act opera TEA PARTY on April 18 at the Donnell Library, 23 W. 53 St. in New York. It is written for soprano, alto, tenor and baritone and will be performed with the accompaniment of two pianos. The opera, which the composer subtitles "Movement I of a Symphony of Operas" is available through Boosey and Hawkes. ******* The Central City Opera commissioned work, LADY FROM COLORADO, will be pre- miered in Central City on July 3. The Robert Ward-Bernard Stambler work is based on a book by Homer Croy and actual Colorado history and was commissioned in honor of the 100th anniversary of the University of Den- ver (formerly Colorado Seminary). ******* Shostakovich's KATERINA ISMAILOVA (see Jan. Bulletin) will be premiered in the U.S. - 
												
												LOC 2018-19 8 Elektra NO ADS 011819.Indd
R. STRAUSS 1819-Cover-ELEKTRA.indd 1 12/3/2018 10:41:53 AM LYRIC OPERA OF CHICAGO Table of Contents ROBERT KUSEL IN THIS ISSUE Elektra – pp. 20-34 6 From the General Director 21 Synopsis 40 Patron Salute 8 From the Chairman 23 Cast 42 Production Sponsors 10 Board of Directors 24 Artist Profi les 43 Aria Society 11 Women’s Board/Guild Board/Chapters’ 30 Opera Notes 53 Supporting Our Future – Executive Board/Young Professionals/Ryan Endowments at Lyric 34 Director's Note Opera Center Board 54 Major Contributors – Special Events and 35 After the Curtain Falls 12 Administration/Administrative Staff / Project Support Production and Technical Staff 36 Musical Staff /Orchestra/Chorus 55 Lyric Unlimited Contributors 14 Joining the Lyric Family 37 Backstage Life 56 Commemorative Gifts 20 Title Page 38 Artistic Roster 57 Ryan Opera Center 58 Ryan Opera Center Alumni Around the World DAN REST 59 Ryan Opera Center Contributors 60 Planned Giving: e Overture Society 62 Corporate Partnerships 63 Matching Gifts, Special anks, and Acknowledgements 64 Annual Individual and Foundation Support 70 Facilities and Services/ eater Staff GO BEHIND THE SCENES WITH On the cover: Klytämnestra in Elektra, painted by John Macfarlane, set and LYRIC'S FUNDRAISING TEAM – pp. 14-18 costume designer for the Lyric production. 2 | February 2 - 22, 2019 Since 1991 www.performancemedia.us | 847-770-4620 3453 Commercial Avenue, Northbrook, IL 60062 Gail McGrath Publisher & President Sheldon Levin Publisher & Director of Finance A. J. Levin Director of Operations Account Managers Rand Brichta - Arnie Hoff man Executive Editor Southeast Michael Hedge 847-770-4643 Southwest Betsy Gugick & Associates 972-387-1347 L M East Coast Manzo Media Group 610-527-7047 Marketing and Sales Consultant David L. - 
												
												Franco Corelli
FRANCO CORELLI THE PERFORMANCE ANNALS 1951-1981 EDITED BY Frank Hamilton © 2003 http://FrankHamilton.org [email protected] sources Gilberto Starone’s performance annals form the core of this work; they were published in the book by Marina Boagno, Fr anco Corelli : Un Uomo, Una Voce, Azzali Editori s.n.c., Parma, 1990, and in English translation Fr anco Corelli : A Man, A Voice, Baskerville Publishers, Inc., Dallas, 1996. They hav ebeen merged with information from the following sources: Richard Swift of New York and Michigan has provided dates and corrections from his direct correspodence with the theatres and other sources: Bologna (Letter from Teatro Comunale: 5/16/86); Bussetto (see Palermo); Catania (L: Teatro Massimo Bellini: 5/26/86); Enghien-les- Bains (see Napoli); Genoa (L: L’Opera de Genoa: 5/13/86); Hamburg (L: Hamburgische Staatsoper: 5/15/86); Lausanne (L: Theatre Municipal, Lausanne: 5/12/86); Lisbon (L: Teatro Nacional São Carlos: 1986); Livorno (L: Comune di Livorno: 5/31/87); Madrid (L: Teatro Nacional de La Zarzuela: 1/26/87); Modena (L: Comune di Modena: 10/16/87); Napoli (Il Mondo Lirico); Nice (L: Opera de Nice: 5/2/86, 8/5/88); Palermo (L: Teatro Massimo: 6/10/86, 10/13/88); Piacenza (L: Comune di Piacenza u. o. Teatro Municipale: 6/10/86); Rome (Opera Magazine); Rovigo (L: Accademia dei Concordi, Rovigo: 11/11/86, 2/12/87); San Remo (L: Comune di San Remo: 11/8/86); Seattle (Opera News 11/1967); Trieste (L: Teatro Comunale: 4/30/86). The following reference books are listed alphabetically by venue. - 
												
												Mcgill Community for Lifelong Learning | Rory O'sullivan Music
Rory O’Sullivan Opera and Music DVD Collection McGill Community for Lifelong Learning McGill Community for Lifelong Learning | Rory O’Sullivan Music Collection Table of Contents Introduction ................................................................................................................ 3 Borrowing Procedure ................................................................................................. 4 DVD Request Form ................................................................................................... 5 Opera Collection ........................................................................................................ 6 Opera Compilations ...............................................................................................263 Orchestral and Other Works ..................................................................................287 Last Update: 28 March 2017 Page 2 McGill Community for Lifelong Learning | Rory O’Sullivan Music Collection Introduction McGill Community for Lifelong Learning is now in possession of a unique collection of opera DVDs. The family of the late Rory O’Sullivan has generously donated his personal collection for the pleasure and enjoyment of all MCLL members. Rory, through his very popular and legendary Opera Study Groups, inspired huge numbers with his knowledge, love and passion for opera. An architect by profession, Rory was born, raised and educated in Ireland. In his youth he participated in school productions of Gilbert and Sullivan operettas. This instilled - 
												
												Authorization to Copy
AUTHORIZATION TO COPY I authorize Kenneth S. Schmidt to scan the book I coauthored entitled, TULSA OPERA CHRONICLES, for the purpose of making a digital copy for use on the internet in the interest of preserving the history of the Tulsa Opera. Further copies may be made from this digital copy provided they are for educational, historical, personal enjoyment, or the promotion of fine art, and for non-profit use. For any other intentions, the copyright statement below applies. Laven Sowell Jack Williams June 15, 2007 Copyright © 1992 by Jack A. Williams and Laven Sowell All rights reserved under International Copyright Law. Contents May not be reproduced in whole or in part in any form without The express written consent of the authors. Library of Congress Catalog Number 92-96949 1 2 Website produced in appreciation of Mr. Laven Sowell by Ken Schmidt, student of Mr. Sowell since September 1964, Edison Jr. High School Boys Glee Club, Edison High School Mixed Chorus, and proud alumnus of the Edison High School Concert Chorus during the 1969 / 1970 school year in Tulsa, Oklahoma. Thank you for teaching me about great music. 3 To compensate for the page numbering difference between the original book and this PDF file, please add 10 to the page number when referencing the Table of Contents and the Index, and then search or scroll in your PDF viewer. 4 5 This book is dedicated to the loyal and talented chorus members, who have for many years given unselfishly of their time and talent to help make opera possible in the city of Tulsa. - 
												
												III-113 Der Beilagen XX. GP - Bericht - 02 Hauptdokument (Gescanntes Original) 1 Von 210
III-113 der Beilagen XX. GP - Bericht - 02 Hauptdokument (gescanntes Original) 1 von 210 www.parlament.gv.at 2 von 210 III-113 der Beilagen XX. GP - Bericht - 02 Hauptdokument (gescanntes Original) · . OSTERREICHISCHER ßUNDESTHEATERVERßAND BERICHT 1996/97 www.parlament.gv.at III-113 der BeilagenINHA XX.LTSVE GP - BerichtRZ - 02EICHNIS Hauptdokument (gescanntes Original) 3 von 210 Seite Vorwort 4 Bericht des Generalsekretariats 6 Färderer der Bundestheater 12 Werke - Statistik Burgtheater 14 Akadem ietheater 22 Staatsoper 28 Volksoper 44 Besucherstatistik 50 Abonnements 52 Zyklen für Staats- und Volksoper 53 Presse-, Regie- und Dienstkorten, Ermäßigte Karten 54 Die Premieren der Bundestheater Burgtheater 56 Akadem ietheater 71 Staatsoper 85 Volksoper 105 Weitere Veranstaltungen und Aktivitäten Gastspiele 118 ... Off Opera 120 Ausstellungen 1 21 Schulprojekte 124 Ballettschule 126 Fernseh- und Härfunka ufzeichnungen 128 Kostümentlehn u ngen 133 Dekorationsentlehnungen 134 2 www.parlament.gv.at 4 von 210 FinIII-113anzi der Beilagenelle Gebarung XX. GP - Bericht - 02 Hauptdokument (gescanntes Original) Ausgaben 137 Einnahmen 138 Nettoeinnahmen aus Kartenverkauf 144' Personalchronik der Bundestheater 146 Personal der Bundestheater ßurgtheater 152 Staatsoper 156 Volksoper 167 Generalsekretariat 176 Hauptabteilung I Personalangelegenheiten " 1 77 Hauptobteilung 11 Kaufmännische Angelegenheiten 1 78 Hauptabteilung 111 ßau- und Gebä udeverwaltungsangelegenheiten 1 79' ßuchhaltung 1 81 Werkstätte I Dekorations- und Transportwesen 1 82 Werkstätte - 
												
												L'œuvre À L'affiche
L'œuvre à l'affiche Recherches: Jean-Louis Dutronc, Elisabetta Soldini avec la contribution de César Arturo Dillon et Georges Farret Calendrier des premières représentations de Boris Godounov d’après A. Loewenberg, Annals of Opera 1597-1940, Londres 1978. Le signe [▼] renvoie aux tableaux des pages suivantes. Sauf indication contraire, signalée par une abréviation entre parenthèses, l’œuvre a été donnée en russe : [A] allemand, [An] anglais, [B] bulgare, [C] croate, [D] danois, [Es] estonien, [F] finnois, [Fl] flamand, [Fr] français, [H] hongrois, [I] italien, [L] letton, [Li] lituanien, [P] polonais, [R] roumain, [Sl] slovène, [Su] suédois, [Tc] tchèque. Voir aussi dans ce volume les dates des avant-premières de Boris (pages 10-11) et l’article de J.-M. Jacono. 1874 : 27 janvier, création au Théâtre Marie de Saint-Pétersbourg (version origi- nale, 1872). Avec, notamment, Ivan A. Melnikov (Boris), Fyodor Kommissarjewski (Dimitri), Julia Platonova (Marina), Vladimir Vasilyev (Pimène), Vasily Vasilyev Ossip Petrov (Varlaam) et Sobolew (Missaïl). Direction : Eduard Napravnik. 1888 : 28 décembre, Moscou, Théâtre Bolchoï. 1896 : 10 décembre, Saint-Pétersbourg, Conservatoire, (version Rimski- Korsakov). 1908 : 19 mai, Paris, Opéra.[▼] 1909 : 14 janvier, Milan, Teatro alla Scala, version de Michel Delines et Ernesto Palermi. [I] [▼] - 13 septembre : Buenos Aires, Teatro Colon, version de Michel Delines et Ernesto Palermi. Avec notamment Eugenio Giraldoni dans le rôle titre. Direction : Luigi Mancinelli.. [I] 1910 : 18 juin, Rio de Janeiro, version de Michel Delines et Ernesto Palermi [I] - 25 novembre, Prague, version de Rudolf Zamrzla. [Tc] 1911 : 5 novembre, Stockholm, version de Sven Nyblom. [Su] 1912 : 23 janvier, Monte-Carlo. - Lemberg. [P] 1913 : 28 janvier, Lyon, version de Michel Delines et Louis Laloy. - 
												
												Boston Symphony Orchestra Concert Programs, Season 88, 1968-1969
Exquisite Sound From the palaces of ancient Egypt to the concert halls of our modern cities, the wondrous music of the harp has compelled attention from all peoples and all countries. Through this passage of time many changes have been made in the original design. The early instruments shown in drawings on the tomb of Rameses II (1292-1225 B.C.) were richly decorated but lacked the fore-pillar. Later the "Kinner" developed by the Hebrews took the form as we know it today. The pedal harp was invented about 1720 by a Bavarian named Hochbrucker and through this ingenious device it be- came possible to play in eight major and five minor scales complete. Today the harp is an important and familiar instrument providing the "Exquisite Sound" and special effects so important to modern orchestration and arrange- ment. The certainty of change makes necessary a continuous review of your insurance protection. We welcome the opportunity of providing this service for your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS 6b CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 PAIGE OBRION RUSSELL Insurance Since 1876 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor EIGHTY-EIGHTH SEASON 1968-1969 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President HAROLD D. HODGKINSON PHILIP K. ALLEN Vice-President E. MORTON JENNINGS JR ROBERT H. GARDINER Vice-President EDWARD M. KENNEDY JOHN L THORNDIKE Treasurer HENRY A. LAUGHLIN ABRAM BERKOWITZ EDWARD G. MURRAY ABRAM T. COLLIER JOHN T. - 
												
												Beverly, “Music Misses You”
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2014 BEVERLY, “MUSIC MISSES YOU”: A BIOGRAPHICAL AND PERFORMANCE GUIDE TO AMERICAN MEZZO-SOPRANO BEVERLY WOLFF’S CAREER AND HER SUBSEQUENT IMPACT ON AMERICAN OPERA AND ART SONG Sarah C. Downs Trail University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Downs Trail, Sarah C., "BEVERLY, “MUSIC MISSES YOU”: A BIOGRAPHICAL AND PERFORMANCE GUIDE TO AMERICAN MEZZO-SOPRANO BEVERLY WOLFF’S CAREER AND HER SUBSEQUENT IMPACT ON AMERICAN OPERA AND ART SONG" (2014). Theses and Dissertations--Music. 27. https://uknowledge.uky.edu/music_etds/27 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. - 
												
												Boston Symphony Orchestra Concert Programs, Season 88, 1968-1969
BOSTON OTl fH F ^TR A FOUNDED IN 1881 BY HENRY LEE HIGGINSON Am *t EIGHTY-EIGHTH SEASON 1968-1969 Exquisite Sound From the palaces of ancient Egypt to the concert halls of our modern m cities, the wondrous J music of the harp has compelled attention from all peoples and all countries. Through this passage of time many changes have been made in the original design. The early instruments shown in drawings on the tomb of Rameses II (1292-1225 B.C.) were richly decorated but lacked the fore-pillar. Later the "Kinner" developed by the Hebrews took the form as we know it today. The pedal harp was invented about 1720 by a Bavarian named Hochbrucker and through this ingenious device it be- came possible to play in eight major and five minor scales complete. Today the harp is an important and familiar instrument providing the "Exquisite Sound" and special effects so important to modern orchestration and arrange- ment. The certainty of change makes necessary a continuous review of your insurance protection. We welcome the opportunity of providing this service for your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 PAIGE OBRION RUSSELL Insurance Since 1876 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor EIGHTY-EIGHTH SEASON 1968-1969 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President HAROLD D. HODGKINSON PHILIP K. ALLEN Vice-President E. MORTON JENNINGS JR ROBERT H. GARDINER Vice-President EDWARD M.