Kosovo Crisis: Reclaim (E)XFM

Total Page:16

File Type:pdf, Size:1020Kb

Kosovo Crisis: Reclaim (E)XFM ed981015.qxd 25/11/98 21:37 Page 1 (1,1) Issue 944 - Weekly Thursday October 15 1998 Demonstrators Gather To Kosovo Crisis: Reclaim (e)XFM On Saturday 10th October, They think its all over... Leicester Square was the venue for the first rally against the new Capital Radio owned XFM. Gathering just outside Capital Radio’s building the 300 strong crowd, the majority under 25, chanted slogans, sang newly writ- ten protest songs, and waved banners in response to the radical changes that have recently been imple- mented at the station once calling itself “London’s Only Alternative”. At the end of the demonstration newly signed indie band The Llama Farmers delivered a petition with protest organisers to Capital. The Bilateral meeting between US Special Envoy, Mr. Richard Holbrooke (left) and NATO Secretary General, Dr. Javier Solana (right), at NATO HQ Brussels, concerning the situation in Kosovo. large police presence did not interfere, except to request less swearing in the chants (result- Photo courtesy of Nato photos ing in Bob Geldof being described as a “banker” a “tanker” and an “anchor”). The demonstration The World press is currently reporting on by Tom Sherwen came about as part the agreement to end the Kosovo crisis of a possibly long worked out between US Ambassador negotiating table. This risked the build up running campaign Designate to the United Nations, Richard of a reputation similar to that of the UN who to return XFM back Holbrooke and Yugoslav President have repeatedly issued empty threats to to the audience it Slobodan Milosevic. Holbrooke, having Milosevic. Nato must now be persuaded, by was intended for. spent endless hours negotiating with Milosevic, not to act otherwise the military Having finally been Milosevic over the Dayton Peace Accord, will go ahead with a strategic bombing cam- granted a license used to resolve the Bosnian crisis, has seem- paign of Serbian communications, air last year XFM ingly come up with the goods once again. defenses, and military stores. For Milosevic broadcast to to convince the negotiators to reverse the London and sur- It is however too early to rule out the use of Act Order he must guarantee four steps: rounding areas with military action by Nato. President withdraw his special forces from Kosovo, it’s unique style of Milosevic has once again given his word allow 2000 Nato implementation inspectors the DJs choosing although this time Nato have decided that into the area, allow the countless number of all the records they this does not represent a guarantee. Nato refugees, currently in hiding, back to their played and, even more crucially, playing new unsigned bands and those on small indepen- and Holbrooke have negotiated with the homes and guarantee the development of dent labels. Although consistently building on Yugoslav President enough to know that Kosovan autonomy. by Andrew Thomas listening figures month by month XFM was in words are often empty and promises broken. financial trouble and eventually was sold to Capital Radio a few months ago. Although It was therefore decided by the Nato coun- If these conditions are not adhered to then Capital promised that nothing would change, soon after the take-over most of the DJs were tries to go ahead with the next stage in a mil- the attack will go ahead. The Nato decision replaced and a playlist was installed, effectively banning DJ choice in what was played and itary build up. Nato had already informed is without the backing of the UN and in par- closing the doors on bands without large record deals. its military that it should be prepared to act ticular is strongly opposed by Russia. and on Monday night it moved on to stage The public figure leading two; that of ordering the military to go Russia has a strong historical link with the the “new” XFM is Bob ahead with the attack. This order was Serbs and does not believe that Nato should Geldof, who by his own accepted with the proviso that all action was attack. Kosovo is an internal province of an admission is out of touch on hold for 96 hours. Negotiations are independent country and the crisis is there- and a hopeless DJ. This therefore continuing throughout the week in fore regarded by opponents to the military demonstration is expected to an attempt to convince Nato member coun- solution an internal matter. Nato felt that be the first of many. tries that Milosevic is sincere about his any request to the UN, the proper channel intentions. with which to formulate this type of policy, On Tuesday October 13th would be immediately blocked by Russia. the Radio Authority fined The order to go ahead with an attack repre- Nato instead believed that the crisis gave Capital £4,000 for breach of sents the first time that Milosevic has been sufficient basis to, and merited making a their license agreement. given a definite time frame within which to decision independently of the UN. This action is considered to negotiate. The change has taken away the be not nearly enough by decision by Nato of whether to use military Milosevic must now honour his commitments most campaigners. force or persist in plugging away at the by Friday if air strikes are to be averted. News 1/2 n Letters 2 n Union 3 n Features n Music 5/6 n Entertainments Guide 7 . Advice 8 n Notices & Personals & Crossword 9 n Reviews 10 n Surrey Pride 11/12 ed981015.qxd 25/11/98 21:37 Page 2 (1,1) 2 News Thursday 15th October1998 n Editorial Letters News in Brief Dear Editor £2800,000 For Rushdie’s Head I have just heard on Like many others, I was shocked to hear that Alison The Iranian Government has recently relinquished it’s pursuit the news that 25 Limerick and Bandwere were cancelling their gig at the of Salman Rushdie’s murder. However a religious foundation English football hooli- Union this Friday simply because the drummer had been has just reiterated its commitment to the fatwa against the gans (I refuse to call hurt in a car crash. Surely Alison would be able to come writer of The Satanic Verses. It has backed up the pledge by them fans) have been along, sacrifice integrity, do a Personal Appearance, and adding another 300,000 to its existing £2.5 million bounty arrested and deported mime a few songs to a backing tape without the need of her “This increase is aimed at encouraging the carrying out of the for drunken behaviour drummer for the same entrance fee? fatwa,” said chief of the Khordad-15 Foundation, Ayatollah in Belgium, my home After all, it worked for Ultra Nate. Hassan Sanei. country. I cannot help L. The British author has been guarded night and day by Special but relate this to the Branch since 1989, when Muslim leaders declared his work recent criticism of blasphemous and demanded his death. Iran has officially football behaviour on Dear Editor, stopped sanctioning attempts on Rushdie’s life. However 150 the pitch as well as out of 270 Iranian MP’s have signed a petition supporting the off. In reply to Julia P's letter last week regarding "the terrible death threat. An extreme Muslim student group has also put up a £333,000 Tom Sherwen- Editor twosome" - I would like to point out that discrimination of any kind is a disciplinary offense in the Union building. At reward for the writers head. Frances D’Souzza, head of As agreed in issue 943 by both Jon-Paul Samuels, USFC each bar you will see a blue notice outlining exactly what I Article 19 the human right group leading the fight against the Vice-Chairman and Paul Cliff our very own Sports editor, mean. If anyone feels they have been treated unfairly in the fatwa said that no religious organisation could operate with- football seems to have a real problem at the moment. A lack Union, then they should report this to the nearest security out state permission. The foreign office issued a statement, saying that the of discipline on the pitch can only set the worst kind of exam- steward. If you would prefer to deal with a member of staff, Foundations announcement made no difference to Anglo- ple for the many loyal and even fanatical supporters of the you may speak to the House Officer on duty. You can also Iranian diplomatic relations. Salman Rushdie will discuss the financially dominated English teams. What I do not under- choose to speak to a sabbatical officer, myself or the gener- matter in a meeting Foreign Secretary Robin Cook shortly. stand is why the supporters remain so loyal or vocal. al manager. All problems of this nature are dealt with The Premier League has long since turned into a rich mans promptly and discreetly. To the "terrible twosome" I would club and the players salaries are generous in the extreme. say this - what is the funnier, somebody's sexuality, or being Public ‘misled over BSE’ Now even though I admit that I am not the greatest fan of banned from the union for the rest of the year? Sir Kenneth Calman, once Chief Medical Officer has told an football it would seem to be quite natural for a player earning inquiry into BSE that the truth about the disease was con- £20,000 a week to play their favourite sport that they might, Alan D. Roy cealed for 5 years. just might want to demonstrate to the outside world that they The ex government official said that it was not until 1995 that are worth it.
Recommended publications
  • Glastonburyminiguide.Pdf
    GLASTONBURY 2003 MAP Produced by Guardian Development Cover illustrations: John & Wendy Map data: Simmons Aerofilms MAP MARKET AREA INTRODUCTION GETA LOAD OF THIS... Welcome to Glastonbury 2003 and to the official Glastonbury Festival Mini-Guide. This special edition of the Guardian’s weekly TV and entertainments listings magazine contains all the information you need for a successful and stress-free festival. The Mini-Guide contains comprehensive listings for all the main stages, plus the pick of the acts at Green Fields, Lost and Cabaret Stages, and advice on where to find the best of the weird and wonderful happenings throughout the festival. There are also tips on the bands you shouldn’t miss, a rundown of the many bars dotted around the site, fold-out maps to help you get to grips with the 600 acres of space, and practical advice on everything from lost property to keeping healthy. Additional free copies of this Mini-Guide can be picked up from the Guardian newsstand in the market, the festival information points or the Workers Beer Co bars. To help you keep in touch with all the news from Glastonbury and beyond, the Guardian and Observer are being sold by vendors and from the newsstands at a specially discounted price during the festival . Whatever you want from Glastonbury, we hope this Mini-Guide will help you make the most of it. Have a great festival. Watt Andy Illustration: ESSENTIAL INFORMATION INFORMATION POINTS hygiene. Make sure you wash MONEY give a description. If you lose There are five information your hands after going to the loo The NatWest bank is near the your children, ask for advice points where you can get local, and before eating.
    [Show full text]
  • The Delgados Everything Goes Around the Water Mp3, Flac, Wma
    The Delgados Everything Goes Around The Water mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Everything Goes Around The Water Country: UK Released: 1998 Style: Indie Rock MP3 version RAR size: 1316 mb FLAC version RAR size: 1381 mb WMA version RAR size: 1400 mb Rating: 4.4 Votes: 879 Other Formats: AA AIFF APE WMA MPC DTS MP2 Tracklist 1 Everything Goes Around The Water 4:17 2 Blackpool 5:02 3 The Drowned And The Saved 4:32 Companies, etc. Record Company – Chemikal Underground Records Phonographic Copyright (p) – Chemikal Underground Ltd. Copyright (c) – Chemikal Underground Ltd. Published By – Island Music Ltd. Recorded At – Cava Studios Recorded At – Chem19 Glass Mastered At – Nimbus – C8952 Credits Engineer [Engineered By] – Paul Savage (tracks: 2, 3), Tony Doogan (tracks: 1) Producer [Produced By] – The Delgados Songwriter [All Songs Written By] – The Delgados Notes Inner sleeve: Track 1 recorded at Cava Studios, Glasgow. Tracks 2 & 3 recorded at Chem 19 Studios, Hamilton. All songs published by Island Music Ltd. ©1998 Chemikal Underground Ltd. ℗1998 Chemikal Underground Ltd. The copyright in this sound recording is owned by Chemikal Underground Ltd. Back cover: Made in Great Britain _ Released in jewel case. Catalog number: Chem022cd on spine & back cover Chem022CD on disc Track durations are not printed on the release. Barcode and Other Identifiers Barcode (As printed): 5 020667 342256 Barcode: 5020667342256 Matrix / Runout: C8952 CHEM 022 CD · 1:0 [Nimbus logo] Mastering SID Code: IFPI L122 Mould SID Code: ifpi 2322
    [Show full text]
  • Old School Update 128 Songs, 8.5 Hours, 831.9 MB
    Page 1 of 4 Old School Update 128 songs, 8.5 hours, 831.9 MB Name Time Album Artist 1 Amazing Grace 4:23 Spirit Of The Century [Real Wo Blind Boys Of Alabama 2 Sideways 5:22 The Clarence Greenwood Recordi… Citizen Cope 3 Bullet And A Target 4:26 The Clarence Greenwood Recordi… Citizen Cope 4 Fame 4:33 The Clarence Greenwood Recordi… Citizen Cope 5 Work Song 3:50 Hozier (Bonus Track Version) Hozier 6 Take Me to Church 4:02 Hozier (Bonus Tracks Version) Hozier 7 Fool's Tango 3:50 Nighthawks at the Diner Nighthawks at the Diner 8 Volcano 4:39 O Damien Rice 9 Pumped Up Kicks 3:41 From Romney Sophie Madeleine 10 Little Drop of Poison 3:12 Shrek 2 Tom Waits 11 Sail 5:49 Unlimited Gravity Remix Awolnation 12 Sweet Talk 4:12 Sweet Talk EP Kito & Reija Lee 13 Crystallize 4:21 Crystallize - Single Lindsey Stirling 14 Mad World 3:40 Trading Snakeoil for Wolfticke Michael Andrews 15 Porcelain 4:01 Play & Play: B Sides Moby 16 Glory Box 5:06 Dummy Portishead 17 Teardrop 5:27 Tsunami - Crisis in Asia (Live in Bri… Portishead & Massive Attack 18 Mi Corazon 4:23 BajoFondoTangoClub Bajofondo Tango Club 19 Leonel, El Feo (c. Melingo) 2:31 Supervielle Bajofondo Tango Club 20 Tabakeira 4:21 T4 - Nijmegen Collection Goran Bregovic 21 Maki Maki 3:31 Tales and Songs from Weddings Goran Bregovic 22 Milonguea Del Ayer 2:33 Milongas from Emilio Gregory Nisnevich 23 Tango Negro 3:01 MEGA LATINO CD 4 Juan-Carlos Caceres 24 Sur or no Sur 4:53 Sur or no Sur Kevin Johansen + The Nada 25 La Tangomana 2:22 Sur or no Sur Kevin Johansen + The Nada 26 Mi-Lon-Gone 2:54 Corey
    [Show full text]
  • The Music of Relationality in the Cinema of Claire Denis
    ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Concert and disconcertion: the music of relationality in the cinema of Claire Denis https://eprints.bbk.ac.uk/id/eprint/40453/ Version: Full Version Citation: Brown, Geoffrey (2019) Concert and disconcertion: the music of relationality in the cinema of Claire Denis. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email 1 Concert and Disconcertion : the music of relationality in the cinema of Claire Denis Geoffrey Brown Thesis submitted for the degree of PhD in French 2019 Department of European Cultures and Languages Birkbeck, University of London 2 Declaration I declare that the work presented in this thesis is my own, and that this thesis is the one on which I expect to be examined. Geoffrey Brown 3 This thesis is dedicated to Agnès Calatayud, an inspirational teacher, who reconnected me to French cinema after a long carence, and who, crucially, first introduced me to the films of Claire Denis. 4 Abstract This thesis argues that the interest which the films of Claire Denis display in the ever-shifting modes of relations between people is illustrated through analysis of how music is used throughout her corpus of feature films. Denis draws on an extremely eclectic palette of musical styles, and the thesis proposes that these varying musical modalities are central to her treatment of relational issues, as are the ways in which she deploys her chosen musical selections.
    [Show full text]
  • November 10, 2015 for Immediate Release TINDERSTICKS
    November 10, 2015 For Immediate Release TINDERSTICKS PRESENT “HEY LUCINDA,” NEW SONG OFF THE WAITING ROOM, OUT JANUARY 22ND ON CITY SLANG LISTEN TO SINGLE AND WATCH ACCOMPANYING SHORT FILM watch - http://bit.ly/1HuHqsy listen - https://sOuNdclOud.cOm/cityslaNg/tiNdersticks-hey-lucinda/ “. at once a continuation, a surprise and a marker of loss and decline . It is a grand torch song, a conversation between a man and a woman — definitely old friends, maybe also lovers — with a conceit as old as pop . ” – NPR Music “Songs We Love” “The beautiful video finds the camera lingering down a row of shops and storefronts, almost like a contemporary Western, as the late afternoon sky allows the neon signs to really come to life.” — Indiewire’s The Playlist Throughout their two-decade career, TiNdersticks have become known as masters of restraint and human emotion, led by the sophistication and rich baritone of Stuart Staples. On January 22nd via City SlaNg, the band will release The Waiting Room, their most elaborate and diverse album to date. It’s also an ambitious collaborative film project where each song on the album will be accompanied by a short film. The idea for this was created in conjunction with the ClermoNt-FerraNd INterNatiONal ShOrt Film Festival and its chief CalmiN Borel. Calmin’s great knowledge of short film coupled with Tindersticks’ very definite sense of aesthetic were a strong foundation for this concept. Specific filmmakers were approached with a different song from the album, resulting in a varied collection of styles and techniques that are a perfect foil to Staples’ intimate relationship with the songs.
    [Show full text]
  • A&R Update December 1-2-3-4 GO! RECORDS 423
    A&R Update December 1-2-3-4 GO! RECORDS 423 40th St. Ste. 5 Oakland, CA 94609 510-985-0325 E-mail: [email protected] Web: www.1234gorecords.com 4AD RECORDS 17-19 Alma Rd. London, SW 18, 1AA, UK E-mail: [email protected] Web: www.4ad.com Roster: Blonde Redhead, Anni Rossi, St. Vincent, Camera Obscura Additional locations: 304 Hudson St., 7th Fl. New York, NY 10013 2035 Hyperion Ave. Los Angeles, CA 90027 825 RECORDS, INC. Brooklyn, N.Y. 917-520-6855 E-mail: [email protected] Web: www.825Records.com Styles/Specialties: Artist development, solo artists, singer-songwriters, pop, rock, R&B 10TH PLANET RECORDS P.O. Box 10114 Fairbanks, AK 99710 E-mail: [email protected] Web: www.10thplanet.com 21ST CENTURY RECORDS Silver Lake, CA 323-661-3130 E-mail: [email protected] Web: www.21stcenturystudio.com Contact: Burt Levine 18TH & VINE RECORDS ALLEGRO MEDIA GROUP 20048 N.E. San Rafael St. Portland, OR 97230 503-491-8480, 800-288-2007 Website: www.allegro-music.com Genres: jazz, bebop, soul-jazz 21ST CENTURY STUDIO Silver Lake, CA 323-661-3130 Email Address: [email protected] Website: www.21stcenturystudio.com Genres: rock, folk, ethnic, acoustic groups, books on tape, actor voice presentations Burt Levine, A&R 00:02:59 LLC PO Box 1251 Culver City, CA 90232 718-636-0259 Website: www.259records.com Email Address: [email protected] 4AD RECORDS 2035 Hyperion Ave. Los Angeles, CA 90027 Email Address: [email protected] Website: www.4ad.com Clients: The National, Blonde Redhead, Deerhunter, Efterklang, St.
    [Show full text]
  • Queens Park Music Club
    Alan Currall BBobob CareyCarey Grieve Grieve Brian Beadie Brian Beadie Clemens Wilhelm CDavidleme Hoylens Wilhelm DDavidavid MichaelHoyle Clarke DGavinavid MaitlandMichael Clarke GDouglasavin M aMorlanditland DEilidhoug lShortas Morland Queens Park Music Club EGayleilidh MiekleShort GHrafnhildurHalldayle Miekle órsdóttir Volume 1 : Kling Klang Jack Wrigley ó ó April 2014 HrafnhildurHalld rsd ttir JJanieack WNicollrigley Jon Burgerman Janie Nicoll Martin Herbert JMauriceon Burg Dohertyerman MMelissaartin H Canbazerbert MMichelleaurice Hannah Doherty MNeileli Clementsssa Canbaz MPennyichel Arcadele Hannah NRobeil ChurmClements PRoben nKennedyy Arcade RobRose Chu Ruanerm RoseStewart Ruane Home RobTom MasonKennedy Vernon and Burns Tom Mason Victoria Morton Stuart Home Vernon and Burns Victoria Morton Martin Herbert The Mic and Me I started publishing criticism in 1996, but I only When you are, as Walter Becker once learned how to write in a way that felt and still sang, on the balls of your ass, you need something feels like my writing in about 2002. There were to lift you and hip hop, for me, was it, even very a lot of contributing factors to this—having been mainstream rap: the vaulting self-confidence, unexpectedly bounced out of a dotcom job that had seesawing beat and herculean handclaps of previously meant I didn’t have to rely on freelancing Eminem’s armour-plated Til I Collapse, for example. for income, leaving London for a slower pace of A song like that says I am going to destroy life on the coast, and reading nonfiction writers everybody else. That’s the braggadocio that hip who taught me about voice and how to arrange hop has always thrived on, but it is laughable for a facts—but one of the main triggers, weirdly enough, critic to want to feel like that: that’s not, officially, was hip hop.
    [Show full text]
  • Bis Che Trading Limited Presents... Mp3, Flac, Wma
    Bis Che Trading Limited Presents... mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Che Trading Limited Presents... Country: UK Style: Indie Rock, Noise MP3 version RAR size: 1966 mb FLAC version RAR size: 1843 mb WMA version RAR size: 1956 mb Rating: 4.5 Votes: 203 Other Formats: VQF MMF AU XM ASF MP4 AA Tracklist Hide Credits In Stealth A –The Golden Mile Producer, Engineer – Cregan*, Morrow , Ritchie*Written-By – The Golden Mile I've Only Just Started To Breathe B –The Delgados Written-By – Delgados* Icky-Poo Air Raid C –Bis Written-By – Bis Iro Moyo D –Merzbow Written-By – Merzbow Companies, etc. Phonographic Copyright (p) – ché Copyright (c) – ché Distributed By – SRD Distributed By – ADA Recorded At – Ja Studios Recorded At – The Practice Pad Mastered At – JTS Studios Credits Design [Sleeve] – Cactus* Illustration [Inside] – Andru* Notes Foldover card sleeve, includes folded insert. ℗ 1995 Ché, © 1995 Ché Distributed in the UK by SRD. Distributed in the USA by ADA. Made in England. [A] recorded at Ja Studios Belfast 26/8/95 [C,D] recorded at the Practice Pad. This variant is unnumbered. Barcode and Other Identifiers Barcode: 5016266007078 Matrix / Runout (Side A): CHE 47 A - 01-01-Q1 -J.T.S.- Matrix / Runout (Side B): CHE 47 AA - 01-01-Q1 -J.T.S.- Matrix / Runout (Side C): CHE 47 AAA - 01-01-Q1 -J.T.S.- Matrix / Runout (Side D): CHE 47 AAAA - 01-01-Q1 -J.T.S.- Other versions Category Artist Title (Format) Label Category Country Year Bis And The Golden Bis And The Golden Mile Versus Mile Versus The The Delgados And Merzbow - Ché CHÉ 47 ché CHÉ 47 UK 1995 Delgados And Trading Limited Presents..
    [Show full text]
  • Mapping the Music Industry in Scotland
    Mapping the music industry in Scotland: A report John Williamson (Queen Margaret University College/ Sano Management) Martin Cloonan (University of Glasgow) and Simon Frith (University of Stirling) Report commissioned by: Scottish Enterprise February 2003 Contents Page Acknowledgements iii Executive Summary iv Preface vii Introduction 1 Literature Review 4 Chapter One: The Scottish Music Industry 11 (i) Artists and Composers 12 (ii) Live Music 26 (iii) The Recording Industry 37 (iv) The Media 45 (v) Other Creative Industries 51 (vi) Ancillary Services 59 (vii) Education 67 (viii) Retail 70 (ix) Overall Figures 78 Chapter 2: The Stakeholders 80 Chapter 3: Case Studies of Scottish Music Industry Businesses 103 (1) Chemikal Undergrond 104 (2) DF Concerts 106 (3) Fence Records 109 (4) Fopp 111 (5) Lismor Records 113 (6) The Paragon Ensemble 116 (7) Simbiotic 119 i Overview of Case Studies 121 Conclusion and Final Thoughts 125 Appendix A: Schedule for Stakeholder Interviews 128 Appendix B: Schedule for Case Study Interviews 129 Appendix C: Scottish Enterprise Creative Industries Cluster: Music Activities 2002 130 Appendix D: Highlands and Island Enterprise: Support to the Music Industry in 2002 132 Appendix E: Questionnaire results 134 Bibliography 150 ii Acknowledgements This report would not have been possible without the financial support of Scottish Enterprise (SE), Highlands and Islands Enterprise (HIE) and Scottish Development International (SDI). We wish to acknowledge that support as evidence of the commitment of these organisations to developing the music industry within Scotland. During this research we have benefited from the support of staff at SE, HIE and SDI and we would particularly like to thank Sue Jones, Mary Walker, Iain Hamilton and Emma Harcus for their help.
    [Show full text]
  • Making Music Radio
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Stirling Online Research Repository MAKING MUSIC RADIO THE RECORD INDUSTRY AND POPULAR MUSIC PRODUCTION IN THE UK James Mark Percival A thesis submitted for the degree of Doctor of Philosophy Department of Film and Media Studies University of Stirling July 2007 J Mark Percival - Making music radio: the record industry and popular music production in the UK For my mother, Elizabeth Ann Percival (née Murphy) (1937-2004) and my father, Stanley Thomas Percival. J Mark Percival - Making music radio: the record industry and popular music production in the UK i ABSTRACT Music radio is the most listened to form of radio, and one of the least researched by academic ethnographers. This research project addresses industry structure and agency in an investigation into the relationship between music radio and the record industry in the UK, how that relationship works to produce music radio and to shape the production of popular music. The underlying context for this research is Peterson's production of culture perspective. The research is in three parts: a model of music radio production and consumption, an ethnographic investigation focusing on music radio programmers and record industry pluggers, and an ethnographic investigation into the use of specialist music radio programming by alternative pop and rock artists in Glasgow, Scotland. The research has four main conclusions: music radio continues to be central to the record industry's promotional strategy for new commercial recordings; music radio is increasing able to mediate the production practices of the popular music industry; that mediation is focused through the social relationship between music radio programmers and record industry pluggers; cultural practices of musicians are developed and mediated by consumption of specialist music radio, as they become part of specialist music radio.
    [Show full text]
  • Presse Tindersticks
    Medieninformation FM4 präsentiert tindersticks The Something Rain-Tour 2012 „Noch einmal gelingt den englischen Romantikern ein furioses poetisches Meisterwerk.“ Rolling Stone Magazin 19 Jahre nach Veröffentlichung ihres Debüt-Albums, präsentiert eine der vielleicht wichtigsten, definitiv aber eigenwilligsten Independent Pop-Bands Großbritanniens, das Programm ihres brandneuen (neunten) Albums "The Something Rain" - in ausgesuchten Locations und in exklusivem Theater-Rahmen! Es heißt (die) tindersticks führten "Shakespeare'sche Tragik in den Alternative Rock ein", und laut Der Spiegel gibt es niemand, der "tristem Liebesleid ähnlich elegant etwas abgewinnen könne", wie die 1991 in Nottingham (GB) gegründete Independent Pop-Formation. Die Namensgebung geht auf die zufällige Begegnung ihres (stets leicht die Töne verschluckenden) Sängers, "Berufsmelancholikers" & Gitarristen Stuart A. Staples, mit einer achtlos weggeworfenen Streichholzschachtel während eines Griechenland-Urlaubes zurück. Der Rest ist zwei Jahrzehnte währende Geschichte, von tindersticks gefüllt mit ihrem ganz eigenen, unverkennbaren Sound und ihrer eigene Klang-Ästhetik. Staples Einsatz seines Baritons, "dem wir gebannt zuhören würden, selbst wenn er das Telefonbuch singt", wie das Magazin TBA zum 2010 erschienenen Album „Falling Down A Mountain" formulierte, erweiterte die Definition des Begriffs „Soul“. Die oftmals kammermusikalisch anmutende Umsetzung ihrer Songs führte zu zahlreichen Instrumental-Arbeiten etwa für Film-Soundtracks – dabei sind tindersticks Songs schon
    [Show full text]
  • 1 Cloudspotting 2016 Music & Arts Festival
    Cloudspotting 2016 Music & Arts Festival Festival Programme 29 - 31 July 2016 Cloudspotting 1 29 - 31 July 2016 WE could never have imagined the adventures that were to come when Cloudspotting was first conceived over a few pints down the road in a Little Mitton beer garden back in 2011. To steal a quote from one of our headline acts, ‘the years slip by like sips of water’ – and we now find the metamorphosis from adult music weekender to ‘arts festival with kids’ is complete. While the feel of the festival might have moved on as a new generation shares the fun, we curate the music and arts activities with an open mind and try not to compromise on the original idea to bring original, challenging and imaginative performance to remotest Lancashire. We could not ask for a more unspoiled and intimate location to live the dream. The organisation behind the festival is a non-profit making Community Interest Company and we owe a debt of gratitude to the help of others to run the show. This includes the hard working people of the Forestry Commission and a number of strategic partners and individuals – many of them voluntary - who provide essential grant aid and invaluable support in-kind. Creative Lancashire has been one such partner down the years, supporting emerging musicians to perform at the festival, producing festival CDs and presenting ‘Conversations in Creativity’ with inspirational artists. This year, they have helped us produce the publication of this programme. We hope you like it. Have the best weekend and please tell everyone about it afterwards Helen Ficorilli & Matt Evans Team Cloudspotting “A classic combination of music, lovely food and drink, family and arts activities in a stunning location.
    [Show full text]