Chapter I Historical Background
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Shiva's Waterfront Temples
Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region Subhashini Kaligotla Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 © 2015 Subhashini Kaligotla All rights reserved ABSTRACT Shiva’s Waterfront Temples: Reimagining the Sacred Architecture of India’s Deccan Region Subhashini Kaligotla This dissertation examines Deccan India’s earliest surviving stone constructions, which were founded during the 6th through the 8th centuries and are known for their unparalleled formal eclecticism. Whereas past scholarship explains their heterogeneous formal character as an organic outcome of the Deccan’s “borderland” location between north India and south India, my study challenges the very conceptualization of the Deccan temple within a binary taxonomy that recognizes only northern and southern temple types. Rejecting the passivity implied by the borderland metaphor, I emphasize the role of human agents—particularly architects and makers—in establishing a dialectic between the north Indian and the south Indian architectural systems in the Deccan’s built worlds and built spaces. Secondly, by adopting the Deccan temple cluster as an analytical category in its own right, the present work contributes to the still developing field of landscape studies of the premodern Deccan. I read traditional art-historical evidence—the built environment, sculpture, and stone and copperplate inscriptions—alongside discursive treatments of landscape cultures and phenomenological and experiential perspectives. As a result, I am able to present hitherto unexamined aspects of the cluster’s spatial arrangement: the interrelationships between structures and the ways those relationships influence ritual and processional movements, as well as the symbolic, locative, and organizing role played by water bodies. -
ART. X.—Translations of Three Copper Plate Inscriptions of the Fourth Century, A.D., and Notices of the Chalukya and Gurjjara Dynasties
JOURNAL THE EOTAL ASIATIC SOCIETY. ART. X.—Translations of Three Copper Plate Inscriptions of the Fourth Century, A.D., and Notices of the Chalukya and Gurjjara Dynasties. By Professor J. DOWSON, Staff College, Sandhurst. [Read March 21, 1864.] IN the year 1837, Dr. A. Burn transmitted to Mr. James Prinsep, then Secretary of the Asiatic Society of Bengal, transcripts and facsimiles of four Copper Plate Inscriptions. " These plates," he said, " were found in the town of Kaira, about ten years ago. The river Watrua runs close to the walls on the north-west side, and was the cause of the dis- covery, by washing down the walls and earth. They had been handed about the country among the natives for translation, it being supposed they were connected with some deposit of treasure. At last they were brought to me by a fakir, of whom I purchased them." 1 These plates proved to be of great archaeological value, for three of them being dated both in words and figures, they furnished a key to the value of the old Sanskrit numerals. Much pleased with the discovery of this fact, Mr. Prinsep published fac-similes and explanations of the dates,2 and fol- lowed up the clue thus placed in his hands with characteristic ardour. In October, 1838, after Mr. Prinsep had left India, a tran- script and a partial translation of one plate was published, 1 Journal Beng. As. Soc. vol. vii. p. 908. Thomas's Prinsep, vol. i. p. 262. 8 Beng. J". vol. vii. p. 348. Thomas, vol. ii., p. -
Hoysala King Ballala Iii (1291-1342 A.D)
FINAL REPORT UGC MINOR RESEARCH PROJECT on LIFE AND ACHIEVEMENTS: HOYSALA KING BALLALA III (1291-1342 A.D) Submitted by DR.N.SAVITHRI Associate Professor Department of History Mallamma Marimallappa Women’s Arts and Commerce College, Mysore-24 Submitted to UNIVERSITY GRANTS COMMISSION South Western Regional Office P.K.Block, Gandhinagar, Bangalore-560009 2017 1 ACKNOWLEDGEMENT First of all, I would like to Express My Gratitude and Indebtedness to University Grants Commission, New Delhi for awarding Minor Research Project in History. My Sincere thanks are due to Sri.Paramashivaiah.S, President of Marimallappa Educational Institutions. I am Grateful to Prof.Panchaksharaswamy.K.N, Honorary Secretary of Marimallappa Educational Institutions. I owe special thanks to Principal Sri.Dhananjaya.Y.D., Vice Principal Prapulla Chandra Kumar.S., Dr.Saraswathi.N., Sri Purushothama.K, Teaching and Non-Teaching Staff, members of Mallamma Marimallappa Women’s College, Mysore. I also thank K.B.Communications, Mysore has taken a lot of strain in computerszing my project work. I am Thankful to the Authorizes of the libraries in Karnataka for giving me permission to consult the necessary documents and books, pertaining to my project work. I thank all the temple guides and curators of minor Hoysala temples like Belur, Halebidu. Somanathapura, Thalkad, Melkote, Hosaholalu, kikkeri, Govindahalli, Nuggehalli, ext…. Several individuals and institution have helped me during the course of this study by generously sharing documents and other reference materials. I am thankful to all of them. Dr.N.Savithri Place: Date: 2 CERTIFICATE I Dr.N. Savithri Certify that the project entitled “LIFE AND ACHIEVEMENTS: HOYSALA KING BALLALA iii (1299-1342 A.D)” sponsored by University Grants Commission New Delhi under Minor Research Project is successfully completed by me. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel Permalink https://escholarship.org/uc/item/90b9h1rs Author Sriram, Pallavi Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Pallavi Sriram 2017 Copyright by Pallavi Sriram 2017 ABSTRACT OF DISSERTATION Performative Geographies: Trans-Local Mobilities and Spatial Politics of Dance Across & Beyond the Early Modern Coromandel by Pallavi Sriram Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor Janet M. O’Shea, Chair This dissertation presents a critical examination of dance and multiple movements across the Coromandel in a pivotal period: the long eighteenth century. On the eve of British colonialism, this period was one of profound political and economic shifts; new princely states and ruling elite defined themselves in the wake of Mughal expansion and decline, weakening Nayak states in the south, the emergence of several European trading companies as political stakeholders and a series of fiscal crises. In the midst of this rapidly changing landscape, new performance paradigms emerged defined by hybrid repertoires, focus on structure and contingent relationships to space and place – giving rise to what we understand today as classical south Indian dance. Far from stable or isolated tradition fixed in space and place, I argue that dance as choreographic ii practice, theorization and representation were central to the negotiation of changing geopolitics, urban milieus and individual mobility. -
A Study of Buddhist Sites in Karnataka
International Journal of Academic Research and Development International Journal of Academic Research and Development ISSN: 2455-4197 Impact Factor: RJIF 5.22 www.academicjournal.in Volume 3; Issue 6; November 2018; Page No. 215-218 A study of Buddhist sites in Karnataka Dr. B Suresha Associate Professor, Department of History, Govt. Arts College (Autonomous), Chitradurga, Karnataka, India Abstract Buddhism is one of the great religion of ancient India. In the history of Indian religions, it occupies a unique place. It was founded in Northern India and based on the teachings of Siddhartha, who is known as Buddha after he got enlightenment in 518 B.C. For the next 45 years, Buddha wandered the country side teaching what he had learned. He organized a community of monks known as the ‘Sangha’ to continue his teachings ofter his death. They preached the world, known as the Dharma. Keywords: Buddhism, meditation, Aihole, Badami, Banavasi, Brahmagiri, Chandravalli, dermal, Haigunda, Hampi, kanaginahally, Rajaghatta, Sannati, Karnataka Introduction of Ashoka, mauryanemperor (273 to 232 B.C.) it gained royal Buddhism is one of the great religion of ancient India. In the support and began to spread more widely reaching Karnataka history of Indian religions, it occupies a unique place. It was and most of the Indian subcontinent also. Ashokan edicts founded in Northern India and based on the teachings of which are discovered in Karnataka delineating the basic tents Siddhartha, who is known as Buddha after he got of Buddhism constitute the first written evidence about the enlightenment in 518 B.C. For the next 45 years, Buddha presence of the Buddhism in Karnataka. -
1 Component-I (A) – Personal Details
Component-I (A) – Personal details: 1 Component-I (B) – Description of module: Subject Name Indian Culture Paper Name Outlines of Indian History Module Name/Title South Indian kingdoms : pallavas and chalukyas Module Id I C/ OIH/ 15 Political developments in South India after Pre-requisites Satavavahana and Sangam age To study the Political and Cultural history of South Objectives India under Pallava and Chalukyan periods Keywords Pallava / Kanchi / Chalukya / Badami E-text (Quadrant-I) 1. Introduction The period from C.300 CE to 750 CE marks the second historical phase in the regions south of the Vindhyas. In the first phase we notice the ascendency of the Satavahanas over the Deccan and that of the Sangam Age Kingdoms in Southern Tamilnadu. In these areas and also in Vidarbha from 3rd Century to 6th Century CE there arose about two dozen states which are known to us from their land charters. In Northern Maharashtra and Vidarbha (Berar) the Satavahanas were succeeded by the Vakatakas. Their political history is of more importance to the North India than the South India. But culturally the Vakataka kingdom became a channel for transmitting Brahmanical ideas and social institutions to the South. The Vakataka power was followed by that of the Chalukyas of Badami who played an important role in the history of the Deccan and South India for about two centuries until 753 CE when they were overthrown by their feudatories, the Rashtrakutas. The eastern part of the Satavahana Kingdom, the Deltas of the Krishna and the Godavari had been conquered by the Ikshvaku dynasty in the 3rd Century CE. -
The Global Connections of Gandhāran Art
More Gandhāra than Mathurā: substantial and persistent Gandhāran influences provincialized in the Buddhist material culture of Gujarat and beyond, c. AD 400-550 Ken Ishikawa The Global Connections of Gandhāran Art Proceedings of the Third International Workshop of the Gandhāra Connections Project, University of Oxford, 18th-19th March, 2019 Edited by Wannaporn Rienjang Peter Stewart Archaeopress Archaeology Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978-1-78969-695-0 ISBN 978-1-78969-696-7 (e-Pdf) DOI: 10.32028/9781789696950 www.doi.org/10.32028/9781789696950 © Archaeopress and the individual authors 2020 Gandhāran ‘Atlas’ figure in schist; c. second century AD. Los Angeles County Museum of Art, inv. M.71.73.136 (Photo: LACMA Public Domain image.) This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. This book is available direct from Archaeopress or from our website www.archaeopress.com Contents Acknowledgements ����������������������������������������������������������������������������������������������������������������������������iii Illustrations ����������������������������������������������������������������������������������������������������������������������������������������iii Contributors ��������������������������������������������������������������������������������������������������������������������������������������� iv Preface ������������������������������������������������������������������������������������������������������������������������������������������������ -
A Case Study of Cultural History of Harapanahalli in the Kannada Inscriptions of the Taluk”
www.ijcrt.org © 2018 IJCRT | Volume 6, Issue 2 April 2018 | ISSN: 2320-2882 “A case study of cultural history of Harapanahalli in the Kannada inscriptions of the taluk” Prof. M.Vijaykumar Asst Professor Government First Grade College – Harapanahalli Abstarct: Harapanahalli region played an important role keeping intact Kananda language and culture. It was center of various empires imporatnat ones being Western Chalukyas, Rashtrakutas,Vijayanagara. The present paper seeks to unravel these aspects through study of cultural history of Harapanahalli in the Kannada inscriptions of the taluk.The Western Chalukyas played an important role in art and cultrure development in the region.The Western Chalukyas developed an architectural style known today as a transitional style, an architectural link between the style of the early Chalukya dynasty and that of the later Hoysala empire. Most of its monuments are in the districts bordering the Tungabhadra River in central Karnataka. Well known examples are the theMallikarjuna Temple at Kuruvatti, the Kallesvara Temple at Bagali and the Mahadeva Temple at Itagi. This was an important period in the development of fine arts in Southern India, especially in literature as the Western Chalukya kings encouraged writers in the native language Kannada, and Sanskrit.Knowledge of Western Chalukya history has come through examination of the numerous Kannada language inscriptions left by the kings (scholars Sheldon Pollock and Jan Houben have claimed 90 percent of the Chalukyan royal inscriptions are in Kannada), and from the study of important contemporary literary documents in Western Chalukya literature such as GadaYuddha (982) in Kannada by Ranna and VikramankadevaCharitam (1120) in Sanskrit by Bilhana. -
Chalukyas Dynasty and Pallava Dynasty
Chalukyas Dynasty and Pallava Dynasty THE CHALUKYAS: History of the Chalukyas, the Karnataka rulers, can be classified into three eras: 1) The early western era (6th - 8th century), the Chalukyas of Badami (vatapi); 2) The later western era (7th - 12th century), the Chalukyas of Kalyani; 3) The eastern Chalukyas era (7th - 12th century), the Chalukyas of Vengi. Pulakesin I (543-566) was the first independent ruler of Badami with Vatapi in Bijapur as his capital. Kirthivarma I (566-596) succeeded him at the throne. When he died, the heir to the throne, Prince Pulakesin II, was just a baby and so the king‘s brother, Mangalesha (597-610), was crowned the caretaker ruler. Over the years, he made many unsuccessful attempts to kill the prince but was ultimately killed himself by the prince and his friends. Pulakesin II (610-642), the son of Pulakesin I, was a contemporary of Harshavardhana and the most famous of the Chalukyan kings.His reign is remembered as the greatest period in the history of Karnataka. He defeated Harshavardhana on the banks of the Narmada. 4) After conquering the Kosalas and the Kalingas, and eastern Chalukyan dynasty was inaugurated by his(Pulakeshin II) brother Kubja Vishnuvardana. 5) By 631, the Chalukyan empire extended from sea to sea. However, Pulkeshin II was defeated and probably killed in 642, when the Pallavas under Narsimhavarma I attack their capital & captured the Chalukyas capital at Badami. 6) The Chalukyas rose to power once again under the leadership of Vikramaditya I (655-681), who defeated his contemporary Pandya, Pallava, Cholas and Kerala rulers to establish the supremacy of the Chalukyan empire in the region. -
A Study on the History of Chalukya Dynasty
Journal of Advances and JournalScholarly of Advances and Researches in Scholarly Researches in AlliedAllied Education Education Vol. X 3,, Issue Issue No. 6, XI X, July-201April5, ISSN-2012, 2230 -7540 ISSN 2230- 7540 REVIEW ARTICLE A STUDY ON THE HISTORY OF CHALUKYA AN DYNASTY INTERNATIONALLY INDEXED PEER Study of Political Representations: REVIEWED & REFEREED JOURNAL Diplomatic Missions of Early Indian to Britain www.ignited.in Journal of Advances and Scholarly Researches in Allied Education Vol. X, Issue No. XIX,July-2015, ISSN 2230-7540 A Study on the History of Chalukya Dynasty Surender Kumar Assistant Professor, DAV College, Cheeka Disst, Kaithal Abstract – The Chalukya dynasty was an Indian royal dynasty that ruled large parts of southern and central India between the 6th and the 12th centuries. During this period, they ruled as three related yet individual dynasties. The earliest dynasty, known as the "Badami Chalukyas", ruled from Vatapi (modern Badami) from the middle of the 6th century. The Badami Chalukyas began to assert their independence at the decline of the Kadamba kingdom of Banavasi and rapidly rose to prominence during the reign of Pulakesi II. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - X - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - INTRODUCTION was, but a continuation of the conflict between ancient Seleukia and "Parthians", the proposed After the death of Pulakesi II, the Eastern ancestors of Pallavas. However, this theory has been Chalukyas became an independent kingdom in the rejected as it seeks to build lineages based simply on eastern Deccan. They ruled from Vengi until about the similar sounding clan names. 11th century. In the western Deccan, the rise of nd the Rashtrakutas in the middle of the 8th century Another theory, that they were descendants of a 2 - eclipsed the Chalukyas of Badami before being century chieftain called Kandachaliki Remmanaka, a revived by their descendants, the Western Chalukyas, feudatory of the Andhra Ikshvaku was put forward. -
Architectural Science in Jain Poetry: the Descriptions of Kumarapala's
International Journal of Jaina Studies (Online) Vol. 13, No. 4 (2017) 1-30 ARCHITECTURAL SCIENCE IN JAIN POETRY THE DESCRIPTIONS OF KUMARAPALA’S TEMPLES Basile Leclère 1. Introduction In the fourth act of the Moharājaparājaya or Defeat of King Delusion, a play about the conversion to Jainism of the Caulukya king Kumārapāla (r. 1143-1173) written by the Jain layman Yaśaḥpāla under the reign of Kumārapāla’s successor Ajayapāla (r. 1173-1176), there is a scene wherein several allegorical characters, Prince Gambling, his wife Falsehood and his friends Venison and Excellent-Wine are suddenly informed by a royal proclamation that a Jain festival is about to take place. Understanding that their existence is threatened by the king’s commitment to the ethics of Jainism, all these vices look in panic for a place in the capital city of Aṇahillapura (modern Patan) to take refuge in. Falsehood then points at a great temple where she thinks they could revel, but she learns from her husband that it is a Jain sanctuary totally unfit for welcoming them, as well as the many other charming temples that Falsehood notices in the vicinity. Prince Gambling and Excellent-Wine then explain that all these temples have been built by Kumārapāla under the influence of his spiritual teacher, the Jain monk Hemacandra.1 As a matter of fact, Kumārapāla did launch an ambitious architectural project after converting to Jainism and had Jain temples built all over the Caulukya empire, a feat celebrated by another allegorical character, Right-Judgement, in the fifth act of the Defeat of King Delusion: there he expresses his joy of seeing the earth looking like a woman thrilled with joy, with all these temples to Dispassionate Jinas erected at a high level as the hair of a body.2 Other Jain writers from the times of Kumārapāla similarly praised the king’s decision to manifest the social and political rise of Jainism by filling the landscape with so many temples. -
Kannada Inscription from Maharashtra.Pdf
KANNADA INSCRIPTION FROM MAHARASHTRA Dr. Nalini Avinash Waghmare Department of History o Tilak Maharashtra Vidyapeeth, Pune Mobile: 9975833748 Emailld:[email protected]. Introduction: From earlIest times Karnataka made its own impact in the lLil;tory of India. There wert! so many sources to focus on political. social, rel igion, cultw'al relations with other states. Kamataka's contribution to the culture of India is of prime importance. Kamata.ka and Maha rashtra are both neighbouring States. From ancient times these two, KaImada and Marathi language, have had a cultural exchange. This is one of the reasons these two states are attached with each other. "In the North Indian historian view Deccan land means North part of Tungabhadra River. According to Tamil his torian North India means South part of Kaveri River. Because of this for the development of South Indian not mention Kamataka's role by hi storian". We find all over Maharashtra, sources which have kept KUlllataka al ive; approximately 300 Kannada inscriptions, Viragallu ( hero stones), temples, many Archaeological sources which find in digging, coins, stamps, sc ulpture, literature etc., focus on Kannada people's life. Slu'ikantashashtri, Saltore, Shamba Joshi, (S.B. Joshi). B.P. Desai, R.C. Hiremath, Srinivas Ritti, M.M. Kulburgi, Pandit Avalikar, MY Narasimhamurthi etc Kannada writers and Rajwade, Bhandarkar, Ranade. Setuma dhavrao Pagade, Dhanjay Gadgil, Ramachandra, C. Dher, D.V. Ap te etc. Marathi writers tried to focus on both these states History and Cultural relation between Kamataka and Maharashtra near Gurlasur. Lokmanya Tilak expresses his view about relationship of Kamataka and Maharashtra.