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The Curious Incident of the Dog in the Night-Time Village

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The Curious Incident of the Dog in the Night-Time Village MARCH 2019 March 2019 Volume 18, No. 4 RECEIVINGBR STANDING OVATIONS AVO! & RAVE REVIEWS FROM PATIENTS · Sports Medicine · Foot & Ankle · Spine Surgery · Joint Replacement · Hand & Wrist · Surgery Center Paul Heppner President Board Certified Orthopedic Surgeons Mike Hathaway Senior Vice President (425) 339-2433 Kajsa Puckett www.ebjproliancesurgeons.com181220 Crossroads Village Theater 4.75x4.875 f.pdf 1 12/20/18 10:24 AM Vice President, Sales & Marketing Genay Genereux Accounting & Office Manager EAP 1_6 H template.indd 1 9/30/16 11:56 AM Production Susan Peterson Vice President, Production Jennifer Sugden Assistant Production Manager Ana Alvira, Stevie VanBronkhorst Production Artists and Graphic Designers Sales Marilyn Kallins, Terri Reed San Francisco/Bay Area Account Executives Devin Bannon, Brieanna Hansen, Amelia Heppner, Ann Manning Seattle Area Account Executives Carol Yip Sales Coordinator Marketing Shaun Swick Senior Designer & Digital Lead Ciara Caya Marketing Coordinator Encore Media Group 425 North 85th Street Seattle, WA 98103 p 800.308.2898 | 206.443.0445 f 206.443.1246 [email protected] www.encoremediagroup.com Encore Arts Programs and Encore Stages are published monthly by Encore Media Group to serve musical and theatrical events in the Puget Sound and San Francisco Bay Areas. All rights reserved. ©2019 Encore Media Group. Reproduction without Business, meet box office. written permission is prohibited. Encore connects your business to arts patrons wherever they are. To learn what Encore can do for your business, visit encoremediagroup.com. 2 VILLAGE THEATRE ROBB HUNT Executive Producer JERRY DIXON Artistic Director A play by Based on the novel by SIMON STEPHENS MARK HADDON Francis J. Gaudette Theatre Everett Performing Arts Center March 14 – April 21, 2019 April 26 – May 19, 2019 Director Choreographer JERRY DIXON SONIA DAWKINS Composer/Orchestrations Scenic Designer Projection Designer Costume Designer CURTIS MOORE MARK WENDLAND GREGORY W. TOWLE CYNTHIA SAVAGE Lighting Designer Sound Designer Stage Manager Assistant Stage Managers AMIYA BROWN BRENT WARWICK CATHERINE COSTANZO* VICTORIA THOMPSON RUTH EITEMILLER Properties Manager Wig Master Master Scenic Artist RACHEL BENNICK DOUGLAS DECKER JULIA B. FRANZ Technical Director Costume Shop Manager Production Manager BRADLEY C. BIXLER ESTHER GARCIA JAY MARKHAM The Curious Incident of the Dog in the Night-Time was first presented by the National Theatre, London at the Cottesloe Theatre on August 2nd, 2012 and transferred to the Gielgud Theatre, West End, London on March 12th, 2013. The Play opened in the USA at the Ethel Barrymore Theatre on October 5th, 2014. This Play is presented by kind permission of Warner Bros. Entertainment. The Curious Incident of the Dog in the Night-Time is presented by special arrangement with Dramatists Play Service, Inc., New York SHOW SPONSORS SEASON SPONSORS SHOW MEDIA SPONSOR PRODUCING SPONSORS SEASON MEDIA SPONSOR DIRECTING SPONSOR TRAVEL SPONSOR IN-KIND SEASON SUPPORT Made possible in part by assistance from the Snohomish County hotel-motel tax fund. VILLAGE THEATRE’S 2018–2019 SEASON THE NOTEWORTHY LIFE MATILDA I DO! I DO! THE CURIOUS INCIDENT OF MILLION DOLLAR QUARTET OF HOWARD BARNES November 8, 2018 – January 17 – THE DOG IN THE NIGHT-TIME May 9 – July 28, 2019 September 13 – November 18, 2018 February 3, 2019 March 24, 2019 March 14 – May 19, 2019 A Q&A with Cast Sensory Access Christopher ..................................................................................................................Michael Krenning* Siobhan ..............................................................................................................................Jéhan Òsanyìn* For the creation of The Curious Incident of the Ed ...................................................................................................................................... James D. Sasser* Dog in the Night Time, we have partnered with Judy ............................................................................................................................ Kathryn Van Meter* a local organization called Sensory Access to help us to take extra steps to ensure that Voice #1 ................................................................................................................................Anne Allgood* our production is respectful and authentic Voice #2 .........................................................................................................................Eric Polani Jensen* as a representation of the neurodiverse Voice #3 ............................................................................................................................William Shindler community. The below Q&A was done with our Voice #4 ...................................................................................................................................Rob Burgess* consultant, Dr. Daniela Ferdico, a neurodiverse Voice #5 .................................................................................................................................. Keiko Green* Neuropsychologist who specializes in Autism and Voice #6 .................................................................................................................. Cheryl Massey-Peters* neurodiversity. Dr. Ferdico owns a child-centered clinic that provides diagnosis and therapy services, in addition to Sensory Access, whose UNDERSTUDIES mission it is to help those with sensory difficulties Christopher .........................................................................................................................Marcus Dillon (Autism, Down syndrome, etc.) have access and Siobhan, Voice #5 ....................................................................................................................... Jessi Little inclusion in the arts. Sensory Access is made up Ed, Voice #4 .................................................................................................................................Doug Fahl of neurodiverse individuals including autistics Judy ......................................................................................................................................... Keiko Green* and sensory sensitive individuals, as well as Voice #1 ................................................................................................................Carol Louise Thompson experts who have a history of advocacy. Voice #2, Voice #3 ...............................................................................................................Evan Whitfield How is working in theatre different than other Voice #6 ................................................................................................................................Anne Allgood* work you’ve done? I’ve done a lot of musical theatre myself, so I am lucky to have been on “both sides of the table.” I think theatre is so important because the stories that are told often Crew evoke strong emotions, which is one of the most salient ways to inform people about different Master Stage Carpenter (Issaquah) ...............................................................................Whitman Paylor experiences and other points of view. Theatre is Master Stage Carpenter (Everett) ..................................................................................Chris Mikolaizik such a powerful way to teach, to expand opinions, Lead Stagehand-Props ...............................................................................................................Peter King and to increase compassion and empathy. Key Stagehand ...........................................................................................................................Kate Takata What specific challenges does Curious Master Sound Engineer (Issaquah) ..................................................................................Brent Warwick Incident… present? Curious Incident… can Master Sound Engineer (Everett) ........................................................................................Kurt Conway easily turn into a show about Christopher and Wardrobe Head (Issaquah).............................................................................................Heather Andress his struggles as a neurodiverse youth. There are Wardrobe Head (Everett) ................................................................................................Pamela Weinzatl many ways to interpret his character, his family Master Electrician (Issaquah) ................................................................................................Paul Arnold and teacher, and the events that occur in the Master Electrician (Everett)...................................................................................................... Paul Sharp script; it is easy to focus on just one aspect. When done with the forethought, creativity, and consideration that Jerry Dixon brings to this show, however, it is a very powerful way to question how Special Thanks we interact with and think about neurodiversity. Rod “Red” Gibson – Christie Lites Seattle It has the power to not only tell a moving story of young person’s journey but also the larger Shelley Defur interaction between society and individuals that are not neurotypical. Is there anything about this work that Discount Opportunities especially excites or inspires you? Curious Incident… is such a wonderful show. It opens up a window into not
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