DOCSLIB.ORG

Ted Reive Collection (1938-1989) Inventory

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Ted Reive Collection (1938-1989) Inventory Autographs, autograph books, autographed photographs of celebrities and correspondence with celebrities from the estate of Toronto collector and playwright Ted Reive. The collection also includes autographed theatre programs from the 1940’s-1980’s (a good section of popular productions in Toronto and New York), and plays, monologues, songs and lyrics written by Mr. Reive, some of which were performed on CBC Radio, by Spring Thaw, etc. 8 boxes; 1.61 linear metres Box #1: Personal material, songs and scripts by Ted Reive; Correspondence with celebrities; Autographed photographs Env. #1: Biographical Information – 8 items Clippings, letters, list of likes/dislikes Env. #2: Business Correspondence (1948-1969) – 21 items Concerning copyright applications, invoices re: seeking venues for his scripts. (see also Env. 5 Hello Fred 1966). Env. #3: Programs listing TR as author, accompanist, etc. – 9 items Uniden. Production, n.p. [Toronto?], n.d. “Hello for Now” in two scenes, by TR New Play Society, n.d. (1950?) “Black Threes” words & music by TR “Meet Marg Margetson” by TR New Play Society, Spring Thaw ‘50, April 21-May 6, 1950 “Meet Marg Margetson” by TR New Play Society, Spring Thaw ‘50, May 20-27, 1950 (2 programs) “Meet Marg Margetson” by TR New Play Society, Spring Thaw ‘51, April 23- , 1951 “Violets” by TR “Marg Margetson Returns” by TR “Bon Ami” by TR “The Longest Day of the Year” by TR Theatre in the Dell, Hello Fred, Sept. 1966 Ted Reive Collection Inventory Page 2 of 97 “New Hope for Flowers” by TR “Dear Tim” by TR “Rock-a-Bye Boo Boo” by TR “Meet Marg Margetson” by TR “Driving Me Crazy” by TR Miss Joy Dunning Annual Dance Recital June 1, 19? – (TR accompanist) First Annual Dance Recital by pupils of Christine Vienneau, May 22, 1959 (TR pianist) Env. #4: Doreen Hayes School of Dancing, 1960 – 26 items Programs for shows, recitals, exams, notes, etc. (TR accompanist) Env. #5: Hello Fred (Pam Hyatt Show, 1966) – 8 items Letters and contracts Env. #6: Hello Fred – Scripts (considered for show) – 7 items “Does She or Doesn’t He” “I Found My Love in Eaton’s Annex” “Meet Marg Margetson” “New Hope for Flowers” “Pills Are People Too” “Rock-a-bye Boo Boo” “You’re Driving Me Crazy” Env. #7: Spring Thaw, 1969 – Scripts (considered for show) – 8 items “Birdlady of Alcatraz” “Little Red Riding Hood” “Men Who Do” “The People-Generators” “Rose Marie’s Baby” “The Six O’clock News” “That’s the Style” “Three Public Servants” Env. #8: Windermere United Church Variety Nights (1983-1987) – 32 items Church bulletins, etc., notes, clippings Scripts, songs, etc. (26 items) used in Windermere shows “Another Openin’ Another Spleen” Ted Reive Collection Inventory Page 3 of 97 “Button Up Your Overcoat” “Applause” “Asses to Ashes” (2 p.) “Chasin’ the Bugs Away” “Cocktails for Two” “Coffee, Tea or Flee” (2 p.) “Entertainment Tonight” “Gandhi” (2 p. lyrics, 1 p. music) “Hari-Kari” (2 p.) “Hooray for Windermere” (1 p. lyrics, 2 p. music) “The Housewife’s Lament” “I Get ‘The Sun’ in the Morning” (2 p.) “I Want to Go Back” (2 p.) “Josephine” (3 p.) “Keep Fit” “Let Us Entertain You” “Mister Grocer” “New Hope for Flowers” “Our Douglas Brown” “Pollution ’85” (3 p.) “Rock-a-bye Boo Boo” (4 p.) “A U.C. Girl” (2 p.) “Welcome Back, Golub” (3 p.) “Welcome to Neita’s Place” “We’re All Set” Env. 9: Reviews – 11 items Spring Thaw, 1950-51 (4 items) Hello Fred (7 items) File10: Music (lyrics and/or music by Ted Reive) – 22 items “Black Threes” (1 p. lyrics, 2 p. mss. music) “Bon Ami” (4 p. mss words and music) “Castle on East Forty-Eight Street” (4 p. mss. words and music) “Don’t Do Me Any Favours” (4 p. mss. words and music) “Falling Out of Love With You” (4 pp. mss. words and music) “Gandhi” (see Windermere, Env. 8) “The Gentleman Made It Come True” (1 p. lyrics, 1 p. mss. music in C, 2 p. mss. music in F) “Hold Back the Dawn” (1 p. lyrics) “I Found My Love in Eaton’s Annex” (1 p. lyrics, 1 p. mss. words and music) “I Want to Play with the Guys” (1 p. lyrics, 2 p. mss. music; arr. of “I Want to be Bad”) Ted Reive Collection Inventory Page 4 of 97 “I’m In Love With You” (1 p. lyrics) “I’m Never Gonna’ Try Another Contest” (2 p. intro. and lyrics) “Let Us Entertain You” (see Windermere, Env. 8) “Love’s a Wonderful Thing” (2 p. lyrics) “Old Wine” (corrected copy) (3 p. mss. words and music) “One Boy for Me” (1 p. lyrics, 1 p. mss words and music) “Our Douglas Brown” (see Windermere, Env. 8) “There’s No Reason Why” (1 p. mss. words and music) “Three Public Servants” (1 p. lyrics) “Three Sinners” (2 p. lyrics, 1 with annotations) “Where Was I” (1 p. lyrics) “You Started Something” (3 p. mss. words and music) “You’re the Last Bay That’s Left in My Belfry” (1 p. lyrics, 1 p. mss. words and music) Folder of lyrics for eight songs Env. 11: Script – 1 item “An American in New York; a monologue in verse” by TR; typescript 1 p. File 12: Scripts – 6 items Apartment 113 [radio play] by TR; typescript, 13 p. “Asses to Ashes; a monologue” by TR; typescript, 2 p. “The Birdlady of Alcatraz; a sketch” by TR; typescript, cc., 2 p. “Call Me Dearest; a sketch” by TR; typescript, 2 p. “The Calm Before the Shower; a monologue” by TR (1951) typescript, 2 p. Cards on Board; a play by TR typescript ,cc., 96 p. Env. 13: Script – 1 item Correspondents’ Course; a play by TR; typescript, 126 p. Env. 14: Script – 1 item “Count Your Blessings; a sketch” by TR; typescript, 6 p. File 15: Scripts – 3 items “Dear Nan Flanders; a sketch” by TR (1965) typescript, 3 p. “Dial P for Police”, holograph manuscript, 3 p. + 2 clippings Ted Reive Collection Inventory Page 5 of 97 “Does She, or Doesn’t He? a monologue” by TR; typescript, 1 p. Env. 16: Script – 2 items Far-Away Footlights; a comedy in one act by TR; 12 p. typescript, cc. + 9 p. revisions. Comments by Ethel Britton and Francis Lederer on p. 1 Env. 17: Script – 1 item Hello For Now; a play by TR; typescript, cc., 52 p. File 18: Scripts – 4 items “For Men Only; a monologue” (1965) by TR; typescript , cc., 2 p. “Index Rising; a monologue” by TR; typescript, 2 p. “Laura Secord, Secret Agent; a sketch” by TR; typescript, cc., 4 p. “Little Red Riding Hood (& The New Morality) as told by TR”; typescript, 2 p. Env. 19: Script – 1 item “The Longest Day of the Year; a blackout” by TR; typescript, 5 p. File 20: Scripts, etc. – 5 items “Love for Sale”, mss., 1 p. (both sides) “Meet Marg Margetson; a sketch” by TR; typescript , 6 p. and typescript , 7 p. with note from Jane Mallett. “Mind Over Matter; a sketch” by TR; typescript, 3 p. Env. 21: Script – 1 item “Marg Margetson Returns; a blackout: by TR; typescript, 5 p. Env. 22: Script – 1 item “The Mosquito and Mr. Brito; a pantomime” by TR; typescript, 2 p. Ted Reive Collection Inventory Page 6 of 97 File 23: Scripts – 2 items “New Hope for Flowers; a monologue” by TR (1965); typescript, cc., 2 p. New Lease on Summer (1948), radio script by TR; mimeo typescript, 61p. Env. 24: Script – 1 item No Bed of Roses by TR; typescript, 15 p. + 9 p. typescript revisions. Env. 25: Script – 1 item Person to Person, a farce for radio by TR; 46 p. typescript File 26: Scripts, etc. – 12 items “The People Generators, a sketch” by TR; typescript, cc., 1 p. “Pills Are People Too, a monologue” by TR; typescript, 1 p. “Rock-a-Bye Booboo, a sketch” by TR (1965); typescript, cc, 3 p. “Rose Marie’s Baby; a sketch” by TR; typescript, 2 p. “Seconds; a sketch” by TR; typescript, 3 p. “The Six O’Clock News; a sketch” by TR; 2 p. typescript “That’s the Style,a sketch” by TR; typescript, 2 p. “Tour de Farce; a sketch” by TR (1965); typescript, cc, 5 p. “The Ultra Violet, a monologue” by TR; typescript, 2 p.; typescript, cc, 2 p.; and 1 clipping “You’re Driving Me Crazy; a monologue” by TR; typescript, 2 p. Env. 27: Script – 1 item “Women Without Men, a sketch” by TR; typescript, 5 p. Env. 28: Script – 1 item “Yellow Fever, a sketch” by TR; typescript, 6 p. Ted Reive Collection Inventory Page 7 of 97 The remaining material in the collection relates to or is the result of Mr. Reive’s collection of autographs and photographs of celebrities. Env. 29: Correspondence (Miscellaneous) – 14 items Envelopes, letters from secretaries, 1 memorial card for James Cagney, 1 card from the White House with facsimile autograph (Ronald Reagan), 1 unsigned letter from Buckingham Palace (1939) File 30: Correspondence, A-G – 28 items Anders, Glenn (1890- ) American actor ACS [May 19, 1978 Hackensack, NJ] + envelope Thanks for TR’s letter; mentions his three Pulitzer prizes, including one play he also did with Tallulah [Bankhead] in London Adrian, Iris (1913- ) American film actress ALS cNov.1987. Note on verso of photocopy of a letter to Miss Adrian from Jim McPherson, which she especially enjoyed and wished to share with TR. Agutter, Jenny (1952- ) British actress ANS n.d. Barnstable, N. Devon, England. Thanks for TRs letter.
Recommended publications
  • Empireheads to the Florida Estate of Burt Reynolds To

    Empireheads to the Florida Estate of Burt Reynolds To

    presents WORDS PORTRAITS Nick de Semlyen Steve Schofi eld EMPIRE HEADS TO THE FLORIDA ESTATE OF BURT REYNOLDS TO SPEND AN ALL-ACCESS WEEKEND WITH THE BANDIT HIMSELF, ONCE THE BIGGEST MOVIE STAR ON THE PLANET TYPE Jordan Metcalf 120 JANUARY 2016 JANUARY 2016 121 Most character-building of all, he shared a New York apartment with Rip Torn. “He was wild,” Reynolds says of the notoriously volatile Men In Black star. “One time they asked me to go duck- hunting in the Roosevelt Game Reserve for (TV show) The American Sportsman, and I took Rip with me. While we were walking around, some geese fl ew above us, squawking. Rip goes, ‘You know what “IF I’D SAID YES TO STAR they’re saying? They’re saying, “That’s the crazy Rip Torn down there.”’ He took his gun, said, ‘I’ll teach that sonuvabitch WARS, IT WOULD HAVE to talk like that,’ and shot one. I said, ‘Rip, you really are crazy.’ But I couldn’t help but love him. Still do.” Reynolds built a reputation as HIS REFRESHMENTS ARE LAID OUT. MEANT NO SMOKEY a fearless man of action, stoked by his A cluster of grapes, a glass of ice water eagerness to do his own stunts. “The and a bowl of Veggie Straws potato fi rst one involved me going through chips (‘Zesty Ranch’ fl avour), arranged AND THE BANDIT…” a plate-glass window on a show called lovingly on a side-table. Frontiers Of Faith,” he says. “I got 125 The students are assembled. This bucks — a nice chunk of change in 1957.” Friday night, 18 of them have come.
  • Digital Playbill

    Digital Playbill

    IRISH REPERTORY THEATRE Little Gem BY ELAINE MURPHY DIRECTED BY MARC ATKINSON BORRULL A PERFORMANCE ON SCREEN IRISH REPERTORY THEATRE CHARLOTTE MOORE, ARTISTIC DIRECTOR | CIARÁN O’REILLY, PRODUCING DIRECTOR A PERFORMANCE ON SCREEN LITTLE GEM BY ELAINE MURPHY DIRECTED BY MARC ATKINSON BORRULL STARRING BRENDA MEANEY, LAUREN O'LEARY AND MARSHA MASON scenic design costume design lighting design sound design & original music sound mix MEREDITH CHRISTOPHER MICHAEL RYAN M.FLORIAN RIES METZGER O'CONNOR RUMERY STAAB edited by production coordinator production coordinator SARAH ARTHUR REBECCA NICHOLS ATKINSON MONROE casting press representatives general manager DEBORAH BROWN MATT ROSS LISA CASTING PUBLIC RELATIONS FANE TIME & PLACE North Dublin, 2008 Running Time: 90 minutes, no intermission. SPECIAL THANKS Irish Repertory Theatre wishes to thank Henry Clarke, Olivia Marcus, Melanie Spath, and the Howard Gilman Foundation. Little Gem is produced under the SAG-AFTRA New Media Contract. THE ORIGINAL 2019 PRODUCTION OF LITTLE GEM ALSO FEATURED PROPS BY SVEN HENRY NELSON AND SHANNA ALISON AS ASSISTANT STAGE MANAGER. THIS PRODUCTION IS MADE POSSIBLE WITH PUBLIC FUNDS FROM THE NEW YORK STATE COUNCIL ON THE ARTS, THE NEW YORK CITY DEPARTMENT OF CULTURAL AFFAIRS, AND OTHER PRIVATE FOUNDATIONS AND CORPORATIONS, AND WITH THE ASSISTANCE OF THE MANY GENEROUS MEMBERS OF IRISH REPERTORY THEATRE’S PATRON’S CIRCLE. WHO’S WHO IN THE CAST MARSHA MASON (Kay) has summer 2019, Marsha starred in Irish received an Outer Critics Rep’s acclaimed production of Little Gem Circle Award and 4 Academy and directed a reading of The Man Who Awards nominations for her Came to Dinner with Brooke Shields and roles in the films “The Goodbye Walter Bobbie at the Bucks County Girl,” “Cinderella Liberty,” Playhouse and WP Theater in NYC.
  • Stanley Chase Papers LSC.1090

    Stanley Chase Papers LSC.1090

    http://oac.cdlib.org/findaid/ark:/13030/kt6h4nc876 No online items Finding Aid for the Stanley Chase Papers LSC.1090 Processed by Timothy Holland and Joshua Amberg in the Center For Primary Research and Training (CFPRT), with assistance from Laurel McPhee, Fall 2005; machine-readable finding aid created by Caroline Cubé and edited by Josh Fiala, Caroline Cubé, Laurel McPhee and Amy Shung-Gee Wong. UCLA Library Special Collections Online finding aid last updated on 2020 December 11. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Stanley Chase LSC.1090 1 Papers LSC.1090 Contributing Institution: UCLA Library Special Collections Title: Stanley Chase papers Creator: Chase, Stanley Identifier/Call Number: LSC.1090 Physical Description: 157.2 Linear Feet(105 boxes, 12 oversize boxes, 27 map folders) Date (inclusive): circa 1925-2001 Date (bulk): 1955-1989 Abstract: Stanley Chase (1928-) was a theater, film, and television producer. The collection consists of production and business files, original production drawings, posters, press clippings, sound recordings, and scripts from his major projects. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are in English. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisual materials.
  • An Analysis and Evaluation of the Acting Career Of

    An Analysis and Evaluation of the Acting Career Of

    AN ANALYSIS AND EVALUATION OF THE ACTING CAREER OF TALLULAH BANKHEAD APPROVED: Major Professor m Minor Professor Directororf? DepartmenDepa t of Speech and Drama Dean of the Graduate School AN ANALYSIS AND EVALUATION OF THE ACTING CAREER OF TALLULAH BANKHEAD THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By Jan Buttram Denton, Texas January, 1970 TABLE OF CONTENTS Chapter Page I. THE BEGINNING OF SUCCESS 1 II. ACTING, ACTORS AND THE THEATRE 15 III. THE ROLES SHE USUALLY SHOULD NOT HAVE ACCEPTED • 37 IV. SIX WITH MERIT 76 V. IN SUMMARY OF TALLULAH 103 APPENDIX 114 BIBLIOGRAPHY. 129 CHAPTER I THE BEGINNING OF SUCCESS Tallulah Bankhead's family tree was filled with ancestors who had served their country; but none, with the exception of Tallulah, had served in the theatre. Both her grandfather and her mother's grandfather were wealthy Alabamians. The common belief was that Tallulah received much of her acting talent from her father, but accounts of her mother1s younger days show proof that both of her parents were vivacious and talented. A stranger once told Tallulah, "Your mother was the most beautiful thing that ever lived. Many people have said you get your acting talent from your father, but I disagree. I was at school with Ada Eugenia and I knew Will well. Did you know that she could faint on 1 cue?11 Tallulahfs mother possessed grace and beauty and was quite flamboyant. She loved beautiful clothes and enjoyed creating a ruckus in her own Southern world.* Indeed, Tallulah inherited her mother's joy in turning social taboos upside down.
  • Home Sweet Home

    Home Sweet Home

    FINAL-1 Sat, Jun 30, 2018 5:22:48 PM tvupdateYour Weekly Guide to TV Entertainment For the week of July 8 - 14, 2018 Home sweet home Patricia Clarkson stars in “Sharp Objects” INSIDE •Sports highlights Page 2 •TV Word Search Page 2 •Family Favorites Page 4 •Hollywood Q&A Page14 When a big city crime reporter (Amy Adams, “Arrival,” 2016) returns to her hometown to cover a string of gruesome killings, not all is what it seems. Jean-Marc Vallée (“Dallas Buyers Club,” 2013) reunites with HBO to helm another beloved novel adaptation in Gillian Flynn’s “Sharp Objects,” premiering Sunday, July 8, on HBO. The ensemble cast also includes Patricia Clarkson (“House of Cards”) and Chris Messina (“The Mindy Project”). WANTED WANTED MOTORCYCLES, SNOWMOBILES, OR ATVS GOLD/DIAMONDS BUY SELL ✦ 37 years in business; A+ rating with the BBB. TRADE Salem, NH • Derry, NH • Hampstead, NH • Hooksett, NH ✦ For the record, there is only one authentic CASH FOR GOLD, Bay 4 Newburyport, MA • North Andover, MA • Lowell, MA Group Page Shell PARTS & ACCESSORIES IT’S MOLD ALLERGY SEASON We Need: SALESMotorsports & SERVICE DON’T LET IT GET YOU DOWN 5 x 3” Gold • Silver • Coins • Diamonds MASS. MOTORCYCLE 1 x 3” Are you suffering from itchy eyes, sneezing, sinusitis or INSPECTIONS asthma? Alleviate your mold allergies this season. We are the ORIGINAL and only AUTHENTIC Call or schedule your appointment online with New England Allergy today. CASH FOR GOLD Appointments Available Now on the Methuen line, above Enterprise Rent-A-Car 978-683-4299 at 527 So. Broadway, Rte.
  • Rollins Alumni Record, Reunion 1993 Rollins College Office Ofa M Rketing and Communications

    Rollins Alumni Record, Reunion 1993 Rollins College Office Ofa M Rketing and Communications

    Rollins College Rollins Scholarship Online Rollins Magazine Marketing and Communications Spring 1993 Rollins Alumni Record, Reunion 1993 Rollins College Office ofa M rketing and Communications Follow this and additional works at: http://scholarship.rollins.edu/magazine Recommended Citation Rollins College Office of Marketing and Communications, "Rollins Alumni Record, Reunion 1993" (1993). Rollins Magazine. Paper 324. http://scholarship.rollins.edu/magazine/324 This Magazine is brought to you for free and open access by the Marketing and Communications at Rollins Scholarship Online. It has been accepted for inclusion in Rollins Magazine by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. ■■BWM^B VOLUME 11 NUMBER r^^UT S JTX u N H Copeland has his last serve in 38 years Legendary Tars FRESHMAN STAR JON GOLDFARB WAS In attendance was John Tiedtke, a spry 85. Tiedtke had not only pulling off the most incredible feat in donated money for the courts, but also recommended Rollins hire a 29- mentor retires as the history of Rollins College ten- year-old Ocala recreation director named Norm Copeland. Advantage, Division ll's nis—and that's saying something, Rollins. A former Tars player and member of the undefeated teams of considering Jack Kramer held serve 1948-49, Copeland retires as Division IFs winningest coach. winningest coach there. Goldfarb was leading his unde- He won his first national title in 1966 despite not having any athletic feated opponent. He needed only five grants-in-aid. He could award five academic scholarships, but "I had to points to beat Norm Copeland and stop a legendary victory streak look at SAT scores first, not their tennis records.
  • 2018 Annual Report

    2018 Annual Report

    Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on.
  • Christopher Plummer

    Christopher Plummer

    Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz,
  • The Enduring Power of Musical Theatre Curated by Thom Allison

    The Enduring Power of Musical Theatre Curated by Thom Allison

    THE ENDURING POWER OF MUSICAL THEATRE CURATED BY THOM ALLISON PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY NONA MACDONALD HEASLIP PRODUCTION CO-SPONSOR LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. CURATED AND DIRECTED BY THOM ALLISON THE SINGERS ALANA HIBBERT GABRIELLE JONES EVANGELIA KAMBITES MARK UHRE THE BAND CONDUCTOR, KEYBOARD ACOUSTIC BASS, ELECTRIC BASS, LAURA BURTON ORCHESTRA SUPERVISOR MICHAEL McCLENNAN CELLO, ACOUSTIC GUITAR, ELECTRIC GUITAR DRUM KIT GEORGE MEANWELL DAVID CAMPION The videotaping or other video or audio recording of this production is strictly prohibited. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives.
  • American Music Research Center Journal

    American Music Research Center Journal

    AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301.
  • BROOKS ATKINSON THEATER (Originally Mansfield Theater), 256-262 West 47Th Street, Manhattan

    BROOKS ATKINSON THEATER (Originally Mansfield Theater), 256-262 West 47Th Street, Manhattan

    Landmarks Preservation Commission November 4, 1987; Designation List 194 LP-1311 BROOKS ATKINSON THEATER (originally Mansfield Theater), 256-262 West 47th Street, Manhattan. Built 1925-26; architect Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1018, Lot 57. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Brooks Atkinson Theater and the proposed designation of the related Landmark Site (I tern No. 7). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty witnesses spoke or had statements read into the record in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has · received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Brooks Atkinson Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built during the mid-1920s, the Brooks Atkinson was among the half-dozen theaters constructed by the Chanin Organization, to the designs of Herbert J. Krapp, that typified the development of the Times Square/Broadway theater district. Founded by Irwin S. Chanin, the Chanin organization was a major construction company in New York. During the 1920s, Chanin branched out into the building of theaters, and helped create much of the ambience of the heart of the theater district.
  • BUSINESS 1964 Review 1965 Preview

    BUSINESS 1964 Review 1965 Preview

    DECEMBER 31, 1964 -JANUARY 9, 1965-ON SALE TWO WEEKS PRICE THIS ISSUE: 50 CENTS DOUBLE VALUE HOLIDAY ISSUE BUSINESS 1964 Review 1965 Preview The Yearend Awards1964 taw?. OP4PZ VIN1t)81A 1S3m Atlyfi N0130N18d A3xViv*V 1301N 3 413 S- 111111111t.t. "FANCY PANTS,"AL HIRT'S SWINGING NEW SINGLE SERVED UP IN HIS HONEY HORN STYLE Vw "STAR DUST." -8487 -0iiiCk VICIORCO- @The most trusted name in sound .110116_ grftil Illemene 3" 91101 Ammer, I1166 REVIEWOF THEWEEK Epic's GreatYear Victor Gets "Sound" cert dates in Spain,Italy, Ger- V.ctor Records landeda hotmany and Sweden. The taken and dosome more ix _ne last week, the sound ist wound up his pian-cording with them. Soif any of the upcoming track tour last Sat- film versionurday (19) witha concert inone knows where toreach th of Rodgers and Brussels. James Gang, callUnited Art Hammerstein's ists Records. Phone -The Sound OfMusic." The Garner is planninganother No. is Ci film stars JulieAndrews andtour of Europein late 1965 5-6000. (No gagsplease.) Christopher Plummer.The pic-or early 1966. Hemay tour Screen GemsStreak ture will be premieredin NewSouth Americaand Australia Screen Gems -ColumbiaMu York on March2,1965, andthe first half of1965. While insic is heading intothe home. later that monthwill open inEurope he recordedan albumstretch of 1964 intenton lead. cities throughoutthe land. live in Amsterdamwhich willing the parade ofBMI song As a Broadwaymusical "Thebe issued inEurope by Phil-award winners forthe year. Sound Of Music"sold over aips. American The firm, headedup by Don million copies, rights are not one of the rareyet sewed up.(Line formson Kirshner, has alreadyscored albums ever toreach this fig-the left, and the with a half dozentop ten songs ure.