Dame Judith Anderson (1898-1992)
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
NON NOBIS, SED OMNIBUS Est Polit Ical Opposition
Page Two THE SCOP Published Monthly by Students of Notre Dama CollCQe of Staten Island Dentist - 1' m EDITORIAL STAFF afraid I'll have to IDITOll- lH-CHIIF drill. RUTH RUSHMORE ''I I The oratorical fires of the most bit he happens to be either a Democrat or Assistant Editors . Anna Mao Hubsc:h '11, Holen Hennessey '11 Patient-What's ter presidential campaign In recent Anoclete Editor..... - •. --··········-··--···-------·---·--· Muriel Rotunno '12 a Republican. It bases its line of polit the matter? Can't years have fl ickered down to glowing ical activity on a platform of slogans you fix my teeth COLUMNISTS I renc O'Leary '11 Rosemary Lcikert '12 Rosemary Altieri '12 embers and ashes. The talents of our and hysteria. The other carefully without rehearsal? Margaret Lyons ' 41 Jayne KIiroy '12 politically minded throughout the na weighs the issues at hand and, finding AMARILLO ll1P01lTl1lS tion have been turned into the chan cause for disagreement with some GLOMBUS Mary Boyle '11 Carol De Rose '12 Catherine O'Dea '13 nels of conciliation. Radio addresses, faction, states its case and offers sug Just Advice: W1n,fred Lennon ''41 Mary Hickey '12 Chorlotle Stout '43 Mary O'Connell '11 Virginia Shea ''42 Patricia Kenny '43 editorials, stump speeches; all bear gestions. If it seeks to destroy some A good line is the shortest distance Ruth Anne Schaffer '41 Helen Uieski ' 42 Johanna Shortell '43 the stamp of the dove of peace. The thing it offers a sensible alternative in between dates. Betty Decker ' '42 Marie Nevins ''43 Anne Damrau '13 necessity of unity between the par its place. -
Randolph Hale Valley Music Theatre Scrapbooks LSC.2322
http://oac.cdlib.org/findaid/ark:/13030/c8nc67dr No online items Finding aid for the Randolph Hale Valley Music Theatre Scrapbooks LSC.2322 Finding aid prepared by Kelly Besser, 2021. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding aid for the Randolph Hale LSC.2322 1 Valley Music Theatre Scrapbooks LSC.2322 Contributing Institution: UCLA Library Special Collections Title: Randolph Hale Valley Music Theatre scrapbooks Creator: Hale, Randolph Identifier/Call Number: LSC.2322 Physical Description: 1 Linear Feet(1 flat box) Date (inclusive): circa 1964-1966 Abstract: Randolph Hale was vice president and treasurer of the Valley Music Theatre, in the San Fernando Valley. The collection consists of two scrapbooks related to productions staged at the Valley Music Theatre. Included are playbills and cast (group) photographs representing 40 productions staged at the theater. Additionally included is a very small amount of ephemera including a Valley Music Theatre securities brochure. Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Language of Material: English . Conditions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Conditions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
An Actor's Life and Backstage Strife During WWII
Media Release For immediate release June 18, 2021 An actor’s life and backstage strife during WWII INSPIRED by memories of his years working as a dresser for actor-manager Sir Donald Wolfit, Ronald Harwood’s evocative, perceptive and hilarious portrait of backstage life comes to Melville Theatre this July. Directed by Jacob Turner, The Dresser is set in England against the backdrop of World War II as a group of Shakespearean actors tour a seaside town and perform in a shabby provincial theatre. The actor-manager, known as “Sir”, struggles to cast his popular Shakespearean productions while the able-bodied men are away fighting. With his troupe beset with problems, he has become exhausted – and it’s up to his devoted dresser Norman, struggling with his own mortality, and stage manager Madge to hold things together. The Dresser scored playwright Ronald Harwood, also responsible for the screenplays Australia, Being Julia and Quartet, best play nominations at the 1982 Tony and Laurence Olivier Awards. He adapted it into a 1983 film, featuring Albert Finney and Tom Courtenay, and received five Academy Award nominations. Another adaptation, featuring Ian McKellen and Anthony Hopkins, made its debut in 2015. “The Dresser follows a performance and the backstage conversations of Sir, the last of the dying breed of English actor-managers, as he struggles through King Lear with the aid of his dresser,” Jacob said. “The action takes place in the main dressing room, wings, stage and backstage corridors of a provincial English theatre during an air raid. “At its heart, the show is a love letter to theatre and the people who sacrifice so much to make it possible.” Jacob believes The Dresser has a multitude of challenges for it to be successful. -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
The Representation, Interpretation and Staging of Magic in Renaissance Plays from the Sixteenth Century Onwards
Ghent University Faculty of Arts and Philosophy The representation, interpretation and staging of magic in Renaissance plays from the sixteenth century onwards. A case study of William Shakespeare’s The Tempest, Macbeth and Cristopher Marlowe’s Doctor Faustus. Supervisor: Paper submitted in partial Professor Doctor fulfilment of the requirements for Sandro Jung the degree of “Master in de Taal- en Letterkunde: English-Spanish” by Tine Dekeyser August 2014 Word count: 27334 Dekeyser i Acknowledgments First of all, I would like to thank my supervisor, Professor Doctor Sandro Jung, for granting me the opportunity to continue working on the same topic of my BA-dissertation and for guiding me towards a more profound investigation of magic and the Renaissance society. Also, I want to thank Professor Jung for reading the many versions of this dissertation and for providing a lot of helpful suggestions throughout the year. Secondly, I would like to thank The British Museum for giving me permission to use their highly detailed engravings, without which this dissertation would not exist. Thirdly, I would like to thank my boyfriend and my mother for supporting me, listening to my dilemmas and calming me down when stress got the better of me. Also, I want to thank my boyfriend for helping me track down the movies I needed for my analyses. Dekeyser ii Table of Contents Acknowledgments ....................................................................................................................... i List of Illustrations ................................................................................................................... -
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
B£Om\ PLAZA I****?™.Mth Republic 7-1000 5:20, 7:20 and 9:30 Pm
¦ ¦ n fWW.'Vf • 1 'W W W 1 , i.m.i **so issif ¦pr—- THE EVENING STAR PRIOR TO NEW YORK Washington, D. C., Tuesday, November 3, 1959 \ - ’*> s • . ... A-14 4 vi... NATIONAL-MAT, . /v' TOM’W 2! hollywoodm/M "AMERICA'S FIRST THEATRE" Tonight 8:10; Motinoo, Wad. 4 Sat. THE PASSING SHOW ON STAGE IN PERSON Mother Sought By SHEILAH GRAHAM New rfiifijm/ AFli fh* For Inge's Drama ML, Metro's a Busy Place Ih.Him . irn mi M s be lllAlOn. HOLLYWOOD (NANA)— i on low budgets, and have good By JAT CARMODY “To please you,” said pro- i selling campaigns. “Take TOMIOHT at S«3G Oram* Editor of The Star ducer A1 Zugsmith, “I’m 1 *AI Capone’—it cost $538,000, mo MAUNBf7004 f) Ifit did not sound frivolous, one could suggest that the title changing the title of ‘Teacher i and will gross around $3 million Tickets New at fcaelfca, Motels, Fair Was a Sexpot’ to j . One Steses. Sean. Inge's play at National be amplified to read ‘Teacher America . Bill Cas- of William the could ” in alone "A Loss of Roses and Shirley Booth." Was Not a Sexpot.’ We , tle’s ‘House on a Haunted Hill’ PELLEAS «t America! Secsrity ITmt U It used to read "A Loss of Roses" with Shirley Booth, as were lunching at Metro where < cost only $125,000 to make, and everyone knows, but this was before Miss Booth decided that A1 is preparing the “Teacher” : has already earned a million MELISANDE the play was not for her and vice versa. -
ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology. -
June 2016 President: Vice President: Simon Russell Beale CBE Nickolas Grace
No. 495 - June 2016 President: Vice President: Simon Russell Beale CBE Nickolas Grace Nothing like a Dame (make that two!) The VW’s Shakespeare party this year marked Shakespeare’s 452nd birthday as well as the 400th anniversary of his death. The party was a great success and while London, Stratford and many major cultural institutions went, in my view, a bit over-bard (sorry!), the VW’s party was graced by the presence of two Dames - Joan Plowright and Eileen Atkins, two star Shakespeare performers very much associated with the Old Vic. The party was held in the Old Vic rehearsal room where so many greats – from Ninette de Valois to Laurence Olivier – would have rehearsed. Our wonderful Vice-President, Nickolas Grace, introduced our star guests by talking about their associations with the Old Vic; he pointed out that we had two of the best St Joans ever in the room where they would have rehearsed: Eileen Atkins played St Joan for the Prospect Company at the Old Vic in 1977-8; Joan Plowright played the role for the National Theatre at the Old Vic in 1963. Nickolas also read out a letter from Ronald Pickup who had been invited to the party but was away in France. Ronald Pickup said that he often thought about how lucky he was to have six years at the National Theatre, then at Old Vic, at the beginning of his career (1966-72) and it had a huge impact on him. Dame Joan Plowright Dame Joan Plowright then regaled us with some of her memories of the Old Vic, starting with the story of how when she joined the Old Vic school in 1949 part of her ‘training’ was moving chairs in and out of the very room we were in. -
RCA Victor VDM 100 Series Spoken Word Series
RCA Discography Part 52 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor VDM 100 Series Spoken Word Series VDM 100 – Othello – Laurence Olivier [1964] Four record set. VDM 101 – The Kennedy Wit – John F. Kennedy [1964] Introduction/The 1960 Campaign/The Press Conferences/The Presidency/The Family VDM 102 – Alec Guinness, A Personal Choice – Alec Guinness [1965] Sweet Spring Is Your, When Faces Called Flowers Float Out The Ground, O The Sun Comes, The Moon Looked Into My Window (E.E. Cummings)/Façade: I Do Like To Be Beside The Seaside, Polka (E. Sitwell)/Tarantella (H. Belloc)/Romance (W.J. Turner)/Through Nightmare (R. Graves)/Strange Meeting (Wilfred Owen)/Hearing Of Harvest, Rotting In The Valley (W.H. Auden)/Clerk Saunders (Anonymous)/King John And The Abbot Of Canterbury (Anonymous)/Henry VI, Part 3, Act II, Scene 5: Soliloquy (Shakespeare)/A Toccata Of Galuppi's (R. Browning)/Serviette In A Lovely Home (O. Nash)/Spectator Ab Extra (A.H. Clough)/Night (W. Blake)/The Leaden Echo And The Golden Echo (G.M. Hopkins) VDM 103 – Profiles in Courage – Edward M. Kennedy [1965] VDM/VDS 104 - Much Ado About Nothing (Original London Cast) – National Theatre of Great Britain [1965] VDM/VDS 105 – That Day with God, Nov. 24, 1963 – Henry Fonda [1964] VDM/VDS 106 – Program of Poems by Edith Sitwell – John Gielgud and Irene Worth [1966] Colonel Fantock/On The Vanity Of Human Aspirations/The Sleeping Beauty: No.8/Eurydice/Still Falls In The Rain/Dirge For The New Sunrise/Heart And Mind/Poems From "Facade"/I