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A Foucauldian Analysis of Black Swan
Introduction In the 2010 movie Black Swan , Nina Sayers is filmed repeatedly practicing a specific ballet turn after her teacher mentioned her need for improvement earlier that day. Played by Natalie Portman, Nina is shown spinning in her room at home, sweating with desperation and determination trying to execute the turn perfectly. Despite the hours of gruesome rehearsal, Nina must nail every single aspect of this particular turn to fully embody the role she is cast in. After several attempts at the move, she falls, exhausted, clutching her newly twisted ankle in agony. Perfection, as shown in this case, runs hand in hand with pain. Crying to herself, Nina holds her freshly hurt ankle and contemplates how far she will go to mold her flesh into the perfectly obedient body. This is just one example in the movie Black Swan in which the main character Nina, chases perfection. Based on the demanding world of ballet, Darren Aronofsky creates a new-age portrayal of the life of a young ballet dancer, faced with the harsh obstacles of stardom. Labeled as a “psychological thriller” and horror film, Black Swan tries to capture Nina’s journey in becoming the lead of the ever-popular “Swan Lake.” However, being that the movie is set in modern times, the show is not about your usual ballet. Expecting the predictable “Black Swan” plot, the ballet attendees are thrown off by the twists and turns created by this mental version of the show they thought they knew. Similarly, the attendees for the movie Black Swan were surprised at the risks Aronofsky took to create this haunting masterpiece. -
Of Books the Once Upon a Time, and What Happened Next
£2.00 Oxonianthe Review hilary 2005 . volume 4 . issue 2 of books Márquez’s sad whores: Glen Goodman Joseph Nye on playing the power game When things go wrong in Libya: John Bohannon Th e miseducation of Tom Wolfe: Jenni Quilter Marjane Satrapi’s alternative Iran: Kristin Anderson Th e life and times of Glenn Gould: Ditlev Rindom Once upon a time, and what happened next ... by Philip Pullman 2 the Oxonian Review of books hilary 2005 . volume 4 . issue 2 In this Issue: From the Editor Features n 1951, Th eodor Adorno claimed that ‘cultural criti- ing: standing up against McCarthyism and the House Talking power cism exists in confrontation with the fi nal level of the Un-American Activities Committee, campaigning for Tim Soutphommasane and Shaun Chau interview I Joseph Nye page 4 dialectic of culture and barbarism: to write a poem after the freedom of dissident writers, especially in the former Auschwitz is barbaric, and that also gnaws at the knowl- USSR, and protesting against all forms of censorship. Once upon a time, and what happened next ... edge which states why it has become impossible to write Most recently, he publicly criticised the invasion of Iraq Philip Pullman page 10 poems today’. Th is statement, often reduced to the axiom and subsequent abridgements of civil liberties. ‘to write a poem after Auschwitz is barbaric’, remains ‘Forty years after the Holocaust, I can speak about Oxford Authors in Print to this day one of the most provocative challenges not Memory, but not about Versöhnung, or reconciliation’, The latest publications from Oxford-based authors page 19 just for poets (as well as writers, journalists, cultural and wrote Eli Wiesel, one of the foremost writers on the political critics, philosophers, and world leaders), but also Holocaust. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
Kingdom Principles
KINGDOM PRINCIPLES PREPARING FOR KINGDOM EXPERIENCE AND EXPANSION KINGDOM PRINCIPLES PREPARING FOR KINGDOM EXPERIENCE AND EXPANSION Dr. Myles Munroe © Copyright 2006 — Myles Munroe All rights reserved. This book is protected by the copyright laws of the United States of America. This book may not be copied or reprinted for commercial gain or profit. The use of short quotations or occasional page copying for personal or group study is permitted and encouraged. Permission will be granted upon request. Unless other- wise identified, Scripture quotations are from the HOLY BIBLE, NEW INTERNA- TIONAL VERSION Copyright © 1973, 1978, 1984 by International Bible Society. Used by permission of Zondervan Publishing House. All rights reserved. Scripture quotations marked (NKJV) are taken form the New King James Version. Copyright © 1982 by Thomas Nelson, Inc. Used by permission. All rights reserved. Please note that Destiny Image’s publishing style capitalizes certain pronouns in Scripture that refer to the Father, Son, and Holy Spirit, and may differ from some publishers’ styles. Take note that the name satan and related names are not capitalized. We choose not to acknowledge him, even to the point of violating grammatical rules. Cover photography by Andy Adderley, Creative Photography, Nassau, Bahamas Destiny Image® Publishers, Inc. P.O. Box 310 Shippensburg, PA 17257-0310 “Speaking to the Purposes of God for this Generation and for the Generations to Come.” Bahamas Faith Ministry P.O. Box N9583 Nassau, Bahamas For Worldwide Distribution, Printed in the U.S.A. ISBN 10: 0-7684-2373-2 Hardcover ISBN 13: 978-0-7684-2373-0 ISBN 10: 0-7684-2398-8 Paperback ISBN 13: 978-0-7684-2398-3 This book and all other Destiny Image, Revival Press, MercyPlace, Fresh Bread, Destiny Image Fiction, and Treasure House books are available at Christian bookstores and distributors worldwide. -
Fairy Tale: a Very Short Introduction by Marina Warner
Volume 37 Number 2 Article 12 Spring 4-17-2019 Fairy Tale: A Very Short Introduction by Marina Warner Barbara L. Prescott Stanford University Alumni Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Comparative Literature Commons, English Language and Literature Commons, and the Folklore Commons Recommended Citation Prescott, Barbara L. (2019) "Fairy Tale: A Very Short Introduction by Marina Warner," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 37 : No. 2 , Article 12. Available at: https://dc.swosu.edu/mythlore/vol37/iss2/12 This Book Reviews is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm This book reviews is available in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: https://dc.swosu.edu/mythlore/vol37/iss2/12 EVIEW ESSAYS NAVIGATING THE C ARTE DU TENDRE IN FA IRY T ALE: A V ERY SH ORT INTRODUCTION BY MAR INA WARNER BARBARA PRESCOTT FAIRY TALE: A VERY SHORT INTRODUCTION. -
The Department of Children and Families Early Childhood Practice Guide for Children Aged Zero to Five
The Department of Children and Families Early Childhood Practice Guide for Children Aged Zero to Five The Department of Children and Families Early Childhood Practice Guide for Children Aged Zero to Five TABLE OF CONTENTS Section Title Page Introduction 3 Very Young Children in Child Welfare 4 Understanding the Importance of Attachment in Early Years 4 The Impact of Trauma on Early Childhood Development 10 Child Development 14 Social and Emotional Milestones (Charts) 17 Assessing Safety and Risk for Children 0‐5 – Intake and Ongoing Services 26 Quality Early Education and Care 38 Parents with Disabilities 39 Parents Who were in DCF Care as Children 43 Early Childhood – Adolescent Services 45 Visitation 46 The Role of Supervision in Early Childhood (Ages zero to five) 48 Consults 50 Foster Care: Focusing on Children Entering and In‐Care‐Birth to Age 5 51 DCF’s Teaming Continuum 53 Appendices 55 Appendices Index Page Introduction 56 The Impact of Trauma on Early Childhood Development 57 Child Development 61 Developmental Milestones 65 Attachment 70 Resources – Children’s Social and Emotional Competence 74 Cultural Considerations 75 Assessing Home Environment 76 Assessing Parenting and Parent/Child Relationship 78 Assessing Parental Capacity 78 Assessment of the Parent’s Perception of Child 79 Failure To Thrive 80 Abusive Head Trauma (Shaken Baby) 80 Foster Care 81 Fatherhood Initiative Programs at CJTS 82 Resources by Region (Separate Document) See “Resources” April 1, 2016 (New) 2 | Page The Department of Children and Families Early Childhood Practice Guide for Children Aged Zero to Five INTRODUCTION The Department of Children and Families supports healthy relationships, promotes safe and healthy environ‐ ments and assures that the social and emotional needs of all children are met. -
Deliver Me: Pregnancy, Birth, and the Body in the British Novel, 1900-1950
DELIVER ME: PREGNANCY, BIRTH, AND THE BODY IN THE BRITISH NOVEL, 1900-1950 BY ERIN M. KINGSLEY B.A., George Fox University, 2001 M.A., University of Colorado at Denver, 2006 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of English 2014 This thesis, entitled: Deliver Me: Pregnancy, Birth, and the Body in the British Novel, 1900-1950 written by Erin M. Kingsley has been approved for the Department of English _______________________________________ Jane Garrity, Committee Chair _______________________________________ Laura Winkiel, Committee Member Date:_______________ The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. HRC protocol #__________________ iii ABSTRACT Kingsley, Erin (Ph.D., English, English Department) Deliver Me: Pregnancy, Birth, and the Body in the British Novel, 1900-1950 Thesis directed by Associate Professor Jane Garrity Deliver Me: Pregnancy, Birth, and the Body in the British Novel, 1900-1950 explores three ways British novels engage with the rise of the “culture of pregnancy,” an extreme interest in reproduction occurring during the modernist movement. This culture of pregnancy was intimately facilitated by the joint explosion of dailies and periodicals and the rise of “experts,” ranging from doctors presiding over the birthing chamber to self-help books dictating how women should control their birth-giving. In response to this culture of pregnancy, some modernist writers portray the feminine reproductive body as a suffering entity that can be saved by an alignment with traditionally- coded masculine aspects of the mind. -
Greek God Pantheon.Pdf
Zeus Cronos, father of the gods, who gave his name to time, married his sister Rhea, goddess of earth. Now, Cronos had become king of the gods by killing his father Oranos, the First One, and the dying Oranos had prophesied, saying, “You murder me now, and steal my throne — but one of your own Sons twill dethrone you, for crime begets crime.” So Cronos was very careful. One by one, he swallowed his children as they were born; First, three daughters Hestia, Demeter, and Hera; then two sons — Hades and Poseidon. One by one, he swallowed them all. Rhea was furious. She was determined that he should not eat her next child who she felt sure would he a son. When her time came, she crept down the slope of Olympus to a dark place to have her baby. It was a son, and she named him Zeus. She hung a golden cradle from the branches of an olive tree, and put him to sleep there. Then she went back to the top of the mountain. She took a rock and wrapped it in swaddling clothes and held it to her breast, humming a lullaby. Cronos came snorting and bellowing out of his great bed, snatched the bundle from her, and swallowed it, clothes and all. Rhea stole down the mountainside to the swinging golden cradle, and took her son down into the fields. She gave him to a shepherd family to raise, promising that their sheep would never be eaten by wolves. Here Zeus grew to be a beautiful young boy, and Cronos, his father, knew nothing about him. -
Benjamin Hood
Ice Whizz whizz my ice skates shoot over the cold hard ice. I hit a hairpin turn my feet fly out from under me I’m flying WUMP I land on the unforgiving ice. Ice is fun and playful but sometimes it takes is fun too far and womps you on the head Benjamin Hood Snow-boarding I love snow-boarding. I do it in all weathers. Snow or rain, sometimes in below zero. The reason I like snow-boarding is because I feel so alive. I fly by people. As I hit a jump I feel the air between my board and the ground. It’s very steep. I don’t stop, I keep going. I yell with freedom “woohoo!” I hit another jump. When I get to the bottom I go get something to eat. Then I sit by the fire. The warmth melts the cruel frost off my bones. Then I leave. Bradley Thane Ice skating Ice skating I haven’t been in two years. Snow, all over the ice. In the beginning I was scared, of falling and hurting myself All of a sudden… I fell, thud, onto the ice. My tooth went into my lip My Mom asked me I wanted my skates off, I said no. Two minutes later I was back on the ice. After that, It was like butter, the crinch, crunch under my skates, the slap of the hockey stick against the puck. It was the best night I ever had. By the end, the snow on the ice was gone. -
The Platinum Appendix
SHANNON APPELCLINE SHANNON A HISTORY OF THE ROLEPLAYING GAME INDUSTRY THE PLATINUM APPENDIX SHANNON APPELCLINE This supplement to the Designers & Dragons book series was made possible by the incredible support given to us by the backers of the Designers & Dragons Kickstarter campaign. To all our backers, a big thank you from Evil Hat! _Journeyman_ Antoine Pempie Carlos Curt Meyer Donny Van Zandt Gareth Ryder-Han- James Terry John Fiala Keith Zientek malifer Michael Rees Patrick Holloway Robert Andersson Selesias TiresiasBC ^JJ^ Anton Skovorodin Carlos de la Cruz Curtis D Carbonell Dorian rahan James Trimble John Forinash Kelly Brown Manfred Gabriel Michael Robins Patrick Martin Frosz Robert Biddle Selganor Yoster Todd 2002simon01 Antonio Miguel Morales CURTIS RICKER Doug Atkinson Garrett Rooney James Turnbull John GT Kelroy Was Here Manticore2050 Michael Ruff Nielsen Robert Biskin seraphim_72 Todd Agthe 2Die10 Games Martorell Ferriol Carlos Gustavo D. Cardillo Doug Keester Garry Jenkins James Winfield John H. Ken Manu Marron Michael Ryder Patrick McCann Robert Challenger Serge Beaumont Todd Blake 64 Oz. Games Aoren Flores Ríos D. Christopher Doug Kern Gary Buckland James Wood John Hartwell ken Bronson Manuel Pinta Michael Sauer Patrick Menard Robert Conley Sérgio Alves Todd Bogenrief 6mmWar Apocryphal Lore Carlos Ovalle Dawson Dougal Scott Gary Gin Jamie John Heerens Ken Bullock Guerrero Michael Scholl Patrick Mueller-Best Robert Daines Sergio Silvio Todd Cash 7th Dimension Games Aram Glick Carlos Rincon D. Daniel Wagner Douglas Andrew Gary Kacmarcik Jamie MacLaren John Hergenroeder Ken Ditto Manuel Siebert Michael Sean Manley Patrick Murphy Robert Dickerson Herrera Gea Todd Dyck 9thLevel Aram Zucker-Scharff caroline D.J. -
Your-Pregnancy.Pdf
Your Pregnancy excitement baby expectations dad boy mom birthfamily Henry Ford Health System welcomes you to our Women’s Health Services Department. The goal of our health care team is to make sure that you receive the very best care for you and your baby. The main purpose of prenatal care is to have a healthy mom and baby. Therefore, our approach is research-based and revolves around what has been proven to help both mom and baby through the pregnancy process. This is an exciting time for you and your family. We are committed partners in this process and have compiled this book as a resource of what to expect. In addition to this book, we have online resources that are available to you. We suggest you read through both of these resources and talk to your provider if you have questions or concerns. 3 TABLE OF CONTENTS 1. BABY & ME Baby and me - 40 weeks of growth and bonding ...................... 7 2. NUTRITION & EXERCISE Nutrition in pregnancy ......................................... 13 What should I eat? ............................................ 15 Vitamin D .................................................. 16 Anemia .................................................... 16 Staying healthy while pregnant .................................. 18 Safety precautions during pregnancy .............................. 20 3. TESTING Testing during pregnancy ....................................... 23 What to expect at your obstetric ultrasound ........................ 24 4. GENERAL HELP Common discomforts of pregnancy .............................. -
Ars Magica 4Th Edition Are 1-887801-55-3 (Softcover) and ISBN 1-887801-56-1 (Hardcover)
Ars MagicaTM TheThe ArtArt ofof MagicMagic Fourth Edition ChartingCharting NewNew RealmsRealms ofof Imagination™Imagination™ Ars Magica, Fourth Edition C REDITS Development, Editing, Layout, and Project Management: Jeff Tidball Development, Editing, and Layout: John Nephew Fourth Edition Design Contributions: Bill Brickman, Bob Brynildson, David Chart, Nicole Lindroos Frein, Geoffrey Grabowski, Peter Hentges, Lydia Leong, Marc Philipp Messner, John Nephew, Chris Pramas, Wade Racine, Roderick Robertson, John Snead, Jeremy Strandberg, Jeff Tidball, and Robbie Westmoreland. Original Ars Magica Design: Jonathan Tweet and Mark Rein•Hagen Contributing Authors: Shannon Appel, Bill Brickman, David Chart, Sam Chupp, Ken Cliffe, Christopher Earley, Chris Frerking, Geoffrey Grabowski, Kevin Hassall, Peter Hentges, Lydia Leong, Aaron Link, Dave P. Martin, John Nephew, Wade Racine, Mark Rein•Hagen, Carl Schnurr, John Snead, Jeremy Strandberg, Jeff Tidball, Jennifer Clarke Wilkes, and Travis Lamar Williams. Journal of Antoninus of Jerbiton: David Chart Interior Art: Dave Allsop, Neil Edwards, Josh Hoops, Eric Hotz, Janine Johnston, Alexis Liosatos, William O’Connor, Dom Reardon, John Scotello, and Jock Simpson. Cartography: Eric Hotz Wizards of the Coast Fourth Edition Developer: Wade Racine Wizards of the Coast Fourth Edition Contributions: Steve Bishop, Bob Kruger, and Jennifer Clarke Wilkes. Special Thanks: Peter Adkison, Bill Brickman, Bob Brynildson, Jerry Corrick, Woody Eblom, Lydia Leong, Clay Luther, Susann Lyon, Paul Nurnberger, and Jonathan Tweet. Playtest Coordinators: Bill Brickman, Bob Brynildson, Timothy Carroll, David Chart, Chris Daianu, Jeremiah Genest, Damelon Kimbrough, Scott Lien, Marc Philipp Messner, and Robin Steeden. Playtesters: Bill Brickman Playtesters (Philadelphia): Paul Curtis, Tamara Duran, Erik Hanson, Leonard McCain, Stephen Mulholland, and Christopher Page. Bill Brickman Playtesters (Los Angeles): Tavis Allison, St.