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Home , 4000 Miles, Bright Star (musical), Carmen Cusack, Craig Noel, Edie Brickell, Jane Greenwood

FINAL POSTER 1

SEPTEMBER 2014

BRIGHT STAR A NEW AMERICAN MUSICAL

BRIAN ANSTEY DESIGN CLIENT: THE OLD GLOBE WELCOME Welcome to ! It’s an all-hands- on-deck effort to coordinate the moving parts involved in producing a major musical: building the right creative team, gathering the perfect cast, executing the vision of the artists involved with top-notch craftsmanship and skill. But is one of The Old Globe’s strongest suits. We pride ourselves on making musicals as well as any theatre in the world, and in this case it’s a special thrill to see all those moving parts come together on a show the Globe has developed over the course of nearly two years, from the time Barry read its very first draft, through a major workshop in , and all the way to opening night. We are delighted to have a truly gifted and distinguished group of

artists joining us for this production, DOUGLAS GATES including some of the biggest names Managing Director Michael G. Murphy and Artistic Director Barry Edelstein. in the American theatre today. This marks the Globe debut of , one of the country’s most versatile and accomplished directors and the perfect shepherd for this remarkable project. Costume designer Jane Greenwood won the 2014 Tony Award for Lifetime Achievement, and scenic designer Eugene Lee was recently inducted into the Theater Hall of Fame. Like them, the rest of the hugely talented creative team boasts accomplishments at the highest level of excellence.

Of course, this entire team has been drawn together by a powerful force: the beating heart that animates Bright Star, the extraordinary new work from creators and . Both are acclaimed artists in their own right, with impressive bodies of work to their credit. But in coming together they have given us something fresh: an energetic, exciting partnership filled with spirit and story and song. InBright Star, they have made a wholly original, brand new work of American musical theatre. We are thrilled to bring it to audiences and to launch a writing partnership that’s sure to create many more wonderful works in the years ahead.

Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large.

PERFORMANCES MAGAZINE 1 PRODUCTION SPONSORS MARY BETH ADDERLEY EDGERTON FOUNDATION

Mary Beth Adderley is a native San Diegan who has been passionately involved with The The world premiere ofBright Star received a prestigious Edgerton Foundation New American Play Old Globe for many years. From the very beginning, Mary Beth has been deeply interested Award. The Edgerton Foundation is dedicated to the advancement of American Theatre and gives in the development of this new musical and last year helped fund a workshop in New York selected world premiere productions support for an extended rehearsal period with the entire creative that culminated in the public concert performances of Bright Star at Vassar College. Mary team, including the playwrights. Since the program began in 2006, non-profit have received Beth serves on the Executive and Education Committees of The Old Globe Board of Directors support for 237 world premiere plays and musicals, with many scheduled for subsequent productions and serves as Co-Chair of the Development Committee. She is also on the board of South at theatres across the U.S., including 14 making it to Broadway. Eight Edgerton Foundation awardees Coast Repertory and is an Emeritus Trustee of Vanderbilt University. Of the numerous Globe have been nominated for the , with Next to Normal winning in 2010 and productions sponsored by Mary Beth in the past, a sampling includes The Price, The American Water by the Spoonful in 2012. The Old Globe has received Edgerton Foundation Awards for eight Plan, Hold Please, Richard O’Brien’s The Rocky Horror Show, Allegiance – A New American Musical, world premiere productions. For more information about Edgerton Foundation New Play Awards, and The Few. In addition, she has also been a generous supporter of the Globe Gala and other visit the Theatre Communications Group (TCG) website: www.tcg.org/tools/newplays/index.cfm important events. NICOLE PARKER AND JON PATRICK WALKER. BY JIM COX. PHOTO AND PATRICK JON PARKER NICOLE HAL AND PAM FUSON DOUGLAS GATES Hal and Pam Fuson became Globe regulars shortly after moving from Los Angeles to Encinitas in DARLENE MARCOS SHILEY 1983. During their two children’s teenage years they subscribed as a family. The children went off to college and Hal and Pam gained new insights attending on evenings with Post-Show Forums. Hal A longtime friend of both Craig Noel and Jack O’Brien, Darlene Marcos Shiley, along with her became the Globe’s Board Chair in 2011, a voyage of discovery that has engaged the couple in new late husband Donald, has been a dedicated supporter of The Old Globe for more than three challenges and reinforced for them the vital role The Old Globe plays in the cultural life of San Diego. decades. The Shileys’ lead gift of $20 million to the Globe’s Capital and Endowment Campaign This summer, Hal and Pam were proud to host their children’s families, now including two 10-year- marked the largest individual contribution in the Globe’s history. The couple served as charter olds and two eight-year-olds, as they sat enthralled by the return of Into the Woods to the Globe. They members when the Season Sponsorship program was founded in 1995 and have underwritten were touched by the warmth of the New York workshop of Bright Star and are thrilled by the prospect many subsequent productions. The Shileys’ generosity has helped fund many Globe projects, of the full production’s richly resonant debut on the Globe stage. including the Shiley Artist-in-Residence program, the Shiley Terrace Apartments—which provide much-needed local housing for Globe artists—and an endowment that underwrites two full scholarships in the Old Globe/University of San Diego Graduate Theatre Program. Darlene continues to serve as leading underwriter of the annual Globe Gala, and in honor of their enduring support, the stage of the was named the Donald and Darlene GILLIAN AND TONY THORNLEY Shiley Stage. Gillian and Tony Thornley have been involved with The Old Globe for many years and are happy to

EDUARDO CONTRERAS / U-T SAN DIEGO support the world premiere of Bright Star. Tony currently serves on the Globe Board of Directors as Treasurer and is a member of the Executive, Finance, Craig Noel League, and Investment Committees. SHERYL AND HARVEY WHITE He and Gillian first became sponsors in 2009 as Production Sponsors for the Shakespeare Festival, an easy decision based on their family’s connection with Shakespeare. Amidst the uncertainty and Over their long association with The Old Globe, Sheryl and Harvey White have played many strife of World War II, Gillian’s parents met and married in the Bard’s rural hometown of Stratford- leadership roles at the theatre, each serving terms as Chair of the Board of Directors, with upon-Avon. They settled in a 17th-century home neighboring Anne Hathaway’s cottage where the Harvey serving as Co-Chair of the Globe’s $75 million Capital and Endowment Campaign. only source of running water was an outdoor pump, and cold, damp trips “down the garden path” Sheryl holds the distinction of co-chairing nine successful Globe Galas, including this past were frequent. Often through makeshift amateur productions, the plays of Shakespeare, particularly July’s Summer Splendor. The Whites have been Season Sponsors for many years. In addition the comedies, provided respite from the hardships of life, creating a unique bond with the playwright. to Bright Star and last year’s The Last Goodbye, they have sponsored such plays as The Times They Are A-Changin’, three world-premiere musicals (Dancing in the Dark, The First Wives Club, and A Room with a View), Hershey Felder in Maestro: The Art of , and Lost in VICKI AND CARL ZEIGER Yonkers, the inaugural production in the arena theatre that bears their name in recognition of their significant $6 million Capital Campaign gift. Sheryl continues to serve on the Globe’s Vicki and Carl Zeiger are thrilled to have the world premiere of Bright Star as their first sponsored Finance Committee, and Harvey is Board Secretary and a member of the Executive Committee. production at the Globe. Vicki, a native San Diegan, started her relationship with the Globe as a child, attending Summer Shakespeare Festival performances with her family. She retired as Vice President of Human Resources from San Diego Gas & Electric and since 2011 has been on the Globe Board, currently serving on the Finance Committee and as Vice Chair of the Nominating Committee. She co- chaired the 2012 Gala and, that same year, served on the Search Committee for the theatre’s Artistic Director, which brought Barry Edelstein to the Globe. Carl, a retired businessman from the computer software industry, is also an ardent supporter of the Globe. Together they support many other San Diego organizations, including A Step Beyond, a multifaceted after-school program for underserved children, of which Vicki is a Founding Board Member.

2 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 3 OUR THANKS In 1995, the Season Sponsor program was initiated by Globe Board members to secure a foundation of support for artistic and education programs. Since that time, Season Sponsors have contributed millions of dollars collectively to underwrite the annual operating budget, Season Sponsors $50,000 and higher and The Old Globe is grateful to acknowledge the following Season Sponsors who have generously supported the 2014-2015 season.

Leading Season Sponsors $75,000 and higher JIM COX

JOHN A. BEROL JOAN AND IRWIN JACOBS VALERIE AND HARRY COOPER Sponsor since 1996 Sponsors since 2002 Sponsors since 2005 EDUARDO CONTRERAS / U-T SAN DIEGO JIM COX KAREN AND DONALD COHN DARLENE MARCOS SHILEY GLOBE GUILDERS AUDREY S. GEISEL Charter Sponsors since 1995 In memory of Donald Shiley Charter Sponsor since 1995 Sponsor since 1998 Charter Sponsor since 1995

MICKEY STERN GILLIAN AND TONY THORNLEY JUNE E. YODER Sponsor since 2009 Sponsors since 2009 Sponsor since 2010

KATHRYN HATTOX SHERYL AND HARVEY WHITE CONRAD PREBYS AND MARY BETH ADDERLEY Sponsor since 1998 Sponsors since 2000 DEBRA TURNER Sponsor since 2004 Sponsors since 2004 BRIAN AND SILVIJA DEVINE GLORIA RASMUSSEN RHONA AND RICK THOMPSON Sponsors since 2012 Sponsor since 2012 Sponsors since 2013 JIM COX PETER COOPER AND EDGERTON FOUNDATION ELAINE AND DAVE DARWIN PAULA AND BRIAN POWERS NORMAN BLACHFORD Sponsor since 2008 Sponsors since 2011 Sponsors since 2012 ANN DAVIES HAL AND PAM FUSON VICKI AND CARL ZEIGER Sponsors since 2008 Sponsor since 2013 Sponsors since 2013 Sponsors since 2014

Sponsor since 2000 Charter Sponsor since 1995 Sponsor since 2007

Charter Sponsor since 1995

For additional information on how you may become a Season Sponsor, please contact Todd Schultz, Director of Development, at (619) 231-1941 x2310. Photo for Globe Guilders: Lee Aaron Rosen and Sarah Manton in Time and the Conways, 2014; for Edgerton Foundation: Nicole Parker and Jon Patrick Walker in Dog and Pony, 2014; for John A. Berol: the cast of A Midsummer Night’s Dream, 2013. 4 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 5 OUR THANKS THE PLAY The signs are auspicious, and with a gap between the costs of presenting each show and ticket sales. Bright Star leading our way into the 2014- And special thanks goes to those who guarantee the Globe’s future 2015 Season, we celebrate the entire for years to come through endowments and Craig Noel League process of creating great theatre, from membership. We are grateful to our audiences and our supporters FROM THE initial inspiration to glorious reality. for everything you do, including purchasing tickets, attending Under Barry Edelstein’s guidance, the performances, and spreading the word about our productions and ARTISTIC Globe has again brought together an education programs with your friends. intriguing cross-section of world-class DIRECTOR artists from theatre, music, film, and the Many people go to the theatre to escape into another world. In creative arts for a unique and moving this collaboration, every character on stage has a story to tell, and Bright Star is something very special and all too makes a song dramatic is remarkably sophisticated. these characters have come together to form the rich and vibrant world premiere musical about the power rare: a brand new, wholly original work of American Like Steve, she too is a winsome and open spirit community that populates the world of Bright Star, just as the cast of love and redemption. musical theatre. I adore the show and I think its both inside and outside the rehearsal room. In and creative team of the show, guided by the unique sensibilities of As your Globe Board Chair and a firm believer in the restorative Steve Martin and Edie Brickell, have formed their own community wonders are many. It’s a great yarn with a heart as Martin and Brickell—call them “Steve and Edie”— powers of the arts, I am pleased to represent and support this to share this incredible story with you. Their world is filled with big as a mountain and a soul as deep as the sea. It’s we have a new musical-writing team composed amazing institution alongside our valued sponsors: Mary Beth emotion, intelligence, and great characterizations that make you a lot of fun to watch. It’s got a rich and vital score of established veterans: a new pair of old hands. I Adderley, Darlene Marcos Shiley, Sheryl and Harvey White, The laugh, cry, and want never to leave it behind. Thank you for being with a distinctive and fresh sound. There’s great thank them both for entrusting their work to The Edgerton Foundation, Hal and Pam Fuson, Gillian and Tony Thornley, part of our world, and for all that you do for the Globe family. love in it, and its characters’ depth of affection for Old Globe. and Vicki and Carl Zeiger. each other evokes a similar depth of feeling from us. The story ranges through big and potent themes, Steve and Edie have drawn together a team of Show us your commitment—your philanthropy can make a from the emotional—love, loss, and redemption— artists as luminous as Bright Star itself. Director difference. Your financial support of the Globe, San Diego’s largest Elaine Bennett Darwin to the spiritual—our ongoing search for home and Walter Bobbie is one of our country’s greats. His not-for-profit performing arts organization, helps close the funding Chair, Board of Directors place and self—to the national—the South and encyclopedic knowledge of the American musical is its distinctive place in our country’s literary and exceeded only by his considerable personal charm, BOARD OF DIRECTORS musical culture. And at its core is the Great Subject and his interpretive and staging talents are coupled Elaine Bennett Darwin* Harold W. Fuson, Jr.* Peter J. Cooper* of the American stage: Family. Bright Star is about to a dramaturgical mind as sharp as any I’ve CHAIR IMMEDIATE PAST CHAIR VICE CHAIR, EDUCATION how all of us navigate the paths of our lives between encountered. Among his key collaborators are two Anthony S. Thornley* Vicki L. Zeiger* Harvey P. White* two opposing but related poles: we are at once our giants of the American stage (costume designer TREASURER VICE CHAIR, NOMINATING SECRETARY parents’ children and also our own private selves. Jane Greenwood and scenic designer Eugene DIRECTORS Jack Galloway Crystal Sargent HONORARY DIRECTORS EMERITUS DIRECTORS The celestial body of the show’s title is a masterful Lee), a towering figure in American popular music Mary Beth Adderley* Victor P. Gálvez Jean Shekhter Mrs. Richard C. Adams Garet B. Clark metaphor, by turns provocative and poignant, for (musical supervisor ), and a cohort of Elizabeth Altman Kathryn Hattox* Ann Steck* (1912–2005) J. Clark (1913–2005) the beacon that lights our way and keeps us on the most influential and in-demand creatives in the Marla Black Patricia A. Hodgkin Steven J. Stuckey Clair Burgener (1921-2006) Bea Epsten course. New York theatre (musical director Rob Berman, Pamela Cesak Daphne H. Jameson Daniel L. Sullivan, Ph.D. Mrs. John H. Fox Sally Furay, R.S.C.J. choreographer Josh Rhodes, lighting designer Nicole A. Clay Jo Ann Kilty Karen Tanz (1908–2003) Bernard Lipinsky Joseph J. Cohen Sheila Lipinsky Rhona Thompson Audrey S. Geisel (1914-2001) The Globe has been involved with this show for Japhy Weideman, and sound designer Nevin Donald L. Cohn* Keven Lippert Evelyn Mack Truitt Paul Harter Delza Martin (1915–2005) nearly two years, and I can report that every day Steinberg). It is a very high honor to welcome them Valerie S. Cooper* Mitzi Lizárraga Debra Turner Gordon Luce (1925-2006) Darlene Marcos Shiley I’ve sensed a bright star guiding me—or more all into the Globe family. Ann Davies Ramin Pourteymour Linda Van Vark Dolly Poet (1921-2007) Patsy Shumway accurately, a constellation of bright stars. Silvija Devine Paula Powers* Stacey LeVasseur Vasquez Deborah Szekely Carolyn Yorston-Wellcome Bright Star’s brightness emanates too from an Stephen P. Embry Conrad Prebys* Jordine Von Wantoch Hon. Pete Wilson Steve Martin always shines bright. This is our fifth uncommonly brilliant cast. Their talent and their Pamela A. Farr Tim Rafalovich Pamela J. Wagner theatrical collaboration over the course of more commitment, like those of the show’s authors and Karen Fox Adam Ratner Lynne Wheeler *Executive Committee Member than two decades, I am happy to note, and I look creative team, have galvanized the Globe staff. We Robert Foxworth Sandra Redman Karin Winner* forward to many more. Steve’s talents astonish: all feel privileged that it is for us to give this terrific June Yoder , writer, composer, comedian, musician, art musical its world premiere. And I feel honored to ASSOCIATE ARTISTS OF THE OLD GLOBE collector, magician, and more. He can do it all. His watch the light from this star lend a special glitter work here, text as well as tune, is sweet, sweeping, to our already shining institution. It’s a proud and In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in and striking in its beauty. As a theatre artist he happy moment in . acknowledging as Associate Artists the following individuals who have repeatedly demonstrated by their active presence on our stages and is sensitive, gracious, and kind; as a friend he is in our shops, that wherever else they may work, they remain the heart and soul of the Globe. stalwart, generous, and true. Steve’s partner in this Thanks for coming. Enjoy the show. William Anton Tim Donoghue Mark Harelik John McLain Steven Rubin Deborah Taylor venture, and co-creator of this spectacular score, Richard Easton Bob James Jonathan McMurtry Ken Ruta Irene Tedrow* Edie Brickell, is a newer friend to me but a major Jacqueline Brookes* Tovah Feldshuh Charles Janasz Stephen Metcalfe Douglas W. Schmidt Sada Thompson* figure in American music. Her gifts are countless Lewis Brown* Monique Fowler Peggy Kellner* Robert Morgan Seret Scott Paxton Whitehead and her talent prolific, and she has taken to the new Victor Buono* Robert Foxworth Tom Lacy Patrick Page David F. Segal James Winker process of writing for the stage with an ease and Wayland Capwell* Ralph Funicello Diana Maddox Ellis Rabb* Richard Seger* Robert Wojewodski skill that seem the product of decades. Her Kandis Chappell Lillian Garrett-Groag Nicholas Martin* Steve Rankin Diane Sinor* G Wood* Eric Christmas* Harry Groener Dakin Matthews William Roesch Don Sparks are incisive and surprising, and her sense of what Patricia Conolly A.R. Gurney Deborah May Robin Pearson Rose David Ogden Stiers * In Memoriam George Deloy Joseph Hardy Katherine McGrath Marion Ross Conrad Susa*

6 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 7 CAST PRESENTS (in order of appearance) BILLY CANE...... A.J. Shively DADDY CANE ...... DARYL AMES...... Jeff Hiller LUCY GRANT...... Kate Loprest ALICE MURPHY...... JIMMY RAY DOBBS...... Wayne Alan Wilcox BRIGHT STAR DADDY MURPHY ...... Stephen Lee Anderson MAMA MURPHY ...... Patti Cohenour DORA MURPHY...... Libby Winters MAYOR JOSIAH DOBBS...... Wayne Duvall MARGO CRAWFORD...... Hannah Elless MUSIC BY ENSEMBLE...... Allison Briner, Max Chernin, Leah Horowitz, Joe Jung, STEVE MARTIN AND EDIE BRICKELL Ashley Robinson, Sarah Jane Shanks, Scott Wakefield

SWINGS...... Lulu Lloyd, Greg Roderick LYRICS BY BOOK BY

UNDERSTUDIES...... for Mama Murphy - Allison Briner; EDIE BRICKELL STEVE MARTIN for Daryl Ames, Billy Cane - Max Chernin; for Margo Crawford - Leah Horowitz; for Daddy Cane - Joe Jung; for Lucy Grant - Lulu Lloyd; for Jimmy Ray Dobbs - Ashley Robinson; Eugene Lee Jane Greenwood Japhy Weideman Nevin Steinberg for Alice Murphy, Dora Murphy - Sarah Jane Shanks; SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN for Mayor Josiah Dobbs, Daddy Murphy - Scott Wakefield

August Eriksmoen Rob Berman STAGE MANAGEMENT ORCHESTRATOR VOCAL ARRANGEMENTS Stage Manager...... Anjee Nero Assistant Stage Managers...... Jess Slocum, Kendra Stockton Lee Wilkins Howie Cherpakov, CSA Anjee Nero ASSOCIATE CHOREOGRAPHER CASTING STAGE MANAGER SETTING Time: 1945-1946, and 22 years earlier. BASED ON AN ORIGINAL STORY BY Place: North Carolina. Steve Martin and Edie Brickell There will be one 15-minute intermission.

MUSICAL SUPERVISOR MUSICAL DIRECTOR PRODUCTION STAFF Wig Design...... Tom Watson PETER ASHER ROB BERMAN Assistant Director...... Andrew Britt Associate Music Director...... Anthony De Angelis Associate Scenic Design...... Starlet Jacobs CHOREOGRAPHER Assistant Scenic Design...... Sean Fanning Associate Costume Design...... Daniel Urlie JOSH RHODES Associate Costume Design...... Charlotte Devaux Associate Lighting Design...... Amanda Zieve Assistant Lighting Design...... Sherrice Mojgani DIRECTED BY Associate Sound Design...... Jason Crystal Dialect Coach...... David Huber WALTER BOBBIE Dance Captain...... Lulu Lloyd Music Assistant...... Michael Matsuno Production Driver...... Benjamin Murphy Stage Management Interns...... Steph Marron, Allison-Marie Molnaa, Maile Young Donald and Darlene Shiley Stage Old Globe Theatre The and Stage Managers employed in this production are members of Actors’ Equity Association, the union of Conrad Prebys Theatre Center Professional Actors and Stage Managers in the . September 13 - November 2, 2014 Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. A workshop presentation of Bright Star was presented by New York Stage and Film & Vassar at the Powerhouse Theater, Summer 2013. If you would like a synopsis of this production in English or Spanish, please request it from an usher.

8 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 9 THE PLAY

A Gorgeous Collaboration: Steve Martin Edie BrickellBrickell & on writing Bright Star By Danielle Mages Amato

Steve Martin and Edie Brickell. “It’s a sound I’ve been looking for my whole life.” “This has been the greatest experience.” - Steve Martin - Edie Brickell

Steve Martin and Edie Brickell sat down with later, she sent me a vocal. the characters in our musical, and that’s EB: This has been the greatest experience. better writer. And [Artistic Director] Barry Edelstein the Globe’s Literary Manager and Drama- when it started to get better and better. I discovered how much I love writing songs read this script at its most early stage. I turg to talk about collaboration, their creative EB: “Sun’s Gonna Shine.” for characters in the musical. It offers a How do you describe the music? Is look back and think, “How did he even say How do you decide what new elements wider range of emotion: from heartbreak it part of a particular history of he had an interest in it?” It was like an ugly process, and how their Grammy-winning and romance to very playful moments, and zygote. It’s changed so much; it’s so much SM: Yes, “Sun’s Gonna Shine.” I loved need to be written, or what you can let American music, or do you see it as music made the leap to the stage. fall away? Steve always had the right instrumental something new? better now than it was then. it so much that I sent her another one, with the feel and personality to inspire me and it grew into a 13-song , Love toward melodies and rhythms that I love How did you come together as writing Has Come For You, for which we won a SM: I pictured myself as the dramatist, but SM: I’m really hesitant to categorize it. It’s EB: Barry also gave us a fine idea that partners? to sing. Every time I hear members of the inspired a song in the second act. Grammy for the title song. We were at a when Edie’s lyrics started coming back, I cast sing I want to write more and more a sound I’ve been looking for my whole distance, communicating really through realized that she was quite a dramatist songs for them. They’re astonishingly life. When I first started playing the , STEVE MARTIN: We’ve known each other email. I’d send a tune, and she’d come back herself within the context of these lyrics. talented. And Rob Berman takes the songs I heard it in a bluegrass situation, I heard How are you hoping audiences will for maybe 20 years, but we didn’t start with these beautiful lyrics and beautiful All of the characters were speaking within to another level with his arrangements. I it in a folk music situation, but I also heard respond to the piece? Is there a working together until about two and a melodies. We started talking about our the songs. We might have a scene written, love hearing what he comes up with. I’m records of banjo with orchestra, with a lot particular experience you hope to give half years ago. musical tastes, especially when we started and then the song would come in, and learning a lot watching him work. of strings, and I found it to be very moving. them, or something you hope they’ll touring together, and we both recognized I’d realize we could actually cut way back I’ve been trying to re-create that sound. I take away from it? how much we loved old musicals. We just on the scene, because the song would felt we did it on our record, Love Has Come EDIE BRICKELL: We were at a party, and I What has your collaboration with told Steve I loved his song “Daddy Played put it in the back of our heads, the idea of be telling the story. I was continually For You. Working with Peter Asher—who SM: For them to be moved, from tears to a musical. Edie said, “Well, maybe one of surprised at Edie’s ability to provide director Walter Bobbie been like? produced the record and is also the musical the Banjo,” and if he ever wanted to make How has he helped to shape the piece? joy. Certainly that. up a song together, I bet we could write a our songs contains the spark of a musical.” drama within the context of the songs. supervisor on Bright Star—we were able good one. He said as a matter of fact he And we took a look at those songs, and to capture a sound that I had been looking indeed, one did. EB: I’m amazed by the creativity and talent for for a long, long time. EB: Steve’s written a scene in this musical had a banjo tune with no song to it. EB: Steve is a master at connecting the of the team Walter put together for our that is one of my favorite scenes of all dots. He took that song from the album show. Josh Rhodes has imagination and time. It opened my heart and made me SM: I had never really collaborated on How did these characters and their and a new one called “Jimmy Ray” and saw thoughtfulness for every movement and How has it been to work on a new cry. When somebody can do that now, songs before, and I was afraid that I didn’t story come to be? characters in them and started to work on gesture. And Walter has been fantastic. He musical here at the Globe? when there’s so much cynicism, it’s a huge really know how to collaborate. But I knew a script. dialed in a lot of focus for us, and he gave gift. I’m thrilled to be a part of it. It’s a Edie well enough that it would have been SM: At first, we had a lot of songs from me opportunities and inspiration to write EB: It’s a privilege to work here. gorgeous collaboration. embarrassing if I didn’t call her. So we the album in there—that was how we Have you found that a musical for characters who didn’t have songs. He’d met. I think we were both a little nervous. began—but as we kept working, kept theatre song works differently than say, “This guy needs a song here,” and I SM: I think so, too. It’s been amazing. The I was a little nervous, I know that. I played writing, those songs fell out, and we a standalone song or a song for an loved when that happened. His sense of facilities, the people, nothing is lacking. a little tune for her, and a couple of days started writing songs that were specific to album? what each moment needed made me a 10 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 11 THE PLAY DOCUMENTING ASHEVILLE AND THE THE LAND AND SOUTHERN RENAISSANCE ITS PEOPLE The first half of the 20th century radically culture, and people of the American South. At the turn of the 20th century, a young reshaped the American South, altering its As author Alexander Blackburn puts it, North Carolina woman named Bayard landscape, its way of life, and as a result, “all Southern writers are inescapably Wootten gravitated from painting to its literature. From the 1920s to the 1940s, marked by a marrow-deep experience photography. By the 1930s, she had become Southern writing flourished. Authors like of land and blood.” But they could also William Faulkner, Tennessee Williams, be harsh critics, clear-eyed observers of a major regional photographer with her own Eudora Welty, and Zora Neale Hurston the contradictions and hypocrisies they Chapel Hill studio and thousands of photos propelled this “Southern Renaissance” observed, both without and within. They to her credit. Her images of western North into the national spotlight. The movement laid the groundwork for the major Southern Carolina offer an unparalleled glimpse back in was nourished by the birth of literary writers of the 1950s and beyond, authors time at the region and its people. magazines like The Fugitives and The like Flannery O’Connor, Harper Lee, and Southern Review, close cousins to Bright Carson McCullers, and had a major impact All images (except where noted) from the Bayard Morgan Wootten Photographic Collection #P0011, North Carolina Star’s fictional Asheville Southern Journal. on the shape of American literature. –DMA Collection, University of North Carolina at Chapel Hill Library. Asheville’s own hometown literary hero was novelist and playwright Thomas Wolfe, whose semiautobiographical Look Homeward Angel established his national reputation in 1929. But Asheville also played host to other famous writers. In the mid-1930s, F. Scott Fitzgerald spent summers writing in the Grove Park Inn. North Carolina native O. Henry married into a prominent Asheville family and is buried in the city’s Riverside Cemetery. Poet Carl Sandburg wrote much of his published work on an estate some 25 miles out of town. These and other literary figures established a rich literary tradition in Asheville that continues to this day.

The writers of the Southern Renaissance remained deeply connected to the history,

(at left, top to bottom) William Faulkner, Eudora Welty, Thomas Wolfe, Tennessee Williams. (below) Pack Square Ashville, 1930s. PACK MEMORIAL LIBRARYPACK 12 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 13 THE PLAY ARTISTS STEPHEN LEE ALLISON BRINER tom of the Opera (also in Canada), Rosa Bud ANDERSON (Ensemble) was part of in The Mystery of Edwin Drood (also in Lon- (Daddy Murphy) recently the original cast of The don), and Mary Jane in Big River. Her addi- appeared in Richard III at Old Globe’s New York tional credits include Sweet Adeline (City in London workshop of Bright Star. Center Encores!), Magnolia in Hal Prince’s and at Brooklyn Acad- Her national tour and Show Boat, Mimi in La Bohème, and Isabel/ IS MORE emy of Music with the Broadway credits include Mabel in The Pirates of Penzance (New York Bridge Project directed by Sam Mendes. He Mamma Mia!, , ’s White Shakespeare Festival), and Florence Foster has appeared in 10 Broadway productions Christmas, , and Les Misérables. Jenkins in Souvenir (Seattle’s A Contempo- including Spider-Man: Turn Off the Dark, Her Off Broadway credits includeForbid - rary Theatre, San Jose Repertory Theatre). Julius Caesar, , The Crucible, Foot- den Broadway, Listen to My Heart, Return She’s a recipient of a Tony Award nomina- loose, The Capeman, and The Kentucky Cycle. to the Forbidden Planet, Song of Singapore, tion, two nominations, His Off Broadway credits includeViolet Forbidden Hollywood, and Pete ’n’ Keely. a Jeff Award nomination, Actors’ Equity and (Playwright Horizons) She has performed at numerous regional Association’s Clarence Derwent Award, a and productions at Atlantic Theater Com- theatres such as TheatreWorks Silicon Val- , and a 2013 Grego- pany, Vineyard Theatre, and ley, Alabama Shakespeare Festival, Berk- ry Award for her work in 5th Avenue The- Theatre Club. He has performed regionally shire Theatre Festival, Syracuse Stage, atre/ACT’s co-production of Grey Gardens. at La Jolla Playhouse, Huntington Theatre Westport Country Playhouse, and Actors patticohenour.com. Company (IRNE Award for Best Support- Theatre of Louisville. Her television cred- CARMEN CUSACK JD LEVINE JD ing Actor (Drama) for Bus Stop), Signature its include “Law & Order,” “Law & Order: Theatre Company, Long Wharf Theatre, Special Victims Unit,” “The Diaries,” (Alice Murphy) recently The Kennedy Center, The Shakespeare -The “,” and “One Life to Live.” played the Mother in atre of New Jersey, and seven seasons with Ms. Briner is a principal performer in the at Milwaukee Denver Center Theatre Company. His film Indianapolis Symphony Orchestra’s pro- Repertory Theater and and television credits include The Treat- duction of Pops Goes Vegas!, touring sym- received a Jeff Award ment, “Orange Is the New Black,” “Those phony halls across the U.S. and Canada. nomination for Dot/ Who Kill,” “Unforgettable,” “Law & Order,” Her future projects include Ring of Fire: The Marie in Sunday in the Park with George and “Autopsy 5” (HBO). Music of at The Repertory The- at the Shakespeare Theater. Her atre of St. Louis and Cincinnati Playhouse other theatre credits include Lynn Gardner STEPHEN BOGARDUS in Carrie (MCC Theater), her

LESS in the Park. (Daddy Cane) appeared Award-nominated portrayal of Nellie For- Scenic designer Eugene Lee on creating the set for Bright Star at the Globe last fall as MAX CHERNIN bush in Broadway/Lincoln Center Theater’s Friar Laurence in The Last (Ensemble) is making his national tour of , and Elphaba Interview by Danielle Mages Amato Goodbye. He has appeared Globe debut. His New in Wicked (Chicago, first national tour, and on Broadway in Irving York credits include Really Melbourne, Australia). Her West End cred- Berlin’s White Christ- Bad Things (New York Mu- its include Chesty Prospects in Saucy Jack Eugene Lee is a true luminary of the Ameri- We did a four-week workshop of the show in For me, set design isn’t about figuring out mas, Old Acquaintance, , sical Theatre Festival) and and the Space Vixens, Eva Cassidy in Over can theatre. His has designed 25 Broadway New York back in February, so we built the how to go from the kitchen to the bedroom. best platform we could, put some special That’s not what I do. And I’m not too big James Joyce’s The Dead, High Society, Love! World Famous (Theater the Rainbow (U.K. and Ireland), Fantine in shows, including the original sets for Wick- casters on it, and tried it out at the work- on research. With this show, I think the Valour! Compassion!, King David, Falset- for the New City). His readings and work- Les Misérables, Rose in The Secret Garden ed, Ragtime, , and Mer- shop. And I think Walter used it terrifically. costumes do the most to communicate the tos, The Grapes of Wrath, Les Misérables, shops include Brooklynite (New York Stage (Royal Shakespeare Company, Stratford- rily We Roll Along. Among his numerous He found all kinds of interesting uses for it, period. There’s a beautiful scene where an and (1980 revival). His Off and Film), Sheila Levine is Dead and Living upon-Avon, and West End), Kim in Per- awards are three Tonys and an Emmy for his and the actors were able to make it their own actress literally moves before your eyes into Broadway work includes (Classic in New York (Vineyard Theatre), The Under- sonals, and Christine in The Phantom of the thing, part of the story. a different time period, just by changing her Stage Company), The Pavilion (Rattlestick classman (Prospect Theater Company), Fall Opera. Prior to her West End career, longtime work designing for “Saturday Night clothes. I like that. But as for the set: we’ve Live.” He is a recent inductee into the Theater But even when it was clear what the set was, got chairs. Chairs don’t change much. Playwrights Theater), Go Back to Where You Springs (Ars Nova), and Darling (Weston Ms. Cusack studied opera performance at Hall of Fame. it wasn’t clear what was behind it. In the end, Are, , and March of the Playhouse). Mr. Chernin has been featured the University of North Texas. In her down- it just wanted to be a very neutral space. We You not only do scenic design for the- (), and Love! Valour! in concerts at The Town Hall, 54 Below, and time she plays and writes music and is em- When you first approached the set for chose brick because it felt neutral; kind of atre, but also create sets for television Compassion! (). Re- Joe’s Pub. He trained at University of Cin- barking on her first original album this year. Bright Star, where did you begin? With like backstage at a theatre, maybe. and film. What’s it like moving back and gionally he has appeared in God of Carnage cinnati’s College-Conservatory of Music. carmencusack.com. visual inspirations or with specific tasks forth between those different media? (Huntington Theatre Company),The Exor- maxchernin.com. the set needed to accomplish? The set is very simple, almost eleme- cist (Geffen Playhouse), M. Butterfly (Arena WAYNE DUVALL ntal—does that reflect your approach in In a way, it’s all the same, but the process Stage), and 80 Days (La Jolla Playhouse). PATTI COHENOUR (Mayor Josiah Dobbs) It was very simple. We’ll see if it will all work, general, or is it specific to this piece? is different. I like theatre better than any- thing else, for the most part, because you His national tour credits include Show (Mama Murphy) recently is glad to be back at The but it was very simple. First of all the band appeared as Charlotte in Old Globe having last had to be put someplace. And they’re good This is kind of my period of “less is more.” can control more of it—as a designer, you Boat, , and . He has been looking. A particularly good-looking group As I like to say, “Less is more, except when have more say. I occasionally do films; I did seen on television in “The Big C,” “Smash,” A Room with a View (The performed at the theatre of musicians, with good-looking instru- more is better.” I’m a guy who likes things John Huston’s last film, and I’m talking to “Monk,” all three “Law & Order” series, and 5th Avenue Theatre) and in the musical revival of ments. So they really needed to be on stage. really simple. And this is a very delicate proj- Francis Ford Coppola right now about a new “Without a Trace.” His film credits include in her critically acclaimed Working directed by Gor- That was the first thing. The second thing ect, with a very gentle story and themes. But project he wants me to do. But in general, I Julie & Julia, Little Ones, States of Control, portrayal of Margaret in don Greenberg. His other theatre cred- was: where on stage? Would I want them there are all kinds of musicals, and I like all don’t like the process as much. When you do and Love! Valour! Compassion! The Light in the Piazza (South Coast Reper- its include Pride in the Falls of Autrey Mill around all the time? Maybe, maybe not. kinds of projects. a film, you really have to do only that film, whereas right now I’m designing three mu- tory). She has originated the Broadway roles directed by Michael Kahn, Bonnie & Clyde So we decided to build them a little house, of Signora Naccarelli/Margaret (alternate) directed by Jeff Calhoun (La Jolla Play- a little cabin, on a platform that we could The musical moves back and forth sicals and a ballet. And a set so that we can move around. And then we wondered: could through many different locations and take Jimmy Fallon to the Superbowl. That’s in The Light in the Piazza, Mother Abbess in house, Asolo Repertory Theatre),Of Thee I the actors move that? Director Walter Bob- time periods. Was that a challenge for going to be fun. The Sound of Music, Christine in The Phan- Sing directed by (City Center bie and I talked about it, but talking about you? Do you rely on research when cre- it doesn’t mean anything. You have to try it. ating period sets? 14 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 15 ARTISTS Encores!), On the Wing directed by Seth “Boiling Points,” and “Guiding Light”. Mr. LULU LLOYD The Good War, Feste in Twelfth Night, Lucky Jean-Michel, and in a concert staging of way and other theatre credits include Sud- Barrish, and Happy Days - A New Musical Hiller recently created the web series “Long (Swing, Dance Captain) is in (Lucky), and Billy in The Brigadoon, where he sang the role of Char- denly Last Summer (Roundabout Theatre directed by Garry Marshall. His film high- Distance,” which can be seen on YouTube or a San Diego native and is Cripple of Inishmaan. He also performed in lie. Other credits include the national tour Company), Carrie (MCC Theater),The Great lights include Prisoners, Lincoln, Edge of hillertime.com. thrilled to be making her and Maria Friedman’s West of The Sound of Music and the Off Broadway American Trailer Park Musical, A Death in the Darkness, Duplicity, Pride and Glory, Leather- Globe debut. She has ap- End concert. His film and television cred- productions of February House (The Public Family, The Importance of Being Earnest with heads, In the Valley of Elah, O Brother, Where LEAH HOROWITZ peared Off Broadway in its include Merrily We Roll Along, Hate with Theater), A Contemporary American’s Guide Lynn Redgrave, with Elaine Art Thou?, Hard Rain, My Fellow Americans, (Ensemble) performed in God’s Country (York The- Marcia Gay Harden, Fallen Souls, and The to a Successful Marriage (Cherry Lane The- Stritch, The Last Five Years, The Light in the and Apollo 13, as well as the upcoming Hel- the workshop of Bright atre Company, Signature Theatre Company, Accident. He trained at the University of atre), Things to Ruin (Second Stage Theatre), Piazza, The Sisters Rosensweig, and A Man of lo, My Name Is Frank, Greater and West End. Star in New York in Feb- New York Musical Theatre Festival 2013), North Carolina School of the Arts. and Little Airplanes of the Heart (The En- No Importance (Lincoln Center Theater). His His television credits include about 100 ruary and is delighted to Mother Jones and the Children’s Crusade (The semble Studio Theatre). Regionally, he has film and television credits include Under guest starring roles including four years as continue with the show Pearl Theatre Company, NYMF 2014), and GREG RODERICK appeared at Center Stage, George Street directed by Mark Raso, “Wallflowers,” Sgt. Phil Brander on “The District” (CBS) at The Old Globe. Her Pure Country (Playwrights Horizons). Some (Swing) is making his Playhouse, Long Wharf Theatre, and The- directed by Chris Columbus, Interview and recurring roles on “The Leftovers” and Broadway credits include Young Heidi in of her regional credits include Lucy in Je- Globe debut. Mr. Roder- atreWorks Silicon Valley. He has worked on directed by Steve Buscemi, and “Gilmore “The Good Wife.” He is a member of The the recent revival of Follies, singing “One kyll & Hyde (Ovation Award nomination), ick has appeared in South developmental projects for DreamWorks Girls,” to name a few. Love you Grandaddy, Actors Center Workshop Company. More Kiss” (also at The Kennedy Center Judy in 9 to 5, Missy in The Marvelous Won- Pacific (Broadway/Lin- Theatricals, Manhattan Theatre Club, Play- Grandma. and the Ahmanson Theatre in Los Ange- derettes, Lizzie in Baby, Narrator in Joseph coln Center Theater) and wrights Horizons, Center Theatre Group, HANNAH ELLESS les), Cosette in Les Misérables, Irving Ber- and the Amazing Technicolor Dreamcoat, Ado Ragtime (15th anniver- New York Musical Theatre Festival, and LIBBY WINTERS (Margo Crawford) made lin’s White Christmas, The Woman in White, Annie in Oklahoma!, and Louise Seger in sary concert at LCT), as well as the national New York International Fringe Festival. (Dora Murphy) debuted her Broadway debut , La Cage aux Folles, and Always...Patsy Cline. Her television credits tours of LCT’s South Pacific, Parade directed His film credits includeSyrup , HairBrained, on Broadway as part of in the revival of Ste- Thoroughly Modern Millie. Her other New include “A Crime to Remember” (Discovery by , and The Sound of Music. and “The Daily Show with Jon Stewart.” Mr. the original cast of Green phen Schwartz’s God- York credits include The Most Happy Fella, Channel). lululloyd.com. His Off Broadway credits includeBarcode Shively holds a B.F.A. in Musical Theatre Day’s American Idiot, spell, followed by a very Evelyn in Merrily We Roll Along, and Where’s (New York International Fringe Festival), from the University of Michigan. later taking over the role “Neil Diamond” turn Charley? (City Center Encores!). Regionally KATE LOPREST Is There Life after High School? (York The- of Extraordinary Girl. She in the Drama Desk-nominated The Oth- she has been seen as Sarah in (Lucy Grant) is honored atre Company), and The Butterfly(Making SCOTT WAKEFIELD played Sophie in the Las Vegas production er Josh Cohen under the direction of Tony (Great Lakes Theater), Hodel in Fiddler on to be making her Globe Books Sing at Mint Theater Company). He (Ensemble) has appeared of Mamma Mia! Her regional credits include Award winner Ted Sperling. She was last the Roof (Music Circus), Magnolia in Show debut in Bright Star. Her has appeared at numerous regional com- on Broadway in Hands on American Idiot (Berkeley Repertory Theatre) seen starring as Elise McKenna in the Boat (The Muny, Kevin Kline Award nomi- Broadway credits include panies, including , a Hardbody, Ring of Fire, and White Noise (New York Musical The- new musical Somewhere in Time at Port- nation), and Cosette in Les Misérables (The- Allison in the original Paper Mill Playhouse, The Muny, Atlanta’s and It Ain’t Nothin’ But atre Festival). Her television credits include land Center Stage. Her television and film atre Under The Stars, The Marriott Theatre cast of First Date, Amber Theatre of the Stars, Houston’s Theatre the Blues. His Off Broad- the role of Suzanne on Lisa Cholodenko’s credits include Fox Television’s “Glee,” in Lincolnshire, and The Muny). Her televi- in Hairspray, Wonderland, Xanadu, and The Under The Stars, Pittsburgh Public Theater, way credits include The upcoming HBO miniseries Olive Kitter- Before Winter, The Lake Effect, and About sion credits include The Sound of Music Live! Drowsy Chaperone. Her tour credits include Maltz Jupiter Theatre, and Northern Stage. Joy Luck Club, The American Clock, Howl- idge, “Smash” (NBC), and “Champs” (ABC/ Face. Ms. Elless has headlined many read- (NBC) and with “Live from Lincoln Glinda/Nessarose understudy in Wicked gregroderick.com, @gregrodericknyc on ing at the Moon, and Still Getting My Act Dreamworks). Her recent films include My ings, workshops, and concerts in New York Center” (PBS). leahhorowitz.com. and Nellie Oleson in Little House on the Twitter. Together. His regional performances include Man is a Loser (Lionsgate), Dreaming Ameri- City including performances at Birdland, Prairie. She has been seen Off Broadway Millet in Fuddy Meers, Camille in A Flea in can, and Casual Encounters. She has been 54 Below, Café Carlyle, Lincoln Center, JOE JUNG as Victoria in Under My Skin and Heather SARAH JANE SHANKS Her Ear, Victor in The Price, Kruger in The seen in the New York workshops of Bright and many more. She is also an accom- (Ensemble) is proud to in Sistas. Her recent credits include Emma (Ensemble) was last seen Front Page, Tom in The Glass Menagerie, Star, If/Then, American Psycho, Regina Spe- plished musician, playing over six different make his Globe debut. in Single Girls Guide (Capital Repertory in the Off Broadway pre- Louis DeRougemont in Shipwrecked! An ktor’s Beauty, American Idiot, and White instruments. @HannahElless on Twitter. He appeared in Bloody Theatre) and Ellie inShow Boat (Washing- miere of Far From Heaven Entertainment, Michael in Dancing at Lugh- Noise. Her past performances in New York hannah-elless.com. Bloody Andrew Jackson at ton National Opera). Her television credits at Playwrights Horizons. nasa, and others at such prestigious ven- include shows at the Bowery Ballroom, and include Corrine in “Boardwalk Empire,” Prior to that, she often ues as Cincinnati Playhouse in the Park, Mercury Lounge, Knitting Factory, Glass- JEFF HILLER on Broadway and recently “Running Wilde,” and “All My Children.” Go stepped in for Kristin Che- Milwaukee Repertory Theater, Seattle Rep- lands, Pianos, Joe’s Pub, and Cake Shop. (Daryl Ames) is a come- toured the country with the Stephen King/ Blue! KateLoprest.com. noweth in Promises, Promises on Broadway. ertory Theatre, La Jolla Playhouse, and In L.A. she has played Silverlake Lounge dian most often seen John Mellencamp musical Ghost Brothers Her other Broadway credits include Shrek Alliance Theatre. Mr. Wakefield garnered and The Roxy. @libberation on Twitter. at the Upright Citizens of Darkland County. His New York credits ASHLEY ROBINSON The Musical, The Apple Tree, Wicked, and three Best Actor awards for his portrayal of Brigade Theatre in New include H4 (Clurman Theatre), Michael Ian (Ensemble) was recently Wonderful Town. She has appeared region- Will Rogers in The Will Rogers Follies and an- EDIE BRICKELL York and Los Angeles, in- Black’s My Custom Van, Shel’s Shorts, and seen as Tyler in Merrily We ally as Kathy Selden in Singin’ in the Rain other Best Actor award for playing Sheriff (Music, Lyrics, Original Story) Following cluding performing with Language of Angels (Project: Theater), and Roll Along (Menier Choco- (Goodspeed Musicals), Gloria Upson in Ed Earl Dodd in The Best Little Whorehouse the multi-platinum success of her debut al- Baby Wants Candy and signature show The Nightingale and the Rose (Metropolis late Factory, West End). Mame (The Kennedy Center), and in various in Texas. Mr. Wakefield has written and pro- bum with New Bohemians, Shooting Rubber- ASSSSCAT. His stage credits include Bloody Opera Project). His regional credits include He originated the role of projects at Williamstown Theatre Festival, duced two CDs of original music: Older Than bands at the Stars, in 1988, and then Ghost Bloody Andrew Jackson (both on and Off Siddhartha, Assassins, and Floyd Collins Tybalt in The Last Good- New York Musical Theatre Festival, New Dirt and Vegetarian Nightmare. They can be of a Dog, Edie Brickell settled down and Broadway), Nathaniel in Love’s Labour’s (Berkshire Theatre Group) andA Midsum- bye, the Jeff Buckley/Romeo and Juliet mu- York City Center Encores!, and York Theatre found at ScottWakefield.com. delighted in the privilege of being a stay- Lost and Trinculo in The Tempest (New mer Night’s Dream, Translations, and Red sical (Williamstown Theatre Festival), as Company. Mrs. Shanks has also participat- at-home mom. She has since written and York Shakespeare Festival), and Silence! The Noses (Connecticut Repertory Theatre). well as the role of Jett Rink in the world pre- ed in developmental production workshops WAYNE ALAN WILCOX recorded produced by guitar hero Musical (both Off Broadway and L.A. pre- Mr. Jung is the Artistic Director of Project: miere of Giant (Helen Hayes Award nomi- with The Weinstein Company, Roundabout (Jimmy Ray Dobbs) is , as well as The Gaddabouts, miere). His regional credits include Li’l Ab- Theater, where he directed The Secretaries nation). His other theatre credits include Theatre Company, DreamWorks, and Cen- happy to be a part of a collaboration with legendaries Steve ner and the premiere of Emmet Otter’s Jug- and J.B. along with the world premieres of Sweeney Todd (New York Philharmonic), tre Theatre Group. Bright Star. He’s been all Gadd, , and Pino Band Christmas. Mr. Hiller has appeared in Occupation and Mangella. He also contrib- Wicked (original Chicago cast), Juliet/Ben- over the place, and oh, the Palladino. And she still loves to play and the films Ghost Town, The Little Tin Man, utes to the monthly performance series volio in Shakespeare’s R&J, Richard in Take A.J. SHIVELY places he has been. He’d record with her old friends in New Bohe- Adam, Gayby, and Morning Glory. His televi- Our Bar. As a musician, Mr. Jung enjoys Me Along, Lon in Meet Me in St. Louis, and (Billy Cane) is making his love to tell you all about it. mians. Additionally, Ms. Brickell began sion credits include “30 Rock,” “Law & Or- building cigar box instruments, has record- A Child’s Christmas in Wales (Irish Reper- Globe debut. He has been Just to name a few: Chaplin directed by her Song of the Day project in April 2012, der: Criminal Intent,” “Ugly Betty,” “Com- ed three solo albums, and plays regularly tory Theatre), Claude in Hair, the title role seen on Broadway in the Warren Carlyle, The Normal Heart (Drama writing and posting a song—which she re- munity,” “Psych,” “The McCarthys,” “The with his jug band, The Salt Cracker Crazies. in Floyd Collins directed by Gerald Freed- most recent revival of Desk Award for Outstanding Ensemble Per- corded live into her phone—to her website Hotwives of Orlando,” “Go On,” “Partners,” joejung.com. man, the world premiere of Studs Terkel’s La Cage aux Folles, where formance), Priscilla Queen of the Desert, and daily for two years. Ms. Brickell’s most re- he originated the role of Coram Boy, all on Broadway. His Off Broad- 16 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 17 ARTISTS cent work, a rootsy, 13-track collaboration as the City Center Encores! productions of ROB BERMAN ing Act One, Nikolai and the Others, Belle Far From Heaven (Playwrights Horizons). Pacific. His Off Broadway and regional with Steve Martin titled Love Has Come For Fiorello!, , Golden Boy, and No, No, (Musical Director, Vocal Arrangements) Epoque, A Man of No Importance, A Delicate Mr. Steinberg is the Audio Consultant for productions lude Atomic and Abraham You, was released to widespread acclaim. Nanette and the Carnegie Hall concerts of is an Emmy Award-winning, New York- Balance, The Heiress, The Sisters Rosensweig, Carnegie Hall’s Isaac Stern Auditorium. He Lincoln’s Big Gay Dance Party (Acorn The title track won the Grammy for Best South Pacific and Carousel. As an actor, Mr. based conductor and music director. He is Two Shakespearean Actors, Abe Lincoln in worked on over 30 Broadway productions Theater), Marry Harry (American Theater American Roots Song. The album combines Bobbie’s credits include the original Broad- the music director of Encores!, New York Illinois, Our Town, Oh, Hell, and Mr. Gogol as a former founding principal of Acme Group), Dangerous Beauty (Pasadena Mr. Martin’s five-string banjo work with way production of , A History of the City Center’s acclaimed series of great and Mr. Preen. She will also design the Sound Partners and received five addition- Playhouse), Next Fall (Naked Angels/Peter Brickell’s distinctive, slightly Southern- American Film, I Love My Wife, Cafe Crown, American musicals in concert. In seven upcoming Broadway production of You Can’t al Tony nominations for The Gershwins’ Jay Sharp Theatre), Fault Lines (Cherry Lane sounding vocals. It’s this success that led Anything Goes, Getting Married, Driving Miss seasons there, he has conducted 18 pro- Take It With You. Her Off Broadway credits Porgy and Bess, Bengal Tiger at the Bagh- Theatre, 2009 Artios Award), The Glorious Ms. Brickell and Mr. Martin to collaborate Daisy, Assassins, Guys and Dolls, Polish Joke, ductions, including Finian’s Rainbow, Mer- include The Garden of Earthly Delights, Vita dad Zoo, Fences, Hair, and In the Heights. Ones (Lincoln Center Theater), This Isn’t yet again, this time on the musical Bright and last season’s On Your Toes at Encores! rily We Roll Along, and The Most Happy & Virginia, Sylvia, and The Lisbon Traviata. Romance (Soho Theatre in London), Rock Star. He has served as Artistic Director of City Fella. For eight years, Mr. Berman has Greenwood’s film credits include Arthur, AUGUST ERIKSMOEN Doves (Irish Arts Center), The Opposite Center Encores! and on the Executive Board been music director of “The Kennedy Cen- The Four Seasons, 84 Charing Cross Road, and (Orchestrator) has worked on the Broadway of Sex (Magic Theatre), Flight (Lucille STEVE MARTIN of the Stage Directors and Choreographers ter Honors” on CBS, for which he won the Glengarry Glen Ross. She has been inducted productions of First Date (orchestrations), Lortel Theatre), In This House (Melting Pot (Music, Book, Original Story) Steve Society. Mr. Bobbie is the recipient of the 2012 Emmy Award for Outstanding Music into the Theater Hall of Fame and received , Back On Broadway (addi- Theatre Company), and This is Our Youth. Martin’s work has earned numerous honors Drama Desk, Outer Critics Circle, and Tony Direction. Berman’s many Broadway cred- the 2014 Tony Award for Lifetime Achieve- tional orchestrations), The Addams Fam- Additionally, Mr. Cherpakov has cast including an Academy Award, five Gram- Awards. its as a conductor include the revivals of ment. She has also received an additional ily (dance arrangements), Memphis (dance over 65 new plays and musicals for the my Awards, an Emmy Award, and the Ken- Wonderful Town and The Pajama Game, the 18 Tony Award nominations and an Irene arrangements), Million Dollar Quartet Powerhouse Theater season at New York nedy Center Honor. Mr. Martin began his JOSH RHODES stage adaptation of Irving Berlin’s White Sharaff Award. She is on the faculty of Yale (associate music supervisor), Ring of Stage and Film, including the 2013 Artios- career on “The Smothers Brothers Comedy (Choreographer) has Broadway credits Christmas, and revivals of Finian’s Rain- University School of Drama. Fire (associate music director), All Shook nominated world premiere of Stephen Hour” (1967-1969), for which he earned his that include First Date and Rodgers + Ham- bow, The Apple Tree, and Promises, Promises. Up (music director), and Rent (associate Belber’s The Power of Duff. hccasting.com. first Emmy Award for Outstanding Writing merstein’s Cinderella (Outer Critics Circle Mr. Berman was music director of “A Broad- JAPHY WEIDEMAN conductor). His Off Broadway credits in- Achievement in Comedy, Variety or Music Award, Astaire Award, and Drama Desk way Celebration: In Performance at the (Lighting Design) previously designed the clude Bare (orchestrations), Romantic Poetry ANJEE NERO in 1969. In the mid-1970s, Martin shone Award nominations). He choreographed White House,” which aired on PBS, and he Globe productions of Bethany, The Rain- (orchestrations), Walmartopia (orchestra- (Stage Manager) has previously worked as a stand-up on “The Tonight Show Star- Company starring Neil Patrick Harris, Swee- has conducted 10 original cast recordings. maker, and August: Osage County. His recent tions/supervision), and Imperfect Chemistry on the Globe productions of Dog and Pony, ring Johnny Carson” and NBC’s “Saturday ney Todd, and Sondheim! The Birthday Con- Broadway projects include Of Mice and (orchestrations/supervision). His televi- The Winter’s Tale, Be a Good Little Widow, Night Live.” Mr. Martin’s films are widely cert for the New York Philharmonic and EUGENE LEE Men (2014 Tony Award nomination) and sion orchestration credits include the 2011 Allegiance – A New American Musical, A Room popular successes and are the kind of mov- PBS. His other stage credits include Working (Scenic Design) holds B.F.A. degrees from Macbeth (Drama Desk Award nomination). Billboard Music Awards and 2014 Tony with a View, Richard O’Brien’s The Rocky Hor- ies that are viewed again and again: (The Old Globe, Broadway Playhouse in Chi- the Art Institute of Chicago and Carne- His other Broadway credits include The Awards. He has created orchestrations for ror Show, The Savannah Disputation, Cornelia, (1979), Planes, Trains & Automobiles (1987), cago, and the Drama Desk Award-winning gie Mellon University, an M.F.A. from Yale Snow Geese with Mary Louise Parker, Cyra- the touring and regional productions of Bull Kingdom, and the 2007 Shakespeare Festi- Roxanne (1987), Parenthood (1989), L.A. production at Prospect Theater Company University School of Drama, and three no de Bergerac, and The Nance (2013 Tony Durham, Kristin Chenoweth (in concert), val. Her selected La Jolla Playhouse credits Story (1991), Father of the Bride (1991), and in New York), John Kander’s The Landing honorary doctorates. He has been the pro- nomination). Mr. Weideman’s other noted (in concert), Brother Russia, include Sideways directed by Des McAnuff, (1999). As an author, Mr. Mar- (Vineyard Theatre),Broadway: Three Gen- duction designer for NBC’s “Saturday Night projects in New York include 4000 Miles James and the Giant Peach, and All Shook Up directed by Liesl Tommy, A Midsum- tin’s work includes the novel An Object of erations (The Kennedy Center), On the Town Live” since 1974 and also designed the (Lincoln Center Theater),What’s It All About (first national tour, dance arrangements/ mer Night’s Dream directed by Christopher Beauty; the play Picasso at the Lapin Agile; (Los Angeles Philharmonic), Annie Get Your new “The Tonight Show Starring Jimmy (New York Theatre Workshop), Sons of the additional orchestrations). His other Ashley, Herringbone directed by Roger Rees a collection of comic pieces, ; a Gun starring Patti LuPone (Ravinia Fes- Fallon.” He has received the Tony Award, Prophet (Roundabout Theatre Company), orchestration credits include Universal Or- and starring BD Wong, and The Seven. bestselling novella, ; and his mem- tival), Barnum (Asolo Repertory Theatre, Emmy Award, American Theatre Wing’s and Jack Goes Boating with Phillip Seymour lando’s The Wizarding World of Harry Pot- Ms. Nero has worked with several promi- oir, . His writing has often Sarasota Magazine Theater Award), and Design Award, Outer Critics Hoffman and The Last Days of Judas Iscariot ter, Always...Patsy Cline, Honky Tonk Angels, nent regional theatres including Center appeared in The New Yorker. Mr. Martin is A Funny Thing Happened on the Way to the Circle Award, Drama Desk Award, Lucille (LAByrinth Theater Company). His other Berlin, and Winnie the Pooh (Disney Junior). Theatre Group, SITI Company, Hunting- also an accomplished, Grammy Award-win- Forum (The Shakespeare Theatre Company, Lortel Award, Pell Award, and Elliot Nor- regional credits include American Conser- ton Theatre Company, Berkeley Repertory ning, boundary-pushing bluegrass banjoist Helen Hayes Award nomination). ton Award for Sustained Excellence. He vatory Theater, , Alley Theatre, LEE WILKINS Theatre, and more. Her other selected cred- and composer. In 2013, Mr. Martin released is a recent inductee into the Theater Hall Houston Grand Opera, Huntington Theatre (Associate Choreographer) performed in its include Schick Machine (Paul Dresher his third full-length album called Love Has PETER ASHER of Fame in New York. Mr. Lee is currently Company, Santa Fe Opera, The Shakespeare the Broadway productions of Elf (origi- Ensemble), which has toured nationally Come For You, a unique collaboration with (Musical Supervisor) was born in London represented on Broadway by the musical Theatre Company, and Williamstown The- nal cast), Spamalot, Wonderful Town, and and internationally, Dream Report (Allyson songwriter Edie Brickell. The remarkable and began his career as a child actor. In Wicked. His recent New York work includes atre Festival. Internationally, Weideman Kiss Me, Kate. Most recently he was the Green Dance featuring Lux Borreal), and album offers 13 eloquently rootsy composi- 1964 he was one half of Peter & Gordon, A Streetcar Named Desire, Glengarry Glen has designed at Edinburgh International associate choreographer on the Broadway Garden of Forbidden Loves and Garden of tions that combine Mr. Martin’s inventive who amassed nine Top 20 records, begin- Ross, My Name Is Asher Lev, and The Veloc- Festival, London’s West End, Royal Shake- productions of First Date and Rodgers + Deadly Sound (IMAGOmoves), which toured five-string banjo work with Ms. Brickell’s ning with their global hit “A World Without ity of Autumn. His films include Francis Ford speare Company, Ancient Theater of Epid- Hammerstein’s Cinderella as well as the to the International Hungarian Theatre distinctive vocals and vivid, detail-rich lyr- Love”. In 1968 Asher was appointed head of Coppola’s Hammett, Danny Huston’s Mr. aurus, Greece, National Theater of Korea, La upcoming Broadway revival of A Funny Thing Festival in Cluj, Romania. ics. won a Grammy for A&R for The Beatles’s record company, Ap- North, Louis Malle’s Vanya on 42nd Street, Scala in Milan, Opéra de Lyon, and De Ned- Happened on the Way to the Forum. He was Best American Roots Song for the title track ple, where he found, signed, and produced and Jonathan Demme’s A Master Builder. erlandse Opera in Amsterdam. His awards also the associate choreographer on numer- JESS SLOCUM and inspired their new musical Bright Star. James Taylor. In 1971 he founded Peter He lives with his wife, Brooke, in Provi- and nominations for lighting design include ous shows including Minsky’s (Ahmanson (Assistant Stage Manager) has previous- Asher Management, representing James dence, where they raised their two sons. Tony, Drama Desk, Lucille Lortel, Hewes Theatre), Company starring Neil Patrick ly worked at The Old Globe on Othello, WALTER BOBBIE Taylor, Linda Ronstadt, Joni Mitchell, Car- Design, San Francisco Bay Area Theatre Crit- Harris and Sondheim! The Birthday Concert Water by the Spoonful, The Winter’s Tale, (Director) is a director and actor. His pro- ole King, and more. He has produced 13 JANE GREENWOOD ics Circle, and San Diego Craig Noel Awards. (Avery Fisher Hall and on PBS), and On the A Doll’s House, Pygmalion, A Room with a duction of the international hit Chicago Grammy Award-winning recordings, and (Costume Design) has designed more than Town (Los Angeles Philharmonic). Thanks View, Richard O’Brien’s The Rocky Horror is the longest-running American musical in 1977 and 1989 he won the Grammy for 125 productions on Broadway including The NEVIN STEINBERG to Walter and, always, husband Josh. Show, the 2011-2013 Shakespeare Festi- in Broadway history. His other directing Producer of the Year. His recent projects in- Assembled Parties, A View from the Bridge, (Sound Design) previously designed Dirty vals, Rafta, Rafta…, Robin and the 7 Hoods, credits on Broadway and Off Broadway clude several soundtrack albums with Hans Harvey, A Moon for the Misbegotten, James Rotten Scoundrels at the Globe. His recent HOWIE CHERPAKOV, CSA Alive and Well, Sammy, Cornelia, Since Africa, include , The Landing, Golden Zimmer; Steve Martin and Edie Brickell’s Joyce’s The Dead, The Scarlet Pimpernel, Plen- Broadway credits include Mothers and Sons, (Casting) cast the Broadway and national Dr. Seuss’ How the Grinch Stole Christmas!, Age, The School for Lies, Irving Berlin’s White Love Has Come For You; and a production ty, The Ballad of the Sad Cafe, The Prime of Rodgers + Hammerstein’s Cinderella (Tony tour productions of Next Fall (2010 Artios and The Glass Menagerie. Her regional cred- Christmas, The Submission, The Savannah project with , with current art- Miss Jean Brodie, and Hamlet starring Rich- Award nomination), The Performers,and Award nomination), The Seafarer, Coram its include Side Show, Ruined, The Third Story, Disputation, New Jerusalem, High Fidelity, ists like Ed Sheeran, Miguel, Hunter Hayes, ard Burton. Her credits at Lincoln Center Magic/Bird. His recent Off Broadway credits Boy, Chicago (seven companies), Annie Memphis, and Most Wanted (La Jolla Play- The Marriage of Bette and Boo, Sweet Char- and Fall Out Boy singing the songs from Theater comprise 18 productions includ- include The Landing (Vineyard Theatre) and Get Your Gun, Dirty Dancing, and South house), Post Office(Center Theatre Group), ity, , and Footloose, as well Goodbye Yellow Brick Road. 18 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 19 ARTISTS and Tranquility Woods (Steppenwolf Theatre Thurman in her stage debut; and the world Utopia (Tony Award), Dr. Seuss’ How the Headliner Award; San Diego Gentleman of This theatre operates under an agreement Company). Her San Diego credits include premiere of novelist Nathan Englander’s Grinch Stole Christmas!, Dirty Rotten Scoun- Distinction Award; and a combined tribute SPECIAL THANKS between the League of Resident Theatres and Actors’ Equity Association, the union of Mo’olelo Performing Arts Company, North play The Twenty-Seventh Man. Edelstein drels (Tony nomination), Henry IV (Tony from the Public Arts Advisory Council and Deering professional actors and stage managers in the Coast Repertory Theatre, and Lamb’s Play- has taught Shakespearean acting at The Award), Hairspray (Tony Award), Imaginary the San Diego County Board of Supervi- Taylor Guitars United States. ers Theatre. She is a graduate of Vanderbilt Juilliard School, NYU’s Graduate Acting Friends, The Invention of Love (Tony nomina- sors. Mr. Noel was particularly proud of Myles Thurman University. Proud member of Actors’ Equity. Program, and the University of Southern tion, Drama Desk Award), The Full Monty the following three honors representing The Directors are members of the Society . His book Thinking Shakespeare (Tony nomination), More to Love, Getting education and theatre: Honorary Doctor- High Society Custom Tailoring of Stage Directors and Choreographers, KENDRA STOCKTON (called by New York Magazine “a must-read Away with Murder, Pride’s Crossing, The Little ate of Humane Letters, University of San Barbara Kennedy an independent national labor union. (Assistant Stage Manager) previously for actors”) was published in 2007 and is Foxes, Hapgood (Lucille Lortel Award, Best Diego; Honorary Doctorate in Fine Arts, worked at The Old Globe as an assistant now the standard text on American Shake- Director), , Two Shakespear- San Diego State University; and the annual This Theatre operates under an Agreement stage manager on Dog and Pony as well as spearean acting. He is also the author of ean Actors (Tony nomination), Porgy and Awards for Excellence in Theatre named in with the International Alliance of Theatrical CASTING a production assistant on The Few and the Bardisms: Shakespeare for All Occasions. Bess (Tony Award). : II his honor by the San Diego Theatre Critics Stage Employees Local No. 122. Howard Cherpakov Casting 2013 Shakespeare Festival. She also recent- Trittico. London: Love Never Dies, Hairspray Circle. In 2007, he received the National Howie Cherpakov, CSA ly assistant stage managed La Jolla Play- MICHAEL G. MURPHY (Olivier nomination). National Theatre: His Medal of Arts—the nation’s highest hon- Joe Langworth The Scenic, Costume, Lighting and Sound house’s productions of The Orphan of Zhao (Managing Director) served as General Girl Friday. Six movies for PBS’s “Ameri- or for artistic excellence—in a ceremony Tobey Zaretsky Designers in LORT Theatres are represented by and The Who and the What. Her additional Manager of The Old Globe from 2003 to can Playhouse.” Awards: 2008 Theatre Hall at the White House. Craig Noel died on United Scenic Artists Local USA-829, IATSE. production assistant credits include Side- 2012, overseeing the Production, Educa- of Fame Inductee, 2005 John Houseman April 3, 2010 at the age of 94. ways, A Lonely Boy’s Guide to Survival (And tion, Human Resources, Information Tech- Award, ArtServe Michigan 2008 Interna- Werewolves), A Midsummer Night’s Dream, nology, and Facilities Departments, as tional Achievement Award, Honorary Doc- and Memphis (La Jolla Playhouse) as well as well as Front of House operations. He also torate, University of Michigan. Honorary PATRON INFORMATION Godspell and Memphis (Broadway). managed the construction of the Globe’s Doctor of Humane Letters, University of San Diego. Film (actor): Sex and the City 2. new theatre and education facilities. Prior TICKET SERVICES HOURS SEATING OF LATECOMERS BARRY EDELSTEIN to the Globe, he was the Managing Direc- Jack Be Nimble: The Accidental Education of (Artistic Director) is a stage director, pro- tor of Austin Lyric Opera in Austin, Texas; an Unintentional Director, his memoir about Monday: Closed Although we understand parking is often at a premium, the seating of ducer, author, and educator. Widely rec- Director of Administration of San Diego the early years of his career, was released in Tuesday – Sunday: Noon – last curtain latecomers is extremely disruptive. Latecomers may be given alterna- ognized as one of the leading American Opera; and General Manager of San Diego the summer of 2013 by Farrar, Straus and Hours subject to change. Please call ahead. tive seating and will be seated at an appropriate interval. authorities on the works of Shakespeare, he Repertory Theatre. Before relocating to San Giroux. PHONE (619) 23-GLOBE (234-5623) has directed nearly half of the Bard’s plays. Diego from New York, he held similar posi- FAX (619) 231-6752 YOUNG CHILDREN His directing credits include his Globe tions at Theatre for a New Audience and CRAIG NOEL EMAIL [email protected] or [email protected] Children under five years of age will not be admitted to performances. directorial debut with The Winter’s Tale star- the Joyce Theater Foundation’s American (Founding Director) was first appointed WEBSITE www.TheOldGlobe.org ring Billy Campbell, the first Shakespeare Theater Exchange. He also served as nego- director in 1939, directing 15 productions ELECTRONIC DEVICES AND CAMERAS to be staged in our indoor theatre in over a tiating assistant for the League of Resi- prior to World War II. Since then he di- The video and/or audio recording of this performance by any means decade, and his 2014 Summer Shakespeare dent Theatres and sales representative for rected more than 200 plays of all styles and ADMINISTRATION HOURS Festival production of Othello starring Blair Columbia Artists Theatricals Corporation. periods and produced an additional 270 whatsoever is strictly prohibited. Please silence all digital watches, pag- Underwood, Richard Thomas, and Kristen Mr. Murphy serves on the Board of Direc- productions. His vision for The Old Globe Monday – Friday: 9:00 a.m. – 5:00 p.m. ers, and cellular phones prior to entering the theatre. Connolly in the Lowell Davies Festival The- tors of the National Alliance of Musical resulted in the establishment of the Shake- PHONE (619) 231-1941 atre. As Director of the Shakespeare Ini- Theatre, the National Corporate Theatre speare Festival and the San Diego Junior WEBSITE www.TheOldGlobe.org ASSISTED LISTENING SYSTEM tiative at The Public Theater (2008-2012), Fund, and the Balboa Park Cultural Part- Theatre in the late ’40s, the expansion to ADDRESS The Old Globe For the convenience of our hard-of-hearing and hearing-impaired pa- Edelstein oversaw all of the company’s nership and serves as a Management two theatres in the ’50s, Globe Educational P.O. Box 122171 trons, The Old Globe has an Assistive Listening System in all three the- Shakespearean productions, as well as its Trustee for San Diego County Theatrical Tours in the ’70s, and Teatro Meta and the San Diego, CA 92112-2171 atres: the Sheryl and Harvey White Theatre, the Old Globe Theatre, and extensive educational, community out- Trusts, the pension and welfare trust for Old Globe/University of San Diego Gradu- the Lowell Davies Festival Theatre. A limited number of the lightweight reach, and artist-training programs. At IATSE stagehands in the San Diego region. ate Theatre Program in the ’80s. During the ORDERING TICKETS/CHANGE OF ADDRESS headsets, as well as induction neck loops, may be obtained from the The Public, he staged Julius Caesar starring He was also an adjunct faculty member of 1940s, Mr. Noel served as dialogue director house manager prior to performances. Jeffrey Wright for Shakespeare in the Park the Music Department at the University of for the 20th Century Fox Studios and was The Old Globe accepts Visa, Discover, MasterCard, and American Ex- and The Merchant of Venicefeaturing Ron San Diego. Mr. Murphy earned his B.F.A. the director of the Ernie Pyle Theatre in To- press. Phone orders for non-subscribers are subject to a $3.50-per-tick- Leibman’s -winning portrayal degree in Stage Management from Webster kyo. Described by Variety as the éminence et service charge. Ticket exchanges are subject to a service charge for PUBLIC TOURS of Shylock. He was also Associate Producer University in St. Louis, Missouri, and his grise of San Diego theatre, Mr. Noel is one non-subscribers. If you have moved, please notify the Ticket Services Go behind the scenes at The Old Globe to learn about the history, three of The Public’s Broadway production of The M.F.A. in Performing Arts Management of the few San Diegans to have had an en- Office to update our records. Call (619) 234-5623 during Ticket Ser- stages, shops and craft areas. Open tours: most Saturdays and Sundays Merchant of Venice starring Al Pacino. From from Brooklyn College of the City Univer- tire year (1987) proclaimed in his honor, vices hours, mail your change of address to the Ticket Services Office, at 10:30 a.m. Groups by reservation. $5 adults; $3 seniors and students. 1998-2003 he was Artistic Director of Clas- sity of New York. and to be named one of San Diego’s “Living or email [email protected]. Call (619) 238-0043 x2145 for information/reservations. sic Stage Company, where he produced and Treasures.” He was a founder of the Califor- directed some of New York’s most memo- JACK O’BRIEN nia Theatre Council and a former vice presi- UNABLE TO ATTEND? LOST AND FOUND rable classical productions. Edelstein’s (Artistic Director Emeritus) served as the dent of the California Confederation of the If you find you are unable to use your tickets, please give them to a If you have misplaced a personal item while at the theatre, please con- Shakespearean directorial credits include Artistic Director of The Old Globe from Arts. His numerous honors include the San friend, or turn them in to the Ticket Services Office and receive a tax tact the Ticket Services Office or Security as soon as possible. If we The Winter’s Tale with David Strathairn, 1981 through 2007. Mr. O’Brien will direct Diego Union-Tribune list of 25 persons who Timon of Athens with Richard Thomas, As It’s Only a Play this fall on Broadway star- shaped the city’s history; the Governor’s receipt for your donation. Tickets must be received by show time. are unable to locate your item, we’ll happily take down your contact You Like It with Gwyneth Paltrow, and Rich- ring F. Murray Abraham, Matthew Broder- Award for the Arts; University of Arizona information and a description of the item and contact you if it is found. ard III with John Turturro. His additional ick, Nathan Lane, Stockard Channing, and Alumni Association’s Outstanding Citi- RESTROOMS The Old Globe does not assume liability for items left behind on the credits include the Lucille Lortel Award- Megan Mullally. He most recently direct- zen, for his contribution to their Fine Arts Restrooms are located in the lower lobby of the Old Globe Theatre, the premises. winning revival of ’s All My ed the Broadway revival of Macbeth with department; San Diego State University’s lobby of the Sheryl and Harvey White Theatre, and adjacent to the Low- Sons; the world premiere of Steve Martin’s Ethan Hawke. His Broadway credits also Outstanding Alumnus; Conservator of ell Davies Festival Theatre. , which he commissioned; include: The Nance, Dead Accounts, Catch American Arts Award from American Con- Molière’s The Misanthropestarring Uma servatory Theater; the San Diego Press Club Me If You Can, Impressionism, The Coast of NATURAL HERB COUGH DROPS—COURTESY OF RICOLA USA, INC.—ARE AVAILABLE UPON REQUEST. PLEASE ASK AN USHER. 20 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 21 EDUCATION OUR THANKS Education Underground EXTRAORDINARY LEADERSHIP Since the founding of The Old Globe in 1935, heroic leadership The following individuals and organizations, recognized for has made the theatre a cultural icon in San Diego and a forerunner their tremendous cumulative giving, comprise a special group in the American theatre. Many individuals have paved that of friends who have played leading “behind-the-scenes” roles, way and enabled the theatre’s extraordinary success, and the helping create the productions on the three stages, programs in Globe would like to recognize and honor its most generous and the community, and our influence beyond this region. committed philanthropists who have helped make that possible.

— $25 million and higher — Donald* and Darlene Shiley

— $11 million and higher — Conrad Prebys | San Diego Commission for Arts and Culture

— $8 million and higher — Karen and Donald Cohn | Sheryl and Harvey White

— $7 million and higher — Kathryn Hattox

— $3 million and higher — Helen K. and James S. Copley Foundation | Audrey S. Geisel | County of San Diego

— $2 million and higher — The James Irvine Foundation | The Shubert Foundation | Viterbi Family Foundation — $1 million and higher — The Lipinsky Family The Kresge Foundation J. Dallas and Mary Clark* Carolyn Yorston-Wellcome Estate of Dorothy S. Prough Qualcomm Foundation California Cultural & Historical Endowment National Endowment for the Arts Bank of America Stephen & Mary Birch Foundation, Inc. Helen Edison* Mary Beth Adderley Pairs of teachers participate in an acting workshop focusing on mirroring movements and expressions. Jeannie and Arthur Rivkin Estate of Beatrice Lynds* Anonymous Wells Fargo Victor H.* and Jane Ottenstein *In Memoriam Deep underground in Balboa Park there’s a world of creativity rum- Then we turn our attention to an often-neglected group of artists. bling the earth. The theatre’s rehearsal halls are hidden several sto- Two events this fall will again draw theatre teachers underground to ries below the Mingei International Museum and our actors, direc- learn from each other and from their professional theatre colleagues. 2014 GLOBE GALA At the 2014 Globe Gala, many guests contributed to The Old Globe by purchasing Globe Experiences tors, designers, and artisans toil for weeks to bring our audiences the First, the annual Arts Mega Conference brings arts educators to Bal- and through the Gift Appeal. Thank you to the following generous supporters! moving, thoughtful, provoking, intriguing, hilarious, serious, and boa Park for a full day of seminars, workshops, presentations, and meaningful theatre they have come to expect from us. professional growth. The San Diego County Office of Education’s Vi- Globe Experiences June Yoder $2,500 Gail and Marty Levin sual and Performing Arts (VAPA) department partners with many Paddi and Nick Arthur Vicki and Carl Zeiger Richard Barker Mike Niggli and Linda Naviaux Other groups of art-makers also use the rehearsal spaces to learn, of the park’s arts institutions to present this extraordinary event, Donna and Rick Baldridge Gift Appeal Kathy and Phil Henry Pam Slater-Price and Hershell Price reflect, innovate, and challenge themselves. The Globe’s education where educators can take the time to learn, grow, and collaborate to Barbara and Ric Charlton $50,000 Marion Ross Hans Tegebo department presents inspiring programs for students and educators energize our schools with creative learning. Ann Davies Anonymous to help them reach their artistic goals. $1,000 $250 Carol Spielman-Ewan and Joel Ewan Conrad Prebys and Debra Turner And this year, through a California Arts Council and the William Nikki and Ben Clay Jessica Cline Jack and Donna Galloway During the summer months, our Middle School Conservatory and and Flora Hewlett Foundation grant, we partner with the San Diego $5,000 Gigi and Ed Cramer Maggie Coleman Joseph Howell the Summer Shakespeare Intensive programs shake the rafters with County VAPA office and California County Superintendents Educa- Lisa and Steve Altman Hal and Pam Fuson Steve Cologne and Vicky Carlson Jean and David Laing the urgent power of emerging young artists. Their energy motivates tional Services Association to develop a training program called Cre- Peter Cooper and Norman Blachford Jack and Donna Galloway Andrea da Rosa Barbara and Howard Milstein us all to reimagine our art through their youthful eyes. On the last ativity at the Core that will provide teachers new tools to give the Debby and Hal Jacobs Haidi and Ali Mojdehi Joyce Gattas Paula and Brian Powers day of each program, students demonstrate what they’ve learned new Common Core State Standards a vibrant infusion of theatrical Joan and Irwin Jacobs Elspeth and Jim Myer Jim Lennox arlette and Greg Smith with us. For the middle school students, it’s a showcase for parents energy. Daphne and James Jameson Billie Poehls Bobbie and Michael Rossman Kathleen Steele and friends that has them performing Shakespeare monologues, Doug and Evgeniya Manchester Peggy and Peter Preuss Diana and Gregg Shapiro Linda and Donald Swortwood contemporary scenes, stage combat, and even dance. The high school The Old Globe is proud to be a part of this exciting initiative and Paula and Brian Powers Adam Ratner and Annik Le Gal Kathleen Steele Rhona and Rick Thompson students burst from the rehearsal halls onto the Lowell Davies Festi- to welcome more arts professionals to our underground cauldron of Jean and Gary Shekhter Lynne and Steve Wheeler Gia and Steve Stuckey Pam Wagner val Stage for exhilarating performances of one-hour versions of two creativity. What emerges will surely move the earth with innovation Iris and Matthew Strauss $500 Karen and Matt Sumek Pat and Bob Whalen Shakespeare plays. The experience is life-changing for many and up- and creativity. We can’t wait for the sparks to fly. Karen and Stuart Tanz Beth and David Altman Alyce and Tom Vessey Sheryl and Harvey White lifting for everyone. Erna and Andrew Viterbi Lori Fleet-Martin Jordine Von Wantoch Karin Winner

22 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 23 OUR THANKS Dedicate a Performance Circle Patron Membership To honor a friend, colleague, or family member Add to Your Globe Experience Transform an evening out at the Globe into a one-of-a-kind memory your friend or loved one will never forget by dedicating a performance to them in any of the Globe’s three theatres! Circle Patrons are vital supporters of The Old Globe. Their gifts allow the When you join the Circle Patron family of donors, you will embark on a new With a tax-deductible donation of $2,000 or more, you can select a performance in the 2014- theatre to produce a wide array of productions and offer essential education level of theatrical enjoyment as you support the Globe’s mission and partake 2015 season in which to honor or memorialize a special person, couple, or milestone. and community programs to participants countywide. in a bevy of benefits, such as:

Your dedication will include: • A personalized card and small gift for your honoree • Dedication with a photo on lobby video screens (unavailable in the Lowell Davies Festival Theatre) • Access to the VIP Lipinsky Family Suite with champange and dessert at intermission • Private meet-and-greet with cast members post-performance (subject to availability) • Framed production poster or artist photo signed by cast member(s)

To dedicate a performance or for more information about other Globe Experiences, GATES DOUGLAS GATES DOUGLAS GATES DOUGLAS please contact Keely Tidrow at (619) 684-4109 or [email protected]. Valet service along Old Globe Way. Invitations to Opening Night Dinners. Access to our private donor lounge. “Dedicate a Performance” gifts must be exclusive of other Globe . PHOTO BY JIM COX. BY . PHOTO OTHELLO contributions to Annual Fund, Gala, and other programs.

CAST OF CAST Craig Noel Circle: $2,500 • Complimentary admission to the Lipinsky Family Suite private donor lounge when attending Globe performances In Memoriam and Endowment Gifts • Personal VIP ticketing and subscription services Donors to the Helen Albritton Betty Crates Dennis Tom Howell Maggie Mazur John Sinor • Invitations to Circle Patron events and behind-the-scenes experiences with Globe artists Endowment Margaret Armbruster Barney DeSelm David Huffman Bob McGlade Mary Sisskind • Complimentary admission for two to the Opening Night event of your choice John A. Berol William Armbruster Jean DeSelm Helena Ingrum Cora Inez McGlade Anne Smith Ronald Brown Colonel Albert A. Arnhym Chris Dimolias Barbara Iredale David McIntyre Larry Spear Ava Carmichael Leni Arnhym Edith Dolnick Judge T. Bruce Iredale Paul Michael Marje Spear - All benefits at Craig Noel Circle plus - All benefits at Founder Circle plus Harry & Valerie Cooper Lois L. Bailey Trust Dozoretz Family Estate Thelma Irwin Eleanor Mikkelsen Denise Spooner Founder Circle: $5,000 Director Circle: $10,000 Maria Correia Grace Barbey Mary Suzanne “Sue” Drew Bob Jamieson Elsa Mikkelsen Andrew Stewart • Admission for two to the complimentary Founder Circle Dinner in the fall • Complimentary Globe valet parking for each production Jane Cowgill Diana Barliant Bill Eaton Rudy Jarabek Judy Miller Jane Stillman Darlene G. Davies Lillie Mae Barr Jessica Eaton Donald Jenkins Francis M. Millican Charles E. Stoll • Invitation for two to the Board of Directors Annual Dinner • Personal VIP ticketing for productions at participating theatres in London Danah Fayman Chester K. Barta, MD Helen Edison Mary Jermanok Richard C. Mitchell Cora Sweet • Personal VIP ticketing for productions at participating theatres in New York • Access to Globe facilities for private meetings or events Mr. & Mrs. Feldman F. William Bartels, LS John Ellsworth Joseph E. Jessop, Jr. Dr. Francis Montalbano Kay Taylor-Hopkins Ellis Construction Joseph Basquez Anne Enoch Barbara Johnson Jack Mosher Hie Thompson • Voucher for one use of the Globe VIP valet parking service Kathryn Hattox Katherine Black Montague Enoch Gram Jones Jim Mulvaney Marilyn Thompson The Hollis Foundation Frank Bowers Pauline Evans Dana Juhl Josiah L. Neeper Peg Thornton James and Jan LaGrone Patricia Wynand Brandon Dennis Farmer Steve Kaster Rita Neeper Martha Tingler Exclusive Circle Patron luncheons with Globe Artists: The Mr. Isaac C. Malamud Dorothy Brown Chuck Farr Anne M. Kay Kenneth Newton Howard Tirschwell and Mrs. Agustina R. Lewis Brown Bunny Feldman Hank Kelley Craig Noel Marian Trevor Malamud Foundation Vincent Buckley Betsy Flannagan Peggy Kellner The Teresa A. Nugent Walter Trevor The Mission Valley Victor Buono Annette Ford Luther Kennett Memorial Fund Burton & Valeda Turner Community Fund Clair Burgener Mrs. John H. Fox Bill King Martin B. Ortlieb Walter Varner Mr. Stephen B. Nielander Louis Yager Cantwell Robert Friedenberg J. Robert King Victor Ottenstein Patti Vars & Ms. Dominique K. C. Wayland Capwell Dorothea Gales Agnes Kinsella Dr. Ralph W. Otterstrom Dick Viertel Alessio Mary Delafield Carter Dessie Galland Richard Kneeland Douglas Pagliotti Ann C. Vojtko La Nona Royalty Funds Whitfield Case Dorothy Garland Tony Kopas Margaret F. Peninger Phil Wahl National Endowment for Jack Cecil Sheldon Gero Jack Krill William F. Penny, Sr. Merle G. Wahl the Arts J. Dallas & Mary Clark Shirley Gillespie Rose Ruth Kuntz Clive Nelson Pillsbury Harvey Von Wantoch Jeannie Polinsky Rivkin Gordon Frank Cleator Tony Gillson Jeff Larsen Dolly & James Poet Rusty Walker Artistic Fund Marian Colby Dr. Viola Granstaff I. Lehman Trust Sheila Potiker Tim Ward The San Diego Foundation Hazel Goes Cook Gracie Knudsen Gray John David Lentz Dorothy S. Prough Jim Webre Pat Thomas David C. Copley Mike Gubitosi Georgie Leslie Anne Ratner Alma Webster San Diego Trust & Savings Dudley R. Cooper Peg Graybill Marguerite “Peg” Lewis Allen Redman Robert West Celeste & Gene Trepte Tom Corcoran Sam L. Hall Nim Lindsey Hadley & Hester Richardson Jack Whitney Pat and Christopher Weil Geraldine Corda Dr. Winston Hall Bernard Lipinsky Will Roberson Hal Williams Tim & Ellen Zinn Clif Cowgill Patricia E. Hanft Dorris Lipinsky Nancy Rondebush Dr. Stanley E. Willis II Kay Crick Connie Hedges Elaine Lipinsky Eleanor Rose Dick Wilson Founder Circle Patrons Pat and Jack Thomas with Kim Martin- Craig Noel Circle Patron Gigi Cramer with Chilina Kennedy, Craig Noel Circle Patrons Harry and Sandra Carter In Memoriam Gifts Josephine Crum James Hempstead Gordon Luce Serena Sams Dolores M. Wilson Cotton and Max Gordon Moore from Time and the Conways. Ken Barnett, and Lisa O’Hare from A Gentleman’s Guide to Love with stage manager Annette Yé and cast member Tyler to the Endowment Warren Currier Elaine Hirsch Dr. Fraser L. Machpherson Margaret E. Schultz Victor Wulff and Murder. Weaks from Vanya and Sonia and Masha and Spike. or Annual Fund Francis Cushing Kerry Hogan-Bean Irma Macpherson Rose Schweitzer Jane K. Yagade Jack Aaronson Ethelind Davies Nina Hoke Marie Manning Marilyn Shaw Mary Adams John Davies Chuck Hollinquest Bini Vincent Marquez R. Ernest Sheperd To learn more about the Globe’s Circle Patron program, call Major Gifts Officers Keely Tidrow or Rachel Plummer Richard Croxton Adams Lowell Davies Bettie Holloway Minerva Marquiz Forrest N. Shumway John Robert Agajeenian Lyn Ann Deems Violetta Horton Delza Martin Diane Sinor in the Development Department at (619) 231-1941. 24 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 25 OUR THANKS Gala Join the CRAIG NOEL The Globe Board, donors, and staff celebrated its annual Gala, Summer a splendid cocktail hour on The Old Globe’s Copley Plaza before an Splendor, on Saturday, July 26, 2014. Co-Chairs for the extraordinary exclusive concert performance by Tony Award winner Laura Benanti. event were Nina Doede, Deni Jacobs, and Sheryl White. Guests enjoyed The festivities continued afterward with dinner and dancing. LEAGUE Today Ensure a Stronger Future for The Old Globe!

You are invited to become a part of a rich legacy by joining The Include The Old Globe in your estate plan now and join us for our Craig Noel League, an association of Globe patrons who understand annual Membership Luncheon in Hattox Hall on November 20, the importance of a strong endowment and believe that their 2014, as we launch our 80th Anniversary Planned Giving Campaign testamentary gifts ensure the theatre’s future stability. These gifts to increase our membership from over 100 members to 150 in 2015! are vital to The Old Globe’s artistic and programming excellence which allows us to create great theatre for generations to come! League Won’t you join us? members receive benefits and recognition opportunities and are invited to events that feature actors, directors and other Globe artists. DOUGLAS GATES DOUGLAS 1 BOB ROSS 2 DOUGLAS GATES DOUGLAS DOUGLAS GATES DOUGLAS 2012 Craig Noel League Stewardship Luncheon featuring actor Steve Blanchard, with Globe Board Member League members Frank and Linda Frye with Linda and Bill Tallian, Associate Director of Patricia Hodgkin, Amber Belmonte, Kimberly Bernatz and Leslie Carrillo, all First American Trust executives. Development, Bridget Cantu Wear, and League member Grace Johnston at the 2012 Craig Noel BOB ROSS 3 4 BOB ROSS League Luncheon featuring a performance by Steve Blanchard. Craig Noel League Members Anonymous (20) Mr. Alan Gary & Laurie Dale Munday Diana Barliant* Ms. Joanee Udelf Stanley Nadel & Cecilia Carrick Jan Bart Nancy Reed Gibson Alice B. Nesnow Nancine Belfiore Robert Gleason & Marc Matys Harvey* and Marsha Netzer Alan Benaroya Marcy Goldstone Arthur & Marilyn Neumann Barbara Bolt Carol & Don Green Ronald J. Newell Nancy Brock Betsy Hamblin Greg & Polly Noel Ronald Brown Bernard* & June Harland PACEM (Pacific Academy of Dr. & Mrs. Edgar D. Canada Kathryn Hattox Ecclesiastical Music) Sandra & Harry Carter David & Debbie Hawkins Sarah B. Marsh-Rebelo & Garet & Wendy Clark Jill Denison Holmes John Rebelo BOB ROSS 5 BOB ROSS 6 Joseph J. Cohen & Craig & Mary Hunter Esther Rodriguez Martha P. Farish Grace Johnston Bruce Sherman R. Patrick & Sharon Connell Gladys H. King Darlene Marcos Shiley Jane Cowgill Marilyn Kneeland Patsy & Forrest* Shumway B. Sy & Ruth Ann Silver Gigi Cramer Jean & David Laing CRAIG NOEL, 1957 Patricia W. Crigler. Ph. D., James & Janice LaGrone Dee E. Silver, M.D. Jeanette Stevens Merle Wahl* CAPT/USN/Ret. Dr. Ronald & Stephen M. Silverman Carlos & Patricia Cuellar Mrs. Ruth W. Leonardi Roberta Simpson Peter Stovin & Marilyn Johns Holly J. B. Ward Darlene Gould Davies Jerry Lester Foundation Jen Sisskind Eric Leighton Swenson Sarah Woodruff Watkins Mrs. Philip H. Dickinson* Robin J. Lipman Dolores & Rod Smith Anne C. Taubman Sheryl & Harvey P. White Doug Druley & Becky Young Heather Manion Marisa SorBello & Peter Randy Tidmore Mrs. Jack Galen Whitney Bernard J. Eggertsen & Chris & Jill Metcalf Czipott Cherie Halladay Tirschwell Julie Meier Wright

BOB ROSS 9 Evelyn Mack Truitt Carolyn Yorston-Wellcome 7 8 GATES DOUGLAS BOB ROSS Florence Nemkov Paul I. & Margaret W. Meyer John & Cindy Sorensen 1. 2014 Gala Co-Chairs with their guests: Robert and Nina Doede, Deni Jacobs and Debra Dveris, and Sheryl and Harvey* White. 2. Conrad Prebys*, Debra Turner*, Artistic Director Dr. & Mrs. Robert Epsten Steve Miller Nancy A. Spector & Ginny Unanue *In Memoriam Barry Edelstein, Hilit Edelstein, Darlene Marcos Shiley, and Managing Director Michael G. Murphy. 3. Dennis Hennessey, Associate Artist Marion Ross, Managing Director Michael Frank A. Frye, III Shirley Mulcahy Alan R. Spector Jordine Von Wantoch G. Murphy, and Pam and Hal* Fuson. 4. Iris Strauss with Irwin and Joan Jacobs. 5. Dave and Elaine* Darwin, Stacey Foxworth, and Associate Artist Robert Foxworth*. 6. Karin Winner*, Anne Evans, Deborah Szekely, and Ann Davies*. 7. Karen* and Stuart Tanz. 8. Karen and Donald* Cohn. 9. Andrew and Erna Viterbi. *Board member. To become a member of the Craig Noel League or to tell us of a gift you have already made, please contact Bridget Cantu Wear, Associate Director of Development, Planned Giving, at (619) 231-1941 x2312 or [email protected]. 26 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 27 OUR THANKS Red Carpet: Othello & Into the Woods Corporate Donors The Old Globe recently celebrated two openings of the 2014 Summer Season: July 17. On both evenings the festivities began with a pre-show dinner for Othello and Into the Woods. Othello, directed by Artistic Director Barry Edelstein, Circle Patron donors, Board members, Production Sponsors, and members Lead Season Sponsors ($75,000 or more) Season Sponsors ($50,000 - $74,999) held its opening night on Saturday, June 28. Into the Woods, an inventive of the artistic team, and the celebrations continued after the performance new production from Fiasco Theater, had its opening night on Thursday, with the addition of cast and crew members at the opening night cast party.

1 2 Production Sponsors ($25,000 - $49,999)

3 4

National Corporate Theatre Fund is a not-for‑profit created to increase Director Circle ($15,000 - $24,999) and strengthen support from the business community for this country's most distinguished professional theatres. The following donors support these theatres through their contributions to NCTF:

Buford Alexander and Jonathan Maurer and Gretchen Shugart Pamela Farr McGraw Hill Financial American Express MetLife Bank of America Morgan Stanley BNY Mellon Lisa Orberg Bloomberg Frank Orlowski Steven Bunson Pfizer, Inc. Christopher Campbell/ RBC Wealth Management Palace Production Center Roe Green Foundation Cisco Systems, Inc. The Schloss Family Foundation 5 6 Citi Skadden, Arps, Slate, Meagher CMT/ABC & Flom LLC Paula Dominick George S. Smith, Jr. ($10,000 - $14,999) Dorsey & Whitney Foundation Southwest Airlines First American Trust ResMed Foundation Edgerton Foundation Stoddard Family Foundation Epiq Systems Theatermania.com/ Gretchen Shugart Ernst & Young Douglas and Janet True Founder Circle ($5,000 - $9,999) Ford Foundation The James S. and Lynne P. Turley Ernst Bertrand at Mister A’s Loma Media Maxwell Technologies Alan & Jennifer Freedman & Young Fund for Impact Creativity Priscilla and Keith Geeslin James S. Turley Ruth E. Gitlin UBS Goldman, Sachs & Co. Pamela J. Wagner Craig Noel Circle ($2,500 - $4,999) The Hearst Foundations Wells Fargo Cubic Corporation LG&E and KU Energy White & Case LLP Marsh & McLennan Companies Willkie Farr & Gallagher PUBLIC SUPPORT

7 8 GATES DOUGLAS BY PHOTOS Othello Photos 1. Jeff Hilman, Kathleen Stoughton, Marla Black* of Production Sponsor Union Bank, and Larry Black. 2. Alexa Hirsch and Season Sponsors Brian and Silvija* Devine. 3. Production Sponsors Robert and Nina Doede with cast member Blair Underwood. 4. Cast member Richard Thomas and Catherine and Christopher Patrick of Production Sponsor Qualcomm Foundation. Major funding provided by the City of San Diego Commission for Arts and Culture. Into the Woods Photos 5. Season Sponsor June Yoder* (center) and family. 6. Production Sponsor Gloria Rasmussen with Fiasco Theater Co-Artistic Directors Ben Steinfeld, Noah Brody, and Jessie Austrian. 7. Old The Old Globe is funded by the County of San Diego. Globe Historian Darlene Davies and Season Sponsor Darlene Marcos Shiley. 8. Season Sponsors Paula* and Brian Powers (center) with Into the Woods company members (back row, from left) Alison Cimmet, Andy Grotelueschen, Claire Karpen, Jessie Austrian, Liz Hayes, Matt Castle, Emily Young, Michael Perlman, and Lisa Shriver; (front row) Patrick Mulryan, Ben Steinfeld, Paul L. Coffey, and Noah Brody. *Board member.

28 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 29 OUR THANKS Ms. Heidi Conlan/ Beverly & Warren Sanborn Esther Rodriguez Rod & Barbara Orth The Sahan Daywi Foundation Sanderson Family Donor Advised Fund Dr. Sara Rosenthal & Dr. Julie Prazich Dr. David & Elizabeth Ostrander Richard & Stephanie Coutts at the Rancho Santa Fe Foundation Crystal A. Rubin Lori Partrick ANNUAL FUND DONORS Susan Barlow Cowell Dr. Myron & Doreen Schonbrun Ryan Family Charitable Foundation Julius J. Peal Fund at Jane Cowgill Sherry & Charles Sheppard San Diego Branch of The San Diego Foundation Gigi & Ed Cramer Drs. Joseph & Gloria Shurman The English-Speaking Union In Memory of Margaret Peninger The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the Darlene G. Davies, in memory Dee E. Silver, MD Marilies Schoepflin, Ph.D. Clifford T. Pentrack & financial support of more than 2,000 individuals, businesses, foundations, and government agencies. Please join us in giving warm thanks of Lowell Davies Beth & Kevin Smith Alan & Ester Siman Mary E. Giovaniello Jim & Sally Ditto Marisa SorBello & Peter Czipott Dave & Phyllis Snyder Stuart & Linda Robinson and recognition to these leaders who have made tonight and our other performances possible. The Old Globe appreciates the support of Devora & Ron Eisenberg of Great News! Nancy & Alan Spector and Family Margery & John Swanson Rowling Family Charitable Fund of the those who have stepped into the spotlight. Mr. & Mrs. Ira S. Epstein Barbie & Dan Spinazzola Brenda & Robert Tomaras Jewish Community Foundation Diane & Elliot Feuerstein Ann & Robert Steck Greta & Steve Treadgold Frank Ruyak Mary & David Fitz Nancy Steinhart & Rebecca Goodpasture Stan & Anita Ulrich Jay & Julie Sarno Benefactors ($100,000 and above) Jean & Sid Fox Hannah & Gene Step Karen Walker Brigid Hom-Schnapp & Russell Schnapp Mary Beth Adderley Edgerton Foundation Samuel I. & John Henry Fox Foundation Karen & Don Tartre James & Ellen Weil Linda J. Seifert Anonymous Audrey S. Geisel/Dr. Seuss Fund at Paula & Brian Powers at Union Bank of California Michael T. Turner & Suzanne Poet Turner Judith Wenker Ms. Lari Sheehan Chuck Freebern Mary R. Warkentin Sandy Wichelecki & Howard & Beverly Silldorf City of San Diego Commission for Arts & Culture The San Diego Foundation Conrad Prebys & Debra Turner Charles & Millicent Froehlich Jan Harden Webster & Raul Ortega Suzanne Dukes Mr. William D. Smith & Dr. Carol Harter Karen & Donald Cohn Globe Guilders Qualcomm Foundation Joy & Dr. Fred Frye The Patricia and Christopher Weil Howard & Christy Zatkin Don Stanziano & Michael Sikich Peter Cooper & Norman Blachford Kathryn & John Hattox Darlene Marcos Shiley, in memory of Donald Shiley Barbara & Albert Garlinghouse Family Foundation Ronald & Susan Styn Bill & Judy Garrett Shirli, Damien and Justin Weiss GOLD Clifford & Kay Sweet Elaine & Dave Darwin The James Irvine Foundation The Shubert Foundation Teresa George Mary Kay West ($500 to $999) Tim & Judy Tillyer Sheryl & Harvey White Foundation Gilcrest Family: Andy, Karen, A.J. & Pat & Bob Whalen Mrs. Marilyn Adams Mr. & Mrs. Jeffrey C. Truesdell Tommy James E. & Kathryn A. Whistler George Amerault, Jr. Natalie C. Venezia & Paul A. Sager Wendy Gillespie Ellen & Tim Zinn Anonymous (3) Kathy & Jim Waring Season Sponsors ($50,000 to $99,999) Robert Gleason & Marc Matys Earl Asbury The Washkowiak Family The Legler Benbough Foundation Joan & Irwin Jacobs Fund of the Rhona & Rick Thompson Sheila & Tom Gorey DIAMOND Alicia Atun & Elaine Rendon* Dennis & Carol Wilson George C. Guerra ($1,500 to $2,499) The Backman Family Cass Witkowski Family John A. Berol Jewish Community Foundation Gillian & Tony Thornley Ms. Cheryl Haimsohn Anonymous (2) Bruce & Patricia Becker Brendan M. & Kaye I. Wynne Valerie & Harry Cooper NCTF/Edgerton Foundation Fund for United Guy & Laura Halgren Jeff & Donna Applestein Amnon & Lee Ben-Yehuda Ann Davies New American Theatre Wells Fargo Pat & Rick Harmetz Mrs. Lazare F. Bernhard Jay Biskupski & Catherine Imrie *In Memoriam Patrick Harrison & Eleanor Lynch Mary-Kay Butler Barbara Bolt Hal & Pam Fuson The Parker Foundation (Gerald & Inez Grant Parker) June E. Yoder Liz & Gary Helming Greg & Loretta Cass Deb & Brand Brickman This list current as of August 8, 2014. Gloria Rasmussen Vicki & Carl Zeiger Rhonda Heth & Thomas Mabie Gay and Lesbian Fund for San Diego Ruth Bunn Mickey Stern Gary & Carrie Huckell at The San Diego Foundation Luc Cayet & Anne Marie Pleska Richard & Janet Hunter Bill & Nancy Homeyer Drs. Lynne Champagne & Wilfred Kearse Hutcheson Family Fund at Jake’s on 6th A Wine Bar Richard T. Clampitt The San Diego Foundation Dr. & Mrs. M. Joseph McGreevy Jack & Carol Clark Production Sponsors ($25,000 to $49,999) Drs. Sonia & Andy Israel Judith & Neil* Morgan Ronald D. Culbertson Pat JaCoby Akiko Charlene Morimoto & Honorable Vincent P. Di Figlia (Ret.) Bank of America GEN7 Wines Price Philanthropies Foundation Mary & Russell Johnson Hubert Frank , Jr. Dr. Donald & Eilene Dose Alan Benaroya Higgs Fletcher & Mack, LLP Random House Children’s Books Jackie Johnston Elspeth & Jim Myer Jacqueline & Stanley Drosch Katleman Family Fund of the Susan C. Parker Berit & Tom Durler Richard & Kathy Binford Leonard Hirsch, in memory of Elaine Hirsch San Diego Gas & Electric® Jewish Community Foundation The Arthur & Jeanette Pratt Bill Eiffert & Leslie Hodge California Bank & Trust HM Electronics, Inc. Sheraton San Diego Hotel & Marina Dr. Gerald & Barbara Kent Memorial Fund Drs. George & Susan Dersnah Fee Pamela & Jerry Cesak Holland America Line Ms. Jeanette Stevens Edythe Kenton Ryde Family Memorial Foundation at Richard & Beverly Fink THE Joseph Cohen & Martha Farish The Hull Family Torrey Pines Bank J. Robert & Gladys H. King Family Trust The San Diego Foundation Family Foundation Ken & Sheryl King Jack & Louise Strecker Pauline E. Forman & Jack Burke Cohn Restaurant Group/Prado Restaurant Jo Ann Kilty Evelyn Mack Truitt Webster & Helen Kinnaird Ms. C. Anne Turhollow & Robert & Stacey Foxworth ROYALE The County of San Diego Elaine Lipinsky Family Foundation Union Bank Sherry & Larry Kline Mr. Michael J. Perkins Steven & Susan Garfin Mr. & Mrs. Brian K. Devine Jeffrey & Sheila Lipinsky Family Foundation U.S. Bank Jane & Ray* Klofkorn Terrie Georgi By Curt & Nancy Koch PLATINUM Arthur Getis & Roberta King Marco Ramirez Nina & Robert Doede National Corporate Theatre Fund Pamela J. Wagner Rosalie Kostanzer & Michael Keefe ($1,000 to $1,499) Norman & Patricia Gillespie Pamela Farr & Buford Alexander Neiman Marcus Mandell Weiss Charitable Trust Bob & Laura Kyle In Memory of Freda Altschuler & J. M. Gillman Directed by Jean & David Laing Sylvia Goldin Robert & Edry Goot Director Circle ($10,000 to $24,999) Terry & Mary Lehr Drs. Gabriela & Mike Antos Barbara & Leonard Gosink Ms. Sherrill Leist Sondra & Robert Berk Fund of the Chris Graham & Michael Albo Melissa Garfield Bartell & Michael Bartell Diana R. Glimm Ramin Pourteymour Ronald & Ruth W. Leonardi Jewish Community Foundation Carol & Don Green Jane Smisor Bastien Lee & Frank Goldberg Peggy & Peter Preuss James & Pamela Lester Gary & Barbara Blake Family Fund of the Richard & Candace Haden Paul Levin Jewish Community Foundation Jeff & Judy Handler Bjorg Family Dr. & Mrs. Harry F. Hixson, Jr. Allison & Robert Price Robin J. Lipman Bob & Joyce Blumberg James & Ruth Harris Fund of the California County Superintendents Daphne H. & James D. Jameson Jean & Gary Shekhter Barbara & Mathew Loonin Walter & Cheryl Deegan Jewish Community Foundation Educational Services Association Barbara G. Kjos Ben & Karen Sherwood Susan and John Major Dean & Mrs. Michael H. Dessent Virginia Hawkins Donor Advised Fund at the Dorothy R. Dring Kaaren Henderson The Anthony Cerami & Anne Dunne Brooke & Dan Koehler Karen & Stuart Tanz Rancho Santa Fe Foundation Geraldo & Scarrain Gomes Fund Jamie Henson & Robert Houskeeper Foundation for World Health Carol & George Lattimer Nita & Henk van der Werff Carlos Malamud Louise & Doug Goodman Bruce & Jane Hopkins Nikki & Ben Clay Rebecca Moores Carol & Larry Veit Dr. Robert & Marcia Malkus Heat Bar & Kitchen Joseph & Donna Hynes Carlo & Nadine Daleo National Endowment for the Arts Jordine Skoff Von Wantoch Jackie & Charlie Mann Fund of the Phil & Kathy Henry Mrs. Susan Inot Jewish Community Foundation Joan & George Hornig Ed & Linda Janon Dan & Phyllis Epstein Caroline & Nicolas Nierenberg Dr. Steve & Lynne Wheeler Lois Marriott Isaacs Brothers Foundation at Tony & Nancy Janus Dr. & Mrs. Robert Epsten The Kenneth T. & Eileen L. Norris Foundation Karin Winner Ms. Kerri Martella The San Diego Foundation Dr. & Mrs. Clyde W. Jones Karen Fox Tom & Lisa Pierce Brent Woods & Laurie Mitchell Dr. Ted & Marcy Mazer Kenneth & Marilyn Jones Anthony & Joyce Joseph Elizabeth & Edward McIntyre Louis & Mary Beth Kelly Dr. Marvin M. Kripps Elizabeth B. Meyer Robert Kilian & Kathleen Slayton LABS, Inc./Silvia Dreyfuss Dr. Howard & Barbara Milstein Gayle & Jerry Klusky Rick & Sherry Levin FOUNDER CIRCLE Norm Hapke & Valerie Jacobs Hapke Chrissy & Roger Roberts Jan & Rich Baldwin Sara F. Moser Bill & Linda Kolb Marshall & Judy Lewis Fund of the ($5,000 to $9,999) Gordon & Phyllis Harris Patricia K. Shumway Bobbie Ball Nancy & James Mullen Dr. & Mrs. James E. Lasry Jewish Community Foundation Anonymous Alexa Kirkwood Hirsch Herb Solomon & Elaine Galinson Diana J. Barliant* & Nowell Wisch Bette Nagelberg Thomas D. Lookabaugh Foundation Carl Maguire & Margaret Sheehan Joan & Jeremy Berg Jerri-Ann & Gary Jacobs Iris & Matthew Strauss Jan Bart Joyce & Martin Nash Edward & Nancy Lyon Sally & Luis Maizel Barbara Bloom William Karatz Pat & Jack Thomas Mr. & Mrs. Bear Lyn Nelson Joy & Ronald Mankoff Drs. Betty Joan Maly & John Meyers The Louis Yager Cantwell Regina Kurtz, in fond memory of Al Cherie Halladay Tirschwell Charlotte & Charles Bird Arthur & Marilyn Neumann Jasna Markovac & Gary Miller Mercy & Ron Mandelbaum Private Foundation Isenberg Carol Vassiliadis Paul Black Lawrence Newmark Marcia A. Mattson Rev. Stephen J. Mather Carol & Jeff Chang Jennifer Lake & Donald Francis Donovan Viterbi Family Fund of the Steve & Elizabeth Bluhm Mr. & Mrs. Thomas C. Pastore Rena Minisi & Rich Paul Ronald McCaskill & Robyn Rogers Barbara Charlton Peter Landin & Michelle Cardinal Jewish Community Foundation Dr. Herman & Irene H. Boschken Patrons of the Prado Charles & Ilene Mittman Mr. & Mrs. William M. McKenzie Colwell Family Distributable Fund at Sandy & Arthur Levinson Jim & Mary Jane Wiesler Anita Busquets & William Ladd Patricia Payne Jim & Ruth Mulvaney Foundation at Mr. & Mrs. Paul E. Michelson The San Diego Foundation Peter Manes & Yoko Sakaguchi Pamela & Marty Wygod Dr. & Mrs. Edgar D. Canada Col. & Mrs. Ben Pollard The San Diego Foundation James & Estelle Milch Fund of the R. Patrick & Sharon Connell Paul & Maggie Meyer Edward & Pamela Carnot Bill & Mo Popp Marsha J. Netzer, in memory of Jewish Community Foundation Bernard J. Eggertsen & Florence Nemkov Money/Arenz Foundation, Inc. CRAIG NOEL CIRCLE Cecilia Carrick & Stan Nadel Daniel Porte & Sally Dubois Alice & Ray Jacobson Ursula & Hans Moede Marion Eggertsen Matthew & Judith Pollack ($2,500 to $4,999) Harry & Sandra Carter Joseph & Jane Rascoff Mark Niblack, MD Dr. Robert & Anne Morrison October 4 – Barbara & Dick Enberg John & Marcia Price Family Foundation Dr. & Mrs. Wayne Akeson George & Ellen Casey Sarah B. Marsh-Rebelo & John G. Rebelo Virginia Oliver Charles & Susan Muha Carol Spielman-Ewan & Joel Ewan Rivkin Family Fund I at Lawrence G. Alldredge & Dawn Moore Rudy & Carol Cesena Wade and Candi Rich Barbara B. Oswalt Shirley Mulcahy November 2 Susanna & Michael Flaster The San Diego Foundation Anonymous (6) Garet & Wendy Clark Nancy J. Robertson Christopher & Susan Pantaleoni Darrell Netherton Drs. Thomas H. & Jane D. Gawronski The Foundation Judith Bachner & Eric Lasley Cathy & Larry Robinson Robert & Doris Reed Evy & Ed Newton Carole Sachs John & Josette Rekettye William & Carla Nolan

30 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 31 Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

Amy E. Allison...... General Manager PROPERTIES Lisel Gorell-Getz, Jason Heil, Erika Malone, Dave Henson...... Director of Marketing and Communications Neil A. Holmes...... Properties Director Heather Pauley, Christopher Salazar, Todd Schultz...... Director of Development Kristin Steva Campbell...... Assistant to the Director Jason Maddy, Damon Shearer...... Teaching Artists Mark Somers...... Director of Finance M.H. Schrenkeisen...... Shop Foreman Richard Seer...... Director of Professional Training Rory Murphy...... Lead Craftsman FINANCE Robert Drake...... Director of Production Chris Carignan, Trish Rutter, Carly Bennett-Valle...... Senior Accountant Roberta Wells-Famula...... Director of Education Tom Stephansky...... Craftspersons Janet Gray...... Interim Senior Accountant David Medina...... Properties Buyer Trish Guidi...... Accounts Payable/Accounting Assistant ARTISTIC Kristine Hummel-Rosen...... Properties Assistant Adam Latham...... Payroll Coordinator/Accounting Assistant Eric Louie, Justin Waldman...... Associate Producers David Buess...... Property Master, Globe Tim Cole...... Receptionist Danielle Mages Amato...... Literary Manager/Dramaturg Kristen Flores...... Stage & Property Master, White Bernadette Hanson...... Artistic Associate Andrew Recker...... Property Master, Festival DEVELOPMENT Jan Gist...... Resident Vocal Coach Annamarie Maricle...... Associate Director, LIGHTING Institutional Grants PRODUCTION Shawna Cadence...... Lighting Director Bridget Cantu Wear...... Associate Director, Planned Giving Eileen Prisby...... Events Manager Debra Pratt Ballard...... Associate Director of Production Jack Bender...... Assistant Lighting Director Rachel Plummer, Keely Tidrow...... Major Gifts Officers Suzanne Conway...... Company Manager Evan Page...... Interim Master Electrician, Globe Matthew B. Williams...... Major Gifts Associate Carol Donahue...... Production Coordinator Jim Dodd...... Master Electrician, White Diane Addis...... Membership Administrator Jackson Smith...... Assistant Company Manager Kevin Liddell...... Master Electrician, Festival Steve Schmitz...... Lighting Assistant Rico Zamora...... Development Assistant STAGE MANAGEMENT Bridget Chervenka...... Lighting Programmer, Globe Tyler Jones...... VIP Donor Ticketing

Leila Knox...... Production Stage Manager Leah Nellman, Tyler Whitehead...... Follow Spot Operators, Globe DONOR SERVICES Silvana Burrato, Laura Regal, TECHNICAL Derek Lauer, Follow Spot Operators, Festival Janette Jack, Barbara Lekes, Benjamin Thoron...... Technical Director Bradley Bergholtz...... Richard Navarro, Gary Neuberg, Wendy Berzansky...... Associate Technical Director Sammy Bauman-Martin, Bradley Bergholz, Stephanie Reed, Stephen Wade...... Suite Concierges Lucas Skoug...... Interim Associate Technical Director Mark Dewey, Christian Erikson, Derek Laver, Travis Barrett...... Assistant Technical Director Leticia Lowe, Xavier Luevano, Mike McCollock, MARKETING Sean Fanning...... Resident Design Assistant Sean Murray, Michael Paolini, Anthony Paulin, Ernest Saldana, Paul Stephenson, Joanne Stewart, Susan Chicoine...... Public Relations Director Eliza Korshin...... Technical Assistant/Buyer Tyler Whitehead...... Electricians Ed Hofmeister...... Associate Director of Marketing Gillian Kelleher...... Master Carpenter Mike Hausberg...... Public Relations Associate Carole Payette...... Charge Scenic Artist SOUND Andrew Waltz...... Digital and Print Publications Coordinator Gregg Essex...... Draftsman Paul Peterson...... Sound Director Jordyn Patton...... Marketing Assistant Christian Thorsen...... Stage Carpenter/Flyman, Globe Mark Hartshorn...... Master Sound Technician, Globe Stephen Wade...... Marketing/Events Assistant Robert Dougherty...... Festival Master Carpenter Dana Pickop...... Master Sound Technician, White DeAndre Clay, Carolann Malley, Jack Hernandez...... Charge Carpenter, White Jeremy Nelson...... Master Sound Technician, Festival Lauren Senko...... Distribution Staff Jessica Amador, Dave Garcia, Nadine Masters, RJ Givens...... Deck Audio, Globe Eileen McCann, Linda Van Vark...... Painters James Zadai...... Deck Audio, Festival SUBSCRIPTION SALES Robin Barnett, Curtis Carlsteen, Daniel Capiro, Scott Cooke...... Subscription Sales Manager Sean Chaffin, Chris Chauvet, Michael Curtis, Scott Sanders...... Audio Engineer, Globe Dave Dick, Matt Giebe, Larry J. Hall, Jason Chaney, Joseph Grajeda, Cassie Johnston, Arthur Faro, Janet Kavin, Pamela Malone, Sloan Holly, James Hopper, Laura McEntyre, Austin Taylor, Emily Yavitch...... Sound Technicians Yolanda Moore, Jessica Morrow, Ken Seper, Edward Pyne, Francisco Ramirez, Cassandra Shepard, Jerome Tullmann, Grant Walpole...... Subscription Sales Representatives Mark Robertson, Jon Serbian, ADMINISTRATION Kurt Weichers, Zane Whitmore...... Carpenters Alexandra Hisserich...... Operations Assistant TICKET SERVICES W. Adam Bernard...... Lead Scenic Artist Carolyn Budd...... Assistant to the Artistic Bob Coddington...... Ticket Services Director Jason Chohon...... Automation Coordinator and Managing Directors Marsi Bennion...... Ticket Operations Manager Tim McCalister...... Technical Director Intern Darlene Davies...... The Old Globe Historian Karen Ann Daniels...... Group Sales Manager Jason Chohon, Jay McNabb...... Run Crew Tony Dixon, Kari Archer, Kathy Fineman, INFORMATION TECHNOLOGY Adam Gibbs, Bea Gonzalez, Lauryn Greschke, COSTUMES Dean Yager...... Information Technology Director Alejandro Gutierrez, Amanda King, Caryn Morgan, Stacy Sutton...... Costume Director John Ralston...... Information Technology Assistant Manager Danielle Porath, Christopher Smith, Charlotte Devaux Shields...... Resident Design Associate Brittany Summers...... Information Technology Assistant John Sweeney...... Ticket Services Representatives Maureen Mac Niallais...... Assistant to the Director Shelly Williams...... Design Assistant/Shopper HUMAN RESOURCES PATRON SERVICES Sandy Parde...... Human Resources Director Michelle Hunt Souza...... Design Assistant Mike Callaway...... Patron Services Director Manny Bejarano...... Human Resources Coordinator Erin Cass...... Draper Juliana Johnson, Mary Taylor...... House Managers Su-Lin Chen, Marsha Kuligowski, Stephanie Hable...... Front of House Assistant MAINTENANCE Wendy Miller...... Tailors Nic Hagan...... Pub Manager Violanda Corona, Ismael Delgado, Roberto Gonzalez, Babs Behling, Anne Glidden Grace, Timothy Acosta...... Pub Shift Supervisor Bernardo Holloway, Reyna Huerta, Jose Morales, Susan Sachs, Raquel Stewart...... Assistant Cutters Tanika Baptiste, Carolyn Elder, Deborah Montes, Mary Miller...... Tailoring/Construction Albert Rios, Maria Rios, Gabe Roberts, Leonardo Rodriguez, Vielka Smith, Stephanie Passera, Paige Plihal, Brandon Potter, Mark Baiza, Allison Elsey, Joan Mathison, Will Van Atta, Robert Wigfall...... Building Staff Michelle Thorson...... Pub Staff Tea Ninkovic, Nunzia Pecoraro, Linda Bahash, Jessica Piatt, Heather Premo...... Stitchers Stephanie Rakowski...... Gift Shop Supervisors Erin Carignan...... Craft Supervisor/Dyer/Painter PROFESSIONAL TRAINING Shana Wride...... Program Coordinator Sharon Granieri...... Craft Artisans SECURITY/PARKING SERVICES Molly O’Connor...... Wig and Makeup Supervisor Brian Byrnes, Maria Carrera, Cynthia Caywood, Ray Chambers, Gerhard Gessner, Jan Gist, Edward Camarena...... Security Supervisor Kimberly Eddo, Danielle Griffith, Fred Robinson, Abraham Stoll...... M.F.A. Faculty Sherisa Eselin...... Security Officer Ana Maldonado...... Wig Assistants Corey Johnston, Nate Parde, Jonathon Ayon, Joshua Caldwell, Beverly Boyd...... Wardrobe Supervisor Nicole Ries, Robin Roberts...... M.F.A. Production Staff Dallas Chang, Jeff Howell, Beth Merriman...... Assistant Wardrobe Supervisor, Globe Janet Larson, Guadelupe Velez...... Security Guards Anna MacDonald...... Assistant Wardrobe Supervisor EDUCATION Alexander Thomas...... VIP Valet Attendants Mark Baiza, Ana Maldonado, Anna Noll, Crystal Mercado...... Education Programs Manager Corrinne Roache, Noelle Van Wyk...... Wardrobe Crew Globe Katherine Harroff...... Community Voices Teaching Artist Sunny Haines, Hannah May, Sarah Mendez, Sue Noll, Carol Green...... Speakers Bureau Coordinator Kim Parker, Hallie Thomas...... Wardrobe Crew, Festival Jack O’Brien...... Artistic Director Emeritus Marie Jezbera...... Rental Agent Craig Noel...... Founding Director

32 PERFORMANCES MAGAZINE