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OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May
Click Here for More Articles on 2017 AWARDS SEASON OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May. 7, 2017 Tweet Share The Lortel Awards were presented May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event was hosted by actor and comedian, Taran Killam, and once again served as a benefit for The Actors Fund. Leading the nominations this year with 7 each are the new musical, Hadestown - a folk opera produced by New York Theatre Workshop - and Sweeney Todd: The Demon Barber of Fleet Street, currently at the Barrow Street Theatre, which has been converted into a pie shop for the intimate staging. In the category of plays, both Paula Vogel's Indecent and J.T. Rogers' Oslo, current Broadway transfers, earned a total of 4 nominations, including for Outstanding Play. Playwrights Horizons' A Life also earned 4 total nominations, including for star David Hyde Pierce and director Anne Kauffman, earning her 4th career Lortel Award nomination; as did MCC Theater's YEN, including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor. Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year - and his seventh career nomination, including a win in 2011 - for his work on YEN. Check below for live updates from the ceremony. Winners will be marked: **Winner** Outstanding Play Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman Oslo **Winner** Produced by Lincoln Center Theater Written by J.T. -
Top Songwriter Chart
TOP SONGWRITER CHART Sunday, June 7, 2020 This Last Songwriter’s Name Song(s) Artist Week Week 1 1 Craig Wiseman Chasin' You Morgan Wallen Here And Now Kenny Chesney 2 2 Shane McAnally Champagne Night Lady Antebellum Cheatin' Songs Midland Hard To Forget Sam Hunt Nobody But You Blake Shelton And Gwen Stefani One Night Standards Ashley McBryde Second Guessing Florida Georgia Line Some People Do Old Dominion The Other Girl Kelsea Ballerini x Halsey 3 3 Luke Combs Does To Me Luke Combs (feat. Eric Church) I Hope You're Happy Now Carly Pearce and Lee Brice Six Feet Apart Luke Combs 4 4 Jonathan Singleton Die From A Broken Heart Maddie & Tae I Hope You're Happy Now Carly Pearce and Lee Brice In Between Scotty McCreery 5 5 Josh Thompson Ain't Always The Cowboy Jon Pardi Be A Light Thomas Rhett Featuring Reba McEntire, Hillary Scott, Chris Tomlin & Keith Urban One Margarita Luke Bryan 6 6 Michael Hardy More Than My Hometown Morgan Wallen One Beer HARDY Feat. Lauren Alaina and Devin Dawson One Big Country Song LOCASH Single Saturday Night Cole Swindell Some Girls Jameson Rodgers 7 7 Morgan Wallen Chasin' You Morgan Wallen More Than My Hometown Morgan Wallen 8 8 David Garcia Drinking Alone Carrie Underwood Here And Now Kenny Chesney 9 10 Ashley Gorley Hard To Forget Sam Hunt One Big Country Song LOCASH One Of Them Girls Lee Brice Single Saturday Night Cole Swindell 10 9 Thomas Rhett Be A Light Thomas Rhett Featuring Reba McEntire, Beer Can't Fix Hillary Scott, Chris Tomlin & Keith Urban Thomas Rhett (feat. -
MSW Student Handbook
MSW Student Handbook College of Adult and Professional Studies School of Service and Leadership Department of Behavioral Sciences Master of Social Work Program 4201 S. Washington St. Marion, IN 46953 Phone 765.677.2363 Fax 765.677.1827 2021 Social Work Education Indiana Wesleyan University David King, DSW, MA, MSW, LMSW Program Director, Associate Professor, MSW Program [email protected] 734-657-8717 Cynthia Faulkner, Ph.D., MSW, LCSW Professor, MSW Program [email protected] (606) 356-7094 Brian Roland, Ph.D., MSW, LMSW Assistant Professor, MSW Program [email protected] 518-888-4121 Toby Buchanan, Ph.D., LMSW Professor, MSW Program [email protected] Marcie Cutsinger, Ed.D., MSW, LCSW Assistant Professor, MSW Program [email protected] 660.359.1856 James Long, Jr., Th.D., MSW, LCSW Associate Professor, Field Director, MSW Program [email protected] 201.341.5119 Katti Sneed Ph.D., MSW, LCSW Professor, Marion Hybrid Cohort, Director [email protected] 765-506-1391 Theresa Veach, Ph.D., HSPP Chair, Department of Behavioral Sciences School of Service and Leadership [email protected] 800.621.8667 / 756.677.2348 Kristy White Behavioral Sciences Administrative Assistant [email protected] 800.677.8667 / 765.677.2363 Social Work Advising MSW Program [email protected] 800-621-8667, ex 3323 / 765-677-332 2021 Table of Contents Message from the Director of the MSW Program .................................................................................................................. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally. -
THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS
THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years. -
2015 ANNUAL REPORT Pictured (Top to Bottom, L-R)
OUR 2015 ANNUAL REPORT Pictured (top to bottom, l-r): Shawn Patterson and vocalist Sammy Allen at the 2015 ASCAP Film & TV Music Awards Latin Heritage Award honorees La Original Banda el Limón at the 2015 ASCAP Latin Music Awards ASCAP Golden Note Award honoree Lauryn Hill at the 2015 R&S Awards Lady Antebellum at the 2015 ASCAP Country Music Awards Dave Grohl congrat- ulates Gene Simmons and Paul Stanley on their ASCAP Found- ers Award at the 2015 ASCAP Pop Awards Cast members from Invisible Thread with Richard Rodgers New Horizons Award winners Matt Gould (at piano) & Griffin Matthews (far right) at the 2015 ASCAP Foundation Awards The American Con- temporary Music En- semble (ACME) at the 2015 ASCAP Concert Music Awards Annual Report design by Mike Vella 2015 Annual Report Contents 4 16 OUR MISSION Our ASCAP Our Success We are the world leader in performance 6 18 royalties, advocacy and service for Our Growth Our Celebration songwriters, composers and music publishers. Our mission is to ensure that 8 20 Our Board Our Licensing our music creator members can thrive Partners alongside the businesses who use our 10 music, so that together, we can touch Our Advocacy 22 Our Commitment the lives of billions. 12 Our Innovation 24 Our Communication 14 Our Membership 25 Financial Overview 3 OUR ASCAP USIC IS AN ART. AND MUSIC IS A BUSINESS. The beauty of ASCAP, as conceived by our visionary founders over 100 years ago, is that it serves to foster both music and commerce so that each partner in this relationship can flourish. -
July 23, 2021 the Musicrow Weekly Friday, July 23, 2021
July 23, 2021 The MusicRow Weekly Friday, July 23, 2021 Taylor Swift’s Fearless (Taylor’s Version) SIGN UP HERE (FREE!) Will Not Be Submitted For Grammy, CMA Award Consideration If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES Fearless (Taylor’s Version) Will Not Be Submitted For Grammy, CMA Awards NSAI Sets Nashville Songwriter Awards For September Big Loud Records Ups 5, Adds 2 To Promotion Team Dylan Schneider Signs With BBR Music Group Taylor Swift will not be submitting Fearless (Taylor’s Version), the re- recorded version of her 2008 studio album that released earlier this year, Dan + Shay Have Good for Grammy or CMA Awards consideration. Things In Store For August “After careful consideration, Taylor Swift will not be submitting Fearless (Taylor’s Version) in any category at this year’s upcoming Grammy and Scotty McCreery Shares CMA Awards,” says a statement provided to MusicRow from a Republic Details Of New Album Records spokesperson. “Fearless has already won four Grammys including album of the year, as well as the CMA Award for album of the Chris DeStefano Renews year in 2009/2010 and remains the most awarded country album of all With Sony Music Publishing time.” Natalie Hemby Announces The statement goes on to share that Swift’s ninth studio album, Evermore, New Album released in December of 2020, will be submitted to the Grammys for consideration in all eligible categories. Niko Moon’s Good Time Slated For August Release Evermore arrived only five months after the surprise release of Folklore, Swift’s groundbreaking eighth studio album. -
Production Handbook
PRODUCTION HANDBOOK University of Virginia Department of Drama IMPORTANT PHONE NUMBERS Box Office 4-3376 Light Booth 3-8951 Computer Lab 2-2929 Prop Shop 4-8967 Costume Shop 4-8968 Scene Shop 4-7811 or 4-4180 Green Room 4-3058 1 TABLE OF CONTENTS I. Mission 4 II. Theatres 5 III. Season 6 Mainstage Season 6 Mainstage Season Structure 6 Mainstage Season Selection 7 Lab/Studio Season 8 Studio Production Policies 9 Studio Application Forms: Application for Director 13 Production Team Contract 14 Production Team Declaration 15 Set/Prop/Costume Form 16 Set/Prop/Costume Checkout Sheet 17 IV. Personnel 18 Theatre Faculty & Staff 18 Students 19 V. Production Positions 21 Directing 22 Director 22 Assistant Director 22 Stage Management 23 Production Stage Manager 23 Assistant Stage Manager 23 Scene Design and Production 24 Scene Studio Policies 24 Scene Shop Safety Rules 24 Professional Behavior 25 Scenic Designer 26 Assistant Scenic Designer 27 Scenic Charge 27 Technical Director 28 Assistant Technical Director 28 Master Carpenter/Shop Foreman 28 Shop Assistant 29 Lab Scene Shop Carpenters 29 Prop Running Crew 30 Fly Crew 31 Key Grip 31 Stage Run Crew 32 Costume Design and Production 33 Costume Designer 33 Assistant Costume Designer 34 Costume Shop Teaching Assistant 35 Undergraduate Costume Shop Assistant 35 Costume Shop Lab Student 36 2 Wardrobe Crew Head 36 Wardrobe Crew 37 Lighting and Sound Design and Production 38 Light Shop Policies 38 Safety 38 Responsibilities 38 Lighting Designer 39 Assistant Lighting Designer 40 Production Master Electrician 41 Light Board Operator/Run Crew 42 Electrics Crew 42 Undergraduate Light shop Assistant 42 Graduate Light shop Teaching Assistant 43 Sound Designer 43 Undergraduate Sound Assistant 44 Sound Operator/Run Crew 44 Acting 45 Audition Information 46 Audition and Casting Policy and Procedures 46 Sample Audition Form 48 Building Policies 49 Booking Policy 49 Rehearsal Studio Protocol 50 Sample Rehearsal Space Sign-up Sheet 51 Smoking, Food, and Beverage Policy 52 3 I. -
Ascap Songwriters in the Top 50 of the Country Aircheck
Peak Position Peak Wks. on 2020 Artist Title Label (wks. at No.1) Date Chart Rank JASON ALDEAN We Back Macon Music/Broken Bow 6 3/23/20 21 43 JASON ALDEAN Got What I Got Macon Music/Broken Bow 1(1) 10/19/20 29 33 A JIMMIE ALLEN Make Me Want To Stoney Creek 1(1) 3/2/20 18 28 s INGRID ANDRESS More Hearts Than Mine Warner/WEA 1(1) 4/27/20 26 24 of TOP 15 KELSEA BALLERINI Hole In The Bottle Black River 13 11/9/20 19 75 GABBY BARRETT I Hope Warner/WAR 1(1) 4/20/20 25 3 LEE BRICE One Of Them Girls Curb 1(2) 10/5/20 26 32 GARTH BROOKS & BLAKE SHELTON Dive Bar Pearl 5 3/2/20 17 56 B KANE BROWN Homesick RCA 1(2) 3/16/20 20 17 KANE BROWN Cool Again RCA 2 9/28/20 25 37 LUKE BRYAN What She Wants Tonight Capitol 1(1) 3/30/20 22 30 2020 LUKE BRYAN One Margarita Capitol 1(2) 7/13/20 15 22 theYEAR KENNY CHESNEY Tip Of My Tongue Blue Chair/Warner/WEA 7 11/18/19 8 74 CARLY PEARCE in MUSIC KENNY CHESNEY Here And Now Blue Chair/Warner/WEA 1(1) 6/29/20 21 36 CMA Musical Event of the Year (“I Hope You’re Happy Now”) KENNY CHESNEY Happy Does Blue Chair/Warner/WEA 11 11/9/20 16 64 ERIC CHURCH Monsters EMI Nashville 15 5/4/20 30 55 C LUKE COMBS Even Though I’m Leaving River House/Columbia 1(3) 12/2/19 9 5 LUKE COMBS f/ERIC CHURCH Does To Me River House/Columbia 1(2) 6/1/20 20 11 DAN + SHAY & JUSTIN BIEBER LUKE COMBS Lovin’ On You River House/Columbia 1(2) 9/21/20 16 38 JAMIE MOORE & CRAIG WISEMAN 3x AMA Winners LUKE COMBS Better Together River House/Columbia 15 11/9/20 5 -- Aircheck #1 Country Song of the Year Favorite Song/Collab of the Year (“10,000 Hours”) -
Ccm Presents the Musical Bright Star
VOLUME 2019/532 November 1, 2019 CCM EVENTS Bright Star, the Musical Today - November 2 7:30 p.m., Saturday, matinee, 2 p.m. Dragonetti Auditorium Tickets: https://bookstore.ccm.edu/category/tic kets-events/theater-shows Plant & Maintenance Procedural Briefing Tuesday, November 5, 2 p.m., HH110 Plant & Maintenance Procedural Briefing Tuesday, November 5, 2 p.m., HH110 Board of Trustees Meeting Tuesday, November 19, 6:30 p.m., Board Room, Henderson Hall College Council Thursday, November 21, 12:30 p.m., SH100 CCM PRESENTS THE MUSICAL BRIGHT STAR The Department of Music, Performing Arts and Music Technology at CCM presents the fall musical, “Bright Star,” inspired by a true story of the “Iron Mountain Baby,” featuring the Tony-nominated score by Steve Martin and Edie Brickell. Directed by Professor Marielaine Mammon, the show runs at the Dragonetti Auditorium today through Saturday, November 2, at 7:30 p.m., with a Saturday matinee at 2 p.m. General admission seating is $15, while tickets for CCM students, alumni, children under 12 and seniors 62 and over are $10. Read more HR CORNER RETIREMENT CONSULTATIONS WITH NEW JERSEY STATE APPROVED VENDORS Save for retirement – Receive free, no pressure, retirement counseling sessions. Make your appointment today. You do not need to be a member to meet with the representatives. AXA-Equitable representative Mark PLANT AND MAINTENANCE Sheridan will be on campus from 10 a.m. to 2 p.m. on November 19 in PROCEDURAL BRIEFING Henderson Hall room 107 and on CCM EMAIL SYSTEM Plant and Maintenance will be holding its Biannual December 17 in the alcove area outside MIGRATING TO CLOUD PLATFORM Procedural Briefing on Tuesday, November 5, at 2 p.m. -
Country Airplay; Brooks and Shelton ‘Dive’ In
Country Update BILLBOARD.COM/NEWSLETTERS JUNE 24, 2019 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Thomas Rhett’s Behind-The-Scenes Country Songwriters “Look” Cooks >page 4 Embracing Front-Of-Stage Artist Opportunities Midland’s “Lonely” Shoutout When Brett James sings “I Hold On” on the new Music City Puxico in 2017 and is working on an Elektra album as a member >page 9 Hit-Makers EP Songs & Symphony, there’s a ring of what-ifs of The Highwomen, featuring bandmates Maren Morris, about it. Brandi Carlile and Amanda Shires. Nominated for the Country Music Association’s song of Indeed, among the list of writers who have issued recent the year in 2014, “I Hold On” gets a new treatment in the projects are Liz Rose (“Cry Pretty”), Heather Morgan (“Love Tanya Tucker’s recording with lush orchestration atop its throbbing guitar- Someone”), and Jeff Hyde (“Some of It,” “We Were”), who Street Cred based arrangement. put out Norman >page 10 James sings it with Rockwell World an appropriate in 2018. gospel-/soul-tinged Others who tone. Had a few have enhanced Marty Party breaks happened their careers with In The Hall differently, one a lbu ms i nclude >page 10 could envision an f o r m e r L y r i c alternate world in Street artist Sarah JAMES HUMMON which James, rather HEMBY Buxton ( “ S u n Makin’ Tracks: than co-writer Daze”), who has Riley Green’s Dierks Bentley, was the singer who made “I Hold On” a hit. done some recording with fellow songwriters and musicians Sophomore Single James actually has recorded an entire album that’s expected under the band name Skyline Motel; Lori McKenna (“Humble >page 14 later this year, making him part of a wave of writers who are and Kind”), who counts a series of albums along with her stepping into the spotlight with their own multisong projects.