Year 11 Transition Performing Arts Workbook
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June 2015 President: Vice President: Price 50P When Sold Simon Russell Beale CBE Nickolas Grace
No. 491 - June 2015 President: Vice President: Price 50p when sold Simon Russell Beale CBE Nickolas Grace WHAT A SWELL PARTY IT WAS! Liz Schafer reviews Shakespeare’s Birthday Party 2015 This year’s Shakespeare’s Birthday Party was marked by a ‘can do’ spirit of improvisation and the result was a thoroughly enjoyable event. The Old Vic circle bar, where the party is normally held these days, was full of props and so there was no room for the party. Crisis! But Ned Seago, the Old Vic doorman, arranged for the party to be held instead backstage in the rehearsal room. Once the rehearsal room had been commandeered, Nickolas Grace stood outside the theatre greeting guests with his usual charm and directing us to the Webber Street Stage Door entrance. After we had all recovered from the lift, which probably should be granted ancient monument status – it had lovely wooden panelling and a sign sternly warning Maria Friedman with Jamie Parker and The Bard everyone that ‘weight must be evenly distributed’, we were able to relax in the open, airy rehearsal room. This, as members with long memories reminded us, used to be the venue for the VWA parties. I would certainly vote for parties being held there in the future if at all possible. As Nick pointed out, although the floorboards were now sanded down, they were the very ones trodden by stars such as Olivier, Ashcroft, Gielgud in their days at the Vic, when they were in rehearsal. Nick certainly had plenty of interesting memories of working in that room. -
JULIA CARTA Hair Stylist and Make-Up Artist
JULIA CARTA Hair Stylist and Make-Up Artist www.juliacarta.com PRESS JUNKETS/PUBLICITY EVENTS Matt Dillon - Grooming - WAYWARD PINES - London Press Junket Jeremy Priven - Grooming - BAFTA Awards - London Christian Bale - Grooming - AMERICAN HUSTLE - BAFTA Awards - London Naveen Andrews - Grooming - DIANA - London Press Junket Bruce Willis and Helen Mirren - Grooming - RED 2 - London Press Conference Ben Affleck - Grooming - ARGO - Sebastián Film Festival Press Junket Matthew Morrison - Grooming - WHAT TO EXPECT WHEN YOU’RE EXPECTING - London Press Junket Clark Gregg - Grooming - THE AVENGERS - London Press Junket Max Iron - Grooming - RED RIDING HOOD - London Press Junket and Premiere Mia Wasikowska - Hair - RESTLESS - Cannes Film Festival, Press Junket and Premiere Elle Fanning - Make-Up - SUPER 8 - London Press Junket Jamie Chung - Hair & Make-Up - SUCKERPUNCH - London Press Junket and Premiere Steve Carell - Grooming - DESPICABLE ME - London Press Junket and Premiere Mark Strong and Matthew Macfayden - Grooming - Cannes Film Festival, Press Junket and Premiere Michael C. Hall - Grooming - DEXTER - London Press Junket Jonah Hill - Grooming - GET HIM TO THE GREEK - London Press Junket and Premiere Laura Linney - Hair and Make-Up - THE BIG C - London Press Junket Ben Affleck - Grooming - THE TOWN - London and Dublin Press and Premiere Tour Andrew Lincoln - Grooming - THE WALKING DEAD - London Press Junket Rhys Ifans - Grooming - NANNY MCPHEE: THE BIG BANG (RETURNS) - London Press Junket and Premiere Bruce Willis - Grooming - RED - London -
The Corner Shop PR Current Projects 2017
The Corner Shop PR Current Projects 2017 Contents The Book of Mormon ................................................................................................................. 3 Disney’s The Lion King .............................................................................................................. 3 Matilda The Musical .................................................................................................................. 4 Aladdin ....................................................................................................................................... 5 Dreamgirls ................................................................................................................................. 7 An American in Paris ................................................................................................................. 8 The Ferryman .......................................................................................................................... 10 Hull UK City of Culture 2017 ................................................................................................... 10 The Birthday Party ................................................................................................................... 13 Long Day’s Journey Into Night ................................................................................................ 14 Venus in Fur ............................................................................................................................ -
A Royal Succession at the KING and I (88.3
FOR IMMEDIATE RELEASE, PLEASE LONG LIVE THE KINGS! LINCOLN CENTER THEATER ANNOUNCES THE ROYAL SUCCESSION SET TO REIGN IN ITS TONY AWARD-WINNING PRODUCTION OF RODGERS & HAMMERSTEIN’S “THE KING AND I” DIRECTED BY BARTLETT SHER TONY AWARD NOMINEE KEN WATANABE RETURNS TO STAR OPPOSITE TONY AWARD-WINNER KELLI O’HARA FOR SEVEN WEEKS ONLY TUESDAY, MARCH 1 THROUGH SUNDAY, APRIL 17 * * * * * * * * JOSE LLANA TO RETURN AS THE KING OF SIAM FOR TWO WEEKS ONLY TUESDAY, APRIL 19 THROUGH SUNDAY, MAY 1 * * * * * * * * * DANIEL DAE KIM TO MAKE HIS BROADWAY DEBUT AS THE KING OF SIAM FOR A STRICTLY LIMITED 8-WEEK ENGAGEMENT TUESDAY, MAY 3 TO SUNDAY, JUNE 26 AT THE VIVIAN BEAUMONT THEATER Lincoln Center Theater (under the direction of André Bishop, Producing Artistic Director) has announced the casting of a succession of Kings to star this spring in its Tony Award-winning production of Rodgers & Hammerstein’s THE KING AND I, directed by Bartlett Sher, at the Vivian Beaumont Theater (150 West 65 Street). Hoon Lee, who is currently starring as the King of Siam, will play his final performance in the role on Sunday, February 28. For seven weeks only, from Tuesday, March 1, through Sunday, April 17, Tony Award nominee Ken Watanabe, who created the role of the King of Siam in the LCT production, will return to once again star opposite Tony Award-winner Kelli O’Hara as Anna Leonowens. On Tuesday, May 3, Daniel Dae Kim, the popular star of the long-running television series “Lost” and “Hawaii Five-0,” will make his Broadway debut when he assumes the role of the King of Siam for a strictly limited eight-week engagement through Sunday, June 26. -
Autographs & Memorabilia (24 Mar 2021 C) Lot 1437
Autographs & Memorabilia (24 Mar 2021 C) Wed, 24th Mar 2021 Lot 1437 Estimate: £150 - £200 + Fees Autograph Collection.- Theatre Interest Autographs Collection.- Theatre Interest A selection of theatre programmes signed by various cast members, comprising: Joe Absolom, Natalie Casey, Jill Halfpenny, Susannah Harker and Andy Nyman (Abigail's Party, 3 March 2012); Elizabeth Barrington, Rosie Cavaliero, Wendy Nottingham, Steffan Rhodri and Jeremy Swift (Abigail's Party, 18 March 2003); John Hurt and Penelope Wilton (Aftreplay, 22 September 2002); Judi Dench (All's Well that Ends Well, 23 March 2004); Malcolm Adams, Dessie Gallagher, Garrett Lombard, Gerry McCann, Niamh McGrath and Paul Ryan Meade (Alone It Stands, 5 February 2002); Tim Rogers, Poppy Tierney, Shona Lindsay and James Graeme (Aspects of Love, 22 May 2008); David Essex, Shona Lindsay, Poppy Tierney and Matt Rawle (Aspects of Love, 24 November 2007); Don Black, Charles Hart, Katherine Kinglsey, Martyn Ellis, Michael Arden, Rosalie Craig, Dave Willetts, Chris Andrew Mellon, Ian McLarnon, Rebecca Brewer and Trevor Nunn (Aspects of Love, 10-12 September 2010); Kate Fleetwood, Jamie Parker, Annabel Scholey, Rupert Young and Richard Grieve (High Society, 22 August 2015); James Drefus, Anna Maxwell Martin, Sheila Hancock, Michael Hayden and Geoffrey Hutchings (Cabaret, 1 December 2006); Michael Sheen (Caligula, 10 June 2003); James McArdle, Nickolas Grace, Simon Williams, Nicholas Woodeson, Tam Williams and Jack Lowden (Chariots of Fire, 18 July 2012); Hadley Fraser, Samantha Barks, -
Benedict Cumberbatch's Hamlet Returns to Cinemas
BENEDICT CUMBERBATCH’S HAMLET RETURNS TO CINEMAS THIS OCTOBER ‘Benedict Cumberbatch is a blazing five-star Hamlet.’ Dominic Cavendish, Daily Telegraph ‘This is a Hamlet for a world on the edge: a warning from history, and a plea for new ideas from a new generation.’ Matt Trueman, Variety ‘One of the most visually and atmospherically stunning productions I’ve ever seen, of anything, ever.’ Andrzej Lukowski, Time Out This production of Hamlet is currently the fastest-selling show in London theatre history and the most-watched National Theatre Live broadcast National Theatre Live currently screens to over 2500 cinemas in 60 countries For images click here (go to the NT Live folder - password is pressdownload) For the trailer, click here Benedict Cumberbatch plays the title role in Shakespeare’s Hamlet, which returns to cinemas around the UK on Thursday 5th October as part of National Theatre Live. Originally staged at the Barbican Theatre in August 2015 and broadcast to cinemas in October of that year, this critically-acclaimed production became the fastest selling show in London theatre history for its twelve week sold out run in London. It is currently the most-viewed National Theatre Live broadcast to date with a global audience of nearly 800,000 people. As a country arms itself for war, a family tears itself apart. Forced to avenge his father’s death but paralysed by the task ahead, Hamlet rages against the impossibility of his predicament, threatening both his sanity and the security of the state. Directed by Olivier award-winner Lyndsey Turner (Chimerica, Posh) and produced by Sonia Friedman Productions, the cast also includes Leo Bill (The White Queen, Taboo), Siân Brooke (Sherlock), Anastasia Hille (The Fear, The Missing), Ciarán Hinds (Game of Thrones, Tinker Tailor Soldier Spy), Kobna Holdbrook-Smith (Doctor Strange) and Jim Norton (Father Ted, Straw Dogs). -
AVENUE of the ARTS HUNTINGTON AVENUE THEATRE in the Late 1970S, Truman Capote and Andy Warhol Decided That They Were Destined to Create a Broadway Play Together
LEGENDARY ACCLAIMED MUSICAL MERRILY WEMUSIC & LYRICS BY BOOK BY STEPHEN GEORGE SONDHEIM FURTH DIRECTED BY ROLL ALONG MARIA FRIEDMAN SEPT.8-OCT.15 AVENUE OF THE ARTS HUNTINGTON AVENUE THEATRE In the late 1970s, Truman Capote and Andy Warhol decided that they were destined to create a Broadway play together. Over the course of the next several months, they would sit down to record a series of intimate, wide-ranging conversations. The play never came to be, and the hours and hours of tape were lost to the ages. Until now. n on inventio A non-ficti from the Words of Truman Capote and Andy Warhol Adapted by Rob roth directed by michael mayers NOW PLAYING Tickets from $25 AmericanRepertoryTheater.org CONTENTS SEPTEMBER–OCTOBER2017 5 THE PROGRAM 12 MERRILY WE ROLL ALONG IN CONTEXT 15 SONDHEIM ON SONGS PLUS: 16 About the Company 12 36 Patron Services 37 Emergency Exits 40 Guide to Local Theatre 43 Boston Dining Guide 46 Dining Out: Top of the Hub 15 theatrebill STAFF Publishing services are provided by Theatrebill, a pub- lication of New Venture Media Group LLC, publisher of President/Publisher: Tim Montgomery Panorama: The Official Guide to Boston, 560 Harrison Ave., Suite 412, Boston, MA 02118, 857-366-8131. Art Director: Scott Roberto Assistant Art Director: Laura Jarvis Editorial Assistant: Olivia J. Kiers WARNING: The photographing or sound recording of any performance or the possession of any device Vice President Publishing: Rita A. Fucillo for such photographing or sound recording inside Vice President Advertising: Jacolyn Ann Firestone this theatre, without the written permission of the Senior Account Executive: Andrea Renaud management, is prohibited by law. -
Curriculum Vitae
Ginny Schiller CDG 9 Clapton Terrace London E5 9BW Casting Director Tel: 020 8806 5383 Mob: 07970 517667 [email protected] curriculum vitae I am an experienced casting director with nearly 20 years in the industry. My casting career began at the Royal Shakespeare Company in 1997 and I went freelance in 2001. I have collaborated on hundreds of productions with dozens of directors, producers and venues, and although my main focus has always been theatre, I have also cast for television, film, radio and commercials. I have been an in-house casting director for Chichester Festival Theatre, Rose Theatre Kingston, English Touring Theatre and Soho Theatre and returned to the RSC in 2005/6 to lead the casting for the Complete Works Season. I currently work closely with Danny Moar on many of the shows for Theatre Royal Bath Productions and with Laurence Boswell at the Ustinov Studio Theatre. I have cast for independent commercial producers as well as the subsidised sector, for the touring circuit, regional, fringe and West End venues, including the Almeida, Arcola, ATG, Birmingham Rep, Bolton Octagon, Bristol Old Vic, City of London Sinfonia, Clwyd Theatr Cyrmu, Frantic Assembly, Greenwich Theatre, Hampstead Theatre, Headlong, Liverpool Everyman and Playhouse, Lyric Theatre Belfast, Marlowe Studio Canterbury, Menier Chocolate Factory, New Wolsey Ipswich, Norfolk & Norwich Festival, Northampton Royal & Derngate, Oxford Playhouse, Plymouth Theatre Royal and Drum, Regent's Park Open Air Theatre, Shared Experience, Sheffield Crucible, Sonia Friedman Productions, Theatre Royal Haymarket, Touring Consortium, Young Vic, West Yorkshire Playhouse, Yvonne Arnaud and Wilton’s Music Hall. I am currently on the committee of the Casting Directors’ Guild, and actively involved in discussions with Equity regarding the casting process and diversity issues across the media. -
Download A4 Printable Version
Welcome to Piaf In 1980, Nottingham Playhouse was one of the first theatres to produce Pam Gems’ sensational play and an emerging new talent starred in the titular role – a young Imelda Staunton. Now, 40 years on, we are thrilled to bring Piaf back to our stage, in partnership with Leeds Playhouse. This emotionally-charged play explores the challenging and fascinating life and relationships of the enigmatic Edith Piaf with one of the West End’s leading performers, Jenna Russell, bringing this iconic character to life. Supported by a first-rate company, including some familiar Playhouse faces, our cast and creative team will truly transport you to the streets of Paris this summer. Whether you are joining us at the theatre, or watching our livestream from home, we are so pleased to finally welcome you back for this long-awaited production. It has been a difficult year, but the support of our audiences and friends has been overwhelming. We hope you enjoy the show as much as we have creating it. Stephanie Sirr Adam Penford Chief Executive Artistic Director Fri 29 Oct – Sat 20 Nov 2021 Mark Gatiss (The Madness of George III) stars in his own retelling of Dickens’ classic winter ghost story. It’s Christmas Eve. As the cold, bleak night draws in, the avaricious Ebenezer Scrooge is confronted by the spirit of his former business partner Jacob Marley. Bound in chains as punishment for a lifetime of greed, the unearthly figure explains it isn’t too late for Scrooge to change his miserly ways in order to escape the same fate, but first he’ll have to face three more eerie encounters… Staying true to the heart and spirit of the original novel, this production is filled with Dickensian, spine-tingling special effects; are you brave enough to join us? AN interview with jenna RUSSELL What was your introduction to theatre and when did you know you wanted to be an actor? My earliest memory of going to the theatre was when Mum took me to see Robert Lindsey in Hamlet. -
Stephen Sondheim, Spoke to Piers Ford About the Mysterious Art of Songwriting
Broadway's most cerebral composer, Stephen Sondheim, spoke to Piers Ford about the mysterious art of songwriting o composer in modern musical the- the extraordinary force of love (Passion, 1994). Bernadette Peters for a 1996 concert at atre has divided the opinions of his But to use them as grounds for divorcing Carnegie Hall, subsequently released on audience and critics as forcefully as Sondheim from mainstream popular culture is Compact Disc as Sondheim, etc. Stephen Sondheim. Ever since his superficial indeed. While he writes songs, he insists, specifi- lyrics for West Side Story brought Works like Pacific Overtures, Passion and cally for a character at a particular moment N— to prominence in 1957, Sondheim has suf- even Sweeney Todd, his thrilling 1979 within the play, it is the way in which he brings r'?d a tedious litany of complaints: he is too revenger's tragedy based on the bloody life universal themes and experiences to bear on -.. ?r by half, a cerebral producer of material and times of Fleet Street's legendary demon that character that make a Sondheim song a •- =n art form which should be frivolous and barber, may well be more operatic in style wholly accessible piece of work. Like the per- "-hearted, an inaccessible writer who and structure than the average modern stage former, the listener has simply to peel back :^~ands too much brain work from an audi- musical. But the implication that they are the layers until he or she finds common ~-:e which seeks simply to be entertained. somehow tuneless and lacking those 'hits ground with the character. -
Download View Online
Welcome to Piaf AN interview with jenna RUSSELL In 1980, Nottingham Playhouse was one of the first theatres to produce Pam Gems’ What was your introduction to theatre and when did you sensational play and an emerging new talent starred in the titular role – a young Imelda know you wanted to be an actor? Staunton. Now, 40 years on, we are thrilled to bring Piaf back to our stage, in partnership My earliest memory of going to the theatre was when Mum with Leeds Playhouse. took me to see Robert Lindsey in Hamlet. I was nervous about seeing Shakespeare and I remember being blown This emotionally-charged play explores the challenging and fascinating life and away by it, and chuffed that I understood what was going relationships of the enigmatic Edith Piaf with one of the West End’s leading performers, on - of course that was nothing to do with me, and all to do Jenna Russell, bringing this iconic character to life. Supported by a first-rate company, with the actor’s ability to bring it so brilliantly off the page. I including some familiar Playhouse faces, our cast and creative team will truly transport ended up going to Sylvia Young Theatre School when I was you to the streets of Paris this summer. 14. It was a circuitous route because I wasn’t hoping to end up being an actor myself, I just wasn’t happy in a big school Whether you are joining us at the theatre, or watching our livestream from home, we are environment and it was recommended by my step-father’s so pleased to finally welcome you back for this long-awaited production. -
Applause Magazine (Subscriptions), Address
March 1997 ~ -,.~.......... Issue 6 £2.50 Lady in the Dark comes into the light David Nathan talks to I New face I II '" 0] 9 771]64 76]009 I Editor's Letter ime was when new Irish plays, regardless of their quality, rarely performed well at theatre box ulfices in England. Great reviews did not necessarily guarantee great audiences and mounting a new Irish play was something of a high-risk venture. But not anymore. The air is alive with the .J of quolity Blarney as an impressive crop of Iris h dramatists, following in the colourful tradition of " &'ucicault, JB Keane, Oscar Finga l O'Flahertie Wills Wilde, Sean O 'Casey, J M Synge and Samuel =-=_',;<,[( have become de rigueur. The problems of an oppressed, rebellious country, divided both religiously and politically, have for _=: ~J _: been angril y, and poetically expressed by dramatists whose passionate fl air for words is apparent u, -h contemporary Irish pl aywrights as Billy Roche, Tom Murphy, Marina Carr, Frank McGuinness, : ["":b tian Barry, Brian Friel and, the new boy on the block, Martin McDonagh, whose Th e Beauty Q ueen . Lu·"" ne and The CripJlie of Inishmaan have been hits at the Royal Court and the Royal National :-he:Mre respectively. Later in the year the Royal C ourt will be mounting the prolific McDonagh's Connemara trilogy (of ...h lC h Leenane was the first), to be staged in conjunction with the Druid Theatre of Galway; while the " ~ !ll> nal are following lnishmaan with parrs twO and three of their own McDonagh trilogy.