Camel Cloak and Dagger Man Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Camel Cloak and Dagger Man Mp3, Flac, Wma Camel Cloak And Dagger Man mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Cloak And Dagger Man Country: Netherlands Released: 1984 Style: Prog Rock MP3 version RAR size: 1641 mb FLAC version RAR size: 1774 mb WMA version RAR size: 1114 mb Rating: 4.1 Votes: 438 Other Formats: FLAC MP1 ADX RA MIDI AAC AHX Tracklist Hide Credits Cloak And Dagger Man A Mixed By – Greg LadanyiWritten-By – Hoover* Pressure Points B Mixed By – Andy Latimer* Companies, etc. Phonographic Copyright (p) – The Decca Record Company Limited Published By – Zomba Music Publishers Ltd. Copyright (c) – The Decca Record Company Limited Published By – Copyright Control Lacquer Cut At – PRS Baarn Credits Producer – Andy Latimer* Written-By – Latimer* Notes ℗ 1984 Made In Holland Barcode and Other Identifiers Matrix / Runout (Runout (Stamped) Side A): 820 062 7 1W1 670 06 Matrix / Runout (Runout (Stamped) Side A): 820 062 7 2W1 670 06 Rights Society: STEMRA Other versions Category Artist Title (Format) Label Category Country Year Cloak And Dagger Man 821 503-7 ME Camel Metronome 821 503-7 ME Germany 1984 (7", Single) CAMEL 1, 820 Cloak And Dagger Man CAMEL 1, 820 Camel Decca, Decca UK 1984 062-7 (7", Single) 062-7 Cloak And Dagger Man S07P 1048 Camel London Records S07P 1048 Japan 1984 (7", Single) Hombre De Capa Y Espada = Cloak And 00 00057-A Camel Philips 00 00057-A Argentina 1984 Dagger Man (7", Single, Promo) Cloak And Dagger Man 821 503-1 Camel Polydor 821 503-1 Spain 1984 (12", Maxi) Related Music albums to Cloak And Dagger Man by Camel 1. Camel - Never Let Go 2. Camel - Rajaz / Stationary Traveller 3. Brian May - Cloak & Dagger 4. Des McMahon - Haunted Behavior / Cloak And Dagger 5. Camel - Stationary Traveller 6. Camel - Breathless 7. Grackle - Cloak & Dagger 8. Camel - Moonmadness 9. Cloak/Dagger - Don't Need A 10. Camel - The Single Factor.
Recommended publications
  • Bibliografia Canterbury Ridotta
    Presentazione La scena di Canterbury fu un movimento musicale che si sviluppò tra la fine degli anni Sessanta e la meta dei Settanta nell’omonima cittadina del Kent. Anche se furono molti i gruppi che la composero – alcuni dei quali ancora oggi leggendari come i Soft Machine, i Caravan o i Matching Mole - il numero dei musicisti coinvolti fu sempre molto ridotto, favorendo così un rapporto osmotico tra le varie band anche nelle scelte musicali intraprese. Ciò che caratterizzò la Scena fu infatti una comune idea di arte che possiamo definire – citando Marcus O’Dair, autore della recente biografia di Wyatt – come “un certo stile rock psichedelico venato di jazz, pastorale, very english… con tempi complessi, una preferenza di tastiere rispetto alle chitarre e un modo di cantare convintamente radicato nell’East Kent, là dove i cantanti dell’epoca posavano tutti da Delta bluesman”. Nata con l’album Soft Machine (1968) e conclusa da Rock Bottom (1974) – nonostante i successivi epigoni - la Scena di Canterbury fu sicuramente il momento più alto di tutto il genere Progressive e uno dei movimenti musicali più innovativi (e altrettanto ostici) di tutto il rock. Riascoltato oggi può apparire troppo contorto e scarsamente fruibile, persino nelle sue espressioni più “pop” quali i dischi di Kevin Ayers o dei Caravan, ma in realtà è ancora un’esperienza unica ed entusiasmante per tutti gli ascoltatori disposti a superare le barriere e i tabù che troppo spesso caratterizzano il mondo della musica popolare. Aprile - Maggio 2015 Discografia: Guida all’ascolto Soft machine - Soft machine (1968) Una premessa importante: la Scena di Canterbury fu per sei Soft machine – Two (1969) entusiasmanti anni il fulcro della musica d’avanguardia inglese, Soft machine – Third (1970) proponendo opere spesso di non semplice fruizione che richiedono più Soft machine – Fourth (1971) di un ascolto per essere godute pienamente.
    [Show full text]
  • Westminsterresearch
    WestminsterResearch http://www.westminster.ac.uk/westminsterresearch Sudanese literature in English translation: an analytical study of the translation with a historical introduction to the literature. Thorraya Soghayroon School of Social Sciences, Humanities and Languages This is an electronic version of a PhD thesis awarded by the University of Westminster. © The Author, 2010. This is an exact reproduction of the paper copy held by the University of Westminster library. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Users are permitted to download and/or print one copy for non-commercial private study or research. Further distribution and any use of material from within this archive for profit-making enterprises or for commercial gain is strictly forbidden. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: (http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] Sudanese Literature in English Translation: An Analytical Study of the Translation with a Historical Introduction to the Literature Thorraya Soghayroon A Thesis Submitted in Partial Fulfilment of the Requirements of the University of Westminster for the Degree of Doctor of Philosophy July 2010 Abstract This thesis sets out to record, analyze, and assess modern Sudanese literature within its historical, cultural, and political context. It highlights the diversity and distinctiveness of that literature, the wide range of its themes, and the resilience and complex background of its major practitioners.
    [Show full text]
  • Omega Auctions Ltd Catalogue 28 Apr 2020
    Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available.
    [Show full text]
  • Al Di Meola Casino Mp3, Flac, Wma
    Al Di Meola Casino mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Casino Country: US Style: Fusion, Jazz-Rock, Latin Jazz MP3 version RAR size: 1978 mb FLAC version RAR size: 1180 mb WMA version RAR size: 1911 mb Rating: 4.9 Votes: 150 Other Formats: MP4 DTS MIDI DXD APE VOX AU Tracklist Hide Credits Egyptian Danza Bass Guitar – Anthony JacksonDrums – Steve GaddElectric Guitar – Al Di A1 5:58 MeolaElectric Piano, Synthesizer [Mini Moog], Organ [Yamaha], Piano [Acoustic] – Barry Miles Chasin' The Voodoo Bass Guitar – Anthony JacksonCongas – Mingo LewisDrums – Steve A2 5:02 GaddElectric Guitar – Al Di MeolaElectric Piano, Synthesizer [Mini Moog], Piano [Acoustic], Organ, Marimba – Barry Miles Dark Eye Tango Bass Guitar – Anthony JacksonCongas, Bongos – Mingo LewisDrums – Steve A3 5:25 GaddElectric Guitar – Al Di MeolaElectric Piano, Organ [Yamaha] – Barry Miles Señor Mouse Bass Guitar – Anthony JacksonCongas, Bongos – Mingo LewisDrums – Steve B1 7:19 GaddElectric Guitar – Al Di MeolaElectric Piano, Organ [Yamaha], Piano [Acoustic], Synthesizer [Mini Moog] – Barry Miles Fantasia Suite For Two Guitars Acoustic Guitar, Mandolin, (5:13) Castanets, Handclaps, Congas, Bongos – Al Di Meola B2A Viva La Danzarina B2B Guitars Of The Exotic Isle B2C Rhapsody Italia B2D Bravoto Fantasia Casino Bass Guitar – Anthony JacksonCongas, Bongos, Percussion – Mingo B3 LewisDrums – Steve GaddElectric Guitar, Percussion – Al Di MeolaElectric 9:33 Piano, Piano [Acoustic], Marimba, Organ [Yamaha] – Barry MilesTimbales, Percussion [Roto Toms] – Eddie Colon Companies, etc. Phonographic Copyright (p) – CBS Inc. Copyright (c) – CBS Inc. Recorded At – Electric Lady Studios Credits Engineer – Dave Palmer Engineer [Assistant] – Jim Galante Mastered By – Robert Ludwig* Producer, Arranged By – Al Di Meola Written-By – Al Di Meola (tracks: A1, A3, B2, B3), Chick Corea (tracks: B1), Mingo Lewis (tracks: A2) Notes Recorded at Electric Lady Studios, New York.
    [Show full text]
  • Ciao,Venezia Benefician Con Su Aportación Los Temas “Hymn for Her” Y La Melancólica “Drafted”
    10279182 02/22/2004 11:45 p.m. Page 1 6B |EL SIGLO DE DURANGO | LUNES 23 DE FEBRERO DE 2004 GIOCONDA BELLI ¿Será mi rol de paridora de palabras hacer que la computadora huela a canela y transmita lirios, y que batan a rebato los cursores como pequeños LUNES DE CULTURA ecos del corazón? EUTERPE Y SUS AMANTES Homenaje a la palabra POR Angélica Martínez Mena y habló con el guardián del edifi- gió de Cortázar su forma de es- nuestro alrededor estudiantes de Ilustración: Abiu Santaella cio. Inaudible. “Pásenle, nomás cribir sin descanso, recordó cómo varias partes de México molestos MARCO ANTONIO Hernández | que ellos llegaron primero” otro el mejor escritor puede ser tam- se quejaban del acceso limitado al ALVARADO EL SIGLO DE DURANGO grupo dirigió sus pasos a la entra- bién el mejor amigo. Paraninfo, hubo que conformarse da antes que nosotros. Este homenaje nos brindó con la pantalla. Pero lo valió, saber Casi mediodía, siete individuos de De nuevo a esperar, éramos el también a José Saramago, quien un poco más del autor de “Rayue- todas las formas, tamaños y colo- segundo grupo de la fila, el buen sin haberlo conocido en persona, la”, el niño grande, el pequeño COMING OF AGE: CAMEL res, algunos sin dormir, llegamos Marín se fue por los refrescos y nos habla de la obra trascendental monstruo literario que nos dejó la Ha llegado a mis manos el nuevo DVD de al Paraninfo Enrique Díaz de Le- nosotros, sin perder el estilo, nos del escritor argentino. Resaltó la liberación, el experimento de la li- CAMEL en concierto, llamado apropiadamente ón, de la U de G.
    [Show full text]
  • Download (1MB)
    University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts.
    [Show full text]
  • Forma Y Fondo En El Rock Progresivo
    Forma y fondo en el rock progresivo Trabajo de fin de grado Alumno: Antonio Guerrero Ortiz Tutor: Juan Carlos Fernández Serrato Grado en Periodismo Facultad de Comunicación Universidad de Sevilla CULTURAS POP Índice Resumen 3 Palabras clave 3 1. Introducción. Justificación del trabajo. Importancia del objeto de investigación 4 1.1. Introducción 4 1.2. Justificación del trabajo 6 1.3. Importancia del objeto de investigación 8 2. Objetivos, enfoque metodológico e hipótesis de partida del trabajo 11 2.1. Objetivos generales y específicos 11 2.1.1. Objetivos generales 11 2.1.2. Objetivos específicos 11 2.2. Enfoque metodológico 11 2.3. Hipótesis de partida 11 3. El rock progresivo como tendencia estética dentro de la música rock 13 3.1. La música rock como denostado fenómeno de masas 13 3.2. Hacia una nueva calidad estética 16 3.3. Los orígenes del rock progresivo 19 3.4. La difícil definición (intensiva) del rock progresivo 25 3.5. Hacia una definición extensiva: las principales bandas de rock progresivo 27 3.6. Las principales escenas del rock progresivo 30 3.7. Evoluciones ulteriores 32 3.8. El rock progresivo hoy en día 37 3.9. Algunos nombres propios 38 3.10. Discusión y análisis final 40 4. Conclusiones 42 5. Bibliografía 44 5.1. De carácter teórico-metodológico (fuentes secundarias) 44 5.2. General: textos sobre pop y rock 45 5.3. Específica: rock progresivo 47 ANEXO I. Relación de documentos audiovisuales de interés 50 ANEXO II. PROGROCKSAMPLER 105 2 Resumen Este trabajo, que constituye un ejercicio de periodismo cultural, en el que se han puesto en práctica conocimientos diversos adquiridos en distintas asignaturas del Grado de Periodismo, trata de definir el concepto de rock progresivo desde dos perspectivas complementarias: una interna y otra externa.
    [Show full text]
  • Camel Nude Mp3, Flac, Wma
    Camel Nude mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Nude Country: Japan Released: 1981 Style: Prog Rock MP3 version RAR size: 1345 mb FLAC version RAR size: 1797 mb WMA version RAR size: 1669 mb Rating: 4.2 Votes: 591 Other Formats: VOC TTA XM MP2 AC3 MP3 WMA Tracklist Hide Credits 1 City Life 4:41 2 Nude 0:22 3 Drafted 4:20 Docks 4 3:50 Written-By – Watkins* 5 Beached 3:34 6 Landscapes 2:39 Changing Places 7 4:11 Percussion [All] – Gasper Lawal* 8 Pomp & Circumstance 2:05 Please Come Home 9 1:12 Lyrics By – Andrew Latimer 10 Reflections 2:39 Captured 11 3:12 Written-By – Schelhaas* 12 The Homecoming 2:49 13 Lies 4:59 The Last Farewell Piano – Jan Schelhaas 14 The Birthday Cake 0:30 15 Nude's Return 3:42 Companies, etc. Record Company – The Decca Record Company Limited Produced For – Gama Records Ltd. Phonographic Copyright (p) – The Decca Record Company Limited Phonographic Copyright (p) – Gama Records Ltd. Copyright (c) – The Decca Record Company Limited Made By – PMDC, UK Recorded At – Abbey Road Studios Credits Bass, Vocals – Colin Bass Cello – Chris Green Concept By [Concept Devised & Written By] – Susan Hoover Concept By [Editing & Empathy By] – Cynthia Hole Cover – Mayblin/Shaw/Munday Drums, Percussion – Andy Ward Engineer – Tony Clark Engineer [Assistant Engineer] – Haydn Bendall Engineer [Assisted By] – Daniel Dawson*, Tony Richards Flute, Piccolo Flute [Piccolo], Saxophone [Saxophones] – Mel Collins Guitar [Guitars], Vocals, Flute, Koto, Keyboards [Various] – Andrew Latimer Keyboards – Duncan Mackay Lyrics By – Susan Hoover (tracks: 1 to 8, 10 to 15) Management – Max Hole, Mole Management Ltd.
    [Show full text]
  • Min Favorittmusikk Skrevet Av Tore Bloch, Kristiansund N
    Min favorittmusikk Skrevet av Tore Bloch, Kristiansund N. Hjemmeside: www.tore-bloch.priv.no . Oppdatert på fredag den 17 september 2021. Nedenfor har jeg listet opp noen artister og sanger som jeg har lagt merke til. Jeg har laget en slik liste tidligere også, men slettet den ved et uhell. Jeg har flere ganger blitt sjokkert av å høre på en del sanger, fordi tekstene i sangene ofte har forandret på seg. NB! Husk at de fleste av sangene er fra 70 og 80 tallet, men det er også noe som er ganske nytt. Jeg synes at mange gamle sanger er fine å høre på, selv om jeg ikke alltid klarer å oppfatte tekstene i sangene. NB! Listen med sangene er nok langt i fra sortert i nøyaktig rekkefølge med henblikk på utgivelsesårene. Artist: Roger Whittaker. Album: ”The golden age”. Fine sanger: ”Moonshine”, ”Candy cloud”, ”Starts below”, ”Emily”, ”River lady”, ”A special kind of man”, ”Both sides now”, ”Good morning starshine”, ”Why”, ”New world in the morning”, ”My land is Kenya”, ”The lion sleeps tonight”, ”Hello good morning happy day”, ”Paradise”, ”Lullaby for my love”, ”Flap flap”, ”Mistral”, ”Indian lady”, ”Storm”, ”Finnish Whistler”, ”Festival”, ”Halfway Up the Mountain”, ”Ride a country road”, ”Disillusioned Fool”, ”A taste of honey”, ”Swaggy”, ”Mistral”, ”The Book”, ”Greensleeves”, ”She wrote a little song”, ”Let me be your sun”, ”Cactus”, ”Going home”, ”Take a little - Give a little”, ”Dover to Calais”, ”My silver eagle”, ”From The People To The People”, ”Kumbayah”, ”Ding Dong Merrily On High”, ”Mary's Boy Child”, og flere sanger. Artist: Elton John.
    [Show full text]
  • Catalogo ARTISTA TITULO for ANO OBS STOCK PVP
    Catalogo ARTISTA TITULO FOR ANO OBS STOCK PVP 1927 ISH +2 CD 1989 20 th Anniversary Edition X 27,00 1927 THE OTHER SIDE CD 1990 AOR X 22,95 21 GUNS KNEE DEEP CDS 1992 Melodic Rock X 5,00 220 VOLT 220 VOLT CD Japanese Edition X 25,00 220 VOLT EYE TO EYE -Japan Edt.- CD 1988 Japan reissue remastered +2 tracks X 20,99 24 K PURE CD 2000 X 7,50 30 SECONDS TO MARS 30 SECONDS TO MARS CD X 17,95 38 SPECIAL FLASHBACK CD 1987 Best of 16,95 38 SPECIAL ICON CD 2011 Best of X 10,95 38 SPECIAL ROCK & ROLL STRATEGY CD 20,95 38 SPECIAL STRENGTH IN NUMBERS CD 1986 X 11,99 38 SPECIAL TOUR DE FORCE CD 1983 X 10,95 38 SPECIAL WILD-EYED SOUTHERN BOYS CD 1978 10,95 38 SPECIAL WILD-EYED SOUTHERN../SPECIAL FORCES CD 1978 1980 & 1982 2013 reissue 2 Albums 1 CD X 12,99 AB/CD CUT THE CRAO CD 12,95 AB/CD THE ROCK 'N''ROLL DEVIL CD 12,95 ABC THE CLASSIC MASTERS COLLECTION CD Best of X 12,95 AC/DC BACK IN BLACK CD 1980 2003 remastered X 14,95 AC/DC BACK IN BLACK -LTD 180G- CD 1980 2009 LTD 180G X 22,95 AC/DC BALLBREAKER CD 12,95 AC/DC BLACK ICE CD 2008 Remasters digipack X 17,95 AC/DC BONFIRE 5CD X 27,95 AC/DC DIRTY DEEDS DONE DIRT CHEAP 4DVD X 25,00 AC/DC DIRTY DEEDS DONE DIRT CHEAP CD 1976 Remasters digipack 9,95 AC/DC FLICK OF THE SWITCH CD 12,95 AC/DC FLY ON THE WALL CD 12,95 AC/DC HELL AIN'T A BAD PLACE TO BE BOOK X 8,95 AC/DC HIGHWAY TO HELL CD 12,95 ARTISTA TITULO FOR ANO OBS STOCK PVP AC/DC HIGHWAY TO HELL -180G- LP 1979 2009 ltd 180G X 22,95 AC/DC IF YOU WANT BLOOD YOU'VE GOT IT CD 12,95 AC/DC IN CONCERT BLRY 2012 98 min X 12,95 AC/DC IT''S A LONG WAY TO THE TOP DVD X 7,50 AC/DC LET THERE BE ROCK DVD X 10,95 AC/DC LIVE 92 2LP 1992 Live X 25,95 AC/DC LIVE 92 2CD 1992 Live X 24,95 AC/DC NO BULL DVD X 12,95 AC/DC POWERAGE CD 10,95 AC/DC RAZOR'S EDGE CD 1990 Remasters digipack X 14,95 AC/DC STIFF UPPER LIP CD Remasters digipack 10,95 AC/DC T.N.T.
    [Show full text]
  • 1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 the Time Machine 2004
    #'s 1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 The Time Machine 2004 1349 Beyond the Apocalypse 2004 Norway Hellfire 2005 Active Liberation 2003 Revelations of the Black Flame 2009 36 Crazyfists A Snow Capped Romance 2004 Alaska Bitterness the Star 2002 Active Collisions and Castaways 27/07/2010 Rest Inside the Flames 2006 The Tide and It's Takers 2008 65DaysofStati The Destruction of Small 2007 c Ideals England The Fall of Man 2004 Active One Time for All Time 2008 We Were Exploding Anyway 04/2010 8-bit Operators The Music of Kraftwerk 2007 Collaborative Inactive Music Page 1 A A Forest of Stars The Corpse of Rebirth 2008 United Kingdom Opportunistic Thieves of Spring 2010 Active A Life Once Lost A Great Artist 2003 U.S.A Hunter 2005 Active Iron Gag 2007 Open Your Mouth For the Speechless...In Case of Those 2000 Appointed to Die A Perfect Circle eMOTIVe 2004 U.S.A Mer De Noms 2000 Active Thirteenth Step 2003 Abigail Williams In the Absence of Light 28/09/2010 U.S.A In the Shadow of A Thousand Suns 2008 Active Abigor Channeling the Quintessence of Satan 1999 Austria Fractal Possession 2007 Active Nachthymnen (From the Twilight Kingdom) 1995 Opus IV 1996 Satanized 2001 Supreme Immortal Art 1998 Time Is the Sulphur in the Veins of the Saint... Jan 2010 Verwüstung/Invoke the Dark Age 1994 Aborted The Archaic Abattoir 2005 Belgium Engineering the Dead 2001 Active Goremageddon 2003 The Purity of Perversion 1999 Slaughter & Apparatus: A Methodical Overture 2007 Strychnine.213 2008 Aborym
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]