DOCSLIB.ORG

TOP 1.000 Alben Der Rock & Pop Musik (1955 – 2017)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
TOP 1.000 Alben Der Rock & Pop Musik (1955 – 2017) - TOP 1.000 Alben der Rock & Pop Musik (1955 – 2017) - Mit der auf den nächsten Seiten folgenden Auflistung von Rock & Pop Alben möchte ich dem Musik-Maniac ca. 1.000 von der internationalen Kritik anerkannte Alben empfehlen, die zum Finden eigener Bewertungsmaßstäbe dienen können. Bei der Auswahl der Alben wurden mehrere Rock- Lexika, Chart-Listen, das Rolling Stone Magazine, das Tilch Rock Archive, und der Rat einiger meiner besten Freunde herangezogen, wobei natürlich mein persönlicher Musikgeschmack mit eingeflossen ist, was offensichtlich unvermeidlich ist. Da seit dem Beginn der Geschichte des Rock ‘n‘ Rolls bzw. der Pop- und Rockmusik (ca. 1955) mehr als 100.000 Alben veröffentlicht worden sind, kann eine Auswahl von etwa 1.000 Alben naturgemäß nur ein grober Querschnitt sein und nicht alle Stilrichtungen des Rock & Pops berücksichtigen, so dass einige Musikinteressierte ihre besonders favorisierte Stilrichtung nicht wieder finden werden. Die Alben sind alphabetisch nach dem Namen der Interpreten sortiert, wobei Artikel, wie z. B. „The“, weggelassen und Vornamen von Sängern bzw. Sängerinnen nachgestellt worden sind. Ist ein Interpret mit mehreren Alben vertreten, so sind dessen Alben chronologisch sortiert. Die hier getroffene Auswahl beginnt im Jahr 1955, da die Jahre bis zu diesem Zeitpunkt im Bereich der Konzeptalben kaum eine Rolle gespielt haben. Die damalige Langspielplatte (LP) wurde vor 1965 noch nicht als kreatives Medium begriffen und diente fast ausschließlich der Aneinanderreihung von Hitsingles und deren B-Seiten. Nichtsdestotrotz finden sich in dieser Auswahl auch einige „Greatest Hits“ bzw. „Best of“-Kompilationen, wenn diese durch die Art der Zusammenstellung als außergewöhnlich gelten können oder wenn der entsprechende Interpret ansonsten kein Meilensteinalbum als Veröffentlichung vorweisen kann. Das Jahresdatum der Veröffentlichung der Alben wurde vorwiegend dem Katalog des Musikversandhandels JPC (www.jpc.de) entnommen. Dort kann der Suchende die meisten Alben, die hier vorgestellt werden, finden. Im konventionellen Fachhandel sind leider viele der älteren Veröffentlichungen nicht mehr oder nur noch gelegentlich zu finden. Besonders danken möchte ich Wolfgang Busselt, Friedhelm Laag, Harald Rosiejak und Dr. Ralf Winter, die mich während vieler Diskussionen zur Rock & Pop Musik und dessen Geschichte in vielfältiger Weise inspiriert haben. Nun wünsche ich allen, die sich durch diese Auswahl zum Kauf einiger der CD-Alben haben anregen lassen, viel Spaß beim Hören! T.J. Autor: Thomas Jüstel -1- Stand 2017 Interpret Album Jahr Genre A Tribe Called Quest The Low End Theory 1991 Hip Hop/Jazz A-Ha Hunting High and Low 1985 Pop ABBA The Hits 1990 Pop ABC The Lexicon of Love 1982 Pop AC/DC High Voltage 1976 Hard Rock AC/DC Let There Be Rock 1977 Hard Rock AC/DC Highway to Hell 1979 Hard Rock AC/DC Back in Black 1980 Hard Rock AC/DC Black Ice 2008 Hard Rock Adams, Bryan Reckless 1984 Hard Rock Adams, Ryan Heartbreaker 2000 Alternative Country Adele 21 2001 Pop Aerosmith Toys in the Attic 1975 Hard Rock Aerosmith Rocks 1976 Hard Rock Aguilera, Christina Back to Basics 2006 Pop Allman Brothers Band Idlewild south 1970 Southern Rock/Blues Rock Allman Brothers Band At Fillmore East (Live) 1971 Southern Rock/Blues Rock Allman Brothers Band Eat a peach 1972 Southern Rock/Blues Rock Allman Brothers Band Brothers and sisters 1973 Southern Rock/Blues Rock America America 1972 Folk Rock Amos, Tori Little Earthquakes 1992 Pop Andersson, Rice, and Ulvaeus Chess 1984 Musical Animals House of the Rising Sun 1999 Pop Arcade Fire Funeral 2004 Independent Arctic Monkees What Ever People Say I am That's What I am Not 2006 Rock Ärzte Die Bestie in Menschengestalt 1993 Fun Punk Ärzte Best of 1998 Fun Punk B.B. King Live at the Regal 1964 Blues B.B. King Live in Cook County Jail 1971 Blues B.B. King Blues on the Bayou 1998 Blues B-52’s The B-52’s 1979 Independent Bachman Turner Overdrive Not Fragile 1974 Rock Bachman Turner Overdrive Greatest Hits 1981 Rock Baez, Joan J.B. in Friso 1969 Folk Rock Band Music from Big Pink 1968 Jazz Rock Band The Band 1969 Jazz Rock Band Rock of Ages 1972 Jazz Rock BAP Für usszeschnigge 1981 German Rock BAP Vun drinne noh drusse 1982 German Rock Barclay James Harvest Gone to Earth 1977 Art/Progressive Rock Barclay James Harvest Berlin – A Concert for the People 1982 Art/Progressive Rock Barclay James Harvest Victims of Circumstance 1984 Art/Progressive Rock Basie, Count The Atomic Mr. Basie 1957 Jazz Batt, Mike Tarot Suite 1979 Classic Pop Batt, Mike The Hunting of the Snark 1987 Classic Pop Beach Boys Surfer Girl 1963 Pop Beach Boys The Beach Boys Today 1965 Pop Beach Boys Pet Sounds 1966 Pop Beastie Boys Licensed to Ill 1986 Hardcore Beastie Boys Paul’s Boutique 1989 Hardcore Beatstakes Smacksmash 2004 Punk Rock Beatles Rubber Soul 1965 Pop Beatles Revolver 1966 Pop Beatles Sgt. Pepper’s Lonely Hearts Club 1967 Pop Beatles Magical Mystery Tour 1967 Pop Beatles White Album 1968 Pop Beatles Abbey Road 1969 Pop Beatles Let It Be 1970 Pop Beck Odelay 1996 Pop Beck Sea Change 2002 Pop Bee Gees Trafalgar 1971 Pop Bee Gees Saturday Night Fever 1977 Pop Benson, George Breezin’ 1976 Jazz Berry, Chuck The Great Twenty-Eight 1982 Rock 'n’ Roll Big Brother & the Holding Company Cheap Thrills 1968 Acid Rock Big Star #1 Record 1972 Pop Big Star Radio City 1974 Pop Autor: Thomas Jüstel -2- Stand 2017 Big Star Third Sister Lovers 1978 Pop Birth Control Live 1979 1979 Rock Björk Post 1995 Pop Björk Homogenic 1997 Pop Björk Dancer In The Dark 2000 Pop Björnstad, Darling The River 1997 Pop Black Flag Damaged 1981 Punk Black Sabbath Black Sabbath 1970 Heavy Metal Black Sabbath Paranoid 1970 Heavy Metal Black Sabbath Master of Reality 1971 Heavy Metal Black Sabbath Vol. 4 1972 Heavy Metal Black Sabbath Heaven and Hell 1980 Heavy Metal Bland, Bobby Two Steps from the Blues 1961 Blues Blige, Mary J. My Life 1994 R&B Blind Faith Blind Faith 1969 Rock Blondie Parallel Lines 1978 New Wave Blood, Sweat & Tears Child is Father to the Man 1968 Jazz Rock Blood, Sweat & Tears Blood, Sweat & Tears 1969 Jazz Rock Blue Öyster Cult Agents of Fortune 1976 Rock Blues Brothers Original Soundtrack 1980 Blues/Soul Blumfeld L'etat et moi 1994 German Rock Blur Parklife 1994 Britpop Blur The Great Escape 1995 Britpop Böhse Onkelz Ein böses Märchen 2000 Rock Böhse Onkelz Live in Dortmund 1997 Rock Bon Jovi Slippery When Wet 1986 Hard Rock Bon Jovi Keep the Faith 1992 Hard Rock Bonamassa, Joe Dust Bowl 2011 Blues Booker T & The M.G.s Green Onions 1962 Blues Boomtown Rats The Fine Art of Surfacing 1979 Rock Boston Boston 1976 Rock Bowie, David Hunky Dory 1971 Rock Bowie, David The Rise and Fall of Ziggy Stardust 1972 Rock Bowie, David Aladdin Sane 1973 Rock Bowie, David Diamond Dogs 1973 Rock Bowie, David Young Americans 1975 Rock Bowie, David Station to Station 1976 Rock Bowie, David Low 1977 Rock Bronski Beat Hundreds + Thousands 1985 Pop Brown, Arthur Kongdom com 1976 Rock Brown, James Live at the Apollo 1963 Soul Brown, James In the Jungle Groove 1986 Soul Brown, James Star Time 1991 Soul Browne, Jackson For Everyman 1973 Rock Browne, Jackson Late for the Sky 1974 Rock Browne, Jackson The Pretender 1976 Rock Buckley, Jeff Grace 1994 Rock Bush, Kate Lionheart 1978 Pop Bush, Kate The Kick Inside 1978 Pop Bush, Kate Hounds of Love 1985 Pop Bush, Kate The Sensual World 1989 Pop Buzzcocks Singles Going Steady 1979 Punk Byrds Mr. Tambourine Man 1965 Folk Rock Byrds Younger than Yesterday 1967 Folk Rock Byrds The Notorious Byrd Brothers 1968 Folk Rock Byrds Sweetheart of the Rodeo 1968 Folk Rock Calexico Feast of Wire 2003 Alternative Rock/Country Camel Mirage 1974 Progressive Rock/Jazz Rock Camel Moonmadness 1975 Progressive Rock/Jazz Rock Camel The snow goose 1976 Progressive Rock/Jazz Rock Can Tago Mago 1971 Classic Rock Can Future Days 1973 Classic Rock Canned Heat Boogie 1968 Rock Captain Beefheart & his Magic Band Trout Mask Replica 1969 Blues Caravan And New Symphonia 1974 Rock Caravan Blind Dog at St. Dunstan´s 1976 Rock Carpenters Close to You 1970 Pop Cars The Cars 1978 New Wave Cash, Johnny At Folsom Prison 1968 Country Autor: Thomas Jüstel -3- Stand 2017 Cash, Johnny American Recordings 1994 Country Chapman, Tracy Tracy Chapman 1988 Folk Charles, Ray The Genius of Ray Charles 1959 Pop/Swing Charles, Ray Modern Sounds in Country and Western Music 1962 Country/Blues Charles, Ray Genius Love Company 2004 Blues/Soul Cheap Trick In Color 1977 Rock Cheap Trick At Budokan 1979 Rock Chemical Brothers Exit Planet Dust 1995 Freak-Beat Techno Chemical Brothers Dig Your Own Hole 1997 Freak-Beat Techno Cher Greatest Hits 1992 Pop Chic C’est Chic 1978 R&B/Club Chic Risque 1979 R&B/Club Chicago Chicago Transit Authority 1969 Rock Chicago X 1976 Rock City Am Fenster 1978 Rock Clapton, Eric 461 Ocean Boulevard 1974 Rock/Blues Clapton, Eric Slowhand 1977 Rock/Blues Clapton, Eric Unplugged 1992 Rock/Blues Clash The Clash 1977 Punk Rock Clash London Calling 1979 Punk Rock Clash Sandinista! 1980 Punk Rock Cline, Patsy The Ultimate Collection 2000 Pop Cocker, Joe With a Little Help from My Friends 1969 Blues/Rock Cocker, Joe Fire it up 2012 Blues/Rock Cohen, Leonard Songs of Love and Hate 1971 Folk Coldplay Parachutes 2000 Pop Coldplay A Rush of Blood to the Head 2002 Pop Coldplay Viva la Vida or Death and all his Friends 2008 Pop Collective Soul Hints, Allegations & Things Left Unsaid 1993 Rock Collins, Phil Face Value 1981 Pop Colombier, Michel Wings 1971 Pop Coltrane, John Giant Steps 1960 Jazz Coltrane, John A Love Supreme 1964 Jazz Cooder, Ry
Load more

Recommended publications
  • “Grunge Killed Glam Metal” Narrative by Holly Johnson
    The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way.
    [Show full text]
  • PTSVNWU JS-5 Jam Station Style Listing
    PTSVNWU JS-5 Jam Station Style Listing ROCK 1 POP BLUES JAZZ 01 JS-5HardRock 11 ElectricRock 01 Shuffle 1 01 ChicagoBlues 01 DublTimeFeel 02 BritHardRck1 12 Grunge 02 Shuffle 2 02 OrganBlues 02 Organ Jazz 03 BritHardRck2 13 Speedy Rock 03 Mid Shuffle 03 ShuffleBlues 03 5/4 Jazz 04 80'sHardRock 14 Funk Rock 04 Simple8btPop 04 Boogie 04 Latin Jazz 05 Fast Boogie 15 Glam Rock 05 70's Pop 05 Rockin'Blues 05 Soul Jazz 06 Heavy & Loud 16 Funk Groove 06 Early80'sPop 06 RckBeatBlues 06 Swing Jazz 1 07 Slow Rock 1 17 Spacy Rock 07 Dance Pop 07 Medium Blues 07 Swing Jazz 2 08 Slow Rock 2 18 Progressive 08 Synth Pop 08 Funky Blues 08 Swing 6/8 09 Slow & Heavy 09 Honky Piano 09 Jump Blues 09 BigBandJazz 10 Hyper Metal ROCK 3 10 Slow Pop 10 BluesInMinor 10 Combo Jazz 11 Old HvyMetal 11 Reggae Pop 11 Blues Brass 11 Modern Jazz 12 Speed Metal 01 AcousticRck1 12 Rockabilly 12 AcGtr Boogie 12 Jazz 6/8 13 HvySlowShffl 02 AcousticRck2 13 Surf Rock 13 Gospel Shout 13 Jazz Waltz 14 MidFastHR 1 03 Gtr Arpeggio 14 8thNoteFeel1 14 Jazz Ballad 15 MidFastHR 2 04 CntmpraryRck 15 8thNoteFeel2 R&B 16 80sHeavyMetl 05 8bt Rock 1 16 16thNoteFeel FUSION 17 ShffleHrdRck 06 8bt Rock 2 01 RhythmGtrFnk 18 FastHardRock 07 8bt Rock 3 BALLAD 02 Brass Funk 01 Power Fusion 19 HvyFunkRock 08 16bt Rock 03 Psyche-Funk 02 Smooth Jazz 09 5/4 Rock 01 NewAgeBallad 04 Cajun Funk 03 Wave Shuffle ROCK 2 10 Shuffle Rock 02 PianoBallad1 05 Funky Soul 1 04 Super Funk 11 Fusion Rock 03 PianoBallad2 06 Funky Soul 2 05 Crossover 01 90sGrooveRck 12 Sweet Sound 04 E.PianoBalad 07 60's Soul 06
    [Show full text]
  • User Manual Mellotron V - WELCOME to the MELLOTRON the Company Was Called Mellotronics, and the First Product, the Mellotron Mark 1, Appeared in 1963
    USER MANUAL Special Thanks DIRECTION Frédéric BRUN Kévin MOLCARD DEVELOPMENT Pierre-Lin LANEYRIE Benjamin RENARD Marie PAULI Samuel LIMIER Baptiste AUBRY Corentin COMTE Mathieu NOCENTI Simon CONAN Geoffrey GORMOND Florian MARIN Matthieu COUROUBLE Timothée BÉHÉTY Arnaud BARBIER Germain MARZIN Maxime AUDFRAY Yann BURRER Adrien BARDET Kevin ARCAS Pierre PFISTER Alexandre ADAM Loris DE MARCO Raynald DANTIGNY DESIGN Baptiste LE GOFF Morgan PERRIER Shaun ELLWOOD Jonas SELLAMI SOUND DESIGN Victor MORELLO Boele GERKES Ed Ten EYCK Paul SCHILLING SPECIAL THANKS Terry MARDSEN Ben EGGEHORN Jay JANSSEN Paolo NEGRI Andrew CAPON Boele GERKES Jeffrey CECIL Peter TOMLINSON Fernando Manuel Chuck CAPSIS Jose Gerardo RENDON Richard COURTEL RODRIGUES Hans HOLEMA SANTANA JK SWOPES Marco CORREIA Greg COLE Luca LEFÈVRE Dwight DAVIES Gustavo BRAVETTI Ken Flux PIERCE George WARE Tony Flying SQUIRREL Matt PIKE Marc GIJSMAN Mat JONES Ernesto ROMEO Adrien KANTER Jason CHENEVAS-PAULE Neil HESTER MANUAL Fernando M RODRIGUES Vincent LE HEN (editor) Jose RENDON (Author) Minoru KOIKE Holger STEINBRINK Stephan VANKOV Charlotte METAIS Jack VAN © ARTURIA SA – 2019 – All rights reserved. 11 Chemin de la Dhuy 38240 Meylan FRANCE www.arturia.com Information contained in this manual is subject to change without notice and does not represent a commitment on the part of Arturia. The software described in this manual is provided under the terms of a license agreement or non-disclosure agreement. The software license agreement specifies the terms and conditions for its lawful use. No part of this manual may be reproduced or transmitted in any form or by any purpose other than purchaser’s personal use, without the express written permission of ARTURIA S.A.
    [Show full text]
  • The History of Rock Music: 1970-1975
    The History of Rock Music: 1970-1975 History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Sound 1973-78 (These are excerpts from my book "A History of Rock and Dance Music") Borderline 1974-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. In the second half of the 1970s, Brian Eno, Larry Fast, Mickey Hart, Stomu Yamashta and many other musicians blurred the lines between rock and avantgarde. Brian Eno (34), ex-keyboardist for Roxy Music, changed the course of rock music at least three times. The experiment of fusing pop and electronics on Taking Tiger Mountain By Strategy (sep 1974 - nov 1974) changed the very notion of what a "pop song" is. Eno took cheap melodies (the kind that are used at the music-hall, on television commercials, by nursery rhymes) and added a strong rhythmic base and counterpoint of synthesizer. The result was similar to the novelty numbers and the "bubblegum" music of the early 1960s, but it had the charisma of sheer post-modernist genius. Eno had invented meta-pop music: avantgarde music that employs elements of pop music. He continued the experiment on Another Green World (aug 1975 - sep 1975), but then changed its perspective on Before And After Science (? 1977 - dec 1977). Here Eno's catchy ditties acquired a sinister quality.
    [Show full text]
  • Music & Film Memorabilia
    MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played.
    [Show full text]
  • Traditional Funk: an Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio
    University of Dayton eCommons Honors Theses University Honors Program 4-26-2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Caleb G. Vanden Eynden University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses eCommons Citation Vanden Eynden, Caleb G., "Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio" (2020). Honors Theses. 289. https://ecommons.udayton.edu/uhp_theses/289 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Abstract Recognized nationally as the funk capital of the world, Dayton, Ohio takes credit for birthing important funk groups (i.e. Ohio Players, Zapp, Heatwave, and Lakeside) during the 1970s and 80s. Through a combination of ethnographic and archival research, this paper offers a pedagogical approach to Dayton funk, rooted in the styles and works of the city’s funk legacy. Drawing from fieldwork with Dayton funk musicians completed over the summer of 2019 and pedagogical theories of including black music in the school curriculum, this paper presents a pedagogical model for funk instruction that introduces the ingredients of funk (instrumentation, form, groove, and vocals) in order to enable secondary school music programs to create their own funk rooted in local history.
    [Show full text]
  • Recent Critical Praise for My Brightest Diamond's This Is My Hand
    Recent critical praise for My Brightest Diamond’s This Is My Hand Favorite Songs of 2014 “‘Pressure’: This baroque pop gem opens with drum corps and woodwinds, tacks on a tribal rhythm breakdown and just goes for it. All the way.” “…one of the most powerful and dramatic voices of the past decade.” “…an ability to cultivate intimacy through flawless, complex production with a beating heart.” “As a musician, Worden (who performs as My Brightest Diamond) builds her songs deliberately and impeccably…words are painted, sounds are sculpted, and the nature of Worden’s voice itself adds dimension—more than a single vocalist usually can. Her wholly enveloping, finely tuned alto sounds by turns forceful, vulnerable, cooing, playful, and endlessly emotive.” “…has a feeling for both the grandeur and the grain, building every sweeping gesture in her music out of a swarm of small details.” The Best of 2014 “…added to her smart, savvy chamber pop the influence of funk and marching bands. Her flawless voice pecks, jabs and floats above a world of rhythm that gives the new music its motion and undeniable heartbeat.” “At times, This Is My Hand all but commands listeners to dance.” “On her new album, This Is My Hand, she continues to reach far and wide with great success, adding marching-band rhythms and funky horns to her mix.” “…sounds like a modern-day Nina Simone…” “…This is My Hand works on a visceral level, conjuring Worden’s intended image of tribal, fireside collaboration through a rich diversity of texture, detail, and tone.” “…successful exercise in percussive, jagged art-pop that explores themes of self-acceptance, sensuality, and community.” “...unique and oddly beautiful.” “…presents an invigorating progression of Worden’s sonic palette…” #3: MBE Producer Ariana Morgenstern’s Top Albums of 2014 “…gorgeous new album…” “This Is My Hand is an album I would recommend to anyone—for exactly all the reasons that it’s hard to write about.
    [Show full text]
  • Harmonic Resources in 1980S Hard Rock and Heavy Metal Music
    HARMONIC RESOURCES IN 1980S HARD ROCK AND HEAVY METAL MUSIC A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts in Music Theory by Erin M. Vaughn December, 2015 Thesis written by Erin M. Vaughn B.M., The University of Akron, 2003 M.A., Kent State University, 2015 Approved by ____________________________________________ Richard O. Devore, Thesis Advisor ____________________________________________ Ralph Lorenz, Director, School of Music _____________________________________________ John R. Crawford-Spinelli, Dean, College of the Arts ii Table of Contents LIST OF FIGURES ............................................................................................................................... v CHAPTER I........................................................................................................................................ 1 INTRODUCTION ........................................................................................................................... 1 GOALS AND METHODS ................................................................................................................ 3 REVIEW OF RELATED LITERATURE............................................................................................... 5 CHAPTER II..................................................................................................................................... 36 ANALYSIS OF “MASTER OF PUPPETS” ......................................................................................
    [Show full text]
  • Six Canonical Projects by Rem Koolhaas
    5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript
    [Show full text]
  • Guns N' Roses
    Guns N’ Roses ‘Live And Let Die’ Guns N’ Roses SONG TITLE: LIVE AND LET DIE ALBUM: USE YOUR ILLUSION I RELEASED: 1991 LABEL: GEFFEN GENRE: HARD ROCK PERSONNEL: W. AXL ROSE (VOX) SLASH (GTR) IZZY STRADLIN (GTR) DUFF MCKAGAN (BASS) MATT SORUM (DRUMS) DIZZY REED (KEYS) UK CHART PEAK: N/A US CHART PEAK: 33 BACKGROUND INFO seven years before Axl Rose decided to fire all the members who remained in the mid 1990s. Sorum McCartney and James Bond get the Guns N’ Roses remained faithful to guitarist Slash and played in the treatment. This popular cover was released in 1991 latter’s Velvet Revolver band. Prior to that, Sorum at a time when G N’ R was probably the most famous was a regular guest drummer for The Cult and played band on the planet. This is naturally a heavier version drums for a very young Tori Amos on her first tour. than the 1972 original but they still captured a lot of More recently Sorum has contributed to a Buddy Rich the song’s underlying humour and playfulness. The tribute album which showcased his technical abilities song features a mix of regular and half-time grooves in jazz drumming. along with a reggae-inspired middle section requiring the drummer to be alert and keep it tight. The player featured here is Matt Sorum. RECOMMENDED LISTENING The G N’ R legacy is based on six studio albums THE BIGGER PICTURE of which the most important by far is their debut, Appetite for Destruction (1987). This record single Matt Sorum’s big rock sound in Guns N’ Roses handedly propelled the band to superstardom and tends to obscure other aspects of his playing.
    [Show full text]
  • And G- Actin Regulates Cell Migration Pavan Vedula1, Satoshi Kurosaka2, Brittany Mactaggart1, Qin Ni3, Garegin Papoian4, Yi Jiang5, Dawei W Dong1,6, Anna Kashina1*
    RESEARCH ARTICLE Different translation dynamics of b- and g- actin regulates cell migration Pavan Vedula1, Satoshi Kurosaka2, Brittany MacTaggart1, Qin Ni3, Garegin Papoian4, Yi Jiang5, Dawei W Dong1,6, Anna Kashina1* 1Department of Biomedical Sciences, School of Veterinary Medicine, University of Pennsylvania, Philadelphia, United States; 2Institute of Advanced Technology, Kindai University, Kainan, Wakayama, Japan; 3Department of Chemical and Biomolecular Engineering, University of Maryland, College Park, United States; 4Department of Chemistry, University of Maryland, College Park, United States; 5Department of Mathematics and Statistics, Georgia State University, Atlanta, United States; 6Institute for Biomedical Informatics, Perelman School of Medicine, University of Pennsylvania, Philadelphia, United States Abstract b- and g-cytoplasmic actins are ubiquitously expressed in every cell type and are nearly identical at the amino acid level but play vastly different roles in vivo. Their essential roles in embryogenesis and mesenchymal cell migration critically depend on the nucleotide sequences of their genes, rather than their amino acid sequences; however, it is unclear which gene elements underlie this effect. Here we address the specific role of the coding sequence in b- and g- cytoplasmic actins’ intracellular functions, using stable polyclonal populations of immortalized mouse embryonic fibroblasts with exogenously expressed actin isoforms and their ‘codon- switched’ variants. When targeted to the cell periphery using b-actin 30UTR; b-actin and g-actin have differential effects on cell migration. These effects directly depend on the coding sequence. Single- molecule measurements of actin isoform translation, combined with fluorescence recovery after photobleaching, demonstrate a pronounced difference in b- and g-actins’ translation elongation rates in cells, leading to changes in their dynamics at focal adhesions, impairments in actin bundle *For correspondence: formation, and reduced cell anchoring to the substrate during migration.
    [Show full text]
  • Exhibition Brochure Is There A
    ‘Is There Anyone Out There?’ Documenting Birmingham’s Alternative Music Scene 1986-1990 Acknowledgements and Thanks Thanks to Dave Travis for opening up his incredible archive and recalling the histories associated with The Click Club. Likewise, thanks to Steve (Geoffrey S. Kent) Coxon for his generous insights and for taking a road trip to tell us almost everything. Thanks on behalf of all Click Clubbers to Travis and Coxon for starting it and for program- ming so many memorable nights for creating an environment for people to make their own. Thanks to Dave Chambers (and Andy Morris), Donna Gee, Bridget Duffy and Bryan Taylor Thankswho provided to all of particular those who materials contributed for the written exhibition memories: (Bryan Steve for some Byrne; fine Craig writing!). Hamilton; Andrew Davies; Sarah Heyworth; Neil Hollins; Angela Hughes; Rhodri Marsden; Dave Newton; Daniel Rachel; Lara Ratnaraja; Spencer Roberts; John Taggart; Andy Tomlinson and Maria Williams. Acknowledgements to the many contributors to Facebook Groups for The Click Club and Birmingham Music Archive. John Hall and Ixchelt Corbett Mighty Mighty: Russell Burton, Mick Geoghegan, Pete Geoghegan, D J Hennessy Hugh McGuinness. Lyle Bignon, Boris Barker, Darren Elliot, Graham Bradbury, Richard March Yasmin Baig-Clifford (Vivid Projects), John Reed at Cherry Red Records, Ernie Cartwright, Birmingham Music Archive, Justin Sanders, Naomi Midgley. Neil Hollins for production of the podcast interview with Steve Coxon and Dave Travis. Digital Print Services who produced the images. Special thanks to: Neil Taylor, Ellie Gibbons, Anna Pirvola, Aidan Mooney and Beth Kane. What was The Click Club? Established in 1986 by Dave Travis and Steve Coxon, ‘The Click Club’ was the name of a concert venue and disco associated with Birmingham’s alternative music culture.
    [Show full text]