RTS Programme Awards 2021 #Rtsawards 1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Managing the BBC's Estate
Managing the BBC’s estate Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 3 December 2014 BRITISH BROADCASTING CORPORATION Managing the BBC’s estate Report by the Comptroller and Auditor General presented to the BBC Trust Value for Money Committee, 3 December 2014 Presented to Parliament by the Secretary of State for Culture, Media & Sport by Command of Her Majesty January 2015 © BBC 2015 The text of this document may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context. The material must be acknowledged as BBC copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. BBC Trust response to the National Audit Office value for money study: Managing the BBC’s estate This year the Executive has developed a BBC Trust response new strategy which has been reviewed by As governing body of the BBC, the Trust is the Trust. In the short term, the Executive responsible for ensuring that the licence fee is focused on delivering the disposal of is spent efficiently and effectively. One of the Media Village in west London and associated ways we do this is by receiving and acting staff moves including plans to relocate staff upon value for money reports from the NAO. to surplus space in Birmingham, Salford, This report, which has focused on the BBC’s Bristol and Caversham. This disposal will management of its estate, has found that the reduce vacant space to just 2.6 per cent and BBC has made good progress in rationalising significantly reduce costs. -
Oilseed Rape 73496
Oilseed rape 73496 Organisation: The European GMO-free Citizens (De Gentechvrije Burgers) Country: The Netherlands Type: Others... a. Assessment: b. Food Safety Assessment: Others Over 100 rodent feeding studies find harm using Roundup Ready and insecticide-producing GMO-food: Digestive issues, reproductive issues, immune problems, blood problems, disturbances in pancreas, liver, kidneys, adrenals, ovaries, testes, thymus. At this point everyone still saying it´s perfectly “safe” is just a science denier. Source: www.gmofreeusa.org Proven: Glyphosate herbicides change gene function and cause DNA damage Details Published: 27 April 2021 GMWatch/Twitter Bombshell finding could end EU authorization of glyphosate. Report: Claire Robinson Glyphosate-based herbicides such as Roundup activate mechanisms involved in cancer development, including DNA damage – and these effects occur at doses assumed by regulators to have no adverse effects, a new study shows. The DNA damage was caused by oxidative stress, a destructive imbalance in the body that can cause a long list of diseases. In-depth comparative toxicogenomics of glyphosate and Roundup herbicides: histopathology, transcriptome and epigenome signatures, and DNA damage Robin Mesnage, Mariam Ibragim, Daniele Mandrioli, Laura Falcioni, Fiorella Belpoggi, Inger Brandsma, Emma Bourne, Emanuel Savage, Charles A Mein, Michael N Antoniou doi: https://doi.org/10.1101/2021.04.12.439463In-depth comparative toxicogenomics of glyphosate and Roundup herbicides: histopathology, transcriptome and epigenome signatures, and DNA damage | bioRxiv 4. Conclusions and recommendations Don´t do it! The European GMO-free Citizens (De Gentechvrije Burgers) don´t want those genetically modified oilseed rape 73496 in feed and food! Also on behalve of St. Ekopark, Lelystad. -
Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube. -
Drama Drama Documentary
1 Springvale Terrace, W14 0AE Graeme Hayes 37-38 Newman Street, W1T 1QA SENIOR COLOURIST 44-48 Bloomsbury Street WC1B 3QJ Tel: 0207 605 1700 [email protected] Drama The People Next Door 1 x 60’ Raw TV for Channel 4 Enge UKIP the First 100 Days 1 x 60’ Raw TV for Channel 4 COLOURIST Cyberbully 1 x 76’ Raw TV for Channel 4 BAFTA & RTS Nominations Playhouse Presents: Foxtrot 1 x 30’ Sprout Pictures for Sky Arts American Blackout 1 x 90’ Raw TV for NGC US Blackout 1 x 90’ Raw TV for Channel 4 Inspector Morse 6 x 120’ ITV Studios for ITV 3 Poirot’s Christmas 1 x 100’ ITV Studios for ITV 3 The Railway Children 1 x 100’ ITV Studios for ITV 3 Taking the Flak 6 x 60’ BBC Drama for BBC Two My Life as a Popat 14 x 30’ Feelgood Fiction for ITV 1 Suburban Shootout 4 x & 60’ Feelgood Fiction for Channel 5 Slap – Comedy Lab 8 x 30’ World’s End for Channel 4 The Worst Journey in the World 1 x 60’ Tiger Aspect for BBC Four In Deep – Series 3 4 x 60’ Valentine Productions for BBC1 Drama Documentary Nazi Megaweapons Series III 1 x 60’ Darlow Smithson for NGCi Metropolis 1 x 60’ Nutopia for Travel Channel Million Dollar Idea 2 x 60’ Nutopia Hostages 1 x 60’ Al Jazeera Cellblock Sisterhood 3 x 60’ Raw TV Planes That Changed the World 3 x 60’ Arrow Media Nazi Megaweapons Series II 1 x 60’ Darlow Smithson for NGCi Dangerous Persuasions Series II 6 x 60’ Raw TV Love The Way You Lie 6 x 60’ Raw TV Mafia Rules 1 x 60’ Nerd Nazi Megaweapons 5 x 60’ Darlow Smithson for NGCi Breakout Series 2 10 x 60’ Raw TV for NGC Paranormal Witness Series 2 12 x 60’ Raw TV -
The Speakers and Chairs 2016
WEDNESDAY 24 FESTIVAL AT A GLANCE 09:30-09:45 10:00-11:00 BREAK BREAK 11:45-12:45 BREAK 13:45-14:45 BREAK 15:30-16:30 BREAK 18:00-19:00 19:00-21:30 20:50-21:45 THE SPEAKERS AND CHAIRS 2016 SA The Rolling BT “Feed The 11:00-11:20 11:00-11:45 P Edinburgh 12:45-13:45 P Meet the 14:45-15:30 P Meet the MK London 2012 16:30-17:00 The MacTaggart ITV Opening Night FH People Hills Chorus Beast” Welcome F Revealed: The T Breakout Does… T Breakout Controller: T Creative Diversity Controller: to Rio 2016: SA Margaritas Lecture: Drinks Reception Just Do Nothing Joanna Abeyie David Brindley Craig Doyle Sara Geater Louise Holmes Alison Kirkham Antony Mayfield Craig Orr Peter Salmon Alan Tyler Breakfast Hottest Trends session: An App Taskmaster session: Charlotte Moore, Network Drinks: Jay Hunt, The Superhumans’ and music Shane Smith The Balmoral screening with Thursday 14.20 - 14.55 Wednesday 15:30-16:30 Thursday 15:00-16:00 Thursday 11:00-11:30 Thursday 09:45-10:45 Wednesday 15:30-16:30 Wednesday 12:50-13:40 Thursday 09:45-10:45 Thursday 10:45-11:30 Wednesday 11:45-12:45 The Tinto The Moorfoot/Kilsyth The Fintry The Tinto The Sidlaw The Fintry The Tinto The Sidlaw The Networking Lounge 10:00-11:30 in TV Formats for Success: Why Branded Content BBC A Little Less Channel 4 Struggle For The Edinburgh Hotel talent Q&A The Pentland Digital is Key in – Big Cash but Conversation, Equality Playhouse F Have I Got F Winning in F Confessions of FH Porridge Adam Abramson Dan Brooke Christiana Ebohon-Green Sam Glynne Alex Horne Thursday 11:30-12:30 Anne Mensah Cathy -
Justine Barkerfull
Justine Barker [email protected] Composer justinebarker.com facebook.com/justinebarkermusic +44 (0) 7876 580742 @justinebarker12 Inventive and collaborative composer creating exciting emotive music for media. Wide ranging projects from primetime terrestrial TV to independent films. Enthusiasm, consistency and can-do attitude have fostered continuing excellent partnerships with directors and producers. Focus to date has been primarily drama, but also experienced in other genres including documentaries and promos. • Series Composer for BBC Casualty, London Kills and Suspects • Dedicated to creating well crafted musical identities for shows and characters within budget and schedule • Multi-instrumentalist with all-round production ability; write, record, produce, arrange, • Well organised, good communicator with excellent understanding of post-production • Music broadcast on BBC1, ITV, Channel 4, Channel 5, plus non terrestrial channels • Winner of Best Composer for Dawn at Underwire Film Festival 2016 • Scored over 40 short films screened at festivals worldwide. CREDITS: CASUALTY – S.35 TV Drama – 27 x 1 hour Producer Loretta Preece December 2020 to date BBC THE UNICORN FILM Director Dylan Harvey Documentary Pilot Producer Liz Roberts May 2020 SB Productions THE DREAMCATCHER Director Piotr Szkopiak Short Drama Producer Caroline Koziol December 2020 Magdalena Kunz EASTENDERS – 6023, 6024 TV Drama – 2 x 25 mins Director Matthew Evans October 2019 Producer Jon Sen BBC CASUALTY – S.34 TV Drama – 46 x 1 hour Producers Loretta Preece, -
I Am Mediacityuk
Useful information Events Cycle Contacts I am MediaCityUK is easy to MediaCityUK is a new Commercial office space: reach by bike and there waterfront destination for 07436 839 969 are over 300 cycle bays Manchester with digital [email protected] dotted across our site. creativity, learning and The Studios: MediaCityUK leisure at its heart. We host 0161 886 5111 a wide range of exciting Eat and drink studiobookings@ events: mediacityuk.co.uk/ We have a wide selection of dock10.co.uk destination/whats-on more than 40 venues for you The Pie Factory: to choose from. To find out 0161 660 3600 Getting here more visit: mediacityuk.co.uk/ [email protected] destination/eat-and-drink Road and parking Apartments: Two minutes from the 0161 238 7404 Manchester motorway Shopping anita.jolley@ network via Junctions 2 The Lowry Outlet at mediacityuk.co.uk and 3 of the M602. We have MediaCityUK is home to Hotel: 6,000 secure car parking a range of designer, high 0845 250 8458 spaces at key locations street and individual brands reservations@ across MediaCityUK. Sat offering discounts of up to himediacityuk.co.uk nav reference: M50 2EQ. 70%. lowryoutlet.co.uk Serviced apartments: 0161 820 6868 Tram reservations@ There are tram stops at Studio audiences theheartapartments.co.uk MediaCityUK, Broadway The Studios, MediaCityUK, and Harbour City and it are operated by dock10. General: takes just 15 minutes to To find out more details 0161 886 5300 get to Manchester city on tickets for shows go to: [email protected] centre for all inter-city mediacityuk.co.uk/studios/ connections. -
BBC EXECUTIVE BOARD 11 DECEMBER 2007 1000 - 1430 Room 3028, 3Rd Floor, Broadcasting House
BBC EXECUTIVE BOARD 11 DECEMBER 2007 1000 - 1430 Room 3028, 3rd floor, Broadcasting House Attendees..............................................................................................................................1 Agenda..................................................................................................................................2 1. MINUTES FROM EXECUTIVE BOARD ON 13 NOVEMBER 2007 AND CONFERENCE CALLS HELD ON 16 AND 20 NOVEMBER 2007 .......................................3 2. DIRECTOR REPORTS ..................................................................................................3 3. BBC CORPORATE COMMUNICATIONS: THE WAY FORWARD...............................3 4. TALENT AT THE BBC ...................................................................................................4 5. DIGITAL SWITCHOVER................................................................................................4 6. bbc.co.uk SERVICE REVIEW........................................................................................4 7. APPOINTMENTS...........................................................................................................5 8. GAELIC PUBLIC VALUE TEST (PVT)...........................................................................5 9. DIGITAL MEDIA INTIATIVE...........................................................................................6 10. TRAINING AND EQUAL OPPORTUNITIES REPORT ..................................................6 12. MANAGEMENT RESPONSE TO OFCOM’S DISCUSSION -
What Is Bbc Three?
We tested the public value of the proposed changes using a combination of quantitative and qualitative methodologies Quantitative methodology Qualitative methodology We ran a 15 minute online survey with 3,281 respondents to We conducted 20 x 2 hour ‘Extended Group’ sessions via Zoom with understand current associations with BBC Three, the appeal of BBC a mix of different audiences to explore and compare reactions, Three launching as a linear channel, and how this might impact from a personal and societal value perspective, to the concept of existing services in the market. BBC Three becoming a linear channel again. In the survey, we explored the following: In the sessions, we explored the following: - Demographics and brand favourability - Linear TV consumption and BBC attitudes - Current TV and video consumption - (S)VOD consumption behaviours, with a focus on BBC Three - BBC Three awareness, usage and perceptions (current) - A BBC Three content evaluation (via BBC Three on iPlayer exploration) - Likelihood of watching new TV channel and perceptions - Responses to the proposal of BBC Three becoming a TV channel - Impact on services currently used (including time taken away from each) - Expected personal and societal impact of the proposed changes - Societal impact of BBC Three launching as a TV channel - Evaluation of proposed changes against BBC Public Purposes 4 The qualitative stage involved 20 x 2-hour extended digital group discussions across the UK with a carefully designed sample 20 x 2 hour Extended Zoom Groups The qualitative -
Michelle Heaney Editor
AMANDA MCALLISTER PERSONAL MANAGEMENT LTD 74 Claxton Grove, London W6 8HE • Telephone: +44 (0) 207 244 1159 www.ampmgt.com • e-mail: [email protected] MICHELLE HEANEY EDITOR CREDITS INCLUDE: THE REUNION Director Bill Eagles Thriller Drama Series Producer Sydney Gallonde Episodes 2, 4 & 6 (Remote editing) Production Co. MGM International TV Prods / Make It Happen Studio / France Télévisions STAY CLOSE Director Lindy Heymann 8 x 1hr Contemporary Drama Producer Juliet Charlesworth Episodes 5 & 6 Exec. Producers Nicola Shindler, Harlan Coben, Richard Fee, Danny Brocklehurst Production Co. Red Production Company / Netflix TRACES Director Rebecca Gatward 2 x 1hr Crime Mystery Thriller Drama Producer Juliet Charlesworth (Additional Editor) Exec. Producers Nicola Shindler, Michaela Fereday, Liam Keelan Philippa Collie Cousins, Val McDermid Production Co. Red Production Company / ALIBI BAFTA Nomination Best Drama Series THE WORST WITCH Director Dermot Boyd 4 x ½hr Children’s Drama Series Producer Kim Crowther Exec. Producer Sue Knott Production Co. CBBC / Netflix / ZDF Enterprises THE STRANGER Director Daniel O’Hara 3 x 1hr Mystery Crime Drama Producer Madonna Baptiste (1st Assistant Editor) Exec. Producers Nicola Shindler, Harlan Coben, Danny Brocklehurst, Richard Fee Editor Steve Singleton Production Co. Red Production Company / Netflix BRASSIC Directors Daniel O'Hara, Jon Wright 6 x 1hr Comedy Series Producer Juliet Charlesworth (1st Assistant Editor/ Assembly Editor) Exec. Producers David Livingston, Joe Gilgun, Danny Brocklehurst, Jon Montague Editors Annie Kocur, Rachel Hoult Production Co. SKY / Calamity Films THE ROOK Director Kari Skogland 3 x 1hr Fantasy Thriller Drama Series Producer Steve Clark-Hall (1st Assistant Editor) Exec. Producer Stephen Garrett Editor Oral Ottey Production Co. -
Ivision and the BBC: Building Public Value
Observatorio (OBS*) Journal, 5 (2008), 041-055 1646-5954/ERC123483/2008 041 iVision and the BBC: Building Public Value Michael Klontzas, City University, London, UK Abstract Breaking with conventional wisdom that sees public service broadcasters as conveyors of content in line with historically shaped socio-political ideals, centred on quality, access, diversity and independence, evidence suggests that PSB is often the driving force behind key technological innovations serving public policy aims. In the drive towards wholesale digitalisation and the accelerated introduction of an information society, this hitherto understated function is now deemed critical and comes to the fore. More specifically, recent public policy initiatives in the UK, culminating to the 2006 White Paper, openly assign the mission of contributing to the process of ‘building digital Britain’ to the BBC, the flagship public service broadcaster. This vision of digitalisation is defined in broad terms in the policy discourse, as involving all platforms indiscriminately. The BBC’s contribution, designed to entice users to a digital future and simultaneously cement the continued relevancy of the institution in the 21st century, finds expression in a variety of implemented and proposed digital services deliverable over a range of digital platforms, including television and radio, the internet and mobile networks. This paper seeks to interrogate the host of controversial and closely scrutinised internet services offered by the BBC in the light of the digital vision articulated in the public policy discourse. These services shift the emphasis away from the time-honoured broadcasting paradigm to a more interactive approach. Through widespread application of emerging Web 2.0 practices, the users are now invited to participate, and generate and share their own content. -
Memory & Harmony an Evening Celebrating the 25Th Anniversary of the Hellenic Institute Bettany Hughes & Panayiotis Gogos
Memory & Harmony An evening celebrating the 25th anniversary of the Hellenic Institute Bettany Hughes & Panayiotis Gogos Thursday 30 November 2017, 7.00 pm The Hellenic Centre 16-18 Paddington Street London W1U 5AS Programme Welcome Mrs Natasha Lemos, Member of Executive Board, The Hellenic Centre Opening remarks Professor Katie Normington, Senior Vice-Principal (Academic), Royal Holloway Member of The Hellenic Institute Steering Group 25 Years of the Hellenic Institute Dr Charalambos Dendrinos, Director of The Hellenic Institute, Royal Holloway Studying at The Hellenic Institute Mr Brian McLaughlin & Mr Elliot Mason, PhD students, The Hellenic Institute, History Department, Royal Holloway The Study of Hellenism: Reflections Dr Bettany Hughes shared with Dr George Vassiadis, Director of the Centre for Greek Diaspora Studies, Royal Holloway Panayiotis Gogos plays Schubert and Chopin Closing remarks Dr Charalambos Dendrinos Reception Panayiotis Gogos Metamorphoses Schubert – Liszt Transcriptions Wohin? (Where to?) Aubade (Hark, hark the lark) Barcarolle Widmung (Dedication) Liebesbotschaft (Love’s message) Erikönig (The Elfking) Litaney (Litany) An important part of Franz Liszt’s oeuvre is his reworking of pieces by other composers. He wrote many piano-transcriptions, arrangements and orchestrations under various titles and genres. The pieces above are taken from 12 Lieder von Franz Schubert. Conceived in 1837, they were revised in 1876. Chopin, Scherzo No 2, op. 31 Chopin composed six scherzos. Four of these were published as individual works. The Scherzo No 2 in B minor, Opus 31 was completed and published in 1837. Memory Dr Bettany Hughes is an award-winning historian, author and broadcaster, who has devoted the last 25 years to the vibrant communication of the past.