Justine Barkerfull
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
MARK CHALLENOR 1St ASSISTANT DIRECTOR M: 07767 365913 E: [email protected] Agent: GEMS
MARK CHALLENOR 1st ASSISTANT DIRECTOR M: 07767 365913 E: [email protected] Agent: GEMS A DISCOVERY OF WITCHES: Bad Wolf, fantasy drama Eps 6 & 7 - Exec Producers Jane Tranter and Lachlan Mackinnon; Producer Edoardo Ferretti; Director Jamie Donoughue; Line Producer Carolyn Parry-Jones. VIGIL: World Productions, drama Eps 4, 5, 6 - Exec Producers Jake Lushington; Producer Angie Daniell; Director Isabelle Sieb; Line Producer Donald Mackinnon. ISOLATION STORIES: ITV, remote filming drama using Zoom Ep “Ron and Russell” - Exec Producer Jeff Pope; Producer Menzies Kennedy; Director Louise Hooper. INDUSTRY: Bad Wolf, drama Eps 6 & 8 - Exec Producers Jane Tranter and Lachlan Mackinnon; Producer Lee Thomas; Directors Ed Lilly; Tinge Krishnan; Line Producer Sarah Dibsdall. SANDYLANDS: King Bert Productions, comedy drama 3 episodes - Exec Producer Jo Sargent; Producer Rosemary McGowan; Director Michael Cumming; Line Producer Paul Ralph. FLESH AND BLOOD: Silver Print Pictures for ITV, suspense 4 part drama - Exec Producer – Kate Bartlett, Producer – Letitia Knight, Director – Louise Hooper, Line Producer – Martin Campbell. WORLD ON FIRE: Mammoth Screen for BBC, period wartime drama, episode 3 Prague, London, Manchester, & 2nd Unit Prague Episodes 1 & 2 - Exec Producer Helen Zeigler; Series Producer Chris Clough; Producers Nickie Sault and Callum Devrell Cameron; Directors Adam Smith and Thomas Napper; Line Producer Phillipa Cole. GOLD DIGGER: Main Street Pictures, suspense drama additional filming - Producer Ani Kevork; Director Vanessa Caswell; Line Producer Adam Knopf. CHEAT: Two Brothers Productions, suspense 4 part drama - Executive Producer Christopher Aird; Producer Lydia Hampson; Director Louise Hooper; Line Producer Pat Leres. THE ATHENA: SKY, teen drama 5 episodes - Executive Producer Foz Allan; Producer Paul McKenzie; Director Isabelle Sieb; Line Producer Stephen Abrahams. -
Justinebarker.Com
Justine Barker +44 (0) 7876 580742 Composer justinebarker.com FB: facebook.com/justinebarkermusic T: @justinebarker12 [email protected] Inventive and collaborative composer creating exciting emotive music for media. Wide ranging projects from primetime terrestrial TV to independent films. Enthusiasm, consistency and can-do attitude have fostered continuing excellent partnerships with directors and producers. Focus to date has been primarily drama, but also experienced in alternative genres including documentaries and promos. ➢ Series Composer for BBC Casualty, London Kills and Suspects ➢ Winner of Best Composer for Dawn at Underwire Film Festival 2016 ➢ Music broadcast on BBC1, ITV, Channel 4, Channel 5, plus non terrestrial channels ➢ 50 production tracks produced to order for 5 seasons of BBC1's Outnumbered ➢ Scored over 40 short films screened at festivals worldwide. ➢ Dedicated to creating well crafted musical identities for shows and characters within budget and schedule ➢ Multi-instrumentalist with all-round production ability; write, record, produce, arrange, mix to broadcast standard ➢ Well organised, good communicator with excellent understanding of post-production; previously Post-Production Supervisor at The Bill for 10 years CREDITS: CASUALTY – S.33 TV Drama – 47 x 1 hour Producers Lucy Raffety, Simon Harper March 2018 to date BBC MAISON IV Exhibition Space Commission Client Pavlo Schtakleff March 2019 Se Collections LONDON KILLS - S.1 & S.2 Directors Craig Pickles, Fiona Walton, Sean Glynn TV Drama – 10 x 1 hour -
Sense8 Roundtable
Moya Bailey, micha cárdenas, Laura Horak, Lokeilani Kaimana, Cáel M. Keegan, Geneveive Newman, Roxanne Samer, and Raffi Sarkissian Sense8 Roundtable Abstract In “Sense8: A Roundtable,” eight scholars, myself included, think through key questions regarding one of today’s most impressive trans-produced mainstream media productions, Lana and Lilly Wachowski’s Netflix series Sense8, which has yet to receive substantive scholarly attention. We analyze how Sense8 both follows and breaks from the Wachowskis’ prior approach to narrative; offers a distinctly trans* engagement with the histories of cinematic and televisual genres; often relies on western colonial conceptions for its global imagination and marginalizes characters of color; and theorizes contemporary media spectatorship in its appeal to affect and eroticism. We do so believing Sense8 to be an important cultural interlocutor, not only with regard to the exploration of transgender representation but also questions of sexuality, race, and capital in the global present. However, we also share a conviction that the series’ potentiality still leaves substantial room for growth. We take a critical approach to our collective analysis, seeing in the series a glimmer of the kind of global utopian envisioning very much needed in our ceaselessly dystopian present. The first season of J. Michael Straczynski and was the prime decree of those reviewers who were Lana and Lilly Wachowski’s Sense8 was released looking to witness a similar “seamless marriage on Netflix on June 5, 2015. The series’ critical of style and substance.”2 Those reviewers who did reception was mixed. Many found Sense8—which appreciate Sense8 were those who saw the series as tells the story of eight individuals from across purposefully demanding the labor of an attentive the globe, who, having recently been “birthed” by audience. -
David Tucker Director
David Tucker Director David is a BAFTA and International Emmy-nominated director of film, television and theatre. He has directed over 40 professional theatre productions at the RSC (where he was an Assistant Director), the Bristol Old Vic, Liverpool Playhouse and Manchester Library theatres (at all of which he was Associate Director). David has also taught extensively at the NFTS, London Film Academy, Met Film School, Drama Centre London, Drama Studio London and has directed graduation productions at RADA, Drama Centre and Drama Studio London. Agents Christian Ogunbanjo [email protected] Credits Film Production Company Notes BURN THE CLOCK Raging Calm 25 minute short film. 2013 With Gemma Jones, Gawn Grainger. Television Production Company Notes EASTENDERS BBC TV Over 50 episodes Producers: Diederick Santer, Bryan Kirkwood, Dominic Treadwell-Collins, Sean O’Connor, John Yorke, Kate Oates, Jon Sen United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes HOLBY CITY BBC Series 15, 16 and 17, 21 10 x 60" Producers: Chris Clenshaw, Jane Wallbank CASUALTY BBC TV Series 28 and 29 4 x 50" LARK RISE TO BBC TV Series 2. episode 8 series 3, episode 2. CANDLEFORD Producer: Annie Tricklebank With Julia Sawalha, Mark Heap, Linda Bassett, Claudie Blakley DALZIEL AND PASCOE BBC TV 2 x 60’ minute film Producer: Annie Tricklebank With Warren Clarke, Michelle Dockery THE LAST DETECTIVE ITV 3 x 90’ minute films in Series 2,3,4 Producers: Deirdre -
Cultural Representation and Identity in the Wachowskis' Sense8
Cultural Representation and Identity in the Wachowskis’ Sense8 Myrto Lefkopoulou LET-ACWB300 – Bachelor Thesis Dr. T.M.J. Sintobin 15 June 2019 Word count: 9.175 Contents Introduction..................................................................................................................................................... 3 Literature Review ........................................................................................................................................ 3 Research Question ...................................................................................................................................... 5 Theoretical Framework ............................................................................................................................... 6 Methodology ............................................................................................................................................... 8 Chapter One .................................................................................................................................................. 10 Cultural Background and Character Building ............................................................................................ 10 Language and Discourse ............................................................................................................................ 13 Analysis of Musical Montage .................................................................................................................... 16 Sound -
The Class of 2018 CAREERSTV Fair
January 2018 The class of 2018 CAREERSTV Fair 6 February 10:00am-4:00pm Business Design Centre, London N1 0QH Journal of The Royal Television Society January 2018 l Volume 55/1 From the CEO Welcome to 2018. In With luck, some of these industry Hector, who recalls a very special this issue of Television leaders will be joining RTS events in evening in Bristol when a certain we have assembled the coming months, so we can hear 91-year-old natural history presenter a line-up of features from them directly. was, not for the first time, the centre that reflects the new Following the excesses – and per- of attention. Did anyone mention TV landscape and haps stresses – of Christmas, our Janu- Blue Planet II? its stellar class of 2018. ary edition contains what I hope read- Our industry map looks like it’s Pictured on this month’s cover are ers will agree is some much-needed being redrawn dramatically. Disney’s some of the sector’s leaders who are light relief. Don’t miss Kenton Allen’s historic $52.4bn bid for 21st Century certain to be making a big splash in pulsating review of 2017. I guarantee Fox is among a number of moves the year ahead – Tim Davie, Ian Katz, that it’s laugh-out-loud funny. responding to the need for scale. We Jay Hunt, Carolyn McCall, Alex Mahon, Also bringing a light touch to this will be looking at this trend in the Simon Pitts and Fran Unsworth. month’s Television is Stefan Stern’s coming months. -
Megan Lynas Script Supervisor / Continuity
AMANDA MCALLISTER PERSONAL MANAGEMENT LTD 74 Claxton Grove, London W6 8HE • Telephone: +44 (0) 207 244 1159 www.ampmgt.com • e-mail: [email protected] MEGAN LYNAS SCRIPT SUPERVISOR / CONTINUITY CREDITS INCLUDE TREASON Director TBC 6 x 1hr Spy Thriller Drama Series Producer Foz Allan (Covid shoot) Exec. Producer Tom Maguire Production Co. ITV Studios / Netflix THE NEVERS Directors Andrew Bernstein, Jennifer Getzinger, Nina Lopez-Corrado 11 x 1hr Period Sci-Fi Drama Series Producer Richard Hewitt (restarted Covid shoot) Exec. Producers Philippa Goslett, Ilene S. Landress, Danny Kaminski, Andrew Bernstein Production Co. HBO / Mutant Enemy Productions ALEX RIDER 2 Director Rebecca Gatward, Jon Jones 8 x 1hr Spy Drama Series Producer Richard Burrell (Covid shoot) Exec. Producers Anthony Horowitz, Eve Gutierrez, Jill Green Production Co. Eleventh Hour Films / Amazon Prime THE NEVERS Directors Joss Whedon, Zetna Fuentes 7 x 1hr Period Sci-Fi Drama Series Producers Kevin Lau, Greg Spence, Duncan Muggoch (Covid shoot) Exec. Producers Joss Whedon, Bernadette Caulfield, Jane Espenson, Douglas Petrie Production Co. HBO / Mutant Enemy Productions HIS DARK MATERIALS S2 Directors Jamie Childs, Leanna Welham Lead Script Supervisor Producer Roopesh Parekh 8 x 1hr Adventure Fantasy Drama Series Exec. Producers Toby Emmerich, Julie Gardner, Jack Thorne, Jane Tranter, Dan McCulloch Production Co. Bad Wolf / New Line Cinema SANDITON Directors Olly Blackburn, Lisa Clarke 8 x 1hr Period Drama Series Producer Georgina Lowe Exec. Producers Andrew Davies, Belinda Campbell, Rebecca Eaton Production Co. Red Planet Pictures / Masterpiece / ITV BAFTA Nomination Best Drama Series BAGHDAD CENTRAL Directors Alice Troughton, Ben Williams 6 x 1hr Crime Thriller Series Producer Jonathan Curling Location: Morocco Exec. -
Dean Ashton Actor
Dean Ashton Actor Agents Olivia Homan Associate Agent [email protected] Gabriella Capisani Actors [email protected] Roles Film Production Character Director Company Violence of Action James' Father Tarik Saleh 30 West MISSION: IMPOSSIBLE - Young Cop Christopher McQuarrie Warner Bros. FALLOUT PRIDE Richard Matthew Warchus Proud Films Productions Ltd. Stage Production Character Director Company THE FERRYMAN Frank Magennis Sam Mendes Bernard B. Jacobs Theatre (Broadway) THE FERRYMAN Frank Magennis Sam Mendes Gielgud Theatre MACBETH Banquo Alex Hassell The Factory 1984 (LIVE READING) Winston Hannah Price The Orwell Foundation MEASURE FOR MEASURE Elbow Louis Scheeder The Factory FUTEBOL Charles Miller Angela Ekaette Light Up The House Michaels United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company MY ROMANTIC HISTORY Tom & Calvin Gary Whitaker Gothenburg English Speaking Theatre THE DUCKS Richard Tyne Rafaeli SeaRed Productions | Human Hand TACTICAL QUESTIONING Donald Payne Nicholas Kent Tricycle Theatre THE RAGGED TROUSERED Jack Slyme | Didlum Christopher Chichester Festival PHILANTHROPISTS Morahan Theatre | Liverpool Everyman THE DUCKS Richard Tyne Rafaeli Papatango VLADIMIR IN HOLLYWOOD Valdimir Alex Hassell The Factory Theatre MIXED UP NORTH Colin | Roy Max Stafford Out of Joint Clark 50-50 Mungo Tim Caroll Hampstead Theatre THE JUDGEMENT OF MR Bob Baxter Sue McGeorge Second Nature JENKINS Theatre Company -
Hollinshead, Ailsa Marion (2002) the Production and Reception of Discourses Concerning Religion in Fictional Broadcasting
n Hollinshead, Ailsa Marion (2002) The production and reception of discourses concerning religion in fictional broadcasting. PhD thesis http://theses.gla.ac.uk/7215/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] The production and reception of discourses concerning religion in fictional broadcasting Vol. 1 Ailsa Marion Hollinshead A thesis submitted for the degree of Doctor of Philosophy University of Glasgow Department of Sociology and Anthropology Faculty of Social Sciences September 2002 © Ailsa Marion Hollinshead 30t° September 2002 Author's Declaration I declare that the contents of this thesis are all my own work. Ailsa Marion Hollinshead . 010` Acknowledgements I am indebted to many people for their support, advice and encouragement over the course of the past three years. The work would have been impossible without the financial support of the ESRC (Award no. R00429934507). Having received funding, I have been fortunate with my supervisor, Professor John Eldridge. His concern for my well-being as well as my academic work was greatly appreciated. -
Peter Williams Editor - TV Drama/Factual Agent: Julie Press - [email protected]
Peter Williams Editor - TV Drama/Factual Agent: Julie Press - [email protected] Work Drama Noughts + Crosses (Series 2) Mammoth Screen / BBC1 Prod. Sarah Lewis Exec. James Ghandi Dir. Koby Adom Hope Street Britbox US / BBC1 Lead Editor, Episodes 1, 2 and 7 of this new Crime Series set in Northern Ireland Exec Prod. Donna Wiffen, Paul Marquess Dir. Sean Glynn, Bruce Webb Zero Chill Lime Pictures / Netflix 5 x 30 Min Drama Exec Prod. Angelo Abela and Tim Compton Prod. Dom Macdonald Dir. Tessa Hoffe Midsomer Murders (Series 21) Company Pictures / ITV1 1 x 90 Min Drama Exec Prod. Michele Buck Prod. Guy Hescott Dir. Jennie Darnell Hetty Feather (Series 5) CBBC / BBC1 5 x 30 Min Drama Exec Prod. Alison Davis Prod. David Collier Dir. Jennie Darnell The Evermoor Chronicles Lime Pictures / Disney Channel UK Kitson Press Associates Limited, 32 Tavistock Street, Covent Garden, London, WC2E 7PB. Tel: 0203 848 1400 Registered in England No. 8873757 Registered office: 154 Brookscroft Road, London E17 4JR (Series 2) 4 x 30 Min Drama Exec Prod. Rebecca Hodgson, Bede Blake Prod. Tim Compton Dir. Pat Harkins Missing (Series 1 & 2) Leopard Drama / BBC1 Lead Editor, 4 x 45 Min Drama Prod. Julie Press Dir. Jenny Ash, Jill Robertson, Stewart Svaasand Waterloo Road (Series 8, 9, 10) Shed Media / BBC1 6 x 60 Min Drama Exec Prod. Gaynor Holmes, Cameron Roach Prod. Lizzie Gray, Kate Crowther Dir. Morag Fullarton, David Innes Edwards, Pat Harkins, Fiona Walton Waterloo Road Reunited Shed Media / BBC1 6 x 15 Min Drama Prod. Kat Hebden Dir. Stewart Svaasand Holby City BBC / BBC1 2 x 60 Min Drama Exec Prod. -
Justine Barkertv
Justine Barker [email protected] Composer justinebarker.com facebook.com/justinebarkermusic +44 (0) 7876 580742 @justinebarker12 Inventive and collaborative composer creating exciting emotive music for media. Wide ranging projects from primetime terrestrial TV to independent films. Enthusiasm, consistency and can-do attitude have fostered continuing excellent partnerships with directors and producers. Focus to date has been primarily drama, but also experienced in other genres including documentaries and promos. • Series Composer for BBC Casualty, London Kills and Suspects • Dedicated to creating well crafted musical identities for shows and characters within budget and schedule • Multi-instrumentalist with all-round production ability; write, record, produce, arrange, • Well organised, good communicator with excellent understanding of post-production • Music broadcast on BBC1, ITV, Channel 4, Channel 5, plus non terrestrial channels • Winner of Best Composer for Dawn at Underwire Film Festival 2016 • Scored over 40 short films screened at festivals worldwide. TV CREDITS: CASUALTY – S.35 TV Drama – 27 x 1 hour Producer Loretta Preece December 2020 to date BBC EASTENDERS – 6023, 6024 TV Drama – 2 x 25 mins Director Matthew Evans October 2019 Producer Jon Sen BBC CASUALTY – S.34 TV Drama – 46 x 1 hour Producers Loretta Preece, Simon Harper July 2019 - November 2020 BBC CASUALTY – S.33 TV Drama – 47 x 1 hour Producers Lucy Raffety, Simon Harper March 2018 to June 2019 BBC LONDON KILLS - S.1 & S.2 Director s Craig Pickles, Fiona -
The Directors UK TV Fiction Committee Member Biographies September 2018
The Directors UK TV Fiction Committee Member biographies September 2018 Bill Anderson After combining TV writing commissions with two years as a roustabout on the Fulmar Alpha North Sea oil-rig, I left Aberdeen and took the NFTS directing course. Credits include workplace dramas The Mill, Mr Selfridge and Dockers (BAFTA and RTS nominated, written by sixteen striking Liverpool dockers, Irvine Welsh and Jimmy McGovern, executive produced by the striking Liverpool port stewards); historical epics Sword of Honour with Daniel Craig and Boudica with Alex Kingston; and politically dystopian Fields of Gold and Last Rights. Helming the pilot of Lewis brought on a rash of detectives: DCI Banks, Taggart, George Gently, and Case Histories. Guardians, which I also wrote, was nominated for RTS best single drama and the Prix Italia. Most recently I’ve served time on Doctor Who. I’m a passionate natural beekeeper with six Warré hives on my London roof, and I write the regular beekeeping column for The Idler magazine. Otto Bathurst After becoming an editor, I switched into production and moved up through the ranks of assistant director and then made a short film, which toured the international festival circuit picking up a bunch of awards. From this, my directing career was launched. I have directed a number critically acclaimed TV shows. These include; the HBO co-production Five Days — nominated for BAFTA, Golden Globe and RTS awards; Criminal Justice, which won the BAFTA for Best Drama Serial, the Prix Italia for Best Drama and the Broadcast Award for Best Mini Series of the year; a single film, Margot; the provocative cult drama, Black Mirror, which won the International Emmy and the comedy award at the Rose d’Or Television Festival.