Gogglebox, 24 Ceremony, Hosted by Comedian Romesh Ranganathan, Have Changed Television on 5 June at the BFI Southbank
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Celebrities As Political Representatives: Explaining the Exchangeability of Celebrity Capital in the Political Field
Celebrities as Political Representatives: Explaining the Exchangeability of Celebrity Capital in the Political Field Ellen Watts Royal Holloway, University of London Submitted for the degree of Doctor of Philosophy in Politics 2018 Declaration I, Ellen Watts, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Ellen Watts September 17, 2018. 2 Abstract The ability of celebrities to become influential political actors is evident (Marsh et al., 2010; Street 2004; 2012, West and Orman, 2003; Wheeler, 2013); the process enabling this is not. While Driessens’ (2013) concept of celebrity capital provides a starting point, it remains unclear how celebrity capital is exchanged for political capital. Returning to Street’s (2004) argument that celebrities claim to speak for others provides an opportunity to address this. In this thesis I argue successful exchange is contingent on acceptance of such claims, and contribute an original model for understanding this process. I explore the implicit interconnections between Saward’s (2010) theory of representative claims, and Bourdieu’s (1991) work on political capital and the political field. On this basis, I argue celebrity capital has greater explanatory power in political contexts when fused with Saward’s theory of representative claims. Three qualitative case studies provide demonstrations of this process at work. Contributing to work on how celebrities are evaluated within political and cultural hierarchies (Inthorn and Street, 2011; Marshall, 2014; Mendick et al., 2018; Ribke, 2015; Skeggs and Wood, 2011), I ask which key factors influence this process. -
Smartglass International “Tunes In” to ITV Daybreak…
Project Case Study No. 19 SmartGlass International “tunes in” to ITV Daybreak… Client: ITV Daybreak Operator: GMTV Limited Daybreak is the weekday breakfast television programme Contract Size: £135k broadcast from 6:00am to 8:30am for the British commercial ITV Date: August 2010 network anchored by Adrian Chiles and Christine Bleakley. The ability to instantly switch the glass to maximize daylight when Daybreak took to the air on Monday 6 th September as the much- it’s really needed and to provide controllable solar shading during heralded replacement for breakfast TV show GMTV. More than peak light conditions is valuable and unique. This feature is one million people tuned in to see the launch of ITV's new especially useful for application in a television studio as it allows breakfast show - an improvement over its predecessor, GMTV. for maximum daylight to enter without compromising recording ITV said the show, which featured an interview with former Prime quality and controls room temperature which is also critical in this Minister Tony Blair, peaked at 1.5m viewers. ITV are one of the particular environment. UK’s largest broadcasting stations and reach approximately 13 million viewers a week with Daybreak regularly accounting for a Daybreak is broadcast from dawn meaning the levels of sunlight large proportion of this. entering the studio vary throughout the morning. When the sun is just rising over London the backdrop is in darkness, at this stage The Daybreak studio is located in the heart of London at South the glass is at its clearest state where it will allow for maximum Bank studios. -
How the TV Debates Were Organised in #GE2015 and Their Impact: the Full Story
How the TV debates were organised in #GE2015 and their impact: the full story blogs.lse.ac.uk/polis/2017/04/19/how-were-the-tv-debates-organised-in-ge2015-and-what-was-their-impact- the-full-story/ 2017-4-19 I wrote the chapter on broadcasting for the Cowley/Kavanagh Election 2015 book. Here is the section on the negotiations that led to the TV ‘debates’ and their impact – for the full chapter and the authoritative record of all aspects of that campaign, get the book here! By Charlie Beckett, Professor in the Department of Media and Communications, LSE and director of Polis, the LSE’s journalism think-tank. @CharlieBeckett In this election broadcasting tried to reflect a changing political landscape. Television in particular was challenged to adjust to the impact of the smaller parties such as the Greens, UKIP and the SNP. Editorially, broadcasters had to cover a diverse range of issues of varying degrees of scale, importance and relevance to different audiences. All journalists, but most obviously broadcasters, found themselves limited in scope by the unprecedented levels of party stage-management. There were the usual concerns about delivering impartiality and information but perhaps the hardest task for the broadcast journalists was to fulfil their key democratic functions at election time: to engage the public and to hold politicians to account. The strategic reluctance of the main parties to conduct more open campaigns meant that the desire for dramatic broadcasting to match the significance of the stakes was frustrated. Like all journalists, broadcasters were also misled by erroneous polling to construct a false narrative around the relative success of the two main parties. -
A CRITICAL DISCOURSE ANALYSIS How Do UK Newspapers
LONDONGRAD IN THE UK QUALITY PRESS: A CRITICAL DISCOURSE ANALYSIS How do UK newspapers employ the term Londongrad and how has this changed over time and between different newspapers? by Ben Dukes s1424181 A Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Master of Arts in Russian and Eurasian Studies at Leiden University (Universiteit Leiden) June 2015 1 Abstract This thesis examines the use of the word Londongrad in four British national newspapers and draws extensively upon the approach to Critical Discourse Analysis (CDA) outlined by Richardson [2007]. The study compares the use of Londongrad in a sample of articles from two time periods: 2005-8 and 2011-14, defining how it is used and how its use has changed over time, with reference to wider social, political and cultural contexts. Results indicate that Londongrad is particularly prevalent in the right-wing press, and that its use has become more prominent over time. The thesis puts forward the argument that Londongrad lacks concrete definition but carries implicit meaning that allows for the reinforcement of negative stereotypes with regard to Russian activity in the UK. In highlighting this, the intention is to draw attention to the way in which patterns of discourse can encode prejudice. 2 Contents i. Introduction 5 ii. Outline of Chapters 6 1. Discourse and Critical Discourse Analysis (CDA) 7 1.1 Discourse and Discourse Analysis 8 1.2 Foucault: Knowledge/Power & Discourse 9 1.3 Critical Discourse Analysis (CDA) and its Function 10 1.4 Problems associated with CDA 11 1.5 Concluding Remarks 12 2. -
Culture Wars in the Media
Culture Wars in the Media Mr Dean, ladies and gentlemen. Thank you for your kind introduction and your invitation to join such an august line of guest speakers. What a pleasure it is to be here this evening, though it is a pleasure tinged with trepidation. I worry that those who work in the media have quite enough opportunity to be heard without being granted this storied platform further to inflict their views on others. I’m conscious – as we meet here this evening in a forum of ethical discussion - that journalists tend to rush for the story rather than pause too long to consider its ramifications. And, amid this accelerated news cycle, I am slightly worried that we may be losing another prime minister as we sit here. But as I stared at the big quote in a Guardian article, I was reminded that there is a conversation that needs to be addressed. “I’ve given up watching the news,” said a 60-something man in the Guardian piece. “It’s all lies.” Oh, come on. Given up? Really? Stopped when we have moved from all that theoretical stuff to pure theatrical drama? Stopped in the middle of the fallout from the Supreme Court decision. Stopped with a beleaguered prime minister on both the wrong side of the Atlantic and the wrong side of the law? We’ve always had room for different interpretations of the news. A divergence of political view is manifest in the reaction to almost every news story. Observers have always interpreted things in accordance with their underlying philosophy. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Service Review
Delivering Quality First in Scotland DELIVERING QUALITY FIRST IN SCOTLAND EXECUTIVE SUMMARY The BBC is the most trusted broadcaster in Scotland and a core part of the life of the nation. It unites the audience in enjoyment of the most popular TV, radio and online services, while also championing the diversity of the interests, cultures and languages of this nation of islands and regions. It is valued for upholding the highest standards of quality. The BBC’s commitment to Scotland is to offer a range and depth of programming which is both widely relevant and uniquely distinctive. As the only broadcaster which has invested in covering the whole country across all platforms, it is well-placed to do this. The BBC’s ambition in Scotland is to serve as a national forum, connecting the people of Scotland to each other, to the wider UK and to the rest of the world. As a public service broadcaster which has secure funding and global reach, the BBC is well-placed to achieve this. The BBC provides value to audiences in Scotland in two main ways: through programmes and services which are made in and for Scotland specifically; and through programmes and services which are broadcast across the whole UK. In Scotland, the audience rates the BBC as the leading provider of both Scottish news and non-news programming. Reporting Scotland has the highest reach of any news bulletin; TV opt-out programming1 reaches 44% of the audience every week and is highly appreciated; BBC Radio Scotland is second in popularity only to BBC Radio Two; BBC Scotland’s online portfolio has 3.7m weekly UK unique browsers2; and BBC ALBA attracts half a million English-speaking viewers to its Gaelic TV channel every week. -
Party Conferences Programme 2010
PARTY CONFERENCES PROGRAMME 2010 Liberal Democrat Party Conference 19—21 September p.! Labour Party Conference 26—29 September p." Conservative Party Conference 3—6 October p.# Liberal Democrat Party Conference ! SUNDAY 19 SEPTEMBER 13.00—14.00 / Suite 8 / Jury’s Inn Child-friendly communities: Tackling child poverty at the local level Sarah Teather MP; Anita Tiessen, UNICEF UK; David Powell, Dorset County Council; A young person involved with Child Friendly Communities; Decca Aitkenhead, The Guardian (Chair) 18.15—19.30 / Suite 6 / Jury’s Inn !e Demos Grill: An in-conversation Vince Cable MP, Secretary of State for Business, Innovation and Skills; Danny Finkelstein, The Times 18.15—19.30 / ACC Liverpool / Hall 11C Public service reform in an age of cuts: Where next? Paul Burstow MP (invited); Ben Lucas, 2020 Public Services Trust (invited); Stephen Bubb, ACEVO; Roy O’Shaughnessy, CDG; Randeep Ramesh, The Guardian (Chair); MONDAY 20 SEPTEMBER 8.00—9.00 / Holiday Inn Express / Albert Dock / Britannia 1 Tackling Britain’s worklessness: How to get the Work Programme working Lord German; Jill Kirby, Centre for Policy Studies (invited); Mark Lovell, A4e; Allegra Stratton, The Guardian (Chair) By invitation only 8.00—9.30 / Hilton Liverpool / Meeting Room 6—7 Learning to Succeed: Building culture and ethos in challenging schools Duncan Hames MP; Daisy Christodoulou, Teach First; Professor Dylan Wiliam, Institute of Education, University of London; Chris Kirk, PricewaterhouseCoopers LLP; Philip Collins, Demos (Chair) By invitation only 13.00—14.00 / Blue Bar / Albert Dock Tackling child poverty in an age of austerity Sarah Teather MP; Kate Stanley, ippr; Sally Copley, Save the Children; Philip Collins, Demos (Chair) Liberal Democrat Party Conference cont. -
Quality Holidays by Coach 2017 DOOR-TO-DOOR SERVICE Themed Holidays | Seaside Holidays | City Breaks | European Tours | Festive Holidays
Holiday Programme Coach Tourism Coach Tour Operator (2016 Finalist) Professional of the Year Medium Fleet TRAVEL GROUP (2016 Finalist) (2016 Finalist) Quality Holidays by Coach 2017 DOOR-TO-DOOR SERVICE Themed Holidays | Seaside Holidays | City Breaks | European Tours | Festive Holidays Including Tours by Air, Rail, River & Cruise ABTA Number Y6278 ABTA Number P6893 Dear Valued Customer In this brochure you will find a selection of holidays primarily by coach but also some by Air, Cruise and Rail. We have always been dedicated to first class customer service and we can only achieve this by constantly striving to improve what we do and by listening to customer feedback. Speaking to our clients, we have found that increasingly they are asking for trips that “push the boundaries “ a little, enabling them to see more of the British Isles and Europe. Our themed holidays are becoming very popular and are carrying ever greater numbers of passengers. These holidays have been carefully designed, using 3 or 4 star hotels and offering achievable and well-constructed itineraries. City breaks offer more free time than ever in the city of your choice, so that you can explore at your leisure. In order to avoid constantly repeating the same venues for days out on our seaside breaks we have some “variations on a theme” which we are sure you will enjoy. As our holiday market is becoming “younger” in years we are delighted to include 2 holidays by air to popular destinations. This is a completely new venture for us and we hope this will cater for those clients who do not enjoy the long coach journeys to places like the Channel Islands and the heart of Europe. -
ITV Plc Corporate Responsibility Report 04 ITV Plc Corporate Responsibility Report 04 Corporate Responsibility and ITV
One ITV ITV plc Corporate responsibility report 04 ITV plc Corporate responsibility report 04 Corporate responsibility and ITV ITV’s role in society is defined ITV is a commercial public service by the programmes we make broadcaster. That means we and broadcast. The highest produce programmes appealing ethical standards are essential to to a mass audience alongside maintaining the trust and approval programmes that fulfil a public of our audience. Detailed rules service function. ITV has three core apply to the editorial decisions public service priorities: national we take every day in making and international news, regional programmes and news bulletins news and an investment in and in this report we outline the high-quality UK-originated rules and the procedures in place programming. for delivering them. In 2004, we strengthened our longstanding commitment to ITV News by a major investment in the presentation style. Known as a Theatre of News the new format has won many plaudits and helped us to increase our audience. Researched and presented by some of the finest journalists in the world, the role of ITV News in providing accurate, impartial news to a mass audience is an important social function and one of which I am proud. Our regional news programmes apply the same editorial standards to regional news stories, helping communities to engage with local issues and reinforcing their sense of identity. Contents 02 Corporate responsibility management 04 On air – responsible programming – independent reporting – reflecting society – supporting communities – responsible advertising 14 Behind the scenes – encouraging creativity – our people – protecting the environment 24 About ITV – contacts and feedback Cover Image: 2004 saw the colourful celebration of a Hindu Wedding on Coronation Street, as Dev and Sunita got married. -
Background Scottish Screen Is the National Government
Background Scottish Screen is the national government-backed agency responsible for developing all aspects of screen industry and culture across Scotland, focusing on the following five priority objectives: 1. Education – to ensure that people of all ages and backgrounds are inspired and equipped to analyse, appreciate, explore, create and share screen media; 2. Enterprise and Skills - to ensure that there are appropriate levels of skilled individuals and viable companies to sustain all aspects of the screen industries across Scotland; 3. Inward Investment - to promote Scotland as a dynamic, competitive and successful screen production hub; 4. Market Development - to ensure that the widest range of screen product reaches and is appreciated by a diversity of audiences; 5. Talent and Creativity - to identify nurture, develop, support and progress Scotland’s screen talent and screen production companies. Scottish Screen welcomes this opportunity to comment upon Phase One of Ofcom’s second Public Service Broadcasting (PSB) Review. We agree with Ofcom that PSB in Scotland faces some distinctive challenges and welcome its recognition that ‘one size does not fit all’ in relation to PSB in the Nations and regions. Our response is organised around answering the consultation questions which we believe to be most relevant to PSB in Scotland (see below). However, we also wish to signal up front the importance of one issue which is not specifically raised as a question by Ofcom, namely the close relationship between the PSB Review and the Digital Dividend Review. Ofcom’s recommendations regarding access to High Definition services by the current PSBs and its adoption of a purely market led approach to the release of new spectrum are two examples of the way in which the Digital Dividend Review methodology and timetable run a real risk of precluding an innovative approach to PSB in Scotland. -
PARIS MATCH G
PARIS MATCH FALLING IN (LOVE) WITH THE FRENCH g John von Sothen First published in Great Britain in 2020 by Profile Books 29 Cloth Fair, Barbican, London EC1A 7JQ. www.profilebooks.com An earlier version of this book was published as Monsieur Mediocre by Viking Penguin in the US (2019). 1 3 5 7 9 10 8 6 4 2 Typeset in Sina to a design by Henry Iles. Copyright © John von Sothen 2020 The moral right of the author has been asserted. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the publisher of this book. A CIP catalogue record for this book is available from the British Library. ISBN 978-1788164597 e-ISBN 978-1782836582 Printed and bound in Great Britain by Clays Ltd, Elcograf S.p.A. on Forest Stewardship Council (mixed sources) certified paper. CONTENTS 1 She Had Me at Bah . 9 2 Two More Weddings and a Pig .................................... 28 3 Bringing Up Bibi ................................................................. 40 4 Où est John? ............................................................................ 65 5 Letter from the No- Go Zone .......................................... 88 6 Huge in France ................................................................. 109 7 Voulez- Vous Think Tank Avec Moi? .........................