28 June - 7 July 2019 [MPPPMZI[MXL]SYJSVIZIV
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Justine Barkerfull
Justine Barker [email protected] Composer justinebarker.com facebook.com/justinebarkermusic +44 (0) 7876 580742 @justinebarker12 Inventive and collaborative composer creating exciting emotive music for media. Wide ranging projects from primetime terrestrial TV to independent films. Enthusiasm, consistency and can-do attitude have fostered continuing excellent partnerships with directors and producers. Focus to date has been primarily drama, but also experienced in other genres including documentaries and promos. • Series Composer for BBC Casualty, London Kills and Suspects • Dedicated to creating well crafted musical identities for shows and characters within budget and schedule • Multi-instrumentalist with all-round production ability; write, record, produce, arrange, • Well organised, good communicator with excellent understanding of post-production • Music broadcast on BBC1, ITV, Channel 4, Channel 5, plus non terrestrial channels • Winner of Best Composer for Dawn at Underwire Film Festival 2016 • Scored over 40 short films screened at festivals worldwide. CREDITS: CASUALTY – S.35 TV Drama – 27 x 1 hour Producer Loretta Preece December 2020 to date BBC THE UNICORN FILM Director Dylan Harvey Documentary Pilot Producer Liz Roberts May 2020 SB Productions THE DREAMCATCHER Director Piotr Szkopiak Short Drama Producer Caroline Koziol December 2020 Magdalena Kunz EASTENDERS – 6023, 6024 TV Drama – 2 x 25 mins Director Matthew Evans October 2019 Producer Jon Sen BBC CASUALTY – S.34 TV Drama – 46 x 1 hour Producers Loretta Preece, -
Sense8 Roundtable
Moya Bailey, micha cárdenas, Laura Horak, Lokeilani Kaimana, Cáel M. Keegan, Geneveive Newman, Roxanne Samer, and Raffi Sarkissian Sense8 Roundtable Abstract In “Sense8: A Roundtable,” eight scholars, myself included, think through key questions regarding one of today’s most impressive trans-produced mainstream media productions, Lana and Lilly Wachowski’s Netflix series Sense8, which has yet to receive substantive scholarly attention. We analyze how Sense8 both follows and breaks from the Wachowskis’ prior approach to narrative; offers a distinctly trans* engagement with the histories of cinematic and televisual genres; often relies on western colonial conceptions for its global imagination and marginalizes characters of color; and theorizes contemporary media spectatorship in its appeal to affect and eroticism. We do so believing Sense8 to be an important cultural interlocutor, not only with regard to the exploration of transgender representation but also questions of sexuality, race, and capital in the global present. However, we also share a conviction that the series’ potentiality still leaves substantial room for growth. We take a critical approach to our collective analysis, seeing in the series a glimmer of the kind of global utopian envisioning very much needed in our ceaselessly dystopian present. The first season of J. Michael Straczynski and was the prime decree of those reviewers who were Lana and Lilly Wachowski’s Sense8 was released looking to witness a similar “seamless marriage on Netflix on June 5, 2015. The series’ critical of style and substance.”2 Those reviewers who did reception was mixed. Many found Sense8—which appreciate Sense8 were those who saw the series as tells the story of eight individuals from across purposefully demanding the labor of an attentive the globe, who, having recently been “birthed” by audience. -
Cultural Representation and Identity in the Wachowskis' Sense8
Cultural Representation and Identity in the Wachowskis’ Sense8 Myrto Lefkopoulou LET-ACWB300 – Bachelor Thesis Dr. T.M.J. Sintobin 15 June 2019 Word count: 9.175 Contents Introduction..................................................................................................................................................... 3 Literature Review ........................................................................................................................................ 3 Research Question ...................................................................................................................................... 5 Theoretical Framework ............................................................................................................................... 6 Methodology ............................................................................................................................................... 8 Chapter One .................................................................................................................................................. 10 Cultural Background and Character Building ............................................................................................ 10 Language and Discourse ............................................................................................................................ 13 Analysis of Musical Montage .................................................................................................................... 16 Sound -
Women Filmmakers Leading the Way at Sundance Film Festival: London
WOMEN FILMMAKERS LEADING THE WAY AT SUNDANCE FILM FESTIVAL: LONDON SUNDANCE FILM FESTIVAL: LONDON PROGRAMME ANNOUNCED – PICTUREHOUSE CENTRAL HOSTS FEATURE FILMS, SHORT FILMS AND SPECIAL EVENTS FROM 31 MAY - 3 JUNE 2018 Tickets on sale Monday 30 April; priority booking from Monday 23 April Find out more at picturehouses.com/sundance Picturehouse Central, 19 April 2018 — Sundance Institute and Picturehouse announced today the programme of feature films, short films and panel discussions for the Sundance Film Festival: London 2018, taking place 31 May - 3 June at Picturehouse Central, presented in association with Adobe. General ticket sales open at 9.30am on Monday 30 April, with priority booking for Picturehouse Members opening on 9.30am on Monday 23 April. Become a Picturehouse Member now at picturehouses.com/membership. The festival will present twelve feature films from this year's Sundance Film Festival in Park City, Utah, U.S.A., selected for London by the Sundance Institute programming team in collaboration with Picturehouse. The festival will open with the UK premiere of Jennifer Fox’s The Tale, starring Laura Dern and Elizabeth Debicki, which paves the way for a weekend of bold female-focused stories. The festival will close four days later with the UK premiere of Leave No Trace, Debra Granik’s highly anticipated follow-up to the Academy Award®-nominated Winter’s Bone. Amid the film industry’s current period of dramatic change and intense reflection, this year’s Sundance Film Festival: London will provide an exciting opportunity for the US and UK film industries to connect and discuss our past, present and future. -
Millennial Television: the Televisual Supernova That Is “Sense8” | The
(http://sbpress.com) Millennial Television: The Televisual Supernova That is “Sense8” Michelle Toussaint (http://sbpress.com/author/mtoussaint/) Oct 14 Television (http://sbpress.com/category/culture/television/) Every once in a while comes a television series so refreshing that the cultural impact has the potential to transcend through decades. Recently, I’ve come to believe that series could be Sense8— now streaming on Netflix. Netflix has already established itself as a juggernaut when it comes to original content, with heavy hitters like House of Cards and Orange Is the New Black. Based on overwhelmingly positive audience feedback, Sense8 can now be included to its record of home runs. Though Netflix technically isn’t television, the series surpasses what Toby Miller, a social scientist, says television is supposed to do, which is (1) mirror reality (e.g. Seinfeld, 1994), or (2) create a televisual reality that appeals to a specific audience (e.g. Star Trek, 1966), as a form of entertainment. Sense8 does both. Sense8 is what I like to call “new generation TV,” or what Professor Jon Friedman, of the School of Journalism, rephrased as “millennial TV,” which has a much better ring to it. The reason is because it isn’t the type of show that a majority of our parents or grandparents would be accustomed to or find appealing. To understand this concept, you have to know what it’s about. Created by the Wachowski brothers, mostly known for The Matrix franchise, and co-created by J Michael Strazynski, mostly known for his work on both Marvel and DC Comics, Sense8 explores the transcendent reality of 8 people who suddenly find themselves connected telepathically. -
Reproductive Imaginations in German Culture by Annika Orich A
Artificial Aliens: Reproductive Imaginations in German Culture by Annika Orich A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in German and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Deniz Göktürk, Chair Professor Anton Kaes Professor Abigail De Kosnik Fall 2017 Abstract Artificial Aliens: Reproductive Imaginations in German Culture by Annika Orich Doctor of Philosophy in German Designated Emphasis in Film Studies University of California, Berkeley Professor Deniz Göktürk, Chair This dissertation, titled “Artificial Aliens: Reproductive Imaginations in German Culture,” studies how reproductive processes in biology and the arts evoke similar cultural anxieties, and how they, in turn, are shaped by these same fears. I view and investigate reproduction in biology and the arts as related processes, specifically those conducted via artificial means. My dissertation examines this relationship by tracing artificial aliens as a point of connection across disciplines, media, and periods. The figure of the artificial alien appears as artificial human, othered stranger, alien lifeform, and cinematic image. I develop my argument via several case studies, ranging from Weimar silent films such as Otto Rippert’s Homunculus (1916/1920) and Henrik Galeen’s Alraune (1927/1928) to Frank Schätzing’s science fiction bestseller Der Schwarm (2004) to Netflix’s original series Sense8 (2015-). I argue that there exists a complex dynamic between reproductive processes in biology and the arts and discourses on memory, identity, and media and its archaeology. This project thus contributes to existing research on the interplay between science and fiction. -
As We Eagerly Await His Turn In
FA R A N D AWAY AS WE EAGERLY AWAIT HIS TURN IN THE DARK TOWER AND THE FIFTH SEASON OF LUTHER, IDRIS ELBA STOPS HIS WHIRLWIND TRAVEL SCHEDULE JUST LONG ENOUGH TO TALK WITH ESSENCE’S CORI MURRAY IN THAILAND PHOTOGRAPHY BY DENNIS LEUPOLD • STYLING BY ADE SAMUEL 70 ESSENCE.COM AUGUST 2017 dris Elba is a hard man to pin down. For nearly a year, his publicist This year those projects Elba has been and I were like two parents planning a playdate for the most popu- busy filming are finally hitting the screen. lar kid in class. Everybody wants him. But Elba wants us (more on Guerrilla premiered April 16, and August 4 that later), so we’re combing through his jam-packed calendar is the long-awaited release of The Dark looking for an opening. In one breath, she tells me that after Elba Tower, an adaptation of Stephen King’s finishes shooting Thor: Ragnarok in Australia—and leaves Vancouver, popular novels. In the dual-world dystopian where he’s been filming The Mountain Between Us with Kate film, Elba plays broken man turned ren- Winslet—he goes back to London for John Ridley’s Showtime egade gunslinger Roland Deschain limited series, Guerrilla. Then he will be in Los Angeles for two opposite Matthew McConaughey’s Man nights and in New York City for one day promoting his partner- in Black, who is evil personified. ship with retailer Superdry. After that he’s not back in the States “Let me tell you, these are very com- for months. -
PDF Document
UK FILMS AT BERLINALE 2018 CONTENTS UK FEATURES AT BERLINALE 2018 2 UK DOCUMENTARIES AT BERLINALE 2018 8 UK SHORT FILMS AT BERLINALE 2018 11 UK INSTALLATION AND GALLERY PIECES AT BERLINALE 2018 16 INDEX OF FILMS 18 1ST Feature-length directorial debuts are indicated with this symbol , Director: Idris Elba , Director: Yardie All inclusive images remain the copyright of their respective owners and may Cover: Cover: not be reproduced without the expressed permission of the rights holders. UK FEATURES AT BERLINALE 2018 2 The Bookshop Entebbe (7 Days in Entebbe) Synopsis Synopsis A woman in a small town in 1959 England decides, against polite but Inspired by true events, 'Entebbe' centres around the 1976 hijacking of ruthless local opposition, to open a bookshop. A decision that becomes Air France Flight 139 en route from Tel Aviv to Paris, and the daring a political minefield. By exposing the locals to cutting-edge literature of rescue mission that followed. the day such as Nabokov’s 'Lolita' and Ray Bradbury’s 'Fahrenheit 451', she sows the seeds of an awakening in the conservative town. With only a week to comply with the terrorists’ ultimatums, Israel must make the critical decision: negotiate or launch a seemingly impossible Official Selection Berlinale 2018 - Berlinale Special Gala rescue attempt. 'Entebbe' spotlights the harrowing human story behind the global crisis that changed history. Official Selection Berlinale 2018 - Competition (Out of Competition) - Details World premiere Year: 2017 Running Time: 113 mins Director: Isabel Coixet -
Erika Ökvist Hair, Make-Up and Prosthetics Designer
Erika Ökvist Hair, Make-Up and Prosthetics Designer Film & Television Director Production Co Producer Actors CURSED Zetna Fuentes Netflix Alex Boden Katherine Langford Jon East Brune-Franklin Daniel Nettheim Gustaf Skarsgard Sarah O’Gorman Devon Terrell THE WATCHMEN Nicole Kassell HBO Damien Lindelof THE ROOK Kari Skogland Lionsgate Steve Clark-Hall Emma Greenwell China moo-Young Starz Jon Fletcher Sunu Gonera Adrian Lester Olvivia Munn PURE Aniel Karia Drama Republic Jen Kenwood Joe Cole Doon Mackichan BLACK EARTH RISING Hugo Blick Drama Republic Abi Bach John Goodman Tamara Tunie Michaela Coel Harriet Walker MAKING IT Samuel Abrahams Pure Grass Films Ben Grass SKIN YouTube Red Simone Ashley Tanya Burr AMAZON ADVENTURE Mike Slee SK Films Jonathan Barker Ed Birch Wendy MacKeigan Robert Daws Yuri Sanada Calum Finlay Mike Slee TABOO Kristoffer Nyholm Hardy, Son & Baker Tim Bricknell Tom Hardy Make-Up and Prosthetics Anders Engstrom Oona Chaplin Designer Winner: BAFTA Craft, Make-Up & Hair Design, 2018 Winner: Best Make-Up Design - Drama, RTS Craft Award, 2017 HOMELAND Fox 21 Claire Danes Damien Lewis THE STATE Peter Kosminsky Heel Stone Pictures Ltd Steve Clark Hall MR SELFRIDGE Robert Del Maestro ITV Studios Dominic Barlow Daisy Ridley Series 4 Rob Evans Millie Brady Lawrence Till CAPTAIN WEBB Justin Hardy Marathon Films Paula Prynn Warren Brown Hannah Tointon Warren Brown THE GO-BETWEEN Pete Travis BBC Claire Bennett Vanessa Redgrave Jim Broadbent Winner: Best Single Drama, BAFTA Awards 2016 DOWNTON ABBEY Carnival Film & Nigel Marchant -
Production Notes
PRODUCTION NOTES Runtime: 111 Mins Australian Publicity Contact: Transmission Films | Amy Burgess, National Publicity Manager [email protected] THE CAST Colette...............................................................................................................................Keira Knightley Willy.....................................................................................................................................Dominic West Missy............................................................................................................................Denise Gough Sido............................................................................................................................................Fiona Shaw Georgie Raoul-Duval.................................................................................................Eleanor Tomlinson Jules..........................................................................................................................................Robert Pugh Veber......................................................................................................................................Ray Panthaki THE FILMMAKERS Directed by.......................................................................................................Wash Westmoreland Screenplay by................................Richard Glatzer, Wash Westmoreland, Rebecca Lenkiewicz Story by.............................................................................................................................Richard -
RTS Programme Awards 2021 #Rtsawards 1
RTS Programme Awards 2021 #RTSAwards 1 Contents Royal Television Society 3 Officers 4 Acknowledgements 5 Host 6 Nominations 7 Juries 17 Forthcoming Events 24 RTS Patrons 25 #RTSAwards #RTSAwards RTS Programme Awards 2021 2 About the RTS From glamorous award ceremonies to lively debates, the RTS embraces all aspects of television, and is open to anyone with an interest in the medium. As an educational charity, we encourage and celebrate work in television and its related fields, from finding out how the nation’s favourite shows are made in our Anatomy of a Hit series, to celebrating burgeoning talent at our annual Student Awards. The industry’s most talented individuals give us an insight into the work that goes into making cutting edge contemporary TV. From Government ministers and CEOs to workshops with great runners, our events look at every part of the business. Our annual Television Journalism, Programme, Craft and Design, and Student Awards celebrate achievements across the broadcasting industry. Each year, we offer Television Production and Technology bursaries to help those from less affluent backgrounds get a foothold in the industry, and Masterclass sessions bring together students, academics and industry heads. Global television leaders gather to discuss what the future holds for television at our London Conference or the RTS Cambridge Convention. Alongside our engaged community of around 5,000 full members, the Society is supported by Britain and the world's biggest broadcasters, producers and consultants, including Principal Patrons BBC, Channel 4, ITV and Sky. Originally founded as the Television Society in 1927, the Society was granted its Royal title in 1966 and HRH The Prince of Wales became Patron of the RTS in 1997. -
Operation Ceasefire
56 Tram Road, Clinton ∙ (910) 592-3102 5TH Annual DOG WASH June 15 - 21, 2019 Saturday June 29th 9:00AM to 11:30AM Asking for minimum of $10 per wash and all proceeds will go to Underdog Ranch Pet Adoptions. We will have food, friendship and fun. Proof of Rabies will be required. tramroadah.com AUTO HOME FLOOD LIFE Operation WORK Ceasefire Kevin Bacon, Aldis Hodge, Mark O’Brien and 101 E. Clinton St., Roseboro, N.C. Jonathan Tucker as seen in “City on a Hill” 910-525-5222 [email protected] We ought to weigh well, SEE WHAT YOUR NEIGHBORS ARE TALKING ABOUT! what we can only once decide. Complete Funeral Service including: Traditional Funerals, Cremation Outdoor Power Equipment Pre-Need-Pre-Planning Independently Owned & Operated Since 1920’s Complete parts Butler Funeral Home and service department! 401 W. Roseboro Street 2 locations to Hwy. 24 Windwood Dr. Roseboro, NC better serve you Stedman, NC 401 NE Blvd., Clinton, NC • 910-592-7077 • www.clintonappliance.com 910-525-5138 910-223-7400 910-525-4337 (fax) 910-307-0353(fax) Sampson Independent — Saturday, June 15, 2019 — Page 3 Sports This Week SATURDAY 7:30 a.m. DISC Into the Blue (30m) ESPN2 NCAA Baseball World Series 10:00 p.m. ESPN MLB Baseball San ESPN2 Get Up! (2h) ESPN2 High Noon (30m) 8:00 a.m. DISC Saltwater Experience Division I Tournament. From TD Ameri- Francisco Giants at Los Angeles Dodg- Noon ESPN SportsCenter (1h) 5:30 p.m. ESPN Pardon the Interrup- 7:00 a.m. ESPN SportsCenter (1h) (30m) trade Park-- Omaha, Neb.