A Full List of the References Used
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Sweet Georgia Brown Presents Arranged by Marty Paich
Jazz Lines Publications sweet georgia brown Presents Arranged by marty paich Prepared for Publication by dylan canterbury, Rob duboff, and Jeffrey Sultanof full score jlp-9747 Music by Ben Bernie and Maceo Pinkard Words by Kenneth Casey © 2021 The Jazz Lines Foundation Inc. This Arrangement Has Been Published with the Authorization of the Ella Fitzgerald Estate. Published by the Jazz Lines Foundation Inc., a not-for-profit jazz research organization dedicated to preserving and promoting America’s musical heritage. The Jazz Lines Foundation Inc. PO Box 1236 Saratoga Springs NY 12866 USA ella fitzgerald series sweet georgia brown (1966) Ella Fitzgerald Biography: Truly the First Lady of Song, Ella Fitzgerald was one of the greatest singers in American history. As her official website perfectly states, “Her voice was flexible, wide-ranging, accurate, and ageless. She could sing sultry ballads, sweet jazz, and imitate every instrument in an orchestra.” She enthralled audiences all over the world for decades, worked with everyone from Duke, Dizzy, and Count Basie to Nat King Cole and Sinatra, and left a recorded legacy that is second to none. Born Ella Jane Fitzgerald on April 25, 1917 in Newport News, Virginia, Ella endured some rough times as a child. Following the split of her parents, she moved with her mother to Yonkers, NY, and sadly lost her mother at age 15. Fighting poverty, Ella eventually used these difficult times as motiva- tion in life, and continued to harbor dreams of being an entertainer. She made her public singing debut at the Apollo Theater in Harlem on November 21, 1934 at age 17. -
Finding Aid for the Sheldon Harris Collection (MUM00682)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr. -
Heyward, Dorothy Papers, 180.00
Dorothy Heyward papers, ca. 1850-1976 (bulk 1918-1961) SCHS 180.00 Creator: Heyward, Dorothy, 1890-1961. Description: 18 linear ft. Biographical/Historical note: Playwright and novelist. The daughter of Herman Luyties Kuhns (b. 1855) and Dora Virginia Hartzell, Dorothy Hartzell Kuhns was born in Wooster, Ohio. Dorothy studied playwrighting at Harvard University, and as a fellow of George Pierce Baker's Workshop 47 she spent a summer's residency at the MacDowell Colony, an artists' retreat in New Hampshire, where she met South Carolina author DuBose Heyward (1885-1940). They married in September 1923. Their only child was Jenifer DuBose Heyward (later Mrs. Jenifer Wood, 1930-1984), who became a ballet dancer and made her home in New York, N.Y. Dorothy collaborated with her husband to produce a dramatic version of his novel "Porgy." The play became the libretto for the opera "Porgy & Bess" (first produced in 1935) by DuBose Heyward and George and Ira Gershwin. She also collaborated with her husband to produce "Mamba's Daughters," a play based on DuBose Heyward's novel by the same name. In 1940 Dorothy Heyward succeeded her late husband as the resident dramatist at the Dock Street Theater (Charleston, S.C.). In the years following his death she continued to write and published a number of works including the plays "South Pacific" (1943) and "Set My People Free" (1948, the story of the Denmark Vesey slave insurrection), as well as the libretto for the children's opera "Babar the Elephant" (1953). Earlier works by Dorothy Heyward include the plays "Love in a Cupboard" (1925), "Jonica" (1930), and "Cinderelative" (1930, in collaboration with Dorothy DeJagers), and the novels "Three-a-Day" (1930) and "The Pulitzer Prize Murders" (1932). -
Influential African Americans in History
Influential African Americans in History Directions: Match the number with the correct name and description. The first five people to complete will receive a prize courtesy of The City of Olivette. To be eligible, send your completed worksheet to Kiana Fleming, Communications Manager, at [email protected]. __ Ta-Nehisi Coates is an American author and journalist. Coates gained a wide readership during his time as national correspondent at The Atlantic, where he wrote about cultural, social, and political issues, particularly regarding African Americans and white supremacy. __ Ella Baker was an essential activist during the civil rights movement. She was a field secretary and branch director for the NAACP, a key organizer for Martin Luther King Jr.'s Southern Christian Leadership Conference (SCLC) and was heavily involved in the Student Nonviolent Coordinating Committee (SNCC). SNCC prioritized nonviolent protest, assisted in organizing the 1961 Freedom Rides, and aided in registering Black voters. The Ella Baker Center for Human Rights exists today to carry on her legacy. __ Ernest Davis was an American football player, a halfback who won the Heisman Trophy in 1961 and was its first African-American recipient. Davis played college football for Syracuse University and was the first pick in the 1962 NFL Draft, where he was selected by the Cleveland Browns. __ In 1986, Patricia Bath, an ophthalmologist and laser scientist, invented laserphaco—a device and technique used to remove cataracts and revive patients' eyesight. It is now used internationally. __ Charles Richard Drew, dubbed the "Father of the Blood Bank" by the American Chemical Society, pioneered the research used to discover the effective long-term preservation of blood plasma. -
Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body. -
Program Program at a Glance
2012 NAIS AnnuAl CoNference februAry 29 – mArCh 2 SeAttle Program Program at a Glance...............................................2 Speakers............................................................................4 Floor Plans......................................................................8 Conference Highlights.........................................10 The NAIS Annual Conference is the yearly gathering and Conference Planning Worksheet celebration for the independent and Workshop Tracks...........................................12 school community and is Detailed Program geared toward school leaders Wednesday...........................................................14 in the broadest sense. Heads, administrators, teachers, and Thursday............................................................. 20 trustees are welcome participants Friday......................................................................36 in the exhibit hall, general Exhibit Hall and Member sessions, and workshops focused Resource Center...................................................... 50 on important topics of today. Teacher and Administrative Placement Firms.......................................................71 Acknowledgments..................................................74 New to the CoNference? Is this your first time attending the NAIS Annual Conference? Welcome! Please stop by the NAIS Member Resource Center in the exhibit hall to learn more about NAIS or contact us at [email protected]. WWelcome!Welcome!elcome! dear colleagUeS: Welcome -
CPY Document
COUNCIL FILE NO. 07~ (J 9q7 COUNCIL DISTRICT NO. 13 l/ APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _ ) A. Future Street Acceptance. _) B. Quitclaim of Easement(s). _) C. Dedication of Easement(s). _) D. Release of Restriction(s). i) E. Request for Star in Hollywood Walk of Fame. _) F. Brass Plaque(s) in San Pedro Sport Walk. _) G. Resolution to Vacate or Ordinance submitted in response to Council action. _) H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* ~. Council Office of the District /2. Public Works Committee Chairperson *D/SAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date notice and report copy mailed to interested parties advising of Council date for this item. Date scheduled in CounciL. AFTER COUNCIL ACTION: I Send copy of adopted report to the Real Estate Section. Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. I Other: PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS - E Offce of the City Engineer Los Angeles, California To the Honorable Council Of the City of Los Angeles MAR 2 1 2007 Honorable Members: C. -
Porgy and Bess
PORGY AND BESS by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin Directed by Charles Newell Music Direction by Doug Peck Artistic Consultant Ron OJ Parson May 12 – July 3, 2011 at Court Theatre Kittiwah Island, looking for Bess. All of a sudden, Clara spies the overturned fishing boat of her husband Jake outside the window. Fearing for his life, Clara hands her infant baby to Bess and throws herself out the door into the storm. Bess begs for one of the men to follow her; Crown volunteers, but only after taunting Porgy, who is unable to go. The next day, the deaths of Jake and Clara are mourned by the residents of Catfish Row. The care of their baby has fallen to Bess, who sings him a lullaby. After night falls, Crown returns to seize Bess, but Porgy is waiting there to stop him. They fight, and Porgy kills Crown, against all odds. The next day, the local detective arrives to inquire about the murders of Crown and Robbins, and the residents collaborate to protect Porgy. The police take Porgy in anyway, ordering him to identify Crown’s body. Once he is gone, Sporting Life takes his opportunity to persuade Bess to come with him to New York, convincing her that Porgy will be imprisoned. He forces drugs on her and extols the virtues of the city. She refuses, but Sporting Life waits patiently for her to give in. A week later, Porgy returns from prison, bearing gifts he bought with the craps money he earned in jail. -
George P. Johnson Negro Film Collection LSC.1042
http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections. -
Stardom: Industry of Desire 1
STARDOM What makes a star? Why do we have stars? Do we want or need them? Newspapers, magazines, TV chat shows, record sleeves—all display a proliferation of film star images. In the past, we have tended to see stars as cogs in a mass entertainment industry selling desires and ideologies. But since the 1970s, new approaches have explored the active role of the star in producing meanings, pleasures and identities for a diversity of audiences. Stardom brings together some of the best recent writing which represents these new approaches. Drawn from film history, sociology, textual analysis, audience research, psychoanalysis and cultural politics, the essays raise important questions for the politics of representation, the impact of stars on society and the cultural limitations and possibilities of stars. STARDOM Industry of Desire Edited by Christine Gledhill LONDON AND NEW YORK First published 1991 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge a division of Routledge, Chapman and Hall, Inc. 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” © 1991 editorial matter, Christine Gledhill; individual articles © respective contributors All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
Advanced Beginner Tap Tap Dance Trivia Name
Advanced Beginner Tap Tap Dance Trivia Name: __________________________________________ Period:___________ 1. Which tap dancer is famous for his “Stair Dance?” a. Jimmy Slyde b. Bill “Bojangles” Robinson c. Fred Astaire d. King Rastus Brown 2. In the 1930s, the Nicholas Brothers dance at what famous New York City club? a. The Jazz Club b. The Jazz House c. The Cotton Club d. The Vine 3. Which tap dancer is famous for appearing in movies with Shirley Temple? a. Bill “Bojangles” Robinson b. Willie Coven c. LaVaughn Robinson d. Eddie Brown 4. Which female tap dancers was known for her “machine gun” fast tapping in the 1930s and 1940s? a. Jeni LeGon b. Elenor Powell c. Ginger Rogers d. Ann Miller 5. Which tap dancer appeared with Gene Kelly and Debbie Reynolds in MGM’s “Singing in the Rain?” a. Fred Astaire b. Donald O’Connor c. Fred Kelly d. Buddy Ebsen 6. Some historians think that tap dancing is a mix of which dance forms? a. Irish Step Dance b. African Dance c. English Clog Dance d. All of the above 7. This small room in a New York club served as the “Harlem Headquarters” for tap dancers in the 1930s: a. The Hoofers Club b. The Hoofers Lounge c. The Tappers Club d. The Hoofers Corner 8. Leonard Reed is known for this tap dance routine: a. The Charleston b. The Tack Annie c. The Shim Sham Shimmy d. The Cakewalk 9. The Famous tap dancers who starred in the film “Tap” was: a. Gene Kelly b. Gregory Hines c. -
Stormy Weather: Lena Horne, Dorothy Dandridge and the Cultural Politics of Stardom
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1999 Stormy Weather: Lena Horne, Dorothy Dandridge and the Cultural Politics of Stardom Amy L. Howard College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Studies Commons, Film and Media Studies Commons, History Commons, Music Commons, and the Women's Studies Commons Recommended Citation Howard, Amy L., "Stormy Weather: Lena Horne, Dorothy Dandridge and the Cultural Politics of Stardom" (1999). Dissertations, Theses, and Masters Projects. Paper 1539626198. https://dx.doi.org/doi:10.21220/s2-04ve-6q26 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. STORMY WEATHER: LENA HORNE, DOROTHY DANDRIDGE AND THE CULTURAL POLITICS OF STARDOM A Thesis Presented to The Faculty of the American Studies Program The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master o f Arts by Amanda L. Howard 1999 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Amanda L. Howard Approved, April 1999 History ----- Kimberly L. Phillips History TABLE OF CONTENTS Page ACKNOWLEDGMENTS iv ABSTRACT v ILLUSTRATIONS 45 WORKS CONSULTED 49 iii ACKNOWLEDGMENTS I would like to thank Professor Arthur Knight for his guidance, patience, and careful criticism.